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Taking The Next Step is back. | 0:00:03 | 0:00:05 | |
Sam and Mark have joined me and the team to find the UK's | 0:00:08 | 0:00:11 | |
best young dancer. | 0:00:11 | 0:00:13 | |
Last time, Khyrese danced off with the incredible prize - | 0:00:15 | 0:00:19 | |
a guest role on the smash hit Canadian TV show The Next Step. | 0:00:19 | 0:00:22 | |
This year, over 2,300 dancers applied... | 0:00:24 | 0:00:27 | |
..from all over the UK. | 0:00:29 | 0:00:31 | |
Only the very best will perform for our formidable judges - | 0:00:32 | 0:00:36 | |
actor and dancer Jonny Labey... | 0:00:36 | 0:00:38 | |
Make us excited to watch you. | 0:00:38 | 0:00:41 | |
..founder of dance group Flawless, Marlon Wallen... | 0:00:41 | 0:00:44 | |
Just chill with it and then attack. | 0:00:44 | 0:00:46 | |
..and, returning as head judge, | 0:00:46 | 0:00:48 | |
professional dancer and former Pussycat Doll, Kimberly Wyatt. | 0:00:48 | 0:00:51 | |
You have got sass for days. | 0:00:51 | 0:00:54 | |
But who will make it all the way to Canada and win | 0:00:54 | 0:00:57 | |
the opportunity of a lifetime? | 0:00:57 | 0:01:00 | |
Let the challenge commence. | 0:01:00 | 0:01:02 | |
This is Taking The Next Step. | 0:01:02 | 0:01:04 | |
After months of rehearsing, | 0:01:13 | 0:01:15 | |
auditions are about to get under way. | 0:01:15 | 0:01:19 | |
I've been preparing for weeks and weeks. | 0:01:19 | 0:01:21 | |
I've been feeling pretty nervous. | 0:01:21 | 0:01:23 | |
I think I'm just too excited to be nervous. | 0:01:23 | 0:01:26 | |
The stage is set. | 0:01:26 | 0:01:28 | |
But only three yeses from our expert judges will secure a ticket to | 0:01:29 | 0:01:33 | |
Nationals and it certainly won't be easy. | 0:01:33 | 0:01:36 | |
The next step is unique, | 0:01:36 | 0:01:37 | |
because we blend acting and dancing and it's really, | 0:01:37 | 0:01:39 | |
really important that whoever wins is strong at both, | 0:01:39 | 0:01:42 | |
so the judges are going to have a really tough decision. | 0:01:42 | 0:01:45 | |
I don't envy them. | 0:01:45 | 0:01:46 | |
First to face the judges is 15-year-old Yasmin. | 0:01:46 | 0:01:49 | |
I dance mostly all styles, so | 0:01:49 | 0:01:52 | |
ballet, jazz, lyrical, contemporary, tap. | 0:01:52 | 0:01:56 | |
Just everything, really. | 0:01:56 | 0:01:58 | |
I couldn't really decide which style I wanted to do, so I thought, | 0:01:58 | 0:02:00 | |
why not mash it up? | 0:02:00 | 0:02:02 | |
Yasmin, come on through. | 0:02:02 | 0:02:04 | |
That's a lovely confident smile. | 0:02:04 | 0:02:07 | |
Hello. Who have you brought with you today? | 0:02:07 | 0:02:09 | |
-My mum and my dad. -Hey, Mum and Dad, how are we doing? | 0:02:09 | 0:02:12 | |
-Feeling all right? -Yasmin is almost ready | 0:02:12 | 0:02:14 | |
and the judges are getting comfortable. | 0:02:14 | 0:02:16 | |
It all comes down to this. | 0:02:16 | 0:02:18 | |
Go smash it, OK, and I'll be right here when you get back. | 0:02:18 | 0:02:20 | |
-Off you go. -Which way is it? | 0:02:20 | 0:02:22 | |
It's that way. | 0:02:22 | 0:02:23 | |
-Hello. -Hello! | 0:02:26 | 0:02:28 | |
-Hey. -What's your name, how old are you? | 0:02:28 | 0:02:30 | |
My name's Yasmin and I'm 15 years old. | 0:02:30 | 0:02:33 | |
Well, I can't wait to see you dance. | 0:02:33 | 0:02:34 | |
Take the stage. | 0:02:34 | 0:02:36 | |
MUSIC: The Greatest by Sia | 0:02:41 | 0:02:45 | |
APPLAUSE | 0:03:16 | 0:03:18 | |
Ooh! Ooh! | 0:03:18 | 0:03:21 | |
How did that make you feel? | 0:03:24 | 0:03:26 | |
That was amazing. | 0:03:26 | 0:03:28 | |
Your technique is really good. | 0:03:31 | 0:03:33 | |
I can't fault you at anything. | 0:03:33 | 0:03:35 | |
I think it was just absolutely brilliant. | 0:03:35 | 0:03:37 | |
-Wow! -You put so much heart and soul into your dance. | 0:03:37 | 0:03:41 | |
-Well done. -Thank you so much. | 0:03:41 | 0:03:42 | |
Yeah. | 0:03:42 | 0:03:44 | |
Absolutely flawless. | 0:03:44 | 0:03:46 | |
Absolutely flawless. | 0:03:46 | 0:03:47 | |
No, seriously, that was just wow. | 0:03:47 | 0:03:50 | |
Like from top to bottom. | 0:03:50 | 0:03:52 | |
I couldn't say anything else. | 0:03:52 | 0:03:53 | |
It was just brilliant. Like great, great audition. | 0:03:53 | 0:03:57 | |
-Thank you. -Jonny. | 0:03:57 | 0:03:59 | |
Yasmin, you're not just like Taking The Next Step. | 0:03:59 | 0:04:02 | |
You know when you, like, from the stairs and you run them up | 0:04:02 | 0:04:05 | |
in like, sets of four? | 0:04:05 | 0:04:06 | |
That's what you're doing. | 0:04:06 | 0:04:08 | |
Just your energy and commitment to dance is inspiring. | 0:04:08 | 0:04:13 | |
I don't have anything else to say. | 0:04:13 | 0:04:15 | |
You need three yeses to get to Nationals. | 0:04:18 | 0:04:20 | |
-Swoosh? -Yes. -Jonny? | 0:04:22 | 0:04:24 | |
-Yes. -Yes! | 0:04:24 | 0:04:26 | |
Go and get your ticket, lovely. | 0:04:28 | 0:04:31 | |
Amazing job. | 0:04:31 | 0:04:32 | |
-Well done, well done. -Really good. | 0:04:32 | 0:04:34 | |
-Smashed it. -Thank you. -Thank you. -See you at Nationals. | 0:04:34 | 0:04:37 | |
Well done! | 0:04:42 | 0:04:44 | |
Oh, my goodness. I bet you want to hug Mum and Dad, as well, don't you? | 0:04:44 | 0:04:47 | |
-Well done. -That's what we want to see. | 0:04:47 | 0:04:49 | |
-We'll take that. -Yeah. | 0:04:49 | 0:04:51 | |
We'll take it. | 0:04:51 | 0:04:52 | |
You smashed that out of the park. | 0:04:52 | 0:04:55 | |
I was crying, Mum was crying, Dad had a little tear. | 0:04:55 | 0:04:57 | |
There was a little tear there, as well. | 0:04:57 | 0:04:59 | |
-My gosh. -How was that for you? | 0:04:59 | 0:05:01 | |
That was amazing. | 0:05:01 | 0:05:03 | |
She's... She can walk onto The Next Step and just become a returning | 0:05:03 | 0:05:07 | |
-character. -That was sick. | 0:05:07 | 0:05:09 | |
-See you at Nationals. -Woo! -Wow! | 0:05:09 | 0:05:12 | |
So we are off to a flying start and Yasmin has set an incredibly high | 0:05:12 | 0:05:16 | |
standard for the rest of our auditions. | 0:05:16 | 0:05:18 | |
The Next Step is so popular in the UK, | 0:05:21 | 0:05:23 | |
it was inevitable the superfans would be out in force. | 0:05:23 | 0:05:27 | |
What inspired you to start dancing? | 0:05:27 | 0:05:29 | |
-It was The Next Step. -I love the show. | 0:05:29 | 0:05:32 | |
I watch it every day. | 0:05:32 | 0:05:33 | |
My sisters are, like, always watching it, | 0:05:39 | 0:05:41 | |
and we're all watching it together. It's really nice. | 0:05:41 | 0:05:43 | |
You're The Next Step family. | 0:05:43 | 0:05:45 | |
-Yeah. -I really like Sloane, because she's more my style. | 0:05:45 | 0:05:49 | |
I love Eldon and Michelle. | 0:05:49 | 0:05:51 | |
-Michelle. -Michelle. | 0:05:51 | 0:05:52 | |
What is it that you love about Michelle? | 0:05:52 | 0:05:54 | |
When she dances, she brings so much fire to the stage. | 0:05:54 | 0:05:56 | |
Eldon can do like a million turns | 0:05:56 | 0:05:58 | |
and I want to be able to do that some day. | 0:05:58 | 0:06:00 | |
And for these super fans, it's not just any prize on offer. | 0:06:00 | 0:06:04 | |
The winner of this competition will travel to Canada to appear on the | 0:06:04 | 0:06:07 | |
hit show The Next Step. | 0:06:07 | 0:06:09 | |
They will join the cast and make a guest appearance in a brand-new episode. | 0:06:09 | 0:06:12 | |
The winner of Taking The Next Step is actually going to be | 0:06:12 | 0:06:15 | |
here in studio A with us and we're going to have so much fun. | 0:06:15 | 0:06:18 | |
The winner will be able to meet the cast, be on set and dance with us. | 0:06:18 | 0:06:22 | |
I'm so excited to meet them. | 0:06:22 | 0:06:23 | |
One superfan hoping to make it all the way to Canada | 0:06:27 | 0:06:30 | |
is 11-year-old Luke. He is so obsessed by the show, | 0:06:30 | 0:06:32 | |
he's already met the cast and had his own T-shirt made. | 0:06:32 | 0:06:36 | |
Sponsored by The Next Step! | 0:06:36 | 0:06:38 | |
How long have you been dancing for? | 0:06:38 | 0:06:41 | |
Probably about one and a half years to two. | 0:06:41 | 0:06:43 | |
-Really? -OK. So not long, then? -No, not long. | 0:06:43 | 0:06:45 | |
Luke's dressed to impress, | 0:06:45 | 0:06:47 | |
but with less than two years' experience, can he wow the judges? | 0:06:47 | 0:06:51 | |
Hello, mate. So. | 0:06:51 | 0:06:53 | |
Is that the cast on your shirt? | 0:06:53 | 0:06:55 | |
-Yeah, I went to go and meet them. -Amazing! | 0:06:55 | 0:06:57 | |
Hello, cool. What do you like most about them? | 0:06:57 | 0:07:00 | |
-Everything. -Everything. | 0:07:00 | 0:07:01 | |
-Just the package? -Yeah. | 0:07:01 | 0:07:03 | |
I'm excited to see you, Luke, mate, so the floor is yours. | 0:07:03 | 0:07:07 | |
Thank you. | 0:07:07 | 0:07:08 | |
MUSIC: Dancing On My Own by Calum Scott | 0:07:10 | 0:07:13 | |
Oh! My goodness. | 0:07:16 | 0:07:18 | |
Flips and that are amazing. | 0:07:39 | 0:07:42 | |
APPLAUSE | 0:07:44 | 0:07:45 | |
For me, with the ballet technique, | 0:07:47 | 0:07:49 | |
I think the tension goes into your shoulders a little bit and you hold | 0:07:49 | 0:07:52 | |
yourself a little bit up here. | 0:07:52 | 0:07:54 | |
But apart from that, I think it was a really strong audition, mate. | 0:07:54 | 0:07:58 | |
We're going to see what Swoosh says. | 0:07:58 | 0:08:00 | |
The fact that you just came in and you were confident from the get go, | 0:08:00 | 0:08:03 | |
already you got my attention. | 0:08:03 | 0:08:05 | |
When you took the floor, you really just owned the floor and, yeah, | 0:08:05 | 0:08:08 | |
that was a very, very strong audition. | 0:08:08 | 0:08:10 | |
-Well done. -Thank you. -Kimberley. | 0:08:10 | 0:08:12 | |
Is there anything on the floor? | 0:08:12 | 0:08:13 | |
Because you were looking at the floor the whole time! | 0:08:13 | 0:08:17 | |
You've got to look up. | 0:08:17 | 0:08:18 | |
You've got to really perform out, OK? | 0:08:18 | 0:08:21 | |
OK, so, Luke, you need three yeses to get through to Nationals. | 0:08:21 | 0:08:24 | |
So we'll go over to Swoosh first. | 0:08:24 | 0:08:28 | |
-Swoosh. -It's a yes from me. -Thank you. | 0:08:28 | 0:08:30 | |
Kimberly? | 0:08:30 | 0:08:32 | |
I think you've got some room to grow. | 0:08:32 | 0:08:34 | |
There's real work to be done. | 0:08:34 | 0:08:36 | |
But loads of potential, so mine is a yes. | 0:08:37 | 0:08:40 | |
Thank you. | 0:08:40 | 0:08:42 | |
With two yeses, it all comes down to Jonny. | 0:08:42 | 0:08:45 | |
Come and get your ticket, dude. | 0:08:48 | 0:08:50 | |
APPLAUSE | 0:08:50 | 0:08:52 | |
-Well done. -Yes! | 0:08:52 | 0:08:54 | |
CHEERING | 0:08:54 | 0:08:56 | |
Well done! Keep working hard, so when we | 0:08:56 | 0:08:59 | |
see you at Nationals, you're on point, OK? | 0:08:59 | 0:09:01 | |
LUKE YELLS | 0:09:04 | 0:09:06 | |
LAUGHTER AND CHEERING | 0:09:06 | 0:09:08 | |
He's hilarious. | 0:09:08 | 0:09:10 | |
What have you got to say to him? | 0:09:10 | 0:09:12 | |
So, so proud. I can't say. I can't say, I can't speak. | 0:09:12 | 0:09:16 | |
-Bless you. -Well, go and celebrate. We'll see you at Nationals. | 0:09:16 | 0:09:19 | |
-Thank you. -Good lad. -Well done. -See you later. | 0:09:19 | 0:09:21 | |
So it's first time lucky for Luke and he's off to Nationals. | 0:09:21 | 0:09:24 | |
But not everyone is appearing in front of our judges for the | 0:09:24 | 0:09:27 | |
first time. In Cardiff, we met 13-year-old Esha. | 0:09:27 | 0:09:32 | |
Come on through. How are you? | 0:09:32 | 0:09:33 | |
-Good, thank you. -Welcome back, by the way. | 0:09:33 | 0:09:35 | |
-How have you been? -Good, thank you. | 0:09:35 | 0:09:38 | |
A successful audition in series one saw Esha through to the Nationals. | 0:09:39 | 0:09:43 | |
Now, let's talk about last time, | 0:09:43 | 0:09:45 | |
because you got very, very far indeed. You did really well. | 0:09:45 | 0:09:48 | |
So how did it feel to then not get through? | 0:09:48 | 0:09:51 | |
It was a bit disappointing, but I knew that I can improve from that | 0:09:51 | 0:09:54 | |
and then I can come back and work harder this year. | 0:09:54 | 0:09:57 | |
And have you been working really hard? | 0:09:57 | 0:09:58 | |
-Yes. -What have you been focusing on? | 0:09:58 | 0:10:00 | |
I've been focusing more on my technique, this year, | 0:10:00 | 0:10:03 | |
so hopefully it will be better. | 0:10:03 | 0:10:04 | |
I was rooting for you, honestly. | 0:10:04 | 0:10:06 | |
It was so close, wasn't it? | 0:10:06 | 0:10:07 | |
But just not quite enough. So, hopefully, this year you can do it. | 0:10:07 | 0:10:10 | |
Three yeses. Do you think you can do it? | 0:10:10 | 0:10:12 | |
-Yeah. -High five. | 0:10:12 | 0:10:14 | |
Go smash it. We'll be right here waiting for you, OK? | 0:10:14 | 0:10:16 | |
-Off you go, good luck. -Love you. | 0:10:16 | 0:10:18 | |
Love you. | 0:10:18 | 0:10:20 | |
-Hello. -Hello. | 0:10:23 | 0:10:24 | |
You look quite familiar. Have I seen you before? | 0:10:24 | 0:10:27 | |
Yes, last series. | 0:10:27 | 0:10:28 | |
What would it mean for you to get through to Nationals this year? | 0:10:28 | 0:10:31 | |
It would mean the world to me. | 0:10:31 | 0:10:33 | |
I would love it so much, I can't explain. | 0:10:33 | 0:10:36 | |
Well, take that inspiration and let's see you dance. | 0:10:36 | 0:10:40 | |
MUSIC: Because Of You by Kelly Clarkson | 0:10:40 | 0:10:44 | |
Oh, beautiful. | 0:11:08 | 0:11:11 | |
You're really strong, your technique has definitely improved. | 0:11:13 | 0:11:17 | |
It was lovely to just see you kind of come to life in this. | 0:11:17 | 0:11:21 | |
I think you did a brilliant audition and it is a yes from me. | 0:11:21 | 0:11:24 | |
Thank you so much. | 0:11:24 | 0:11:26 | |
-Yes. -There was a section where you stumbled and you had like a thing | 0:11:26 | 0:11:30 | |
which didn't quite go the way that you've rehearsed. | 0:11:30 | 0:11:34 | |
-Yes. -The only reason I noticed is because you showed it in your face. | 0:11:34 | 0:11:38 | |
There was a bit where you let your guard down. | 0:11:38 | 0:11:40 | |
Because you've got this beautifully connected dance which you did and | 0:11:40 | 0:11:44 | |
it's amazing, then that moment just sort of, | 0:11:44 | 0:11:46 | |
oh, I don't know, it's tricky. | 0:11:46 | 0:11:47 | |
-Give her a chance. -Give her a chance. | 0:11:48 | 0:11:51 | |
I'm going to say no today. | 0:11:53 | 0:11:56 | |
Oh, no! | 0:11:56 | 0:11:58 | |
You are a phenomenal dancer. | 0:11:58 | 0:12:00 | |
-Thank you. -And there is so much more to come from you. | 0:12:00 | 0:12:03 | |
-OK. -Yeah? But well done. | 0:12:04 | 0:12:06 | |
-Thank you. -Thank you. | 0:12:06 | 0:12:07 | |
Keep working as hard as you are. | 0:12:07 | 0:12:09 | |
You're onto something fantastic. Keep dancing. Thank you. | 0:12:09 | 0:12:12 | |
-Thank you so much. -Well done. | 0:12:12 | 0:12:13 | |
-No worries. -With the standard of competition higher than ever, | 0:12:13 | 0:12:17 | |
the judges are proving hard to impress. | 0:12:17 | 0:12:20 | |
Back for his second year in a row | 0:12:20 | 0:12:22 | |
is 12-year-old Otto from Gloucestershire. | 0:12:22 | 0:12:25 | |
So, we've met before. | 0:12:25 | 0:12:27 | |
And how did it go last time? | 0:12:27 | 0:12:28 | |
I wanted to have three yeses and get through to Nationals, but, | 0:12:28 | 0:12:32 | |
unfortunately, that didn't happen, | 0:12:32 | 0:12:33 | |
so I've been working really hard to improve on my technique and, | 0:12:33 | 0:12:36 | |
hopefully, fingers crossed, I might get through this... | 0:12:36 | 0:12:39 | |
Fab. Well, I can't wait to see this improved technique that you've been | 0:12:39 | 0:12:42 | |
working on. The floor is yours. | 0:12:42 | 0:12:44 | |
MUSIC: Cheap Thrills by Sia | 0:12:45 | 0:12:47 | |
Well done, Otto. | 0:13:16 | 0:13:18 | |
You need three yeses, as you know, to get through to Nationals. | 0:13:18 | 0:13:21 | |
-Swoosh. -It's going to be a yes from me. | 0:13:21 | 0:13:25 | |
-Jonny? -I'm a little bit in two minds. | 0:13:25 | 0:13:28 | |
I thought it was an amazing audition and I can really see that you've put | 0:13:28 | 0:13:32 | |
in a lot of work. | 0:13:32 | 0:13:34 | |
However, there was a performance thing that I still think you can | 0:13:34 | 0:13:38 | |
build upon. For me today it's going to be a no. | 0:13:38 | 0:13:42 | |
I'm sorry. | 0:13:42 | 0:13:44 | |
Otto, lovely, it's a no today, but your improvement is phenomenal. | 0:13:44 | 0:13:48 | |
-Thank you. -Thank you, Otto. | 0:13:48 | 0:13:50 | |
-Well done. -With two noes in a row, | 0:13:50 | 0:13:52 | |
it's clear that Jonny is not easy to win over. | 0:13:52 | 0:13:56 | |
As a star of EastEnders and winner of Dance, Dance, Dance, | 0:13:58 | 0:14:01 | |
Jonny knows exactly what he's looking for. | 0:14:01 | 0:14:03 | |
You sort of did the same expression the whole way through. | 0:14:04 | 0:14:08 | |
Your focus was down the whole time. | 0:14:08 | 0:14:11 | |
'He wants more than just a dancer, | 0:14:11 | 0:14:12 | |
'he is also looking for someone who can act.' | 0:14:12 | 0:14:15 | |
We are looking for an artist as well as a dancer. | 0:14:15 | 0:14:17 | |
I'm excited to see you act. | 0:14:17 | 0:14:19 | |
Head casting director now, is that what I am? | 0:14:19 | 0:14:23 | |
'And it's fair to say he knows talent when he sees it.' | 0:14:23 | 0:14:26 | |
So quick, so energised, so... | 0:14:26 | 0:14:29 | |
So on it. | 0:14:29 | 0:14:30 | |
Your facility is ridonculous. | 0:14:30 | 0:14:33 | |
Can 15-year-old Casper from East Sussex wow all three judges | 0:14:37 | 0:14:41 | |
and claim his ticket to Nationals? | 0:14:41 | 0:14:44 | |
-Hello. -Hello. -Hello. | 0:14:44 | 0:14:45 | |
-How are you? -Really good, thank you. | 0:14:45 | 0:14:47 | |
Familiar face. | 0:14:47 | 0:14:49 | |
'I came to the audition last time' | 0:14:49 | 0:14:51 | |
and then Kimberly, the main judge, she said that | 0:14:51 | 0:14:55 | |
I need to work on my technique. | 0:14:55 | 0:14:56 | |
What would it mean to you to get to Nationals? | 0:14:56 | 0:14:59 | |
I don't know, it would just... | 0:14:59 | 0:15:01 | |
It would just be crazy for me. | 0:15:01 | 0:15:03 | |
It would mean so much. | 0:15:03 | 0:15:04 | |
-Amazing. -Awesome. | 0:15:04 | 0:15:06 | |
Well, I can't wait to see you dance. | 0:15:06 | 0:15:08 | |
Go for it. | 0:15:08 | 0:15:09 | |
MUSIC: Palladio | 0:15:12 | 0:15:15 | |
-Whoo! -APPLAUSE | 0:15:55 | 0:15:57 | |
Casper, I'm really glad I told you to work on your technique, | 0:15:59 | 0:16:02 | |
cos good grief! | 0:16:02 | 0:16:04 | |
-Yeah! -Wow, what an improvement. | 0:16:04 | 0:16:07 | |
-Thank you. -That was amazing. | 0:16:07 | 0:16:09 | |
Really good work. | 0:16:09 | 0:16:10 | |
I loved your piece, your tricks, your choreography. | 0:16:10 | 0:16:13 | |
-Who choreographed your piece for you? -I did. | 0:16:13 | 0:16:15 | |
What?! Yes! | 0:16:15 | 0:16:18 | |
-Amazing stuff. -Thank you. | 0:16:18 | 0:16:20 | |
I thought that was a solid audition, mate. | 0:16:20 | 0:16:22 | |
-To be honest with you, that was brilliant. -Thank you so much. | 0:16:22 | 0:16:24 | |
-Really, really good. -I mean, you've turned into like a technical Trojan. | 0:16:24 | 0:16:27 | |
That was a piece from someone that should've graduated | 0:16:27 | 0:16:29 | |
from a full-time college. | 0:16:29 | 0:16:31 | |
All right, technical Trojan, you need three yeses | 0:16:31 | 0:16:34 | |
to get through to Nationals. | 0:16:34 | 0:16:35 | |
Yeah. | 0:16:35 | 0:16:37 | |
-Swoosh. -Technical Trojan, it's a yes. | 0:16:37 | 0:16:39 | |
-Thank you. -Jonny? | 0:16:39 | 0:16:41 | |
Yeah, man, I'm definitely there, it's a yes from me. | 0:16:41 | 0:16:45 | |
I couldn't be more proud, so I'm going to take this yes, | 0:16:45 | 0:16:49 | |
I'm going to come and give it to you personally, cos I'm that proud. | 0:16:49 | 0:16:52 | |
Thank you so much. | 0:16:52 | 0:16:54 | |
Such a phenomenal work. Oh, my God! | 0:16:56 | 0:16:59 | |
Work really does pay off, doesn't it? | 0:16:59 | 0:17:02 | |
-Good job, you. -Thank you so much. | 0:17:02 | 0:17:03 | |
-Really well done. -It's been amazing. | 0:17:03 | 0:17:05 | |
-Thank you all. -Yeah. -Thank you. -Aw! | 0:17:05 | 0:17:07 | |
No worries. | 0:17:07 | 0:17:09 | |
'So, the hard work has paid off for Casper as he continues to Nationals. | 0:17:09 | 0:17:13 | |
And it's not just advice from our judges | 0:17:13 | 0:17:15 | |
that's inspiring dancers around the country. | 0:17:15 | 0:17:18 | |
The reason I took up dance is because I really like The Next Step | 0:17:18 | 0:17:21 | |
and they were such an inspiration. | 0:17:21 | 0:17:23 | |
I really, like, look up to Lukas McFarlane, | 0:17:23 | 0:17:28 | |
cos I feel like when he dances, he tells a story. | 0:17:28 | 0:17:31 | |
And who inspires the cast of The Next Step? | 0:17:31 | 0:17:34 | |
My biggest inspiration in dance is people that I dance with, | 0:17:34 | 0:17:37 | |
so Briar, everyone on the show, my dance team at home, | 0:17:37 | 0:17:40 | |
everyone that I am surrounded by is inspiring me every day. | 0:17:40 | 0:17:44 | |
The Next Step cast train in a variety of different styles | 0:17:50 | 0:17:54 | |
and here at Taking The Next Step, | 0:17:54 | 0:17:55 | |
we welcome dancers of all disciplines. | 0:17:55 | 0:17:58 | |
From commercial to contortion. | 0:17:59 | 0:18:02 | |
And from ballet dancers to B-boys, | 0:18:05 | 0:18:09 | |
we've seen them all. | 0:18:09 | 0:18:11 | |
And street dancers are no exception. | 0:18:12 | 0:18:14 | |
With strong performers in every city we visited. | 0:18:16 | 0:18:19 | |
In London, we met ten-year-old street dancer Harry. | 0:18:20 | 0:18:23 | |
-Hey. -Yo. -How's it going? -I'm good, thank you. | 0:18:23 | 0:18:28 | |
Cool. So what are you going to be dancing today? | 0:18:28 | 0:18:30 | |
-Pardon? -What are you going to be dancing today. | 0:18:30 | 0:18:32 | |
-What style? -Street dance. | 0:18:32 | 0:18:34 | |
Well, and break dance, kind of like. | 0:18:34 | 0:18:36 | |
Cool. All right, well, the floor is yours. | 0:18:36 | 0:18:38 | |
I'm looking forward to it. | 0:18:38 | 0:18:40 | |
# So fresh | 0:18:40 | 0:18:41 | |
# Top five, no less... # | 0:18:41 | 0:18:43 | |
Whoo! Look at his energy! | 0:18:43 | 0:18:47 | |
# Wanna hear TT on the KDA | 0:18:47 | 0:18:49 | |
# With the Katy B and that's it Oh, yeah... # | 0:18:49 | 0:18:52 | |
His facial expressions are great! | 0:18:52 | 0:18:54 | |
# You got me feeling for your power... # | 0:18:54 | 0:18:57 | |
Whoo! | 0:18:57 | 0:18:59 | |
# Turn the music louder Let me feel it | 0:18:59 | 0:19:01 | |
-# Oh-oh-oh-oh-oh-oh-oh -Rumble, go hard, no rest, c'mon | 0:19:01 | 0:19:03 | |
# You got me feeling for your power | 0:19:03 | 0:19:05 | |
# Turn the music louder | 0:19:05 | 0:19:08 | |
# Let me feel it Oh-oh-oh-oh-oh-oh-oh | 0:19:08 | 0:19:10 | |
# Yeah, what a face, what a mixture | 0:19:10 | 0:19:13 | |
# Bare likes when I'm lookin' at your Insta | 0:19:13 | 0:19:15 | |
# What, last night was a picture | 0:19:15 | 0:19:17 | |
# In the pool getting busy with the mixer | 0:19:17 | 0:19:19 | |
# So right, so fresh | 0:19:19 | 0:19:20 | |
# Top five, no less.. # | 0:19:20 | 0:19:22 | |
Oh, my goodness. | 0:19:22 | 0:19:24 | |
We all need a bit of Harry in our lives! | 0:19:24 | 0:19:27 | |
Wow, that was a bit unexpected. | 0:19:28 | 0:19:30 | |
You came in, you seemed so nervous and shy | 0:19:30 | 0:19:32 | |
and the music comes on and you just become something else | 0:19:32 | 0:19:35 | |
and I think that's absolutely brilliant. | 0:19:35 | 0:19:38 | |
My answer is a yes for you, | 0:19:38 | 0:19:40 | |
cos I think I really love your style, | 0:19:40 | 0:19:42 | |
I love that you bring you to the dance floor. | 0:19:42 | 0:19:45 | |
Yeah, man, I'm with it, a yes from me. | 0:19:45 | 0:19:48 | |
Oh, he just needs one more. Come on, come on. | 0:19:48 | 0:19:51 | |
I'm on the fence, I'll be honest with you, | 0:19:51 | 0:19:52 | |
because you still have a lot more room for improvement. | 0:19:52 | 0:19:56 | |
I'm not too sure that you're ready yet. | 0:19:56 | 0:19:59 | |
So after two enthusiastic yeses, Swoosh is still unsure. | 0:19:59 | 0:20:03 | |
Has Harry done enough? | 0:20:03 | 0:20:05 | |
So it's going to be a no from me today. | 0:20:05 | 0:20:07 | |
OK. | 0:20:08 | 0:20:10 | |
But take this no as a stepping stone to take yourself to the next level, | 0:20:10 | 0:20:15 | |
because I can see you've got a bright future ahead of you. | 0:20:15 | 0:20:18 | |
Oh, come on, mate. | 0:20:18 | 0:20:20 | |
-Awesome, awesome job. -You did your best, mate. | 0:20:20 | 0:20:22 | |
-You did your best. -Yeah. | 0:20:22 | 0:20:25 | |
Take this off! | 0:20:25 | 0:20:27 | |
He was good. His potential is definitely there. | 0:20:27 | 0:20:31 | |
-Yeah. -But the standard is just... | 0:20:31 | 0:20:35 | |
It's not there yet. | 0:20:35 | 0:20:37 | |
As the founder of the dance crew Flawless, | 0:20:37 | 0:20:39 | |
Swoosh has some seriously high expectations of our street dancers. | 0:20:39 | 0:20:43 | |
Megan from Swansea is up next, | 0:20:43 | 0:20:45 | |
hoping she can do enough to get three yeses. | 0:20:45 | 0:20:49 | |
Any of the judges that you're excited to see? | 0:20:49 | 0:20:51 | |
I'm really excited to see Swoosh, | 0:20:51 | 0:20:52 | |
because he dances with Flawless | 0:20:52 | 0:20:54 | |
and he's judged me in a few competitions, as well. | 0:20:54 | 0:20:57 | |
Really? OK, so we really want a yes from Swoosh today. | 0:20:57 | 0:21:00 | |
MUSIC: Higher Ground by TNGHT | 0:21:00 | 0:21:03 | |
Go on, Megan. | 0:21:20 | 0:21:22 | |
Catch your breath. | 0:21:24 | 0:21:27 | |
Megan, I really enjoyed that. | 0:21:27 | 0:21:29 | |
I think you brought it today. | 0:21:29 | 0:21:30 | |
-Yeah. -From me it would be a yes. | 0:21:30 | 0:21:32 | |
-Thank you. -Thank you so much. | 0:21:32 | 0:21:34 | |
Swoop, what did you... Swoop! | 0:21:34 | 0:21:36 | |
-Swoop. -Swoop! | 0:21:36 | 0:21:38 | |
LAUGHTER Swoosh, what did you think? | 0:21:38 | 0:21:40 | |
Megan, wow, you're a firecracker. | 0:21:40 | 0:21:43 | |
There's still a lot of room for improvement at this stage. | 0:21:43 | 0:21:47 | |
I wanted to see just a little bit more foundation. | 0:21:47 | 0:21:50 | |
I do like you, though. | 0:21:50 | 0:21:52 | |
I do like you, because you do have... | 0:21:52 | 0:21:54 | |
-Give her a yes, give her a yes. -..some great qualities | 0:21:54 | 0:21:56 | |
and I think that there is, you know, there is some spark in there. | 0:21:56 | 0:22:00 | |
For me, today, it's going to be a no. | 0:22:01 | 0:22:04 | |
OK, thank you. | 0:22:04 | 0:22:06 | |
Unfortunately for Megan, | 0:22:06 | 0:22:07 | |
Swoosh's no means she won't be advancing to Nationals. | 0:22:07 | 0:22:10 | |
Hoping to have some more luck with the judges is | 0:22:12 | 0:22:14 | |
13-year-old Keanu from Fife. | 0:22:14 | 0:22:16 | |
-Hi. -How are you feeling? -Very excited and very nervous. | 0:22:16 | 0:22:21 | |
What would it mean to you to get through to Nationals? | 0:22:21 | 0:22:23 | |
Oh, it would mean, like, the world to me. | 0:22:23 | 0:22:26 | |
I love the show and, yeah... | 0:22:26 | 0:22:28 | |
-OK, well, the floor is yours. -OK. | 0:22:28 | 0:22:30 | |
Take it. | 0:22:30 | 0:22:32 | |
# Check this out | 0:22:32 | 0:22:33 | |
# Get down now, jump up and twist | 0:22:33 | 0:22:35 | |
# Bad girls we do it like this | 0:22:35 | 0:22:37 | |
# Jump so high now you can't resist | 0:22:37 | 0:22:39 | |
# Follow me, follow me right Jump! | 0:22:39 | 0:22:41 | |
# Won't stop we got the vibe now | 0:22:41 | 0:22:43 | |
# Bass so big we knock them right down | 0:22:43 | 0:22:45 | |
# All your hype can't get them hyper | 0:22:45 | 0:22:47 | |
# Follow me, follow me right | 0:22:47 | 0:22:49 | |
# Your sound is a | 0:22:49 | 0:22:50 | |
# Dibby, dibby, dibby, dibby, dibby | 0:22:50 | 0:22:51 | |
# Dibby, dibby, dibby, dibby | 0:22:51 | 0:22:53 | |
# Dibby, dibby, dibby sound | 0:22:53 | 0:22:54 | |
# Dibby, dibby, dibby, dibby, dibby | 0:22:54 | 0:22:57 | |
# Dibby, dibby, dibby, dibby sound | 0:22:57 | 0:22:58 | |
# Let go now set the vibe free and | 0:22:58 | 0:23:00 | |
# Come closer, wine it with me and | 0:23:00 | 0:23:03 | |
# Take it high and move your body and | 0:23:03 | 0:23:05 | |
# Follow me, follow me right now. # | 0:23:05 | 0:23:07 | |
-Hey. Hey. -APPLAUSE | 0:23:07 | 0:23:10 | |
You're out of breath like I'm out of breath. | 0:23:10 | 0:23:11 | |
I'm out of breath, but I'm out of breath for you. | 0:23:11 | 0:23:14 | |
You went so hard on that, | 0:23:14 | 0:23:15 | |
like, I can tell how much this means to you. | 0:23:15 | 0:23:18 | |
I think you'd be a really good asset to the show, | 0:23:18 | 0:23:21 | |
I think you could bring a lot of drama, | 0:23:21 | 0:23:23 | |
I think you could bring a lot of... | 0:23:23 | 0:23:25 | |
I think you've got a character about you. | 0:23:25 | 0:23:26 | |
Yeah, that's right. Yeah, that's right. | 0:23:26 | 0:23:29 | |
I'm going... I'm going to give you a yes. | 0:23:29 | 0:23:31 | |
Thank you. | 0:23:31 | 0:23:33 | |
You've got a quality about you and that is undeniable, | 0:23:33 | 0:23:36 | |
so, you know what, it's a yes from me. | 0:23:36 | 0:23:38 | |
Thank you. | 0:23:38 | 0:23:41 | |
I do think that there's still a lot work to be done. | 0:23:41 | 0:23:44 | |
But I'm going to give you a yes. | 0:23:45 | 0:23:47 | |
Hurray! | 0:23:47 | 0:23:49 | |
I think mum's excited. | 0:23:49 | 0:23:51 | |
SHE SCREAMS | 0:23:51 | 0:23:53 | |
-Thank you so much. -Well done. -Well done, lovely. | 0:23:53 | 0:23:55 | |
Thank you. | 0:23:55 | 0:23:57 | |
SHE SCREAMS LAUGHTER | 0:23:57 | 0:24:01 | |
And the yeses for our street dancers keep on coming. | 0:24:01 | 0:24:04 | |
It's a yes from me and you're going to Nationals! | 0:24:11 | 0:24:14 | |
Hey! | 0:24:14 | 0:24:16 | |
Really great. Great job. | 0:24:16 | 0:24:20 | |
-You're going to Nationals. -Whoo! -Well done, lovely. -Well done. | 0:24:28 | 0:24:33 | |
-Thank you so much. -Thank you. | 0:24:33 | 0:24:36 | |
In London, 12-year-old Chicane is next to face the judges, | 0:24:36 | 0:24:40 | |
rocking the slow-mo. | 0:24:40 | 0:24:42 | |
The style of dance that I do is like very street and urban | 0:24:42 | 0:24:46 | |
and I'm hoping to wow the judges with my flow, basically. | 0:24:46 | 0:24:49 | |
-Hi. -Hey. -Hello there. -Hey. | 0:24:49 | 0:24:52 | |
What's your dream as a dancer? | 0:24:52 | 0:24:53 | |
My dream is to help other people, like younger people like me, | 0:24:53 | 0:24:57 | |
like, to show them that dancing isn't just for certain individuals, | 0:24:57 | 0:25:01 | |
like, everyone can dance. | 0:25:01 | 0:25:02 | |
-I can't wait to see your skills. -Thank you. | 0:25:02 | 0:25:05 | |
# No-one can hold us down again No way | 0:25:05 | 0:25:08 | |
# No-one will touch our crown again | 0:25:08 | 0:25:12 | |
# We don't follow no crowd | 0:25:12 | 0:25:15 | |
# They follow us | 0:25:15 | 0:25:17 | |
# Don't follow no sound | 0:25:17 | 0:25:19 | |
# It follows us | 0:25:19 | 0:25:21 | |
# Unorthodox | 0:25:21 | 0:25:23 | |
# We call our own shots | 0:25:23 | 0:25:25 | |
# No-one can hold us down again | 0:25:25 | 0:25:30 | |
# No-one will touch our crown again | 0:25:30 | 0:25:34 | |
# No-one can hold us down again | 0:25:34 | 0:25:38 | |
# Unorthodox | 0:25:38 | 0:25:40 | |
# We call our own shots. # | 0:25:40 | 0:25:42 | |
-APPLAUSE -Yeah. | 0:25:42 | 0:25:44 | |
Wow. | 0:25:47 | 0:25:48 | |
Love it, man. Love it, love it. | 0:25:48 | 0:25:51 | |
I can see you that you like you're popping and you're waving, etc, etc. | 0:25:51 | 0:25:54 | |
I can tell that the nerves was getting the best of you | 0:25:54 | 0:25:57 | |
at some points. | 0:25:57 | 0:25:58 | |
When you come into an audition, | 0:25:58 | 0:26:00 | |
try to find that same feeling that you get when | 0:26:00 | 0:26:02 | |
you hear music in your bedroom and you just go full out. | 0:26:02 | 0:26:06 | |
-Yeah. -You know? Just take those points on board. | 0:26:06 | 0:26:09 | |
-Jonny. -I like you, Chicane. | 0:26:09 | 0:26:10 | |
I think you're great. I'm a yes, mate. | 0:26:10 | 0:26:13 | |
Chicane, I'm a yes as well. | 0:26:13 | 0:26:15 | |
Thank you. | 0:26:15 | 0:26:17 | |
'With two yeses, it's now all down to Swoosh.' | 0:26:17 | 0:26:21 | |
-Swoosh. -Ooh! | 0:26:21 | 0:26:23 | |
-Come on, Swoosh. -SWOOSH LAUGHS | 0:26:23 | 0:26:26 | |
For me, I love the fact that, you know, you have a passion | 0:26:26 | 0:26:30 | |
for wanting to effect change for other people's lives. | 0:26:30 | 0:26:32 | |
It's the same dream and passion I had when I started Flawless | 0:26:32 | 0:26:36 | |
and it's me looking and seeing what it used to be like | 0:26:36 | 0:26:41 | |
when I was your age. | 0:26:41 | 0:26:42 | |
-Yeah. -Do you see what I'm saying? | 0:26:42 | 0:26:44 | |
-I'm going to give you a yes. -THEY CHEER | 0:26:47 | 0:26:51 | |
Boom! | 0:26:51 | 0:26:53 | |
I'm going to give you a yes, | 0:26:54 | 0:26:56 | |
but what I need you to do is dance from your heart, yeah? | 0:26:56 | 0:27:00 | |
-Thank you. -All right, well done. See you at Nationals. | 0:27:00 | 0:27:03 | |
Ooh, sorry. We're going. Boom. | 0:27:03 | 0:27:06 | |
-Nice one, dude. -Good job, man. -Thank you. -Good job. | 0:27:06 | 0:27:08 | |
Yay! | 0:27:08 | 0:27:10 | |
It's been a long day for everyone, | 0:27:10 | 0:27:12 | |
but three yeses means Chicane has danced his way to Nationals. | 0:27:12 | 0:27:16 | |
Ooh! | 0:27:16 | 0:27:18 | |
-Feeling good? -Yeah. -Why are you crying? Is it happy tears? | 0:27:18 | 0:27:21 | |
Yeah. I just... I want to dance again now. | 0:27:21 | 0:27:23 | |
You want to go again? | 0:27:23 | 0:27:24 | |
But you've got through, look what's in your hand. What is that? | 0:27:24 | 0:27:27 | |
-The ticket to Nationals. -Yeah, yeah. You're off to Nationals. | 0:27:27 | 0:27:30 | |
-Well done. Amazing audition. -Thank you. | 0:27:30 | 0:27:32 | |
London's been really interesting. | 0:27:32 | 0:27:35 | |
Yeah, London's been good. | 0:27:35 | 0:27:36 | |
-But we ain't finished yet. -We ain't finished yet. | 0:27:36 | 0:27:38 | |
-It's only beginning. -# It's only just begun. # | 0:27:38 | 0:27:43 | |
Next time... | 0:27:43 | 0:27:44 | |
Hello, superhuman back. | 0:27:44 | 0:27:46 | |
THEY LAUGH | 0:27:46 | 0:27:47 | |
Wow! | 0:27:47 | 0:27:49 | |
You're a little rocket, aren't you? | 0:27:49 | 0:27:51 | |
Your ability to do what you can do with your body is amazing. | 0:27:51 | 0:27:55 | |
I don't think I've ever seen anyone moonwalk on their knees before. | 0:27:55 | 0:27:58 | |
-Same person just walked... -Yeah. | 0:27:58 | 0:28:00 | |
Definitely a twin. | 0:28:00 | 0:28:01 | |
Come and get your ticket. | 0:28:01 | 0:28:03 | |
You've got that look. | 0:28:03 | 0:28:04 | |
It's literally like you could just go... | 0:28:04 | 0:28:06 | |
..bloop. | 0:28:06 | 0:28:08 |