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The winner of Taking The Next Step is... | 0:00:02 | 0:00:04 | |
Over 2,300 dancers applied, | 0:00:04 | 0:00:08 | |
and after weeks of auditions | 0:00:08 | 0:00:09 | |
across the length and breadth of the country... | 0:00:09 | 0:00:12 | |
-Yes. -Jonny? -Yes. -Yes. | 0:00:12 | 0:00:16 | |
..three finalists performed in front of the Taking The Next Step judges | 0:00:16 | 0:00:19 | |
for the last time, | 0:00:19 | 0:00:21 | |
for the chance to win the opportunity of a lifetime - | 0:00:21 | 0:00:25 | |
a guest role on the smash hit Canadian TV show The Next Step. | 0:00:25 | 0:00:30 | |
But there could only be one winner. | 0:00:30 | 0:00:32 | |
Harrison! | 0:00:32 | 0:00:33 | |
CHEERING | 0:00:33 | 0:00:35 | |
This is Taking The Next Step: The Winner's Story. | 0:00:35 | 0:00:38 | |
You are going to be on The Next Step! Yes! | 0:00:47 | 0:00:52 | |
Hold it in the air, mate. Hold it in the air! | 0:00:52 | 0:00:55 | |
Three weeks after Harrison was crowned | 0:00:55 | 0:00:57 | |
Taking The Next Step champion, | 0:00:57 | 0:01:00 | |
we're off to Toronto, Canada. | 0:01:00 | 0:01:02 | |
MUSIC: Best Day by Lost & Found Music Studios | 0:01:05 | 0:01:10 | |
I'm in Toronto, Canada! Woo! | 0:01:10 | 0:01:12 | |
Harrison, we've made it to Toronto. We're officially... | 0:01:19 | 0:01:22 | |
-I like that we've found a beach and some deck chairs. -Yeah. | 0:01:22 | 0:01:24 | |
-This is great, isn't it? -Yeah. -So let's cast our minds back. | 0:01:24 | 0:01:27 | |
How does it feel, for a start, to be here? | 0:01:27 | 0:01:29 | |
Can you believe that you've made it? You're the winner. | 0:01:29 | 0:01:32 | |
Like, it... I don't feel like I'm the winner. | 0:01:32 | 0:01:34 | |
It just still hasn't near sunk in that I've won Taking The Next Step, | 0:01:34 | 0:01:37 | |
and that I'm going to be on The Next Step and I'm in Canada. | 0:01:37 | 0:01:39 | |
Like, it just hasn't sunk in. | 0:01:39 | 0:01:41 | |
But it's amazing here. | 0:01:44 | 0:01:45 | |
Well, speaking of which, it IS amazing here. | 0:01:45 | 0:01:47 | |
And I think, rather than sit on the beach all day, | 0:01:47 | 0:01:49 | |
-we should go have a look at the city. -Yeah. | 0:01:49 | 0:01:50 | |
-Are you up for it? -Yeah. -Come on, buddy. | 0:01:50 | 0:01:53 | |
First stop, the Science Centre. | 0:01:53 | 0:01:55 | |
We couldn't come all the way to Toronto | 0:01:55 | 0:01:57 | |
without a tour of the sights. | 0:01:57 | 0:01:59 | |
-Look up there! -It's massive. -It IS massive. | 0:01:59 | 0:02:02 | |
And that, my friend, is the CN Tower. | 0:02:02 | 0:02:04 | |
-Do you want to go to the top? -Yeah, I do. -Shall we do it? | 0:02:04 | 0:02:06 | |
Yeah. Come on, let's go. It's going to be amazing! | 0:02:06 | 0:02:09 | |
-Look at that view. I know. -Isn't that stunning? -It's so cool. | 0:02:09 | 0:02:12 | |
-Whoa! -Wow! -OK! | 0:02:14 | 0:02:18 | |
That is a long way down. I feel a bit sick. | 0:02:18 | 0:02:20 | |
Go, Harrison. | 0:02:20 | 0:02:21 | |
Yeah! | 0:02:23 | 0:02:25 | |
-It's quite hard on a glass floor, isn't it? -Yeah. | 0:02:25 | 0:02:28 | |
So Harrison, the cool thing about sitting here is, | 0:02:31 | 0:02:34 | |
if we look out the window, | 0:02:34 | 0:02:35 | |
-see the road where it kind of curves around to the left up there? -Yeah. | 0:02:35 | 0:02:39 | |
-That is The Next Step studio. -Wow! | 0:02:39 | 0:02:41 | |
That's where you're going to be this time tomorrow, filming. | 0:02:41 | 0:02:44 | |
How does that make you feel? | 0:02:44 | 0:02:45 | |
Like, it makes me feel a bit nervous, but, you know, excited | 0:02:45 | 0:02:48 | |
because I just can't wait to meet the cast. | 0:02:48 | 0:02:50 | |
Be honest. Are you going to play it cool? I'm worried you're not. | 0:02:50 | 0:02:53 | |
I think I'll try to play it cool, but it just won't look cool. | 0:02:53 | 0:02:56 | |
I'm not going to play it cool. | 0:02:56 | 0:02:58 | |
And after a whizz around the zoo, it was time to turn our thoughts | 0:03:04 | 0:03:08 | |
to tomorrow. | 0:03:08 | 0:03:09 | |
-I don't know about you, but I am exhausted. -Yeah, I am too. | 0:03:09 | 0:03:13 | |
-Have you enjoyed seeing Toronto? -Yeah, it's been absolutely amazing. | 0:03:13 | 0:03:16 | |
I think we're going to be very tired tonight, | 0:03:16 | 0:03:18 | |
but tomorrow is the big day. | 0:03:18 | 0:03:20 | |
How are you feeling about it? | 0:03:20 | 0:03:21 | |
At the start of today, I was feeling very nervous, | 0:03:21 | 0:03:23 | |
cos I was thinking about it a lot. | 0:03:23 | 0:03:24 | |
But as the day's gone on, I just can't wait to get there. | 0:03:24 | 0:03:27 | |
Well, listen, I'm excited for you too. | 0:03:27 | 0:03:28 | |
-Get a good night's rest, OK? -Yeah. | 0:03:28 | 0:03:30 | |
-Because tomorrow is A-Troupe time, yeah? -Yeah. | 0:03:30 | 0:03:33 | |
Mate, you're going to be awesome. I'll be there as well, don't worry. | 0:03:33 | 0:03:37 | |
So after a long day spent exploring Toronto, we're off to bed. | 0:03:37 | 0:03:41 | |
Tomorrow, Harrison will set foot in The Next Step studios | 0:03:41 | 0:03:44 | |
for the first time. | 0:03:44 | 0:03:45 | |
But before all that, | 0:03:48 | 0:03:49 | |
let's remind ourselves of his incredible journey to this point. | 0:03:49 | 0:03:54 | |
Harrison, we've had an influx of crazy talent, but let me tell you, | 0:03:54 | 0:03:57 | |
-you just brought it for the boys... -Thank you! | 0:03:57 | 0:03:59 | |
..in the contemporary, and it's really beautiful to see. | 0:03:59 | 0:04:02 | |
Thanks! | 0:04:02 | 0:04:04 | |
That was absolutely brilliant. Flawless, definitely. | 0:04:04 | 0:04:07 | |
Just come get your ticket. | 0:04:07 | 0:04:10 | |
-You're going to Nationals. -You're going to Nationals, mate. | 0:04:10 | 0:04:13 | |
We're only able to take 30 performers | 0:04:13 | 0:04:15 | |
through to the next challenge. | 0:04:15 | 0:04:17 | |
And those 30 are all of you. | 0:04:17 | 0:04:20 | |
Do you feel like you've done enough? | 0:04:23 | 0:04:25 | |
When I dance, I just feel like... I'm kind of just in the moment, | 0:04:25 | 0:04:30 | |
so I just don't know how I've done | 0:04:30 | 0:04:31 | |
but I just hope I've done enough to get through. | 0:04:31 | 0:04:34 | |
The group choreography challenge was asking a lot from you guys. | 0:04:34 | 0:04:39 | |
You absolutely smashed it. | 0:04:39 | 0:04:41 | |
Group 1, congratulations, you're all through. | 0:04:41 | 0:04:44 | |
Studio A. And there's A-Troupe. | 0:04:46 | 0:04:49 | |
Do you want to be part of A-Troupe? | 0:04:49 | 0:04:51 | |
-OK, I think I know what I have to do. -Yeah? | 0:04:51 | 0:04:54 | |
Congratulations to you guys, you're our top ten! | 0:04:54 | 0:04:58 | |
I just don't feel anything when I dance, like, | 0:05:04 | 0:05:06 | |
I'm just in the moment, really, so fingers crossed it went good. | 0:05:06 | 0:05:10 | |
Harrison, we would absolutely love to have you in the final. | 0:05:10 | 0:05:16 | |
-It's about to go up another level. -Yep. | 0:05:16 | 0:05:19 | |
-Big studio, big audience. -Yeah. -It's going to be huge. -Yeah. | 0:05:19 | 0:05:22 | |
-Are you ready for it? -Yeah, I'm ready for it. | 0:05:22 | 0:05:24 | |
The third and final dancer going through is... | 0:05:35 | 0:05:39 | |
..Harrison! | 0:05:39 | 0:05:40 | |
CHEERING | 0:05:40 | 0:05:41 | |
Hoping to convince the judges that he should be on The Next Step, | 0:05:47 | 0:05:51 | |
it's Harrison. | 0:05:51 | 0:05:52 | |
The winner of Taking The Next Step 2017 is... | 0:05:55 | 0:06:01 | |
..Harrison! | 0:06:05 | 0:06:06 | |
CHEERING | 0:06:06 | 0:06:09 | |
What an epic journey it's been. | 0:06:09 | 0:06:11 | |
Back in Toronto, it's a rainy, early start, | 0:06:11 | 0:06:14 | |
but nothing is going to dampen our spirits as Harrison and his mum | 0:06:14 | 0:06:17 | |
have finally arrived at studio. | 0:06:17 | 0:06:19 | |
-After you guys. -Thank you. -Look at your smile! | 0:06:19 | 0:06:23 | |
And first up, a backstage tour. | 0:06:26 | 0:06:29 | |
You're breathing very deeply. Are you excited? | 0:06:29 | 0:06:31 | |
-Yeah, I'm really excited. -OK, so here we go. | 0:06:31 | 0:06:33 | |
-It's a little bit dark. -Yeah. | 0:06:33 | 0:06:35 | |
We are officially behind the scenes here. | 0:06:35 | 0:06:38 | |
Looking to your left... | 0:06:38 | 0:06:40 | |
-Whoa, is that the lockers...? -Yeah! -That's changed. | 0:06:40 | 0:06:44 | |
-Isn't it cool? -Yeah, that's amazing. | 0:06:44 | 0:06:46 | |
It's incredible, isn't it? Is it smaller or bigger than you thought? | 0:06:46 | 0:06:49 | |
-Bigger. -Yeah, it's huge in here, so I think we should keep going. | 0:06:49 | 0:06:53 | |
-Would you like to hang out in the new juice bar? -Yeah. | 0:06:53 | 0:06:55 | |
-It's called Shakes And Ladders. This is what it looks like. -Wow! | 0:06:55 | 0:07:00 | |
Oh, that's cool! This is amazing. | 0:07:00 | 0:07:03 | |
-It's awesome, isn't it? -Yeah! -Harrison, come in here. | 0:07:03 | 0:07:06 | |
-Do you think this is real? -Erm, I don't know. | 0:07:06 | 0:07:08 | |
Can we take some food? | 0:07:08 | 0:07:10 | |
No, wait, hang on. That is rock solid. | 0:07:10 | 0:07:12 | |
-Rock hard. -Let's not. A cookie for the road? -Yeah. | 0:07:12 | 0:07:16 | |
Go on. Take a bit of the set home. | 0:07:16 | 0:07:19 | |
A new bit of set round this corner. Check this out. | 0:07:19 | 0:07:23 | |
-This is cool. It's changed a lot, the office. -It has... -Yeah. | 0:07:23 | 0:07:27 | |
..which means people at home won't have seen this yet. | 0:07:27 | 0:07:29 | |
-Everything's just new for me. -Yeah, it's all new for everyone. | 0:07:29 | 0:07:32 | |
-Take it in. This is a proper exclusive, Harrison. -Yeah. | 0:07:32 | 0:07:34 | |
Oh, yeah. What's over here? | 0:07:34 | 0:07:37 | |
-This is, like, the... -"Isaac wuz here"! | 0:07:37 | 0:07:40 | |
-Oh, Isaac. -Isaac plays Eldon. | 0:07:40 | 0:07:42 | |
Eldon's one of my favourite characters. | 0:07:42 | 0:07:44 | |
He's written that there. Are we allowed to sign in the book? | 0:07:44 | 0:07:46 | |
Just sign. Just put your name in. | 0:07:46 | 0:07:48 | |
"Harrison was here." | 0:07:49 | 0:07:50 | |
Very neat writing, Harrison. | 0:07:52 | 0:07:55 | |
Done. You are officially part of the set. | 0:07:55 | 0:07:57 | |
I don't know if that is allowed, but we did it. | 0:07:57 | 0:07:59 | |
-OK, come through here. Check this out. -Wow. | 0:07:59 | 0:08:02 | |
This is a brand-new studio, | 0:08:02 | 0:08:04 | |
so no-one at home who loves The Next Step | 0:08:04 | 0:08:05 | |
-has ever seen this before. -Yeah. | 0:08:05 | 0:08:07 | |
-The floor's a bit springy. -It IS springy. | 0:08:07 | 0:08:10 | |
-It's like a springy dance floor. -It IS a springy dance floor! | 0:08:10 | 0:08:12 | |
-I've never been on one of these before. -Really? -No. | 0:08:12 | 0:08:15 | |
Not even in the auditions or anything, | 0:08:15 | 0:08:16 | |
-you've never been on one of these dance floors? -No. | 0:08:16 | 0:08:18 | |
Well, you've got to try it out, then. Come on. Oh, he's off. | 0:08:18 | 0:08:21 | |
I'll let you do your thing, Harrison. | 0:08:21 | 0:08:23 | |
It gets you, like, so much height. | 0:08:29 | 0:08:31 | |
Yeah! Does it feel good? | 0:08:31 | 0:08:33 | |
-Yeah, it feels really good. -It's amazing, isn't it? -Yeah. | 0:08:33 | 0:08:36 | |
So much better for backflips, I find as well, when I'm doing them(!) | 0:08:36 | 0:08:39 | |
-Yeah. -Yeah. It's so great. | 0:08:39 | 0:08:40 | |
Come on, let's carry on. | 0:08:40 | 0:08:42 | |
-Don't tell anyone you saw this, by the way. -No, I won't. | 0:08:42 | 0:08:44 | |
Exciting to get a sneak peak at all the new spaces, | 0:08:44 | 0:08:47 | |
but I'm not finished yet. | 0:08:47 | 0:08:48 | |
I've got another surprise up my sleeve for Harrison. | 0:08:48 | 0:08:52 | |
Quiet, but come through this way. | 0:08:52 | 0:08:54 | |
-Do you know what's just behind this door? -Yeah. | 0:08:54 | 0:08:56 | |
-Shall I open it? -Yeah. -OK, three, two, one... | 0:08:56 | 0:09:00 | |
After you. | 0:09:00 | 0:09:02 | |
-Oh. -Hi! | 0:09:02 | 0:09:04 | |
-Hi! -Welcome to Studio A! -It's Studio A! | 0:09:04 | 0:09:07 | |
Welcome to The Next Step. | 0:09:07 | 0:09:09 | |
-How are you? -Good, thank you. -It's so good to finally meet you. | 0:09:09 | 0:09:12 | |
-You too. -I've heard so much about you. | 0:09:12 | 0:09:14 | |
-Well, I guess, welcome to Studio A. -Yeah. -Welcome to The Next Step. | 0:09:14 | 0:09:17 | |
-I mean, you've seen this on TV, right? -Yeah, a lot of times. | 0:09:17 | 0:09:20 | |
-But now, you actually get to see it in person. -I know. | 0:09:20 | 0:09:22 | |
-Pretty surreal, right? -Yeah. | 0:09:22 | 0:09:25 | |
Who better to finish the tour than Briar herself? | 0:09:25 | 0:09:28 | |
Well, let me bring you into the office of the studio heads. | 0:09:28 | 0:09:31 | |
It's all, like... If you feel it, it's crazy, | 0:09:31 | 0:09:33 | |
-cos it looks so real on camera... -Oh, yeah. -..and it's just all built. | 0:09:33 | 0:09:37 | |
I mean, this is changed for this season, | 0:09:37 | 0:09:39 | |
-but it kind of looks cool, eh? -Yeah, really cool. | 0:09:39 | 0:09:41 | |
-This desk is usually always in here. -Yeah. | 0:09:41 | 0:09:42 | |
-So, when they film... -It's more colourful. | 0:09:42 | 0:09:44 | |
It is. They have some colourful stuff. | 0:09:44 | 0:09:46 | |
Studio A has seen some amazing performances over the years, | 0:09:48 | 0:09:52 | |
and soon it will be Harrison's turn to take to the dance floor. | 0:09:52 | 0:09:56 | |
So, Harrison, as if your time here could get any better, come this way. | 0:09:56 | 0:09:59 | |
I've got a very special friend for you to meet. | 0:09:59 | 0:10:01 | |
This is Amy, head choreographer and producer of The Next Step. | 0:10:01 | 0:10:05 | |
-How are you? -Good, thank you. -I'm Amy. | 0:10:05 | 0:10:07 | |
And you've actually seen Harrison dancing before? | 0:10:07 | 0:10:09 | |
-I have. -In video form. | 0:10:09 | 0:10:11 | |
Yes, they shared with me your final solo, | 0:10:11 | 0:10:13 | |
-and it was really exciting to watch... -Thank you. | 0:10:13 | 0:10:16 | |
-..so I think they picked a fantastic winner. -Thank you! | 0:10:16 | 0:10:19 | |
Listen, I'm going to leave you guys to it, | 0:10:19 | 0:10:20 | |
cos you've got a lot of work to get done, OK? | 0:10:20 | 0:10:22 | |
So have fun and good luck. | 0:10:22 | 0:10:23 | |
I don't think he's going to stop smiling ever. | 0:10:23 | 0:10:25 | |
I know, He hasn't... It's good, it's good. It's exciting. | 0:10:25 | 0:10:28 | |
Enjoy it. Have fun. | 0:10:28 | 0:10:29 | |
Amy has been studying Harrison's dance style, | 0:10:31 | 0:10:33 | |
and together, they will choreograph his routine for The Next Step. | 0:10:33 | 0:10:37 | |
-So, what we always start with is the script. -Yeah. -Here you go. | 0:10:37 | 0:10:42 | |
Episode 619. | 0:10:42 | 0:10:44 | |
-What number are you? -Number 26. -Number 26. | 0:10:44 | 0:10:48 | |
Harrison is going to play the role of Oliver, who is Chloe's assistant. | 0:10:48 | 0:10:52 | |
-You get to be in a scene with Chloe. -Yeah. | 0:10:52 | 0:10:55 | |
Her real name's Jennie Pappas, and she's absolutely lovely. | 0:10:55 | 0:10:57 | |
She's so excited to meet you. | 0:10:57 | 0:10:59 | |
Basically, you find Studio A empty, | 0:10:59 | 0:11:03 | |
-so you seize the moment... -Yeah. -..to steal the dance floor. -Yeah. | 0:11:03 | 0:11:05 | |
-So it's your own private, joyful moment. -Yeah. | 0:11:05 | 0:11:09 | |
-And we'll just bring it to the floor. -Yeah. -OK, let's go. | 0:11:09 | 0:11:12 | |
So what we usually do is figure out where you want to start. | 0:11:12 | 0:11:15 | |
One, you could start at the centre, and we have a couple of options... | 0:11:15 | 0:11:18 | |
-Yeah. -So if you want... I think it's kind of cool, | 0:11:18 | 0:11:22 | |
because you're taking this moment in Studio A, | 0:11:22 | 0:11:24 | |
so you could come in and look around. | 0:11:24 | 0:11:27 | |
We could even, if you want to, come over here and be like "Whee!" | 0:11:27 | 0:11:31 | |
Having won Taking The Next Step, | 0:11:31 | 0:11:33 | |
Harrison is used to a last-minute challenge, | 0:11:33 | 0:11:36 | |
but with only a few hours to practise in Studio A with Amy, | 0:11:36 | 0:11:39 | |
the pressure is really on to create this entire performance | 0:11:39 | 0:11:43 | |
from scratch. | 0:11:43 | 0:11:44 | |
Do you know what? He's doing so well. | 0:11:44 | 0:11:46 | |
He's taken to this so naturally, and they're really getting on as a team. | 0:11:46 | 0:11:49 | |
Watching them build this dance is making me really proud. | 0:11:49 | 0:11:52 | |
Yeah, let me come at... I'm trying to come behind... | 0:11:53 | 0:11:55 | |
OK, five, six, seven, eight... | 0:11:55 | 0:11:57 | |
Ska, ska, ha! Yeah. | 0:11:57 | 0:12:00 | |
Ra-dio. Yeah. | 0:12:00 | 0:12:03 | |
Word is out that Harrison is in Studio A, | 0:12:03 | 0:12:06 | |
and a few of the cast have come along to see how he's getting on. | 0:12:06 | 0:12:09 | |
Alex, you've just been in there, | 0:12:09 | 0:12:10 | |
-and you've actually seen Harrison dance. -Yes, for the first time. | 0:12:10 | 0:12:13 | |
-How's he getting on? -He's doing really well. | 0:12:13 | 0:12:15 | |
It's such a weird thing with dancers, I think, | 0:12:15 | 0:12:17 | |
-when they first step into Studio A. It can really shock them. -Yeah. | 0:12:17 | 0:12:20 | |
It's bigger than you expect. But he's doing a really good job. | 0:12:20 | 0:12:23 | |
-This is Harrison. -Nice to meet you! -You too. | 0:12:23 | 0:12:27 | |
-Harrison, Isaiah/Henry. -Yeah, Henry. | 0:12:27 | 0:12:29 | |
-Taking The Next Step? -Yeah. -Awesome! -Winner. | 0:12:29 | 0:12:31 | |
-Congratulations. -Thank you. -You must be really good. | 0:12:31 | 0:12:35 | |
A-Troupe material, I assume. | 0:12:35 | 0:12:36 | |
-Can you freestyle? -Check it! | 0:12:36 | 0:12:38 | |
Isaiah plays Henry, | 0:12:38 | 0:12:39 | |
who is one of the best break dancers on A-Troupe, | 0:12:39 | 0:12:42 | |
and he's agreed to teach Harrison one of his signature moves. | 0:12:42 | 0:12:46 | |
Put your weight on your left hand like this. | 0:12:46 | 0:12:48 | |
You're going to kick your bottom leg out, | 0:12:48 | 0:12:49 | |
and you're going to put this leg over it. | 0:12:49 | 0:12:51 | |
So, you're doing this with your feet in the air. | 0:12:51 | 0:12:53 | |
Yeah, exactly. Now, when you kick, it's going to go up like this. | 0:12:53 | 0:12:57 | |
So... | 0:12:57 | 0:12:58 | |
Do that again. Let me see what that looks like. | 0:12:58 | 0:13:01 | |
I'll try and do it slowly. | 0:13:01 | 0:13:06 | |
Close, close. | 0:13:06 | 0:13:08 | |
You kind of want to hook that leg on top of it. | 0:13:08 | 0:13:10 | |
-So...? -Yeah. | 0:13:10 | 0:13:11 | |
So, you're putting... It's kind of like... | 0:13:11 | 0:13:13 | |
Hey, there we go! Now stick it. Stick that freeze. | 0:13:13 | 0:13:17 | |
Boom! Woo! That's what's up. Sweet. | 0:13:17 | 0:13:21 | |
Harrison is having a great time rehearsing in Studio A. | 0:13:21 | 0:13:26 | |
Woohoo! | 0:13:26 | 0:13:28 | |
But there is plenty more still to be done | 0:13:28 | 0:13:30 | |
before he's ready to make his debut on The Next Step. | 0:13:30 | 0:13:33 | |
Five, six, seven and pose! | 0:13:33 | 0:13:35 | |
Oh, sweet! You've milked that. | 0:13:35 | 0:13:37 | |
That was amazing! I've just been watching your rehearsal. | 0:13:37 | 0:13:40 | |
-That was incredible. -Thank you. | 0:13:40 | 0:13:42 | |
-How have you guys been getting on, OK? -Good, yeah, yeah. | 0:13:42 | 0:13:45 | |
-He's done a great job. -What's he like to work with? | 0:13:45 | 0:13:48 | |
Trouble. I'm just kidding, I'm just kidding. | 0:13:48 | 0:13:50 | |
He's amazing. We also - I don't know if you caught - | 0:13:50 | 0:13:52 | |
we threw in a little...James moves. | 0:13:52 | 0:13:54 | |
-OK. James reference. -Moves for Trevor. | 0:13:54 | 0:13:57 | |
-Yep, and some Eldon. -Yeah. | 0:13:57 | 0:13:59 | |
-Some of your favourites. -Yeah. -Listen, that was incredible. | 0:13:59 | 0:14:02 | |
-Can you teach me the moves? -Yeah! | 0:14:02 | 0:14:03 | |
No, I'm joking. I could never do that. | 0:14:03 | 0:14:05 | |
All right. Let's get water. | 0:14:05 | 0:14:08 | |
A lot of practice before tomorrow. | 0:14:08 | 0:14:09 | |
-Yeah. -You're on camera. -Yeah. | 0:14:09 | 0:14:11 | |
Three cameras will cover it. | 0:14:11 | 0:14:13 | |
And it lasts for ever. | 0:14:13 | 0:14:15 | |
-Yeah. -Yeah. -Yes! -OK, break a leg. | 0:14:15 | 0:14:17 | |
-Thank you. -Well done, well done, buddy. | 0:14:17 | 0:14:19 | |
Give me a hug. Ah, so good. | 0:14:19 | 0:14:21 | |
-All right, cool. -Thank you. | 0:14:21 | 0:14:22 | |
See you. Thanks, Harrison. | 0:14:22 | 0:14:24 | |
Harrison's character Oliver will need to act as well as dance, | 0:14:24 | 0:14:27 | |
so it's time for a behind-the-scenes look at an actual scene being shot. | 0:14:27 | 0:14:33 | |
-How cool's that? -I know! Yeah. -This is access all areas. | 0:14:33 | 0:14:36 | |
-Yeah. -And, action. | 0:14:36 | 0:14:38 | |
Seriously? | 0:14:40 | 0:14:42 | |
-Can you hear it? -Yeah. | 0:14:44 | 0:14:46 | |
The producers of The Next Step are on hand to give Harrison a bit more | 0:14:47 | 0:14:50 | |
information about his character, Oliver. | 0:14:50 | 0:14:53 | |
-Hey, Harrison. -Hi. | 0:14:53 | 0:14:54 | |
-I'm Rachel. -Hi. | 0:14:54 | 0:14:56 | |
-Nice to meet you. -You too. | 0:14:56 | 0:14:57 | |
I'm one of the executive producers on the show. | 0:14:57 | 0:15:00 | |
So, I will be behind the camera and helping to direct | 0:15:00 | 0:15:03 | |
-kind of what you do tomorrow. -Yeah. | 0:15:03 | 0:15:05 | |
-Yeah. So, are you excited? -Yeah, I'm really excited. | 0:15:05 | 0:15:08 | |
Oh, good, good. So, do you have any questions? | 0:15:08 | 0:15:10 | |
Is there anything I can help you out with? | 0:15:10 | 0:15:12 | |
So, what's my character's personality like? | 0:15:12 | 0:15:15 | |
We kind of imagined Oliver as an eager, happy-go-lucky guy. | 0:15:15 | 0:15:20 | |
You look up to Chloe. | 0:15:20 | 0:15:22 | |
Always a go-getter. Really loves Chloe, | 0:15:22 | 0:15:24 | |
looks up to Chloe, wants to help any way you can. | 0:15:24 | 0:15:27 | |
So, you're going to be her assistant. | 0:15:27 | 0:15:29 | |
-Yeah. -What does he need to do tonight? | 0:15:29 | 0:15:31 | |
Do these lines that he does - | 0:15:31 | 0:15:32 | |
do they need to be in his head? | 0:15:32 | 0:15:34 | |
Not necessarily the lines, but know your story and know your character. | 0:15:34 | 0:15:38 | |
-Yeah. -So that when we get on set, it doesn't matter what you say, | 0:15:38 | 0:15:41 | |
cos you'll know the story, so you'll just know what you need to say to | 0:15:41 | 0:15:44 | |
-make that story come to life. -Can't wait for it. | 0:15:44 | 0:15:46 | |
-Are you excited? -I'm really excited. | 0:15:46 | 0:15:47 | |
-Aw, we're so happy to have you. -Thank you. | 0:15:47 | 0:15:49 | |
-Thank you. -Yeah, you're doing great. | 0:15:49 | 0:15:51 | |
And, like every character in The Next Step, | 0:15:51 | 0:15:53 | |
Harrison needs a costume to make Oliver come to life. | 0:15:53 | 0:15:56 | |
Ooh. | 0:15:58 | 0:15:59 | |
-Very posh. -That looks great. | 0:15:59 | 0:16:01 | |
-Very smart. -Looks very nice. -I'm into this one. | 0:16:01 | 0:16:03 | |
This is great. Do you like it? | 0:16:03 | 0:16:04 | |
-Yeah. -OK. | 0:16:04 | 0:16:06 | |
Good. Just going to hem it a little bit, it's a bit long. | 0:16:06 | 0:16:10 | |
Very good, young man. | 0:16:10 | 0:16:11 | |
-You can get changed. -Yeah. | 0:16:11 | 0:16:13 | |
You're all done. Oliver's ready. | 0:16:13 | 0:16:14 | |
Yep. Oliver's ready. | 0:16:14 | 0:16:15 | |
Well done, buddy. | 0:16:15 | 0:16:17 | |
So, Harrison, end of day one on set. | 0:16:17 | 0:16:20 | |
-It's been awesome, hasn't it? -Yeah, it's been amazing. | 0:16:20 | 0:16:22 | |
And in terms of seeing everyone at work, and meeting them, | 0:16:22 | 0:16:25 | |
has that kind of inspired you for filming tomorrow? | 0:16:25 | 0:16:27 | |
Yeah, it's, like, really inspired me to see the way they just take on | 0:16:27 | 0:16:29 | |
every correction and just fix it straight away. | 0:16:29 | 0:16:32 | |
-Like, they're so professional. -How are you feeling about the dance? | 0:16:32 | 0:16:35 | |
Yeah, it's coming along really well. | 0:16:35 | 0:16:36 | |
I'm just so excited to film it. | 0:16:36 | 0:16:38 | |
Like, I'm going to work hard on it tonight, but obviously | 0:16:38 | 0:16:40 | |
I need to get a good night's sleep as well. | 0:16:40 | 0:16:42 | |
-You do. You just want to do it now, don't you? -Yeah. | 0:16:42 | 0:16:44 | |
-You're going to smash it. -Thank you. | 0:16:44 | 0:16:46 | |
So, it's finally the big day at The Next Step studios, | 0:16:50 | 0:16:53 | |
and I can only imagine how nervous Harrison's feeling right now. | 0:16:53 | 0:16:56 | |
I'm going to go check out how he's getting on. | 0:16:56 | 0:16:58 | |
Harrison. | 0:17:02 | 0:17:05 | |
Whoa! That's my favourite move you do, by the way. | 0:17:05 | 0:17:07 | |
Now, I know you're a bit nervous, | 0:17:07 | 0:17:09 | |
but luckily I've found someone who may be able to calm your nerves just | 0:17:09 | 0:17:12 | |
-a little bit. -Oh. -You might recognise her. | 0:17:12 | 0:17:15 | |
Oh, my God! | 0:17:15 | 0:17:16 | |
-Hi! -Hi! -I'm Alex. | 0:17:16 | 0:17:18 | |
-Hi, I'm Harrison. -So nice to meet you in person. -You too. | 0:17:18 | 0:17:21 | |
Alex has played Piper since series four of The Next Step, | 0:17:22 | 0:17:25 | |
so hopefully she'll be able to put Harrison's nerves at ease. | 0:17:25 | 0:17:29 | |
So, who are your scenes with? | 0:17:29 | 0:17:30 | |
I've got Noah and Chloe. | 0:17:30 | 0:17:34 | |
My first scene was with Noah and Rochelle. | 0:17:34 | 0:17:36 | |
I remember I was so nervous, I was walking back and forth. | 0:17:36 | 0:17:39 | |
But they were like, "Don't worry, Alex, it's all going to be OK." | 0:17:39 | 0:17:41 | |
So, you're going to love them. | 0:17:41 | 0:17:43 | |
They're so fun to work with. | 0:17:43 | 0:17:44 | |
I feel like this has been good. | 0:17:44 | 0:17:45 | |
I wasn't helping calm you down, but this has really helped. | 0:17:45 | 0:17:48 | |
Yeah, you just have to relax and just be in the moment. | 0:17:48 | 0:17:50 | |
Like, "Yes!" And you deserve to be here, too. | 0:17:50 | 0:17:52 | |
You have worked so hard. | 0:17:52 | 0:17:54 | |
With the crew all in position and the cameras ready to roll, | 0:17:55 | 0:17:58 | |
it's finally time for Harrison to do his dance. | 0:17:58 | 0:18:01 | |
I think you're dancing first. | 0:18:01 | 0:18:03 | |
-Oh, OK. -I think that's why you're in your warm-up stuff, | 0:18:03 | 0:18:05 | |
-and they're going to let you warm up and dance... -Oh. | 0:18:05 | 0:18:07 | |
..I think. | 0:18:07 | 0:18:08 | |
All right, Harrison, can you talk to me? Count for me? | 0:18:08 | 0:18:12 | |
-You can tell me what you had for breakfast. -One, two... | 0:18:12 | 0:18:15 | |
Time for one final sound check. | 0:18:15 | 0:18:17 | |
..four, five, six, seven, eight. | 0:18:17 | 0:18:20 | |
All right, you're good to go. | 0:18:20 | 0:18:22 | |
They'll do quite a few different passes, | 0:18:22 | 0:18:24 | |
-which means a few different goes at it. -OK. | 0:18:24 | 0:18:27 | |
And you're going to dance first, and then talk, OK? | 0:18:27 | 0:18:29 | |
-OK. -So, don't worry. | 0:18:29 | 0:18:31 | |
For now, just focus on the dance. | 0:18:31 | 0:18:32 | |
-I'll take your script. If you need it, I'll be right here. -OK. | 0:18:32 | 0:18:35 | |
All right, guys, so we've got a new cast member. Harrison came | 0:18:37 | 0:18:40 | |
-all the way from England for this. -Yay! | 0:18:40 | 0:18:42 | |
Woo! | 0:18:42 | 0:18:44 | |
You can carry these in with you, and we're going to have you | 0:18:44 | 0:18:47 | |
-put them on on camera, OK? -OK. -So, you just carry those | 0:18:47 | 0:18:49 | |
right in, and then we're going to figure that out, OK? | 0:18:49 | 0:18:51 | |
-So, this here is Jenny, playing Chloe. -Yeah. -Hi, nice to meet you. | 0:18:51 | 0:18:54 | |
-Congratulations. -You too. Thank you. -You're welcome. | 0:18:54 | 0:18:57 | |
So, we have other scenes we're going to shoot after this, | 0:18:57 | 0:18:59 | |
where you've already been here, everyone was working on | 0:18:59 | 0:19:02 | |
their ballet routine. | 0:19:02 | 0:19:03 | |
-Yeah. -And you've come back to get her purse, | 0:19:03 | 0:19:05 | |
but really have you come back for that, | 0:19:05 | 0:19:06 | |
or maybe you've come more for... | 0:19:06 | 0:19:08 | |
-Dance. -The dance. Right, of course. -Yeah. | 0:19:08 | 0:19:10 | |
He's doing so well. | 0:19:13 | 0:19:14 | |
He's been thrown in at the deep end, no rehearsals. | 0:19:14 | 0:19:17 | |
So he's just trying to warm up, and one of the cameraman just said, | 0:19:17 | 0:19:20 | |
"Good job, buddy," so that's good. | 0:19:20 | 0:19:22 | |
Ready? | 0:19:23 | 0:19:24 | |
-You can't go wrong. -Yeah, OK. -Yeah. | 0:19:24 | 0:19:26 | |
There's no wrong in this show, | 0:19:26 | 0:19:28 | |
cos we're all who we are. | 0:19:28 | 0:19:30 | |
# We are who we are... # | 0:19:30 | 0:19:32 | |
348, take one. | 0:19:34 | 0:19:36 | |
Months of hard work have led | 0:19:37 | 0:19:39 | |
Harrison to this point. | 0:19:39 | 0:19:41 | |
And, action. | 0:19:52 | 0:19:54 | |
# Hey | 0:20:00 | 0:20:02 | |
# Take a break | 0:20:02 | 0:20:04 | |
# You're so caught up, | 0:20:05 | 0:20:07 | |
# You're going to trip until you downfall, uh oh | 0:20:07 | 0:20:11 | |
# Hey | 0:20:11 | 0:20:13 | |
# Come out to play | 0:20:13 | 0:20:16 | |
# You worry so much about making it | 0:20:16 | 0:20:19 | |
# You're missing it all, uh oh | 0:20:19 | 0:20:23 | |
# If it's gonna be the best day of your life | 0:20:23 | 0:20:26 | |
# Gonna be, gonna be the best day | 0:20:26 | 0:20:28 | |
# But you better make it last all night | 0:20:28 | 0:20:32 | |
# Hey, yeah, don't you know | 0:20:34 | 0:20:36 | |
# Some day you're gonna hear us on the radio | 0:20:36 | 0:20:39 | |
# Hey, yeah, don't you know | 0:20:39 | 0:20:42 | |
# It happens so fast these days | 0:20:42 | 0:20:44 | |
# I've gotta take it slow | 0:20:44 | 0:20:46 | |
# Ooh, ooh, ooh... | 0:20:46 | 0:20:49 | |
# Like a star, the rise and the fall | 0:20:56 | 0:20:59 | |
# From so far, we are so small | 0:20:59 | 0:21:02 | |
# It's something that is against the wall | 0:21:02 | 0:21:04 | |
# Don't worry, don't worry at all. # | 0:21:04 | 0:21:09 | |
Oh, that was amazing! | 0:21:12 | 0:21:14 | |
-Thank you. -I knew you couldn't resist this studio. | 0:21:14 | 0:21:17 | |
-It just... It just has that magic, doesn't it? -Yeah. | 0:21:17 | 0:21:21 | |
Oh, THERE'S your bag. | 0:21:21 | 0:21:23 | |
Thank you. | 0:21:23 | 0:21:24 | |
Thank you. Well, what do you say we get to it? | 0:21:26 | 0:21:30 | |
-Yeah. -All right. | 0:21:30 | 0:21:31 | |
And, cut. | 0:21:39 | 0:21:41 | |
He did so well. | 0:21:41 | 0:21:42 | |
I want to cry. | 0:21:42 | 0:21:43 | |
I am. | 0:21:43 | 0:21:45 | |
A tear came down my... | 0:21:45 | 0:21:46 | |
..cheek. He's adorable. | 0:21:48 | 0:21:49 | |
He's just... The joy, the heart that he has, it just | 0:21:49 | 0:21:54 | |
-comes through in all of his dance. -Yeah. | 0:21:54 | 0:21:56 | |
Phew. That's the first take done and I can relax. | 0:21:56 | 0:21:59 | |
I wonder how Harrison feels. | 0:21:59 | 0:22:01 | |
-That was amazing. -Thank you. | 0:22:01 | 0:22:03 | |
-Do you feel good? -Yeah, really good. | 0:22:03 | 0:22:05 | |
-Yeah? -Thank you. -Smile more, though. | 0:22:05 | 0:22:06 | |
-Yeah. -Cos you always smile, | 0:22:06 | 0:22:08 | |
and I think cos you're nervous you're not smiling. | 0:22:08 | 0:22:10 | |
-It was incredible. -OK. | 0:22:10 | 0:22:11 | |
So good. Did you have fun? | 0:22:11 | 0:22:13 | |
Yeah, I had so much fun. | 0:22:13 | 0:22:14 | |
-Yeah? -Yeah. | 0:22:14 | 0:22:15 | |
You can take a deep breath now. | 0:22:17 | 0:22:18 | |
Harrison really nailed his first performance, | 0:22:20 | 0:22:22 | |
but there's no time to rest. | 0:22:22 | 0:22:24 | |
It's straight back into studio A for another take, and some of the cast | 0:22:24 | 0:22:28 | |
have come to watch. | 0:22:28 | 0:22:29 | |
# Hey, now, don't you know | 0:22:29 | 0:22:31 | |
# Some day you're gonna hear us on the radio | 0:22:31 | 0:22:33 | |
# Hey, yeah, don't you know | 0:22:33 | 0:22:37 | |
# It happens so fast | 0:22:37 | 0:22:38 | |
# These days, I got to take it slow. # | 0:22:38 | 0:22:41 | |
So, guys, how do you think Harrison's getting on? | 0:22:41 | 0:22:43 | |
Cos he was a little bit nervous when the day started. | 0:22:43 | 0:22:46 | |
I think he's doing really well. | 0:22:46 | 0:22:47 | |
I mean, it is, like, intimidating, obviously, | 0:22:47 | 0:22:49 | |
coming on to set the first time if you've never been here before, | 0:22:49 | 0:22:52 | |
but I watched him dance and he was so beautiful. | 0:22:52 | 0:22:55 | |
It's quite hard for Harrison, | 0:23:01 | 0:23:02 | |
cos he's a little bit starstruck, | 0:23:02 | 0:23:03 | |
cos he's a big fan of the show. | 0:23:03 | 0:23:05 | |
-Which is awesome. -Yeah. -We're so happy to have him here. | 0:23:05 | 0:23:07 | |
Seeing his journey throughout this competition, he has been incredible | 0:23:07 | 0:23:11 | |
from start to finish, so I felt a little bit of a wet eye when I was | 0:23:11 | 0:23:15 | |
-watching. -It's taken a lot to get here. | 0:23:15 | 0:23:17 | |
It's good, I'm really happy for him. | 0:23:17 | 0:23:18 | |
Do you think the right person won? BOTH: I think so. | 0:23:18 | 0:23:21 | |
I mean, amazing dancer, huge fan of the show, | 0:23:21 | 0:23:23 | |
what better person to be here with us today? | 0:23:23 | 0:23:25 | |
-Hi. -Hi. -I'm Victoria. | 0:23:25 | 0:23:27 | |
-Hi, I'm Harrison. -Good job. -Thank you. | 0:23:27 | 0:23:29 | |
-And congratulations. -Thank you. | 0:23:29 | 0:23:31 | |
Welcome to the show. | 0:23:31 | 0:23:33 | |
You were fantastic. | 0:23:33 | 0:23:34 | |
-Thank you. -It was so good. | 0:23:34 | 0:23:36 | |
So, Harrison, we're going to change you out in another outfit, | 0:23:36 | 0:23:38 | |
so you can head to the sound check to get your mic taken off and | 0:23:38 | 0:23:41 | |
-you'll put another outfit on and we'll put mic back on. -OK. | 0:23:41 | 0:23:44 | |
But the work doesn't stop there. | 0:23:44 | 0:23:46 | |
After a quick costume change, | 0:23:46 | 0:23:47 | |
Harrison is ready to share the screen | 0:23:47 | 0:23:49 | |
with his idols from The Next Step. | 0:23:49 | 0:23:52 | |
Is everything OK? | 0:23:52 | 0:23:53 | |
Oh, yeah, it's great, I was just thinking how far you've come since | 0:23:53 | 0:23:56 | |
you've been in J-Troupe, like, you're so fantastic. | 0:23:56 | 0:23:59 | |
-Are you serious? -Yeah. | 0:23:59 | 0:24:01 | |
She's serious. | 0:24:01 | 0:24:03 | |
Harrison, how's it going? | 0:24:03 | 0:24:04 | |
-You're doing so well. -It's going really good. | 0:24:04 | 0:24:06 | |
-I'm really enjoying it. -You seem to have chilled a bit, | 0:24:06 | 0:24:09 | |
cos at the start of the day your hand was like this. | 0:24:09 | 0:24:11 | |
I was really nervous, | 0:24:11 | 0:24:13 | |
like just to be here with the cast and actually to be on The Next Step, | 0:24:13 | 0:24:15 | |
but now it's like kind of sinking in a bit, and I'm getting used to it now. | 0:24:15 | 0:24:18 | |
-Is it cool, hanging out with these people? -Yeah. | 0:24:18 | 0:24:21 | |
Cos I know you really look up to them as dancers. You're obsessed | 0:24:21 | 0:24:23 | |
-with the show, aren't you? -Yeah. | 0:24:23 | 0:24:24 | |
So what's it like hanging with them? | 0:24:24 | 0:24:26 | |
It's just so, like, unreal, like, being with them and stuff, | 0:24:26 | 0:24:28 | |
it's just the best experience ever. | 0:24:28 | 0:24:30 | |
Listen, you've got to get back on set. Good luck. | 0:24:30 | 0:24:33 | |
You're doing so great. Well done. | 0:24:33 | 0:24:34 | |
No guest appearance would be complete without | 0:24:36 | 0:24:38 | |
Harrison - sorry, Oliver - | 0:24:38 | 0:24:40 | |
shooting a scene on The Next Step chair. | 0:24:40 | 0:24:43 | |
So, when I dance, I couldn't even describe how it feels, like. | 0:24:43 | 0:24:46 | |
It's like the whole world just stops and I'm the only one moving, | 0:24:46 | 0:24:50 | |
and I'm just dancing my heart out. | 0:24:50 | 0:24:51 | |
No-one else is watching me - literally, | 0:24:51 | 0:24:53 | |
I don't see anyone's face while I'm dancing, | 0:24:53 | 0:24:56 | |
because I'm just in the moment and it's what I love to do. | 0:24:56 | 0:24:58 | |
Harrison has only been part of The Next Step team for two days, | 0:25:01 | 0:25:04 | |
but the cast and crew have all been amazing. | 0:25:04 | 0:25:07 | |
Everybody, listen up. | 0:25:07 | 0:25:08 | |
It's time to say goodbye to someone who travelled a very, | 0:25:08 | 0:25:12 | |
very long way to work with us. Harrison, welcome to The Next Step. | 0:25:12 | 0:25:15 | |
THEY CHEER | 0:25:15 | 0:25:16 | |
Harrison was amazing. | 0:25:21 | 0:25:23 | |
He has a natural talent, natural ability, | 0:25:23 | 0:25:25 | |
he took direction really well, and he totally understood | 0:25:25 | 0:25:29 | |
what he was doing, he understood his character. | 0:25:29 | 0:25:32 | |
Any tweaks we gave him, he corrected. | 0:25:32 | 0:25:35 | |
-..calling my name. -I bet. -Oh, your bag. | 0:25:35 | 0:25:39 | |
And, I mean, he brought himself to it, which is really important, too. | 0:25:39 | 0:25:42 | |
That's kind of how our whole show operates, | 0:25:42 | 0:25:44 | |
is everybody kind of brings themself to the role, and he did that. | 0:25:44 | 0:25:47 | |
He was, yeah, he was great. | 0:25:47 | 0:25:49 | |
-Did you have fun? -Yeah, I had so much fun. | 0:25:49 | 0:25:51 | |
-Yeah? -Best experience ever. -This is from all of us. | 0:25:51 | 0:25:54 | |
Aw, thank you so much! | 0:25:54 | 0:25:55 | |
Thank you for coming. It was so nice to meet you. | 0:25:55 | 0:25:58 | |
-Aw, thank you. -Sorry, my sweater's... | 0:25:58 | 0:26:01 | |
Hi again. You were amazing, dude. | 0:26:01 | 0:26:03 | |
-Thank you. -Thanks for being my assistant. | 0:26:03 | 0:26:06 | |
You were amazing. | 0:26:06 | 0:26:08 | |
Amazing, amazing job, congratulations. | 0:26:08 | 0:26:10 | |
-Thank you. -Yeah, congratulations. | 0:26:10 | 0:26:13 | |
Oh, Harrison, how was that? | 0:26:13 | 0:26:16 | |
-That was amazing. -Best day of your life? | 0:26:16 | 0:26:18 | |
-Yeah, definitely. -Really? | 0:26:18 | 0:26:20 | |
Was it what you expected? | 0:26:20 | 0:26:21 | |
Um, in ways it was like what I expected, | 0:26:21 | 0:26:23 | |
but in ways it wasn't, | 0:26:23 | 0:26:25 | |
like, it was just different, and also the same, but, yeah, | 0:26:25 | 0:26:28 | |
I just can't believe I'm actually here. | 0:26:28 | 0:26:30 | |
It's been the best experience ever. | 0:26:30 | 0:26:32 | |
You've been incredible over the last few weeks and months throughout this | 0:26:32 | 0:26:35 | |
competition. What's the whole journey been like and what's it | 0:26:35 | 0:26:38 | |
-meant to you? -It's been just mixed emotions. | 0:26:38 | 0:26:40 | |
Not only, like, have I grew as a dancer, | 0:26:40 | 0:26:43 | |
but the friends I've made along the way, especially, like, The Next Step | 0:26:43 | 0:26:46 | |
cast, Taking The Next Step, all the kids, and you. | 0:26:46 | 0:26:49 | |
-Hey! -Everyone! It's been, like, a really, really good journey. | 0:26:49 | 0:26:53 | |
If you had to choose your best moment, | 0:26:53 | 0:26:55 | |
your best bit of this whole experience, what would it be? | 0:26:55 | 0:26:57 | |
My best bits of, like, taking The Next Step was probably the finals, | 0:26:57 | 0:27:01 | |
and also making friends with everyone, | 0:27:01 | 0:27:03 | |
and then my favourite bit of, like, The Next Step journey is probably | 0:27:03 | 0:27:07 | |
just being with the cast and being part of, like, The Next Step. | 0:27:07 | 0:27:09 | |
I think you should be really proud of yourself. | 0:27:09 | 0:27:11 | |
You have been phenomenal throughout. | 0:27:11 | 0:27:13 | |
So, as a treat, we are in Shakes And Ladders. | 0:27:13 | 0:27:15 | |
-Shall we go get a milkshake? -Yeah. | 0:27:15 | 0:27:16 | |
Come on, let's do it. | 0:27:16 | 0:27:18 | |
So there you have it. | 0:27:25 | 0:27:26 | |
Over 2,300 dancers applied, but only Harrison made it all the way here | 0:27:26 | 0:27:32 | |
to Canada. His dreams have come true and now that he's finished filming, | 0:27:32 | 0:27:35 | |
he is truly part of The Next Step family. | 0:27:35 | 0:27:38 |