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This is Taking The Next Step. | 0:00:02 | 0:00:03 | |
The series that gives some of the UK's top young dancers the chance | 0:00:03 | 0:00:06 | |
to compete to win the opportunity of a lifetime - | 0:00:06 | 0:00:10 | |
a guest role on the hit Canadian TV show, The Next Step. | 0:00:10 | 0:00:14 | |
The Taking The Next Step team travelled all over the UK to try and | 0:00:18 | 0:00:21 | |
find the country's most talented young dancers. | 0:00:21 | 0:00:25 | |
Over 2,300 hopefuls applied. | 0:00:25 | 0:00:28 | |
But only the very best auditioned at regionals | 0:00:29 | 0:00:31 | |
in front of our three judges. | 0:00:31 | 0:00:33 | |
Actor and dancer Jonny Labey. | 0:00:35 | 0:00:37 | |
Your technique is outstanding. | 0:00:37 | 0:00:40 | |
Founder of the dance group, Flawless, Marlon Swoosh Wallen. | 0:00:40 | 0:00:44 | |
Just chill with it and then attack. | 0:00:44 | 0:00:46 | |
And head judge, professional dancer | 0:00:46 | 0:00:48 | |
and former Pussycat Doll, Kimberly Wyatt. | 0:00:48 | 0:00:51 | |
You have got sass for days. | 0:00:51 | 0:00:54 | |
Our judges picked up their top 50 from the regional auditions | 0:00:54 | 0:00:57 | |
to come to nationals. | 0:00:57 | 0:00:58 | |
Listen, you just came in here and smashed that. | 0:00:58 | 0:01:01 | |
Come and get your ticket, dude. | 0:01:01 | 0:01:02 | |
You're going to nationals! | 0:01:02 | 0:01:05 | |
But with only six places in the studio finals up for grabs, | 0:01:05 | 0:01:07 | |
they will have to give it their all. | 0:01:07 | 0:01:09 | |
Not only is it tough on that side of the table, | 0:01:09 | 0:01:11 | |
it's really tough on this side as well! | 0:01:11 | 0:01:13 | |
This is Taking The Next Step. | 0:01:14 | 0:01:17 | |
-It's London, and it's nationals. -I'm so excited. -Come on! | 0:01:26 | 0:01:29 | |
It's the day one, and the stage is set for our top 50 dancers | 0:01:29 | 0:01:32 | |
to perform for these guys once again. | 0:01:32 | 0:01:34 | |
CHEERING AND APPLAUSE | 0:01:34 | 0:01:37 | |
Today, the judges have set three challenges | 0:01:37 | 0:01:40 | |
to help them narrow down the competition. | 0:01:40 | 0:01:42 | |
Our dancers will have to adapt a piece of choreography. | 0:01:42 | 0:01:46 | |
Show off their best moves in a troupe-style dance battle. | 0:01:46 | 0:01:50 | |
And work as a team to come up with their own choreographed routine. | 0:01:50 | 0:01:54 | |
But only 20 dancers can make it through to day two. | 0:01:54 | 0:01:58 | |
It really is just getting tougher and tougher. | 0:01:58 | 0:02:01 | |
First up is challenge one - learning a piece of choreography. | 0:02:01 | 0:02:05 | |
Hello, everybody, and welcome to nationals. | 0:02:05 | 0:02:08 | |
CHEERING AND APPLAUSE | 0:02:08 | 0:02:11 | |
You guys should be so proud of yourselves for getting this far. | 0:02:11 | 0:02:14 | |
It's taken a lot of hard work, | 0:02:14 | 0:02:16 | |
and some pretty amazing dancing, so please be proud of yourselves. | 0:02:16 | 0:02:20 | |
But now is when the hard work really begins. | 0:02:20 | 0:02:24 | |
Challenge one is all about how well you learn and adapt choreography. | 0:02:24 | 0:02:29 | |
Before nationals, our dancers were given a routine to learn in advance | 0:02:29 | 0:02:34 | |
created by our choreographer Ian. | 0:02:34 | 0:02:37 | |
The dancers will perform in groups, | 0:02:37 | 0:02:38 | |
but the judges will be looking at them individually. | 0:02:38 | 0:02:42 | |
So go and rehearse, practise, be brilliant. Good luck. | 0:02:42 | 0:02:47 | |
Everyone's heading off to rehearse their routine, and Ian is on hand to | 0:02:51 | 0:02:55 | |
help them adapt it and add their own flavour. | 0:02:55 | 0:02:58 | |
-Are you excited? -Yes! -Good. | 0:02:58 | 0:03:01 | |
This is all about you as an individual. | 0:03:01 | 0:03:03 | |
You take my choreography and then you just make it your own. | 0:03:03 | 0:03:06 | |
You embellish it, you play with it, | 0:03:06 | 0:03:07 | |
and I really want to see your personality come through. | 0:03:07 | 0:03:10 | |
Each group has ten minutes in the dance studio before going to perform | 0:03:10 | 0:03:14 | |
the routine for the judges. | 0:03:14 | 0:03:16 | |
Whatever your flavour is, whatever your style is, let me see that. | 0:03:16 | 0:03:19 | |
Anything you want, yeah? Just have fun with it. | 0:03:19 | 0:03:22 | |
With so many different styles of dance left in the competition, | 0:03:22 | 0:03:25 | |
this is going to be a difficult challenge. | 0:03:25 | 0:03:28 | |
You've got to take us on a journey with this, yeah? | 0:03:28 | 0:03:31 | |
Only 30 dancers can make it through to the next challenge, | 0:03:31 | 0:03:34 | |
and group one is up first. | 0:03:34 | 0:03:37 | |
All right, try and shake those nerves. | 0:03:37 | 0:03:40 | |
Really enjoy this performance, and just go for it. | 0:03:40 | 0:03:43 | |
Hoping to give it her all is Paisley, | 0:03:43 | 0:03:45 | |
who we first met in Manchester. | 0:03:45 | 0:03:47 | |
She impressed with the judges with her hip-hop style. | 0:03:47 | 0:03:50 | |
Go on, Paisley! | 0:03:50 | 0:03:52 | |
But how is she going to cope with adapting | 0:03:52 | 0:03:54 | |
a more contemporary routine? | 0:03:54 | 0:03:56 | |
Your time to shine is now. Cue the music. | 0:03:56 | 0:03:59 | |
MUSIC: Flying from The Next Step | 0:03:59 | 0:04:03 | |
Paisley and group one have done all they can. | 0:04:23 | 0:04:26 | |
Now they have to wait for the other groups to perform | 0:04:26 | 0:04:28 | |
before they hear the decision. | 0:04:28 | 0:04:30 | |
You were definitely mixing it up. It looked like it went well. | 0:04:39 | 0:04:41 | |
-Are you all pleased? Are you happy? -ALL: -Yes. | 0:04:41 | 0:04:43 | |
Anyone who's a bit, like, "Arrgh"? | 0:04:43 | 0:04:45 | |
-Me. Me. -Well, that's good! | 0:04:45 | 0:04:47 | |
Got a good vibe from the judges there. | 0:05:02 | 0:05:05 | |
There were a lot of smiley faces. How do you think it went? | 0:05:05 | 0:05:08 | |
-Good! -Yeah? Happy with that? -Yeah. | 0:05:08 | 0:05:11 | |
In group four, we had tap dancer Harvey, | 0:05:12 | 0:05:14 | |
who blew the judges away with his audition in London. | 0:05:14 | 0:05:17 | |
-He's amazing! -Oh, great! | 0:05:17 | 0:05:20 | |
But he's bravely decided to push himself and do his performance | 0:05:20 | 0:05:23 | |
without his tap shoes. | 0:05:23 | 0:05:25 | |
Group four and Harvey have finished their performance. | 0:05:42 | 0:05:46 | |
Now all they can do is wait. | 0:05:46 | 0:05:48 | |
In our final group, 15-year-old Christian is hoping to | 0:05:48 | 0:05:51 | |
show the judges he's worked hard since his regional audition. | 0:05:51 | 0:05:55 | |
Don't rush. That was the only thing as a judge | 0:05:55 | 0:05:57 | |
that was taking me out of it a little bit. | 0:05:57 | 0:05:59 | |
Well done, guys. We'll see you soon. | 0:06:20 | 0:06:22 | |
The final group has performed, | 0:06:22 | 0:06:24 | |
and the judges have a difficult decision to make. | 0:06:24 | 0:06:26 | |
Guys, now you've just got to wait now. | 0:06:26 | 0:06:28 | |
Do you reckon you've done enough? | 0:06:28 | 0:06:30 | |
-Hopefully, yeah. -You can do no more. | 0:06:30 | 0:06:33 | |
-Just relax. -Well done. -Relax, enjoy it. | 0:06:33 | 0:06:35 | |
You got to nationals, guys - you've done really well. | 0:06:35 | 0:06:37 | |
-Really well. -Well done. Off you go, go chill. | 0:06:37 | 0:06:39 | |
-See you later, guys. Bye. -Bye. | 0:06:39 | 0:06:42 | |
Our dancers have given it their all, | 0:06:43 | 0:06:45 | |
but now the judges must split them into two new groups - | 0:06:45 | 0:06:48 | |
one that's staying, and one that's going home. | 0:06:48 | 0:06:51 | |
All right, we've got an incredibly difficult decision. | 0:06:52 | 0:06:55 | |
Quite a few difficult decisions to make. | 0:06:55 | 0:06:57 | |
You're not kidding, Kim. | 0:06:58 | 0:06:59 | |
Whilst you deliberate, we're going to catch up the guys. | 0:06:59 | 0:07:02 | |
How do you feel like the routine went for you? | 0:07:02 | 0:07:05 | |
I feel like it went well. | 0:07:05 | 0:07:07 | |
I feel like I did everything I could, and I really went for it. | 0:07:07 | 0:07:09 | |
-Yeah? -So hopefully... | 0:07:09 | 0:07:10 | |
Is anyone really confident that they're going to get through? | 0:07:10 | 0:07:13 | |
-No. -No. | 0:07:13 | 0:07:14 | |
-All we can do is hope. -Yeah, hope. -Yeah. | 0:07:14 | 0:07:18 | |
Guys, everyone cross your fingers. | 0:07:18 | 0:07:19 | |
OK, now, I'm not going uncross mine for the rest of the day, all right? | 0:07:19 | 0:07:22 | |
This goes out to all of you. Good luck. OK? | 0:07:22 | 0:07:25 | |
She was a no for me. | 0:07:25 | 0:07:28 | |
-She was a maybe. -Yeah? | 0:07:28 | 0:07:30 | |
-Yeah, I'd say maybe as well. -OK. | 0:07:30 | 0:07:32 | |
-I was yes. -I was a yes. | 0:07:32 | 0:07:35 | |
-I was a yes. -A unanimous yes. -Yeah! | 0:07:35 | 0:07:37 | |
Hoping to be one of those yeses is tap dancer Harvey. | 0:07:37 | 0:07:41 | |
Contemporary and, like, lyrical's not my strongest, but, like, | 0:07:41 | 0:07:45 | |
I tried my best with it, and I think I did well, so, yeah. | 0:07:45 | 0:07:47 | |
Fingers crossed, mate. | 0:07:47 | 0:07:49 | |
-Is that the final decision? -Is that us? | 0:07:49 | 0:07:51 | |
-I'm signed. -All right, that's it. | 0:07:51 | 0:07:53 | |
Not only is it tough on that side of the table, | 0:07:53 | 0:07:55 | |
it's really tough on this side as well! | 0:07:55 | 0:07:57 | |
All right, let's get 'em in. | 0:07:57 | 0:07:59 | |
-One, two, three, go team! -All right. | 0:07:59 | 0:08:01 | |
The first group has been called, but will they be staying or going home? | 0:08:03 | 0:08:07 | |
Thank you, guys, and welcome back. | 0:08:08 | 0:08:10 | |
We've been so impressed with every single one of you. | 0:08:10 | 0:08:14 | |
The standard of the competition this year has been incredibly high. | 0:08:14 | 0:08:19 | |
We are only allowed to take 30 performers | 0:08:19 | 0:08:22 | |
through to the next stage. | 0:08:22 | 0:08:23 | |
Thank you so much for being brilliant, for working so hard, | 0:08:23 | 0:08:27 | |
and for sharing your talent. | 0:08:27 | 0:08:29 | |
However, on this occasion... | 0:08:29 | 0:08:31 | |
..you will not be going through to the next stage. | 0:08:35 | 0:08:37 | |
Please keep your spirits high | 0:08:39 | 0:08:40 | |
cos we have been so impressed with all of your hard work. | 0:08:40 | 0:08:43 | |
You really have been incredible. | 0:08:43 | 0:08:44 | |
And you should all be so proud of yourselves to have made it this far. | 0:08:44 | 0:08:48 | |
-Thank you. -Thank you. | 0:08:48 | 0:08:50 | |
It's the end of the road for our first group, | 0:08:55 | 0:08:57 | |
but they've done amazingly well to get this far. | 0:08:57 | 0:09:00 | |
Despite not going through, Harvey and Paisley are staying positive. | 0:09:01 | 0:09:06 | |
A bit sad, but overall happy cos it's been a great experience | 0:09:06 | 0:09:09 | |
and it's just been an amazing experience, yeah. | 0:09:09 | 0:09:12 | |
It makes me think that I need to do ballet | 0:09:12 | 0:09:15 | |
cos it'll help me in the future. | 0:09:15 | 0:09:17 | |
As the first lot of auditionees head home, it's time for the judges | 0:09:17 | 0:09:20 | |
to tell group two if they're staying or going. | 0:09:20 | 0:09:23 | |
We're only able to take 30 performers | 0:09:23 | 0:09:25 | |
through to the next challenge. | 0:09:25 | 0:09:27 | |
And those 30... | 0:09:28 | 0:09:29 | |
..are all of you. | 0:09:34 | 0:09:35 | |
CHEERING | 0:09:35 | 0:09:36 | |
EXCITED CHATTER | 0:09:38 | 0:09:40 | |
We are all so incredibly proud of you guys. | 0:09:42 | 0:09:45 | |
Your hard work is really starting to pay off now. | 0:09:45 | 0:09:49 | |
So keep it up, keep that focus, keep that determination, | 0:09:49 | 0:09:52 | |
because you're through to the next challenge. | 0:09:52 | 0:09:55 | |
CHEERING | 0:09:59 | 0:10:01 | |
It almost felt like a party popper. Like everyone... | 0:10:02 | 0:10:04 | |
-The whole effect like... -It really... It got me! | 0:10:04 | 0:10:08 | |
So, look at you. You're through! | 0:10:08 | 0:10:10 | |
CHEERING | 0:10:10 | 0:10:12 | |
-Dance is awesome. -That's it. | 0:10:13 | 0:10:16 | |
So, in this room we have our Taking The Next Step winner. | 0:10:16 | 0:10:22 | |
Oooh! | 0:10:22 | 0:10:24 | |
-Just let that sink in. -Very exciting. | 0:10:24 | 0:10:27 | |
Just let that sink in, guys. | 0:10:27 | 0:10:28 | |
And letting that thought sink in is Christian, | 0:10:28 | 0:10:30 | |
who made it through the first challenge. | 0:10:30 | 0:10:33 | |
There are now 30 dancers left in the competition, | 0:10:33 | 0:10:36 | |
and there's plenty of work still to be done. | 0:10:36 | 0:10:39 | |
Welcome back and congratulations on making it through | 0:10:39 | 0:10:42 | |
to the second challenge. | 0:10:42 | 0:10:44 | |
Now it is time for us to have a bit of fun... | 0:10:44 | 0:10:47 | |
..in our dance battle. | 0:10:47 | 0:10:50 | |
Our remaining 30 are going to freestyle - | 0:10:50 | 0:10:52 | |
just like they do in A-Troupe. | 0:10:52 | 0:10:54 | |
They'll take centre stage and show the judges and the competition that | 0:10:57 | 0:11:00 | |
they deserve a place on The Next Step. | 0:11:00 | 0:11:02 | |
So the good news is, | 0:11:05 | 0:11:06 | |
is that no-one's going to be sent home after this challenge. | 0:11:06 | 0:11:10 | |
That said, we are still in the room and everything always counts. | 0:11:10 | 0:11:14 | |
We want to see you bring that fire, bring that heat. | 0:11:14 | 0:11:16 | |
We'll be go full out. So, yeah, let's take it away. | 0:11:16 | 0:11:19 | |
-LINDSEY: -And choreographer Ian is going to count them in. | 0:11:19 | 0:11:21 | |
-Ready? -Yeah. -Here we go. | 0:11:21 | 0:11:24 | |
-STOPWATCH BEEP -Go. | 0:11:24 | 0:11:25 | |
MUSIC: Hero by Grayson Matthews | 0:11:25 | 0:11:30 | |
There is no elimination after this challenge, | 0:11:30 | 0:11:32 | |
but our dancers are still out to impress the judges. | 0:11:32 | 0:11:35 | |
And go! | 0:11:38 | 0:11:40 | |
Hey! | 0:11:48 | 0:11:50 | |
Ready, go! | 0:11:53 | 0:11:55 | |
CHEERING | 0:11:55 | 0:11:56 | |
And go! | 0:12:07 | 0:12:08 | |
It's the first time our dancers have had the opportunity to scope out | 0:12:13 | 0:12:17 | |
the competition, and everyone is giving it their all. | 0:12:17 | 0:12:20 | |
And go! | 0:12:23 | 0:12:24 | |
The final 30 have smashed the dance battle | 0:12:33 | 0:12:37 | |
and shown the judges just how high the standard of the competition is. | 0:12:37 | 0:12:41 | |
That was absolutely brilliant. | 0:12:44 | 0:12:46 | |
You know what? It was great to see a bit of your personality really | 0:12:46 | 0:12:49 | |
start to shine through. | 0:12:49 | 0:12:51 | |
-My mouth hurts from smiling that much. -Yeah. | 0:12:51 | 0:12:54 | |
This is exactly what we've been wanting to see all day. | 0:12:54 | 0:12:57 | |
-Thank you guys so much. -ALL: Thank you. | 0:12:57 | 0:12:59 | |
We'll see you back for challenge number three! | 0:12:59 | 0:13:02 | |
And let's remember what's at stake for our final 30. | 0:13:02 | 0:13:06 | |
The winner of this competition will travel to Canada | 0:13:06 | 0:13:08 | |
to appear on the hit show The Next Step. | 0:13:08 | 0:13:10 | |
They'll join the cast and make | 0:13:11 | 0:13:13 | |
a guest appearance in a brand-new episode. | 0:13:13 | 0:13:16 | |
The winner of Taking The Next Step can expect a really fun day. | 0:13:16 | 0:13:19 | |
Basically live the dream. | 0:13:19 | 0:13:21 | |
The winner will be able to meet the cast, | 0:13:21 | 0:13:23 | |
be on set and dance with us, I'm so excited to meet them. | 0:13:23 | 0:13:26 | |
Only 20 dancers can make it through to day two of nationals, | 0:13:30 | 0:13:34 | |
so ten of our hopefuls will be heading home. | 0:13:34 | 0:13:36 | |
The next challenge is group choreography, | 0:13:36 | 0:13:39 | |
and for this, you've been divided up into three groups of ten. | 0:13:39 | 0:13:43 | |
Working together, we'd like you to choreograph a performance | 0:13:43 | 0:13:46 | |
to a 60-second piece of music. | 0:13:46 | 0:13:48 | |
But you'll be judged both as a group and on your individual performance. | 0:13:48 | 0:13:52 | |
You're going to have 45 minutes to complete this challenge, | 0:13:52 | 0:13:56 | |
and at the end, only 20 of you will proceed to the next stage. | 0:13:56 | 0:14:00 | |
-You ready? -ALL: Yes! -All right, let's do this! | 0:14:00 | 0:14:03 | |
The groups are heading off to work on their routines | 0:14:03 | 0:14:06 | |
and the clock is ticking. | 0:14:06 | 0:14:08 | |
They've all been given a space to rehearse | 0:14:09 | 0:14:11 | |
and are getting down to business. | 0:14:11 | 0:14:13 | |
But communicating with nine other dancers can be difficult. | 0:14:18 | 0:14:21 | |
THEY SPEAK OVER EACH OTHER | 0:14:21 | 0:14:25 | |
Everyone stop shouting over each other! | 0:14:25 | 0:14:27 | |
We're not listening to each other. | 0:14:27 | 0:14:29 | |
And some are managing it better than others. | 0:14:29 | 0:14:31 | |
Why don't you do a front aerial directly forward | 0:14:31 | 0:14:33 | |
in front of the judges? | 0:14:33 | 0:14:34 | |
-When they do a move, other people join in on that same move. -Yeah! | 0:14:34 | 0:14:39 | |
-We'll wait and we'll go in twos into the line. -Yes. | 0:14:39 | 0:14:42 | |
A group one, Casper is taking control. | 0:14:42 | 0:14:45 | |
We met him in London where his technique was on point. | 0:14:45 | 0:14:48 | |
I mean, you've turned into, like, a technical Trojan. | 0:14:48 | 0:14:50 | |
But can be technical Trojan do enough | 0:14:50 | 0:14:52 | |
to get through this challenge? | 0:14:52 | 0:14:54 | |
Fingers crossed. | 0:14:54 | 0:14:56 | |
Group three have the additional challenge of incorporating | 0:14:56 | 0:14:59 | |
tap into their routine. | 0:14:59 | 0:15:00 | |
Kai and Jessica have some thoughts on how it's going. | 0:15:00 | 0:15:03 | |
-How's it going? -It's going horrible. | 0:15:03 | 0:15:06 | |
-No, it isn't! -I'm joking, I'm joking. -No, it's not. | 0:15:06 | 0:15:08 | |
-It's going really well. -It looks good. | 0:15:08 | 0:15:10 | |
Kai is no stranger to impressing an audience with his moves. | 0:15:10 | 0:15:14 | |
Kai, you're the guy, man. | 0:15:14 | 0:15:16 | |
And as the final tapper in the competition, | 0:15:16 | 0:15:18 | |
he brings something unique. | 0:15:18 | 0:15:20 | |
-You're king of the counting today for this group. -Yeah! | 0:15:20 | 0:15:23 | |
We've noticed you're counting... | 0:15:23 | 0:15:24 | |
-That's my thing. -That's you're thing? -Tap dancing, musicality... | 0:15:24 | 0:15:28 | |
We'll all do something, and he'll be like, "Wait, wrong count." | 0:15:28 | 0:15:31 | |
With only 45 minutes to come up with their routine, time is against them. | 0:15:31 | 0:15:36 | |
Guys, just so you know, you've five minutes left. | 0:15:36 | 0:15:38 | |
Quickly, we've got five minutes! | 0:15:38 | 0:15:40 | |
So, Jolie has one eye on the clock and one eye on the prize. | 0:15:40 | 0:15:43 | |
When she auditioned in Glasgow, the judges were blown away | 0:15:43 | 0:15:46 | |
with her energy. | 0:15:46 | 0:15:47 | |
Jolie, you're a little rocket, aren't you? | 0:15:47 | 0:15:49 | |
But will she impress them and launch herself into day two of nationals? | 0:15:49 | 0:15:52 | |
30 seconds left, guys. Come on. | 0:15:52 | 0:15:55 | |
EXCITED CHATTER | 0:15:55 | 0:15:56 | |
Rehearsal is almost over. | 0:15:58 | 0:16:00 | |
There's just enough time for one final run through. | 0:16:00 | 0:16:03 | |
THEY CHEER | 0:16:05 | 0:16:07 | |
THEY SHOUT INSTRUCTIONS | 0:16:07 | 0:16:08 | |
Hold it! Yes! | 0:16:08 | 0:16:10 | |
Guys, we're really sorry. Time is up. | 0:16:12 | 0:16:15 | |
That's it. Good luck. | 0:16:15 | 0:16:17 | |
You've done a really good job. | 0:16:17 | 0:16:19 | |
The groups can do no more, in what has been | 0:16:19 | 0:16:21 | |
their most difficult challenge so far. | 0:16:21 | 0:16:23 | |
It's performance time, and to keep it fair, | 0:16:23 | 0:16:26 | |
we've randomly chosen the order. | 0:16:26 | 0:16:28 | |
All right, group two, you're up first. | 0:16:28 | 0:16:30 | |
I see a lot of smiling faces, which is nice. | 0:16:30 | 0:16:33 | |
But Jolie and her group won't just be performing for the judges - | 0:16:33 | 0:16:37 | |
the other dancers will be watching too. | 0:16:37 | 0:16:40 | |
Take your positions, it's time to dance. | 0:16:40 | 0:16:42 | |
CHEERING AND APPLAUSE | 0:16:42 | 0:16:44 | |
THE NEXT STEP THEME PLAYS | 0:16:47 | 0:16:51 | |
BEAT DROPS | 0:17:14 | 0:17:17 | |
Wow, you guys! | 0:17:53 | 0:17:55 | |
You put a lot into that, and you could tell. | 0:17:55 | 0:17:58 | |
And it definitely paid off. | 0:17:58 | 0:18:00 | |
I thought it worked brilliantly. And when that beat kicked in, | 0:18:00 | 0:18:02 | |
you know, you had your boys here. Well done. | 0:18:02 | 0:18:05 | |
That's exactly what we're looking for - working together as a team. | 0:18:05 | 0:18:08 | |
-Great job. -ALL: Thank you. | 0:18:08 | 0:18:10 | |
-Well done, guys. -Really good job. | 0:18:10 | 0:18:13 | |
An amazing performance by group two to start things off. | 0:18:13 | 0:18:17 | |
Do you feel like you've do enough? | 0:18:17 | 0:18:19 | |
I hope I've done enough. | 0:18:19 | 0:18:21 | |
Like, I just...I just don't feel anything when I dance. | 0:18:21 | 0:18:23 | |
I just feel like I'm kind of just in the moment, so I just don't | 0:18:23 | 0:18:27 | |
know how I've done, but I just hope I've done enough to get through. | 0:18:27 | 0:18:30 | |
So, group three is up next. Are you up for the challenge? | 0:18:30 | 0:18:34 | |
-ALL: Yes! -OK, let's do this. | 0:18:34 | 0:18:37 | |
CHEERING AND APPLAUSE | 0:18:37 | 0:18:39 | |
THE NEXT STEP THEME PLAYS | 0:18:41 | 0:18:45 | |
BEAT DROPS | 0:19:09 | 0:19:12 | |
Yes, group three. Lovely, lovely, lovely. | 0:19:45 | 0:19:49 | |
I enjoyed that. I can see you guys enjoyed it yourself. | 0:19:49 | 0:19:51 | |
I will say there was a lot of choreographed chaos. | 0:19:51 | 0:19:54 | |
I would have loved to see more just in-sync dancing, | 0:19:54 | 0:19:57 | |
really going for it. | 0:19:57 | 0:19:59 | |
But ultimately, I think you have all got some fantastic strengths | 0:19:59 | 0:20:02 | |
and I loved seeing all of that used to the best of its ability, | 0:20:02 | 0:20:05 | |
-so really good job. -Great effort, well done. | 0:20:05 | 0:20:08 | |
ALL: Thank you. | 0:20:08 | 0:20:09 | |
An amazing routine by group three. | 0:20:11 | 0:20:14 | |
I feel, like, our group had a really strong beginning, | 0:20:14 | 0:20:17 | |
and I think that was good, | 0:20:17 | 0:20:19 | |
but I feel, like, at the end, | 0:20:19 | 0:20:20 | |
we kind of weren't sure what we were doing and, like, time pressure. | 0:20:20 | 0:20:24 | |
So, Casper is not sure. | 0:20:24 | 0:20:26 | |
Can the final group incorporates Kai's tapping into their routine? | 0:20:26 | 0:20:29 | |
How are you guys feeling? | 0:20:29 | 0:20:31 | |
-ALL: Good. -Good, good, good. | 0:20:31 | 0:20:33 | |
Well, you've seen the last two groups, I think you know what to do. | 0:20:33 | 0:20:36 | |
THE NEXT STEP THEME PLAYS | 0:20:41 | 0:20:42 | |
Wow. Group one, really, really good. | 0:21:47 | 0:21:50 | |
I was actually intrigued because I was, like, | 0:21:50 | 0:21:52 | |
"I wonder how the tapping is going to work?" | 0:21:52 | 0:21:54 | |
That was, like, one of the biggest questions, | 0:21:54 | 0:21:57 | |
but really, really well done. | 0:21:57 | 0:21:58 | |
I like the fact that you guys kind of introduced the crew | 0:21:58 | 0:22:01 | |
and then the crew was together and then you had solo moments, | 0:22:01 | 0:22:04 | |
you showed the intricacies with the tricks and stuff like that. | 0:22:04 | 0:22:07 | |
-Brilliant. Well done. ALL: -Thank you. | 0:22:07 | 0:22:10 | |
I really enjoyed it, I think you guys absolutely smashed that. | 0:22:10 | 0:22:12 | |
Really good job, you guys. | 0:22:12 | 0:22:14 | |
My one critique would be no matter where you're at on that stage, | 0:22:14 | 0:22:18 | |
I can see you! | 0:22:18 | 0:22:19 | |
So make sure your technique is still flawless | 0:22:19 | 0:22:22 | |
cos I do have a judging hat on, | 0:22:22 | 0:22:24 | |
but really good job, I really enjoyed that. | 0:22:24 | 0:22:27 | |
-Fabulous. -ALL: Thank you. | 0:22:27 | 0:22:28 | |
So we will see you in a while after we've made our decision. | 0:22:29 | 0:22:32 | |
And it's going to be a hard decision to make. | 0:22:35 | 0:22:38 | |
Of the 30 dancers left in the competition, | 0:22:38 | 0:22:40 | |
ten will be going home. | 0:22:40 | 0:22:42 | |
The remaining 20 will make it through to day two of nationals. | 0:22:42 | 0:22:46 | |
-Judges, hello. -ALL: -Hello! | 0:22:47 | 0:22:49 | |
There are a lot of people's faces on your table. | 0:22:49 | 0:22:52 | |
-Yeah. -It's been difficult, hasn't it? | 0:22:52 | 0:22:54 | |
-ALL: Yeah. -It's going to be really tough to deliberate over them | 0:22:54 | 0:22:57 | |
cos they all just did so brilliantly. | 0:22:57 | 0:22:59 | |
They threw themselves into the challenge and performed like crazy. | 0:22:59 | 0:23:02 | |
-Just so we know, you're getting rid of ten now. -Yeah. | 0:23:02 | 0:23:05 | |
-But you're not getting rid of a group that's performed. -No. | 0:23:05 | 0:23:08 | |
-It's going to be ten people? -Yes. | 0:23:08 | 0:23:09 | |
-Right. -And we're looking for certain things within performers that we've | 0:23:09 | 0:23:13 | |
seen throughout the whole process, | 0:23:13 | 0:23:15 | |
and you can still judge that within a group as opposed to just going, | 0:23:15 | 0:23:19 | |
"Right, well, they smashed it, they're all through." | 0:23:19 | 0:23:21 | |
Well, listen, you've got a really tough job to do. | 0:23:21 | 0:23:23 | |
We'd rather you than us cos, for us, | 0:23:23 | 0:23:24 | |
everyone's through him we have no idea what's going on. | 0:23:24 | 0:23:27 | |
And also we can't dance, any of us, so that would be really unfair. | 0:23:27 | 0:23:30 | |
I mean, you could have your own group challenge right now. | 0:23:30 | 0:23:33 | |
-We're ready! -Five, six, seven, eight and go! | 0:23:33 | 0:23:35 | |
Yes, yes, yes, yes and pose! | 0:23:35 | 0:23:39 | |
-Whoa. -Yeah, we smashed it. | 0:23:39 | 0:23:42 | |
So, it's decision time again and it really is | 0:23:42 | 0:23:45 | |
-just getting tougher and tougher. -Tougher and tougher. | 0:23:45 | 0:23:49 | |
But we need to let go of ten kids. | 0:23:49 | 0:23:52 | |
How do you feel about this one? | 0:23:52 | 0:23:54 | |
Mm-hm. Mm-hm. | 0:23:54 | 0:23:56 | |
I think he's a yes. | 0:23:56 | 0:23:58 | |
-Yeah? -Me too. | 0:23:58 | 0:23:59 | |
I'm quite nervous about it, I mean, I know me and my team, like, | 0:24:00 | 0:24:04 | |
did really well and we put everything into it, | 0:24:04 | 0:24:06 | |
so there's not much you can do right now, is there? So it's just | 0:24:06 | 0:24:09 | |
-the big wait and it's quite nerve-racking, I would say. -Yeah. | 0:24:09 | 0:24:13 | |
Who's the scariest judge? | 0:24:13 | 0:24:14 | |
-Kimberly. -Do you reckon? -Swoosh. | 0:24:15 | 0:24:17 | |
-You think Swoosh? -Yeah. -And you think Kimberly? -Yeah. | 0:24:17 | 0:24:20 | |
So Jonny's the nice one, basically. | 0:24:20 | 0:24:22 | |
We are chilled about Jonny | 0:24:22 | 0:24:24 | |
-but we need to win over the other two, right? -Yeah. | 0:24:24 | 0:24:26 | |
Five, OK, we're halfway there. | 0:24:26 | 0:24:29 | |
We're halfway there. | 0:24:29 | 0:24:30 | |
Boom. | 0:24:30 | 0:24:32 | |
-I hate to lose him cos he does have moments of brilliance... -Yeah. | 0:24:32 | 0:24:35 | |
..but we are looking for all-around dancers. | 0:24:35 | 0:24:38 | |
All-around dancers. Yeah. | 0:24:38 | 0:24:39 | |
Oh, that is going to hurt. | 0:24:39 | 0:24:41 | |
-That really hurts. -She just really stood out. | 0:24:41 | 0:24:44 | |
-Yeah, she was brilliant all day today, wasn't she? -Mmm. | 0:24:44 | 0:24:47 | |
What would it mean to both of you to get a yes? | 0:24:47 | 0:24:50 | |
-Everything. -Everything. -Yeah. | 0:24:50 | 0:24:52 | |
So our final decision? | 0:24:52 | 0:24:54 | |
Yeah. I don't want to have to do that ever again. | 0:24:54 | 0:24:56 | |
I mean, it makes me sick to my stomach to have to let those go. | 0:24:58 | 0:25:00 | |
-Yeah. -But when I look over here, | 0:25:00 | 0:25:02 | |
I feel really excited about the potential we have in our yeses. | 0:25:02 | 0:25:05 | |
-Yeah. -Yeah. -Let's get them in. | 0:25:05 | 0:25:07 | |
Our dancers have been called in and the judges have separated them into | 0:25:08 | 0:25:11 | |
three new groups for the decision. | 0:25:11 | 0:25:13 | |
Unfortunately, one of these groups will be going home. | 0:25:14 | 0:25:18 | |
Thank you all for your effort | 0:25:18 | 0:25:20 | |
that you've put in throughout the day today. | 0:25:20 | 0:25:22 | |
The group choreography challenge was asking a lot from you guys. | 0:25:22 | 0:25:28 | |
Thank you so much for your focus, your determination | 0:25:28 | 0:25:31 | |
and your hard work, you absolutely smashed it. | 0:25:31 | 0:25:34 | |
However, guys, as you all know, | 0:25:34 | 0:25:36 | |
we can only take some of you through to day two of nationals. | 0:25:36 | 0:25:40 | |
So, group one... | 0:25:41 | 0:25:44 | |
..congratulations, you're all through. | 0:25:48 | 0:25:50 | |
SAM: So, the first group have made it, including our only tapper, Kai. | 0:25:53 | 0:25:57 | |
So... | 0:25:59 | 0:26:01 | |
..group two, thank you so much | 0:26:01 | 0:26:04 | |
for doing everything you have thus far... | 0:26:04 | 0:26:07 | |
..however, this is the end of the road for you. | 0:26:09 | 0:26:13 | |
Unfortunately, you won't be coming to day two of nationals, | 0:26:13 | 0:26:16 | |
but thank you so much. | 0:26:16 | 0:26:17 | |
So group two are heading home, | 0:26:19 | 0:26:22 | |
including 12-year-old Jolie, which means... | 0:26:22 | 0:26:26 | |
Group three that you are also through. | 0:26:26 | 0:26:29 | |
So, our 20 top dancers have made it through to day two of nationals | 0:26:33 | 0:26:37 | |
where they will be battling it out | 0:26:37 | 0:26:39 | |
for just six places in our studio finals. | 0:26:39 | 0:26:41 | |
Well done to all of you for coming this far. | 0:26:41 | 0:26:45 | |
We'll see you tomorrow for challenge four. | 0:26:45 | 0:26:47 | |
Make sure you get good sleep. See you tomorrow. | 0:26:50 | 0:26:54 | |
ALL: Yay! | 0:26:55 | 0:26:57 | |
Guys, you're having what we like to call a yes party! | 0:27:00 | 0:27:04 | |
Did you guys get through? | 0:27:07 | 0:27:08 | |
-ALL: -Yes! -Oh, good. | 0:27:08 | 0:27:11 | |
Go celebrate. | 0:27:11 | 0:27:12 | |
CHEERING | 0:27:12 | 0:27:13 | |
-See you. Go, go, go, go, go! -I can't hear a thing. | 0:27:15 | 0:27:19 | |
I mean, and it's been so difficult to let go | 0:27:19 | 0:27:21 | |
-of some absolutely brilliant, impressive dancers. -Gems. -Yeah. | 0:27:21 | 0:27:25 | |
But looking at all these faces we have | 0:27:25 | 0:27:29 | |
going through to tomorrow's challenge is very exciting. | 0:27:29 | 0:27:33 | |
Yeah, very exciting, I'm excited. | 0:27:33 | 0:27:34 | |
Oooh! | 0:27:34 | 0:27:36 | |
-Nationals. Yeah! -Yay! | 0:27:36 | 0:27:38 | |
Next time, it's day two of nationals and our final 20 will be acting | 0:27:38 | 0:27:43 | |
with the help of a special guest mentor. | 0:27:43 | 0:27:46 | |
Please welcome Adam Garcia. | 0:27:46 | 0:27:47 | |
And of course, there will be more dancing. | 0:27:50 | 0:27:52 | |
We are about to enter semifinals with a live studio audience, | 0:27:55 | 0:27:59 | |
do we feel that all of these could represent Taking The Next Step | 0:27:59 | 0:28:02 | |
and take on that challenge? | 0:28:02 | 0:28:04 | |
Don't miss it. | 0:28:04 | 0:28:05 |