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This is Taking The Next Step, the show where talented young dancers | 0:00:02 | 0:00:05 | |
compete for an amazing prize - to get a role | 0:00:05 | 0:00:08 | |
on the hit TV dance show, The Next Step. | 0:00:08 | 0:00:10 | |
Let's do this! | 0:00:13 | 0:00:15 | |
53 dancers came to our national auditions, determined to impress | 0:00:15 | 0:00:19 | |
our industry experts. | 0:00:19 | 0:00:21 | |
# Let's go! # | 0:00:25 | 0:00:26 | |
They are professional dancer and former Pussycat Doll | 0:00:26 | 0:00:30 | |
Kimberly Wyatt, | 0:00:30 | 0:00:31 | |
star of stage and screen John Partridge, | 0:00:34 | 0:00:37 | |
and director and choreographer Simeon Qsyea. | 0:00:37 | 0:00:40 | |
Music. | 0:00:42 | 0:00:44 | |
The judges put them through their paces... | 0:00:44 | 0:00:46 | |
-Pretty amazing. -..and made some tough decisions. | 0:00:47 | 0:00:51 | |
No! | 0:00:51 | 0:00:53 | |
# Let's do it, do it... # | 0:00:53 | 0:00:54 | |
Now, just 20 dancers remain and today they face | 0:00:54 | 0:00:58 | |
their biggest challenge yet. | 0:00:58 | 0:01:00 | |
I'm so nervous for this audition. | 0:01:01 | 0:01:03 | |
-What are you doing? -I ain't doing it with...it. | 0:01:03 | 0:01:06 | |
Oh, you're crazy. | 0:01:06 | 0:01:07 | |
What happened? | 0:01:09 | 0:01:11 | |
With the pressure on and only 12 places in the next round, | 0:01:12 | 0:01:16 | |
who will be taking the Next Step? | 0:01:16 | 0:01:18 | |
We have made a decision. | 0:01:18 | 0:01:20 | |
Welcome to day two of Nationals. | 0:01:34 | 0:01:36 | |
Dancers, a huge congratulations on making it this far. | 0:01:40 | 0:01:43 | |
Please welcome our judges, Kimberly, Simeon and John. | 0:01:43 | 0:01:46 | |
CHEERING | 0:01:46 | 0:01:48 | |
-Hello, judges. -Hello. -Hello. | 0:01:55 | 0:01:56 | |
It is day two of Nationals. So, Kimberly, | 0:01:56 | 0:01:59 | |
what are these guys going to have to do to impress you today? | 0:01:59 | 0:02:02 | |
Today is a much different day for you guys, because | 0:02:02 | 0:02:04 | |
we've been watching you dance, but today, we want to see you talk. | 0:02:04 | 0:02:08 | |
-We want to see you come to life... -Hang on one minute, | 0:02:08 | 0:02:10 | |
that's not what you said in the dressing room. | 0:02:10 | 0:02:12 | |
That's what we just talked about. | 0:02:12 | 0:02:14 | |
I think we need to be clear, because... Can we just stop filming for a moment? | 0:02:14 | 0:02:17 | |
What's...? Wait, OK. Stop. What happened? | 0:02:17 | 0:02:19 | |
Well, in the dressing room, you said something completely different. | 0:02:19 | 0:02:22 | |
Now we're out here, and they're not going to know what... | 0:02:22 | 0:02:24 | |
Can we not do this in front of the kids? | 0:02:24 | 0:02:26 | |
Can we, like, send them away, or something? | 0:02:26 | 0:02:27 | |
I thought we were on the same page. | 0:02:27 | 0:02:29 | |
You see, now that is acting improvisation. | 0:02:29 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:32 | |
We had you fooled for a minute, didn't we? | 0:02:32 | 0:02:34 | |
And that is your challenge today. | 0:02:34 | 0:02:36 | |
Now, most of the scenes you see on The Next Step are improvised. | 0:02:36 | 0:02:40 | |
That means there's no scripts. | 0:02:40 | 0:02:44 | |
So today, we will be testing your improvisation skills. | 0:02:44 | 0:02:49 | |
Now, the scene we'd like you to act out today are four dancers at a | 0:02:49 | 0:02:53 | |
dance competition. Now, maybe you're just arriving at the competition, | 0:02:53 | 0:02:58 | |
seeing who you're competing against. Maybe you've already danced, | 0:02:58 | 0:03:01 | |
been placed. Maybe you think the judges | 0:03:01 | 0:03:03 | |
didn't make the right decision. | 0:03:03 | 0:03:05 | |
Maybe you're in the wings, watching each other dance. | 0:03:05 | 0:03:08 | |
The choice is yours. | 0:03:08 | 0:03:10 | |
Let your imaginations run free. | 0:03:10 | 0:03:12 | |
Good luck. Yeah, come on. | 0:03:12 | 0:03:14 | |
The improv challenge is on. | 0:03:14 | 0:03:16 | |
The brief is to come up with a scene for four dancers at a dance | 0:03:17 | 0:03:20 | |
competition. There are no scripts or prewritten words in this acting | 0:03:20 | 0:03:24 | |
challenge, so our budding actors will have to decide what to do. | 0:03:24 | 0:03:28 | |
They'll be judged on how they perform as individuals, | 0:03:29 | 0:03:32 | |
how they interact with each other, and how they get their ideas across | 0:03:32 | 0:03:37 | |
to the audience. | 0:03:37 | 0:03:38 | |
The judges are watching them prepare. | 0:03:38 | 0:03:40 | |
First on their radar, it's... | 0:03:40 | 0:03:42 | |
D'yous want us to come over to you? | 0:03:47 | 0:03:49 | |
Yeah, you could just stand near us, making it look like | 0:03:49 | 0:03:51 | |
we're going to be jealous and all that of you, and all. | 0:03:51 | 0:03:54 | |
He's really taking control. | 0:03:54 | 0:03:56 | |
Kimberly thought Joe stood out at London Regionals. | 0:03:56 | 0:03:59 | |
You've got serious charisma. | 0:03:59 | 0:04:00 | |
It's just burning off of you and I really like that. | 0:04:00 | 0:04:03 | |
Thank you. | 0:04:03 | 0:04:05 | |
And then, like, stop, and then, like, look at them in disgust. | 0:04:05 | 0:04:07 | |
Yes. | 0:04:07 | 0:04:09 | |
Chloe and Imogen certainly impressed at their regional auditions. | 0:04:09 | 0:04:13 | |
I thought it was brilliant. | 0:04:13 | 0:04:14 | |
I thought it was really, really beautiful. | 0:04:14 | 0:04:17 | |
Chloe, it was gorgeous. | 0:04:17 | 0:04:19 | |
-I absolutely loved it. -Thank you. | 0:04:19 | 0:04:22 | |
So unless we, like, go round the chair, like, | 0:04:22 | 0:04:25 | |
to insinuate that we've, like, gone into the dance. | 0:04:25 | 0:04:28 | |
-Yeah. -I think that might make sense. -Yeah. | 0:04:28 | 0:04:30 | |
Today, Imogen, Chloe and Joe have been teamed up with Khalid, who, | 0:04:30 | 0:04:34 | |
unlike them had some tough feedback at his regional audition. | 0:04:34 | 0:04:38 | |
Technically, it's not there but what you do have is something special. | 0:04:38 | 0:04:42 | |
Is it enough for you to get to The Next Step? | 0:04:42 | 0:04:44 | |
Not too sure. | 0:04:44 | 0:04:46 | |
I'll keep pushing until I can prove to you that this is my moment and I | 0:04:46 | 0:04:50 | |
truly, truly believe this is my moment. | 0:04:50 | 0:04:53 | |
The 15 minutes of rehearsal time is over. | 0:04:54 | 0:04:57 | |
The stage is set, and for our first group, | 0:04:57 | 0:05:00 | |
this could be their biggest challenge yet. | 0:05:00 | 0:05:02 | |
Now, Joe, Khalid, Chloe and Imogen | 0:05:04 | 0:05:07 | |
need to perform their scene of four dancers at a dance competition. | 0:05:07 | 0:05:12 | |
So how did you come up with the idea for your scene? | 0:05:12 | 0:05:15 | |
We thought, like, a little rivalry, that the girls could be, like, | 0:05:15 | 0:05:17 | |
mad at the boys and could be, like, all sassy and everything. | 0:05:17 | 0:05:20 | |
And the boys could be, like, jokers and all that. Yeah. | 0:05:20 | 0:05:22 | |
-OK. You like to talk a lot, don't you, Joe? -Yeah. | 0:05:22 | 0:05:24 | |
LAUGHTER | 0:05:24 | 0:05:25 | |
Well, listen, we're looking forward to it, OK? | 0:05:25 | 0:05:27 | |
So, in your own time, the floor is yours. | 0:05:27 | 0:05:29 | |
-Yo, what's up? -Hey, man! | 0:05:31 | 0:05:33 | |
Do you know what, I've been practising, like, day and night, | 0:05:33 | 0:05:37 | |
so I think we've got this. | 0:05:37 | 0:05:38 | |
-Yeah, but you know we're going to kill it. -You know it! | 0:05:38 | 0:05:41 | |
Do you think they look any good? | 0:05:44 | 0:05:45 | |
No. | 0:05:45 | 0:05:46 | |
Not a chance. | 0:05:46 | 0:05:48 | |
-They're quite mean. -23. | 0:05:48 | 0:05:51 | |
-That's us. -That's us. Let's go, let's go. | 0:05:51 | 0:05:53 | |
-We've got this. -Ready, yeah? -Let's go. | 0:05:54 | 0:05:56 | |
Oh. They're going in. | 0:05:56 | 0:05:57 | |
Do you think they'll get it? | 0:05:59 | 0:06:00 | |
No, I mean, they won't. | 0:06:00 | 0:06:03 | |
OK. | 0:06:03 | 0:06:05 | |
-Yes! We got through! -Oh, we got it, man! | 0:06:05 | 0:06:07 | |
-Yes. -Number one. | 0:06:08 | 0:06:09 | |
Number one. | 0:06:09 | 0:06:10 | |
-You know it. -They got it! | 0:06:10 | 0:06:12 | |
24. It's us. | 0:06:13 | 0:06:16 | |
Five, six, seven, eight. | 0:06:16 | 0:06:18 | |
Ow! | 0:06:22 | 0:06:23 | |
What are you doing? | 0:06:23 | 0:06:25 | |
Get up! | 0:06:25 | 0:06:27 | |
I didn't mean to. | 0:06:27 | 0:06:28 | |
I'm so sorry. | 0:06:28 | 0:06:29 | |
-It's your fault. -Thank you. | 0:06:31 | 0:06:33 | |
-They didn't get through? -How's that possible? | 0:06:35 | 0:06:37 | |
-Right, let's just go and... -Let's go see. -Yeah. | 0:06:37 | 0:06:39 | |
-Oh, well done, well done. -Well done! | 0:06:39 | 0:06:41 | |
-OK. -Yeah, well, we won. | 0:06:42 | 0:06:44 | |
Oh, oh, oh! Sorry. | 0:06:44 | 0:06:46 | |
I think it was natural and I liked the way that you played on ideas | 0:06:50 | 0:06:52 | |
that you already know. You already know what it's like to be injured | 0:06:52 | 0:06:55 | |
or to audition. Well done. | 0:06:55 | 0:06:56 | |
-Thank you. -Thank you. -I like how you came through the chairs to show you | 0:06:56 | 0:06:59 | |
were leaving one space and coming into a new space. | 0:06:59 | 0:07:02 | |
That was good for us, as an audience, to define that. | 0:07:02 | 0:07:04 | |
Overall, guys, good job. | 0:07:04 | 0:07:06 | |
ALL: Thank you. Thank you. | 0:07:06 | 0:07:08 | |
What was it like acting? | 0:07:08 | 0:07:09 | |
It was a bit different, wasn't it? | 0:07:09 | 0:07:11 | |
-Yeah, was different. -More nerve racking? | 0:07:11 | 0:07:13 | |
-Yeah. -Yeah. -Yeah. -Really? | 0:07:13 | 0:07:14 | |
-Was the heart really pounding? -Yeah. | 0:07:14 | 0:07:16 | |
For Group One the pressure is off - for now. | 0:07:16 | 0:07:19 | |
I'm so nervous for this audition. | 0:07:19 | 0:07:21 | |
It's all right. Just do what you always do. | 0:07:21 | 0:07:23 | |
Now it's up to Group Two to perform well. | 0:07:23 | 0:07:25 | |
Earlier today in rehearsal, they seemed to be working together well. | 0:07:36 | 0:07:39 | |
-I don't need it. -A lot of confidence in this group. | 0:07:41 | 0:07:43 | |
Macy was determined to impress one judge in particular at Regionals. | 0:07:43 | 0:07:48 | |
Have you got any favourite dance styles, | 0:07:48 | 0:07:49 | |
or people that you are inspired... | 0:07:49 | 0:07:51 | |
-Kimberly. -Oh, I see! | 0:07:51 | 0:07:53 | |
-Oh! -Oh! | 0:07:53 | 0:07:55 | |
I just love the way she dances. | 0:07:55 | 0:07:56 | |
I'm actually getting emotional. | 0:07:56 | 0:07:58 | |
Oh, honey. I just want to give you a hug! | 0:07:58 | 0:08:01 | |
It's so nice to meet you. | 0:08:01 | 0:08:04 | |
-I got through! -I'm so proud of you. | 0:08:04 | 0:08:07 | |
-Thank you! -Oh, my God, what did they say? | 0:08:07 | 0:08:09 | |
They were, like, "you're so good." | 0:08:09 | 0:08:11 | |
Oh, she's a firecracker. | 0:08:11 | 0:08:13 | |
Wait, who's next here? | 0:08:13 | 0:08:14 | |
I am. | 0:08:14 | 0:08:15 | |
Will Isabella take on board John's words of wisdom from her regional | 0:08:15 | 0:08:19 | |
-audition? -I love the confidence, yeah? | 0:08:19 | 0:08:22 | |
But if the confidence just steps over a little bit... | 0:08:22 | 0:08:24 | |
Yeah? | 0:08:24 | 0:08:26 | |
-That's not good, right? -No. | 0:08:26 | 0:08:28 | |
I was saying stuff, like, to her, and then she goes in straightaway | 0:08:28 | 0:08:31 | |
-and then, waiting for her to get back out? -Yeah. -All right. | 0:08:31 | 0:08:33 | |
While her team-mate Isabella oozes confidence, | 0:08:33 | 0:08:36 | |
it was a different story for 15-year-old Milan in Cardiff. | 0:08:36 | 0:08:40 | |
You've really got to sell it to me. | 0:08:40 | 0:08:42 | |
Make me believe in what you're performing. | 0:08:42 | 0:08:44 | |
The only boy in this group is Jamie, | 0:08:45 | 0:08:47 | |
who won over Kimberly at his Cardiff audition. | 0:08:47 | 0:08:50 | |
You've obviously got some serious talent under your belt. | 0:08:50 | 0:08:53 | |
I see a lot of potential in you. | 0:08:53 | 0:08:55 | |
Brr! Brr! Ma! | 0:08:55 | 0:08:57 | |
So, who will fulfil their potential in this challenge? | 0:08:57 | 0:09:01 | |
It's time for Group Two to take to the stage. | 0:09:01 | 0:09:04 | |
Can't wait to see it. Enjoy. | 0:09:04 | 0:09:06 | |
-Thank you. -Thank you. -Thank you. | 0:09:06 | 0:09:08 | |
I'm so nervous for this audition. | 0:09:09 | 0:09:11 | |
It's all right. Just do what you always do, and you'll be fine. | 0:09:11 | 0:09:14 | |
-I got the part! -Oh, my God! -Oh, my God, that's amazing! | 0:09:14 | 0:09:16 | |
I'm so proud of you. | 0:09:16 | 0:09:17 | |
-Thank you. -What did they say? -They were like, "You're really good." | 0:09:17 | 0:09:20 | |
Oh, my gosh! Wait. So, who's next in? | 0:09:20 | 0:09:24 | |
Yeah, I am. OK, well, I'm up. | 0:09:24 | 0:09:26 | |
-Oh, good luck. -Good luck. | 0:09:26 | 0:09:28 | |
Good luck. | 0:09:28 | 0:09:30 | |
OK. How can someone be that self-centred? | 0:09:30 | 0:09:32 | |
She's SO rude. | 0:09:32 | 0:09:34 | |
She has no respect for anyone. | 0:09:34 | 0:09:35 | |
-My bag. -Oh, sorry, sorry. | 0:09:36 | 0:09:38 | |
So, how did you get on? | 0:09:38 | 0:09:40 | |
Yeah, it was, um, really good. | 0:09:40 | 0:09:42 | |
Did you get through OK? | 0:09:42 | 0:09:45 | |
-Let's go through it, guys. -All right. | 0:09:45 | 0:09:47 | |
-I'm a bit stuck. -Five, six, seven, eight. | 0:09:47 | 0:09:49 | |
One, two, three and four, five and six and seven. | 0:09:49 | 0:09:52 | |
-Jamie! -Jamie! -Sorry, guys. | 0:09:52 | 0:09:54 | |
Oh, hold on. Hey, come and join us. | 0:09:54 | 0:09:56 | |
No, I know it. | 0:09:56 | 0:09:58 | |
-Of course you do. -OK. -Five, six, seven, eight. | 0:09:58 | 0:10:01 | |
-One! -Thank you. | 0:10:01 | 0:10:03 | |
Come together. | 0:10:03 | 0:10:05 | |
I thought you had well-defined characters. | 0:10:05 | 0:10:09 | |
I thought, Jamie, you could've come out of yourself a little bit more. | 0:10:09 | 0:10:12 | |
You're fighting against strong personalities here with the girls, | 0:10:12 | 0:10:15 | |
but overall, I think it was a good job. | 0:10:15 | 0:10:18 | |
Jamie, I did like you. | 0:10:18 | 0:10:19 | |
I liked the fact that you made the group blend, | 0:10:19 | 0:10:21 | |
because everyone can't be loud at the same time. | 0:10:21 | 0:10:24 | |
But I thought, like, you guys done really well. | 0:10:24 | 0:10:26 | |
-Thank you. -It was really fun. | 0:10:26 | 0:10:28 | |
-I love the team that I was in. -Yeah. | 0:10:28 | 0:10:29 | |
Awesome friends, here? ALL: Yeah. | 0:10:29 | 0:10:32 | |
OK. | 0:10:32 | 0:10:33 | |
This one really surprised me. | 0:10:33 | 0:10:35 | |
I actually really, really liked it. | 0:10:35 | 0:10:36 | |
All they can do now is wait. | 0:10:38 | 0:10:40 | |
# Stand up! # | 0:10:40 | 0:10:41 | |
This contest isn't just about finding a great dancer. | 0:10:41 | 0:10:45 | |
We're looking for an actor as well. | 0:10:46 | 0:10:48 | |
But when there's no script, | 0:10:48 | 0:10:50 | |
how do the professionals deliver their best performance? | 0:10:50 | 0:10:53 | |
We have a very rough skeleton in our scenes. | 0:10:53 | 0:10:56 | |
So, we'll be like, "OK, this is what's going to happen in the scene. | 0:10:56 | 0:10:58 | |
"You're going to come in, Eldon's going to be doing this, | 0:10:58 | 0:11:01 | |
"this is what you guys are going to talk about and then it's going to | 0:11:01 | 0:11:04 | |
"end here. This is your motivation, this is where it goes. | 0:11:04 | 0:11:06 | |
"The conversation ends around here." | 0:11:06 | 0:11:08 | |
Next time you do that jump, you might want to just | 0:11:08 | 0:11:10 | |
engage your core a bit more. | 0:11:10 | 0:11:11 | |
-Just so you don't fall forward. -OK. -And also that back leg? | 0:11:11 | 0:11:14 | |
You want to turn it out. | 0:11:14 | 0:11:16 | |
Especially being West, | 0:11:16 | 0:11:17 | |
I have a lot of freedom to kind of, say certain things, | 0:11:17 | 0:11:20 | |
or do certain things, or physicalise certain things. So, you know, | 0:11:20 | 0:11:24 | |
when... Especially when me and Eldon do a scene, | 0:11:24 | 0:11:26 | |
it's a lot of fun and, you know, anything can happen, really. | 0:11:26 | 0:11:30 | |
You want me to audition for a ballet? | 0:11:30 | 0:11:32 | |
If it's so easy to master ballet, | 0:11:32 | 0:11:34 | |
then you should have no problem landing a role. | 0:11:34 | 0:11:37 | |
Just as long as I don't have to be the Nutcracker, cos, you know, | 0:11:37 | 0:11:40 | |
I'm opposed to violence. | 0:11:40 | 0:11:42 | |
Back to our auditions, and ready to perform their scene of | 0:11:43 | 0:11:46 | |
four dancers at a competition, it's... | 0:11:46 | 0:11:48 | |
Two of this group wowed the judges at Regionals. | 0:11:56 | 0:11:58 | |
11-year-old Molly in Manchester. | 0:11:59 | 0:12:01 | |
You're like a little pocket rocket. | 0:12:01 | 0:12:04 | |
-Thank you. -And Raiaz in Cardiff. | 0:12:04 | 0:12:06 | |
How willing are you to work really hard? | 0:12:06 | 0:12:08 | |
Very, very willing. | 0:12:08 | 0:12:11 | |
-What are you doing? I'm dancing! -Sorry! | 0:12:11 | 0:12:13 | |
Oh, Jude! | 0:12:13 | 0:12:14 | |
Erin and Jude only made it to Nationals the judges called them | 0:12:14 | 0:12:19 | |
back at the end of the day when they both auditioned in London. | 0:12:19 | 0:12:22 | |
You've got such a great groove about you. | 0:12:22 | 0:12:24 | |
I'm just not so sure it's enough. | 0:12:24 | 0:12:26 | |
Erin has to prove she is more than a good dancer. | 0:12:27 | 0:12:31 | |
Do you really believe you have what it takes to get to The Next Step? | 0:12:31 | 0:12:34 | |
Yeah, I think I do. | 0:12:34 | 0:12:36 | |
I don't want you to think you believe it. | 0:12:36 | 0:12:38 | |
I want you to believe it. | 0:12:38 | 0:12:40 | |
Can Erin step up to the challenge? | 0:12:40 | 0:12:42 | |
Today, there are no second chances. | 0:12:44 | 0:12:47 | |
Good luck. The floor is yours. | 0:12:47 | 0:12:48 | |
Thank you. | 0:12:48 | 0:12:50 | |
-Excuse me. -Thank you. | 0:12:50 | 0:12:51 | |
I'm so nervous. | 0:12:51 | 0:12:53 | |
It's so big! | 0:12:53 | 0:12:55 | |
What are you doing? You can't bump into me like that. | 0:12:57 | 0:12:59 | |
-Sorry. -Sorry. -That's what I thought. | 0:12:59 | 0:13:02 | |
Come on. Shall we just go through it a sec? | 0:13:03 | 0:13:05 | |
-Yeah. -Let's stretch. | 0:13:05 | 0:13:06 | |
You've got those stretches? | 0:13:06 | 0:13:07 | |
Look what I can do. | 0:13:07 | 0:13:09 | |
-Ah! -Oh, my gosh! | 0:13:10 | 0:13:12 | |
-Someone call an ambulance. -I will! I will! | 0:13:12 | 0:13:15 | |
Please. | 0:13:15 | 0:13:16 | |
Guess who's going to win now? | 0:13:16 | 0:13:19 | |
OK. Up on to the chair. | 0:13:19 | 0:13:20 | |
-Where's your mum? -In the audience. | 0:13:20 | 0:13:22 | |
Time is ticking. Better hurry up and get on stage. | 0:13:22 | 0:13:25 | |
Come on, we need to go! | 0:13:25 | 0:13:26 | |
Number 20. | 0:13:27 | 0:13:28 | |
Please come to the stage. | 0:13:28 | 0:13:30 | |
Kimberly, John and Simeon. | 0:13:30 | 0:13:33 | |
We are number 25. | 0:13:33 | 0:13:34 | |
Come on. | 0:13:34 | 0:13:36 | |
25. Erin and Molly, please come to the stage. | 0:13:36 | 0:13:40 | |
Break a leg! | 0:13:40 | 0:13:41 | |
Acting is about reacting. | 0:13:46 | 0:13:48 | |
It's not just about delivering lines. | 0:13:48 | 0:13:50 | |
It's about listening to what's coming. | 0:13:50 | 0:13:53 | |
And I thought you all listened to each other really well. | 0:13:53 | 0:13:56 | |
-Thank you. -Good job. -Thank you. | 0:13:56 | 0:13:58 | |
Yeah, I definitely think that the nerves got the better of you at the | 0:13:58 | 0:14:01 | |
-start. -Yeah. -But as you went on, the story started to unfold, | 0:14:01 | 0:14:04 | |
we could see the characters a bit more, so, well done. | 0:14:04 | 0:14:06 | |
ALL: Thank you. | 0:14:06 | 0:14:08 | |
You seem quite happy with how it went. You happy? | 0:14:08 | 0:14:10 | |
-We done our best. -Yeah. -Bit different. | 0:14:10 | 0:14:12 | |
Three of our groups have performed for the judges | 0:14:16 | 0:14:18 | |
and the mood backstage is upbeat. | 0:14:18 | 0:14:20 | |
John told me that I need to come out of my shell more | 0:14:20 | 0:14:23 | |
and be more confident as an actor, | 0:14:23 | 0:14:24 | |
but then Simeon told me that I balanced out well | 0:14:24 | 0:14:27 | |
and I made the group blend, which was quite good. | 0:14:27 | 0:14:29 | |
Feeling 99.9... | 0:14:29 | 0:14:31 | |
No, 99... | 0:14:31 | 0:14:33 | |
I'm pretty confident that I've got, like, through to the next round, | 0:14:33 | 0:14:36 | |
because we all did well, so it's just... | 0:14:36 | 0:14:38 | |
-Hope for the best. -So what is it? | 0:14:38 | 0:14:39 | |
-99... -99.99%. | 0:14:39 | 0:14:41 | |
Yeah. I'm feeling that. | 0:14:41 | 0:14:43 | |
It's a different story for those still to face the judges. | 0:14:45 | 0:14:49 | |
Next up... | 0:14:49 | 0:14:51 | |
At the Manchester Regionals, | 0:14:57 | 0:14:58 | |
Julia explained the reason behind her determination to dance. | 0:14:58 | 0:15:02 | |
I want to, like, get every opportunity I can | 0:15:02 | 0:15:04 | |
before I have an operation, so... | 0:15:04 | 0:15:06 | |
What is the operation for? | 0:15:06 | 0:15:08 | |
-On my back. -OK. | 0:15:08 | 0:15:09 | |
Sorry. | 0:15:12 | 0:15:13 | |
It's OK. Take a moment. | 0:15:13 | 0:15:14 | |
I have to have an operation on my back. | 0:15:14 | 0:15:17 | |
I might not be able to dance. | 0:15:18 | 0:15:20 | |
For now, the show must go on. | 0:15:22 | 0:15:24 | |
You three, you need to come out and get your act together. | 0:15:24 | 0:15:28 | |
Wow! This is fantastic. | 0:15:28 | 0:15:31 | |
Ellie also auditioned in Manchester where John spotted | 0:15:31 | 0:15:34 | |
her performance potential. | 0:15:34 | 0:15:36 | |
We're looking for somebody that can act and I think | 0:15:36 | 0:15:39 | |
-that just might be you. -Thank you so much. -I loved it. | 0:15:39 | 0:15:42 | |
But, in Glasgow, he was looking for more from 12-year-old Jay. | 0:15:42 | 0:15:46 | |
You've got to act as well, Jay, | 0:15:46 | 0:15:47 | |
but you got to be that character as soon as you come through the door, | 0:15:47 | 0:15:50 | |
and not just when the music starts, yeah? | 0:15:50 | 0:15:52 | |
Yeah. | 0:15:52 | 0:15:53 | |
In London, Simeon wanted Lance to have | 0:15:53 | 0:15:56 | |
more confidence in his performance. | 0:15:56 | 0:15:58 | |
You've done an amazing job. Cool? | 0:15:58 | 0:16:00 | |
So you need to stand tall and stand proud, yeah? | 0:16:00 | 0:16:03 | |
It's time for Jay, Julia, | 0:16:05 | 0:16:07 | |
Ellie and Lance to prove that they can act as well as dance. | 0:16:07 | 0:16:11 | |
Hey, y'all! Lance in the building. | 0:16:12 | 0:16:14 | |
What's up? I'm going to smash this! | 0:16:14 | 0:16:16 | |
Don't you mean, "We're going to smash this?" | 0:16:16 | 0:16:18 | |
No, I mean, "I'm going to smash this." | 0:16:18 | 0:16:20 | |
We need to get the routine sorted out, so, from the top? | 0:16:20 | 0:16:23 | |
Five, six, seven, eight. | 0:16:23 | 0:16:25 | |
Lance, what are you doing? | 0:16:29 | 0:16:31 | |
I'm dancing. What are you doing? | 0:16:31 | 0:16:32 | |
It's a troupe. We're supposed to do the same thing. | 0:16:32 | 0:16:35 | |
Calm down, calm down. | 0:16:35 | 0:16:36 | |
Guys, guys, guys. | 0:16:36 | 0:16:38 | |
Right, from the top. Once more. | 0:16:38 | 0:16:40 | |
Hey, guys. Wasn't I in the middle? | 0:16:40 | 0:16:41 | |
Yeah. Five, six, seven, eight. | 0:16:41 | 0:16:44 | |
-Ow! -Ellie! -Beef, beef, beef, beef. | 0:16:48 | 0:16:51 | |
-Lance, be quiet. -She was in my spot. | 0:16:51 | 0:16:53 | |
-I'm centre. -You OK? | 0:16:53 | 0:16:55 | |
Right. You two, left. | 0:16:58 | 0:17:00 | |
-What are we going to do? -How about I have a solo, cos, you know. | 0:17:00 | 0:17:03 | |
Woohoo! | 0:17:03 | 0:17:04 | |
No. I think I should, cos I'm world champion. | 0:17:04 | 0:17:07 | |
Woohoo! | 0:17:07 | 0:17:08 | |
Well, a duet. | 0:17:09 | 0:17:12 | |
-I ain't doing it with...IT! -Whoa! | 0:17:12 | 0:17:13 | |
Are you crazy? | 0:17:13 | 0:17:15 | |
What impressed me about that is that you let everybody get their line out | 0:17:21 | 0:17:25 | |
and let the audience know what it was that you were thinking. | 0:17:25 | 0:17:29 | |
There's a lot of confidence in this group and I must say, Lance, | 0:17:29 | 0:17:32 | |
I thought you were quite a shy kid but it turns out you're not shy | 0:17:32 | 0:17:35 | |
at all, so a real big surprise for me. | 0:17:35 | 0:17:38 | |
Really good job, you guys. | 0:17:38 | 0:17:40 | |
-Thank you. -Thanks. -It was fun? Yes. | 0:17:40 | 0:17:42 | |
Maybe even more fun than dance. | 0:17:42 | 0:17:44 | |
-Really? -Yeah. | 0:17:44 | 0:17:45 | |
So you guys would actually rather go in there and act again than do a | 0:17:45 | 0:17:48 | |
-dance challenge? -Yeah. | 0:17:48 | 0:17:50 | |
-Strong group, that. -Yeah. | 0:17:50 | 0:17:52 | |
I think they've seen a different side to me now, | 0:17:53 | 0:17:55 | |
cos I'm a bit more, like, confident, | 0:17:55 | 0:17:58 | |
compared to my first day. | 0:17:58 | 0:17:59 | |
I'm not that shy any more. | 0:17:59 | 0:18:01 | |
Two more scenes done. | 0:18:06 | 0:18:08 | |
As well as their individual performances, | 0:18:08 | 0:18:10 | |
our budding actors will be judged on how the group interacted and how the | 0:18:10 | 0:18:14 | |
scene played out as a whole. | 0:18:14 | 0:18:15 | |
20 dancers are fighting for just 12 places at the next cut. | 0:18:18 | 0:18:22 | |
And it's been a long, nervous wait for the final four. | 0:18:24 | 0:18:27 | |
At Regionals, Harriet showed what a perfectionist she is. | 0:18:37 | 0:18:40 | |
If I have an expectation of what I want to do, | 0:18:40 | 0:18:43 | |
if I don't do exactly that, | 0:18:43 | 0:18:44 | |
I will work, so that I will 100% get it, | 0:18:44 | 0:18:46 | |
cos I will get really annoyed with myself otherwise. | 0:18:46 | 0:18:48 | |
The attributes of a great ballet dancer. | 0:18:48 | 0:18:50 | |
HARRIET LAUGHS | 0:18:50 | 0:18:51 | |
-Basically, yeah. -But can she deliver the perfect acting performance? | 0:18:51 | 0:18:55 | |
I think I have a better chance at winning, like. | 0:18:55 | 0:18:57 | |
You do? Cos you don't have the technique, so... | 0:18:57 | 0:19:00 | |
Whoa. Guys, guys. We've got to sort this out properly. | 0:19:00 | 0:19:02 | |
Performing alongside Harriet, it's Sophia, | 0:19:02 | 0:19:04 | |
who should feel right at home with this acting challenge. | 0:19:04 | 0:19:07 | |
Do you do many shows, or...? | 0:19:07 | 0:19:08 | |
Yeah, I was in Billy Elliot in the West End when I was ten. | 0:19:08 | 0:19:11 | |
For a year. | 0:19:11 | 0:19:13 | |
Oh. You kept that bit quiet, didn't you, Sophia? | 0:19:13 | 0:19:16 | |
Kimberly thought Eleiyah delivered a dramatic performance at Regionals. | 0:19:16 | 0:19:21 | |
When I dance, I, like, imagine, a story in me head | 0:19:21 | 0:19:24 | |
and, like, follow that through. | 0:19:24 | 0:19:25 | |
She deserves to be in the Nationals. | 0:19:25 | 0:19:27 | |
Guys, stop. You gotta sort this out properly. | 0:19:28 | 0:19:31 | |
Do nothing, and let me still steal the show as always. | 0:19:31 | 0:19:34 | |
Finally, it's 14-year-old Khyreese, | 0:19:34 | 0:19:36 | |
who had to fight for his place here today. | 0:19:36 | 0:19:39 | |
When it is real to you, that's when it's yummy. | 0:19:39 | 0:19:43 | |
But I also need it to be real right here, | 0:19:43 | 0:19:45 | |
cos this is a TV show and you got to be able to act, | 0:19:45 | 0:19:48 | |
you got to be able to become a part of that as well. | 0:19:48 | 0:19:51 | |
I just want this so much. | 0:19:52 | 0:19:53 | |
It's going to be the fight of your life. | 0:19:53 | 0:19:55 | |
So, this is it. | 0:19:56 | 0:19:58 | |
To stay in the contest, Khyreese, Eleiyah, | 0:19:58 | 0:20:01 | |
Harriet and Sophia need to improv, Next Step style. | 0:20:01 | 0:20:04 | |
Guys, it's Khyreese. | 0:20:06 | 0:20:09 | |
-I'm going to go practice. -We'll just watch. -That's fine. | 0:20:09 | 0:20:12 | |
Sophia again! | 0:20:13 | 0:20:15 | |
All the time. Oh, Nationals, Internationals... | 0:20:15 | 0:20:19 | |
No, she won't win this time. | 0:20:19 | 0:20:21 | |
Ooh, I'm sorry! Are you all right? | 0:20:26 | 0:20:27 | |
Sophia, you OK? | 0:20:27 | 0:20:29 | |
-Are you all right? -What was that for? | 0:20:29 | 0:20:30 | |
Um, I'm just going to go now. | 0:20:30 | 0:20:32 | |
-Sorry. -Really? | 0:20:32 | 0:20:34 | |
-You OK? -My ankle. -Can you dance? | 0:20:34 | 0:20:36 | |
-I don't think so. -OK, it's all right. | 0:20:37 | 0:20:39 | |
I can do your solo for you. | 0:20:39 | 0:20:40 | |
I think I should be the one to do the solo, | 0:20:40 | 0:20:42 | |
cos I came second against Sophia, so... | 0:20:42 | 0:20:45 | |
Yeah, but my technique score is always higher than yours. | 0:20:45 | 0:20:47 | |
So, you know, basically, I'm going to win. | 0:20:47 | 0:20:50 | |
Whoa! Guys. | 0:20:50 | 0:20:51 | |
Come on, we've got to sort this out properly. | 0:20:51 | 0:20:53 | |
-Someone's got to do it. -Do you want to win, or...? | 0:20:53 | 0:20:56 | |
Guys, we need to sort this out properly. | 0:20:56 | 0:20:58 | |
Wait, I've got an idea. | 0:20:58 | 0:20:59 | |
How about do nothing, and let me steal the show as always? | 0:20:59 | 0:21:02 | |
-Not going to let you do that. -You injured me on purpose. | 0:21:02 | 0:21:05 | |
-It was you! -It was only an accident, Sophia. | 0:21:05 | 0:21:08 | |
I'm sorry. I'm sure you understand. | 0:21:08 | 0:21:10 | |
Spatial awareness, though. | 0:21:10 | 0:21:12 | |
Oh, I'll improve on that next time. | 0:21:12 | 0:21:13 | |
But anyway, break a leg. | 0:21:13 | 0:21:15 | |
Oh, yeah - it's already broken! | 0:21:15 | 0:21:17 | |
-Good luck with that. -Get practising. | 0:21:17 | 0:21:19 | |
-You're going to need it. -OK. | 0:21:19 | 0:21:20 | |
-So I'll do the solo. -Wait. | 0:21:20 | 0:21:22 | |
Why don't we just let Sophia decide? | 0:21:22 | 0:21:24 | |
It's her solo in the first place. | 0:21:24 | 0:21:26 | |
Why don't you guys just do a duet? | 0:21:26 | 0:21:29 | |
Could work. | 0:21:29 | 0:21:30 | |
-Shall we go and practice? -Yeah. | 0:21:30 | 0:21:32 | |
You know what? I'm done with this. | 0:21:33 | 0:21:35 | |
But don't worry. Next competition. They ain't seen the last of me. | 0:21:35 | 0:21:38 | |
I loved it! | 0:21:44 | 0:21:46 | |
Seriously well done. | 0:21:46 | 0:21:49 | |
Really, really impressed with all of you. | 0:21:49 | 0:21:51 | |
This really looked like a scene from the Next Step. | 0:21:51 | 0:21:55 | |
The language you used, the way you told the story, | 0:21:55 | 0:21:58 | |
it seemed very natural. | 0:21:58 | 0:22:00 | |
On the whole, it was a great, great job. | 0:22:00 | 0:22:02 | |
Very well done, guys. | 0:22:02 | 0:22:04 | |
ALL: Thank you. | 0:22:04 | 0:22:06 | |
The acting challenge is over. | 0:22:06 | 0:22:07 | |
Now only 12 dancers can survive the cut and keep their | 0:22:09 | 0:22:12 | |
Next Step dream alive. | 0:22:12 | 0:22:14 | |
This group, for me, there's two absolute standouts. | 0:22:15 | 0:22:19 | |
Really proud of them. | 0:22:19 | 0:22:20 | |
I have to say, I agree. | 0:22:20 | 0:22:22 | |
-Yay! -I thought they were fantastic and it's a definite yes from me. | 0:22:22 | 0:22:26 | |
-Yes, pile. -Yes, pile. | 0:22:26 | 0:22:28 | |
So, our dancers have done all they can do | 0:22:31 | 0:22:33 | |
and now it's up to the judges to decide | 0:22:33 | 0:22:35 | |
who makes it through to the next challenge. | 0:22:35 | 0:22:37 | |
This is going to be so hard. | 0:22:40 | 0:22:42 | |
Every time we see her, we're never a full "yes." | 0:22:42 | 0:22:46 | |
It's always a little bit on the fence. | 0:22:46 | 0:22:48 | |
Yeah. | 0:22:48 | 0:22:50 | |
I just worry that she's not quite ready. | 0:22:50 | 0:22:52 | |
I feel that sometimes with this girl, there's not necessarily | 0:22:54 | 0:22:57 | |
as much obvious individuality about her and I think that's probably... | 0:22:57 | 0:23:01 | |
See, I disagree, because this one consistently... | 0:23:01 | 0:23:03 | |
But is she a star? | 0:23:03 | 0:23:05 | |
Yes, she is. | 0:23:05 | 0:23:06 | |
I'm talking about the kid who gets up and pushes through, | 0:23:08 | 0:23:12 | |
and wants it and dreams of it. That's her. | 0:23:12 | 0:23:16 | |
More than this one? | 0:23:16 | 0:23:18 | |
Yeah. It's her. She deserves to be on this show. | 0:23:19 | 0:23:23 | |
It's yes from me. | 0:23:23 | 0:23:24 | |
That other dancer that you said deserves it, | 0:23:27 | 0:23:29 | |
that's how I feel about this one. | 0:23:29 | 0:23:31 | |
I feel like, if there was a person I feel like deserves it, | 0:23:31 | 0:23:34 | |
based on their ability and them as a character, and them as a person, | 0:23:34 | 0:23:38 | |
I'd go with this dancer, but... | 0:23:38 | 0:23:40 | |
I couldn't agree more with that. | 0:23:40 | 0:23:42 | |
I really believe in this girl. And there have been so many times | 0:23:44 | 0:23:47 | |
where we've been at the wire, and I'm like, | 0:23:47 | 0:23:49 | |
you know what? I understand where you're coming from, | 0:23:49 | 0:23:51 | |
I understand where you're coming from. | 0:23:51 | 0:23:53 | |
Let me put somebody through, I put my neck on the line for that one. | 0:23:53 | 0:23:56 | |
I really do. | 0:23:56 | 0:23:57 | |
From 20, the judges have chosen their 12. | 0:23:59 | 0:24:02 | |
Look at them! | 0:24:04 | 0:24:05 | |
There you go. | 0:24:08 | 0:24:09 | |
The anxious wait backstage is almost over. | 0:24:11 | 0:24:14 | |
Moments from now, these dancers are going to face the judges and | 0:24:14 | 0:24:18 | |
find out whether they've done enough to make it through. | 0:24:18 | 0:24:21 | |
Dancers have been called in different groups, and now the judges | 0:24:21 | 0:24:25 | |
will let them know if it's good news or bad news for the entire group. | 0:24:25 | 0:24:29 | |
First of all, I just want to say it's been a real privilege to watch | 0:24:29 | 0:24:33 | |
all of you dance, to see you take on the challenges, | 0:24:33 | 0:24:36 | |
to work together as teams, | 0:24:36 | 0:24:38 | |
and to really come to life as little actors and actresses. | 0:24:38 | 0:24:41 | |
You've done so well. | 0:24:41 | 0:24:43 | |
You've done everything we've asked of you. | 0:24:44 | 0:24:48 | |
It's been hard for us, going from 20 to 12. | 0:24:48 | 0:24:52 | |
So it's not a conversation that we took lightly. | 0:24:53 | 0:24:56 | |
We have deliberated thoroughly. | 0:24:56 | 0:24:58 | |
We have made a decision. | 0:24:59 | 0:25:00 | |
And that decision is... | 0:25:04 | 0:25:05 | |
that you won't be going through to the next round. | 0:25:15 | 0:25:18 | |
It's the end of the road for Raiaz, Chloe, Jay and Isabella. | 0:25:18 | 0:25:22 | |
I love that you're still smiling, all of you. | 0:25:23 | 0:25:25 | |
Have you actually had a good experience? | 0:25:25 | 0:25:27 | |
-Yeah. -Yes. -Yeah? Well, I think you've been awesome. | 0:25:27 | 0:25:30 | |
I love you guys. You've done really, really well. | 0:25:30 | 0:25:32 | |
You guys are going through. | 0:25:34 | 0:25:35 | |
I'm really happy. | 0:25:40 | 0:25:41 | |
I didn't think I was getting through, so it's a bit of a shock. | 0:25:41 | 0:25:44 | |
We've decided that we'd like to take you with us to the next round. | 0:25:45 | 0:25:49 | |
You're through. | 0:25:49 | 0:25:51 | |
Lance and Jude, I've never seen you both speechless. | 0:25:55 | 0:25:58 | |
-What's going on? -We're not speechless! | 0:25:58 | 0:26:01 | |
That they actually said yes, we're down to the last 12, is so cool. | 0:26:03 | 0:26:07 | |
With eight dancers through already, | 0:26:07 | 0:26:08 | |
only four places remain for the final UK audition. | 0:26:08 | 0:26:12 | |
So will it be Julia, Joe, Macy and Khyreese, | 0:26:13 | 0:26:18 | |
or Imogen, Jamie, Alia and Molly? | 0:26:18 | 0:26:21 | |
This contest has been brilliant. | 0:26:22 | 0:26:26 | |
To see such talent come through, | 0:26:26 | 0:26:28 | |
to see everybody push themselves to the limit and deliver. | 0:26:28 | 0:26:32 | |
And this has been a really hard challenge for us, | 0:26:32 | 0:26:35 | |
to really work out who we're going to take to the next round. | 0:26:35 | 0:26:39 | |
After much deliberation, a few fallouts, a few fights, | 0:26:39 | 0:26:44 | |
we've made a decision. | 0:26:45 | 0:26:47 | |
You guys will not be going through to the next round. | 0:26:53 | 0:26:56 | |
It may be a no today, | 0:26:58 | 0:27:00 | |
but I really think you have such a bright future ahead of you. | 0:27:00 | 0:27:02 | |
Keep on dancing, keep on acting, keep on going for it. | 0:27:02 | 0:27:06 | |
Sadly, it's goodbye to Molly, Jamie, Imogen and Alia. | 0:27:07 | 0:27:12 | |
It can only be good news for Julia's group. | 0:27:13 | 0:27:15 | |
We'd like to take you with us to the next round. | 0:27:15 | 0:27:18 | |
Yay! | 0:27:26 | 0:27:28 | |
Look at you, you're all wiggling and shaking! | 0:27:28 | 0:27:31 | |
-You just want to shake it off and dance, I bet. -Yeah. | 0:27:31 | 0:27:33 | |
Do you want to do a celebration dance? | 0:27:33 | 0:27:34 | |
Go, man! Woo! | 0:27:34 | 0:27:36 | |
What a roller-coaster ride it's been for our dancers. | 0:27:41 | 0:27:44 | |
And for those who have proved themselves in today's | 0:27:45 | 0:27:48 | |
acting challenge, the stakes have just got a whole lot higher. | 0:27:48 | 0:27:52 | |
# Let's do it, do it, do it... # | 0:27:54 | 0:27:56 | |
Our dancers are now one step closer | 0:27:56 | 0:27:59 | |
to that guest role on the Next Step. | 0:27:59 | 0:28:01 | |
But 12 must become six. | 0:28:01 | 0:28:04 | |
This is your moment. | 0:28:04 | 0:28:05 | |
Our dancers have to give the performance of a lifetime. | 0:28:05 | 0:28:08 | |
That's what it's meant to look like. | 0:28:08 | 0:28:11 | |
And our judges face their toughest decision yet. | 0:28:11 | 0:28:13 | |
We have come to a decision. | 0:28:13 | 0:28:15 | |
I quit. | 0:28:17 | 0:28:18 | |
# Stand up! # | 0:28:20 | 0:28:22 |