Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ten kids terrified of singing in public... | 0:00:02 | 0:00:04 | |
-Hey, don't cry. What's happened? -I don't want to do it. | 0:00:04 | 0:00:07 | |
Two soloists. | 0:00:07 | 0:00:08 | |
-Chris and Oli. -No! | 0:00:08 | 0:00:10 | |
..Have just one week before they must perform to 40,000 people. | 0:00:10 | 0:00:15 | |
Can't explain how I feel. I'm just really scared. | 0:00:16 | 0:00:19 | |
The challenges keep getting harder and harder. | 0:00:19 | 0:00:22 | |
You must be extra nervous. | 0:00:22 | 0:00:24 | |
Oh! I'm still shaking, I don't know why. | 0:00:24 | 0:00:26 | |
This week, there's a huge decision to be made. | 0:00:28 | 0:00:32 | |
The person who is going to be singing solo at Proms In The Park is... | 0:00:32 | 0:00:38 | |
Could you do it? This is The Big Performance. | 0:00:40 | 0:00:43 | |
Top choirmaster Gareth Malone is taking ten shy singers on a musical tour of the country. | 0:01:08 | 0:01:14 | |
Last time, they stepped into the world of classical music. | 0:01:15 | 0:01:18 | |
Singing sensation Faryl Smith gave them a jaw-dropping demo... | 0:01:19 | 0:01:24 | |
SHE SINGS | 0:01:24 | 0:01:26 | |
..And football fan Jordan took to the pitch...to sing. | 0:01:26 | 0:01:30 | |
# Oh, Danny boy Oh, Danny boy | 0:01:30 | 0:01:34 | |
# I love you so. # | 0:01:34 | 0:01:39 | |
How will they cope at their next stop, | 0:01:39 | 0:01:42 | |
when they sing to their biggest audience yet, | 0:01:42 | 0:01:44 | |
eight million listeners, live on the radio. | 0:01:44 | 0:01:48 | |
Morning, children! You must be extra nervous. | 0:01:48 | 0:01:50 | |
Today, The Big Performance tour bus | 0:01:58 | 0:02:00 | |
is in the big city for a very big day. | 0:02:00 | 0:02:03 | |
Yes, Gareth and his team of singers are back in London | 0:02:03 | 0:02:06 | |
and there's a really important decision to be made. | 0:02:06 | 0:02:09 | |
Things are really getting serious now. | 0:02:10 | 0:02:12 | |
We're one week away from the big performance in Hyde Park | 0:02:12 | 0:02:15 | |
and I've now got to choose the soloist. | 0:02:15 | 0:02:18 | |
I've got a tough decision to make today. | 0:02:18 | 0:02:20 | |
This is the famous O2. | 0:02:25 | 0:02:27 | |
It's the most popular music venue in the whole world. | 0:02:27 | 0:02:30 | |
In just a few hours, Gareth will announce who, | 0:02:30 | 0:02:33 | |
out of his ten shy singers, | 0:02:33 | 0:02:35 | |
will sing solo at the performance of their lives. | 0:02:35 | 0:02:39 | |
This arena seats 20,000 people, | 0:02:39 | 0:02:42 | |
half the amount they'll be singing in front of at Proms In The Park. | 0:02:42 | 0:02:46 | |
Today, I am going to pick the soloist for the big performance. | 0:02:47 | 0:02:51 | |
I've actually made a shortlist. | 0:02:51 | 0:02:54 | |
Emily, stand up. | 0:02:55 | 0:02:58 | |
# Ahh. # | 0:02:58 | 0:03:00 | |
You are on my shortlist. | 0:03:00 | 0:03:03 | |
Howard... | 0:03:03 | 0:03:04 | |
# You're not blinded by the light from me. # | 0:03:04 | 0:03:08 | |
..You are on my shortlist. | 0:03:08 | 0:03:10 | |
Annabel... | 0:03:10 | 0:03:11 | |
you are not on the shortlist. | 0:03:11 | 0:03:13 | |
OK, Chloe, you are not on my shortlist, | 0:03:13 | 0:03:15 | |
-so you can sit down. -Join the club! | 0:03:15 | 0:03:17 | |
I might not have been picked for the solo, | 0:03:17 | 0:03:19 | |
but I'm just going to try my hardest | 0:03:19 | 0:03:21 | |
and just try and show that I am good. | 0:03:21 | 0:03:24 | |
Oli... | 0:03:24 | 0:03:25 | |
# But sleep won't come. # | 0:03:25 | 0:03:29 | |
You are on my shortlist. | 0:03:29 | 0:03:30 | |
Isthaque, Chris, you're not on my shortlist. | 0:03:30 | 0:03:34 | |
Jordan, you have a fantastic voice | 0:03:34 | 0:03:36 | |
and your confidence is growing all the time, | 0:03:36 | 0:03:39 | |
but I'm not sure you're yet quite comfortable with doing a solo, | 0:03:39 | 0:03:42 | |
so for that reason, you're not on my shortlist. | 0:03:42 | 0:03:46 | |
Miriyah... | 0:03:46 | 0:03:48 | |
# Ahh. # | 0:03:48 | 0:03:50 | |
..I am going to put you on my shortlist. | 0:03:50 | 0:03:53 | |
Katie, stand up, please. | 0:03:58 | 0:04:01 | |
In week two, Katie crumbled under the pressure of singing on her own. | 0:04:02 | 0:04:06 | |
I'd like to be able to sing in front of people | 0:04:06 | 0:04:08 | |
without getting upset about it, but I don't think I can. | 0:04:08 | 0:04:11 | |
But now, her confidence has grown. But is it enough? | 0:04:11 | 0:04:16 | |
You are my wildcard entry. | 0:04:17 | 0:04:19 | |
So you are on my shortlist. | 0:04:19 | 0:04:22 | |
'I'm ecstatic that he's given me this chance,' | 0:04:22 | 0:04:24 | |
and I hope I do become the soloist, because that would mean a lot to me. | 0:04:24 | 0:04:28 | |
I thought that I was never going to get it, | 0:04:28 | 0:04:31 | |
but I'm proud and I just pray I've got it. | 0:04:31 | 0:04:33 | |
I'm really excited about being a finalist and I really hope I get it. | 0:04:33 | 0:04:37 | |
In week one, I told you that the song you were going to be performing | 0:04:37 | 0:04:40 | |
at Proms In The Park, for the big performance, is Rule The World. | 0:04:40 | 0:04:44 | |
I think we better start practicing it to make sure it's absolutely perfect. | 0:04:44 | 0:04:48 | |
# Yeah, you and me We can ride on a star | 0:04:48 | 0:04:52 | |
# If you stay with me, girl We can rule the... # | 0:04:52 | 0:04:57 | |
There's a great skill in performing, | 0:04:57 | 0:05:00 | |
which is getting into what I call the performance zone. | 0:05:00 | 0:05:04 | |
And the way that you do it is to absolutely focus on the job in hand. | 0:05:04 | 0:05:09 | |
You don't let anything put you off your game. | 0:05:09 | 0:05:13 | |
What I'm trying to say is expect the unexpected. | 0:05:13 | 0:05:16 | |
Whatever happens during the song, you keep your eyes on the audience | 0:05:16 | 0:05:20 | |
and you keep smiling and you keep performing. | 0:05:20 | 0:05:23 | |
Do you think you can do that? | 0:05:23 | 0:05:25 | |
To test if they really can keep singing, no matter what, | 0:05:28 | 0:05:32 | |
Gareth has a surprise distraction in store. | 0:05:32 | 0:05:35 | |
ALL: # You light the skies above me | 0:05:36 | 0:05:43 | |
BALLOON SQUEALS | 0:05:44 | 0:05:45 | |
# A star so bright... | 0:05:45 | 0:05:48 | |
Keep going! > # ..You blind me... # | 0:05:49 | 0:05:52 | |
Katie and Miriyah are unshakeable. | 0:05:52 | 0:05:55 | |
Emily and the others, not so much. | 0:06:00 | 0:06:02 | |
# Rule the world. # | 0:06:02 | 0:06:12 | |
You have to keep going, whatever happens. | 0:06:12 | 0:06:15 | |
Somehow, Chris ended up with a balloon dog. | 0:06:15 | 0:06:17 | |
-Who knows how that happened. -It's a sausage dog. | 0:06:17 | 0:06:19 | |
Well, you got slightly distracted and this cannot happen. | 0:06:19 | 0:06:21 | |
No matter what happens, you don't - there's a clown over there - do that! | 0:06:21 | 0:06:27 | |
Yeah? You don't suddenly look away. | 0:06:27 | 0:06:29 | |
They were coming right up to our face and going... | 0:06:29 | 0:06:32 | |
It was really hard. Just, like, stare. You can't even laugh. | 0:06:32 | 0:06:37 | |
I could hear people laughing around me while it was happening | 0:06:37 | 0:06:41 | |
and I think that they probably need to step up their game | 0:06:41 | 0:06:44 | |
if they're going to be able to pull this off. | 0:06:44 | 0:06:46 | |
What was great about Katie in that rehearsal | 0:06:46 | 0:06:49 | |
was that she did not flinch, | 0:06:49 | 0:06:50 | |
even when she had air being blown in her face and balloons and clowns. | 0:06:50 | 0:06:54 | |
She kept going, looked straight ahead and sang. I think that's really good. | 0:06:54 | 0:06:59 | |
They'll all have to be as focussed as Katie | 0:07:00 | 0:07:03 | |
if they're to pass Gareth's next challenge. | 0:07:03 | 0:07:06 | |
To get us ready for the big performance, tomorrow morning, | 0:07:06 | 0:07:12 | |
you are going to sing the song live on Radio 2 | 0:07:12 | 0:07:17 | |
on Chris Evans' breakfast show. | 0:07:17 | 0:07:20 | |
That is an audience of millions. | 0:07:21 | 0:07:25 | |
Oh, no. | 0:07:25 | 0:07:27 | |
And you might not be able to see them, but, trust me, they are there. | 0:07:28 | 0:07:32 | |
We're going on the Chris Evans breakfast show, | 0:07:33 | 0:07:35 | |
in front of millions of people. I mean, phew, scary stuff. | 0:07:35 | 0:07:42 | |
It's actually live. If it weren't live, then I'd be OK, | 0:07:42 | 0:07:45 | |
cos then you can choose which one you want. But it's live, | 0:07:45 | 0:07:48 | |
so if you make a mistake, people are going to hear it. | 0:07:48 | 0:07:51 | |
I think the challenge at the radio show is easier | 0:07:51 | 0:07:53 | |
because you can't really see no-one. | 0:07:53 | 0:07:55 | |
This is the biggest live performance of my life, | 0:07:55 | 0:07:58 | |
it's the biggest live performance of your life, | 0:07:58 | 0:08:00 | |
and it's going to be brilliant. Do you think you're ready? | 0:08:00 | 0:08:03 | |
-Yeah. -Yeah. -Yeah? | 0:08:03 | 0:08:04 | |
I'm not scared of anything any more. | 0:08:04 | 0:08:06 | |
Not scared of anything any more? | 0:08:06 | 0:08:08 | |
I love that. High-five on that one. Yes! | 0:08:08 | 0:08:10 | |
I don't mind if they're listening on telly or anything | 0:08:10 | 0:08:13 | |
but, if they're in front of me... | 0:08:13 | 0:08:15 | |
So you think it's going to be scarier when you've got them in front of you? | 0:08:15 | 0:08:19 | |
You might be right. | 0:08:19 | 0:08:20 | |
Their confidence about performing on radio is a great sign, | 0:08:20 | 0:08:24 | |
but at the Proms... | 0:08:24 | 0:08:25 | |
..they'll have 40,000 pairs of eyes staring right at them | 0:08:27 | 0:08:32 | |
and that is very different. | 0:08:32 | 0:08:34 | |
In only one week, these ten singers will be expected | 0:08:38 | 0:08:41 | |
to give a fully-polished performance at Proms In The Park. | 0:08:41 | 0:08:45 | |
Looking and moving like a proper group is essential | 0:08:45 | 0:08:48 | |
so Gareth has got them dressed and ready | 0:08:48 | 0:08:50 | |
for a session with a celebrity choreographer. | 0:08:50 | 0:08:53 | |
This is choreographer to the stars, Kevin Adams. | 0:08:53 | 0:08:56 | |
-Hello. -Hello! | 0:08:56 | 0:08:57 | |
ALL: Hello! | 0:08:57 | 0:08:58 | |
-It's going to be great, isn't it? -Yes! | 0:08:58 | 0:09:02 | |
Kevin has choreographed and worked with celebrity megastars, | 0:09:02 | 0:09:06 | |
including the Spice Girls and Mariah Carey, | 0:09:06 | 0:09:08 | |
so he knows exactly what makes a star performance. | 0:09:08 | 0:09:12 | |
One. Two. And stop. | 0:09:12 | 0:09:14 | |
The hardest thing to teach someone is to stand still. | 0:09:15 | 0:09:17 | |
When the music's on, we don't twitch. Everyone got that? | 0:09:17 | 0:09:20 | |
ALL: Yes | 0:09:20 | 0:09:21 | |
'It's quite hard not to fidget,' | 0:09:21 | 0:09:23 | |
cos I'm just used to fidgeting, so it's going to be quite hard. | 0:09:23 | 0:09:27 | |
You have to look like you're enjoying it. | 0:09:27 | 0:09:29 | |
Half of it is the enjoyment that I see on your face. | 0:09:29 | 0:09:31 | |
Like, you look happy now, but as soon as you start moving | 0:09:31 | 0:09:34 | |
or the music comes on, your face goes from happy-smiley | 0:09:34 | 0:09:38 | |
to "OK, I've got to think about singing and doing the routine." | 0:09:38 | 0:09:41 | |
Got to keep the same face. | 0:09:41 | 0:09:43 | |
People think that good choreography | 0:09:43 | 0:09:44 | |
is just a lot of moves and gesticulation and that's great, | 0:09:44 | 0:09:47 | |
but the hardest thing is to work with a singer | 0:09:47 | 0:09:49 | |
that is singing a ballad | 0:09:49 | 0:09:50 | |
and teach them how to use their face and engage an audience. | 0:09:50 | 0:09:53 | |
Change your face. | 0:09:53 | 0:09:55 | |
Howard's pulling out a star performance, | 0:09:55 | 0:09:57 | |
but smiling is just the start. | 0:09:57 | 0:09:59 | |
They've still got a whole routine to learn. | 0:09:59 | 0:10:01 | |
Arms up. One...two...three...four. | 0:10:01 | 0:10:07 | |
Let's try it with music. | 0:10:07 | 0:10:09 | |
Four, three, two, one. | 0:10:09 | 0:10:11 | |
The sort of choreographer that we need for the Proms | 0:10:20 | 0:10:23 | |
is not fancy and florid and exciting. | 0:10:23 | 0:10:25 | |
We just need something synchronised, absolutely in formation | 0:10:25 | 0:10:29 | |
nice and simple. | 0:10:29 | 0:10:31 | |
..Seven...eight. Now walk. | 0:10:31 | 0:10:33 | |
# Don't leave me now... # | 0:10:33 | 0:10:36 | |
Go back, please. | 0:10:36 | 0:10:37 | |
When you walk, it will happen. | 0:10:37 | 0:10:40 | |
You don't need to look down to check it's going to happen. | 0:10:40 | 0:10:44 | |
You will walk. You don't need to go... | 0:10:44 | 0:10:48 | |
"Gareth, I'm walking! My legs are moving! | 0:10:48 | 0:10:51 | |
"They're moving!" | 0:10:51 | 0:10:53 | |
Head up and just walk. | 0:10:54 | 0:10:56 | |
Just walk. | 0:10:56 | 0:10:58 | |
If he can get the choreography and the singing together, perfectly, | 0:10:58 | 0:11:03 | |
I think the performance will be really good. | 0:11:03 | 0:11:06 | |
But it's a long way to go from right now. | 0:11:06 | 0:11:09 | |
Strong arms! | 0:11:09 | 0:11:11 | |
The last time you're going to do it. | 0:11:11 | 0:11:14 | |
# We can rule the... | 0:11:14 | 0:11:17 | |
-Two, three and... -# ..World. # | 0:11:17 | 0:11:24 | |
Hey! | 0:11:24 | 0:11:25 | |
It is actually starting to sink in now. | 0:11:25 | 0:11:27 | |
We're a little way off where it needs to be for the Proms | 0:11:27 | 0:11:30 | |
but it's starting to become a performance | 0:11:30 | 0:11:33 | |
and that's all I really want. | 0:11:33 | 0:11:35 | |
While half the group check out the technology on offer | 0:11:39 | 0:11:42 | |
at one side of the venue... | 0:11:42 | 0:11:44 | |
on the other side, things are getting serious. | 0:11:44 | 0:11:49 | |
There's only seven days till Proms In The Park and less than 24 hours | 0:11:49 | 0:11:54 | |
until the live radio performance to eight million people. | 0:11:54 | 0:11:58 | |
It's time for Gareth to make the big decision. | 0:11:58 | 0:12:01 | |
I've got to choose my soloist | 0:12:01 | 0:12:02 | |
and I want to make sure that it's absolutely the right person | 0:12:02 | 0:12:05 | |
and in order to do that, I'm going to re-audition every single one. | 0:12:05 | 0:12:09 | |
It's a huge pressure on them to get it absolutely right | 0:12:09 | 0:12:12 | |
and it's a massive responsibility for me to pick the right person. | 0:12:12 | 0:12:15 | |
First to audition is Howard. | 0:12:15 | 0:12:18 | |
I really want to get the Big Performance solo role | 0:12:18 | 0:12:22 | |
because I just want to see that I can sing in front of more people | 0:12:22 | 0:12:25 | |
than I have so far. | 0:12:25 | 0:12:27 | |
-Hi, nice to meet you. -Nice to meet you. | 0:12:27 | 0:12:28 | |
Howard's fear of being laughed at | 0:12:28 | 0:12:30 | |
because of his Tourette's used to hold him back. | 0:12:30 | 0:12:33 | |
I don't get a single tic when I sing. | 0:12:33 | 0:12:35 | |
-Cos you suffer from Tourette's? -Yes. | 0:12:35 | 0:12:39 | |
At the very end, I go bright red. | 0:12:39 | 0:12:41 | |
Really, and it all of a sudden comes on? | 0:12:41 | 0:12:43 | |
And I get nervous and I try to run off stage. | 0:12:43 | 0:12:46 | |
Hi. | 0:12:46 | 0:12:47 | |
Now, he's desperate to sing solo in front of 40,000 people. | 0:12:47 | 0:12:52 | |
# A star so bright you blind me | 0:12:52 | 0:13:00 | |
# Yeah, yeah... # | 0:13:00 | 0:13:03 | |
Pretty good. I'm pretty impressed. Yeah. It's good. Nicely in tune. | 0:13:03 | 0:13:09 | |
Next, it's Emily's turn. | 0:13:09 | 0:13:12 | |
I'm scared in case I get the words wrong or mixed up. | 0:13:12 | 0:13:15 | |
Emily used to be so timid about singing, | 0:13:15 | 0:13:18 | |
she'd only ever let her mum listen. | 0:13:18 | 0:13:20 | |
# Twinkle, twinkle little... # I can't! | 0:13:20 | 0:13:24 | |
You just did! You just did. | 0:13:24 | 0:13:26 | |
Can she show Gareth she's now ready to sing to thousands? | 0:13:26 | 0:13:31 | |
-OUT OF TUNE: -# You light the skies up above me. # | 0:13:31 | 0:13:38 | |
Yeah, shall we do it... | 0:13:39 | 0:13:40 | |
Just start it again. I think you just got a bit confused on the first note. | 0:13:40 | 0:13:43 | |
# You light. # | 0:13:43 | 0:13:45 | |
One, two, three. | 0:13:45 | 0:13:46 | |
-# You light the skies... # -That's it. -# Up above me. # | 0:13:47 | 0:13:54 | |
She faltered and that's absolutely not what I'm looking for. | 0:13:55 | 0:13:58 | |
I need someone who gets it right first time, | 0:13:58 | 0:14:01 | |
so whilst she has a lovely voice, | 0:14:01 | 0:14:02 | |
I'm worried about whether she can deliver. | 0:14:02 | 0:14:05 | |
Can Oli deliver what Gareth's looking for? | 0:14:05 | 0:14:08 | |
I'm Gareth... | 0:14:09 | 0:14:11 | |
Oli's always been embarrassed about singing | 0:14:11 | 0:14:13 | |
and had a unique way of dealing with it. | 0:14:13 | 0:14:16 | |
I can sing in front of anyone when I've got my eyes closed | 0:14:16 | 0:14:19 | |
and I've got headphones on, so I can't hear or see anything. | 0:14:19 | 0:14:23 | |
So, when you get that gig at Wembley Stadium, you'll do this... | 0:14:23 | 0:14:26 | |
That technique won't please the crowds at the Proms. | 0:14:26 | 0:14:30 | |
Oli, tell me why you want to be the Big Performance soloist. | 0:14:30 | 0:14:34 | |
I don't. | 0:14:36 | 0:14:37 | |
Really? | 0:14:37 | 0:14:39 | |
Don't you have some small competitive urge...? | 0:14:39 | 0:14:43 | |
-Not really. -No? | 0:14:43 | 0:14:44 | |
OK. Let's have a listen to it. | 0:14:44 | 0:14:47 | |
# Don't close your eyes | 0:14:47 | 0:14:51 | |
# Don't fade away | 0:14:51 | 0:14:53 | |
The fact is that he says that he doesn't want to do it. | 0:14:53 | 0:14:56 | |
I'm not going to make him. | 0:14:56 | 0:14:58 | |
It's a shame cos he's got one of the strongest voices. | 0:14:58 | 0:15:00 | |
I kind of want to get the soloist spot but I don't really want to | 0:15:00 | 0:15:04 | |
then do the solo. That might sound like I'm selling out, | 0:15:04 | 0:15:10 | |
but it's not, it's just... | 0:15:10 | 0:15:12 | |
fear. | 0:15:12 | 0:15:13 | |
It appears singing solo to 40,000 is one step too far for Oli. | 0:15:13 | 0:15:19 | |
Does Katie have what it takes? | 0:15:19 | 0:15:21 | |
I'm feeling really nervous | 0:15:21 | 0:15:23 | |
because I need to prove to him that I can do this more than anyone, | 0:15:23 | 0:15:26 | |
as he wasn't really that sure about me. | 0:15:26 | 0:15:29 | |
When Gareth first met Katie, | 0:15:29 | 0:15:30 | |
she was so shy she could barely make a sound. | 0:15:30 | 0:15:34 | |
SHE WHISPERS | 0:15:34 | 0:15:38 | |
# ..diamond in the sky... # Keep going. | 0:15:40 | 0:15:42 | |
# Twinkle, twinkle... | 0:15:42 | 0:15:45 | |
Now she wants 40,000 people to hear her sing solo. | 0:15:46 | 0:15:50 | |
# Star, so bright | 0:15:50 | 0:15:55 | |
# You blind me | 0:15:55 | 0:15:57 | |
# Yeah, yeah... # | 0:15:57 | 0:15:59 | |
YES! I'm SO pleased for her. | 0:15:59 | 0:16:02 | |
Whether she does the solo or not, that's a major success. | 0:16:02 | 0:16:07 | |
This is the girl who cried buckets | 0:16:07 | 0:16:09 | |
when I asked her to sing in public. Now she's standing in here | 0:16:09 | 0:16:13 | |
and singing with confidence. I'm really happy for her. | 0:16:13 | 0:16:16 | |
Can Miriyah have the same effect? | 0:16:16 | 0:16:19 | |
I don't think words can explain how much I want the solo. | 0:16:19 | 0:16:22 | |
Are you Miriyah? I'm Gareth, hi. | 0:16:23 | 0:16:25 | |
Miriyah's lack of confidence has always held her back. | 0:16:25 | 0:16:28 | |
What's the worst thing that's happened to you with singing? | 0:16:28 | 0:16:32 | |
People used to make fun of me. | 0:16:32 | 0:16:33 | |
That must have been very upsetting. | 0:16:33 | 0:16:35 | |
-Yeah. -Hmm, OK. | 0:16:35 | 0:16:37 | |
Is it just about improving your voice? | 0:16:37 | 0:16:39 | |
And being more confident. | 0:16:39 | 0:16:41 | |
Can she prove to Gareth she's now got what it takes | 0:16:41 | 0:16:44 | |
to be his soloist? | 0:16:44 | 0:16:46 | |
# You light the skies | 0:16:50 | 0:16:55 | |
# Up above me... # | 0:16:55 | 0:16:59 | |
I think Miriyah is absolutely fantastic, really confident. | 0:16:59 | 0:17:03 | |
Has really built right the way through this and worked hard. | 0:17:03 | 0:17:06 | |
But she was a bit out of tune. | 0:17:06 | 0:17:08 | |
Really quite out of tune. | 0:17:08 | 0:17:11 | |
So if she can sort that out by the performance, | 0:17:11 | 0:17:14 | |
maybe. | 0:17:14 | 0:17:15 | |
But like that wasn't good enough. | 0:17:15 | 0:17:17 | |
Auditions over, now Gareth has to choose who will sing solo | 0:17:19 | 0:17:23 | |
in front of 40,000 people at Britain's largest outdoor concert | 0:17:23 | 0:17:27 | |
Proms In The Park. | 0:17:27 | 0:17:29 | |
No, possibly, possibly. | 0:17:32 | 0:17:36 | |
While Gareth deliberates, | 0:17:36 | 0:17:38 | |
there's anticipation amongst the group as they sit and wait. | 0:17:38 | 0:17:42 | |
Shall we all say who we think the soloist will be? | 0:17:42 | 0:17:45 | |
I think Oli. | 0:17:45 | 0:17:47 | |
OK. | 0:17:47 | 0:17:48 | |
50% Emily and 50% Katie. | 0:17:48 | 0:17:52 | |
I think it could be Katie or Miriyah. | 0:17:52 | 0:17:54 | |
I think I've decided. | 0:17:54 | 0:17:56 | |
It comes down... It really comes down to one person. | 0:17:56 | 0:18:00 | |
And they've got the right voice, I think. | 0:18:00 | 0:18:02 | |
I hope it's the right decision, I hope they can handle it. | 0:18:02 | 0:18:07 | |
After 10 weeks of singing training, it all comes down to this moment. | 0:18:07 | 0:18:13 | |
Who will be the big performing soloist? | 0:18:13 | 0:18:16 | |
Hello. | 0:18:16 | 0:18:17 | |
OK, I know who is going to be singing a solo at Proms In The Park. | 0:18:17 | 0:18:22 | |
The person who is going to be singing | 0:18:22 | 0:18:25 | |
in front of 40,000 people | 0:18:25 | 0:18:29 | |
is... | 0:18:29 | 0:18:30 | |
..Miriyah. | 0:18:38 | 0:18:40 | |
-YES! Thank you! -Very, very, very well done. | 0:18:40 | 0:18:44 | |
You did absolutely brilliantly, really, really good. | 0:18:44 | 0:18:48 | |
Yes, yes, yes! Thank you! | 0:18:48 | 0:18:50 | |
Thank you SOOOO much! | 0:18:50 | 0:18:53 | |
I'm really happy for Miriyah, | 0:18:53 | 0:18:56 | |
cos she's wanted it SO bad. | 0:18:56 | 0:19:00 | |
I feel a little bit disappointed | 0:19:00 | 0:19:02 | |
that I didn't get the solo | 0:19:02 | 0:19:04 | |
but Miriyah did but I'm happy for Miriyah in a way. | 0:19:04 | 0:19:07 | |
I'm really pleased for Miriyah. | 0:19:07 | 0:19:09 | |
I think the right person got it, | 0:19:09 | 0:19:11 | |
she's very confident | 0:19:11 | 0:19:12 | |
and she's got a really brilliant voice and I hope she does well. | 0:19:12 | 0:19:15 | |
I know Miriyah can deliver the goods under pressure | 0:19:15 | 0:19:18 | |
and that's why I've picked her. | 0:19:18 | 0:19:21 | |
The soloist has been chosen | 0:19:28 | 0:19:30 | |
but there's still a lot of work to be done | 0:19:30 | 0:19:32 | |
to get the whole group ready for Proms In The Park. | 0:19:32 | 0:19:35 | |
They're about to go and rehearse with an 80-piece orchestra. | 0:19:35 | 0:19:39 | |
If you've never sung with an 80-piece orchestra, | 0:19:39 | 0:19:41 | |
it's like nothing else. | 0:19:41 | 0:19:44 | |
If you miss where you are supposed to start the song with an orchestra, | 0:19:44 | 0:19:48 | |
they are not going to wait for you. | 0:19:48 | 0:19:50 | |
They will carry on playing and we will be all at sea. | 0:19:50 | 0:19:54 | |
An orchestra bends to no-one. | 0:19:54 | 0:19:56 | |
This is the home of the London Symphony Orchestra. | 0:19:59 | 0:20:02 | |
Artists from pop stars to the very top classical musicians | 0:20:02 | 0:20:06 | |
have performed here. Now it's your turn. | 0:20:06 | 0:20:09 | |
You're going to be rehearsing with the orchestra you'll be singing with | 0:20:09 | 0:20:13 | |
at Proms In The Park. Let's go rehearse. | 0:20:13 | 0:20:15 | |
The BBC Concert Orchestra is on a very tight schedule. | 0:20:15 | 0:20:18 | |
Gareth and his group have just 15 minutes with them | 0:20:18 | 0:20:22 | |
to rehearse something they've been working towards for 10 weeks. | 0:20:22 | 0:20:25 | |
That is the BBC Concert Orchestra. | 0:20:25 | 0:20:28 | |
The conductor will stand in the middle, | 0:20:31 | 0:20:33 | |
you'll stand in front. | 0:20:33 | 0:20:35 | |
When I first walked in and saw all those instruments, | 0:20:35 | 0:20:38 | |
I was like, OK! This seems much more than I expected. | 0:20:38 | 0:20:42 | |
Remember all the things we've done in rehearsal, | 0:20:44 | 0:20:47 | |
about enjoying it, using your face, singing out, | 0:20:47 | 0:20:50 | |
really, really concentrating. | 0:20:50 | 0:20:52 | |
# You light the sky | 0:20:59 | 0:21:04 | |
# Up above me | 0:21:04 | 0:21:07 | |
# Don't close your eyes | 0:21:10 | 0:21:14 | |
# Don't fade away | 0:21:14 | 0:21:17 | |
# Don't fade away | 0:21:17 | 0:21:20 | |
# Oh-oh... | 0:21:20 | 0:21:22 | |
With all these instruments, it's proving hard to concentrate. | 0:21:22 | 0:21:27 | |
THEY SING OUT OF TUNE | 0:21:27 | 0:21:33 | |
# Yeah, you and me we can ride on a star | 0:21:33 | 0:21:37 | |
# If you stay by my side | 0:21:37 | 0:21:40 | |
# We can rule the world... # | 0:21:40 | 0:21:48 | |
I lost you a couple of times, yeah? | 0:21:50 | 0:21:52 | |
Just drifted away. | 0:21:52 | 0:21:53 | |
You've got be with me, concentrating the whole time. | 0:21:53 | 0:21:56 | |
Eyes on me and I need more faces. | 0:21:56 | 0:21:58 | |
Get the faces involved now and it'll be great on Saturday. | 0:21:58 | 0:22:01 | |
Really, really important to look involved. | 0:22:01 | 0:22:04 | |
My mind expands thinking there's so many people there. | 0:22:04 | 0:22:07 | |
I'm panicking in case something goes wrong and the orchestra stops. | 0:22:07 | 0:22:12 | |
So it was like, nerve-wracking and everything. | 0:22:12 | 0:22:15 | |
That's not all Miriyah needs to worry about. | 0:22:16 | 0:22:19 | |
Tomorrow morning, she'll be singing solo live on the radio. | 0:22:19 | 0:22:22 | |
I'm just concerned that we're not putting on a performance. | 0:22:24 | 0:22:28 | |
People listening at home on the radio will be listening | 0:22:28 | 0:22:31 | |
and if it doesn't sound good, they'll switch off. | 0:22:31 | 0:22:34 | |
As night falls on London, | 0:22:34 | 0:22:36 | |
there's no more Gareth can do but hope they find their voices | 0:22:36 | 0:22:39 | |
for the morning. | 0:22:39 | 0:22:40 | |
-ON RADIO: -Good morning, welcome to Friday! | 0:22:47 | 0:22:50 | |
Whoopididoo! | 0:22:50 | 0:22:52 | |
The day of their live radio debut on the Chris Evans Breakfast Show | 0:22:52 | 0:22:56 | |
to over 8 million listeners has arrived. | 0:22:56 | 0:22:59 | |
They've been up since 6am getting ready | 0:22:59 | 0:23:01 | |
and it's certainly taken its toll. | 0:23:01 | 0:23:04 | |
I've never gotten up so early in my life. | 0:23:04 | 0:23:06 | |
I've never sang so early in front of so many people. | 0:23:06 | 0:23:10 | |
It is so early in the morning, | 0:23:10 | 0:23:11 | |
it's really hard to stay awake. | 0:23:11 | 0:23:13 | |
I don't think we're nervous, I think it's just cos we're a bit tired. | 0:23:13 | 0:23:19 | |
Gareth, however, is more than aware of the task at hand. | 0:23:19 | 0:23:22 | |
I think it's really important that we do a good performance this morning. | 0:23:22 | 0:23:26 | |
Even though it's early and there are millions of people listening, | 0:23:26 | 0:23:29 | |
and it's one of the biggest radio shows in the UK. | 0:23:29 | 0:23:32 | |
We've got to turn it on. | 0:23:32 | 0:23:33 | |
Singing on the radio means sounding good is more important than ever. | 0:23:36 | 0:23:40 | |
This is a big moment. We're about to perform to millions of people | 0:23:40 | 0:23:44 | |
on the radio, so we need to be warmed up, ready. | 0:23:44 | 0:23:47 | |
This has GOT to be good. | 0:23:47 | 0:23:48 | |
# Ahhh... | 0:23:49 | 0:23:52 | |
# Euhhhh... | 0:23:52 | 0:23:54 | |
# Ooooh... # | 0:23:54 | 0:23:57 | |
-JINGLE: -# Chris Evans Breakfast Show. # | 0:23:57 | 0:24:00 | |
Good morning, Britain. | 0:24:00 | 0:24:01 | |
Welcome to another day here on Planet Earth. | 0:24:01 | 0:24:04 | |
It's 7.40. | 0:24:04 | 0:24:06 | |
I know you can't see the audience but they're out there. | 0:24:07 | 0:24:11 | |
Just make sure you really concentrate and give it your all. | 0:24:11 | 0:24:14 | |
Sing your best, try your hardest, if you do that, | 0:24:14 | 0:24:17 | |
then we can all be happy. | 0:24:17 | 0:24:20 | |
Good luck. | 0:24:20 | 0:24:22 | |
There's a girl called Miriyah, we're going to check her out. | 0:24:22 | 0:24:26 | |
She's going to sing solo! | 0:24:26 | 0:24:28 | |
Blimey, Charlie! | 0:24:28 | 0:24:29 | |
That's coming up, which is why we're not having a top ten today. | 0:24:29 | 0:24:33 | |
But what a worthy reason to bypass it. | 0:24:33 | 0:24:37 | |
There's nothing more Gareth can do. | 0:24:37 | 0:24:39 | |
There's just moments to go until they are live to the nation. | 0:24:39 | 0:24:43 | |
All right? Is everybody tired? | 0:24:43 | 0:24:45 | |
-Yes! -Ha-ha! | 0:24:45 | 0:24:47 | |
This is it. They're live. There's no second chances. | 0:24:49 | 0:24:55 | |
Blondie, Heart Of Glass, BBC Radio 2. It's Friday morning, | 0:24:55 | 0:24:59 | |
September 10, 2010. | 0:24:59 | 0:25:01 | |
Very special morning. | 0:25:01 | 0:25:02 | |
Every morning's special but particularly today, | 0:25:02 | 0:25:05 | |
for the stars of the Big Performance, | 0:25:05 | 0:25:08 | |
a brand new CBBC TV show. Morning, children! | 0:25:08 | 0:25:12 | |
Morning! | 0:25:12 | 0:25:13 | |
How are we today? | 0:25:13 | 0:25:14 | |
Fine! | 0:25:14 | 0:25:15 | |
-Morning, Gareth. -Morning. -How you doing? -Mildly nervous. | 0:25:15 | 0:25:18 | |
Miriyah, your super solo, you must be extra nervous. | 0:25:18 | 0:25:23 | |
I'm really nervous but I'll do it anyway. | 0:25:23 | 0:25:26 | |
OK. Good luck with this. | 0:25:26 | 0:25:27 | |
Gareth, it's over to you. | 0:25:27 | 0:25:29 | |
GARETH PLAYS KEYBOARD | 0:25:29 | 0:25:30 | |
# You light the skies | 0:25:30 | 0:25:35 | |
# Up above me... | 0:25:35 | 0:25:39 | |
# A star so bright... | 0:25:40 | 0:25:46 | |
# You blind me | 0:25:46 | 0:25:48 | |
# Yeah | 0:25:48 | 0:25:50 | |
# You saved my soul | 0:25:50 | 0:25:54 | |
# Don't leave me now | 0:25:54 | 0:25:57 | |
# Don't leave me now | 0:25:57 | 0:25:59 | |
# Oh-oh | 0:25:59 | 0:26:01 | |
# Hey, you and me we can ride on a star | 0:26:01 | 0:26:04 | |
# If you stay with me now | 0:26:04 | 0:26:07 | |
# We can rule the world... # | 0:26:07 | 0:26:13 | |
-CANNED APPLAUSE -Superb! That was absolutely brilliant! | 0:26:13 | 0:26:17 | |
Spine-tingling! How you doing at the back, Howard? Enjoy it? | 0:26:17 | 0:26:20 | |
-Yeah! -Rock and roll! | 0:26:20 | 0:26:22 | |
Bye, children. | 0:26:22 | 0:26:23 | |
Bye! | 0:26:23 | 0:26:25 | |
Radio 2, don't forget. It's better than Radio 1, all right, you got it? | 0:26:25 | 0:26:29 | |
Let's hear it, Radio 2! | 0:26:29 | 0:26:30 | |
-Radio 2! -Radio 2! | 0:26:30 | 0:26:32 | |
-Radio 2! -Like you mean it! | 0:26:32 | 0:26:34 | |
RADIO 2! | 0:26:34 | 0:26:36 | |
Got it, thanks! | 0:26:36 | 0:26:37 | |
That was really good. I think it went well, don't you? | 0:26:37 | 0:26:40 | |
I dunno, it seemed to pass in a blur. | 0:26:40 | 0:26:43 | |
Felt good. | 0:26:43 | 0:26:44 | |
Miriyah, my goodness. | 0:26:44 | 0:26:46 | |
Did she get it right! | 0:26:46 | 0:26:48 | |
When we first started singing... | 0:26:48 | 0:26:51 | |
Yes! Really happy, so proud of them. | 0:26:51 | 0:26:54 | |
I was proud of everyone and of myself, too. | 0:26:54 | 0:26:57 | |
I didn't think I was going to do it or anybody else, either. | 0:26:57 | 0:27:01 | |
I can't believe, I can't believe where we've got to. | 0:27:01 | 0:27:04 | |
I feel ready for Proms In The Park now. | 0:27:04 | 0:27:07 | |
We're nervous, Miriyah's nervous. | 0:27:09 | 0:27:11 | |
-Even Gareth's nervous. -Reality kicks in | 0:27:11 | 0:27:14 | |
as the group catch their first glimpse of Proms In The Park. | 0:27:14 | 0:27:17 | |
Right to the back, it will be full of people. | 0:27:17 | 0:27:20 | |
And as they get used to their new celebrity status... | 0:27:20 | 0:27:24 | |
This is sick! | 0:27:24 | 0:27:26 | |
..will they put into practice their newly-learned skills? | 0:27:28 | 0:27:31 | |
What has happened to the actions? | 0:27:31 | 0:27:34 | |
Or will it all fall apart? | 0:27:34 | 0:27:36 | |
11 weeks of work and it all comes down to 3 minutes on that stage. | 0:27:37 | 0:27:42 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:50 | |
Email [email protected] | 0:27:50 | 0:27:53 |