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Taking The Next Step is back. CHEERING | 0:00:02 | 0:00:04 | |
Over 2,300 dancers from across the UK applied | 0:00:04 | 0:00:08 | |
to win the opportunity of a lifetime | 0:00:08 | 0:00:10 | |
and to appear on the hit Canadian TV show The Next Step. | 0:00:10 | 0:00:13 | |
The Taking The Next Step team travelled all over the UK. | 0:00:18 | 0:00:21 | |
Let's go, Glasgow. | 0:00:21 | 0:00:23 | |
Manchester, Manchester. | 0:00:23 | 0:00:25 | |
We have arrived in London. | 0:00:25 | 0:00:27 | |
Bore da. That means good morning cos today we are in Cardiff. | 0:00:27 | 0:00:30 | |
Only the very best will perform for our formidable judges. | 0:00:30 | 0:00:34 | |
Actor and dancer, Jonny Labey. | 0:00:34 | 0:00:36 | |
Your technique is outstanding. | 0:00:36 | 0:00:39 | |
Founder of the dance group, Flawless, Marlon "Swoosh" Wallen. | 0:00:39 | 0:00:43 | |
Just chill with it and then attack. | 0:00:43 | 0:00:45 | |
And returning as head judge, professional dancer | 0:00:45 | 0:00:48 | |
and former Pussycat Doll, Kimberly Wyatt. | 0:00:48 | 0:00:51 | |
You have got sass for days. | 0:00:51 | 0:00:53 | |
But who will make it all the way to Canada? The search is on. | 0:00:53 | 0:00:56 | |
-We've got work to do. -Yeah, we do. Holy Moley. | 0:00:56 | 0:01:01 | |
This is Taking The Next Step. | 0:01:01 | 0:01:03 | |
Another weekend of regional auditions is about to get under way. | 0:01:10 | 0:01:14 | |
-Guys, how are you doing? OK? -CHEERING | 0:01:14 | 0:01:17 | |
And the competition is fierce. | 0:01:17 | 0:01:19 | |
Your ability is amazing. You're technically flawless. | 0:01:19 | 0:01:22 | |
You just wowed three judges. | 0:01:22 | 0:01:24 | |
The standard is just so ridiculous. | 0:01:24 | 0:01:27 | |
The judges have handed out lots of tickets already. | 0:01:27 | 0:01:29 | |
Good job. Thank you so much, lovely. | 0:01:29 | 0:01:32 | |
-Well done. -Amazing. -Really good job. | 0:01:32 | 0:01:34 | |
Next up, we are in Cardiff, | 0:01:34 | 0:01:36 | |
and the hope of finding a few Welsh dancing dragons... | 0:01:36 | 0:01:38 | |
-Fingers crossed. -Super, super, super excited but also extremely nervous. | 0:01:38 | 0:01:43 | |
I feel really confident, actually. | 0:01:43 | 0:01:45 | |
..who are all hoping to walk away | 0:01:45 | 0:01:47 | |
with three yeses from this lovely lot. | 0:01:47 | 0:01:49 | |
-Wow. What a space. -This is nice. Cardiff. | 0:01:49 | 0:01:52 | |
So, with everyone raring to go... | 0:01:52 | 0:01:55 | |
-It begins. -It begins. | 0:01:55 | 0:01:57 | |
..the first auditionee of the day is a bit of a surprise, | 0:01:57 | 0:02:00 | |
26-year-old Lindsey. | 0:02:00 | 0:02:02 | |
Hold on, 26? | 0:02:02 | 0:02:03 | |
That IS a surprise. | 0:02:03 | 0:02:05 | |
-Hello. -Hi. | 0:02:05 | 0:02:07 | |
-How are you today? -A little bit nervous, but really excited. | 0:02:07 | 0:02:10 | |
What style of dance will you be doing for us? | 0:02:10 | 0:02:13 | |
I've been training for about a fortnight now, | 0:02:13 | 0:02:15 | |
so I'm kind of picked up lyrical, contemporary, | 0:02:15 | 0:02:18 | |
I'm very good at whacking. | 0:02:18 | 0:02:20 | |
And who inspires you to dance? | 0:02:20 | 0:02:23 | |
Um, I'd say mostly Nicole Scherzinger | 0:02:23 | 0:02:25 | |
from the Pussycat Dolls. | 0:02:25 | 0:02:26 | |
And I just think... | 0:02:26 | 0:02:29 | |
I just think Diversity, like, they are... | 0:02:29 | 0:02:32 | |
LAUGHTER | 0:02:32 | 0:02:33 | |
Well, I can't wait to see your amazing talent. | 0:02:37 | 0:02:41 | |
-The floor is yours. -Thank you so much. | 0:02:41 | 0:02:44 | |
-JUDGES: -Hey, hey, hey! | 0:02:58 | 0:03:02 | |
Wow. | 0:03:08 | 0:03:10 | |
-And how do you feel that went? -Flawless. | 0:03:14 | 0:03:17 | |
Obvs! | 0:03:19 | 0:03:20 | |
You need three yeses to go to nationals. Swoosh. | 0:03:20 | 0:03:24 | |
You know what, it's definitely a yes from me. | 0:03:24 | 0:03:27 | |
-Jonny. -I'm going to say yes. | 0:03:27 | 0:03:30 | |
-It's a yes from me. You're going to nationals. -Yeah! | 0:03:30 | 0:03:34 | |
Thank you so much. | 0:03:35 | 0:03:36 | |
-I'm such a big fan. Thank you, guys. -No worries. Take care. | 0:03:36 | 0:03:39 | |
Bless her heart. | 0:03:40 | 0:03:41 | |
It's not really that easy to get three yeses from the judges. | 0:03:44 | 0:03:47 | |
Right, enough messing around. Let's see someone who can actually dance. | 0:03:47 | 0:03:51 | |
No offence, Lindsay. | 0:03:51 | 0:03:52 | |
Oi! In Manchester, Sam and Mark met 11-year-old Chloe. | 0:03:52 | 0:03:56 | |
This is not your first time doing something like this, is it? | 0:03:56 | 0:03:59 | |
-No. -Yeah, go on, explain to us what you've done. | 0:03:59 | 0:04:01 | |
I have been on Britain's Got Talent. | 0:04:01 | 0:04:03 | |
You haven't just been on Britain's Got Talent, | 0:04:03 | 0:04:05 | |
you did quite well on Britain's Got Talent. | 0:04:05 | 0:04:07 | |
Yeah, I got to semifinals. | 0:04:07 | 0:04:08 | |
Wow. That's amazing. | 0:04:08 | 0:04:10 | |
-Hello, beautiful. -Hello. | 0:04:10 | 0:04:13 | |
A nice, shining familiar face. | 0:04:13 | 0:04:14 | |
-I've seen you before. -Yeah. | 0:04:14 | 0:04:16 | |
Amazing, well, I can't wait to see you dance. | 0:04:16 | 0:04:18 | |
-Thank you. -The floor is yours. | 0:04:18 | 0:04:20 | |
MUSIC: Bills by LunchMoney Lewis | 0:04:21 | 0:04:24 | |
APPLAUSE | 0:05:01 | 0:05:04 | |
Well done, lovely. | 0:05:04 | 0:05:06 | |
-Thank you. -Sure, start your routine with 7,000 turns. | 0:05:06 | 0:05:10 | |
Why not? I mean, yeah, I'm all for that. Amazing. | 0:05:10 | 0:05:14 | |
-Swoosh. -Excited, energetic, fun performer. | 0:05:14 | 0:05:18 | |
Like, really, really good. | 0:05:18 | 0:05:20 | |
-Yeah. I thought it was a very solid audition. Well done. -Thank you. | 0:05:20 | 0:05:24 | |
What I loved about today's performance is | 0:05:24 | 0:05:26 | |
that I could tell you've become a stronger dancer, | 0:05:26 | 0:05:29 | |
you been really working on that strength and control, | 0:05:29 | 0:05:32 | |
-your turns were unbelievable. -Thank you. -I think you did a really good | 0:05:32 | 0:05:35 | |
job, you should be really proud of yourself. | 0:05:35 | 0:05:37 | |
-Thank you. -You need three yeses to get through to nationals. | 0:05:37 | 0:05:40 | |
And, Chloe, I'm going to start it off with a yes. | 0:05:40 | 0:05:44 | |
-Thank you. -Swoosh. | 0:05:44 | 0:05:45 | |
-It's a yes from me too, Chloe, well done. -Thank you. | 0:05:45 | 0:05:48 | |
-Jonny. -It is a really tough competition... | 0:05:48 | 0:05:50 | |
..but I think you're up for the challenge. | 0:05:52 | 0:05:54 | |
It will be interesting to see you in the nationals. | 0:05:54 | 0:05:56 | |
-It's a yes. -CHEERING | 0:05:56 | 0:06:00 | |
-Well done. -Good job, darling. Go celebrate. | 0:06:00 | 0:06:04 | |
-Hey! -Yay! | 0:06:04 | 0:06:05 | |
-She could have turned for days. -Days. -I was like, "What?!" | 0:06:09 | 0:06:12 | |
She's like, "I'm on it." | 0:06:12 | 0:06:14 | |
"I'm on my A game today. Watch me go." | 0:06:14 | 0:06:17 | |
LINDSAY: And with the standard of the dancing incredibly high, | 0:06:18 | 0:06:21 | |
the tickets to nationals are flying out. | 0:06:21 | 0:06:24 | |
I'm going to start off by saying yes. | 0:06:27 | 0:06:29 | |
-It's a yes. -Gracie, I think a star has been born. | 0:06:29 | 0:06:32 | |
It's a yes. | 0:06:32 | 0:06:33 | |
Thank you so much. | 0:06:33 | 0:06:34 | |
Cameron, I love everything about your audition. | 0:06:42 | 0:06:44 | |
-It's a yes from me. -It's a yes. | 0:06:44 | 0:06:46 | |
Cameron, you're a natural born performer, | 0:06:46 | 0:06:48 | |
-it's a yes from me as well. -Thank you. | 0:06:48 | 0:06:50 | |
Got any tickets left? LAUGHTER | 0:06:53 | 0:06:56 | |
Hoping there's at least one ticket left is 13-year-old Jessica | 0:06:56 | 0:06:59 | |
who made it to nationals in series one. | 0:06:59 | 0:07:02 | |
-Hello, familiar face. -Hi. | 0:07:02 | 0:07:05 | |
-And why are you a familiar face? -Well, I did it last year. | 0:07:05 | 0:07:09 | |
Right. Well, welcome back. | 0:07:09 | 0:07:11 | |
-Thank you. -Good luck. | 0:07:11 | 0:07:12 | |
MUSIC: Runnin' (Lose It All) Ft Beyonce, Arrow Benjamin by Naughty Boy | 0:07:14 | 0:07:17 | |
Whoo! | 0:07:42 | 0:07:43 | |
APPLAUSE | 0:07:49 | 0:07:51 | |
I just want to squeal. SHE SQUEALS | 0:07:53 | 0:07:57 | |
Beautiful. You've been working hard. | 0:07:57 | 0:07:59 | |
And I can see it, the determination | 0:07:59 | 0:08:02 | |
in everything you did was absolutely amazing. | 0:08:02 | 0:08:05 | |
Your flexibility is beautiful, your technique is fantastic, | 0:08:05 | 0:08:08 | |
your expression is gorgeous. | 0:08:08 | 0:08:10 | |
I mean, it was a flawless, flawless performance. | 0:08:10 | 0:08:12 | |
-Thank you so much. -Absolutely gorgeous. | 0:08:12 | 0:08:15 | |
Speaking of flawless. | 0:08:15 | 0:08:17 | |
Speaking of flawless. | 0:08:17 | 0:08:19 | |
It's a yes from me. An easy yes. | 0:08:20 | 0:08:23 | |
-Kim. -It's a very firm, amazing, very excited yes. | 0:08:23 | 0:08:29 | |
-That was incredible. -Thank you. | 0:08:29 | 0:08:30 | |
You're going to nationals, well done. Well done. | 0:08:30 | 0:08:33 | |
Well done. | 0:08:34 | 0:08:36 | |
Well done, you. | 0:08:39 | 0:08:40 | |
I bet you want to give Mum a big hug, don't you? | 0:08:40 | 0:08:42 | |
Ta-da! | 0:08:42 | 0:08:44 | |
-Beautiful. -That was beautiful. -Oh, my goodness. | 0:08:44 | 0:08:47 | |
Amazing, go celebrate. | 0:08:47 | 0:08:49 | |
-Thank you. -Awesome job. | 0:08:49 | 0:08:50 | |
Yay! Mum can relax now. | 0:08:50 | 0:08:52 | |
So Jessica walks away with her ticket, having clearly impressed | 0:08:52 | 0:08:55 | |
head judge Kim, which is no mean feat. | 0:08:55 | 0:08:58 | |
With years of dancing experience, Kim can be tough to impress. | 0:08:59 | 0:09:03 | |
I want you to find that fire and share it with us. | 0:09:03 | 0:09:06 | |
Get in ballet class. At the moment, it's quite start-stoppy. | 0:09:06 | 0:09:08 | |
Look up, look up, look up! | 0:09:08 | 0:09:10 | |
Be a beast on stage. | 0:09:10 | 0:09:11 | |
Ballet is the foundation of all dance. | 0:09:11 | 0:09:14 | |
Technically, you need some work. | 0:09:14 | 0:09:16 | |
So Kim is all about technique. | 0:09:16 | 0:09:19 | |
I've always been a really shy person. | 0:09:19 | 0:09:21 | |
Dance is what takes me outside of myself. | 0:09:21 | 0:09:24 | |
Next up in Manchester and hoping to impress Kim is 14-year-old Darrell. | 0:09:24 | 0:09:28 | |
Darrell. How are you doing? | 0:09:31 | 0:09:34 | |
-Fine. -Good, come on in, guys. | 0:09:34 | 0:09:35 | |
Come on in. Now, Darrell, we met briefly before in Glasgow. | 0:09:35 | 0:09:39 | |
What's happened? | 0:09:39 | 0:09:40 | |
I broke my fifth metatarsal. | 0:09:40 | 0:09:43 | |
They actually had finished the dance, | 0:09:43 | 0:09:46 | |
and they were rehearsing it and he went to jump, came out of the jump | 0:09:46 | 0:09:49 | |
and I heard a crack from the other side of the room. | 0:09:49 | 0:09:52 | |
-Oh, man. -And then he went a funny shade of grey. | 0:09:52 | 0:09:55 | |
After six weeks of healing and only two hours of practice, | 0:09:58 | 0:10:01 | |
Darrell has travelled from Glasgow to Manchester to audition. | 0:10:01 | 0:10:04 | |
-Good luck. -Good luck, buddy. | 0:10:04 | 0:10:07 | |
-I'd say break a leg, but don't do that. -No, please don't. | 0:10:07 | 0:10:12 | |
-How's it going? -Good. -How are you feeling today? | 0:10:12 | 0:10:14 | |
-Nervous but excited. -OK. | 0:10:14 | 0:10:17 | |
We were obviously meant to see you in Scotland. | 0:10:17 | 0:10:19 | |
-Yes. -But...? -I broke my foot rehearsing for this. | 0:10:19 | 0:10:24 | |
Commitment coming back. | 0:10:25 | 0:10:27 | |
-Yes. -How is it doing now? | 0:10:27 | 0:10:29 | |
It's good enough to dance. | 0:10:29 | 0:10:31 | |
-Yeah. -Well, you obviously want this a lot. | 0:10:31 | 0:10:33 | |
-Yes. -Well, be careful. | 0:10:33 | 0:10:36 | |
-Yeah. Good luck. -The floor is yours. | 0:10:36 | 0:10:38 | |
MUSIC: Someone New by Hozier | 0:10:42 | 0:10:46 | |
Well done, Darrell. | 0:11:43 | 0:11:45 | |
It's not easy to go through such an injury and come back. | 0:11:45 | 0:11:49 | |
It just shows your perseverance and your love for dance and your | 0:11:49 | 0:11:52 | |
will to succeed, which is amazing. | 0:11:52 | 0:11:55 | |
I think now it's time to up your technique. | 0:11:55 | 0:11:57 | |
-Yeah. -And up the strength | 0:11:57 | 0:11:59 | |
so everything just has a bit more oomph and power | 0:11:59 | 0:12:03 | |
through everything that you're doing. You're a fantastic dancer. | 0:12:03 | 0:12:07 | |
-Jonny. -Thank you. -I fully commend you coming back. | 0:12:07 | 0:12:09 | |
It really shows that in the dance world you have the right sort of | 0:12:09 | 0:12:13 | |
-mentality. -Thank you. | 0:12:13 | 0:12:15 | |
So, Darrell, you need three yeses to make it to nationals. | 0:12:15 | 0:12:19 | |
I'm going to start off and I'm going to say yes and I'm going to pass it | 0:12:19 | 0:12:22 | |
over to Kimberly. | 0:12:22 | 0:12:25 | |
Darrell, you're a brilliant dancer, | 0:12:25 | 0:12:27 | |
I think that what you showed is fantastic, | 0:12:27 | 0:12:30 | |
I love your commitment to dance. | 0:12:30 | 0:12:32 | |
Your technique does need some work | 0:12:32 | 0:12:34 | |
and your strength needs some improvement. | 0:12:34 | 0:12:37 | |
So it is a no this time. | 0:12:37 | 0:12:40 | |
But keep working hard. You've got something special. | 0:12:40 | 0:12:43 | |
-All right, well done. -Thank you. -Take care. -Thank you. | 0:12:43 | 0:12:47 | |
Still smiling. | 0:12:47 | 0:12:48 | |
LINDSAY: Unfortunately it is a no for Darrell, | 0:12:48 | 0:12:50 | |
but with only two hours' preparation time, he performed really well. | 0:12:50 | 0:12:54 | |
And it's not only Darrell that's had to deal with injury. | 0:12:54 | 0:12:57 | |
The cast of The Next Step aren't immune to the odd slip-up. | 0:12:57 | 0:13:00 | |
I actually broke my toe | 0:13:00 | 0:13:02 | |
in a class one time. | 0:13:02 | 0:13:04 | |
I know it sounds really like it's nothing, | 0:13:04 | 0:13:06 | |
but toes and fingers, I feel like, hurt the most. | 0:13:06 | 0:13:09 | |
Yeah, for dancers. | 0:13:09 | 0:13:11 | |
Yeah, I was spinning on carpet and my pinkie toe got left behind | 0:13:11 | 0:13:14 | |
and it like literally broke. And I was like, "OK, great, | 0:13:14 | 0:13:17 | |
"I still have a full weekend of dancing to do with a broken toe." | 0:13:17 | 0:13:20 | |
Yeah! | 0:13:20 | 0:13:21 | |
SAM: Sounds painful. | 0:13:21 | 0:13:23 | |
-MARK: -Taking The Next Step is open to all solo performers | 0:13:25 | 0:13:28 | |
between the ages of 9 and 15. | 0:13:28 | 0:13:31 | |
Dancers apply individually, | 0:13:31 | 0:13:32 | |
but we've had everything from sisters to best mates competing | 0:13:32 | 0:13:36 | |
for a place at nationals. | 0:13:36 | 0:13:37 | |
LINDSAY: But our next dancers were a first, | 0:13:41 | 0:13:43 | |
even for Taking The Next Step. | 0:13:43 | 0:13:45 | |
In Manchester, we met ballroom dance partners Christopher and Lexi. | 0:13:45 | 0:13:49 | |
When I dance with Christopher, | 0:13:49 | 0:13:50 | |
it wouldn't feel the same dancing on my own, | 0:13:50 | 0:13:53 | |
because I normally dance with him like every week. | 0:13:53 | 0:13:56 | |
When I'm dancing on my own, I normally forget, | 0:14:00 | 0:14:04 | |
but when I'm with Lexi if I get something wrong when I'm with her, | 0:14:04 | 0:14:07 | |
she's just like, "Get that right." | 0:14:07 | 0:14:10 | |
For the first time, | 0:14:10 | 0:14:11 | |
Christopher and Lexi won't be dancing together today, | 0:14:11 | 0:14:14 | |
so how would they get on as soloists? | 0:14:14 | 0:14:16 | |
MUSIC: Shut Up And Dance by Walk The Moon | 0:14:17 | 0:14:20 | |
APPLAUSE | 0:14:48 | 0:14:50 | |
Well done, Lexi. | 0:14:51 | 0:14:53 | |
Christopher, this is your life. | 0:14:53 | 0:14:55 | |
This is what you're supposed to be doing. | 0:14:55 | 0:14:58 | |
We've not had a Latin dancer on the show yet, | 0:14:58 | 0:15:00 | |
so it's amazing that you've come on, so thank you for being here. | 0:15:00 | 0:15:04 | |
Do you do ballet as well or just Latin? | 0:15:04 | 0:15:05 | |
-No, just Latin. -I feel like it would really help you in terms | 0:15:05 | 0:15:08 | |
of your flexibility. | 0:15:08 | 0:15:10 | |
Christopher, I think you're an incredible performer. | 0:15:10 | 0:15:13 | |
I do think you need a bit more training | 0:15:13 | 0:15:16 | |
as far as bringing different skills to the floor to really stand out | 0:15:16 | 0:15:19 | |
in this competition. | 0:15:19 | 0:15:20 | |
You are just at the beginning of your amazing dance career, | 0:15:20 | 0:15:23 | |
and you did a really great audition, you should be so proud of yourself. | 0:15:23 | 0:15:28 | |
-Thank you. -You need three yeses to get through to nationals. Jonny. | 0:15:28 | 0:15:31 | |
I think Strictly would absolutely love you in years to come. | 0:15:31 | 0:15:35 | |
In terms of this competition, at the moment, | 0:15:35 | 0:15:38 | |
-I feel like today is going to be a no. -OK. | 0:15:38 | 0:15:41 | |
Christopher, I think you're an incredible performer, | 0:15:41 | 0:15:44 | |
I don't think you're quite ready, so it is a no this time. | 0:15:44 | 0:15:48 | |
But you're absolutely brilliant. | 0:15:48 | 0:15:49 | |
Lexi, like I said, I really love you and what you do. | 0:15:49 | 0:15:52 | |
I'm hoping that you'll come back again because this is the first time | 0:15:52 | 0:15:55 | |
we've had Latin on the show, | 0:15:55 | 0:15:56 | |
and you've really just opened up a whole new area of dance | 0:15:56 | 0:16:01 | |
that people could actually see. | 0:16:01 | 0:16:03 | |
I saw a lot of very tactical winks towards Kimberly | 0:16:03 | 0:16:06 | |
-when you were at the front. -Yeah. | 0:16:06 | 0:16:08 | |
-You're working that route. -He knows what he's doing. | 0:16:08 | 0:16:11 | |
-Yeah, he knows what he's doing. That sweet spot. -You've been an obsolete | 0:16:11 | 0:16:15 | |
breath of fresh air. You're just getting started, | 0:16:15 | 0:16:17 | |
so keep on training. | 0:16:17 | 0:16:19 | |
-Thank you. -Thank you. Take care. | 0:16:19 | 0:16:21 | |
-Born for Latin. -Wow. -Born with it. | 0:16:21 | 0:16:25 | |
We are looking at the future Strictly Come Dancing dancers here. | 0:16:25 | 0:16:28 | |
Big time. And, guys, thank you so much, | 0:16:28 | 0:16:30 | |
it was lovely to see something completely different. | 0:16:30 | 0:16:32 | |
We've not seen anything like that in this series of Taking The Next Step. | 0:16:32 | 0:16:35 | |
So it was so lovely, so thank you so much, guys. | 0:16:35 | 0:16:38 | |
-LINDSAY: -Unfortunately, it's a no for Christopher and Lexi today. | 0:16:38 | 0:16:41 | |
But even auditions that don't end in a yes | 0:16:41 | 0:16:43 | |
can be a valuable learning experience. | 0:16:43 | 0:16:46 | |
For me, today, it's going to be a no. | 0:16:46 | 0:16:48 | |
Take this no as a stepping stone to take yourself to the next level. | 0:16:48 | 0:16:53 | |
Because I can see you've got a bright future ahead of you. | 0:16:53 | 0:16:55 | |
I think for now you're not quite ready. So my answer is no. | 0:16:55 | 0:16:58 | |
But I want that no to propel you to keep on working hard. | 0:16:58 | 0:17:01 | |
Auditioning can be really hard. | 0:17:01 | 0:17:03 | |
You have to have a lot of confidence to put yourself out there to be | 0:17:03 | 0:17:06 | |
judged. But it's important that you do | 0:17:06 | 0:17:07 | |
because the criticism you're going to get just makes you better. | 0:17:07 | 0:17:10 | |
And that's what we all want is to become a better dancer, | 0:17:10 | 0:17:12 | |
better actor, hopefully a better person. | 0:17:12 | 0:17:14 | |
SAM: For all our auditionees, this isn't just any prize on offer. | 0:17:14 | 0:17:18 | |
The winner of the competition will travel to Canada to appear on | 0:17:18 | 0:17:21 | |
the hit show The Next Step. | 0:17:21 | 0:17:23 | |
They'll join the cast and make a guest appearance | 0:17:23 | 0:17:25 | |
in a brand-new episode. | 0:17:25 | 0:17:26 | |
The winner of Taking The Next Step is actually going to be here | 0:17:26 | 0:17:29 | |
in Studio A with us and we are going to have so much fun. | 0:17:29 | 0:17:32 | |
The winner will be able to meet the cast, be on set, | 0:17:32 | 0:17:35 | |
and to dance with us, I'm so excited to meet them. | 0:17:35 | 0:17:37 | |
Hoping to get to one step closer to | 0:17:41 | 0:17:42 | |
dancing on the set of The Next Step is Grace. | 0:17:42 | 0:17:45 | |
Hello, lovely. | 0:17:45 | 0:17:47 | |
-Hello. -What's your name? | 0:17:47 | 0:17:48 | |
-How old are you? -My name is Grace and I'm 12 years old. | 0:17:48 | 0:17:51 | |
-And how long have you been dancing? -I've been dancing since I was three. | 0:17:51 | 0:17:54 | |
Amazing. So quite some time. | 0:17:54 | 0:17:56 | |
-Yeah. -What styles do you train in? | 0:17:56 | 0:17:59 | |
I train in contemporary, jazz, ballet, modern, lyrical, tap, acro, | 0:17:59 | 0:18:03 | |
-and commercial. -You do it all. | 0:18:03 | 0:18:05 | |
What would it mean to you to get through to nationals? | 0:18:07 | 0:18:09 | |
It would mean a lot because I've been watching The Next Step since it | 0:18:09 | 0:18:13 | |
first started and it would be a great opportunity to be able to | 0:18:13 | 0:18:17 | |
dance alongside the people I've been watching on television for so long. | 0:18:17 | 0:18:20 | |
-Well, the floor is yours. Let's see you dance. -Thank you. | 0:18:20 | 0:18:23 | |
MUSIC: Believe by Mumford & Sons | 0:18:26 | 0:18:32 | |
APPLAUSE | 0:19:06 | 0:19:08 | |
Grace, that was amazing. | 0:19:08 | 0:19:10 | |
-Thank you. -Very, very good. | 0:19:10 | 0:19:12 | |
I think you can definitely be really, really good on this show, | 0:19:12 | 0:19:14 | |
-so I'm going to say yes. -Thank you. | 0:19:14 | 0:19:16 | |
Grace, you're incredible. | 0:19:16 | 0:19:18 | |
You've got so much strength as a dancer, | 0:19:18 | 0:19:21 | |
you just take up the space and you own it, which is fantastic. | 0:19:21 | 0:19:25 | |
So it is a yes from me. | 0:19:25 | 0:19:27 | |
-Thank you. -Jonny. | 0:19:27 | 0:19:28 | |
I wanted to see a little bit more of a change in dynamic, | 0:19:28 | 0:19:33 | |
just to really show your technical ability, show your lines, | 0:19:33 | 0:19:38 | |
so today... | 0:19:38 | 0:19:39 | |
-..it's going to be a no. -OK. -I'm really sorry. | 0:19:40 | 0:19:43 | |
Thank you for the opportunity and thank you for having me. | 0:19:43 | 0:19:46 | |
Thank you, Grace, you're absolutely beautiful. | 0:19:46 | 0:19:48 | |
That was a tough one. | 0:19:50 | 0:19:52 | |
-WHISPERS: -You're horrible. | 0:19:52 | 0:19:54 | |
LINDSAY: It's a controversial decision for Jonny, | 0:19:54 | 0:19:56 | |
but was it the right one? | 0:19:56 | 0:19:58 | |
I think she's pretty incredible, | 0:19:58 | 0:20:01 | |
if you take other people that we have going through to nationals, | 0:20:01 | 0:20:04 | |
-she's definitely... -She's definitely a contender. | 0:20:04 | 0:20:06 | |
-..above that standard that we've had before. -Yeah. | 0:20:06 | 0:20:09 | |
SAM: Swoosh and Kimberly seem unconvinced with Jonny's decision. | 0:20:09 | 0:20:12 | |
-MARK: -The standard of the competition is so high | 0:20:13 | 0:20:16 | |
that our auditionees are having to work extra hard for their ticket | 0:20:16 | 0:20:19 | |
to nationals, as 13-year-old street dancer Kamier found out in London. | 0:20:19 | 0:20:23 | |
Whoo! Nice finish. | 0:20:31 | 0:20:34 | |
What's I want to see is your willingness to take on criticism | 0:20:37 | 0:20:42 | |
-and develop yourself. -Yeah, I proved that. | 0:20:42 | 0:20:45 | |
And The Next Step dancers, they do everything. | 0:20:45 | 0:20:48 | |
-And they're also incredibly technical. -Yeah. | 0:20:48 | 0:20:51 | |
I like you, I like your character... | 0:20:51 | 0:20:55 | |
-..it's a yes. -Yes, yes! | 0:20:58 | 0:21:00 | |
-You're going to nationals, mate, well done. -There he is. | 0:21:01 | 0:21:05 | |
SAM: Lucy in Cardiff also had to work hard to impress the judges. | 0:21:07 | 0:21:11 | |
MUSIC: This Town by Niall Horan | 0:21:11 | 0:21:14 | |
APPLAUSE | 0:21:25 | 0:21:27 | |
I think that the routine that you did today was really safe. | 0:21:29 | 0:21:33 | |
I can be so much more free, and I will work on that for next time. | 0:21:33 | 0:21:36 | |
My heart absolutely loves you, but my head as a judge... | 0:21:36 | 0:21:41 | |
..knowing the calibre that we have in this competition, you know, | 0:21:41 | 0:21:45 | |
people are coming and they aren't safe, | 0:21:45 | 0:21:47 | |
they are putting everything into it, | 0:21:47 | 0:21:49 | |
but you have technique that's better than some of them as well. | 0:21:49 | 0:21:53 | |
Lucy, how much would it mean to you to go through to nationals. | 0:21:53 | 0:21:56 | |
It would just mean the world to me so... | 0:21:56 | 0:21:58 | |
And you would work hard to get out of that box. | 0:21:58 | 0:22:00 | |
-Anything. -Just really shine. -I would work so hard, yeah. | 0:22:00 | 0:22:04 | |
I'm going to take a chance on you, Lucy, you're going to nationals. | 0:22:04 | 0:22:07 | |
-CHEERING -Thank you so much. -You're welcome. | 0:22:07 | 0:22:11 | |
-Simone Cowell is back. -LAUGHTER | 0:22:15 | 0:22:18 | |
You were making that girl sweat. | 0:22:20 | 0:22:22 | |
LINDSAY: It's clearly not easy to impress all three judges, | 0:22:22 | 0:22:25 | |
but in Manchester, it seems Jonny may have had a change of heart. | 0:22:25 | 0:22:29 | |
Hi, Grace, you've just been in. | 0:22:29 | 0:22:32 | |
-Yeah. -And you didn't get through, unfortunately. | 0:22:32 | 0:22:34 | |
But the judges want to see you again. | 0:22:34 | 0:22:37 | |
-OK. -For some reason. | 0:22:37 | 0:22:38 | |
I don't know whether you left anything in there. | 0:22:38 | 0:22:41 | |
This has not happened before, so go in and see what they want. | 0:22:41 | 0:22:43 | |
Go and have a look. | 0:22:43 | 0:22:44 | |
-Welcome back. -Hello. | 0:22:48 | 0:22:50 | |
I believe... | 0:22:51 | 0:22:52 | |
..I've made a mistake. | 0:22:53 | 0:22:55 | |
These guys wholeheartedly believe in you, | 0:22:57 | 0:23:00 | |
I believe in you as well. | 0:23:00 | 0:23:02 | |
And I was willing to take this time to change my mind | 0:23:03 | 0:23:09 | |
and give you a ticket to nationals. | 0:23:09 | 0:23:10 | |
Wow. Thank you so much. | 0:23:10 | 0:23:12 | |
So, I'm sorry for putting you through all of that. | 0:23:12 | 0:23:15 | |
Here's your ticket. | 0:23:15 | 0:23:17 | |
Make sure you come back and you fight and you show what this is | 0:23:18 | 0:23:23 | |
-and how much it means to you. -Thank you very much. | 0:23:23 | 0:23:25 | |
Not that all. You're very welcome. | 0:23:25 | 0:23:27 | |
-Thank you very much. -Take care. You're welcome. -Well done. | 0:23:27 | 0:23:30 | |
-Talk about a roller-coaster. -Wow. | 0:23:32 | 0:23:35 | |
-Wow. -Good job! | 0:23:35 | 0:23:37 | |
Yeah, yeah. | 0:23:39 | 0:23:40 | |
That was nice, man. | 0:23:40 | 0:23:42 | |
That was nice. | 0:23:42 | 0:23:44 | |
That was great, I'm really glad Jonny did that. | 0:23:44 | 0:23:46 | |
You deserve it, you really do. | 0:23:46 | 0:23:48 | |
-Thank you. -Really good. -Nice work. | 0:23:48 | 0:23:49 | |
Hang on, sorry. We're just hearing from the judges again. | 0:23:49 | 0:23:52 | |
No, they've changed their mind again, sorry. | 0:23:52 | 0:23:55 | |
I'm kidding, I'm kidding. | 0:23:55 | 0:23:56 | |
We'll see you at nationals. | 0:23:56 | 0:23:58 | |
-Well done. -Get out of here before they change their mind again. | 0:23:58 | 0:24:01 | |
Bye. | 0:24:01 | 0:24:04 | |
-Jonny's horrible. -Yeah! -If he wouldn't have put her through... | 0:24:04 | 0:24:07 | |
-Well done, Jonny. -Dreamboat. | 0:24:07 | 0:24:08 | |
-Redeemed yourself for the bad hair today. -Yeah. | 0:24:08 | 0:24:10 | |
LINDSAY: So with week four of regionals coming to an end, | 0:24:12 | 0:24:14 | |
our last auditionee, Christian, has been waiting patiently. | 0:24:14 | 0:24:18 | |
I love dancing so much, | 0:24:18 | 0:24:20 | |
I would like to like show everyone, like, hopefully I can get onto | 0:24:20 | 0:24:23 | |
a TV programme and it would be nice to show my family | 0:24:23 | 0:24:27 | |
and make them proud of me. | 0:24:27 | 0:24:28 | |
Last one of the day. | 0:24:28 | 0:24:30 | |
-It's been a long wait for you, hasn't it? -It has. -Bless you. | 0:24:30 | 0:24:34 | |
Does he have what it takes to walk away | 0:24:34 | 0:24:36 | |
with the final ticket of the day? | 0:24:36 | 0:24:38 | |
-Hey. -Hi. | 0:24:38 | 0:24:40 | |
-How's it going? -Yeah, I'm a bit nervous, but I'm excited. | 0:24:40 | 0:24:43 | |
-How long have you been dancing? -13 years. | 0:24:43 | 0:24:45 | |
-13 years? -Yeah. -Wow. | 0:24:45 | 0:24:47 | |
-OK. Well, the floor is yours. Take it away. -Thank you. | 0:24:47 | 0:24:49 | |
MUSIC: Hello by Adele | 0:24:52 | 0:24:56 | |
-That was good. -That was brilliant. -That was really good. | 0:25:33 | 0:25:37 | |
You had no reason to have nerves, Christian. | 0:25:39 | 0:25:41 | |
It's very overwhelming to see a 15-year-old do what you just did. | 0:25:43 | 0:25:48 | |
Like, seriously. | 0:25:48 | 0:25:49 | |
You should be very proud of yourself... | 0:25:51 | 0:25:53 | |
-Thank you. -..at this stage. | 0:25:53 | 0:25:55 | |
-Have you done any auditions like this before? -No, never before. | 0:25:55 | 0:25:59 | |
See, that was just really, really amazing what you did. | 0:25:59 | 0:26:03 | |
-Thank you. -And I couldn't salute you any more for it. | 0:26:03 | 0:26:06 | |
So, it was a great, solid audition, I enjoyed it. | 0:26:06 | 0:26:09 | |
Good job. You need three yeses to make it to nationals. | 0:26:09 | 0:26:12 | |
-OK. -So we're going to start with myself and I am going to say yes. | 0:26:12 | 0:26:17 | |
-Thank you. -Jonny. | 0:26:17 | 0:26:19 | |
Powerhouse. | 0:26:19 | 0:26:21 | |
Like, amazing. | 0:26:21 | 0:26:23 | |
I think you've got something very special and unique. | 0:26:23 | 0:26:27 | |
-I am a yes. -Thank you. | 0:26:27 | 0:26:30 | |
-Kimberly. -It's all down to me. | 0:26:30 | 0:26:33 | |
I want you to listen to music as much as you possibly can | 0:26:36 | 0:26:39 | |
and really just let the beat absorb you. | 0:26:39 | 0:26:42 | |
-OK. -Find those beats, | 0:26:42 | 0:26:44 | |
become super familiar with the music so that when you're dancing, | 0:26:44 | 0:26:47 | |
you don't ever have to think about it, it's just lives inside of you. | 0:26:47 | 0:26:51 | |
Cos it's going to be tough at nationals when you're there. | 0:26:51 | 0:26:56 | |
It's a yes. CHEERING | 0:26:57 | 0:27:00 | |
-Thank you. -Well done, well done. -Go celebrate. | 0:27:04 | 0:27:07 | |
-It's always nice to end... -It's nice to end a day like that. | 0:27:11 | 0:27:14 | |
That's the first time we ended the day with a yes. | 0:27:14 | 0:27:17 | |
The standard has been phenomenal, it's been difficult because... | 0:27:17 | 0:27:21 | |
-Yeah. -..everybody has been so talented, how do you say no? | 0:27:21 | 0:27:24 | |
-It's so hard. -Yeah, it's hard to say no. | 0:27:24 | 0:27:26 | |
We've got so many yeses now and we have to narrow it down, | 0:27:26 | 0:27:30 | |
-so it's going to be... -Our job is not getting any easier. | 0:27:30 | 0:27:33 | |
-Not getting any easier. -But thank you, Manchester, | 0:27:33 | 0:27:36 | |
you've absolutely brought it. | 0:27:36 | 0:27:38 | |
-Ah! -One more day. -One more day. | 0:27:38 | 0:27:40 | |
-Over day. -One more. -End scene. | 0:27:40 | 0:27:44 | |
MARK: Next time on Taking The Next Step... | 0:27:44 | 0:27:46 | |
It was beautiful. | 0:27:46 | 0:27:48 | |
You've been easily our best B-girl. | 0:27:48 | 0:27:52 | |
What are they feeding the kids in Manchester? | 0:27:52 | 0:27:54 | |
That was crazy. | 0:27:54 | 0:27:56 | |
Way to throw down. | 0:27:56 | 0:27:57 | |
There are some moves in there I don't think | 0:27:57 | 0:27:59 | |
I've ever seen and I've been dancing for over 25 years. | 0:27:59 | 0:28:02 | |
That's the first time I've ever stood up and clapped in an audition. | 0:28:02 | 0:28:06 | |
-This is why I love what I do. -What was that? | 0:28:06 | 0:28:08 |