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Taking The Next Step is back. | 0:00:02 | 0:00:03 | |
Over 2,300 dancers from across the UK applied | 0:00:04 | 0:00:08 | |
to win the opportunity of a lifetime | 0:00:08 | 0:00:10 | |
and appear on the hit Canadian TV show The Next Step. | 0:00:10 | 0:00:14 | |
The Taking The Next Step team travelled all over the UK, | 0:00:18 | 0:00:21 | |
from Glasgow to... | 0:00:21 | 0:00:23 | |
Manchester, Manchester! Man... | 0:00:23 | 0:00:26 | |
We have arrived in London. | 0:00:26 | 0:00:27 | |
Bore da! That means "good morning", cos today, we are in Cardiff. | 0:00:27 | 0:00:31 | |
Only the very best will perform for our formidable judges - | 0:00:31 | 0:00:34 | |
actor and dancer Jonny Labey. | 0:00:34 | 0:00:37 | |
Your technique is outstanding. | 0:00:37 | 0:00:40 | |
Founder of dance group Flawless, Marlon "Swoosh" Wallen. | 0:00:40 | 0:00:44 | |
Just chill with it and then attack. | 0:00:44 | 0:00:45 | |
And returning as head judge, | 0:00:45 | 0:00:47 | |
professional dancer and former Pussycat Doll Kimberly Wyatt. | 0:00:47 | 0:00:51 | |
You have got sass for days. | 0:00:51 | 0:00:53 | |
But who will make it all the way to Canada? | 0:00:53 | 0:00:55 | |
The search is on. | 0:00:55 | 0:00:56 | |
-We've got work to do. -Yeah, we do. | 0:00:56 | 0:00:59 | |
Holy Moley! | 0:00:59 | 0:01:01 | |
This is Taking The Next Step. | 0:01:01 | 0:01:03 | |
Across the country, | 0:01:15 | 0:01:16 | |
150 talented performers turned out to dance for our judges. | 0:01:16 | 0:01:21 | |
And no matter what style of dance... | 0:01:21 | 0:01:23 | |
Latin. | 0:01:23 | 0:01:25 | |
Street dance. | 0:01:25 | 0:01:26 | |
American-style tap. | 0:01:26 | 0:01:29 | |
Contortion. | 0:01:29 | 0:01:30 | |
..each performer will need three yeses to get to | 0:01:30 | 0:01:32 | |
the next stage of auditions. | 0:01:32 | 0:01:34 | |
Congratulations, you have three yeses. | 0:01:34 | 0:01:35 | |
-Thank you so much! -Yeah! -Thank you. | 0:01:35 | 0:01:38 | |
But with only 50 places available, | 0:01:38 | 0:01:41 | |
the judges have some tough decisions to make. | 0:01:41 | 0:01:43 | |
Today, for me, it's going to be a no. | 0:01:43 | 0:01:45 | |
-Thank you. -Well done. Take care. | 0:01:45 | 0:01:47 | |
It's so hard sometimes. | 0:01:47 | 0:01:49 | |
In Glasgow, our auditions are about to get under way. | 0:01:50 | 0:01:53 | |
Let's go, Glasgow! | 0:01:53 | 0:01:55 | |
And first auditionee Freya | 0:01:55 | 0:01:57 | |
has travelled all the way from Belfast to dance. | 0:01:57 | 0:02:00 | |
-Hello. -How are you? -Are you Mum? -I am. -Hi, Mum. | 0:02:01 | 0:02:04 | |
-How are you doing, Freya? -I'm doing good. -How are you feeling? | 0:02:04 | 0:02:08 | |
I'm really excited but nervous as well. | 0:02:08 | 0:02:10 | |
-Of course, yeah. -Well, you're going to be, aren't you? | 0:02:10 | 0:02:12 | |
Cos this is a big deal, we know that. | 0:02:12 | 0:02:14 | |
But don't be too nervous. | 0:02:14 | 0:02:16 | |
-Be excited more than nervous. -Yeah. -Cos they like that in there. | 0:02:16 | 0:02:19 | |
And, smile, smile. | 0:02:19 | 0:02:20 | |
Show them your teeth. | 0:02:20 | 0:02:22 | |
They love that. | 0:02:22 | 0:02:23 | |
-Hello, Freya. -Hello! -How are you? | 0:02:24 | 0:02:26 | |
-Good. -Why are you facing that way? | 0:02:26 | 0:02:29 | |
-I'm not allowed to watch her. -You're not allowed to watch? | 0:02:29 | 0:02:31 | |
-No, but we won't tell her. -She'll never know. | 0:02:31 | 0:02:34 | |
I know, but I promised. | 0:02:34 | 0:02:36 | |
What does Taking The Next Step mean to you? | 0:02:36 | 0:02:38 | |
It would mean the world to me. | 0:02:38 | 0:02:40 | |
I love the programme and I watch it every single night. | 0:02:40 | 0:02:44 | |
And who inspires you as a dancer? | 0:02:44 | 0:02:46 | |
Kimberly Wyatt. | 0:02:46 | 0:02:47 | |
ALL: Oh! | 0:02:47 | 0:02:49 | |
Yeah. | 0:02:49 | 0:02:50 | |
Very clever choice. | 0:02:50 | 0:02:52 | |
Come on, come on! | 0:02:52 | 0:02:53 | |
And what style of dance are you going to be doing for us today? | 0:02:53 | 0:02:55 | |
I'm going to be doing sassy modern. | 0:02:55 | 0:02:57 | |
Sassy modern! Its own genre. | 0:02:57 | 0:03:00 | |
Great, well, can't wait to see it. Good luck. | 0:03:00 | 0:03:03 | |
MUSIC: #thatPOWER by will.i.am | 0:03:04 | 0:03:09 | |
Phew! | 0:03:32 | 0:03:34 | |
-Yes! -Yes! | 0:03:43 | 0:03:46 | |
-That was sassy. -Very sassy! | 0:03:46 | 0:03:48 | |
I love your attitude, I love the personality that was oozing out. | 0:03:48 | 0:03:52 | |
I love the fact that you tried to fuse it up with the different, | 0:03:52 | 0:03:55 | |
you know, styles in there. | 0:03:55 | 0:03:56 | |
I really enjoyed it. | 0:03:56 | 0:03:58 | |
You know, you stand here and speak to us, | 0:03:58 | 0:03:59 | |
and then you become something else when the music comes on. | 0:03:59 | 0:04:03 | |
That's a real sign of someone that loves to dance and perform. | 0:04:03 | 0:04:06 | |
Make sure you start fusing everything together, | 0:04:06 | 0:04:08 | |
-cos it can be a bit choppy as far as choreography goes. -Yeah. | 0:04:08 | 0:04:11 | |
But your musicality is lovely, and you just get lost in the music | 0:04:11 | 0:04:14 | |
and I was lost with you. | 0:04:14 | 0:04:15 | |
Thank you so much. It means so much coming from you. | 0:04:15 | 0:04:18 | |
Aww, thank you, babe. | 0:04:18 | 0:04:19 | |
You know you need three yeses... | 0:04:20 | 0:04:23 | |
so let's go to Kimberly first. | 0:04:23 | 0:04:26 | |
Freya, as far as Nationals is concerned, | 0:04:26 | 0:04:28 | |
based on what I've seen today... | 0:04:28 | 0:04:29 | |
-..it's a yes. -Thank you! | 0:04:31 | 0:04:33 | |
And, Swoosh? | 0:04:33 | 0:04:35 | |
-It's a yes from me. -Thank you so much! | 0:04:35 | 0:04:39 | |
Sassy modern is a great little genre that you've created. | 0:04:39 | 0:04:41 | |
-Come get your ticket. -Thank you! | 0:04:44 | 0:04:46 | |
Yay! | 0:04:46 | 0:04:47 | |
Thank you so much! | 0:04:47 | 0:04:50 | |
Face the wall, face the wall, face the wall. | 0:04:50 | 0:04:52 | |
CHEERING | 0:04:52 | 0:04:54 | |
-Oh, sorry, sorry. -What a complete surprise! | 0:04:54 | 0:04:57 | |
She didn't see anything, she kept her promise, | 0:04:57 | 0:05:00 | |
she was facing the wall the entire time. | 0:05:00 | 0:05:01 | |
That's not strictly true, is it, Sam? | 0:05:01 | 0:05:04 | |
Good job, Freya. | 0:05:04 | 0:05:05 | |
In London, waiting patiently backstage with his mum | 0:05:07 | 0:05:10 | |
is a dancer who is no stranger to the spotlight - | 0:05:10 | 0:05:13 | |
13-year-old Theo. | 0:05:13 | 0:05:15 | |
I've been dancing with Diversity for about six years now. | 0:05:15 | 0:05:18 | |
And we've done a lot together. | 0:05:18 | 0:05:20 | |
We've been to Wembley, | 0:05:20 | 0:05:21 | |
we've done the O2 Arena five times | 0:05:21 | 0:05:24 | |
and we've had lots of fun. | 0:05:24 | 0:05:26 | |
Freestyle is my very favourite thing, so I don't really prep, | 0:05:26 | 0:05:29 | |
I just go in and do it. | 0:05:29 | 0:05:31 | |
-Hi! -Hey! | 0:05:33 | 0:05:35 | |
-How are you doing? -I'm good, I'm good, thanks. | 0:05:35 | 0:05:37 | |
I have just recently watched you in... | 0:05:37 | 0:05:39 | |
-Diversity. -Yeah, man. | 0:05:39 | 0:05:42 | |
-That's big. -I remember you when you were just this high. | 0:05:42 | 0:05:46 | |
-You've grown up. -Yeah. -It's good to see you again. | 0:05:46 | 0:05:49 | |
What's your ambition, why Taking The Next Step? | 0:05:49 | 0:05:52 | |
Cos I just want to try something new and see where I go with it. | 0:05:52 | 0:05:56 | |
Great, man. All right, well, I'm excited to see what you got. | 0:05:56 | 0:05:59 | |
MUSIC: Shape of You by Ed Sheeran | 0:06:02 | 0:06:07 | |
Cool, man. Wow. Freestyle. | 0:06:43 | 0:06:46 | |
Um, you need three yeses to get yourself a ticket. | 0:06:46 | 0:06:50 | |
-Kim. -It was really great to see you dance. | 0:06:50 | 0:06:53 | |
You've really matured as a dancer and in your movement. | 0:06:53 | 0:06:56 | |
I thought that you could have used the space a bit more, | 0:06:56 | 0:06:58 | |
I could have seen your face a bit more, | 0:06:58 | 0:07:00 | |
I really wanted you to perform for me. | 0:07:00 | 0:07:02 | |
It's a tough one, cos I know how good you can be. | 0:07:02 | 0:07:06 | |
I don't know if you brought the fire I know you have in you | 0:07:08 | 0:07:11 | |
to this audition. | 0:07:11 | 0:07:12 | |
I'm going to take a chance on you and give you a yes. | 0:07:13 | 0:07:16 | |
Swoosh. | 0:07:16 | 0:07:18 | |
I can see what you're capable of doing, | 0:07:18 | 0:07:20 | |
and it wasn't a bad audition, | 0:07:20 | 0:07:22 | |
but I know that you could be better than that. | 0:07:22 | 0:07:25 | |
There were missing qualities | 0:07:25 | 0:07:26 | |
and the standard is very, very, very high. | 0:07:26 | 0:07:29 | |
I'm not sure. | 0:07:29 | 0:07:30 | |
I think, for this competition, it needs so many more different levels. | 0:07:34 | 0:07:38 | |
I get the attitude and stuff, | 0:07:38 | 0:07:39 | |
but I need... I need the deep drive that you want to do it. | 0:07:39 | 0:07:43 | |
And so, for me today, it's going to be a no. | 0:07:45 | 0:07:48 | |
OK, thank you. | 0:07:48 | 0:07:49 | |
So, Theo's freestyle didn't convince the judges this time. | 0:07:50 | 0:07:53 | |
I was confused of where the hunger was. | 0:07:55 | 0:07:58 | |
Like, there wasn't the hunger. Like, he didn't really seem to want it. | 0:07:58 | 0:08:02 | |
Kind of felt like I was doing the same thing | 0:08:02 | 0:08:04 | |
and it just, like, stopped at a level and I couldn't go any further. | 0:08:04 | 0:08:07 | |
Like, I was trying and trying, but it wasn't... | 0:08:07 | 0:08:09 | |
Just wasn't working today, was it? | 0:08:09 | 0:08:11 | |
But there was no shortage of hopefuls | 0:08:12 | 0:08:14 | |
who were hungry for the chance to impress. | 0:08:14 | 0:08:17 | |
From ten-year-old Charis with her freestyle hip-hop... | 0:08:17 | 0:08:20 | |
..to 12-year-old Dylan, who showed off some street dance swagger. | 0:08:21 | 0:08:25 | |
To 14-year-old Malook, who threw down a fusion of hip-hop styles. | 0:08:27 | 0:08:31 | |
To 11-year-old Keon, who flaunted some freestyle house. | 0:08:33 | 0:08:37 | |
And then there was 14-year-old Aliyah, | 0:08:37 | 0:08:39 | |
who showed off some sassy street. | 0:08:39 | 0:08:41 | |
Plus, self-taught freestyler Ben... | 0:08:44 | 0:08:46 | |
..house dancer Kytan... | 0:08:48 | 0:08:51 | |
and amazing backflipper Cavan, | 0:08:51 | 0:08:53 | |
who were all 13 years old | 0:08:53 | 0:08:55 | |
and came in to attack the dance floor with some serious skills. | 0:08:55 | 0:08:58 | |
But unfortunately, | 0:09:00 | 0:09:01 | |
it was a no for these talented street dancers, | 0:09:01 | 0:09:03 | |
as the standard of the competition is so high. | 0:09:03 | 0:09:06 | |
It's a no today, | 0:09:06 | 0:09:07 | |
but it's a no to encourage you to get out there and keep dancing, | 0:09:07 | 0:09:10 | |
cos you've got something to offer. | 0:09:10 | 0:09:12 | |
-It's a yes. -Thank you. | 0:09:13 | 0:09:15 | |
Only those who convinced all three judges | 0:09:15 | 0:09:17 | |
got a place at Nationals... | 0:09:17 | 0:09:19 | |
Come get your ticket. | 0:09:19 | 0:09:20 | |
..moving them that bit closer to the top prize. | 0:09:22 | 0:09:26 | |
And it's not just any prize. | 0:09:26 | 0:09:27 | |
The winner of this competition will travel to Canada | 0:09:27 | 0:09:30 | |
to appear on the hit show The Next Step. | 0:09:30 | 0:09:32 | |
They'll join the cast to make a star appearance in a brand-new episode. | 0:09:32 | 0:09:37 | |
The winner of Taking The Next Step is actually going to be here, | 0:09:37 | 0:09:39 | |
in Studio A with us, | 0:09:39 | 0:09:41 | |
and we are going to have so much fun. | 0:09:41 | 0:09:43 | |
The winner will be able to meet the cast, | 0:09:43 | 0:09:45 | |
be on set and dance with us. | 0:09:45 | 0:09:46 | |
I'm so excited to meet them. | 0:09:46 | 0:09:48 | |
In Cardiff, two dancers who are chasing the Canadian dream - | 0:09:52 | 0:09:56 | |
13-year-old Imy and her good friend from dance class Holly. | 0:09:56 | 0:10:00 | |
We've been dancing together at our dance school since we were three... | 0:10:00 | 0:10:04 | |
and have girls' sleepovers and water fights. | 0:10:04 | 0:10:08 | |
Imy, come on over. | 0:10:10 | 0:10:12 | |
Oh, my goodness, what an outfit! | 0:10:12 | 0:10:13 | |
-Who have you brought with you today? -My mum. -Come on over, Mum. | 0:10:13 | 0:10:16 | |
Come join in the fun. | 0:10:16 | 0:10:17 | |
What are you wearing? This is incredible. | 0:10:17 | 0:10:19 | |
Can you give us a spin? | 0:10:19 | 0:10:21 | |
Wow! What would you call this, a sort of dance leotard skirt? | 0:10:21 | 0:10:25 | |
Yeah, it's like a butterfly skirt. | 0:10:25 | 0:10:26 | |
I love it. | 0:10:26 | 0:10:28 | |
-Hello! -Hey. | 0:10:28 | 0:10:31 | |
-Hi! -Welcome to Taking The Next Step. -Thank you. | 0:10:31 | 0:10:33 | |
And what style are you going to be doing for us today? | 0:10:33 | 0:10:35 | |
Contemporary lyrical. | 0:10:35 | 0:10:37 | |
-Beautiful. Well, the floor is yours. -Thank you. -Take it away. | 0:10:37 | 0:10:41 | |
MUSIC: Glow by Ella Henderson | 0:10:41 | 0:10:46 | |
Whoa! | 0:11:23 | 0:11:25 | |
Look, Jonny loved it! | 0:11:25 | 0:11:27 | |
It was beautiful! | 0:11:27 | 0:11:29 | |
I absolutely loved this performance. | 0:11:29 | 0:11:33 | |
You're such a strong, effortless dancer. | 0:11:33 | 0:11:36 | |
Your technique is gorgeous. | 0:11:36 | 0:11:38 | |
Choreography was fab. | 0:11:38 | 0:11:40 | |
You used the floor. | 0:11:40 | 0:11:41 | |
You brought the music to life. | 0:11:41 | 0:11:43 | |
But more than anything, | 0:11:43 | 0:11:44 | |
you've got this real unique ability | 0:11:44 | 0:11:47 | |
to just put you in everything that you do, | 0:11:47 | 0:11:50 | |
and that smile is just gorgeous. | 0:11:50 | 0:11:54 | |
Well done! I loved it! | 0:11:54 | 0:11:56 | |
You need three yeses to get through to Nationals. | 0:11:56 | 0:12:00 | |
-We're going to go to Kimberly. -Yes! -Yes. | 0:12:00 | 0:12:01 | |
Yes! | 0:12:01 | 0:12:03 | |
I think Kimberly's a yes. | 0:12:03 | 0:12:05 | |
-Swoosh? -That's an easy yes for me as well. -Thank you. | 0:12:05 | 0:12:08 | |
So, we take everything into account, the audition, the way you walk in, | 0:12:09 | 0:12:13 | |
your aura and everything, | 0:12:13 | 0:12:15 | |
-so, if you were given a script, would you do it? -Yeah. | 0:12:15 | 0:12:19 | |
Would you work on it? | 0:12:19 | 0:12:21 | |
Would you practise reading aloud? Would you...? | 0:12:21 | 0:12:23 | |
I feel like this means a lot to you. | 0:12:24 | 0:12:27 | |
Well, in that case, come and get your ticket. | 0:12:27 | 0:12:29 | |
It's a yes. | 0:12:29 | 0:12:30 | |
CHEERING | 0:12:30 | 0:12:32 | |
-Well done, beautiful. -Beautiful. | 0:12:32 | 0:12:34 | |
See you at Nationals! | 0:12:34 | 0:12:36 | |
With Imy through to Nationals, | 0:12:38 | 0:12:40 | |
can her buddy Holly convince the judges | 0:12:40 | 0:12:42 | |
that she's got what it takes too? | 0:12:42 | 0:12:44 | |
The floor is yours, best of luck. | 0:12:44 | 0:12:46 | |
MUSIC: Bleeding Love by Leona Lewis | 0:12:46 | 0:12:51 | |
Good girl! That was a good audition. | 0:13:32 | 0:13:35 | |
-Wow! -It was beautiful. | 0:13:35 | 0:13:38 | |
You're such a gorgeous dancer. | 0:13:38 | 0:13:39 | |
-You make everything look really effortless. -Thank you! | 0:13:39 | 0:13:42 | |
You've got serious talent. | 0:13:42 | 0:13:44 | |
-Well done. -Thank you. | 0:13:44 | 0:13:46 | |
So graceful, yet so much clarity in your movement, | 0:13:46 | 0:13:50 | |
it's beautiful to watch. | 0:13:50 | 0:13:52 | |
-Great job, well done. -Thank you. | 0:13:52 | 0:13:54 | |
-You need three yeses to get to Nationals. -OK. | 0:13:54 | 0:13:56 | |
-Kimberly. -It's a yes from me. | 0:13:56 | 0:13:58 | |
Thank you. | 0:13:58 | 0:14:00 | |
-Holly, it's a yes from me as well. -Thank you. | 0:14:00 | 0:14:02 | |
It was... Yeah, it was beautiful. Brilliant. | 0:14:02 | 0:14:05 | |
Come on, Jonny, just say yes! | 0:14:05 | 0:14:07 | |
-It's a yes. -Oh, thank you! | 0:14:09 | 0:14:11 | |
You're going to Nationals! | 0:14:11 | 0:14:12 | |
-Well done. -Thank you so much! | 0:14:13 | 0:14:15 | |
-Well done, it was beautiful. -See you later. | 0:14:15 | 0:14:19 | |
Brilliant that they both made it through. | 0:14:19 | 0:14:21 | |
They look pretty pleased with that result. | 0:14:21 | 0:14:23 | |
Bet they can't wait to tell the rest of their dance mates the good news. | 0:14:23 | 0:14:26 | |
Bye! | 0:14:26 | 0:14:28 | |
And it's clear dance friends really are best friends. | 0:14:28 | 0:14:32 | |
Being part of The Next Step is more than just a TV show. | 0:14:32 | 0:14:35 | |
When I first was introduced to it, it was like a dream come true, | 0:14:35 | 0:14:38 | |
and I think that it's really important to me, because | 0:14:38 | 0:14:40 | |
not only are these people other actors and dancers, | 0:14:40 | 0:14:43 | |
they're also a big family to me. | 0:14:43 | 0:14:44 | |
New friendships have been blossoming backstage at our regional auditions, | 0:14:50 | 0:14:54 | |
like street dancer Paisley and lyrical dancer Ellie, | 0:14:54 | 0:14:58 | |
who's returning to audition for a second time. | 0:14:58 | 0:15:00 | |
Last year, I got to the top 12 | 0:15:00 | 0:15:03 | |
and it was, like, a really, like, good experience, | 0:15:03 | 0:15:05 | |
and I've just learned from it, and that is why I've came back. | 0:15:05 | 0:15:07 | |
I've just made friends with Paisley, and seeing everyone get through, | 0:15:07 | 0:15:10 | |
it just made me want to do it more and show that I can do it as well. | 0:15:10 | 0:15:13 | |
-Hi. -Hi! Hello, lovely. -Hello! | 0:15:15 | 0:15:18 | |
And what styles do you do? | 0:15:18 | 0:15:19 | |
Krumping, breaking, popping, basically freestyle. | 0:15:19 | 0:15:23 | |
And what would it mean to you to get through to Nationals? | 0:15:23 | 0:15:25 | |
It would just mean the world. Like, last time, it meant a lot, | 0:15:25 | 0:15:28 | |
but now it means more, to show you how much I've, like, improved. | 0:15:28 | 0:15:31 | |
I can't wait to see you dance. | 0:15:31 | 0:15:33 | |
The floor is yours. | 0:15:33 | 0:15:34 | |
MUSIC: Trouble by Iggy Azalea | 0:15:37 | 0:15:42 | |
Go on, Paisley! | 0:16:12 | 0:16:14 | |
Way to throw down! | 0:16:14 | 0:16:16 | |
Holding it down for the chicks. | 0:16:16 | 0:16:18 | |
You've been, easily, our best B-girl on the show. | 0:16:18 | 0:16:23 | |
Swoosh? | 0:16:23 | 0:16:24 | |
Yes. | 0:16:24 | 0:16:26 | |
Jonny? | 0:16:26 | 0:16:27 | |
-Yes. -And me. | 0:16:27 | 0:16:29 | |
-Yes! -Thank you! -Come get your ticket, lovely. | 0:16:30 | 0:16:33 | |
-Well done! -Well done. | 0:16:34 | 0:16:36 | |
Yay! | 0:16:36 | 0:16:38 | |
So with Paisley through, fingers crossed her friend Ellie | 0:16:38 | 0:16:41 | |
has done enough to impress the judges | 0:16:41 | 0:16:42 | |
to get through for a second time. | 0:16:42 | 0:16:44 | |
-Well done, Ellie. -Thank you. -Your hunger for it was fantastic. | 0:16:44 | 0:16:48 | |
I can tell how much this means to you | 0:16:48 | 0:16:50 | |
-and I just want to commend you on your hard work. -Thank you. | 0:16:50 | 0:16:52 | |
And it's a yes from me. | 0:16:52 | 0:16:53 | |
-Thank you very much. -Swoosh. | 0:16:53 | 0:16:55 | |
I feel like you've got character, you've got flair, flavour. | 0:16:55 | 0:16:59 | |
-Yes from me as well. -Thank you so much. | 0:16:59 | 0:17:01 | |
Jonny? | 0:17:01 | 0:17:03 | |
I know you want this. | 0:17:03 | 0:17:04 | |
-Yes. -Oh, my... Thank you! | 0:17:08 | 0:17:10 | |
CHEERING | 0:17:10 | 0:17:11 | |
Come get your ticket to Nationals, darling. | 0:17:11 | 0:17:13 | |
-Well done, well done. -Well done. | 0:17:13 | 0:17:15 | |
-See you there. -Keep up the hard work. | 0:17:15 | 0:17:17 | |
I will. | 0:17:17 | 0:17:18 | |
So, Ellie will be joining her pal Paisley at Nationals after all. | 0:17:18 | 0:17:21 | |
Aww, we like a happy ending. | 0:17:21 | 0:17:24 | |
Aww, they're good friends! | 0:17:24 | 0:17:26 | |
Only made friends today. | 0:17:26 | 0:17:27 | |
Yeah, we're not friends. | 0:17:27 | 0:17:28 | |
I hate you. | 0:17:28 | 0:17:30 | |
At auditions in London, ten-year-old Alex is limbering up | 0:17:31 | 0:17:35 | |
and preparing to face the judges. | 0:17:35 | 0:17:37 | |
I want to inspire people to dance, | 0:17:37 | 0:17:40 | |
because I've only been dancing for less than a year, | 0:17:40 | 0:17:42 | |
so if I were to get this ticket, I'd be super proud | 0:17:42 | 0:17:46 | |
and I think other people should go for it, | 0:17:46 | 0:17:48 | |
even if they haven't been dancing for that long. | 0:17:48 | 0:17:50 | |
-Hello. -Hi! | 0:17:51 | 0:17:53 | |
What inspired you to get into dance? | 0:17:53 | 0:17:55 | |
I just liked the idea of it, really. | 0:17:55 | 0:17:57 | |
Just... I really needed to do it. | 0:17:57 | 0:17:59 | |
-I love your confidence, that's fantastic. -Thank you. | 0:17:59 | 0:18:02 | |
I can't wait to see you dance. | 0:18:02 | 0:18:04 | |
MUSIC: All Fired Up by The Saturdays | 0:18:04 | 0:18:10 | |
Yay! | 0:18:42 | 0:18:43 | |
I must say, you are an incredible performer. | 0:18:46 | 0:18:48 | |
Your energy is magnificent | 0:18:48 | 0:18:51 | |
and that's not really something you can teach. You're born with that. | 0:18:51 | 0:18:54 | |
You're a born performer. | 0:18:54 | 0:18:55 | |
It's brilliant to watch. | 0:18:55 | 0:18:57 | |
Are you in ballet classes? | 0:18:57 | 0:18:58 | |
-No. -OK, ballet is the foundation of all dance. | 0:18:58 | 0:19:02 | |
It's where you learn where every move comes from, | 0:19:02 | 0:19:04 | |
it's where you learn how to build those core muscles, | 0:19:04 | 0:19:07 | |
so that when you get off the ground, | 0:19:07 | 0:19:08 | |
you're flying through the air, your legs are straight, | 0:19:08 | 0:19:11 | |
your toes are pointed, all of that. | 0:19:11 | 0:19:12 | |
Get in ballet class, cos, girl, you've got it going on. | 0:19:12 | 0:19:15 | |
You just need that foundation to really hold it together. | 0:19:15 | 0:19:19 | |
-Thank you. -All right, Jonny. What do you think, yes or no? | 0:19:19 | 0:19:21 | |
-I'm a yes. -Thank you. -Swoosh. | 0:19:21 | 0:19:24 | |
I think there is a lot more work that needs to be done, | 0:19:24 | 0:19:27 | |
but I think I'm going to say yes as well. | 0:19:27 | 0:19:31 | |
All right, Alex, I think you're brilliant as a performer. | 0:19:31 | 0:19:36 | |
I don't think you're quite ready. It's a no from me today, | 0:19:36 | 0:19:39 | |
but it's a no to inspire you to go away and train like crazy, | 0:19:39 | 0:19:43 | |
because your potential is unbelievable. | 0:19:43 | 0:19:46 | |
-Thank you. -You're welcome. Thank you so much. | 0:19:46 | 0:19:48 | |
-Thank you so much, bye! -Bye! | 0:19:48 | 0:19:50 | |
Our panel felt Alex had brilliant raw talent, | 0:19:52 | 0:19:54 | |
but they are absolute sticklers when it comes to technique. | 0:19:54 | 0:19:57 | |
Technique, technique, technique. | 0:19:59 | 0:20:00 | |
That's always going to help you, that's never going to go away. | 0:20:00 | 0:20:03 | |
With the training, technique side of things, that comes with time. | 0:20:03 | 0:20:06 | |
Just stick it out and stay in there. | 0:20:06 | 0:20:08 | |
Get in those classes, work on that technique. | 0:20:08 | 0:20:10 | |
The technique is all that's holding you back. | 0:20:10 | 0:20:13 | |
Which is why only the best of the best | 0:20:15 | 0:20:17 | |
have managed to secure a ticket to Nationals. | 0:20:17 | 0:20:21 | |
And we've seen some serious talent come through. | 0:20:21 | 0:20:24 | |
From high kicks... | 0:20:24 | 0:20:25 | |
..to backflips. | 0:20:26 | 0:20:27 | |
Pirouettes aplenty... | 0:20:29 | 0:20:30 | |
..to performance with props. | 0:20:31 | 0:20:33 | |
Only the top 50 will make it through to the next rounds. | 0:20:36 | 0:20:40 | |
And with most of the tickets to Nationals already taken, | 0:20:40 | 0:20:42 | |
there's still a roomful of dancers waiting to perform | 0:20:42 | 0:20:45 | |
at the final day of auditions in Manchester, | 0:20:45 | 0:20:48 | |
including 12-year-old Connie. | 0:20:48 | 0:20:51 | |
I'd be really excited to get a ticket to Nationals, | 0:20:51 | 0:20:54 | |
because I'd make my family really proud. | 0:20:54 | 0:20:56 | |
Is this Mum? | 0:20:56 | 0:20:58 | |
-Yeah, Mum, yeah. Mum and dance teacher. -Oh, really?! | 0:20:58 | 0:21:01 | |
Two in one. Two in one, excellent. | 0:21:01 | 0:21:03 | |
-So, have you choreographed this? -Yes. -OK, OK. | 0:21:03 | 0:21:06 | |
Do you have to pay your mum? | 0:21:06 | 0:21:07 | |
-Is she on commission? -She had to do a few chores. | 0:21:08 | 0:21:10 | |
-Hi! -Hi! | 0:21:13 | 0:21:14 | |
What inspired you to start dancing? | 0:21:14 | 0:21:16 | |
Well, since my mum's a dance teacher, she just put me in classes, | 0:21:16 | 0:21:21 | |
so from then on, I just really enjoyed it. | 0:21:21 | 0:21:23 | |
-You've been born into dance. -Yeah, pretty much. | 0:21:23 | 0:21:26 | |
Well, I can't wait to see you dance. | 0:21:27 | 0:21:28 | |
-Thank you. -The floor is yours. | 0:21:28 | 0:21:31 | |
MUSIC: Mercy by Shawn Mendes | 0:21:31 | 0:21:36 | |
Yes! I wanted more, I wanted more! | 0:22:08 | 0:22:12 | |
He's standing up! | 0:22:15 | 0:22:16 | |
Wow! Connie, my goodness! | 0:22:19 | 0:22:23 | |
Having a dance mum has paid off for you. | 0:22:23 | 0:22:25 | |
-That was incredible. -Thank you. -Your ability is amazing. | 0:22:27 | 0:22:31 | |
You're technically flawless. | 0:22:31 | 0:22:33 | |
Well done! | 0:22:33 | 0:22:34 | |
It just made me giggle throughout. Like, is this real? | 0:22:36 | 0:22:38 | |
Like, what did you eat today? I want what you're having. | 0:22:38 | 0:22:42 | |
Connie, you were the total package today. | 0:22:42 | 0:22:45 | |
Really, like, that's the first time | 0:22:45 | 0:22:46 | |
I've ever stood up and clapped in an audition. | 0:22:46 | 0:22:49 | |
Like, that was brilliant. | 0:22:49 | 0:22:51 | |
-Thank you. -Are we all in agreement? | 0:22:51 | 0:22:54 | |
Let's not do this in threes. | 0:22:54 | 0:22:55 | |
One, two, three. | 0:22:55 | 0:22:57 | |
ALL: Yes! | 0:22:57 | 0:22:58 | |
CHEERING | 0:22:58 | 0:22:59 | |
Come get your ticket, lovely. | 0:22:59 | 0:23:01 | |
-Thank you. -Well done, well done, well done. | 0:23:01 | 0:23:03 | |
Good job. | 0:23:03 | 0:23:04 | |
-This is why I love what I do. -What was that? -Amazing! | 0:23:04 | 0:23:08 | |
So with just a few tickets to Nationals left, | 0:23:08 | 0:23:11 | |
there's still no sign of the standard slipping. | 0:23:11 | 0:23:13 | |
Have you seen the judges? They're still standing up for you! | 0:23:13 | 0:23:16 | |
They're still standing up for you. | 0:23:16 | 0:23:17 | |
Hello, Manchester! | 0:23:17 | 0:23:20 | |
Can our next performer, also named Connie - not confusing at all - | 0:23:20 | 0:23:24 | |
do enough to get one of the remaining tickets? | 0:23:24 | 0:23:26 | |
MUSIC: Say You Won't Let Go by James Arthur | 0:23:27 | 0:23:31 | |
APPLAUSE | 0:24:03 | 0:24:05 | |
That was amazing. | 0:24:06 | 0:24:08 | |
-Who choreographed that? -Me. | 0:24:08 | 0:24:10 | |
-You? -Of course you did! -Wow! -Of course you did. | 0:24:10 | 0:24:13 | |
There were some moves in there I don't think I have ever seen, | 0:24:13 | 0:24:16 | |
and I've been dancing for over 25 years. | 0:24:16 | 0:24:18 | |
-That is brilliant. -Thank you. -You're fantastic. | 0:24:18 | 0:24:21 | |
-It's a yes. -Jonny. | 0:24:21 | 0:24:23 | |
It's a yes. | 0:24:23 | 0:24:24 | |
You're coming to Nationals. | 0:24:25 | 0:24:27 | |
Thank you. | 0:24:27 | 0:24:30 | |
-Superb! -Well done, lovely. -Thank you! | 0:24:31 | 0:24:33 | |
Manchester's been amazing. | 0:24:35 | 0:24:37 | |
Manchester has been phenomenal. | 0:24:37 | 0:24:40 | |
Waiting in the wings, hoping to take home | 0:24:40 | 0:24:42 | |
one of the very last tickets to Nationals is 13-year-old Harrison. | 0:24:42 | 0:24:48 | |
-Hi. -Hello. | 0:24:48 | 0:24:49 | |
Welcome, welcome, welcome. | 0:24:49 | 0:24:51 | |
Are you a fan of The Next Step? | 0:24:51 | 0:24:52 | |
Yeah. | 0:24:52 | 0:24:53 | |
My favourite character's Eldon, because of his turns. | 0:24:53 | 0:24:56 | |
He's absolutely amazing. | 0:24:56 | 0:24:58 | |
-Are you a turner? -I'd like to say I'm a turner. | 0:24:58 | 0:25:01 | |
Well, we'll see. What started you dancing? | 0:25:01 | 0:25:03 | |
Well, I've always, like, danced, like in the house, | 0:25:03 | 0:25:06 | |
like just making my own stuff up. | 0:25:06 | 0:25:07 | |
And then when I was like nine, | 0:25:07 | 0:25:09 | |
I went to ballet and tap and modern, | 0:25:09 | 0:25:11 | |
and then it was only last year I actually felt myself improving, | 0:25:11 | 0:25:15 | |
and now, like, nothing's stopping me. | 0:25:15 | 0:25:16 | |
Like, I want to dance. | 0:25:16 | 0:25:18 | |
Good man. All right, well, looking forward to seeing it. | 0:25:18 | 0:25:20 | |
-Thank you. -Best of luck. | 0:25:20 | 0:25:22 | |
MUSIC: My Immortal by Evanescence | 0:25:24 | 0:25:29 | |
What are they feeding the kids in Manchester? | 0:26:23 | 0:26:25 | |
That was crazy. | 0:26:26 | 0:26:28 | |
-Amazing. -Thank you. | 0:26:28 | 0:26:31 | |
And you started taking yourself seriously a year ago? | 0:26:31 | 0:26:34 | |
HE LAUGHS | 0:26:34 | 0:26:35 | |
-Dude, that was special. -Thank you. | 0:26:35 | 0:26:38 | |
And it just... It just... | 0:26:38 | 0:26:40 | |
Kimberly. | 0:26:42 | 0:26:43 | |
THEY LAUGH | 0:26:43 | 0:26:44 | |
Well... | 0:26:46 | 0:26:47 | |
THEY LAUGH | 0:26:47 | 0:26:49 | |
It was really good. | 0:26:49 | 0:26:50 | |
Harrison, we've had an influx of crazy talent | 0:26:52 | 0:26:55 | |
and a lot of those have been contemporary girls today, | 0:26:55 | 0:26:57 | |
but let me tell you, | 0:26:57 | 0:26:59 | |
you just brought it for the boys in contemporary. | 0:26:59 | 0:27:02 | |
Cos you're right up there with the girls | 0:27:02 | 0:27:04 | |
and it's really beautiful to see. | 0:27:04 | 0:27:06 | |
-Thank you. -Well done! -Thanks! | 0:27:06 | 0:27:09 | |
Harrison, I could watch you all day. | 0:27:09 | 0:27:11 | |
Like, that was... That was absolutely brilliant. | 0:27:11 | 0:27:13 | |
Flawless, definitely. | 0:27:13 | 0:27:14 | |
Well, you need... Just come get your ticket. | 0:27:15 | 0:27:17 | |
KIMBERLY LAUGHS | 0:27:17 | 0:27:19 | |
You're going to Nationals. | 0:27:19 | 0:27:20 | |
-Thank you so much. -You have three yeses. | 0:27:20 | 0:27:23 | |
-Brilliant. -Flying colours. | 0:27:23 | 0:27:24 | |
-What?! -That was just ridiculous. What is going on? | 0:27:27 | 0:27:29 | |
My goodness. | 0:27:29 | 0:27:31 | |
Harrison definitely brought it for the boys. | 0:27:32 | 0:27:34 | |
We've got our final 50. | 0:27:34 | 0:27:36 | |
Wow, that was awesome! | 0:27:36 | 0:27:38 | |
Regionals, it's been good. | 0:27:38 | 0:27:39 | |
It's been great. | 0:27:39 | 0:27:41 | |
We'll see you at Nationals. | 0:27:41 | 0:27:43 | |
Next time on Taking The Next Step... | 0:27:45 | 0:27:48 | |
it's day one of National auditions. | 0:27:48 | 0:27:50 | |
Now is when the hard work really begins. | 0:27:50 | 0:27:53 | |
The competition is fierce... | 0:27:53 | 0:27:55 | |
..tensions are running high... | 0:27:56 | 0:27:58 | |
Everyone stop shouting over each other! | 0:27:58 | 0:27:59 | |
-How is it going? -Horrible. | 0:27:59 | 0:28:02 | |
..and the judges have some difficult decisions to make. | 0:28:02 | 0:28:05 | |
Not only is it tough on that side of the table, | 0:28:05 | 0:28:06 | |
it's really tough on this side as well! | 0:28:06 | 0:28:08 |