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This is Technobytes. | 0:00:05 | 0:00:07 | |
Just think of it as Technobabble that has shrunk in the wash, | 0:00:07 | 0:00:09 | |
but it's definitely not been ruined. | 0:00:09 | 0:00:12 | |
And that's our randomly-named messaging app with our first | 0:00:12 | 0:00:15 | |
quality query. | 0:00:15 | 0:00:16 | |
Vlogster, what will art be like in the future? | 0:00:16 | 0:00:19 | |
At last, something sensible. Great question, Cameron. | 0:00:20 | 0:00:24 | |
And I know just the girl to help us out. | 0:00:24 | 0:00:27 | |
Morning, Maya. | 0:00:30 | 0:00:31 | |
-Oh, Vloggie, hi, I was literally just thinking about you. -Were you? | 0:00:31 | 0:00:36 | |
-No. I'm guessing this is business and not pleasure. -Ooh, how rude. | 0:00:36 | 0:00:41 | |
I just like to keep you busy. | 0:00:41 | 0:00:43 | |
I've got something for you to investigate. | 0:00:43 | 0:00:45 | |
One of our lovely Babblers wants to know what art | 0:00:45 | 0:00:48 | |
is going to be like in the future. | 0:00:48 | 0:00:50 | |
-OK, perfect. Can I just finish my story first? -Absolutely not. | 0:00:50 | 0:00:54 | |
-All right, let's do it. -Good. I'm looking forward to this one. | 0:00:54 | 0:00:58 | |
I'm quite DRAWN to it, in fact. DRAWN to it, as in art. | 0:00:58 | 0:01:02 | |
Oh, I'm funny. Whoa, hey! What are you doing? | 0:01:02 | 0:01:06 | |
Ow! | 0:01:06 | 0:01:08 | |
I'm sending Maya off to meet a robot called Paul. | 0:01:08 | 0:01:11 | |
Paul has been designed by a rather clever man called Patrick | 0:01:11 | 0:01:14 | |
to draw portraits like an artist, a real human artist. | 0:01:14 | 0:01:17 | |
Could you describe to me what each part of Paul does? | 0:01:17 | 0:01:20 | |
This arm is a little bit like a human arm, for articulation. | 0:01:20 | 0:01:25 | |
And then it only moves like that. And then... | 0:01:25 | 0:01:28 | |
And then there's an eye that either it moves like that, | 0:01:29 | 0:01:32 | |
-so he can look for something to draw. -Mm-hm. | 0:01:32 | 0:01:34 | |
And then inside there's a computer that processes the information. | 0:01:34 | 0:01:38 | |
The images from the camera go into the computer and then there is | 0:01:38 | 0:01:44 | |
a programme that reacts to what it sees | 0:01:44 | 0:01:46 | |
and it reacts by making movements. | 0:01:46 | 0:01:49 | |
-And how did you make Paul draw? -There's two sides. | 0:01:49 | 0:01:52 | |
You have to programme it how to see, how to react | 0:01:52 | 0:01:56 | |
to what it sees and how to move. | 0:01:56 | 0:01:59 | |
I mean, they draw what I'd like to draw when I was a painter. | 0:01:59 | 0:02:02 | |
Because they do what I like to do. | 0:02:02 | 0:02:04 | |
You've programmed it to your own personality, basically, | 0:02:04 | 0:02:06 | |
-what you would like to draw. -Yeah, in a certain way. | 0:02:06 | 0:02:09 | |
-Maya, Maya! -Yes, Vlogster. -You can draw, right? | 0:02:09 | 0:02:12 | |
Erm, yeah, I mean, I'm OK. | 0:02:12 | 0:02:14 | |
Dare I say it, I think it might be time for a Technobabble challenge. | 0:02:14 | 0:02:18 | |
Great, I'm up for that. Patrick, would you mind being our model? | 0:02:18 | 0:02:22 | |
-Nope, no problem. -Perfect. | 0:02:22 | 0:02:24 | |
In the red corner, he's drawn over 10,000 portraits and is ready | 0:02:25 | 0:02:29 | |
for his next, it's Paul the robot artist! | 0:02:29 | 0:02:33 | |
And in the blue corner, she once drew a picture when she was | 0:02:33 | 0:02:37 | |
ten and it was pinned to her mum's fridge for several years, it's Maya! | 0:02:37 | 0:02:42 | |
Double whammy, double whammy. I've ruined your face. | 0:02:49 | 0:02:54 | |
I've added glasses for special effect. Oh, no! | 0:02:57 | 0:03:00 | |
-Totally wrong. -I went for circle ones. | 0:03:00 | 0:03:03 | |
BELL RINGS | 0:03:03 | 0:03:04 | |
And that is time. Artists, stop drawing! | 0:03:04 | 0:03:08 | |
All right, so this is my painting, picture, drawing, masterpiece. | 0:03:08 | 0:03:12 | |
Can I see what Paul has done? Right. Lovely. | 0:03:12 | 0:03:16 | |
So, Vlog, what do you think of my picture? | 0:03:16 | 0:03:18 | |
I mean, Maya, that's fantastic, if Patrick was a... What is that? | 0:03:18 | 0:03:23 | |
The winner of the Technobabble challenge is Paul. | 0:03:23 | 0:03:27 | |
BELL RINGS | 0:03:27 | 0:03:29 | |
Right, Vlogster, hold still while I draw a portrait of you. | 0:03:29 | 0:03:33 | |
Make sure you get my best side. | 0:03:33 | 0:03:35 | |
Right, let's see what happens when tech meets art. | 0:03:35 | 0:03:38 | |
Tech-sperts in the Czech Republic want you to stop sketching on | 0:03:38 | 0:03:43 | |
flat paper and start drawing in three dimensions. | 0:03:43 | 0:03:46 | |
To do this, you'll need a 3-D pen, which lets you draw up, down, | 0:03:46 | 0:03:50 | |
backwards, forwards... You get the idea. | 0:03:50 | 0:03:53 | |
You can also solder, burn and cut with it, | 0:03:53 | 0:03:56 | |
opening up loads of creative possibilities. | 0:03:56 | 0:03:59 | |
Brilliant, Vlogster, | 0:03:59 | 0:04:00 | |
but you wouldn't want to chew the end of THAT pen. | 0:04:00 | 0:04:03 | |
I don't have any teeth, so that's not a worry. | 0:04:03 | 0:04:05 | |
Next up, researchers at MIT in America have developed | 0:04:05 | 0:04:08 | |
a tiny origami robot that can fold itself up from a flat sheet of | 0:04:08 | 0:04:12 | |
plastic and then walk, swim, climb or carry a load twice its weight. | 0:04:12 | 0:04:17 | |
This self-folding robot only measures 1cm and | 0:04:17 | 0:04:21 | |
weighs less than 1g. | 0:04:21 | 0:04:23 | |
But even smaller versions could be injected into the human body | 0:04:23 | 0:04:27 | |
to make medical repairs, then dissolve away to nothing. | 0:04:27 | 0:04:31 | |
That is awesome. Kind of puts my origami hat skills to shame. | 0:04:31 | 0:04:35 | |
Er, yeah, slightly. | 0:04:35 | 0:04:37 | |
If you've ever wanted to step inside a painting, then American | 0:04:37 | 0:04:40 | |
artist Mackenzie Cauley has brought that dream one step closer. | 0:04:40 | 0:04:44 | |
He's transformed Vincent van Gogh's The Night Cafe into a virtual | 0:04:44 | 0:04:49 | |
3-D environment. | 0:04:49 | 0:04:51 | |
By digitising parts of the original painting into | 0:04:51 | 0:04:54 | |
some clever computer software, the masterpiece comes alive. | 0:04:54 | 0:04:58 | |
Going to an art gallery may never be the same. | 0:04:58 | 0:05:01 | |
That's VAN GOGH the chart, Vlogster. | 0:05:01 | 0:05:04 | |
Hey, Maya, I do the puns around here and I'll let you, | 0:05:04 | 0:05:08 | |
the viewers, DRAW your own conclusions | 0:05:08 | 0:05:10 | |
about Maya's arty efforts. | 0:05:10 | 0:05:12 | |
Get in. Right, I reckon it's time for another curious question. | 0:05:12 | 0:05:15 | |
Vlogster, could we make another Earth? | 0:05:15 | 0:05:19 | |
Let me see what I can find out. | 0:05:19 | 0:05:21 | |
Maths-mad university students at | 0:05:21 | 0:05:24 | |
Lehigh University in Pennsylvania, America have already worked out | 0:05:24 | 0:05:28 | |
what it might take to build a Death Star, a moon-sized world just | 0:05:28 | 0:05:33 | |
like the one that Luke Skywalker blew up at the end of Star Wars. | 0:05:33 | 0:05:37 | |
The cost of this man-made Earth would be a bank-breaking | 0:05:37 | 0:05:40 | |
£541 trillion, which is more than all the money in the world. | 0:05:40 | 0:05:47 | |
So, what's plan B, I hear you ask? | 0:05:49 | 0:05:51 | |
Nasa scientists have found the most Earth-like planet ever... | 0:05:51 | 0:05:55 | |
Catchy name, isn't it? | 0:05:58 | 0:06:00 | |
Experiments show Kepler is in a Goldilocks zone, | 0:06:00 | 0:06:04 | |
a bit of space that's just the right temperature - | 0:06:04 | 0:06:06 | |
not too hot, not too cold for the planet to have water on the surface, | 0:06:06 | 0:06:11 | |
and that means it could support life. | 0:06:11 | 0:06:13 | |
But don't get too excited just yet. In our fastest spacecraft, | 0:06:13 | 0:06:16 | |
it would take almost 25,000,000 years to get there. | 0:06:16 | 0:06:20 | |
Not even my batteries would last that long. So, here comes plan C. | 0:06:20 | 0:06:25 | |
Closer to home, space scientists are preparing missions for humans | 0:06:25 | 0:06:29 | |
to live on Mars permanently. | 0:06:29 | 0:06:32 | |
Mars doesn't have much of an atmosphere, | 0:06:32 | 0:06:34 | |
a bit like one of Uncle Alan's parties. | 0:06:34 | 0:06:37 | |
It's freezing, with little oxygen and lots of radioactive solar rays, | 0:06:37 | 0:06:41 | |
so you would have to spend all your time indoors. | 0:06:41 | 0:06:43 | |
So people are working on terraforming, where you can change | 0:06:43 | 0:06:47 | |
the atmosphere and environment of a planet to be similar to Earth. | 0:06:47 | 0:06:51 | |
One far-flung idea is to fire lasers at asteroids, | 0:06:51 | 0:06:55 | |
making them collide with Mars. | 0:06:55 | 0:06:57 | |
This would release organic matter and powerful greenhouse gases, | 0:06:57 | 0:07:00 | |
creating more atmosphere and warming things up. | 0:07:00 | 0:07:03 | |
But terraforming Mars could take thousands of years. | 0:07:03 | 0:07:06 | |
If you're lucky, your great-great- great-great-great-great-great | 0:07:06 | 0:07:11 | |
grandkids' kids might be Martians living on an Earth-like world. | 0:07:11 | 0:07:15 | |
Well, at least that gives me time to save up for the rocket flight. | 0:07:15 | 0:07:19 | |
They are very expensive, you know. | 0:07:19 | 0:07:20 | |
And on that note, it's time for me to blast off elsewhere. Laters! | 0:07:20 | 0:07:25 |