Browse content similar to Shostakovich. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Most of us can listen to and create whatever music we like. | 0:00:06 | 0:00:11 | |
KEYPAD BEEPS | 0:00:11 | 0:00:13 | |
We've got that freedom. | 0:00:13 | 0:00:14 | |
WHISPERS: Not everyone is so lucky. | 0:00:23 | 0:00:25 | |
MUSIC: Symphony No 10 In E Minor by Dmitri Shostakovich | 0:00:25 | 0:00:28 | |
Joseph Stalin, dictator, the Soviet Union. | 0:00:28 | 0:00:30 | |
From the 1930s, for over two decades, | 0:00:30 | 0:00:32 | |
the Russian composer Dmitri Shostakovich | 0:00:32 | 0:00:35 | |
lived in fear of this man. | 0:00:35 | 0:00:37 | |
Stalin decided what music his people should listen to. | 0:00:37 | 0:00:41 | |
Everyone was watched. | 0:00:41 | 0:00:43 | |
Any composer who didn't conform | 0:00:43 | 0:00:46 | |
risked joining the millions of other people | 0:00:46 | 0:00:48 | |
that Stalin had thrown into prison or unmarked graves. | 0:00:48 | 0:00:52 | |
"If they cut off both my hands, | 0:00:53 | 0:00:56 | |
"I will compose with the pen | 0:00:56 | 0:00:58 | |
"between my teeth." | 0:00:58 | 0:01:00 | |
That was Shostakovich's answer. | 0:01:00 | 0:01:04 | |
And so he kept on composing, | 0:01:04 | 0:01:06 | |
and when his music was praised, he was a national hero. | 0:01:06 | 0:01:09 | |
When it offended Stalin's regime, | 0:01:09 | 0:01:12 | |
he slept with his bags packed, | 0:01:12 | 0:01:14 | |
waiting for the secret police to knock at his door. | 0:01:14 | 0:01:16 | |
SYMPHONY CONTINUES | 0:01:16 | 0:01:18 | |
In 1953, Stalin died, | 0:01:18 | 0:01:20 | |
and Shostakovich was able to finish this piece - | 0:01:20 | 0:01:24 | |
his 10th Symphony. | 0:01:24 | 0:01:27 | |
And, to me, it feels as if the music and emotion | 0:01:27 | 0:01:30 | |
that had been hidden away in his head | 0:01:30 | 0:01:32 | |
suddenly came flooding out. | 0:01:32 | 0:01:35 | |
Some people think this is actually an orchestral portrait | 0:01:36 | 0:01:40 | |
of Stalin himself, | 0:01:40 | 0:01:42 | |
but, whatever it is, | 0:01:42 | 0:01:43 | |
it sounds full of panic and terror and anger. | 0:01:43 | 0:01:47 | |
MARCHING FOOTSTEPS | 0:01:47 | 0:01:48 | |
What can you hear? Is it the knock at the door in the dead of night? | 0:01:48 | 0:01:51 | |
Knives sharpening? Bursts of gunfire? | 0:01:51 | 0:01:53 | |
Hearts racing faster? | 0:01:53 | 0:01:55 | |
SILENCE FALLS | 0:01:55 | 0:01:57 | |
MATCH FLARES | 0:01:57 | 0:01:58 | |
The Stalin's death didn't bring complete musical freedom | 0:01:58 | 0:02:01 | |
for Shostakovich, | 0:02:01 | 0:02:02 | |
but it was a moment in his life where he could say | 0:02:02 | 0:02:05 | |
what he wanted, out loud, in music. | 0:02:05 | 0:02:08 | |
SYMPHONY RESUMES | 0:02:08 | 0:02:11 |