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In the middle of all the music we listen to, | 0:00:04 | 0:00:06 | |
sometimes there is one band, one singer, | 0:00:06 | 0:00:10 | |
one composer that cuts through. | 0:00:10 | 0:00:12 | |
One musical voice that seems to be speaking just to us. | 0:00:12 | 0:00:16 | |
MUSIC: Toccata And Fugue In D Minor by JS Bach | 0:00:16 | 0:00:19 | |
When I was about six years old, | 0:00:38 | 0:00:40 | |
my dad bought a new record player | 0:00:40 | 0:00:42 | |
and it came with a free record. | 0:00:42 | 0:00:45 | |
It was an album of organ music by Johann Sebastian Bach, | 0:00:45 | 0:00:49 | |
and I must have listened to it hundreds of times. | 0:00:49 | 0:00:52 | |
To be honest, it was the only record we had for a while. | 0:00:52 | 0:00:55 | |
And I sort of fell in love with it. | 0:00:55 | 0:00:58 | |
I went on to learn the piano and the flute and the saxophone | 0:00:58 | 0:01:02 | |
and, eventually, the harpsichord. | 0:01:02 | 0:01:04 | |
I studied music at university, and I suppose, today, | 0:01:04 | 0:01:07 | |
I can't really imagine my life | 0:01:07 | 0:01:09 | |
without a classical music soundtrack. | 0:01:09 | 0:01:12 | |
And that's all down to a free Bach record. | 0:01:12 | 0:01:15 | |
MUSIC CONTINUES | 0:01:15 | 0:01:16 | |
This piece is probably one of Bach's most famous. | 0:01:21 | 0:01:24 | |
It was written about 1706 and he, of course, | 0:01:24 | 0:01:27 | |
would not have known that it would eventually be used in gaming or... | 0:01:27 | 0:01:30 | |
RINGTONE PLAYS | 0:01:30 | 0:01:31 | |
..or as a ringtone. | 0:01:33 | 0:01:34 | |
Or, indeed, as a form of shorthand meaning something | 0:01:35 | 0:01:38 | |
well spooky's about to happen. | 0:01:38 | 0:01:41 | |
That's probably for the best. | 0:01:41 | 0:01:42 | |
It's called Toccata And Fugue In D Minor, | 0:01:45 | 0:01:49 | |
and it's a piece of two parts. | 0:01:49 | 0:01:51 | |
The first part, the toccata, | 0:01:51 | 0:01:52 | |
is basically an opportunity for the musician to show off a bit. | 0:01:52 | 0:01:56 | |
To grab everyone's attention. | 0:01:59 | 0:02:01 | |
To get them ready for this amazing ride ahead. | 0:02:01 | 0:02:04 | |
Hold on a minute. | 0:02:04 | 0:02:06 | |
I reckon the orchestra's itching for a go now. | 0:02:06 | 0:02:08 | |
MUSIC CONTINUES | 0:02:08 | 0:02:11 | |
That was a section of the toccata, | 0:03:33 | 0:03:35 | |
but now, we come to part two - | 0:03:35 | 0:03:38 | |
the fugue. | 0:03:38 | 0:03:39 | |
Do you mind if I have a go? | 0:03:39 | 0:03:41 | |
Yeah, sure. Be my guest, please. | 0:03:41 | 0:03:43 | |
Cheers. | 0:03:44 | 0:03:45 | |
A fugue is like a sort of perfect musical pattern. | 0:03:45 | 0:03:49 | |
Bach would start off with a fairly straightforward, | 0:03:49 | 0:03:52 | |
simple little melody... | 0:03:52 | 0:03:54 | |
Like that one, and then he might repeat it higher up. | 0:03:59 | 0:04:02 | |
Or maybe lower. | 0:04:10 | 0:04:11 | |
And then he might turn it upside down, | 0:04:13 | 0:04:15 | |
break it up into fragments and so on. | 0:04:15 | 0:04:17 | |
But, gradually, this incredible piece of music emerges. | 0:04:17 | 0:04:22 | |
Bach's brain could work out these patterns better than | 0:04:22 | 0:04:25 | |
any brain before or since. | 0:04:25 | 0:04:27 | |
Apparently, he could improvise this stuff. | 0:04:27 | 0:04:30 | |
He could make it up as he went along. | 0:04:30 | 0:04:32 | |
But, remarkably, this never created chaos, | 0:04:33 | 0:04:36 | |
it just created incredible, beautiful music. | 0:04:36 | 0:04:40 | |
And, in fact, the word fugue means flight in Italian, | 0:04:43 | 0:04:47 | |
and that's what this music seems to do to me. | 0:04:47 | 0:04:49 | |
It does take flight. It takes off on a journey, | 0:04:49 | 0:04:52 | |
an incredible one, | 0:04:52 | 0:04:54 | |
and it's a different journey every single time you listen to it. | 0:04:54 | 0:04:57 | |
That's what's so amazing about it. | 0:04:57 | 0:04:59 | |
MUSIC CONTINUES | 0:05:01 | 0:05:03 |