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This is Taking The Next Step, the show where talented young | 0:00:02 | 0:00:05 | |
dancers compete for an amazing prize - to get a role on the hit | 0:00:05 | 0:00:08 | |
TV dance show, The Next Step. | 0:00:08 | 0:00:10 | |
1,300 hopefuls applied. | 0:00:12 | 0:00:14 | |
Successful dancers performed for our industry experts | 0:00:19 | 0:00:23 | |
at regional auditions. | 0:00:23 | 0:00:25 | |
-Come and get your ticket. -Oh! | 0:00:25 | 0:00:27 | |
We're making dreams come true in here! | 0:00:28 | 0:00:31 | |
THEY CHEER | 0:00:31 | 0:00:33 | |
Now the 53 best from Regionals face our judges again in | 0:00:33 | 0:00:36 | |
Manchester at Nationals. | 0:00:36 | 0:00:37 | |
They are professional dancer and | 0:00:40 | 0:00:42 | |
former Pussycat Doll, Kimberly Wyatt. | 0:00:42 | 0:00:44 | |
Star of stage and screen, John Partridge. | 0:00:46 | 0:00:50 | |
And, director and choreographer, Simeon Qsyea. | 0:00:50 | 0:00:54 | |
Bring it. | 0:00:56 | 0:00:58 | |
Today, it's all about the choreography. | 0:00:58 | 0:01:00 | |
It's your time to shine. | 0:01:00 | 0:01:02 | |
Dancers must master a routine set by Simeon. | 0:01:02 | 0:01:05 | |
Boom, boom, boom. That's all I want. | 0:01:05 | 0:01:07 | |
Develop a signature move. | 0:01:09 | 0:01:10 | |
The signature move was good, though. | 0:01:13 | 0:01:15 | |
I don't even remember what it was. | 0:01:15 | 0:01:17 | |
"And choreograph their own Next Steps style routine." How was that? | 0:01:18 | 0:01:22 | |
Oh, nerve-racking. | 0:01:22 | 0:01:25 | |
Only 20 will make it through to Day Two of Nationals. | 0:01:25 | 0:01:28 | |
The decision is... | 0:01:28 | 0:01:30 | |
Who will be Taking The Next Step? | 0:01:30 | 0:01:33 | |
Welcome to Day One of Nationals! | 0:01:43 | 0:01:44 | |
CONTESTANTS CHEER | 0:01:44 | 0:01:47 | |
Dancers, a huge congratulations on making it this far. I think | 0:01:47 | 0:01:51 | |
it's time to welcome in our three judges. Kimberly, John, and Simeon! | 0:01:51 | 0:01:56 | |
Hello! How you doing? | 0:01:59 | 0:02:00 | |
Hello! Hi! Yes! | 0:02:00 | 0:02:03 | |
Go, go, go, go! | 0:02:03 | 0:02:06 | |
Kimberly, the pressure is on today, isn't it? So what have the dancers | 0:02:09 | 0:02:13 | |
-got to do to get through? -We're in Nationals now, which means | 0:02:13 | 0:02:16 | |
they have got to pull it out the bag. We need to see them at | 0:02:16 | 0:02:19 | |
their best. How they work together, how they take on a task and | 0:02:19 | 0:02:22 | |
ultimately, how they perform it. So, you've just got to do it. | 0:02:22 | 0:02:26 | |
-You got to go for it. -LAUGHTER | 0:02:26 | 0:02:28 | |
It's going to be tough, isn't it? John, what are you looking for? | 0:02:28 | 0:02:30 | |
I'm looking for performance, character, personality and charisma. | 0:02:30 | 0:02:35 | |
Simeon, these dancers have got to prove that they've got | 0:02:35 | 0:02:38 | |
-what it takes. -Yeah. -So what's their first challenge? -First challenge | 0:02:38 | 0:02:42 | |
for you guys, you'll learn a piece of choreography from myself. | 0:02:42 | 0:02:45 | |
OK. CONTESTANTS CHEER | 0:02:45 | 0:02:47 | |
Yeah, come on! Hup! | 0:02:47 | 0:02:49 | |
POP MUSIC PLAYS | 0:02:51 | 0:02:54 | |
Woo! | 0:02:54 | 0:02:56 | |
THEY CHEER | 0:03:02 | 0:03:04 | |
So you guys will take all these steps, and we'll adjust them. | 0:03:06 | 0:03:09 | |
So you're going to put your own style, your own flavour. | 0:03:09 | 0:03:12 | |
-Are you ready? -CONTESTANTS: Yeah! | 0:03:12 | 0:03:14 | |
Find a way that you can stand out. For me, in | 0:03:14 | 0:03:17 | |
the Pussycat Dolls, I had my signature move, the Standing | 0:03:17 | 0:03:20 | |
Leg Tilt, that separated me from the rest of the girls. | 0:03:20 | 0:03:23 | |
-What is it about you that makes YOU stand out? -You ready? | 0:03:23 | 0:03:26 | |
-CONTESTANTS: Yeah! -Good luck! | 0:03:26 | 0:03:28 | |
It's the first of two challenges | 0:03:28 | 0:03:30 | |
-today and the first cut will be from 53 to 30. -Get out of here! | 0:03:30 | 0:03:34 | |
At Regionals, everyone had a chance to prepare their own audition | 0:03:34 | 0:03:39 | |
routines, but now the choreography is being set for them. | 0:03:39 | 0:03:42 | |
Boom, boom, boom! Five and six. Go back, let's go. | 0:03:42 | 0:03:46 | |
Simeon is taking the dancers through the steps in groups. | 0:03:46 | 0:03:50 | |
And they have just ten minutes to memorise his choreography. | 0:03:50 | 0:03:55 | |
Two, three and four. Now, the hand doesn't need to be a click. | 0:03:55 | 0:03:58 | |
You might want to do something more exotic. One, two, three and four. | 0:03:58 | 0:04:01 | |
Play around with it, yeah? When we do this turn to the side | 0:04:01 | 0:04:04 | |
you can make it anything you want. So I can be here, I can go up, | 0:04:04 | 0:04:07 | |
and down. As long as we finish on exactly the same timing, | 0:04:07 | 0:04:10 | |
I don't mind what you do. Cool? That's all I want. | 0:04:10 | 0:04:13 | |
CONTESTANTS: One, two, three, and four... | 0:04:13 | 0:04:16 | |
'Whether they dance ballet, tap, contemporary or street, | 0:04:16 | 0:04:19 | |
'everyone is expected to put their own stamp on the routine. | 0:04:19 | 0:04:22 | |
'And everybody must deliver a signature move.' | 0:04:24 | 0:04:27 | |
Seeing some style come out. Some individuality. | 0:04:27 | 0:04:30 | |
There really is nowhere to hide at Nationals, and the dancers | 0:04:30 | 0:04:34 | |
are rehearsing outside under the watchful eye of Kimberly and John. | 0:04:34 | 0:04:38 | |
-What are you looking for? -We're looking for technique, we're | 0:04:40 | 0:04:43 | |
looking for character, we're also looking for team playing and | 0:04:43 | 0:04:46 | |
-we're not seeing too much of that right now. -Really? | 0:04:46 | 0:04:48 | |
Adapting the steps isn't coming easy to everyone. | 0:04:50 | 0:04:53 | |
-Alex is struggling a bit. I kind of saw that coming. -Yeah. | 0:04:54 | 0:04:58 | |
-He's tap, isn't he? -He is tap, yeah. | 0:04:58 | 0:05:01 | |
The new routine may be proving tricky for 13-year-old Alex, | 0:05:03 | 0:05:07 | |
but it was a different story when he first auditioned in London. | 0:05:07 | 0:05:11 | |
Choreographically, I'm very rhythmical, especially when | 0:05:11 | 0:05:13 | |
there's music involved and you were like getting down. I like when I | 0:05:13 | 0:05:18 | |
see dancers sit on tracks, no matter what style it is. A lot of the | 0:05:18 | 0:05:21 | |
time, I wasn't even watching you, I was listening. Are you, not just | 0:05:21 | 0:05:24 | |
in time, but how are you playing around with the music? | 0:05:24 | 0:05:26 | |
Then when I saw you, I was like, "OK, I'm looking at this cool cat, | 0:05:26 | 0:05:29 | |
"you're sitting, you're performing, you're dada dada dada ba ba!" | 0:05:29 | 0:05:32 | |
-So, yeah, well. Well done. -Thank you. | 0:05:32 | 0:05:34 | |
It's time for tapper Alex and his group to face the judges. Can he put | 0:05:36 | 0:05:40 | |
his own spin on Simeon's routine? | 0:05:40 | 0:05:43 | |
Five, six, five, six, seven and... | 0:05:43 | 0:05:47 | |
POP MUSIC PLAYS | 0:05:47 | 0:05:51 | |
I feel it went a bit bad because I mucked up and I went too early. | 0:05:57 | 0:06:02 | |
I think I did put it back on track, but I don't really know. | 0:06:05 | 0:06:08 | |
Tap dancer Alex and his group have | 0:06:09 | 0:06:11 | |
had their chance in front of the judges. | 0:06:11 | 0:06:14 | |
And, a nonstop stream of auditions follows. | 0:06:14 | 0:06:17 | |
-How was that? -Good. | 0:06:19 | 0:06:21 | |
High-fives! Well done, guys! Well done! | 0:06:22 | 0:06:25 | |
53 dancers are battling for just 30 places in the next round. | 0:06:26 | 0:06:30 | |
On a scale of one to ten, how do we think it went? | 0:06:30 | 0:06:33 | |
-Ten. -While some dancers are brimming with confidence, others are | 0:06:35 | 0:06:39 | |
finding the new choreography a challenge. How was that? | 0:06:39 | 0:06:42 | |
-Ah, nerve-racking. -Nerve-racking? I bet. | 0:06:42 | 0:06:46 | |
And the judges are watching their every move. | 0:06:46 | 0:06:49 | |
-You look in shock. -Ah. -How was it, Tallulah? -It was just like... | 0:06:50 | 0:06:54 | |
You're all a bit out of breath, aren't you? | 0:06:54 | 0:06:57 | |
The auditions have been relentless. | 0:06:57 | 0:06:59 | |
Stand up! | 0:06:59 | 0:07:01 | |
All our dancers today have their sights set on the ultimate goal - | 0:07:01 | 0:07:05 | |
that guest role on The Next Step. | 0:07:05 | 0:07:07 | |
And everyone is hoping to stand out with their signature move. | 0:07:08 | 0:07:12 | |
I think the thing about making a signature move is just that, | 0:07:12 | 0:07:15 | |
it's like, it's your plug, you know? It's... When you get out on | 0:07:15 | 0:07:19 | |
stage, you plug it quick, and the audience goes wild, you know? | 0:07:19 | 0:07:22 | |
And I think that comes from who you are as a person. | 0:07:22 | 0:07:26 | |
What inspires you? Is it jumps and turns, or is it something artistic | 0:07:26 | 0:07:30 | |
-that's cool and that's smoother? -Hmm. Thanks, Eldon. I'm sure I | 0:07:30 | 0:07:35 | |
can have a crack at this. | 0:07:35 | 0:07:36 | |
What do you think? Terrible. | 0:07:38 | 0:07:40 | |
Erm, back to our dancers and their signature moves. | 0:07:42 | 0:07:44 | |
We've had Leg Lifts... | 0:07:44 | 0:07:46 | |
Well done. | 0:07:46 | 0:07:47 | |
We've seen some leaps. | 0:07:48 | 0:07:50 | |
Thank you. | 0:07:53 | 0:07:54 | |
And we've had some that are, shall we say, unique. | 0:07:56 | 0:08:00 | |
Hoping to stand out in her group for all the right reasons, it's | 0:08:05 | 0:08:08 | |
11-year-old street dancer, Hollie. | 0:08:08 | 0:08:10 | |
I can't believe you came out here so nervous when you can dance | 0:08:18 | 0:08:20 | |
like that. You need to believe in yourself! I want confidence! | 0:08:20 | 0:08:24 | |
And I mean it, because you're good! | 0:08:24 | 0:08:26 | |
Thank you. | 0:08:26 | 0:08:28 | |
-Can Hollie prove to Kim she was right to believe in her? -Hello. | 0:08:28 | 0:08:32 | |
CONTESTANTS: Hello. | 0:08:32 | 0:08:34 | |
So this is it, Nationals. It's your time to shine. | 0:08:34 | 0:08:38 | |
Take the floor. Space yourselves out. Simeon's going to count you in. | 0:08:38 | 0:08:42 | |
Five, six, five, six, seven and... | 0:08:42 | 0:08:46 | |
Thank you very much, guys. | 0:09:03 | 0:09:04 | |
-How did that go? -Yeah, it was really good. -Really good? You seem | 0:09:07 | 0:09:11 | |
-really positive. -Yeah. -Any smiles from the judges? | 0:09:11 | 0:09:14 | |
-Could you tell? -Yeah! -Really? | 0:09:14 | 0:09:16 | |
I don't think it went how I | 0:09:16 | 0:09:18 | |
planned, but hopefully, | 0:09:18 | 0:09:20 | |
you never know, fingers crossed. | 0:09:20 | 0:09:23 | |
While Hollie and the other dancers take a well earned break, the | 0:09:23 | 0:09:26 | |
judges must decide who stays and who goes. The judges are | 0:09:26 | 0:09:31 | |
deliberating just behind me. They have the task of choosing 30 | 0:09:31 | 0:09:35 | |
to take the next step. There's going to be some tough decisions | 0:09:35 | 0:09:38 | |
and we will have to say goodbye to 23 dancers. | 0:09:38 | 0:09:42 | |
I would not want to be in their shoes right now. | 0:09:42 | 0:09:45 | |
Now that was a strong yes from me, because I really felt that she | 0:09:45 | 0:09:48 | |
pulled it out the bag. She gave me energy. One of the only ones | 0:09:48 | 0:09:51 | |
that really performed. | 0:09:51 | 0:09:52 | |
With such a big cut coming, this could be bad news for some of | 0:09:54 | 0:09:57 | |
the friendships that have formed since Regionals. | 0:09:57 | 0:10:00 | |
Esha and Erin bonded at their first audition in London when they had to | 0:10:02 | 0:10:06 | |
-perform together in a call-back at the end of the day. -So we've | 0:10:06 | 0:10:09 | |
decided to take both of you through to Nationals! | 0:10:09 | 0:10:12 | |
Now were you in different groups when you went into your challenge? | 0:10:14 | 0:10:17 | |
-Yes. -Yes. -So you don't know how each other have done. | 0:10:17 | 0:10:20 | |
-No. -And what would happen today if one of you went through and | 0:10:20 | 0:10:23 | |
-one of you didn't? -Ohhhh! | 0:10:23 | 0:10:25 | |
You had to bring that up, didn't you? | 0:10:25 | 0:10:27 | |
Yeah, sorry! It is the awkward truth. It might happen, | 0:10:27 | 0:10:30 | |
you'd never know! How would you feel? | 0:10:30 | 0:10:32 | |
-I'd be happy. -Happy for her. -But I would be upset as well. | 0:10:32 | 0:10:36 | |
You guys are so supportive of each other. It's really nice. | 0:10:36 | 0:10:39 | |
The mood backstage is upbeat. But 23 dancers will be going home. | 0:10:39 | 0:10:43 | |
Back in the audition room, Kimberly, John and Simeon, have been | 0:10:45 | 0:10:49 | |
locked in serious discussion. | 0:10:49 | 0:10:51 | |
I wanted him to come and smash it, but he was struggling. | 0:10:51 | 0:10:55 | |
That is a definite yes from me. | 0:10:55 | 0:10:57 | |
I haven't fought for many, but this is one I will fight for. | 0:10:57 | 0:11:00 | |
-Signature move was good though. -I don't even remember what it was. | 0:11:00 | 0:11:03 | |
-I kind of just don't want to give up on him. -As soon as it | 0:11:03 | 0:11:05 | |
came time to perform, turned it on. | 0:11:05 | 0:11:08 | |
-Yeah? -We happy? We agreed? -Yeah. | 0:11:08 | 0:11:10 | |
The 30 have been chosen. | 0:11:10 | 0:11:12 | |
The dancers have been placed in groups to hear either a yes | 0:11:15 | 0:11:19 | |
or a no from the judges. Erin and Esha are in different groups, | 0:11:19 | 0:11:24 | |
but, will both dancers survive the cuts? | 0:11:24 | 0:11:27 | |
All of you have amazing qualities as dancers, and we have felt so | 0:11:28 | 0:11:32 | |
-inspired by you. -There are positives and there are | 0:11:32 | 0:11:35 | |
negatives with all of you. | 0:11:35 | 0:11:37 | |
But we've needed to deliberate to find out whether or not | 0:11:37 | 0:11:41 | |
you're through to the next round. | 0:11:41 | 0:11:44 | |
We have reached a decision. | 0:11:44 | 0:11:46 | |
We've decided that you will be going through to the next round! | 0:11:53 | 0:11:58 | |
Congratulations! | 0:11:58 | 0:11:59 | |
THEY CHEER | 0:11:59 | 0:12:01 | |
So, it's great news for Erin! | 0:12:01 | 0:12:03 | |
-Bet you guys are just feeling ecstatic, aren't you? -Yeah. | 0:12:03 | 0:12:07 | |
Well, guess what? Challenge Two next! | 0:12:07 | 0:12:10 | |
CONTESTANTS: Ohhhh! | 0:12:10 | 0:12:12 | |
But, will Esha be joining her? | 0:12:12 | 0:12:15 | |
You will not be going through to the next round. I'm sorry. | 0:12:19 | 0:12:22 | |
You should be really proud of yourselves. Do you feel all right? | 0:12:22 | 0:12:25 | |
-Yeah. -You feel good? Feel proud? -Yep. | 0:12:25 | 0:12:28 | |
So it's the end of Esha's Next Step journey and she's not the only one. | 0:12:28 | 0:12:32 | |
Unfortunately this time you will not be Taking The Next Step. | 0:12:35 | 0:12:38 | |
It's been an amazing opportunity and I'm glad that I got this far. | 0:12:41 | 0:12:45 | |
-You going to keep dancing? -Definitely. -Do you need a fourth | 0:12:45 | 0:12:47 | |
-dancer in your crew? -Yes. -Yeah... -That was a "no," Roan, wasn't it? | 0:12:47 | 0:12:52 | |
No... | 0:12:52 | 0:12:53 | |
But for others, it's the result they've been desperate to hear. | 0:12:56 | 0:12:59 | |
You will be going through to the next round. All of you. | 0:13:00 | 0:13:04 | |
It's only going to get harder for you because you are through | 0:13:07 | 0:13:10 | |
to the next round! | 0:13:10 | 0:13:12 | |
THEY CHEER | 0:13:12 | 0:13:14 | |
And that is Challenge One done, who's up for Challenge Two? | 0:13:16 | 0:13:19 | |
CONTESTANTS: ME! | 0:13:19 | 0:13:21 | |
Me too! Off you go, tell your family, get ready, OK? | 0:13:21 | 0:13:24 | |
There's plenty to celebrate backstage as 25 dancers have | 0:13:24 | 0:13:28 | |
earned their places in the second round of Nationals. | 0:13:28 | 0:13:31 | |
But with just five places left, there can only be good news | 0:13:34 | 0:13:37 | |
for one of our final two groups. Who has done enough to make it through? | 0:13:37 | 0:13:42 | |
Hollie or Alex? | 0:13:42 | 0:13:44 | |
Hello. | 0:13:47 | 0:13:48 | |
I just want to say congratulations on getting this far. | 0:13:50 | 0:13:54 | |
The stakes have been incredibly high. | 0:13:54 | 0:13:57 | |
Do we see potential in you? Yes. | 0:13:57 | 0:14:00 | |
But we're actually looking for somebody to be a star. | 0:14:01 | 0:14:04 | |
Do you have that star potential? | 0:14:06 | 0:14:08 | |
So, after much deliberation, | 0:14:09 | 0:14:11 | |
we have come to a decision. | 0:14:11 | 0:14:14 | |
And our decision is... | 0:14:17 | 0:14:19 | |
..that we will not be able to take any of you to the next round. | 0:14:20 | 0:14:23 | |
I'm a bit disappointed I didn't get through, | 0:14:28 | 0:14:30 | |
but I'm all right in the end. | 0:14:30 | 0:14:32 | |
Cos it's all about the experience, isn't it? | 0:14:32 | 0:14:33 | |
I have to tell you that it's only going to get harder, | 0:14:34 | 0:14:37 | |
because you are through to the next round! | 0:14:37 | 0:14:39 | |
CHEERING | 0:14:39 | 0:14:40 | |
APPLAUSE | 0:14:42 | 0:14:44 | |
I'm in a lot of shock right now, | 0:14:44 | 0:14:46 | |
and I'm really excited and really happy. | 0:14:46 | 0:14:48 | |
Tears of joy for Hollie. But it's the end of the road for Alex. | 0:14:51 | 0:14:55 | |
So, our 30 remaining dancers are edging closer | 0:14:57 | 0:15:00 | |
to that guest role on The Next Step. | 0:15:00 | 0:15:02 | |
Can Hollie and Erin make it through to Nationals, Day Two? | 0:15:02 | 0:15:07 | |
All right, we're onto our next challenge. And this is a tough one. | 0:15:07 | 0:15:11 | |
We are going to break you into dance troupes, | 0:15:11 | 0:15:13 | |
and in your dance troupe, | 0:15:13 | 0:15:15 | |
it's up to you to create and choreograph a performance. | 0:15:15 | 0:15:20 | |
I always say you're only as good as your weakest link. | 0:15:20 | 0:15:24 | |
You all want to be able to shine in this piece. | 0:15:24 | 0:15:27 | |
Of course you'll be judged as individuals, | 0:15:27 | 0:15:30 | |
but if the group is good, then the individuals will shine. | 0:15:30 | 0:15:34 | |
So, we want you to work as a team. | 0:15:34 | 0:15:36 | |
But also, you're all fighting for that number one spot. | 0:15:36 | 0:15:39 | |
The stakes are high. Don't blow it. | 0:15:40 | 0:15:43 | |
-Let's do this! -Yeah, come on! Come on! | 0:15:43 | 0:15:47 | |
Our 30 dancers will be working in troupes of five, and they | 0:15:50 | 0:15:54 | |
have to come up with a routine to The Next Step track Coming Home. | 0:15:54 | 0:15:57 | |
# I'm coming home. # | 0:15:57 | 0:15:59 | |
When I'm dancing in a group on The Next Step, | 0:16:01 | 0:16:02 | |
I feel very connected to them, and I feel like that's very important. | 0:16:02 | 0:16:05 | |
# I'm coming home Coming home, coming home. # | 0:16:05 | 0:16:09 | |
I think it's amazing when we mix | 0:16:09 | 0:16:10 | |
everyone's different styles together, | 0:16:10 | 0:16:12 | |
because it gives the group dynamic, as a whole. | 0:16:12 | 0:16:14 | |
# I'm coming home Coming home, coming home. # | 0:16:14 | 0:16:17 | |
Just like A-Troupe, our dancers have different disciplines. | 0:16:18 | 0:16:21 | |
So one of their challenges will be to mix different dance styles | 0:16:21 | 0:16:25 | |
within their group. | 0:16:25 | 0:16:26 | |
Each troupe has just 15 minutes to come up with a routine, and all | 0:16:27 | 0:16:31 | |
three judges will be watching as they develop their ideas. | 0:16:31 | 0:16:35 | |
11-year-old Hollie is the only street dancer in her troupe. | 0:16:36 | 0:16:39 | |
Her team-mates are ballet dancer Harriet, | 0:16:39 | 0:16:41 | |
contemporary dancer Molly, | 0:16:41 | 0:16:44 | |
lyrical dancer Milan, | 0:16:44 | 0:16:46 | |
and modern dancer Jay. | 0:16:46 | 0:16:48 | |
The other dancers' styles share similar moves, | 0:16:48 | 0:16:50 | |
so how will Hollie blend with her troupe? | 0:16:50 | 0:16:53 | |
So you roll like this... | 0:16:58 | 0:16:59 | |
Rehearsals are over. | 0:17:06 | 0:17:08 | |
It's time for Hollie and the rest of the troupe to bring | 0:17:08 | 0:17:11 | |
their routine together for the big performance. | 0:17:11 | 0:17:13 | |
OK, guys. This is it. | 0:17:16 | 0:17:18 | |
I don't want you to finish this performance | 0:17:18 | 0:17:20 | |
and feel that there was anything you could have done better, OK. | 0:17:20 | 0:17:23 | |
Really go for it. We're looking forward to it, OK? | 0:17:23 | 0:17:26 | |
MUSIC: Coming Home by The Next Step | 0:17:26 | 0:17:29 | |
Five, six, seven. | 0:17:33 | 0:17:34 | |
# I'm coming home | 0:17:34 | 0:17:36 | |
# Yeah, I'm coming home | 0:17:37 | 0:17:39 | |
# I'm coming home | 0:17:42 | 0:17:43 | |
# Coming home, coming home | 0:17:43 | 0:17:46 | |
# I'm coming home | 0:17:46 | 0:17:47 | |
# Coming home to you | 0:17:47 | 0:17:50 | |
# I'm coming home | 0:17:50 | 0:17:51 | |
# I'm coming home | 0:17:54 | 0:17:56 | |
# Yeah, I'm coming home | 0:17:57 | 0:17:59 | |
# Coming home, coming home | 0:17:59 | 0:18:02 | |
# I'm coming home | 0:18:02 | 0:18:03 | |
# Coming home to you. # | 0:18:03 | 0:18:05 | |
I was really surprised by this one. | 0:18:08 | 0:18:10 | |
I was really...happy. Yeah. | 0:18:10 | 0:18:13 | |
What was it like to dance as a group together? | 0:18:13 | 0:18:15 | |
-It was nice, yeah. -Nice, yeah. | 0:18:15 | 0:18:17 | |
-Was it? Was it something you would want to do again? -Yes. -I bet. | 0:18:17 | 0:18:20 | |
You looked good as a group, actually. | 0:18:20 | 0:18:22 | |
But, of course, it's not up to me. | 0:18:22 | 0:18:24 | |
How were the rest of our troupes coping with Kimberly's brief? | 0:18:24 | 0:18:27 | |
You all want to be able to shine in this piece. | 0:18:28 | 0:18:31 | |
Of course, you'll be judged as individuals but, | 0:18:31 | 0:18:33 | |
if the group is good, then the individuals will shine. | 0:18:33 | 0:18:37 | |
The next troupe have gone for | 0:18:39 | 0:18:40 | |
a combination of street and contemporary. | 0:18:40 | 0:18:43 | |
-Pretty amazing. -Pretty amazing. | 0:18:44 | 0:18:46 | |
I'm feeling quite proud. | 0:18:46 | 0:18:48 | |
-How did it go? -Good. | 0:18:53 | 0:18:55 | |
# I'm coming home | 0:18:55 | 0:18:56 | |
# Yeah, I'm coming home. # | 0:18:58 | 0:18:59 | |
Erin's troupe perform with a routine | 0:18:59 | 0:19:01 | |
that still leaves time for everyone to have a signature move. | 0:19:01 | 0:19:04 | |
# I'm coming home Coming home, coming home. # | 0:19:04 | 0:19:06 | |
-Well done. -Well done. -I know, I know. | 0:19:06 | 0:19:09 | |
And it looked a lot better than your group from this morning. | 0:19:09 | 0:19:12 | |
Do you feel you gave it everything and really worked as a team? | 0:19:12 | 0:19:16 | |
-Yes. -I think we just feel we really did. -Yeah. -Good. | 0:19:16 | 0:19:19 | |
Some dancers are adopting different dance styles | 0:19:23 | 0:19:25 | |
to help their troupe blend. | 0:19:25 | 0:19:27 | |
Khyrese was trying his best to do Kyle's style. | 0:19:28 | 0:19:31 | |
-I love that. -Yeah. | 0:19:31 | 0:19:33 | |
While others, like street dancer Lance, | 0:19:35 | 0:19:38 | |
are sticking to what they know best. | 0:19:38 | 0:19:40 | |
# I'm coming home... # | 0:19:40 | 0:19:41 | |
This one was just doing a solo the entire time, | 0:19:41 | 0:19:43 | |
he didn't really care what was going on. | 0:19:43 | 0:19:45 | |
Were there couple of mistakes in there? | 0:19:48 | 0:19:50 | |
ALL: Yeah. | 0:19:50 | 0:19:51 | |
-We kind of, sort of... -We all followed each other. | 0:19:51 | 0:19:53 | |
Yeah, we were, like, kind of connecting. | 0:19:53 | 0:19:55 | |
I think we all came together at the end, yeah. All of our solo bits, | 0:19:58 | 0:20:01 | |
we kind of showed off what our strengths were. | 0:20:01 | 0:20:04 | |
Let's hope the judges think the same. | 0:20:04 | 0:20:07 | |
# Coming home, coming home. # | 0:20:07 | 0:20:08 | |
25 dancers have performed, | 0:20:11 | 0:20:14 | |
and the last group are ready to take to the stage. | 0:20:14 | 0:20:16 | |
It's street dancer Joe, | 0:20:18 | 0:20:19 | |
modern dancers Ellie and Macy, | 0:20:19 | 0:20:22 | |
and contemporary dancers Jessica and Khalid. | 0:20:22 | 0:20:25 | |
At Regionals, Kimberly wasn't sure Khalid | 0:20:27 | 0:20:29 | |
was the right fit for the show. | 0:20:29 | 0:20:31 | |
Do I necessarily think you're THE Next Step dancer? | 0:20:32 | 0:20:35 | |
I'm not so sure. | 0:20:35 | 0:20:37 | |
Now it's time to perform, can Khalid use this Next Step dance challenge | 0:20:38 | 0:20:42 | |
to prove he could be right for that guest role? | 0:20:42 | 0:20:45 | |
This is your time to really show us what you've got. | 0:20:46 | 0:20:48 | |
Bring it. | 0:20:48 | 0:20:50 | |
MUSIC: Coming Home by The Next Step | 0:20:50 | 0:20:52 | |
# I'm coming home | 0:20:57 | 0:20:58 | |
# Yeah, I'm coming home | 0:21:00 | 0:21:02 | |
# I'm coming home | 0:21:05 | 0:21:06 | |
# Coming home, coming home | 0:21:06 | 0:21:08 | |
# I'm coming home | 0:21:08 | 0:21:10 | |
# Coming home to you | 0:21:10 | 0:21:13 | |
# I'm coming home | 0:21:13 | 0:21:14 | |
# I'm coming home | 0:21:17 | 0:21:19 | |
# Yeah, I'm coming home | 0:21:21 | 0:21:22 | |
# Coming home, coming home | 0:21:22 | 0:21:25 | |
# I'm coming home | 0:21:25 | 0:21:26 | |
# Coming home to you. # | 0:21:26 | 0:21:28 | |
-You look a bit unsure. How did that go? -Well, I think, I... -Yeah. | 0:21:28 | 0:21:30 | |
-..I found it all right. -It was all right. -OK, and... -It was great! | 0:21:30 | 0:21:33 | |
Aw, were you great? | 0:21:33 | 0:21:35 | |
I can only just hope that it went well. | 0:21:36 | 0:21:39 | |
And, like, I gave my all, so then I just hope that | 0:21:39 | 0:21:41 | |
they can see that I gave my all, in order for me to get through. | 0:21:41 | 0:21:44 | |
Everyone has had their chance to show the judges | 0:21:46 | 0:21:49 | |
they have what it takes for that guest role on The Next Step. | 0:21:49 | 0:21:52 | |
For the final time today, Kimberly, John and Simeon have to make a cut. | 0:21:54 | 0:21:58 | |
I want to start this off, | 0:21:58 | 0:22:00 | |
and be like, this one here absolutely blew me away. | 0:22:00 | 0:22:04 | |
I second that. I loved her. | 0:22:05 | 0:22:07 | |
So, 30 of our dancers have performed, | 0:22:07 | 0:22:09 | |
but only 20 will make it through to Day Two of Nationals. | 0:22:09 | 0:22:12 | |
But who will it be? | 0:22:12 | 0:22:14 | |
They're deliberating right now. | 0:22:14 | 0:22:16 | |
He was into himself in this performance. | 0:22:17 | 0:22:20 | |
Is he into himself? | 0:22:20 | 0:22:21 | |
I think he's only into himself, which is why I... | 0:22:21 | 0:22:25 | |
I just don't get that thing from him. | 0:22:25 | 0:22:27 | |
When it comes to the next challenge, I don't feel like she'll do as well. | 0:22:27 | 0:22:31 | |
And I need to bear that in mind. | 0:22:31 | 0:22:33 | |
He just seems a bit of a one trick pony. | 0:22:33 | 0:22:36 | |
If I have to judge based on this challenge... Oof. | 0:22:36 | 0:22:39 | |
-This girl was the weakest link... -Yes. | 0:22:39 | 0:22:42 | |
..in this challenge, but within this group, they helped her to shine. | 0:22:42 | 0:22:46 | |
-And that's what we asked them to do. -Yes. | 0:22:46 | 0:22:49 | |
Here we go. Three, two, one... | 0:22:50 | 0:22:52 | |
NO! | 0:22:56 | 0:22:58 | |
Really?! | 0:22:58 | 0:23:00 | |
Yeah. | 0:23:00 | 0:23:01 | |
For the judges, this has been the toughest cut yet. | 0:23:01 | 0:23:05 | |
-Job done, guys, it was hard and it's done. -Job done. | 0:23:05 | 0:23:08 | |
And it's been a nerve-racking wait backstage. | 0:23:14 | 0:23:18 | |
So, the judges have made their decision, and now all these dancers | 0:23:18 | 0:23:22 | |
are about to find out whether they're staying or going home. | 0:23:22 | 0:23:25 | |
Can I please have Chloe, Milan, Ellie B, Jude and Joe, please? | 0:23:25 | 0:23:32 | |
The dancers are being called into new groups for their results, | 0:23:32 | 0:23:35 | |
and it's time to face the judges. | 0:23:35 | 0:23:37 | |
Can Hollie make it through to the next round? | 0:23:40 | 0:23:43 | |
I know it's been an extremely long day | 0:23:44 | 0:23:47 | |
and we've really put you through your paces. | 0:23:47 | 0:23:50 | |
And seeing all of you take on these challenges and show us | 0:23:50 | 0:23:53 | |
the best of what you got, it's been a real privilege. | 0:23:53 | 0:23:56 | |
You guys did well. | 0:23:56 | 0:23:58 | |
But was well good enough? | 0:23:59 | 0:24:01 | |
And now, it's time to find out who's going to go | 0:24:03 | 0:24:06 | |
to the next round of Nationals. | 0:24:06 | 0:24:08 | |
We've discussed and we have come to a decision. | 0:24:09 | 0:24:11 | |
You guys are going through to the next round! | 0:24:20 | 0:24:22 | |
CHEERING | 0:24:22 | 0:24:24 | |
Congratulations! | 0:24:24 | 0:24:25 | |
-Can you believe it? -No. | 0:24:25 | 0:24:27 | |
You guys have come to Nationals, you've done challenge one, | 0:24:27 | 0:24:30 | |
-challenge two, and you're through to Day Two. -Yes! | 0:24:30 | 0:24:33 | |
-Does that feel amazing? -Yes! | 0:24:33 | 0:24:35 | |
So, it's good news for the first group. | 0:24:35 | 0:24:37 | |
Will Hollie and her group join them on Day Two of Nationals? | 0:24:39 | 0:24:43 | |
You will not be going through to the next round. | 0:24:43 | 0:24:45 | |
I'm so sorry. | 0:24:45 | 0:24:47 | |
Sadly for Hollie, it's the end of her Next Step journey. | 0:24:47 | 0:24:51 | |
I am disappointed that I didn't get through, | 0:24:51 | 0:24:53 | |
but it was an amazing experience. | 0:24:53 | 0:24:55 | |
It's been an anxious wait for Erin and her group. | 0:24:57 | 0:25:00 | |
You guys... | 0:25:02 | 0:25:04 | |
are going through to the next round! | 0:25:04 | 0:25:06 | |
WHOOPING | 0:25:06 | 0:25:07 | |
Erin's made it. And those 20 places are being filled. | 0:25:09 | 0:25:13 | |
Well, guess what, you've made it through Day One at Nationals. | 0:25:13 | 0:25:16 | |
-Woohoo! -And now you've got to make it through Day Two! | 0:25:16 | 0:25:19 | |
CHEERING | 0:25:20 | 0:25:22 | |
It is a yes! You are going through to the next round, well done! | 0:25:25 | 0:25:28 | |
-Can you believe it? -No. | 0:25:28 | 0:25:30 | |
As the final two groups face the judges, only five places remain. | 0:25:31 | 0:25:35 | |
Has Khalid done enough to prove he could be right for The Next Step? | 0:25:35 | 0:25:40 | |
This is Nationals. | 0:25:40 | 0:25:41 | |
We knew what would happen, and we've been surprised. | 0:25:41 | 0:25:45 | |
We've had some real big highs, | 0:25:45 | 0:25:47 | |
but we've also have some lows, and some shocks. | 0:25:47 | 0:25:50 | |
Whatever happens, you walk out of here with your heads held high, | 0:25:50 | 0:25:55 | |
because we have all seen something so special and unique | 0:25:55 | 0:25:59 | |
in every single one of you. | 0:25:59 | 0:26:02 | |
We've discussed and we came to a decision. | 0:26:05 | 0:26:07 | |
And that decision is... | 0:26:14 | 0:26:16 | |
that this time, you won't be going through to the next round, | 0:26:20 | 0:26:23 | |
but you have done so well. | 0:26:23 | 0:26:25 | |
-Do you feel proud of yourselves? -Yeah. | 0:26:25 | 0:26:27 | |
-Definitely. -And what will you take away from this experience? | 0:26:27 | 0:26:30 | |
Just to never give up, really. | 0:26:30 | 0:26:32 | |
Never give up. Keep dancing. | 0:26:32 | 0:26:34 | |
Get ready, cos you're going to the next round. | 0:26:36 | 0:26:38 | |
SHRIEKS OF JOY | 0:26:38 | 0:26:40 | |
-Are these happy tears that I'm seeing? -Yeah! | 0:26:42 | 0:26:44 | |
-Very happy tears? -Yeah! | 0:26:44 | 0:26:47 | |
-You guys have just smashed it. Do you feel good? -Yes. -Yeah. | 0:26:47 | 0:26:50 | |
Khalid and Erin have made it through Nationals Day One. | 0:26:55 | 0:26:59 | |
You guys have been brilliant. | 0:27:01 | 0:27:03 | |
Thank you for bringing your positive energy, | 0:27:03 | 0:27:06 | |
your amazing attitudes and really showing us | 0:27:06 | 0:27:09 | |
that you've got something special inside every single one of you. | 0:27:09 | 0:27:13 | |
But right now, you should congratulate yourself, | 0:27:13 | 0:27:16 | |
give yourself a huge round of applause! | 0:27:16 | 0:27:18 | |
CHEERING | 0:27:18 | 0:27:19 | |
Yeah! Well done! | 0:27:19 | 0:27:20 | |
So, there we have it. Our final 20 dancers, who have all made it | 0:27:20 | 0:27:25 | |
through to Day Two at Nationals. | 0:27:25 | 0:27:27 | |
-Woohoo! -High five! | 0:27:28 | 0:27:30 | |
CHEERING | 0:27:30 | 0:27:31 | |
As the opportunity to win | 0:27:34 | 0:27:36 | |
that amazing guest role on The Next Step gets closer, | 0:27:36 | 0:27:39 | |
the challenge facing our remaining | 0:27:39 | 0:27:41 | |
20 dancers gets tougher. | 0:27:41 | 0:27:43 | |
I'm so nervous for this audition. | 0:27:43 | 0:27:46 | |
What are you doing? | 0:27:46 | 0:27:47 | |
What happened? | 0:27:49 | 0:27:51 | |
Don't miss any of the drama - | 0:27:51 | 0:27:53 | |
only on Taking The Next Step. | 0:27:53 | 0:27:55 | |
# Stand up. # | 0:27:58 | 0:27:59 |