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Some songwriters or composers just know how to produce a hit. | 0:00:05 | 0:00:09 | |
KEYPAD BEEPS | 0:00:10 | 0:00:12 | |
MUSIC: Trumpet Concerto in E Flat by Joseph Haydn | 0:00:13 | 0:00:16 | |
Those composers are just like superstar strikers | 0:00:19 | 0:00:22 | |
shooting for goal. | 0:00:22 | 0:00:24 | |
They just know how to write a piece of music | 0:00:24 | 0:00:26 | |
that's going to hit the back of the net every time. | 0:00:26 | 0:00:29 | |
CONCERTO CONTINUES | 0:00:29 | 0:00:30 | |
Joseph Haydn, 18th-century Austrian composer. | 0:00:36 | 0:00:39 | |
He used to have to write melodies for the orchestra | 0:00:39 | 0:00:42 | |
he managed that were memorable and bang on target. | 0:00:42 | 0:00:45 | |
Otherwise, he'd get the boot from the prince who employed him. | 0:00:45 | 0:00:49 | |
Luckily, Haydn had an ear for a catchy tune, | 0:00:49 | 0:00:52 | |
the kind that his boss could hum to for weeks and weeks | 0:00:52 | 0:00:55 | |
while wallowing in his posh bath. | 0:00:55 | 0:00:57 | |
And his record speaks for itself. | 0:00:59 | 0:01:00 | |
Take this concerto, | 0:01:05 | 0:01:06 | |
where the trumpeter takes the role of superstar striker | 0:01:06 | 0:01:09 | |
and plays a real crowd-pleaser of a melody all of their own. | 0:01:09 | 0:01:12 | |
CONCERTO CONTINUES | 0:01:12 | 0:01:14 | |
Haydn knows that's not enough, | 0:01:18 | 0:01:20 | |
so he opts for a rondo formation for this piece. | 0:01:20 | 0:01:23 | |
That's a musical structure where the main melody keeps returning - | 0:01:23 | 0:01:27 | |
like a chorus, but alternates with different musical interludes, | 0:01:27 | 0:01:30 | |
so the rest of the players aren't sitting about doing nothing. | 0:01:30 | 0:01:34 | |
They are providing the interludes, picking up the tempo | 0:01:34 | 0:01:37 | |
and creating variety - but, in the end, always passing the ball back | 0:01:37 | 0:01:40 | |
to the star striker, | 0:01:40 | 0:01:41 | |
who only has eyes for goal. | 0:01:41 | 0:01:44 | |
CONCERTO CONTINUES | 0:01:44 | 0:01:45 |