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MARK: Taking The Next Step is back. | 0:00:02 | 0:00:04 | |
Over 2,300 dancers from across the UK applied to win the | 0:00:04 | 0:00:08 | |
opportunity of a lifetime and appear on the hit Canadian TV show | 0:00:08 | 0:00:12 | |
The Next Step. | 0:00:12 | 0:00:13 | |
The Taking The Next Step team travelled all over the UK. | 0:00:18 | 0:00:21 | |
Let's go, Glasgow! | 0:00:21 | 0:00:23 | |
Manchester! Manchester! | 0:00:23 | 0:00:25 | |
We have arrived in London. | 0:00:25 | 0:00:27 | |
Bore da! That means good morning because today we are in Cardiff. | 0:00:27 | 0:00:30 | |
Only the very best will perform for our formidable judges. | 0:00:30 | 0:00:34 | |
Actor and dancer Jonny Labey. | 0:00:34 | 0:00:36 | |
Your technique is outstanding. | 0:00:36 | 0:00:39 | |
-SAM: -Founder of dance group Flawless, Marlon "Swoosh" Wallen... | 0:00:39 | 0:00:43 | |
So, just chill with it and then attack. | 0:00:43 | 0:00:45 | |
MARK: And returning as head judge, professional dancer and former | 0:00:45 | 0:00:48 | |
Pussycat Doll, Kimberly Wyatt. | 0:00:48 | 0:00:50 | |
You have got sass for days. | 0:00:50 | 0:00:53 | |
But who will make it all the way to Canada? | 0:00:53 | 0:00:55 | |
The search is on. | 0:00:55 | 0:00:56 | |
-We've got work to do. -Yeah, we do. | 0:00:56 | 0:00:58 | |
Mm-hmm. | 0:00:58 | 0:00:59 | |
Holy Moley! | 0:00:59 | 0:01:01 | |
LINDSEY: This is Taking The Next Step. | 0:01:01 | 0:01:03 | |
Across the country, regional auditions are well underway. | 0:01:12 | 0:01:16 | |
-SAM: -Our dancers must impress all three judges to secure | 0:01:18 | 0:01:20 | |
a place at Nationals and the competition is heating up. | 0:01:20 | 0:01:25 | |
What?! | 0:01:25 | 0:01:26 | |
I don't know what else I can say to that. | 0:01:26 | 0:01:28 | |
Do you want to just take my place and do you want to judge | 0:01:28 | 0:01:30 | |
the rest of the show? | 0:01:30 | 0:01:32 | |
-MARK: -In Manchester, the judges have arrived | 0:01:32 | 0:01:35 | |
and our auditionees are ready to go. | 0:01:35 | 0:01:37 | |
It's like a dream come true being here. | 0:01:38 | 0:01:40 | |
I'm feeling nervous and excited. | 0:01:40 | 0:01:42 | |
So, kind of a mix of nerv-cited! | 0:01:42 | 0:01:44 | |
-LINDSEY: -First up is gymnast turned dancer, Amy. | 0:01:46 | 0:01:49 | |
I just love dancing, so I just can't wait. | 0:01:49 | 0:01:52 | |
My mum and dad have both come along | 0:01:52 | 0:01:54 | |
and they're very supportive of me and they'll guide me and, yeah, | 0:01:54 | 0:01:58 | |
they're very supportive parents. | 0:01:58 | 0:01:59 | |
And I love them very much. | 0:01:59 | 0:02:00 | |
We've got Mum and Dad, here? | 0:02:00 | 0:02:02 | |
-Yes. -Hi, guys. -Hello, nice to meet you. How you doing, you all right? | 0:02:02 | 0:02:05 | |
-I'm Sam. Lovely to meet you. -It's all very formal here, isn't it? | 0:02:05 | 0:02:08 | |
-It's nice, I like it. -Amy, are you looking forward to it? | 0:02:08 | 0:02:11 | |
Yeah, I'm really excited. | 0:02:11 | 0:02:12 | |
Well, the best of luck. | 0:02:12 | 0:02:13 | |
-Hello. -Hi. | 0:02:14 | 0:02:16 | |
-Hi! Welcome to Taking The Next Step. -Thank you. | 0:02:16 | 0:02:18 | |
-What's your name? -Amy. | 0:02:18 | 0:02:19 | |
-Amy, how old are you, Amy? -14. | 0:02:19 | 0:02:21 | |
Cool! And what's your favourite style of dance? | 0:02:21 | 0:02:24 | |
Modern/jazz. | 0:02:24 | 0:02:26 | |
OK, is that what you're going to be doing today? | 0:02:26 | 0:02:28 | |
-Yeah. -Nice. | 0:02:28 | 0:02:29 | |
-Look forward to it. Good luck. -Thank you. -The floor's yours. | 0:02:29 | 0:02:32 | |
INSTRUMENTAL MUSIC: Titanium by David Guetta ft Sia | 0:02:32 | 0:02:35 | |
-Wow! -Lovely. -That was great. -Well done! | 0:03:19 | 0:03:22 | |
That was - that was great. | 0:03:26 | 0:03:27 | |
-Thank you. -Well done. | 0:03:27 | 0:03:29 | |
I think that sometimes it was staged a bit like a gymnastics performance, | 0:03:29 | 0:03:33 | |
go to the corner and now, here's my pass. | 0:03:33 | 0:03:35 | |
I think you could probably lessen that so that the gymnastics just | 0:03:35 | 0:03:38 | |
kind of comes as a surprise, a bit effortless, but wow, watching that | 0:03:38 | 0:03:42 | |
aerial front walkover, I mean, | 0:03:42 | 0:03:44 | |
you just float through the air, it's brilliant. | 0:03:44 | 0:03:47 | |
-Thank you. -I really enjoyed it. | 0:03:47 | 0:03:49 | |
-Good job. -Thank you. -You need three yeses to get through to Nationals. | 0:03:49 | 0:03:52 | |
Yeah. | 0:03:52 | 0:03:54 | |
I'm going to start with Swoosh on this one. | 0:03:54 | 0:03:57 | |
I feel like there's still room for improvement when it comes to the | 0:03:57 | 0:04:01 | |
choreographic side of it, in terms of, you know, | 0:04:01 | 0:04:04 | |
setting that out in a way that doesn't come across | 0:04:04 | 0:04:08 | |
-too gymnastic. -I'll definitely improve on that, yeah. | 0:04:08 | 0:04:13 | |
-I want... -But you are - you are amazing, so I'm going to start off | 0:04:13 | 0:04:16 | |
-with a yes. -Thank you. -Kimberly? | 0:04:16 | 0:04:18 | |
I'm fascinated by you, your strength is phenomenal, | 0:04:18 | 0:04:22 | |
you've got the face for The Next Step, | 0:04:22 | 0:04:24 | |
you've got the personality for it, | 0:04:24 | 0:04:26 | |
when I hear you speak I can see you on The Next Step. | 0:04:26 | 0:04:29 | |
-It's a yes from me. -Thank you so much. | 0:04:29 | 0:04:31 | |
Do you know what, you're right. And I could see you on The Next Step. | 0:04:32 | 0:04:35 | |
I really could. | 0:04:35 | 0:04:36 | |
LINDSEY: Come on, Jonny. Just say yes! | 0:04:37 | 0:04:39 | |
I'm going to say yes. | 0:04:39 | 0:04:41 | |
-Thank you! -CHEERING | 0:04:41 | 0:04:44 | |
Come get your ticket to Nationals. | 0:04:46 | 0:04:48 | |
Thank you, I will definitely work on improving it for the next round. | 0:04:48 | 0:04:51 | |
-OK. -Thank you so much! | 0:04:51 | 0:04:53 | |
CHEERING | 0:04:54 | 0:04:56 | |
Mwah! | 0:04:56 | 0:04:58 | |
-Mwah! Well done, well done. -SAM: I'm exhausted! -Thank you. | 0:05:00 | 0:05:03 | |
Do you know what, just keep going, congratulations, well done, | 0:05:05 | 0:05:08 | |
we'll see you at Nationals. | 0:05:08 | 0:05:10 | |
Thanks, guys, thanks. | 0:05:10 | 0:05:11 | |
Bye, bye-bye. Cheers, mate. | 0:05:11 | 0:05:12 | |
LINDSEY: Er, you're OK there, boys? | 0:05:14 | 0:05:16 | |
He's very strong, isn't he? | 0:05:17 | 0:05:18 | |
He's very strong. | 0:05:18 | 0:05:19 | |
LINDSEY: We've seen loads of strong performances across a range | 0:05:19 | 0:05:22 | |
of dance disciplines. | 0:05:22 | 0:05:24 | |
-SAM: -One style that the judges have yet to see is tap. | 0:05:26 | 0:05:30 | |
-MARK: -Step forward 15-year-old Rhys in London. | 0:05:30 | 0:05:33 | |
You're our first tapper. | 0:05:33 | 0:05:34 | |
My first tapper, I'm very excited. | 0:05:34 | 0:05:36 | |
-How are you feeling? -Feeling good, yeah. | 0:05:36 | 0:05:38 | |
-Hello! -Hey, hey, hey. How's it going? | 0:05:41 | 0:05:44 | |
-Good, thanks. -I've got to say I was happy to hear that click, click, | 0:05:44 | 0:05:48 | |
click coming through the door. | 0:05:48 | 0:05:49 | |
I was like, come on! | 0:05:49 | 0:05:51 | |
First tap dancer. | 0:05:51 | 0:05:52 | |
Well, the floor is yours. | 0:05:52 | 0:05:54 | |
-Thanks. -Take it away. | 0:05:54 | 0:05:55 | |
MUSIC: Shape Of You By Ed Sheeran | 0:05:55 | 0:05:57 | |
Ah! | 0:06:36 | 0:06:38 | |
-Thanks. -It takes three yeses to take you through to the next round. | 0:06:39 | 0:06:43 | |
I'm going to start off with... | 0:06:43 | 0:06:45 | |
-..Jonny. -You're 15, man. | 0:06:47 | 0:06:49 | |
Like, if I was, at 15, if I was at your level, you know, | 0:06:49 | 0:06:54 | |
you're beyond what I could do at your age. | 0:06:54 | 0:06:56 | |
So, really, know that. | 0:06:56 | 0:06:58 | |
And you are really, really good. | 0:06:58 | 0:07:00 | |
The choreography and things like that, I wanted to kind of have, erm, | 0:07:00 | 0:07:03 | |
a few more moments, erm, where it really did focus on the tap. | 0:07:03 | 0:07:09 | |
Erm, but for me today, erm, it's a no. | 0:07:09 | 0:07:12 | |
I really like where you're trying to take tap. | 0:07:14 | 0:07:17 | |
I think it's great to see the fusions. | 0:07:17 | 0:07:19 | |
Focus on those rhythms a bit more and don't miss those taps. | 0:07:19 | 0:07:21 | |
I think the nerves got the best of you. | 0:07:21 | 0:07:23 | |
It's a no from me today but I love where you're headed | 0:07:23 | 0:07:26 | |
and I think you've got a really great look. | 0:07:26 | 0:07:28 | |
-Thanks. -Yeah, Rhys, I believe that coming back after taking these | 0:07:28 | 0:07:32 | |
notes will be the one for you. | 0:07:32 | 0:07:34 | |
It's no for today, but just take it as for today. | 0:07:34 | 0:07:38 | |
SAM: Despite an impressive performance, | 0:07:38 | 0:07:40 | |
Rhys couldn't secure three yeses. | 0:07:40 | 0:07:42 | |
But he is going home with some valuable advice. | 0:07:42 | 0:07:45 | |
-I really wanted a tapper. -It would have been nice to have a tapper. | 0:07:46 | 0:07:49 | |
-MARK: -So, the search continues. | 0:07:49 | 0:07:50 | |
Meanwhile, our dancers shared some of their tips on how to | 0:07:50 | 0:07:53 | |
nail an audition. | 0:07:53 | 0:07:54 | |
My best dance advice would be feel the music, enjoy it and just dance. | 0:07:54 | 0:08:01 | |
Be unique, look at online videos and keep practising. | 0:08:01 | 0:08:04 | |
-Be positive. -And, don't give up. | 0:08:04 | 0:08:08 | |
LINDSEY: And what do The Next Step girls think? | 0:08:08 | 0:08:10 | |
Dance like nobody's watching. | 0:08:10 | 0:08:11 | |
-Yeah. -I really feel that that helps. | 0:08:11 | 0:08:13 | |
And another thing is taking risks. | 0:08:13 | 0:08:14 | |
You're already at the audition, | 0:08:14 | 0:08:16 | |
you're going out there, you're confident, | 0:08:16 | 0:08:18 | |
so just go out there and kill it. | 0:08:18 | 0:08:19 | |
-Don't hold back. Kill it! -Yeah. | 0:08:19 | 0:08:21 | |
SAM: With Rhys narrowly missing out on a ticket to Nationals, | 0:08:28 | 0:08:31 | |
12-year-old Harvey is hoping to become the first tap dancer to make | 0:08:31 | 0:08:34 | |
it through. | 0:08:34 | 0:08:36 | |
Today, I'm feeling excited and nervous about my audition because | 0:08:37 | 0:08:41 | |
it's a really big opportunity for me and I'm really excited. | 0:08:41 | 0:08:44 | |
-Hello, mate. -Hi. | 0:08:47 | 0:08:48 | |
-What's your name? -My name is Harvey. | 0:08:48 | 0:08:51 | |
Nice shoes, Harvey. | 0:08:51 | 0:08:52 | |
-Thank you. -OK, so you take your tap pretty serious? | 0:08:52 | 0:08:55 | |
-Yeah. -Nice. | 0:08:55 | 0:08:56 | |
-And how would you describe your tap? -Well, I'm more of, like, | 0:08:56 | 0:08:59 | |
an American-style tap, so, yeah... | 0:08:59 | 0:09:01 | |
-OK, good. -More, like, casual and... | 0:09:01 | 0:09:04 | |
Nice. OK, well, I'm excited to see you, Harvey. | 0:09:04 | 0:09:06 | |
-Oh, thank you. -The floor's yours. | 0:09:06 | 0:09:08 | |
MUSIC: The Spark By Afrojack | 0:09:08 | 0:09:10 | |
My goodness! | 0:09:54 | 0:09:56 | |
Jonny's standing! | 0:09:56 | 0:09:57 | |
Jonny's standing! | 0:09:57 | 0:09:59 | |
What happens now? Do I just say yes or...? | 0:09:59 | 0:10:01 | |
Let's go to Swoosh first. | 0:10:04 | 0:10:05 | |
Yo, that was crazy. | 0:10:05 | 0:10:07 | |
-Oh, thank you. -That was crazy. | 0:10:07 | 0:10:08 | |
That's the first time I've actually just been like... | 0:10:08 | 0:10:11 | |
..lost for words. Yes! | 0:10:12 | 0:10:14 | |
-Flawless. -Thank you. | 0:10:14 | 0:10:17 | |
Yay! | 0:10:17 | 0:10:18 | |
You were taking the music to the next level, you were adding to it. | 0:10:20 | 0:10:23 | |
I absolutely loved it. | 0:10:23 | 0:10:26 | |
-Thank you. -Really strong. | 0:10:26 | 0:10:27 | |
Thank you so much. | 0:10:27 | 0:10:29 | |
I knew you meant business when you walked in with those shoes. | 0:10:29 | 0:10:32 | |
Mate, I don't have anything else to say, mate. | 0:10:32 | 0:10:35 | |
Oh, thank you so much. | 0:10:35 | 0:10:37 | |
So, three yeses to get to Nationals. | 0:10:37 | 0:10:39 | |
Swoosh? | 0:10:39 | 0:10:41 | |
Yes, 100% yes from me. | 0:10:41 | 0:10:42 | |
-Thank you so much. -Kimberley? | 0:10:42 | 0:10:44 | |
-Yes! -Thank you. | 0:10:44 | 0:10:46 | |
Get your ticket, boy. | 0:10:46 | 0:10:47 | |
Yay! | 0:10:47 | 0:10:49 | |
Woo-woo-woo! | 0:10:49 | 0:10:51 | |
-Amazing! -Thank you so much. | 0:10:51 | 0:10:53 | |
-See you at Nationals. -Keep up the good work. | 0:10:53 | 0:10:55 | |
Thank you, guys. | 0:10:55 | 0:10:56 | |
# We've got a tapper, it's Harvey... # | 0:10:56 | 0:10:59 | |
-Yes, finally. -# He's a tapper... # | 0:10:59 | 0:11:01 | |
-He's amazing. -So great. | 0:11:01 | 0:11:03 | |
MARK: A flawless audition from Harvey has set the standard for | 0:11:03 | 0:11:06 | |
-tap dancers. -That was brilliant. | 0:11:06 | 0:11:09 | |
-Been waiting for that. -We can put our feet up now. -Yeah, yeah, yeah. | 0:11:09 | 0:11:12 | |
I can sway. | 0:11:12 | 0:11:14 | |
SAM: While Swoosh sways in triumph, | 0:11:14 | 0:11:15 | |
we're off to Cardiff, where Lindsey's been learning some moves. | 0:11:15 | 0:11:20 | |
-Basic work? -Yeah. -Oh, yeah. | 0:11:20 | 0:11:23 | |
I feel quite sassy. | 0:11:23 | 0:11:24 | |
SAM: Looking good, Lindsey. | 0:11:24 | 0:11:25 | |
But she'll need a lot more practice to be as good as these guys. | 0:11:25 | 0:11:28 | |
SAM: Unfortunately, the judges are proving hard to impress. | 0:11:39 | 0:11:42 | |
I love that you throw yourself into it but, for today, it is a no. | 0:11:42 | 0:11:46 | |
For me, it's going to be a no today as well. | 0:11:46 | 0:11:48 | |
But it's a no to kind of propel you to another dimension. | 0:11:48 | 0:11:53 | |
It's a no today. | 0:11:53 | 0:11:54 | |
Use this no to propel you. | 0:11:54 | 0:11:56 | |
You've got potential to do some great stuff. | 0:11:56 | 0:11:59 | |
It's a no today. | 0:11:59 | 0:12:00 | |
-That's it. That's it. -OK. | 0:12:00 | 0:12:02 | |
LINDSEY: Another street dancer hoping to get a yes from all three | 0:12:03 | 0:12:06 | |
judges is 12-year-old Grace. | 0:12:06 | 0:12:09 | |
I'm super nervous/excited, | 0:12:09 | 0:12:12 | |
because I feel like I'm going to mess up my dance. | 0:12:12 | 0:12:16 | |
Fingers crossed. | 0:12:16 | 0:12:18 | |
Hi. | 0:12:18 | 0:12:19 | |
-How's it going? -Good, thank you. | 0:12:19 | 0:12:22 | |
Awesome, excited to see you dance, the floor's yours. | 0:12:22 | 0:12:25 | |
MUSIC: Let Me Love You By DJ Snake ft Justin Bieber | 0:12:25 | 0:12:28 | |
Bravo! | 0:12:58 | 0:13:00 | |
Really, really nice. | 0:13:03 | 0:13:04 | |
-Thank you. -You have such a beautiful smile, Grace. | 0:13:04 | 0:13:06 | |
Grace, bucket-loads of personality, which is fantastic to see, and not | 0:13:06 | 0:13:10 | |
only does that happen when we speak to you, but it happens | 0:13:10 | 0:13:13 | |
when you dance. You really come to life. | 0:13:13 | 0:13:16 | |
I really enjoyed it. | 0:13:16 | 0:13:17 | |
-Thank you. -Good job. | 0:13:17 | 0:13:19 | |
I'm fully confident that if we gave you a script, | 0:13:19 | 0:13:22 | |
you could work that and you've got a personality and a naturalness to you | 0:13:22 | 0:13:26 | |
as well. You've got the look, | 0:13:26 | 0:13:29 | |
you've got the talent and I'm excited to see you in the Nationals. | 0:13:29 | 0:13:33 | |
-It's a yes from me. -Thank you. | 0:13:33 | 0:13:35 | |
Grace, you just brought Cardiff to life for me, it's a yes. | 0:13:35 | 0:13:39 | |
Thank you. | 0:13:39 | 0:13:41 | |
All right, come and get it. | 0:13:41 | 0:13:42 | |
Woo! | 0:13:42 | 0:13:44 | |
SAM: A great audition from Grace and she's leaving Cardiff auditions | 0:13:44 | 0:13:48 | |
one step closer to the ultimate prize. | 0:13:48 | 0:13:51 | |
-MARK: -And it's not just any prize. | 0:13:52 | 0:13:54 | |
The winner of this competition will travel to Canada to appear on the | 0:13:54 | 0:13:57 | |
hit show, The Next Step. | 0:13:57 | 0:13:59 | |
They'll join the cast and make a guest appearance | 0:13:59 | 0:14:01 | |
in a brand-new episode. | 0:14:01 | 0:14:03 | |
The winner of Taking The Next Step | 0:14:03 | 0:14:04 | |
is actually going to be here in | 0:14:04 | 0:14:06 | |
Studio A with us and we are going to | 0:14:06 | 0:14:07 | |
have so much fun. | 0:14:07 | 0:14:09 | |
We have to send the best of Britain to Canada to become part of | 0:14:09 | 0:14:12 | |
-The Next Step. -What we're looking for is a unique individual. | 0:14:12 | 0:14:16 | |
LINDSEY: In Glasgow, 15-year-old Kirsten is hoping to spin her way | 0:14:20 | 0:14:24 | |
into Nationals. | 0:14:24 | 0:14:25 | |
I am feeling so excited to be here. | 0:14:25 | 0:14:29 | |
Also very anxious but it's just an incredible experience to even have | 0:14:29 | 0:14:32 | |
been selected for this, so I'm really looking forward to it. | 0:14:32 | 0:14:36 | |
Also looking forward to it is her dance teacher Lisa and her mum | 0:14:36 | 0:14:39 | |
Sonia, who's a big fan of Jonny. | 0:14:39 | 0:14:41 | |
-How are you? -I'm fine, thank you. | 0:14:41 | 0:14:44 | |
Fantastic. And what's your name? | 0:14:44 | 0:14:46 | |
-Kirsten. -Kirsten. And what got you into dance? | 0:14:46 | 0:14:49 | |
What inspired you to dance? | 0:14:49 | 0:14:51 | |
My mum, actually, because she was a dancer and I used to watch her dance | 0:14:51 | 0:14:55 | |
tapes and videos. | 0:14:55 | 0:14:56 | |
Cool! So, she's technically a dance mum? | 0:14:56 | 0:14:59 | |
Yes, technically. | 0:14:59 | 0:15:02 | |
Amazing, I can't wait to see you dance. | 0:15:02 | 0:15:04 | |
-Thank you. -The floor is yours. | 0:15:04 | 0:15:06 | |
MUSIC: Breathe Me By Sia | 0:15:06 | 0:15:10 | |
All right, Kirsten, you need three yeses to get through to Nationals. | 0:16:03 | 0:16:07 | |
I'm going to ask you one question, | 0:16:07 | 0:16:10 | |
how confident are you speaking in front of people because it's one | 0:16:10 | 0:16:15 | |
thing to dance but also, you have to be able to act as well. | 0:16:15 | 0:16:18 | |
I definitely think that I'd push myself enough to be able to. | 0:16:18 | 0:16:22 | |
Amazing. For me, it's a yes, you're going to Nationals. | 0:16:22 | 0:16:26 | |
I'm with Kim, it's a yes from me as well. | 0:16:26 | 0:16:29 | |
You have no need to be nervous, | 0:16:29 | 0:16:30 | |
you're so beautifully on point and hopefully, | 0:16:30 | 0:16:34 | |
we'll see a big character walk through the door next time when | 0:16:34 | 0:16:37 | |
we see you at Nationals. | 0:16:37 | 0:16:39 | |
-Thank you! -Get your ticket! -Well done! | 0:16:39 | 0:16:41 | |
YES! | 0:16:41 | 0:16:43 | |
Well done. Read out loud, work on that voice. | 0:16:43 | 0:16:47 | |
-Yeah! -Show me you can act. | 0:16:47 | 0:16:49 | |
Thank you. | 0:16:49 | 0:16:50 | |
CHEERING | 0:16:50 | 0:16:54 | |
-Give it up! -Well done! | 0:16:54 | 0:16:57 | |
-Quality, mate. -Quality, mate. -Quality. | 0:16:57 | 0:16:59 | |
-Quality, bruv. -Just what we like. | 0:16:59 | 0:17:01 | |
-That's right. -We have got one more thing to do before you go. | 0:17:01 | 0:17:04 | |
Your mum's just informed us that she's a massive fan of Jonny, | 0:17:04 | 0:17:06 | |
is that right? | 0:17:06 | 0:17:08 | |
Come on, Mum. Come on, Mum. | 0:17:08 | 0:17:10 | |
Come on, dance teacher, you come as well. | 0:17:11 | 0:17:15 | |
-Jonny. -Sorry, mate. -You've got a fan, mate. | 0:17:15 | 0:17:17 | |
You've got a fan so we just wanted to come and say hello. | 0:17:17 | 0:17:19 | |
This is Kirsten's mum. | 0:17:19 | 0:17:20 | |
This is Kirsten's mum and she really wanted to... | 0:17:20 | 0:17:23 | |
She actually said she wanted to kiss you. | 0:17:23 | 0:17:25 | |
And she just did. | 0:17:25 | 0:17:26 | |
Here, I'll take it. You get in. | 0:17:29 | 0:17:30 | |
LINDSEY: Jonny Labey, what a dreamboat! | 0:17:33 | 0:17:36 | |
What moisturiser do you use because you are gorgeous! | 0:17:36 | 0:17:39 | |
LINDSEY: Yeah, nice try, Sam, but it'll take more than a bit of | 0:17:41 | 0:17:44 | |
moisturiser to measure up to our Jonny. | 0:17:44 | 0:17:47 | |
And one superfan hoping to impress Jonny is 13-year-old Isabella from | 0:17:47 | 0:17:51 | |
Manchester. | 0:17:51 | 0:17:53 | |
A bit of a dreamboat, isn't he? | 0:17:53 | 0:17:54 | |
He is a dreamboat, he is a dreamboat. | 0:17:54 | 0:17:56 | |
-Let's be honest. -When you go in there, just say, "Sam and Mark say, | 0:17:56 | 0:17:59 | |
Jonny, you're a dreamboat". | 0:17:59 | 0:18:01 | |
Say it, go on, say it. | 0:18:01 | 0:18:03 | |
-Hello. -Hello. -How are you feeling today? | 0:18:03 | 0:18:05 | |
-Nervous. -Nervous? | 0:18:05 | 0:18:07 | |
Shake it out. | 0:18:07 | 0:18:09 | |
There you go. | 0:18:09 | 0:18:11 | |
Who are your inspirations? | 0:18:11 | 0:18:13 | |
-Jonny. -Jonny? | 0:18:14 | 0:18:15 | |
-Oh! -Yes! | 0:18:15 | 0:18:17 | |
-Oh, Jonny. -Thank you very much. | 0:18:17 | 0:18:19 | |
And Sam and Mark say you're a dreamboat and told me to pass it on. | 0:18:19 | 0:18:22 | |
OK, well, Isabella, looking forward to seeing you dance, so the floor | 0:18:27 | 0:18:30 | |
is yours. Take it away. | 0:18:30 | 0:18:32 | |
MUSIC: Down By Marian Hill | 0:18:32 | 0:18:35 | |
-Nice. -Lovely. | 0:19:17 | 0:19:19 | |
Nice. How do you feel now? | 0:19:21 | 0:19:23 | |
-Better. -Yeah, you feel much better, right? | 0:19:23 | 0:19:25 | |
So, you need three yeses to make it to Nationals. | 0:19:25 | 0:19:28 | |
We're going to start with... | 0:19:28 | 0:19:30 | |
-..Kimberley. -Isabella, I think you're really unique. | 0:19:31 | 0:19:34 | |
I think you offer something really different. | 0:19:34 | 0:19:37 | |
You do need some work technically but I think that it was fascinating | 0:19:37 | 0:19:42 | |
enough that you're an absolute yes for me. | 0:19:42 | 0:19:44 | |
-Thank you. -Yes. | 0:19:44 | 0:19:46 | |
Jonny. | 0:19:46 | 0:19:48 | |
I'm going to say yes. | 0:19:48 | 0:19:50 | |
-Thank you. -What would Nationals mean to you? | 0:19:50 | 0:19:52 | |
A lot because I dance for my family because I know that my family like | 0:19:54 | 0:19:57 | |
to see me dance. When I see them enjoying my performance, | 0:19:57 | 0:20:01 | |
it makes me enjoy it more. | 0:20:01 | 0:20:03 | |
Well, they're going to enjoy it even more because you're coming to | 0:20:03 | 0:20:06 | |
-Nationals. -Thank you. | 0:20:06 | 0:20:07 | |
Well done, lovely. | 0:20:10 | 0:20:11 | |
-Thank you. -Thank you. -Nice to meet you. | 0:20:11 | 0:20:13 | |
LINDSEY: After impressing all three judges, including our dreamboat, | 0:20:19 | 0:20:22 | |
Isabella is off to Nationals. | 0:20:22 | 0:20:25 | |
Hey, hey, what's Jonny look like in person? | 0:20:25 | 0:20:28 | |
LINDSEY: From one happy fan in Manchester to London, | 0:20:32 | 0:20:35 | |
where lyrical dancer Mirabelle is next to face the judges. | 0:20:35 | 0:20:39 | |
Hello, my name is Mirabelle. | 0:20:39 | 0:20:41 | |
And I am 14. | 0:20:43 | 0:20:45 | |
I'm excited because I'd like to show them that deaf people can dance and | 0:20:45 | 0:20:50 | |
I'm just interested to see what their feedback is. | 0:20:50 | 0:20:52 | |
-Hello. -Hello. What inspired you to get into dance? | 0:20:52 | 0:20:58 | |
Just that you can move around and express yourself and you don't have | 0:20:58 | 0:21:02 | |
to, like, I mean, yeah, | 0:21:02 | 0:21:03 | |
it's about the technique but it's also about having fun. | 0:21:03 | 0:21:05 | |
Nice. And what are your dreams and ambitions as a dancer? | 0:21:05 | 0:21:10 | |
To kind of promote disability dancing because I'm deaf, and | 0:21:10 | 0:21:15 | |
just to see what the world thinks | 0:21:15 | 0:21:17 | |
and to get into some sort of company, hopefully. | 0:21:17 | 0:21:21 | |
Amazing. You're such an inspiration. | 0:21:21 | 0:21:25 | |
Please, share your love of dance with us. | 0:21:25 | 0:21:27 | |
MUSIC: Jar Of Hearts By Christina Perri | 0:21:29 | 0:21:32 | |
-What a lovely piece. -Thank you. | 0:22:27 | 0:22:29 | |
Let's get some thoughts from Jonny. | 0:22:29 | 0:22:32 | |
Yeah, I was really touched by what you've just done, so thank you. | 0:22:32 | 0:22:37 | |
That was a very, very moving piece that you just created. | 0:22:37 | 0:22:41 | |
It really was. I can just feel so much more emotion from that piece, | 0:22:41 | 0:22:46 | |
I was really touched by that so thank you so much for sharing. | 0:22:46 | 0:22:49 | |
I think you can work on your strength a bit more but you're a | 0:22:49 | 0:22:52 | |
really beautiful performer. | 0:22:52 | 0:22:53 | |
Very inspiring stuff. | 0:22:53 | 0:22:55 | |
You need three yeses to go through to Nationals. | 0:22:55 | 0:22:59 | |
Swoosh. | 0:22:59 | 0:23:00 | |
Based on what calibre you're up against, I think just based on that, | 0:23:01 | 0:23:08 | |
today, for me, it's a no. | 0:23:08 | 0:23:10 | |
-Jonny? -You've got so much more to explore because you've got artistry | 0:23:11 | 0:23:15 | |
in bucket-loads. For me, today, because like what Swoosh said | 0:23:15 | 0:23:21 | |
of the calibre of the competition, | 0:23:21 | 0:23:23 | |
it's going to have to be a no for me today. | 0:23:23 | 0:23:25 | |
But keep going and keep inspiring and keep being yourself. | 0:23:25 | 0:23:29 | |
Strength and conditioning. | 0:23:30 | 0:23:32 | |
Go away and work on it because your artistry is gorgeous. | 0:23:32 | 0:23:35 | |
I love the way you express yourself in dance. | 0:23:35 | 0:23:38 | |
It's a no this time but please know, you're an absolute inspiration. | 0:23:38 | 0:23:42 | |
-Thank you. -Thank you. -See you soon. | 0:23:43 | 0:23:46 | |
SAM: Despite missing out on a ticket to Nationals, | 0:23:46 | 0:23:48 | |
Mirabelle impressed the judges with her amazing artistry. | 0:23:48 | 0:23:51 | |
She gets that strength to back it up... | 0:23:52 | 0:23:54 | |
Unstoppable. | 0:23:56 | 0:23:57 | |
MARK: We've seen some incredible dancers give it their all in a bid | 0:23:58 | 0:24:01 | |
to appear on The Next Step. | 0:24:01 | 0:24:03 | |
It's no easy task, though. | 0:24:03 | 0:24:04 | |
The Next Step is a really unique | 0:24:06 | 0:24:08 | |
show because we blend acting | 0:24:08 | 0:24:09 | |
and dancing, and whoever wins has to | 0:24:09 | 0:24:11 | |
be good at both, so the judges have | 0:24:11 | 0:24:13 | |
a really tough decision | 0:24:13 | 0:24:14 | |
ahead of them. | 0:24:14 | 0:24:15 | |
SAM: So, our final auditionee has their work cut out. | 0:24:17 | 0:24:20 | |
Can Kai become the second tap dancer to bag a ticket to Nationals? | 0:24:21 | 0:24:25 | |
Hi, my name is Kai and I'm 14 years old. | 0:24:25 | 0:24:28 | |
I've been practising a lot and I'm just excited to show them what I've | 0:24:28 | 0:24:31 | |
-got. -How are you feeling about today's dance? | 0:24:31 | 0:24:34 | |
-I'm very excited. -You seem really confident. | 0:24:34 | 0:24:37 | |
-Yeah, I'm just excited. -Yeah! -I love tap. | 0:24:37 | 0:24:38 | |
-Hello. -Hello. | 0:24:40 | 0:24:42 | |
Hmm, is the next guy a tapper, I wonder? | 0:24:42 | 0:24:44 | |
Hear him coming in. | 0:24:44 | 0:24:47 | |
-How are you doing? -I'm good, how are you? | 0:24:47 | 0:24:48 | |
Well, thank you. Welcome to Taking The Next Step. | 0:24:48 | 0:24:51 | |
-How are you feeling? -I'm very excited, yeah. | 0:24:51 | 0:24:53 | |
Nice, nice. | 0:24:53 | 0:24:54 | |
And how long have you been tapping? | 0:24:54 | 0:24:56 | |
-For about ten years. -OK, cool, nice. | 0:24:56 | 0:24:58 | |
Pretty much all my life. | 0:24:58 | 0:24:59 | |
Yeah, so you're obviously going to be doing us a tap dance. | 0:24:59 | 0:25:02 | |
-Yes. -Take it away. -Thank you. | 0:25:02 | 0:25:03 | |
Best of luck. | 0:25:03 | 0:25:04 | |
MUSIC: This Is What You Came For By Calvin Harris ft Rihanna | 0:25:04 | 0:25:07 | |
Oh, Kai! | 0:25:55 | 0:25:56 | |
What a heartbreaker! | 0:25:57 | 0:26:00 | |
Awesome! | 0:26:00 | 0:26:01 | |
Kai, you're the guy, man. | 0:26:03 | 0:26:05 | |
Yes, well done, mate, well done. | 0:26:05 | 0:26:07 | |
That was incredible. | 0:26:07 | 0:26:09 | |
We're going to see what Swoosh thinks. | 0:26:09 | 0:26:12 | |
Listen, you just came in here and smashed that. | 0:26:12 | 0:26:14 | |
-That was brilliant. -Thank you. -Really, really good. | 0:26:14 | 0:26:17 | |
I liked the fact that it wasn't just a case of me focusing on your feet | 0:26:17 | 0:26:21 | |
but the fact that you still had presence, you still had... | 0:26:21 | 0:26:23 | |
You were still interacting and you were enjoying what you were doing. | 0:26:23 | 0:26:27 | |
Great audition. | 0:26:27 | 0:26:28 | |
-Thank you. -Feet are on fire. | 0:26:28 | 0:26:31 | |
Your taps are fantastic, you're just really advanced. | 0:26:31 | 0:26:36 | |
-Good job. -We've got another strong tapper... | 0:26:36 | 0:26:39 | |
-Yeah? -..we've had on the show. | 0:26:39 | 0:26:41 | |
MARK: I think he's talking about Harvey. | 0:26:43 | 0:26:45 | |
You might have run into him in competitions and things like that. | 0:26:45 | 0:26:48 | |
-I've seen him before. -Yeah, yeah, yeah, yeah. | 0:26:48 | 0:26:51 | |
Yeah, so, there is a standard and there is something that goes with it | 0:26:51 | 0:26:56 | |
but, dude, that was amazing. | 0:26:56 | 0:26:57 | |
-Thank you. -You need three yeses to get through to Nationals. | 0:26:57 | 0:27:00 | |
-Swoosh? -Yes. | 0:27:00 | 0:27:02 | |
-Kimberley? -Yes. | 0:27:02 | 0:27:03 | |
-See you at Nationals. -Yeah! | 0:27:03 | 0:27:04 | |
Wow, no messing around there! | 0:27:07 | 0:27:09 | |
CHEERING | 0:27:11 | 0:27:15 | |
You absolute legend, bring it in. | 0:27:15 | 0:27:17 | |
Auditions like that, | 0:27:18 | 0:27:20 | |
love that, all day long. | 0:27:20 | 0:27:22 | |
What do you think of their comments? | 0:27:22 | 0:27:23 | |
They mean a lot as well, | 0:27:23 | 0:27:25 | |
especially just telling me that they are really supportive of what I did | 0:27:25 | 0:27:28 | |
and it was good has meant a lot. | 0:27:28 | 0:27:30 | |
It's going to be interesting to see both of them... | 0:27:30 | 0:27:32 | |
Battle it out! | 0:27:32 | 0:27:34 | |
Nationals! | 0:27:40 | 0:27:41 | |
SAM: Next time on Taking The Next Step... | 0:27:42 | 0:27:45 | |
Your turns were unbelievable. | 0:27:46 | 0:27:47 | |
That was incredible. | 0:27:48 | 0:27:50 | |
I really love you and what you do. | 0:27:52 | 0:27:53 | |
It's a very firm, amazing yes. | 0:27:53 | 0:27:57 | |
Very overwhelming to see a | 0:27:58 | 0:28:00 | |
15-year-old do what you just did. | 0:28:00 | 0:28:02 | |
I believe I made a mistake. | 0:28:03 | 0:28:05 |