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This is Taking The Next Step, | 0:00:02 | 0:00:03 | |
this show where some of the UK's top dancers are competing | 0:00:03 | 0:00:06 | |
for the opportunity of a lifetime. | 0:00:06 | 0:00:08 | |
The chance to travel to Canada and appear on the smash hit show, | 0:00:09 | 0:00:13 | |
The Next Step. | 0:00:13 | 0:00:14 | |
The Taking The Next Step team | 0:00:18 | 0:00:19 | |
travelled all over to find the most talented young dancers in the UK. | 0:00:19 | 0:00:24 | |
Over 2,300 hopefuls applied, | 0:00:24 | 0:00:27 | |
but only the very best auditioned at Regionals | 0:00:27 | 0:00:30 | |
in front of our three judges. | 0:00:30 | 0:00:33 | |
Actor and dancer Jonny Labey. | 0:00:33 | 0:00:35 | |
Make us excited to watch you. | 0:00:35 | 0:00:37 | |
Founder of dance group Flawless, Marlon "Swoosh" Wallen. | 0:00:37 | 0:00:40 | |
So just chill with it and THEN attack. | 0:00:40 | 0:00:43 | |
And returning as head judge, | 0:00:43 | 0:00:45 | |
professional dancer and former Pussycat Doll Kimberly Wyatt. | 0:00:45 | 0:00:49 | |
You have got sass for days. | 0:00:49 | 0:00:51 | |
Our judges picked their top 50 dancers from the regional auditions | 0:00:51 | 0:00:54 | |
-to come to Nationals. -Now is when the hard work really begins. | 0:00:54 | 0:00:59 | |
On day one, only 20 dancers made it through the judges' challenges. | 0:00:59 | 0:01:03 | |
Congratulations. You're through. | 0:01:03 | 0:01:05 | |
Those that remain will battle it out for just six places in the studio | 0:01:07 | 0:01:10 | |
finals. The pressure is really on. | 0:01:10 | 0:01:13 | |
This is Taking The Next Step. | 0:01:13 | 0:01:15 | |
We're back in London, along with our top 20 dancers from the competition. | 0:01:25 | 0:01:29 | |
Day two of the Nationals - we've got two challenges left. | 0:01:29 | 0:01:31 | |
That's right, the judges are in, the dancers are in. | 0:01:31 | 0:01:33 | |
So we should probably be in there as well? | 0:01:33 | 0:01:36 | |
-Yeah. -Yeah, let's go. -Let's go. | 0:01:36 | 0:01:37 | |
You are our top 20. | 0:01:42 | 0:01:44 | |
Well done, you guys. | 0:01:44 | 0:01:46 | |
So in today's first challenge, | 0:01:50 | 0:01:51 | |
we're going to see how you guys are when working with scripts. | 0:01:51 | 0:01:56 | |
It's all about the acting. | 0:01:56 | 0:01:58 | |
Make sure you make it your own. | 0:01:58 | 0:02:00 | |
You are playing a character, | 0:02:00 | 0:02:02 | |
but keep it in your own voice and put YOUR stamp on it. | 0:02:02 | 0:02:05 | |
Bring a bit of yourself to that character. | 0:02:05 | 0:02:08 | |
And to help with your rehearsals | 0:02:08 | 0:02:10 | |
and give you some hints, tips and tricks, | 0:02:10 | 0:02:12 | |
I've brought along an amazing friend of mine. | 0:02:12 | 0:02:15 | |
He's an absolute West End theatre star and legend. | 0:02:15 | 0:02:20 | |
Please welcome Adam Garcia. | 0:02:20 | 0:02:22 | |
First of all, congratulations for making it this far. | 0:02:28 | 0:02:31 | |
That's fantastic. Acting can be kind of daunting, | 0:02:31 | 0:02:34 | |
so I'm here to help you break down the scenes, | 0:02:34 | 0:02:38 | |
find clues about the character | 0:02:38 | 0:02:41 | |
that the writers have given you inside those scenes | 0:02:41 | 0:02:45 | |
and hopefully, make you feel at ease when it comes to perform them. | 0:02:45 | 0:02:49 | |
-All right. -Yeah. -Are you excited and ready? | 0:02:49 | 0:02:51 | |
-ALL: -Yeah. -All right, let's get to work. | 0:02:51 | 0:02:54 | |
-Hey. -Hey. -So...what's this all about, again? | 0:02:56 | 0:02:59 | |
Well, since you asked, | 0:02:59 | 0:03:01 | |
our performers have just an hour on the clock | 0:03:01 | 0:03:03 | |
to rehearse an entire scene from The Next Step. | 0:03:03 | 0:03:06 | |
Imagine you guys are in the telly and we're watching | 0:03:06 | 0:03:09 | |
The Next Step. We're at home watching The Next Step. | 0:03:09 | 0:03:12 | |
-TV screen! -Yeah, there's a TV screen there. You guys are doing a scene. | 0:03:12 | 0:03:15 | |
Go, go. | 0:03:15 | 0:03:16 | |
They'll need to work in their pairs and quickly, too, to deliver | 0:03:16 | 0:03:19 | |
their lines clearly, convincingly and with conviction. | 0:03:19 | 0:03:23 | |
It's about listening and responding. | 0:03:24 | 0:03:26 | |
And our special guest mentor Adam Garcia | 0:03:26 | 0:03:29 | |
has some acting techniques to share. | 0:03:29 | 0:03:31 | |
You've got to be very direct. | 0:03:31 | 0:03:33 | |
And I think... | 0:03:33 | 0:03:35 | |
it'll help your physicality if you almost sit into him, if you like. | 0:03:35 | 0:03:39 | |
"OK, I'm here to help you. Tell me what you want." | 0:03:39 | 0:03:41 | |
Most of these kids haven't actually ever picked up scripts before. | 0:03:41 | 0:03:44 | |
This is quite a tough challenge, | 0:03:44 | 0:03:46 | |
cos they're used to dancing. That's their comfort zone. | 0:03:46 | 0:03:48 | |
A lot of them are doing really, really great. | 0:03:48 | 0:03:50 | |
I don't want to give anything away, of course. | 0:03:50 | 0:03:52 | |
Of course. | 0:03:52 | 0:03:53 | |
-But they seem to take to acting like a duck to water. -Nice. | 0:03:53 | 0:03:56 | |
So with rehearsals over, it's now time to perform for the judges. | 0:03:56 | 0:04:01 | |
First up are our street dancers Kaymia and good friend Charlie, | 0:04:01 | 0:04:06 | |
who's looking to prove he's listened to Jonny. | 0:04:06 | 0:04:08 | |
As soon as you leave this room, work on your acting, | 0:04:08 | 0:04:11 | |
cos you've got everything else. | 0:04:11 | 0:04:14 | |
They're taking on a Next Step scene where Eldon and West visit London. | 0:04:14 | 0:04:18 | |
Oh, my gosh. | 0:04:20 | 0:04:22 | |
This is Stonehenge, bro. | 0:04:22 | 0:04:24 | |
Dude, Stonehenge is not even in London. | 0:04:24 | 0:04:27 | |
What are you talking about? | 0:04:27 | 0:04:28 | |
Dude, | 0:04:28 | 0:04:30 | |
Stonehenge is not even in London! | 0:04:30 | 0:04:31 | |
What are you talking about? | 0:04:31 | 0:04:34 | |
I know Stonehenge...when I see Stonehenge. | 0:04:34 | 0:04:37 | |
I can feel it. | 0:04:38 | 0:04:40 | |
Really vibing with me. | 0:04:40 | 0:04:42 | |
It's magical, man. | 0:04:42 | 0:04:44 | |
I can feel its energy everywhere. | 0:04:44 | 0:04:47 | |
This...is Stonehenge! | 0:04:47 | 0:04:49 | |
You guys looks pretty happy. | 0:04:51 | 0:04:52 | |
-Yeah. -Yeah. -It was fun working with Charlie, so... | 0:04:52 | 0:04:55 | |
-Oh, good! -Yeah. | 0:04:55 | 0:04:56 | |
You could see the chemistry. | 0:04:56 | 0:04:57 | |
Yeah, you guys are great. Sort of, you could tell your friendship | 0:04:57 | 0:05:00 | |
-really just comes out on screen. -Yeah. -And in the scene. So... | 0:05:00 | 0:05:03 | |
Don't be too good. Don't be nicking our job! | 0:05:03 | 0:05:05 | |
Next to act it out in the audition room | 0:05:06 | 0:05:08 | |
is 14-year-old contemporary dancer Jessica, | 0:05:08 | 0:05:11 | |
who really impressed in London and 14-year-old Immi, | 0:05:11 | 0:05:14 | |
who we met in Cardiff. | 0:05:14 | 0:05:16 | |
It was beautiful! | 0:05:16 | 0:05:18 | |
I absolutely loved this performance. | 0:05:18 | 0:05:22 | |
-LINDSEY: -But will their acting performance | 0:05:22 | 0:05:24 | |
live up to their dancing? | 0:05:24 | 0:05:25 | |
So what's this about again? | 0:05:25 | 0:05:27 | |
Their Next Step scene is with Michelle and Piper. | 0:05:27 | 0:05:30 | |
-You must enjoy it. -Yes, | 0:05:30 | 0:05:31 | |
I have enjoyed every single moment of being on A-Troupe. | 0:05:31 | 0:05:34 | |
-No complaints. -So, you've been in A-Troupe for a long time now. | 0:05:34 | 0:05:38 | |
Yes, I have. | 0:05:38 | 0:05:40 | |
-I'm a lifer. -You must enjoy it. | 0:05:40 | 0:05:43 | |
Yes. I've enjoyed every single moment of being on A-Troupe. | 0:05:43 | 0:05:47 | |
-No complaints. -But when you started, | 0:05:47 | 0:05:49 | |
you were the most celebrated | 0:05:49 | 0:05:51 | |
and then, last year, you were an alternate. | 0:05:51 | 0:05:54 | |
Isn't that hard? | 0:05:54 | 0:05:55 | |
Next up is Immi's friend Holly, | 0:05:55 | 0:05:57 | |
a 14-year-old ballet dancer we met in Cardiff. | 0:05:57 | 0:05:59 | |
She's teamed up with 12-year-old lyrical dancer Eleanor | 0:05:59 | 0:06:02 | |
from our London auditions. | 0:06:02 | 0:06:04 | |
They're hoping to impress with the same script. | 0:06:04 | 0:06:06 | |
So, you've been an agent for a while, now. | 0:06:06 | 0:06:09 | |
Yes, I have. I'm a lifer. | 0:06:09 | 0:06:12 | |
You must really enjoy that. | 0:06:12 | 0:06:13 | |
Yes, I enjoy every single moment...of being on A-Troupe. | 0:06:13 | 0:06:18 | |
No complaints. | 0:06:18 | 0:06:19 | |
Well, when you joined here, | 0:06:19 | 0:06:21 | |
you were the most...celebrated, but now, | 0:06:21 | 0:06:25 | |
you are a...alternate. That must be hard. | 0:06:25 | 0:06:28 | |
How are you feeling? | 0:06:28 | 0:06:29 | |
-Relieved! -Yeah! | 0:06:29 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:32 | |
That was tough. And even though you fluffed the line, | 0:06:32 | 0:06:35 | |
it doesn't matter, because | 0:06:35 | 0:06:36 | |
you maintained your character the whole time. | 0:06:36 | 0:06:39 | |
Next to act is 13-year-old street dancer Kiana | 0:06:40 | 0:06:44 | |
and 15-year-old lyrical dancer Yasmin. | 0:06:44 | 0:06:47 | |
The technique is really good. | 0:06:47 | 0:06:49 | |
I can't fault you in anything. | 0:06:49 | 0:06:52 | |
But will their acting technique be faultless? | 0:06:52 | 0:06:55 | |
Their scene is between Riley and Michelle, | 0:06:55 | 0:06:57 | |
who are reminiscing. | 0:06:57 | 0:06:59 | |
Sometimes, I wish I could just go back, | 0:06:59 | 0:07:01 | |
when I was a dancer and things weren't so complicated. | 0:07:01 | 0:07:05 | |
You know, life goes on. People change and they move on. | 0:07:05 | 0:07:09 | |
Sometimes, I wish that I could just go back. | 0:07:09 | 0:07:13 | |
When I was a dancer... | 0:07:13 | 0:07:15 | |
..and things weren't so complicated. | 0:07:16 | 0:07:19 | |
Life goes on. People change. | 0:07:19 | 0:07:22 | |
They move on. | 0:07:22 | 0:07:23 | |
But maybe we could delay that for just a little bit longer. | 0:07:23 | 0:07:27 | |
-How? -Do you want to take a walk down memory lane with me? | 0:07:27 | 0:07:30 | |
Sure. | 0:07:30 | 0:07:32 | |
Come on. | 0:07:32 | 0:07:33 | |
Hey! | 0:07:34 | 0:07:36 | |
Hey, we were into that. | 0:07:36 | 0:07:37 | |
Yeah, it's like we were watching The Next Step. | 0:07:37 | 0:07:39 | |
-That was really good. -How did it feel doing it, | 0:07:39 | 0:07:41 | |
cos I know you were a little bit nervous? | 0:07:41 | 0:07:43 | |
It's kind of like in the middle, | 0:07:43 | 0:07:44 | |
like you knew you were there but you were calm. | 0:07:44 | 0:07:46 | |
I forgot that the judges were there, but like, I just was... | 0:07:46 | 0:07:49 | |
..pretending that we were just in a coffee shop. | 0:07:49 | 0:07:52 | |
-Oh, you were in the moment. -That's acting. -Yeah, exactly! | 0:07:52 | 0:07:54 | |
There you go. | 0:07:54 | 0:07:55 | |
Taking to the stage is Next Step fan, | 0:07:55 | 0:07:57 | |
11-year-old lyrical dancer Kaitlyn, | 0:07:57 | 0:07:59 | |
who's teamed up with jazz dancer Chloe, who is also 11. | 0:07:59 | 0:08:02 | |
But can they impress the judges with their acting? | 0:08:02 | 0:08:04 | |
Sometimes, I wish I could just go back and be a dancer, | 0:08:05 | 0:08:08 | |
when things weren't complicated. | 0:08:08 | 0:08:11 | |
Well, you know, life goes on. | 0:08:11 | 0:08:13 | |
People change and they move on, | 0:08:13 | 0:08:14 | |
but maybe we should just delay that for just a little bit longer. | 0:08:14 | 0:08:18 | |
-How? -Do you want to go a walk down... | 0:08:18 | 0:08:21 | |
-..memory lane with me? -Sure. | 0:08:22 | 0:08:24 | |
Come! | 0:08:24 | 0:08:25 | |
Hoping to show off their acting skills is | 0:08:27 | 0:08:29 | |
our 15-year-old technical Trojan Casper, | 0:08:29 | 0:08:32 | |
who wowed the judges at Regionals, | 0:08:32 | 0:08:34 | |
and 14-year-old gymnast-turned-dancer Amy, | 0:08:34 | 0:08:37 | |
who we met in Manchester. | 0:08:37 | 0:08:38 | |
You've got the personality for it. | 0:08:38 | 0:08:40 | |
When I hear you speak, I can see you on The Next Step. | 0:08:40 | 0:08:44 | |
They're acting out a Next Step scene between Noah and Amanda. | 0:08:44 | 0:08:48 | |
I have an opportunity to leave The Next Step, | 0:08:48 | 0:08:51 | |
and go on the world tour with Gisele. | 0:08:51 | 0:08:55 | |
Hey, Amanda. I just got your text. What's up? | 0:08:55 | 0:08:57 | |
-Noah, I have something really important to tell you. -OK. | 0:08:57 | 0:09:00 | |
I have the opportunity to leave The Next Step, | 0:09:00 | 0:09:03 | |
and go on world tour with Gisele. | 0:09:03 | 0:09:05 | |
But it means I'll have to leave Regionals and you'll have to do it. | 0:09:05 | 0:09:08 | |
Oh, my goodness. | 0:09:08 | 0:09:11 | |
It also means that I'll have to leave right before | 0:09:11 | 0:09:13 | |
the final 10-person dance. | 0:09:13 | 0:09:15 | |
-But you're in the 10-person dance. -I know. What should I do? | 0:09:15 | 0:09:20 | |
You guys were really convincing. | 0:09:20 | 0:09:22 | |
Like, in the way that you reacted, | 0:09:22 | 0:09:24 | |
the way that you were worried that you had this problem, | 0:09:24 | 0:09:26 | |
so you succeeded in bringing across the scene in a convincing way. | 0:09:26 | 0:09:30 | |
Next to perform is 11-year-old Cameron, | 0:09:31 | 0:09:33 | |
who auditioned in Manchester, | 0:09:33 | 0:09:36 | |
and 12-year-old Lucy, who we met in Cardiff. | 0:09:36 | 0:09:39 | |
Hey, Amanda. I got your text. What's up? | 0:09:40 | 0:09:44 | |
-Noah, I really need to talk you about something. -OK. | 0:09:44 | 0:09:48 | |
I have an opportunity to leave The Next Step | 0:09:49 | 0:09:53 | |
and go on a world tour with Gisele. | 0:09:53 | 0:09:56 | |
But it means leaving the team and... | 0:09:56 | 0:10:00 | |
-You have to do it. -Oh, my goodness! | 0:10:01 | 0:10:05 | |
That was really impressive. | 0:10:06 | 0:10:07 | |
-Thank you. -Thank you. -It was gentle, | 0:10:07 | 0:10:09 | |
like you were really, really worried. You were really... | 0:10:09 | 0:10:12 | |
It was just a really touching scene. Like, we were all... | 0:10:12 | 0:10:14 | |
I think I was just worried anyway. | 0:10:14 | 0:10:16 | |
Looking anything but worried are our next pair, Ellie and Christian, | 0:10:18 | 0:10:21 | |
who we first met in Manchester, | 0:10:21 | 0:10:23 | |
and they are recreating a scene between Riley and James. | 0:10:23 | 0:10:27 | |
A horse and a goat meet for the first time, | 0:10:27 | 0:10:29 | |
and you won't believe what happens next. | 0:10:29 | 0:10:31 | |
We'll see about that. | 0:10:31 | 0:10:32 | |
That goat is so funny! | 0:10:32 | 0:10:34 | |
How did he get the shoes on? | 0:10:34 | 0:10:36 | |
-Riley? -Yeah? -What are you doing? | 0:10:36 | 0:10:39 | |
I'm watching a video where a horse and a goat | 0:10:39 | 0:10:41 | |
meet each other for the first time, | 0:10:41 | 0:10:43 | |
and you won't believe what happens next. | 0:10:43 | 0:10:45 | |
That goat is so funny! | 0:10:45 | 0:10:47 | |
What are those shoes he's got on? | 0:10:47 | 0:10:49 | |
I don't even know how he got them on! | 0:10:49 | 0:10:51 | |
Oh, I bet the horse put them on, with his teeth! | 0:10:51 | 0:10:53 | |
Oh, so weird! | 0:10:53 | 0:10:55 | |
Finally, our last pair to take the stage is 14-year-old Kai, | 0:10:55 | 0:10:59 | |
who tapped his way to nationals in Cardiff. | 0:10:59 | 0:11:02 | |
Kai, you're the guy, man! | 0:11:02 | 0:11:04 | |
And 13-year-old contemporary dancer Harrison, | 0:11:04 | 0:11:07 | |
who left our judges speechless in Manchester. | 0:11:07 | 0:11:10 | |
Just come get your ticket! | 0:11:12 | 0:11:13 | |
They're playing a Next Step scene featuring James and Eldon, | 0:11:15 | 0:11:18 | |
who just happens to be Harrison's idol. | 0:11:18 | 0:11:21 | |
Don't get me wrong, man. There's no way I'm stopping dancing. | 0:11:21 | 0:11:24 | |
But just not on A-Troupe. | 0:11:24 | 0:11:27 | |
I guess I've got to look deep into my heart now. | 0:11:28 | 0:11:31 | |
Yeah, right now, man. | 0:11:31 | 0:11:33 | |
Close your eyes. | 0:11:33 | 0:11:35 | |
I guess I've just got to look deep into my heart now. | 0:11:35 | 0:11:38 | |
Yeah, yeah. Right now. | 0:11:38 | 0:11:40 | |
Come on, close your eyes. Hey, just do it, yeah? | 0:11:40 | 0:11:43 | |
And focus. | 0:11:43 | 0:11:45 | |
And look into your heart. | 0:11:45 | 0:11:47 | |
What does your heart want? | 0:11:48 | 0:11:50 | |
Right now, it's a little crowded with a lot of Thalia stuff. | 0:11:50 | 0:11:54 | |
No, no, no, no. We're going to go deeper than that. | 0:11:54 | 0:11:57 | |
Go down. Go right. | 0:11:57 | 0:11:59 | |
There's studio A, and there's A-Troupe. | 0:12:00 | 0:12:02 | |
Do you want to be a part of A-Troupe? | 0:12:03 | 0:12:05 | |
-OK, I think I know what I have to do. -Yeah? | 0:12:05 | 0:12:09 | |
-Is that the best you've done it? -Yeah. -Yeah. Definitely. -Yeah. | 0:12:09 | 0:12:11 | |
-Did it feel good? -It felt amazing, didn't it? | 0:12:11 | 0:12:14 | |
You guys work well together, too. | 0:12:14 | 0:12:16 | |
Utterly convincing. It was like we were watching a TV show. | 0:12:16 | 0:12:18 | |
Our hopefuls learned and delivered their Next Step scenes. | 0:12:21 | 0:12:25 | |
Now all they can do is wait for the judges' decision. | 0:12:25 | 0:12:28 | |
-We do need to lose ten of our 20. -Half, yeah. | 0:12:28 | 0:12:32 | |
-We have a few standouts. -Absolutely, absolutely. | 0:12:32 | 0:12:34 | |
I think clearly, this group was just phenomenal. | 0:12:34 | 0:12:37 | |
-Yeah. -Yeah. -Is that fair to say? | 0:12:37 | 0:12:38 | |
-She was phenomenal. -Absolutely. -She was phenomenal. | 0:12:38 | 0:12:41 | |
-He was an absolute natural. -Yeah. -Yeah. | 0:12:41 | 0:12:44 | |
Even if you don't get through, you've done so far. | 0:12:44 | 0:12:46 | |
-You're the top 20 out of everyone that came out. -Yeah? | 0:12:46 | 0:12:49 | |
I think these two really struggled. | 0:12:49 | 0:12:51 | |
Yes, they did. And these two struggled as well. | 0:12:51 | 0:12:54 | |
I want all of us to stay! It's so sad. | 0:12:54 | 0:12:58 | |
The further we get, yeah, like, | 0:12:58 | 0:13:01 | |
the harder it gets if you get sent home. | 0:13:01 | 0:13:03 | |
-We've got nine. -We've got nine, so it will be one more place. | 0:13:03 | 0:13:07 | |
I feel like his accent was better than hers. | 0:13:07 | 0:13:09 | |
If you want to swap those over, then... | 0:13:09 | 0:13:11 | |
How do you feel about that? | 0:13:11 | 0:13:12 | |
-I agree with that. -Yeah? -Yeah, I agree with that. | 0:13:12 | 0:13:15 | |
Ooh! | 0:13:15 | 0:13:16 | |
Can I just stay now? | 0:13:18 | 0:13:20 | |
-I just messed up. -I'm sure you didn't. | 0:13:20 | 0:13:22 | |
Probably the hardest deliberation we've done so far. | 0:13:24 | 0:13:26 | |
Oh, this isn't... Yeah. | 0:13:26 | 0:13:28 | |
How do we feel about...? Look at this. | 0:13:28 | 0:13:29 | |
I feel really good about that. | 0:13:29 | 0:13:31 | |
Decision made! | 0:13:31 | 0:13:34 | |
Brilliant, isn't it? | 0:13:34 | 0:13:35 | |
One, two, three. Let's do this! | 0:13:35 | 0:13:36 | |
All right, let's bring them back in and let them know the news. | 0:13:36 | 0:13:39 | |
Let's do it. | 0:13:39 | 0:13:40 | |
Our final 20 have been called back and split into two groups, | 0:13:40 | 0:13:43 | |
but only one of these groups will be continuing on | 0:13:43 | 0:13:46 | |
to the final challenge at Nationals. | 0:13:46 | 0:13:49 | |
Guys, wow! Welcome back. | 0:13:49 | 0:13:52 | |
We were really pleasantly surprised with all of your acting scenes. | 0:13:52 | 0:13:56 | |
We really got to know a little bit about your personalities as well, | 0:13:56 | 0:13:59 | |
which is really, really lovely to see, | 0:13:59 | 0:14:01 | |
and you have to all know that the decisions that we made just now | 0:14:01 | 0:14:05 | |
have been the hardest decisions we've had to make | 0:14:05 | 0:14:08 | |
in this competition so far. | 0:14:08 | 0:14:10 | |
You have been split into two groups of ten - | 0:14:10 | 0:14:14 | |
Group 1 and Group 2. | 0:14:14 | 0:14:16 | |
Only one group will continue on to the next challenge. | 0:14:17 | 0:14:20 | |
Group 2, | 0:14:24 | 0:14:26 | |
I'm sorry, this is the end of the road for you. | 0:14:26 | 0:14:29 | |
Keep working hard. | 0:14:36 | 0:14:37 | |
You guys have proved to be absolutely incredible dancers. | 0:14:37 | 0:14:41 | |
There's much potential in all of you as actors and actresses. | 0:14:41 | 0:14:45 | |
Thank you so much for all your brilliant hard work. | 0:14:45 | 0:14:48 | |
You've been absolutely amazing. | 0:14:48 | 0:14:51 | |
Well done, guys! | 0:14:51 | 0:14:52 | |
Unfortunately, it's the end of the road for Group 2, | 0:14:57 | 0:15:00 | |
but they are leaving the competition with great advice and new friends. | 0:15:00 | 0:15:04 | |
As for Group 1, the journey continues. | 0:15:04 | 0:15:07 | |
Congratulations to you guys. You're our top ten! | 0:15:07 | 0:15:10 | |
You're all through to the final challenge, so we'll see you soon. | 0:15:13 | 0:15:16 | |
Go get ready. | 0:15:16 | 0:15:17 | |
-You're in the final ten of Taking The Next Step. -Ridiculous! | 0:15:22 | 0:15:25 | |
Look around! One of you is going to win this show. | 0:15:25 | 0:15:28 | |
Yeah! | 0:15:28 | 0:15:29 | |
-Well done. Well done. -Lovely. | 0:15:29 | 0:15:31 | |
Oh, they're running! | 0:15:32 | 0:15:34 | |
And that one winner will travel to Canada, | 0:15:34 | 0:15:36 | |
to appear in the smash hit show, The Next Step. | 0:15:36 | 0:15:39 | |
They'll join the cast and make a guest appearance | 0:15:39 | 0:15:41 | |
in a brand-new episode. | 0:15:41 | 0:15:43 | |
The winner of Taking The Next Step is actually going to be here, | 0:15:43 | 0:15:46 | |
in Studio A, with us, and we are going to have so much fun. | 0:15:46 | 0:15:49 | |
The winner will be able to meet the cast, be on set and dance with us. | 0:15:49 | 0:15:52 | |
I'm so excited to meet them. | 0:15:52 | 0:15:54 | |
The final challenge of Nationals is a solo performance. | 0:15:58 | 0:16:02 | |
Well done for making it to the final ten. | 0:16:02 | 0:16:04 | |
-Can't wait to see you dance again. -Thank you. -It's your time to shine. | 0:16:04 | 0:16:07 | |
It's the last opportunity for our remaining ten dancers | 0:16:11 | 0:16:14 | |
to wow the judges and prove they have what it takes. | 0:16:14 | 0:16:17 | |
Only six will make it through to the finals. | 0:16:23 | 0:16:26 | |
If I get through, then I'll be even more happy, but if I don't, | 0:16:33 | 0:16:36 | |
then I've made it this far, so I'm just happy. | 0:16:36 | 0:16:38 | |
I just don't feel anything when I dance. | 0:16:43 | 0:16:45 | |
Like, I'm just in the moment, really, | 0:16:45 | 0:16:46 | |
so, fingers crossed it went good! | 0:16:46 | 0:16:48 | |
-It went quite well. -Quite well? | 0:16:56 | 0:16:58 | |
Out of ten, what are we talking? | 0:16:58 | 0:17:00 | |
-Eight. -I think you're being modest with an eight. | 0:17:00 | 0:17:02 | |
-Yeah! -I like your modesty. | 0:17:02 | 0:17:04 | |
It's good, it's going to serve you well. | 0:17:04 | 0:17:06 | |
-They were all smiling, so I think they enjoyed it. -That's good. | 0:17:12 | 0:17:15 | |
And Jonny... Jonny seemed into it. | 0:17:15 | 0:17:17 | |
Any cheeky moves, new moves in there the judges haven't seen before? | 0:17:22 | 0:17:25 | |
I've put a bit more, like, creativity into it. | 0:17:25 | 0:17:28 | |
I've got one for you, I've got one for you. Yeah! | 0:17:28 | 0:17:31 | |
Do that at the end. That'll get you through. | 0:17:31 | 0:17:33 | |
-Don't do that. -Do not do that at the end. | 0:17:33 | 0:17:35 | |
-You were really nervous before you went in. -Was I? | 0:17:43 | 0:17:45 | |
How were you when you were actually dancing? Did those nerves go away? | 0:17:45 | 0:17:48 | |
Yeah, cos as the music starts, everything just kind of goes away. | 0:17:48 | 0:17:51 | |
-Yeah. -Yeah. | 0:17:51 | 0:17:52 | |
-You're smiling. That's a good thing. -Yeah, it went really well. | 0:18:01 | 0:18:04 | |
-Did it? -Yeah. -Good! | 0:18:04 | 0:18:05 | |
How do you think you'll react, if it's a yes today? | 0:18:07 | 0:18:10 | |
I don't know. I think I'll probably be speechless. | 0:18:10 | 0:18:14 | |
I'll be like... | 0:18:14 | 0:18:15 | |
Thank you, Yasmin. We'll see you once we've made our decision. | 0:18:32 | 0:18:35 | |
-Thank you! -Thank you. -Thank you. | 0:18:35 | 0:18:36 | |
Our final ten dancers have worked so hard to get this far, | 0:18:36 | 0:18:40 | |
but now they can do no more. | 0:18:40 | 0:18:42 | |
It's up to the judges, and only the six best will progress onwards. | 0:18:42 | 0:18:46 | |
So this is our final decision of Nationals. | 0:18:46 | 0:18:49 | |
-It's going to be a difficult one. -Yeah, but for me, | 0:18:49 | 0:18:52 | |
watching this last challenge, | 0:18:52 | 0:18:54 | |
-there were three that really stood out. -Yes. | 0:18:54 | 0:18:57 | |
-This gorgeous one here. -Yeah. -And this one really killed it. | 0:18:57 | 0:19:02 | |
-Yeah. -Mm-hm. -I thought she did a really good job. | 0:19:02 | 0:19:05 | |
-Phenomenal actress, yeah. -Two more. -Two more. | 0:19:05 | 0:19:09 | |
What is your gut saying? | 0:19:09 | 0:19:11 | |
Listen to your gut. | 0:19:11 | 0:19:12 | |
What does it say? | 0:19:12 | 0:19:14 | |
I think dance-wise, she's still above both of them. | 0:19:14 | 0:19:17 | |
We're about to enter semifinals with a live studio audience. | 0:19:17 | 0:19:21 | |
Do we feel that all of these could represent Taking The Next Step | 0:19:21 | 0:19:24 | |
and take on that challenge? I think yes. | 0:19:24 | 0:19:27 | |
It's a nice mix. | 0:19:27 | 0:19:28 | |
I think we've locked it in now. | 0:19:28 | 0:19:30 | |
-Final decision. -That's it. | 0:19:30 | 0:19:31 | |
Shall we start getting them in? | 0:19:31 | 0:19:33 | |
Of our ten remaining dancers, | 0:19:33 | 0:19:35 | |
four will be leaving the competition, | 0:19:35 | 0:19:37 | |
and first to hear the judges' verdict is Jessica. | 0:19:37 | 0:19:41 | |
You're such a beautiful dancer. | 0:19:41 | 0:19:42 | |
You should be very, very proud of yourself. | 0:19:42 | 0:19:45 | |
It was great to see your acting skills today. | 0:19:45 | 0:19:47 | |
Overall, it was just exceptional. | 0:19:47 | 0:19:50 | |
That last dance that you did just blew me away. | 0:19:50 | 0:19:52 | |
And at this stage, you will be going to Finals. | 0:19:52 | 0:19:55 | |
Come get your ticket! | 0:19:57 | 0:19:58 | |
-Well done. -Well done. -Well done. -Well done, darling! | 0:20:00 | 0:20:02 | |
Will Amy also make it through? | 0:20:03 | 0:20:06 | |
Amy, you are such a natural performer. | 0:20:06 | 0:20:08 | |
With the dancing side of things, | 0:20:08 | 0:20:10 | |
-I do feel like there is room for growth. -Yeah. | 0:20:10 | 0:20:12 | |
We've discussed and made a decision... | 0:20:12 | 0:20:15 | |
..and we feel that you've truly proved yourself, Amy, | 0:20:16 | 0:20:19 | |
and you are through to the finals. | 0:20:19 | 0:20:20 | |
Thank you so much. | 0:20:20 | 0:20:22 | |
Thank you so much. Well done, you. | 0:20:23 | 0:20:26 | |
With Amy through, will Cameron make it into the top six? | 0:20:27 | 0:20:32 | |
Cameron, I think you're a fantastic dancer, | 0:20:32 | 0:20:34 | |
-so thank you for just going for it. -Thank you. | 0:20:34 | 0:20:37 | |
We had an incredibly lengthy discussion and... | 0:20:37 | 0:20:42 | |
-..it's going to be a no... -OK. | 0:20:44 | 0:20:46 | |
..but Cameron, you've really, really made your mark | 0:20:46 | 0:20:50 | |
-and we have been blessed to have you here. -Thank you. | 0:20:50 | 0:20:52 | |
It's been a pleasure. | 0:20:52 | 0:20:54 | |
-Cheers. -Thank you, Cameron. -Thank you, Cameron! | 0:20:54 | 0:20:56 | |
Dance competition veteran Chloe is next to hear the judges' verdict. | 0:20:56 | 0:21:00 | |
Your journey on the show has been phenomenal. | 0:21:01 | 0:21:04 | |
I love watching you dance. | 0:21:04 | 0:21:05 | |
You always put absolutely everything into it. | 0:21:05 | 0:21:09 | |
-Well done, it's been a joy. -Thank you. | 0:21:09 | 0:21:11 | |
The time for the verdict, obviously, has come, and... | 0:21:11 | 0:21:14 | |
..it's going to be a no today, I'm afraid. | 0:21:15 | 0:21:18 | |
How do you feel that you've made it this far? It is incredible. | 0:21:19 | 0:21:22 | |
Yeah, yeah. | 0:21:22 | 0:21:23 | |
I feel so happy and it's been fun meeting everyone. It's really fun. | 0:21:23 | 0:21:27 | |
So Chloe is out, but will street dancer Kaymia claim a place | 0:21:27 | 0:21:31 | |
in the next stage? | 0:21:31 | 0:21:32 | |
You are an absolute natural. | 0:21:32 | 0:21:34 | |
-Mate, your acting really set you apart. -Thank you. | 0:21:34 | 0:21:38 | |
You bring so much flair and charisma when you're dancing. | 0:21:38 | 0:21:43 | |
Sometimes, it felt like it was too little, too late, | 0:21:43 | 0:21:45 | |
-like, we just needed some real competitive dancing. -Yeah. | 0:21:45 | 0:21:49 | |
We've made our decision. | 0:21:49 | 0:21:50 | |
And unfortunately, you won't be going through, | 0:21:52 | 0:21:54 | |
but thank you so much for everything, for all your hard work. | 0:21:54 | 0:21:58 | |
Tension builds in the holding area as one by one, | 0:22:00 | 0:22:02 | |
the dancers find out who has made it through to the finals. | 0:22:02 | 0:22:05 | |
It's time for Harrison, Kai and Immi to face the judges. | 0:22:08 | 0:22:13 | |
-Hi, Harrison. -Hi! -How are you feeling? | 0:22:14 | 0:22:17 | |
A bit nervous, but just... I'm excited to find out. | 0:22:17 | 0:22:20 | |
-How's it going, Kai? -I'm good, how are you? | 0:22:22 | 0:22:24 | |
Good, good, good. | 0:22:24 | 0:22:25 | |
Immi, there was a moment in this competition | 0:22:25 | 0:22:28 | |
where you really arrived. | 0:22:28 | 0:22:30 | |
And it's been amazing seeing you come through, | 0:22:30 | 0:22:34 | |
showing us how much this competition means to you. | 0:22:34 | 0:22:37 | |
Harrison, I've loved you | 0:22:37 | 0:22:39 | |
from the moment you've walked in to this very stage now, | 0:22:39 | 0:22:42 | |
and I'm very proud to kind of, like... | 0:22:42 | 0:22:44 | |
be a part of seeing your journey on the show. | 0:22:44 | 0:22:46 | |
You have serious natural talent as an actor. | 0:22:46 | 0:22:50 | |
Your scene gave me chills. | 0:22:50 | 0:22:52 | |
I feel like you need to improve on your dance as a whole, | 0:22:52 | 0:22:56 | |
in terms of being an entire package. | 0:22:56 | 0:22:58 | |
You got to dance for your life, | 0:22:58 | 0:22:59 | |
especially when it means getting through to the finals. | 0:22:59 | 0:23:02 | |
It was an incredibly difficult decision. | 0:23:02 | 0:23:06 | |
Harrison... | 0:23:07 | 0:23:08 | |
.we would absolutely love to have you in the finals. | 0:23:09 | 0:23:13 | |
There's only three places left. | 0:23:13 | 0:23:15 | |
And I'm afraid... | 0:23:17 | 0:23:19 | |
..somebody else is going to be sad, | 0:23:20 | 0:23:21 | |
-cos you're going to be coming through to the finals, mate. -No way! | 0:23:21 | 0:23:25 | |
We do only have two tickets left... | 0:23:25 | 0:23:27 | |
..and we feel like you deserve one of them. | 0:23:29 | 0:23:31 | |
Oh, thank you so much! | 0:23:31 | 0:23:33 | |
-It's about to go up another level. -Yep. -Big studio, big audience. -Yeah. | 0:23:33 | 0:23:38 | |
-It's going to be huge. -Yeah. | 0:23:38 | 0:23:39 | |
-Are you ready for it? -Yeah, I'm ready for it. | 0:23:39 | 0:23:41 | |
Tears of joy! | 0:23:41 | 0:23:43 | |
Are they happy tears, just to check? | 0:23:43 | 0:23:45 | |
-Yeah! -Yes, very happy tears. -She's very happy. -Good. | 0:23:45 | 0:23:48 | |
You're not crying cos you've got through, | 0:23:48 | 0:23:49 | |
and you've got to go through it all again. It'd be, "Oh, man!" | 0:23:49 | 0:23:52 | |
Go on. | 0:23:52 | 0:23:53 | |
Tap while you go off. Tap while you go off. Go on! | 0:23:55 | 0:23:58 | |
-Yeah! -Can't find the rhythm. | 0:23:58 | 0:24:00 | |
Cheers, buddy! | 0:24:01 | 0:24:03 | |
With only one ticket left to the finals, | 0:24:03 | 0:24:06 | |
Charlie and Yasmin are the last to find out | 0:24:06 | 0:24:08 | |
if they are going through or going home. | 0:24:08 | 0:24:11 | |
-Hey, Charlie, how are you feeling? -Nervous as anything. -Yeah. | 0:24:11 | 0:24:16 | |
-My heart is pounding right now. -Is it? | 0:24:16 | 0:24:19 | |
It has been absolutely brilliant watching you | 0:24:19 | 0:24:22 | |
throughout this competition. | 0:24:22 | 0:24:23 | |
What we're looking for is an all-rounder. | 0:24:23 | 0:24:26 | |
When we first saw you at Regionals, you did blow us away. | 0:24:26 | 0:24:29 | |
However, you know, we did start to see some of your weaknesses | 0:24:29 | 0:24:34 | |
as the challenges got bigger and bigger and bigger. | 0:24:34 | 0:24:37 | |
We've had only a few boys on the show, | 0:24:37 | 0:24:39 | |
and you're one of them that stood out really, really well | 0:24:39 | 0:24:42 | |
and you've just got great potential. | 0:24:42 | 0:24:45 | |
-Are you OK, lovely? -I'm just a bit overwhelmed. | 0:24:45 | 0:24:47 | |
Yeah, it's a lot to take in, isn't it? | 0:24:47 | 0:24:49 | |
I'm so nervous. | 0:24:49 | 0:24:50 | |
But you know what? I think those tears represent you, | 0:24:52 | 0:24:56 | |
-and that is the passion and the love that you have for dance. -Yeah. | 0:24:56 | 0:25:00 | |
I feel that, | 0:25:00 | 0:25:01 | |
to have more technical ability might give you that upper edge | 0:25:01 | 0:25:05 | |
and just having that strength in your movement and your extension. | 0:25:05 | 0:25:09 | |
I think your technical ability is absolutely flawless. | 0:25:09 | 0:25:12 | |
That last dance, we wanted you to really give it everything, | 0:25:12 | 0:25:15 | |
and we felt that it didn't quite live up | 0:25:15 | 0:25:17 | |
to your Regionals performance. | 0:25:17 | 0:25:20 | |
We do have one spot left in the finals, | 0:25:20 | 0:25:23 | |
and it has taken serious deliberation | 0:25:23 | 0:25:25 | |
to make that final decision. | 0:25:25 | 0:25:27 | |
And it would be a shame to not have you in the finals. | 0:25:28 | 0:25:32 | |
So, Yasmin, | 0:25:32 | 0:25:34 | |
come get your ticket, darling. | 0:25:34 | 0:25:35 | |
You're going through to finals. | 0:25:35 | 0:25:37 | |
-Well done. -Well done. -Well done. | 0:25:40 | 0:25:41 | |
Charlie, thank you so much for all your hard work. | 0:25:44 | 0:25:48 | |
Unfortunately, you will not be going through to the finals. | 0:25:48 | 0:25:51 | |
-Thank you. -Thank you. | 0:25:51 | 0:25:53 | |
Thank you, Charlie. | 0:25:53 | 0:25:55 | |
Unfortunately, Charlie's journey has come to an end. | 0:25:55 | 0:25:58 | |
I'm such a mess! | 0:25:58 | 0:26:00 | |
Mate, you're a mess?! We are, watching that. | 0:26:00 | 0:26:02 | |
Honestly, you've nearly had US going, there! | 0:26:02 | 0:26:05 | |
The line-up for our studio finals is complete. | 0:26:05 | 0:26:08 | |
They're happy faces coming in. | 0:26:09 | 0:26:12 | |
Well done, you guys. You are our final six. | 0:26:13 | 0:26:16 | |
CHEERING | 0:26:16 | 0:26:19 | |
Thank you so much for working so hard. | 0:26:20 | 0:26:23 | |
It's been brilliant watching all of you | 0:26:23 | 0:26:25 | |
just offer so much amazing talent. | 0:26:25 | 0:26:27 | |
We couldn't be happier to have you through to our finals. | 0:26:27 | 0:26:31 | |
We really want you to take the points that's been given to you | 0:26:31 | 0:26:33 | |
on board, | 0:26:33 | 0:26:35 | |
so that you can think about what you're going to do at the finals, | 0:26:35 | 0:26:37 | |
how you're going to take yourself to the next level. | 0:26:37 | 0:26:40 | |
And remember, you got a golden ticket. | 0:26:40 | 0:26:43 | |
You are through to finals. | 0:26:43 | 0:26:45 | |
That is proof that you're amazing, | 0:26:45 | 0:26:47 | |
so believe in yourselves and go celebrate, | 0:26:47 | 0:26:50 | |
cos you are through to finals, | 0:26:50 | 0:26:52 | |
and we cannot wait to see what's in store. | 0:26:52 | 0:26:54 | |
Yeah! | 0:26:54 | 0:26:56 | |
Go celebrate! | 0:26:56 | 0:26:58 | |
So, we have our six finalists. | 0:26:58 | 0:27:00 | |
Soon, our top six will have to refocus on the finals, | 0:27:24 | 0:27:28 | |
when the hard work will really begin. | 0:27:28 | 0:27:30 | |
But for now, there's time to celebrate with their parents. | 0:27:30 | 0:27:33 | |
-Yay! -Finals. | 0:27:33 | 0:27:34 | |
On to the finals! | 0:27:34 | 0:27:37 | |
Next time... | 0:27:37 | 0:27:38 | |
Hello and welcome to the semifinal of Taking The Next Step. | 0:27:38 | 0:27:41 | |
Our amazing expert panel | 0:27:41 | 0:27:43 | |
will be joined by a very special guest judge - | 0:27:43 | 0:27:46 | |
Brittany Raymond from The Next Step. | 0:27:46 | 0:27:48 | |
And our six semifinalists will give it their all | 0:27:48 | 0:27:51 | |
in front of a live studio audience, | 0:27:51 | 0:27:54 | |
but who will make it to the final? | 0:27:54 | 0:27:56 | |
The first dancer going through to the final is... | 0:27:56 | 0:28:01 | |
Don't miss it! | 0:28:01 | 0:28:02 |