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Taking The Next Step is back. | 0:00:02 | 0:00:04 | |
Over 2,300 dancers from across the UK applied to win the opportunity | 0:00:04 | 0:00:09 | |
of a lifetime and appear on the smash hit Canadian TV show | 0:00:09 | 0:00:14 | |
The Next Step. | 0:00:14 | 0:00:15 | |
The Taking The Next Step team travelled all over the UK. | 0:00:18 | 0:00:22 | |
Let's go, Glasgow! | 0:00:22 | 0:00:23 | |
Hello, Manchester. | 0:00:23 | 0:00:26 | |
We have arrived in London. | 0:00:26 | 0:00:27 | |
Bore da! That means good morning, cos today we are in Cardiff. | 0:00:27 | 0:00:31 | |
Where only the very best will perform for the judges - | 0:00:31 | 0:00:34 | |
actor and dancer Jonny Labey... | 0:00:34 | 0:00:36 | |
Your technique is...outstanding. | 0:00:36 | 0:00:40 | |
..founder of dance group, Flawless, Marlon "Swoosh" Wallen... | 0:00:40 | 0:00:43 | |
That was absolutely brilliant. Flawless, definitely. | 0:00:43 | 0:00:46 | |
..and returning as head judge, | 0:00:46 | 0:00:48 | |
professional dancer and former Pussycat Doll Kimberly Wyatt. | 0:00:48 | 0:00:51 | |
You have got sass for days. | 0:00:51 | 0:00:54 | |
But who will make it to all the way to Canada? | 0:00:54 | 0:00:56 | |
The search is on. | 0:00:56 | 0:00:58 | |
-We've got work to do. -Yeah, we do. | 0:00:58 | 0:01:00 | |
Holy Moley! | 0:01:00 | 0:01:02 | |
This is Taking The Next Step. | 0:01:02 | 0:01:04 | |
Across the country, our Taking The Next Step hopefuls | 0:01:16 | 0:01:19 | |
have been limbering up and perfecting their moves | 0:01:19 | 0:01:22 | |
in preparation to face the judges. | 0:01:22 | 0:01:24 | |
I'm feeling really excited to go in front of the judges today | 0:01:24 | 0:01:27 | |
and show them what I've got. | 0:01:27 | 0:01:28 | |
I'm really excited today because I'm going to audition | 0:01:28 | 0:01:30 | |
for Taking The Next Step. | 0:01:30 | 0:01:32 | |
I'm really looking forward to try and impress Kimberly Wyatt. | 0:01:32 | 0:01:35 | |
If she thought I was good then I'd be really, really happy. | 0:01:35 | 0:01:37 | |
The competition is tough. | 0:01:37 | 0:01:39 | |
I think you're brilliant and it's a definite yes. | 0:01:39 | 0:01:41 | |
And to make things even tougher, each dancer will need a yes | 0:01:41 | 0:01:45 | |
from all three judges to get a ticket to Nationals. | 0:01:45 | 0:01:48 | |
Come get it. | 0:01:48 | 0:01:49 | |
Get your ticket. | 0:01:49 | 0:01:51 | |
What a beautiful day in Manchester. | 0:01:51 | 0:01:52 | |
They're all in there, should we get in there? | 0:01:52 | 0:01:54 | |
-Let's in there. -Come on. -Manchester! Manchester. Mad for it! | 0:01:54 | 0:01:58 | |
First to try and dazzle the judges with her dancing, | 0:01:59 | 0:02:02 | |
and also her leotard, it's Lauren. | 0:02:02 | 0:02:03 | |
Hi, my name's Lauren and I'm nine. | 0:02:05 | 0:02:08 | |
I've just been practising and practising every single day. | 0:02:08 | 0:02:12 | |
I'm mostly excited and a little bit nervous | 0:02:12 | 0:02:16 | |
because you never know what's going to happen when you're dancing. | 0:02:16 | 0:02:19 | |
Ow, my eyes! You're so bright! | 0:02:19 | 0:02:21 | |
Wowzers! Now that, that is a good look. | 0:02:21 | 0:02:25 | |
-Hello. -Hello, lovely. -Hello, hello. | 0:02:25 | 0:02:27 | |
-How are you today? -I'm OK. | 0:02:27 | 0:02:28 | |
You look amazing. | 0:02:28 | 0:02:30 | |
Thank you. How are you? | 0:02:30 | 0:02:31 | |
Oh, pretty good. Excited to get started here in Manchester. | 0:02:31 | 0:02:35 | |
Are you a big fan of The Next Step? | 0:02:35 | 0:02:37 | |
Yes, I watch it every single day, I can't stop watching it. | 0:02:37 | 0:02:40 | |
Aww! | 0:02:40 | 0:02:42 | |
Do you have a few favourite characters? | 0:02:42 | 0:02:44 | |
Yeah. I love West because he just goes for it all the time. | 0:02:44 | 0:02:49 | |
And what would it mean to you to get through to Nationals? | 0:02:49 | 0:02:51 | |
It would mean the world to me. | 0:02:51 | 0:02:53 | |
Dance has basically been my life, I've been dancing since I was two. | 0:02:53 | 0:02:58 | |
Well, I can't wait to see you dance. Your time to shine is now. | 0:02:58 | 0:03:01 | |
MUSIC: Send My Love (To Your New...) by Adele | 0:03:01 | 0:03:04 | |
Woo! | 0:03:50 | 0:03:52 | |
She got so much in in such a short space of time. | 0:03:52 | 0:03:54 | |
Wow. How did that feel? | 0:03:56 | 0:03:59 | |
I just enjoyed it. | 0:03:59 | 0:04:00 | |
Good. You could tell you love to dance. | 0:04:00 | 0:04:03 | |
You're definitely born to dance. | 0:04:03 | 0:04:05 | |
You have so many tricks up your sleeve, it's unbelievable. | 0:04:05 | 0:04:08 | |
-You're so strong. -That was incredible. | 0:04:08 | 0:04:11 | |
You're such a bundle of energy. | 0:04:11 | 0:04:13 | |
-Thank you. -I really enjoyed it. | 0:04:13 | 0:04:15 | |
-Wowser. What a great start to the morning. -Yeah. -Well done. | 0:04:15 | 0:04:18 | |
-Very, very solid audition. Good job. -Thank you. | 0:04:18 | 0:04:20 | |
You need three yeses to get through to Nationals. | 0:04:20 | 0:04:24 | |
Jonny? | 0:04:24 | 0:04:25 | |
I'm going to say yes. | 0:04:25 | 0:04:26 | |
-Swoosh? -I do feel like there's room for improvement, | 0:04:28 | 0:04:30 | |
I do feel like you could take your time at some points... | 0:04:30 | 0:04:33 | |
-OK. -But definitely great potential, | 0:04:33 | 0:04:35 | |
I'm going to say yes as well. | 0:04:35 | 0:04:36 | |
Thank you. | 0:04:36 | 0:04:38 | |
So it's all down to Kim. | 0:04:38 | 0:04:39 | |
I think that this show could really use a dancer like you, | 0:04:40 | 0:04:44 | |
and I can't wait to see you at Nationals. | 0:04:44 | 0:04:46 | |
It's a yes. | 0:04:46 | 0:04:47 | |
Good job. Thank you so much, lovely. | 0:04:50 | 0:04:52 | |
-Well done, sweetheart. -What a great little star. | 0:04:52 | 0:04:54 | |
-Well done. -Great. -Go celebrate! -Yeah! | 0:04:54 | 0:04:57 | |
So, luminous Lauren leaves with a ticket to Nationals. | 0:04:57 | 0:05:01 | |
She made it like this was her own dance studio and yeah, | 0:05:01 | 0:05:04 | |
you guys can watch me, I don't care if you do or if you don't. | 0:05:04 | 0:05:06 | |
-Welcome to Lauren Land. -Yeah, yeah, yeah. | 0:05:06 | 0:05:09 | |
Perfection all across the board. | 0:05:09 | 0:05:10 | |
It was brilliant, we loved it, absolutely loved it. | 0:05:10 | 0:05:12 | |
It was so good, you're so good. Lauren, we'll see you at Nationals. | 0:05:12 | 0:05:15 | |
-Thank you. -High-five. Nice one, Mum. -Bring it in. Bring it in. | 0:05:15 | 0:05:18 | |
-See you later. -Bring it in. Off you go. | 0:05:18 | 0:05:19 | |
The standard of the competition is unbelievably high, | 0:05:19 | 0:05:22 | |
but in London the pressure doesn't seem to be a problem | 0:05:22 | 0:05:25 | |
for 11-year-old ballet dancer Oliver. | 0:05:25 | 0:05:28 | |
I hear there's something you do when you're feeling a little bit nervous | 0:05:28 | 0:05:31 | |
-before an audition. -Yeah. -What's that? | 0:05:31 | 0:05:32 | |
-I shake off. -Shake it off? -Yeah. -How do we do that? | 0:05:32 | 0:05:35 | |
-You go one, two, three, four, five, six, seven, eight. -One, two, three, | 0:05:35 | 0:05:38 | |
four, five, six, seven, eight. One, two, three, four... | 0:05:38 | 0:05:40 | |
-Come on Mum, join in. -One, two, three, four, five, six... | 0:05:40 | 0:05:42 | |
Oh, wow, OK. Gosh. And then you just... | 0:05:42 | 0:05:44 | |
-One, two, one, two, one, two, one, two. -Well, I feel ready. | 0:05:44 | 0:05:47 | |
-Hello. -Hi. -Are you a Next Step fan? | 0:05:49 | 0:05:51 | |
-Yeah, really big fan. -Oh, great. | 0:05:51 | 0:05:53 | |
-Who's your favourite character? -Eldon. | 0:05:53 | 0:05:55 | |
Eldon, straightaway. | 0:05:55 | 0:05:56 | |
-Well, the floor is yours, mate, and best of luck. -Thank you. | 0:05:57 | 0:06:00 | |
MUSIC: Read All About It by Emeli Sande | 0:06:00 | 0:06:03 | |
I've got goose bumps. | 0:06:13 | 0:06:14 | |
It's going to set me off. | 0:06:41 | 0:06:43 | |
That was wow! | 0:06:45 | 0:06:46 | |
Turns are fantastic. Nice and flawless. | 0:06:46 | 0:06:48 | |
Now it's just time to just get the strength. | 0:06:48 | 0:06:51 | |
Just really work on those strength exercises. | 0:06:51 | 0:06:54 | |
-OK. -Feet need a little bit of work. -Yeah. | 0:06:54 | 0:06:56 | |
Sometimes they become a bit fishy when they come off the ground, | 0:06:56 | 0:06:58 | |
you don't want a floppy fish when you're jumping in the air. | 0:06:58 | 0:07:01 | |
-Really work on getting that strength to hold it. -OK. | 0:07:01 | 0:07:04 | |
-You need three yeses. -I know. | 0:07:04 | 0:07:06 | |
Let's start with Kimberly. | 0:07:06 | 0:07:08 | |
I would love to have a ballet boy in Nationals. | 0:07:08 | 0:07:11 | |
I think The Next Step celebrates all styles of dance. | 0:07:11 | 0:07:15 | |
-Yeah. -I'm going to give you a yes. -Thank you. | 0:07:15 | 0:07:18 | |
As a male dancer, we have a job to be powerful. | 0:07:18 | 0:07:22 | |
-Yeah. -And it takes a lot of basic, boring exercises | 0:07:22 | 0:07:26 | |
to get that strength, to get that power. | 0:07:26 | 0:07:28 | |
So, really work on those things. | 0:07:28 | 0:07:30 | |
-So, for me, it's going to be a no today. -OK. | 0:07:31 | 0:07:34 | |
Thank you very much. Good job. | 0:07:36 | 0:07:38 | |
-Come on through. Oliver, how are you feeling? -Good. | 0:07:41 | 0:07:45 | |
-It's OK. -Yeah? -I'll work on it. -Yeah? | 0:07:45 | 0:07:47 | |
We were stood watching, just so impressed, | 0:07:47 | 0:07:49 | |
that was such a brilliant audition. | 0:07:49 | 0:07:51 | |
What did you think to their comments? | 0:07:51 | 0:07:53 | |
-Do think they were fair? -Yeah, I think they were fair. | 0:07:53 | 0:07:55 | |
I need to work on strength. | 0:07:55 | 0:07:56 | |
Stop sulking. | 0:07:56 | 0:07:57 | |
Ballet haters. | 0:07:59 | 0:08:00 | |
You managed to impress Kimberly with ballet and that is tough. | 0:08:01 | 0:08:04 | |
-Yeah. -That I wasn't sure if you could do, and you smashed that. | 0:08:04 | 0:08:07 | |
-It's just, it was the boys, wasn't it? -Yeah. | 0:08:07 | 0:08:09 | |
Don't worry, I'll have words with them later. | 0:08:09 | 0:08:11 | |
-Really, really good audition. -Thank you. -Well done, you. | 0:08:11 | 0:08:15 | |
As the dancers wait it out backstage, | 0:08:15 | 0:08:17 | |
it's clear just how much they love to move. | 0:08:17 | 0:08:19 | |
Dance makes me feel happy. | 0:08:21 | 0:08:22 | |
And when I dance, I feel in my own world, | 0:08:22 | 0:08:25 | |
I feel like I can do anything. | 0:08:25 | 0:08:27 | |
Dancing just makes me feel happy and all the emotions. | 0:08:27 | 0:08:31 | |
Dancing makes me feel like I can do anything. | 0:08:31 | 0:08:35 | |
And these Next Steppers feel the same. | 0:08:35 | 0:08:38 | |
It makes me feel confident, that's one thing for sure. | 0:08:38 | 0:08:41 | |
It is the one outlet in my life where I can express myself | 0:08:41 | 0:08:44 | |
and I can fully be me. | 0:08:44 | 0:08:46 | |
I feel on top of the world when I dance. | 0:08:46 | 0:08:48 | |
It makes us feel like I'm on cloud nine | 0:08:49 | 0:08:51 | |
because I can just lose myself through dance. | 0:08:51 | 0:08:54 | |
Just landed in Glasgow from cloud nine is 11-year-old Jolie. | 0:08:54 | 0:08:59 | |
# Jolie, Jolie, Jolie, Jolie. # | 0:08:59 | 0:09:03 | |
Come and stand over here for us, and let's have a look at this. | 0:09:03 | 0:09:07 | |
How you feeling, Jolie? You all right? | 0:09:07 | 0:09:09 | |
-Yeah. -Yeah? -Excited and nervous. -Excited and nervous. | 0:09:09 | 0:09:11 | |
-OK. -What's the ratio? Excited? Up here. | 0:09:11 | 0:09:14 | |
-That's nervous. -Which is nervous? | 0:09:14 | 0:09:16 | |
That's it? That's nerves. | 0:09:16 | 0:09:18 | |
-That's excitement. -Let's get it to about here. | 0:09:18 | 0:09:21 | |
-And then we're all right then, aren't we? -Yeah! | 0:09:21 | 0:09:23 | |
-Hello. -Hello. | 0:09:23 | 0:09:25 | |
It's your time to shine. Take the floor. | 0:09:25 | 0:09:28 | |
MUSIC: Intro by The xx | 0:09:28 | 0:09:32 | |
-A standing ovation from Jonny. -First one of the day. | 0:10:09 | 0:10:12 | |
Jolie, you are a little rocket, aren't you? | 0:10:12 | 0:10:14 | |
You had some really nice moments, you showed us your technique, | 0:10:14 | 0:10:17 | |
your pirouettes, the way you glided through them was beautiful. | 0:10:17 | 0:10:21 | |
I can tell you that you've got a background and a training, | 0:10:21 | 0:10:23 | |
which is really, really important, | 0:10:23 | 0:10:25 | |
but you've also got the tricks. | 0:10:25 | 0:10:26 | |
I could go on and I could go on, but I'm not, | 0:10:26 | 0:10:29 | |
I'm going to pass it to Swoosh, well done. | 0:10:29 | 0:10:31 | |
Another dancer that's passionate about what they do, | 0:10:31 | 0:10:33 | |
and that's exactly what we love. | 0:10:33 | 0:10:35 | |
You're a powerhouse performer. | 0:10:35 | 0:10:37 | |
It was fantastic. | 0:10:37 | 0:10:39 | |
Your understanding of technique, | 0:10:39 | 0:10:41 | |
and your strength is beautiful. | 0:10:41 | 0:10:44 | |
-Thank you. -So, you need three yeses to go through to Nationals. | 0:10:44 | 0:10:47 | |
It's for sure yes. Absolutely. | 0:10:48 | 0:10:50 | |
Well, you know... | 0:10:52 | 0:10:54 | |
Come on, Swoosh! | 0:10:54 | 0:10:55 | |
-It's a yes from me. -Come on, man - yeah! | 0:10:56 | 0:10:58 | |
Come here, little powerhouse. | 0:10:59 | 0:11:01 | |
-Get your card for Nationals. -Yeah! | 0:11:01 | 0:11:03 | |
-Really good job, keep it up. -Well done. -Thank you. | 0:11:03 | 0:11:05 | |
We'll see you there. | 0:11:05 | 0:11:07 | |
Well done, mate! | 0:11:12 | 0:11:14 | |
For all our auditionees, this isn't just any prize on offer. | 0:11:14 | 0:11:17 | |
The winner of the competition will travel to Canada | 0:11:17 | 0:11:19 | |
to appear on the hit show The Next Step. | 0:11:19 | 0:11:21 | |
They'll join the cast and make a guest appearance | 0:11:21 | 0:11:23 | |
in a brand-new episode. | 0:11:23 | 0:11:25 | |
The winner of Taking The Next Step is actually going to be here | 0:11:25 | 0:11:28 | |
in studio A with us and we are going to have so much fun. | 0:11:28 | 0:11:31 | |
The winner will be able to meet the cast, be on set | 0:11:31 | 0:11:34 | |
and dance with us. I'm so excited to meet them. | 0:11:34 | 0:11:36 | |
Hoping that her unusual dance style will get her a step closer | 0:11:41 | 0:11:44 | |
to Canada, it's 12-year-old Saffa. | 0:11:44 | 0:11:47 | |
-How are you? -Fine. | 0:11:47 | 0:11:49 | |
And what style of dance will you be doing today? | 0:11:49 | 0:11:51 | |
-Contortion. -Contortion! | 0:11:51 | 0:11:53 | |
-And a bit of contemporary. -Yeah. -Very exciting. | 0:11:55 | 0:11:59 | |
MUSIC: Clair de Lune by Claude Debussy | 0:11:59 | 0:12:01 | |
Well, that was unique, Saffa, how did you feel that went? | 0:12:36 | 0:12:39 | |
I think it went A-OK. | 0:12:39 | 0:12:41 | |
Your ability to do what you can do with your body is amazing. | 0:12:41 | 0:12:45 | |
I think now you need to work on strength, so that when you're doing | 0:12:45 | 0:12:48 | |
your spider crawl on the ground that you don't sort of flop out of it, | 0:12:48 | 0:12:51 | |
you can finish it all the way around. | 0:12:51 | 0:12:53 | |
But I think you're onto something amazing, | 0:12:53 | 0:12:55 | |
I really like this fusion of contortion and dance. | 0:12:55 | 0:12:58 | |
-Really well done. -Thanks. | 0:12:58 | 0:12:59 | |
Kimberly's right. In terms of training and going back to ballet, | 0:12:59 | 0:13:02 | |
if you've got strength behind all of those moves, | 0:13:02 | 0:13:04 | |
you're onto something really special. | 0:13:04 | 0:13:06 | |
Will Saffa's superhuman suppleness see her through to the next round? | 0:13:06 | 0:13:10 | |
I'll start with a yes. | 0:13:11 | 0:13:13 | |
Thanks. | 0:13:13 | 0:13:15 | |
I think that where you are right now, and basing it on | 0:13:15 | 0:13:18 | |
what I need to judge it on, today it's going to be a no. | 0:13:18 | 0:13:21 | |
-OK. -But I believe that if you take the notes on board and come back, | 0:13:21 | 0:13:25 | |
I think that you'll be solid. | 0:13:25 | 0:13:26 | |
-Thank you, Saffa. -Thank you, everyone. -Thank you, darling. | 0:13:26 | 0:13:29 | |
-Thank you. -Take care. | 0:13:29 | 0:13:30 | |
Unlucky, Saffa. It's a no this time from straight-talking Swoosh. | 0:13:30 | 0:13:34 | |
He's the sharp-dressing, no-messing choreographer and performer | 0:13:38 | 0:13:42 | |
in one of the UK's most successful dance crews, Flawless. | 0:13:42 | 0:13:46 | |
# Absolutely flawless. # | 0:13:46 | 0:13:47 | |
There's no denying Marlon "Swoosh" Wallen is our | 0:13:48 | 0:13:51 | |
go-to guru when it comes to street. | 0:13:51 | 0:13:53 | |
People get this confused all the time. | 0:13:53 | 0:13:55 | |
Whether that's popping with precision... | 0:13:55 | 0:13:57 | |
Your pop is where you pop. | 0:13:57 | 0:13:58 | |
..or locking like no-one's looking. | 0:13:58 | 0:14:00 | |
Your lock is where you lock. | 0:14:00 | 0:14:01 | |
He can be a hard nut to crack. | 0:14:01 | 0:14:03 | |
Be more dynamic and have contrast. | 0:14:03 | 0:14:05 | |
If I'm going to go into a wave, | 0:14:05 | 0:14:07 | |
slow it down maybe and pick it up, speed it up. | 0:14:07 | 0:14:09 | |
I would like to see you use the space a bit more. | 0:14:09 | 0:14:12 | |
Just chill with it and then attack. | 0:14:12 | 0:14:14 | |
But he doesn't hold back when he likes what he sees. | 0:14:14 | 0:14:16 | |
You shaped your body into creating instruments, | 0:14:16 | 0:14:19 | |
and that's exactly what it's all about. | 0:14:19 | 0:14:21 | |
-Flawless. -Thank you. | 0:14:21 | 0:14:22 | |
Someone who will definitely be looking for a yes from Swoosh | 0:14:27 | 0:14:29 | |
is 11-year-old Ashton. | 0:14:29 | 0:14:31 | |
I mainly grew up doing freestyle and that's what I'm hoping to | 0:14:32 | 0:14:35 | |
impress the judges with today, because that's what I've been doing | 0:14:35 | 0:14:38 | |
-all my life. -You've been through a sort of audition process before, | 0:14:38 | 0:14:41 | |
haven't you, with Justin Bieber? | 0:14:41 | 0:14:42 | |
You've been on stage with Justin Bieber? | 0:14:42 | 0:14:44 | |
Yeah, I danced behind him as one of his like kind of backup dancers. | 0:14:44 | 0:14:47 | |
Wow! So, at one of his concerts? | 0:14:47 | 0:14:49 | |
-Yeah, in Sheffield. -That's amazing! | 0:14:49 | 0:14:51 | |
That's awesome, get in there. | 0:14:51 | 0:14:53 | |
See, it's fine. You'll be fine, mate, | 0:14:53 | 0:14:54 | |
you've danced with Justin. This is nothing. | 0:14:54 | 0:14:57 | |
-Hello, there. -Hi. -How are you? -I'm doing fine, thanks. | 0:14:57 | 0:15:00 | |
What style of dance will you be doing for us today? | 0:15:00 | 0:15:03 | |
-Popping. -And who are your inspirations? | 0:15:03 | 0:15:05 | |
-Michael Jackson, mainly. -OK. | 0:15:05 | 0:15:08 | |
The floor is yours, let's see you dance. | 0:15:08 | 0:15:10 | |
MUSIC: Louder by DJ Fresh, featuring Sian Evans | 0:15:10 | 0:15:13 | |
Good lad, good lad. | 0:15:47 | 0:15:49 | |
Ashton, Ashton, Ashton... | 0:15:49 | 0:15:51 | |
can I just start by saying that you've actually | 0:15:51 | 0:15:54 | |
-been the best popper on this show so far. -Thanks. | 0:15:54 | 0:15:58 | |
-Nice. Brilliant. -Thanks. | 0:15:59 | 0:16:01 | |
I don't think I've ever seen anyone moonwalk on their knees before. | 0:16:01 | 0:16:05 | |
So, that says a lot about you as an artist and you as a popper | 0:16:05 | 0:16:08 | |
and how seriously you take this as a genre of dance. | 0:16:08 | 0:16:11 | |
Ashton, what's your story? | 0:16:11 | 0:16:13 | |
As I've grown up, I've really just taught myself. | 0:16:13 | 0:16:15 | |
-Amazing. -Just like on YouTube and stuff. | 0:16:15 | 0:16:17 | |
Yeah! I think you're brilliant, | 0:16:17 | 0:16:19 | |
I think you've got the beginnings of something absolutely phenomenal. | 0:16:19 | 0:16:23 | |
I want you to start understanding how good you are | 0:16:23 | 0:16:26 | |
and bring that to your performance, because I think you could be | 0:16:26 | 0:16:30 | |
a bit more electric with it, I think you could perform out a bit. | 0:16:30 | 0:16:33 | |
So, you need three yeses to get through to Nationals. | 0:16:33 | 0:16:36 | |
Swoosh. | 0:16:36 | 0:16:37 | |
-For me, it's a yes. -Thanks. | 0:16:37 | 0:16:40 | |
One, come on. | 0:16:40 | 0:16:41 | |
It's a yes from me. | 0:16:41 | 0:16:42 | |
Ashton... | 0:16:43 | 0:16:45 | |
I think you could do quite well at Nationals, | 0:16:45 | 0:16:47 | |
-it's a yes from me. -Oh, thanks. | 0:16:47 | 0:16:49 | |
Yes! | 0:16:51 | 0:16:52 | |
-Thank you so much. -Thank you. | 0:16:52 | 0:16:54 | |
Nice work, mate! | 0:16:54 | 0:16:57 | |
Yes, mate! Yes, mate! | 0:16:57 | 0:16:59 | |
He's 11 years old and the level of popping that he is now, | 0:16:59 | 0:17:03 | |
he's going to be insane in a couple of years. | 0:17:03 | 0:17:05 | |
-How are you feeling after that? -Just relieved. -Yeah? | 0:17:05 | 0:17:08 | |
My practice paid off and I'm so happy about it. | 0:17:08 | 0:17:10 | |
Up next in Cardiff, it's a family affair. | 0:17:11 | 0:17:14 | |
These sisters are getting set for their first ever audition. | 0:17:14 | 0:17:17 | |
I'm Jasmine and I'm 15. | 0:17:17 | 0:17:19 | |
I'm Shola and I'm 15. | 0:17:20 | 0:17:21 | |
Together, we're twins. | 0:17:22 | 0:17:23 | |
She is the most craziest person that you could ever, ever meet. | 0:17:25 | 0:17:29 | |
Shola is... | 0:17:29 | 0:17:31 | |
something else. | 0:17:31 | 0:17:32 | |
She's something else. She's not someone you'd normally meet | 0:17:32 | 0:17:35 | |
on a regular basis, she's a one-of-a-kind child. | 0:17:35 | 0:17:38 | |
We've always danced together, there's not really been a time | 0:17:38 | 0:17:41 | |
when we haven't. She loves The Next Step. | 0:17:41 | 0:17:44 | |
I'm a fan of The Next Step, and I just drag her along. | 0:17:44 | 0:17:47 | |
I think it'll be like a really good experience for us. | 0:17:47 | 0:17:49 | |
We're trying to do everything new. | 0:17:49 | 0:17:51 | |
What happens if one gets through and one doesn't? | 0:17:51 | 0:17:54 | |
Have we discussed a plan? | 0:17:54 | 0:17:55 | |
-Yes. -You've got a plan. -I'm very supportive... | 0:17:55 | 0:17:58 | |
but she isn't. | 0:17:58 | 0:18:00 | |
So, Jasmine, you'll be fuming if you don't get through? | 0:18:00 | 0:18:03 | |
-Absolutely. -Well, obviously, I hope you both get through. | 0:18:03 | 0:18:06 | |
Who's going first, Shola? | 0:18:06 | 0:18:08 | |
-Yeah, that's me. -OK, well good luck, off you go. | 0:18:08 | 0:18:10 | |
We'll be standing watching. | 0:18:10 | 0:18:12 | |
It's that way. Shola, it's that way, don't miss the audition. | 0:18:12 | 0:18:15 | |
Off you go. Good luck. | 0:18:15 | 0:18:16 | |
-Hey. -Hi. -Hello. | 0:18:17 | 0:18:18 | |
How are you feeling? | 0:18:18 | 0:18:20 | |
-Really tired. -Really tired? | 0:18:21 | 0:18:23 | |
Very long drive, with my twin sister. | 0:18:23 | 0:18:26 | |
OK. Well, the floor is yours, we're looking forward to seeing it. | 0:18:26 | 0:18:29 | |
-Are you nervous? -I am slightly nervous. | 0:18:29 | 0:18:32 | |
MUSIC: Water Under The Bridge by Adele | 0:18:32 | 0:18:34 | |
Have you auditioned a lot? | 0:19:05 | 0:19:07 | |
-No. -No. -No, I really haven't. | 0:19:07 | 0:19:09 | |
I'm used to dancing in a crew or hiding behind my sister. | 0:19:09 | 0:19:12 | |
Shola, you are a really good dancer. | 0:19:12 | 0:19:15 | |
You have individualism that's fantastic and I love. | 0:19:15 | 0:19:19 | |
I want you to find that fire and share it with us, | 0:19:19 | 0:19:22 | |
don't come in and say you're tired. | 0:19:22 | 0:19:24 | |
-Sorry! -You find it, you bring it in, you share it, you leave it, | 0:19:24 | 0:19:28 | |
then you go be tired afterwards. | 0:19:28 | 0:19:30 | |
-Yeah. -OK. | 0:19:30 | 0:19:31 | |
You didn't sell it today... | 0:19:31 | 0:19:33 | |
so it is a no. | 0:19:33 | 0:19:34 | |
But, girl, | 0:19:34 | 0:19:35 | |
you're good. | 0:19:35 | 0:19:37 | |
-Thank you. -Take care. | 0:19:37 | 0:19:39 | |
-Thank you, Shola. -You're good, you're good. | 0:19:39 | 0:19:42 | |
With Shola out of the competition, | 0:19:42 | 0:19:44 | |
it's Jasmine's turn to convince the judges that she's got what it takes | 0:19:44 | 0:19:48 | |
to make it to Nationals. | 0:19:48 | 0:19:50 | |
-Hello. -Hi, guys. | 0:19:50 | 0:19:51 | |
-Hey. -You are definitely a twin. | 0:19:51 | 0:19:54 | |
-Most definitely. -100%. | 0:19:54 | 0:19:55 | |
-Wow! -It's like the same person just walked in. | 0:19:55 | 0:19:59 | |
Wait a minute... | 0:19:59 | 0:20:00 | |
All right, well, your time to shine is now. | 0:20:00 | 0:20:03 | |
MUSIC: Rather Be by Clean Bandit, feat Jess Glynne | 0:20:03 | 0:20:06 | |
Oh, I love that. | 0:20:25 | 0:20:26 | |
Aw, good job. | 0:20:41 | 0:20:42 | |
Well done, Jasmine. | 0:20:45 | 0:20:46 | |
You've got fire, you know how to perform, | 0:20:46 | 0:20:48 | |
you've got confidence enough to look out and sell it, which is fantastic. | 0:20:48 | 0:20:52 | |
Technically, as soon as you do something technical, | 0:20:52 | 0:20:54 | |
I can see you need more work on that. | 0:20:54 | 0:20:56 | |
You need classes and ballet and really understanding your body | 0:20:56 | 0:20:59 | |
and placement when you go for a big jump or a leap or a kick | 0:20:59 | 0:21:02 | |
or anything like that. | 0:21:02 | 0:21:04 | |
But I really enjoyed your performance, well done. | 0:21:04 | 0:21:07 | |
-Thank you. -I think you've both obviously got the same styles | 0:21:07 | 0:21:09 | |
because you're used to working with each other, | 0:21:09 | 0:21:11 | |
but now you need to find your own voice as a dancer, | 0:21:11 | 0:21:16 | |
because that was a really solid audition. | 0:21:16 | 0:21:18 | |
-It's a yes from me. -Thank you. | 0:21:19 | 0:21:21 | |
Yay! | 0:21:21 | 0:21:22 | |
Jasmine, I have to go by what is in front of me right now. | 0:21:23 | 0:21:27 | |
I feel like it's just more time and more experience that's needed, | 0:21:27 | 0:21:31 | |
-so for that I'm going to say no. -Thank you. | 0:21:31 | 0:21:33 | |
It's a no for today, but thank you so much for coming. | 0:21:36 | 0:21:39 | |
-Thank you. -Thank you. -Thank you, Jasmine. | 0:21:39 | 0:21:41 | |
Cheers. | 0:21:41 | 0:21:43 | |
Both of you, first audition, | 0:21:44 | 0:21:46 | |
I'd say it went pretty well, really, with all the positive comments | 0:21:46 | 0:21:49 | |
that you got back. | 0:21:49 | 0:21:51 | |
-I'm so tired. -I bet you're glad it's over, aren't you? | 0:21:51 | 0:21:53 | |
All the nerves, you can shake it out now. | 0:21:53 | 0:21:55 | |
Go celebrate, because you should both be really proud | 0:21:55 | 0:21:58 | |
that you made it this far. Well done. | 0:21:58 | 0:22:00 | |
Although it's a no, the sisters still leave with a smile. | 0:22:00 | 0:22:03 | |
Bye! | 0:22:03 | 0:22:04 | |
And they weren't the only ones finding it tough | 0:22:05 | 0:22:08 | |
to get to Nationals. | 0:22:08 | 0:22:09 | |
In Glasgow, 15-year-old Hayley showed off her skills | 0:22:09 | 0:22:12 | |
and impressed the judges with her brilliant bendiness. | 0:22:12 | 0:22:16 | |
Hello, superhuman back! | 0:22:16 | 0:22:17 | |
But it wasn't enough. | 0:22:19 | 0:22:21 | |
It's the in-betweens that you've really got to work on, | 0:22:21 | 0:22:24 | |
so that they're just as dynamic as all these amazing superhuman things | 0:22:24 | 0:22:27 | |
you can do. | 0:22:27 | 0:22:29 | |
It would be a no for me, but it would be a tough one, | 0:22:29 | 0:22:30 | |
because you are phenomenal at what you do. | 0:22:30 | 0:22:33 | |
Also in Glasgow, ten-year-old John Paul busted out | 0:22:34 | 0:22:37 | |
some break dance moves. | 0:22:37 | 0:22:38 | |
John Paul, I think you've got loads of potential, | 0:22:39 | 0:22:41 | |
but I think for today, I'm not so sure you gave us enough | 0:22:41 | 0:22:45 | |
to get through to Nationals. | 0:22:45 | 0:22:46 | |
In Cardiff, 14-year-old Shannon showed off some sky-high kicks, | 0:22:48 | 0:22:52 | |
but that wasn't enough to take her to the next stage. | 0:22:52 | 0:22:54 | |
I feel like you've got a lot more to explore and find yourself | 0:22:56 | 0:22:59 | |
as a dancer. | 0:22:59 | 0:23:00 | |
-Today, it's going to be a no. -OK. | 0:23:00 | 0:23:03 | |
-But really good audition, thank you for coming in. -Thank you. | 0:23:03 | 0:23:06 | |
And in London, 11-year-old Elia's swagger and sass | 0:23:07 | 0:23:10 | |
didn't manage to sway the judges this time. | 0:23:10 | 0:23:13 | |
Overall, the performance was a very, very good performance. | 0:23:14 | 0:23:17 | |
I do feel like there could have been more of your character | 0:23:17 | 0:23:20 | |
that comes out. | 0:23:20 | 0:23:22 | |
So, it's a no from me today, but keep fighting. | 0:23:22 | 0:23:25 | |
-Thank you, darling, well done. -Well done, well done. | 0:23:25 | 0:23:29 | |
Auditioning can be really hard, you have to have a lot of confidence | 0:23:29 | 0:23:32 | |
to put yourself out there to be judged, but it's important that | 0:23:32 | 0:23:34 | |
you do because the criticism you're going to get just makes | 0:23:34 | 0:23:37 | |
you better and that's what we all want, | 0:23:37 | 0:23:39 | |
to become a better dancer, a better actor, hopefully a better person. | 0:23:39 | 0:23:42 | |
In London, the day is drawing to a close, | 0:23:44 | 0:23:46 | |
but 15-year-old Charlie still has it all to play for. | 0:23:46 | 0:23:50 | |
I'm feeling rather excited now. | 0:23:50 | 0:23:52 | |
I was quite nervous, but as the day's come on, | 0:23:52 | 0:23:55 | |
I've become less nervous. | 0:23:55 | 0:23:56 | |
I'm really excited about meeting the judges, | 0:23:56 | 0:23:59 | |
especially Marlon, just because I really enjoy choreographing dances | 0:23:59 | 0:24:03 | |
and his expertise is choreography. | 0:24:03 | 0:24:05 | |
And that's not all he's good at, by the looks of things. | 0:24:05 | 0:24:07 | |
Oh, I love a massage, me. | 0:24:07 | 0:24:09 | |
-Wowser. Right here? -Yeah. | 0:24:09 | 0:24:11 | |
-Charlie, my friend, come on in. How are you doing? -Good, thank you. | 0:24:11 | 0:24:14 | |
Brought some fans with you today? | 0:24:14 | 0:24:16 | |
-Come on over. Who's this? -It's my dad and my mum. | 0:24:16 | 0:24:19 | |
-Guys, how are you? -Hi, good, thanks. | 0:24:19 | 0:24:20 | |
-Feeling good? A bit nervous for Charlie? -Yeah, very. -Good. | 0:24:20 | 0:24:24 | |
Wouldn't be Taking The Next Step without nervous parents. | 0:24:24 | 0:24:26 | |
We like that. What are you going to be dancing today? | 0:24:26 | 0:24:29 | |
-Street dance. -OK, and do you train in any other styles? | 0:24:29 | 0:24:32 | |
Contemporary and ballet. | 0:24:32 | 0:24:33 | |
OK. | 0:24:33 | 0:24:34 | |
So are you going to chuck some ballet in or keep it street? | 0:24:34 | 0:24:37 | |
Street with a little bit of contemporary. | 0:24:37 | 0:24:39 | |
OK. We like the sound of that. | 0:24:39 | 0:24:40 | |
-Hey. -Hi. -How's it going? | 0:24:42 | 0:24:44 | |
-Good, thank you. -Well, the floor is yours, take it away. | 0:24:44 | 0:24:47 | |
MUSIC: Am I Wrong by Nico & Vinz | 0:24:47 | 0:24:50 | |
Woo! | 0:25:11 | 0:25:13 | |
He really tells a story, doesn't he? | 0:25:18 | 0:25:20 | |
-Are you OK, Mum? -Yeah. | 0:25:31 | 0:25:32 | |
-Nice! Do you watch The Next Step? -Yeah. | 0:25:32 | 0:25:35 | |
It's literally like you could just go... | 0:25:35 | 0:25:37 | |
..and just fit you right in. | 0:25:38 | 0:25:40 | |
Dad, are you all right? | 0:25:40 | 0:25:41 | |
You got that look, and I think you really played with that cheekiness | 0:25:43 | 0:25:46 | |
when you look towards us. I really, really enjoyed it. | 0:25:46 | 0:25:49 | |
Thank you. | 0:25:49 | 0:25:50 | |
Great performer, great dancer, great use of space, great look. | 0:25:50 | 0:25:55 | |
I can't really fault you, I think you did a really good audition. | 0:25:55 | 0:25:58 | |
-Thank you. -Well done. | 0:25:58 | 0:25:59 | |
So, you know we need three yeses to take you to Nationals, | 0:25:59 | 0:26:04 | |
so this is the tough part. | 0:26:04 | 0:26:05 | |
As soon as you leave this room, work on your acting, | 0:26:07 | 0:26:09 | |
cos you've got everything else. | 0:26:09 | 0:26:11 | |
It's a yes. | 0:26:11 | 0:26:12 | |
I can see you as a working dancer, | 0:26:12 | 0:26:14 | |
and I think this could be a really good platform | 0:26:14 | 0:26:16 | |
to kind of get that going. | 0:26:16 | 0:26:18 | |
It's a yes from me. | 0:26:18 | 0:26:19 | |
What would it mean for you to make it to Nationals? | 0:26:20 | 0:26:23 | |
At the minute, it's everything to me. Just, dance is everything I do, | 0:26:23 | 0:26:26 | |
I do it all the time. | 0:26:26 | 0:26:28 | |
There's more in you, I do believe that. | 0:26:28 | 0:26:31 | |
Um... | 0:26:31 | 0:26:32 | |
Come and get your ticket. | 0:26:34 | 0:26:35 | |
Well done, well done. | 0:26:39 | 0:26:40 | |
Swoosh keeping us waiting, there! That was exhausting. | 0:26:40 | 0:26:43 | |
Yes! Oh, my goodness. | 0:26:43 | 0:26:46 | |
Ultimately, just be exactly who you are. | 0:26:46 | 0:26:49 | |
-All right. -All right? -It's exciting! | 0:26:49 | 0:26:51 | |
-You're going to Nationals. -See you there, dude. | 0:26:51 | 0:26:53 | |
Hey! | 0:26:54 | 0:26:55 | |
Well done. | 0:26:56 | 0:26:57 | |
Well done. | 0:27:00 | 0:27:01 | |
See you at Nationals, Charlie. | 0:27:01 | 0:27:03 | |
I'm off for a lie down after that. | 0:27:03 | 0:27:05 | |
Charlie, how was that? | 0:27:07 | 0:27:09 | |
-I'm shaking. -I bet you're shaking. | 0:27:09 | 0:27:11 | |
You danced your socks off in there, almost literally. | 0:27:11 | 0:27:15 | |
I mean, you gave it everything. | 0:27:15 | 0:27:16 | |
What do you think of what the judges said to you? | 0:27:16 | 0:27:19 | |
I've got to practise my acting... | 0:27:19 | 0:27:21 | |
-Yeah. -..and be myself. | 0:27:21 | 0:27:23 | |
Exactly. They just want to see Charlie. | 0:27:23 | 0:27:25 | |
I think dance-wise, we don't have to worry. | 0:27:25 | 0:27:27 | |
That was pretty faultless, wasn't it? | 0:27:27 | 0:27:28 | |
-That was a good closer for the day. -Yeah, really good closer. | 0:27:28 | 0:27:32 | |
-Go on, London! -Bam! | 0:27:32 | 0:27:34 | |
You could have warned me that they were so emotional! | 0:27:34 | 0:27:36 | |
We've been stood here crying, Charlie! | 0:27:36 | 0:27:38 | |
Well done, you - see you at Nationals. Well done, buddy. | 0:27:38 | 0:27:42 | |
Next time on Taking The Next Step... | 0:27:42 | 0:27:45 | |
Feet are on fire! | 0:27:45 | 0:27:46 | |
You was still interacting, you was | 0:27:46 | 0:27:48 | |
enjoying what you was doing. | 0:27:48 | 0:27:50 | |
What kind of moisturiser do you use? | 0:27:50 | 0:27:53 | |
Cos you are gorgeous. | 0:27:53 | 0:27:54 | |
You float through the air, it's brilliant. | 0:27:54 | 0:27:56 | |
Who's your inspiration? | 0:27:56 | 0:27:57 | |
-Jonny. -Jonny! | 0:27:57 | 0:27:59 | |
No need to be nervous, you're so beautifully on point. | 0:28:00 | 0:28:03 | |
That's the first time I've actually just been, like, | 0:28:03 | 0:28:05 | |
lost for words. | 0:28:05 | 0:28:06 | |
-Quality, mate. -Quality, bruv. | 0:28:06 | 0:28:08 |