Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Last year on The Big Performance, ten terrified kids found | 0:00:02 | 0:00:05 | |
the courage to sing to an audience of 40,000 at Proms In The Park. | 0:00:05 | 0:00:08 | |
# We can rule the world... # | 0:00:08 | 0:00:11 | |
'The Big Performance gets the biggest cheer of the night.' | 0:00:11 | 0:00:16 | |
But for this year's kids, the challenge is MUCH bigger | 0:00:16 | 0:00:19 | |
and MUCH scarier, | 0:00:19 | 0:00:20 | |
singing live on BBC One to an audience of 11 million | 0:00:20 | 0:00:23 | |
on Children In Need night. | 0:00:23 | 0:00:25 | |
This is the biggest thing I've ever done and I'm scared. | 0:00:25 | 0:00:29 | |
Is this a challenge too far? | 0:00:29 | 0:00:31 | |
# You should've heard those knocked out jailbirds sing | 0:00:31 | 0:00:33 | |
# Let's rock... # | 0:00:33 | 0:00:34 | |
I'm being hard on you because I know you can do better. | 0:00:34 | 0:00:38 | |
Please don't make me sing this. | 0:00:38 | 0:00:40 | |
Do not go into that dark place of fear! | 0:00:40 | 0:00:43 | |
This has got to be fantastic, | 0:00:43 | 0:00:45 | |
and if it's not, we're in trouble. | 0:00:45 | 0:00:47 | |
This is The Big Performance 2. | 0:00:47 | 0:00:50 | |
These shy children have been | 0:01:12 | 0:01:14 | |
so bullied for their singing they've lost all self-belief. | 0:01:14 | 0:01:18 | |
When I was a kid I used to get bullied a lot about singing | 0:01:18 | 0:01:21 | |
and a lot of other things. | 0:01:21 | 0:01:23 | |
Award-winning choirmaster Gareth Malone has just weeks | 0:01:23 | 0:01:26 | |
to build up their confidence | 0:01:26 | 0:01:29 | |
before they sing live in front of 11 million on Children In Need. | 0:01:29 | 0:01:32 | |
I want you to shine | 0:01:32 | 0:01:34 | |
and the way that you'll shine is by putting in EFF-ORT. | 0:01:34 | 0:01:37 | |
Last time the group were inspired by Shakespeare in Stratford-upon-Avon. | 0:01:37 | 0:01:41 | |
Yes! We got you! | 0:01:41 | 0:01:42 | |
Noooo! | 0:01:42 | 0:01:44 | |
Crippling nerves threatened to ruin their first-ever public performance. | 0:01:46 | 0:01:50 | |
There's just too many people. | 0:01:50 | 0:01:52 | |
And Gareth realised just how far they've got to go. | 0:01:52 | 0:01:55 | |
It's astonishing just how little confidence they've got. | 0:01:55 | 0:01:59 | |
This week the group are introduced to a new style of music, | 0:01:59 | 0:02:02 | |
but with such an unfamiliar song... | 0:02:02 | 0:02:05 | |
I hate it, I hate the song. | 0:02:05 | 0:02:06 | |
..how will they cope performing to their first professional audience? | 0:02:06 | 0:02:11 | |
I feel really sick and... | 0:02:11 | 0:02:13 | |
I just can't do it. | 0:02:13 | 0:02:14 | |
The Big Performance tour bus is heading north | 0:02:18 | 0:02:21 | |
to the metropolitan city of Leeds. | 0:02:21 | 0:02:23 | |
This West Yorkshire city has produced some of the UK's | 0:02:23 | 0:02:26 | |
biggest names in music, including Corinne Bailey Rae | 0:02:26 | 0:02:28 | |
and Kaiser Chiefs. | 0:02:28 | 0:02:30 | |
This week's style is really exciting, really good fun. | 0:02:30 | 0:02:33 | |
I think that's what they need. | 0:02:33 | 0:02:35 | |
This group has been worn down by bullying. They need to have fun! | 0:02:35 | 0:02:40 | |
Last time they sang power ballads and the budding singers | 0:02:40 | 0:02:43 | |
are speculating about this week's musical style. | 0:02:43 | 0:02:46 | |
The way that Gareth dressed this morning, | 0:02:46 | 0:02:49 | |
the music style could be some sort of Spanish, Italian song... | 0:02:49 | 0:02:52 | |
He does have a red shirt and looks like he's going to burst out, "Ole!" | 0:02:52 | 0:02:55 | |
Incorrecto, amigos. | 0:02:55 | 0:02:57 | |
All will be revealed in a moment, | 0:02:57 | 0:02:59 | |
but first things first... | 0:02:59 | 0:03:02 | |
This week, there's only going to be one soloist and that person is... | 0:03:02 | 0:03:07 | |
..Charlize. | 0:03:12 | 0:03:15 | |
Stepping into the spotlight is Leeds homegirl Charlize | 0:03:15 | 0:03:19 | |
who only recently moved to the UK from Namibia. | 0:03:19 | 0:03:22 | |
I've always loved singing but it was never really close to my culture. | 0:03:22 | 0:03:27 | |
I'd love to join my school choir but it's just so terrifying. | 0:03:27 | 0:03:31 | |
Do you want to know what the style of music we're going to be singing is? | 0:03:33 | 0:03:36 | |
ALL: Yes! | 0:03:36 | 0:03:39 | |
# Well, it's a one for the money | 0:03:40 | 0:03:42 | |
# A two for hud-a-hee | 0:03:42 | 0:03:44 | |
# A three to get ready now go... # | 0:03:44 | 0:03:46 | |
It's rock'n'roll week! THEY CHEER | 0:03:47 | 0:03:50 | |
Rock'n'roll originated in the 1950s in America, | 0:03:50 | 0:03:53 | |
but with bands like The Baseballs still rocking out... | 0:03:53 | 0:03:58 | |
# If I lay here If I just lay here... # | 0:03:58 | 0:04:01 | |
..it's popularity remains today. | 0:04:01 | 0:04:03 | |
Although not with our singing group. | 0:04:03 | 0:04:07 | |
I didn't want it to be rock. | 0:04:07 | 0:04:09 | |
It's not my style cos it's rock'n'roll. | 0:04:09 | 0:04:11 | |
I don't listen to it. | 0:04:11 | 0:04:13 | |
This week I've got my work cut out. | 0:04:13 | 0:04:15 | |
I'm going to have to persuade them rock'n'roll can be cool. | 0:04:15 | 0:04:18 | |
I think it's cool. | 0:04:18 | 0:04:19 | |
-Ah-huh-huh... -Don't worry, Gareth, you've got one fan. | 0:04:19 | 0:04:23 | |
# Since my baby left me | 0:04:23 | 0:04:25 | |
# Found a new place to dwell... # | 0:04:25 | 0:04:28 | |
Gareth has brought the group to a Victorian concert hall. | 0:04:33 | 0:04:36 | |
Renowned for it's exceptional acoustics, | 0:04:36 | 0:04:38 | |
it's a good place to start learning the song. | 0:04:38 | 0:04:41 | |
It's a really exciting style of music. | 0:04:41 | 0:04:43 | |
And it'll hopefully be something where | 0:04:43 | 0:04:45 | |
we can just let out our silly sides and get a bit of a groove on. | 0:04:45 | 0:04:48 | |
Yes? | 0:04:48 | 0:04:51 | |
Yeah...no, I'm not persuading you. | 0:04:51 | 0:04:53 | |
OK, well, shall I tell you what the song is going to be this week? | 0:04:53 | 0:04:58 | |
ALL: Yes, please. | 0:04:58 | 0:04:59 | |
The song is called Jailhouse Rock. | 0:04:59 | 0:05:02 | |
# Should've heard those locked down jailbirds sing | 0:05:02 | 0:05:04 | |
# Let's rock... # | 0:05:04 | 0:05:05 | |
Jailhouse Rock was a number one hit 1957 for Elvis Presley, | 0:05:05 | 0:05:10 | |
the world's most successful recording artist. | 0:05:10 | 0:05:12 | |
The king of rock's outrageous performances scandalised America, | 0:05:12 | 0:05:16 | |
winning him millions of young fans who became know as teenagers. | 0:05:16 | 0:05:20 | |
His style was all about letting loose and having fun. | 0:05:20 | 0:05:23 | |
Will the group be able to shake off their fear | 0:05:23 | 0:05:27 | |
and throw themselves into this unusual style? | 0:05:27 | 0:05:29 | |
Charlize, you're the soloist this week, how are you feeling? | 0:05:29 | 0:05:32 | |
-Horrible. -Horrible? | 0:05:32 | 0:05:34 | |
The style of music is so alien to them, | 0:05:34 | 0:05:36 | |
I've got to persuade them that it's good, that it's fun. | 0:05:36 | 0:05:39 | |
I've got to get them to loosen up, they've gone back into their shells. | 0:05:39 | 0:05:43 | |
The lesson's not exactly rockin' and a rollin' | 0:05:43 | 0:05:46 | |
so Gareth decides a few props might help. | 0:05:46 | 0:05:48 | |
Oh, yeah, cool! | 0:05:48 | 0:05:50 | |
Charlize, why don't you come round here so I can see you? | 0:05:50 | 0:05:53 | |
Glasses on, Tia. Come on, let's not have a battle over the glasses. | 0:05:53 | 0:05:58 | |
It's time for Charlize to put her anxiety about the song aside | 0:05:58 | 0:06:01 | |
and face up to her solo. | 0:06:01 | 0:06:02 | |
# The warden through a party in the county jail | 0:06:02 | 0:06:04 | |
# The prison band was there and they began to wail | 0:06:04 | 0:06:07 | |
# Band was jumping and the joint began to swing | 0:06:07 | 0:06:10 | |
# Should have heard this knocked out jailbird sing, let's rock | 0:06:10 | 0:06:14 | |
# Everybody, let's rock... # | 0:06:14 | 0:06:16 | |
With the security of Elvis glasses to hide behind, | 0:06:16 | 0:06:19 | |
the group are finally loosening up. | 0:06:19 | 0:06:21 | |
# ..Dancin' to the jailhouse rock. # | 0:06:21 | 0:06:23 | |
-You're really getting into it. You are rocking! -I know! -Give her a round of applause. | 0:06:23 | 0:06:27 | |
Yeah! Here we go. | 0:06:27 | 0:06:29 | |
Elvis poses at the ready. Let's have some fun! | 0:06:29 | 0:06:33 | |
To Charlize's credit, she went for it more than I thought she would. | 0:06:33 | 0:06:37 | |
But Tia is struggling to get over her embarrassment. | 0:06:37 | 0:06:41 | |
I hate the song. | 0:06:41 | 0:06:42 | |
I don't know why, I just don't want to sing it. | 0:06:42 | 0:06:45 | |
-I'm so scared, sorry. -It's going to be absolutely fine. Don't worry. | 0:06:45 | 0:06:48 | |
When Gareth first met Tia, | 0:06:48 | 0:06:50 | |
he realised the extent of her fear of singing in public. | 0:06:50 | 0:06:53 | |
Just take a deep breath. It's going to be fine. Please don't cry. | 0:06:53 | 0:06:57 | |
You OK? | 0:06:57 | 0:06:58 | |
She's absolutely terrified. She's afraid of speaking and singing. | 0:06:59 | 0:07:03 | |
I think that's got to change. | 0:07:03 | 0:07:05 | |
Tia, I know this is scary, but well done, those people | 0:07:05 | 0:07:09 | |
who are starting to put their all into it and have fun. | 0:07:09 | 0:07:12 | |
No-one's going to pick on you and go, "Ha ha", if you're just like, "Yeah, I just don't care." | 0:07:12 | 0:07:16 | |
Honestly. The more you enjoy it, Tia, the better it will be. | 0:07:16 | 0:07:21 | |
We're going to sing in front of 11 million people in a few weeks, | 0:07:21 | 0:07:24 | |
so if it's not tough now, how are we ever going to do that? | 0:07:24 | 0:07:27 | |
Feeling slightly more inspired, | 0:07:29 | 0:07:31 | |
the group head off to practise their new rockabilly attitude. | 0:07:31 | 0:07:34 | |
# Number 47 said to number three. # | 0:07:34 | 0:07:38 | |
And Sasha gets some extra encouragement from James. | 0:07:38 | 0:07:41 | |
-I'll do a proper Elvis... -I can't do it! | 0:07:41 | 0:07:43 | |
-You can do it! -I can't! I really can't! | 0:07:43 | 0:07:46 | |
-You can do it. -Go. | 0:07:46 | 0:07:47 | |
# Let's rock | 0:07:47 | 0:07:49 | |
# Everybody, let's rock. # | 0:07:49 | 0:07:52 | |
While the group become more familiar with the song, and each other, | 0:07:52 | 0:07:56 | |
anxious soloist Charlize needs some extra training with Gareth. | 0:07:56 | 0:08:00 | |
I get emotional sometimes when I'm nervous. | 0:08:00 | 0:08:03 | |
I don't know what to expect. | 0:08:03 | 0:08:04 | |
Sometimes you try to keep in your tears but they don't want to go in. | 0:08:04 | 0:08:09 | |
Charlize recently moved to the UK from Africa. | 0:08:09 | 0:08:13 | |
She's a hard-working girl with a passion for performance. | 0:08:13 | 0:08:16 | |
She loves science and the school book club but still struggles to fit in with her new way of life. | 0:08:16 | 0:08:21 | |
She's desperate to come out of her shell. | 0:08:21 | 0:08:24 | |
-How are you? -I'm good. -Nervous? | 0:08:24 | 0:08:27 | |
But her fear of performing runs so deep she couldn't even sing in front of Gareth at her audition. | 0:08:27 | 0:08:32 | |
Should we sing? Why don't we sing something? | 0:08:32 | 0:08:34 | |
-Would that make you feel better or worse? -I don't know. -Possibly worse. | 0:08:34 | 0:08:38 | |
Can Charlize leave her past behind and open up in her solo session? | 0:08:39 | 0:08:44 | |
# The warden through a party in the county jail | 0:08:44 | 0:08:46 | |
# The prison band was there and they began to wail | 0:08:46 | 0:08:49 | |
# Band was jumping, mmmm.... # | 0:08:49 | 0:08:51 | |
# The band was jumping and the joint began to swing. # | 0:08:51 | 0:08:54 | |
Let's try that. | 0:08:54 | 0:08:55 | |
-# The band was jumping and the joint began to swing. # -Slow it down. | 0:08:55 | 0:08:58 | |
# The band was jumping and... # | 0:08:58 | 0:09:00 | |
Charlize is finding the tongue-twister lyrics a bit of a mouthful. | 0:09:00 | 0:09:03 | |
I don't even know what half of the words mean. | 0:09:03 | 0:09:06 | |
She's singing in, effectively, her second language, so getting her tongue physically around these words, | 0:09:06 | 0:09:11 | |
which are very fast, is a real problem for her. | 0:09:11 | 0:09:13 | |
# Warden through a party in the county jail. # | 0:09:13 | 0:09:16 | |
My voice isn't feeling right. | 0:09:16 | 0:09:18 | |
We need to sort this out right now. | 0:09:18 | 0:09:20 | |
First things first, you're not using your breath enough. | 0:09:20 | 0:09:23 | |
It's a very simple thing to fix. | 0:09:23 | 0:09:25 | |
I want you to run around the piano five times very fast. | 0:09:25 | 0:09:28 | |
Here we go. Ready and on your mark, set, go. One, two, three, go for it. | 0:09:28 | 0:09:32 | |
Faster. Really run. | 0:09:32 | 0:09:35 | |
HE PLAYS A PUNCHY TUNE | 0:09:35 | 0:09:37 | |
Because of all the physical tension that comes from her worrying about getting things wrong, | 0:09:37 | 0:09:41 | |
she's not breathing deeply. | 0:09:41 | 0:09:43 | |
She was just...doing shallow breath which makes it impossible to sing. | 0:09:43 | 0:09:48 | |
# The warden threw a party in the county jail... # | 0:09:48 | 0:09:51 | |
But what's the apologetic face about? | 0:09:51 | 0:09:53 | |
If you look scared, the audience will know that you're scared. | 0:09:53 | 0:09:57 | |
What have you got to be scared about? | 0:09:57 | 0:09:59 | |
What people say and think. | 0:09:59 | 0:10:02 | |
People will only think positive thoughts about you. | 0:10:02 | 0:10:05 | |
People will see you performing in front of an audience | 0:10:05 | 0:10:08 | |
and they'll think, "Good for her!" That's what they want to see. | 0:10:08 | 0:10:12 | |
She can get over her fear of failure. She can achieve great things. | 0:10:12 | 0:10:15 | |
# Should have heard this knocked out jailbird sing. # | 0:10:15 | 0:10:18 | |
That's the first time I've seen you take a deep breath. That's great. | 0:10:18 | 0:10:23 | |
What I'm worried about is what goes wrong if I forget my words | 0:10:23 | 0:10:27 | |
or if my rhythm gets out of timing and stuff. | 0:10:27 | 0:10:30 | |
Just a lot of things to worry about. | 0:10:30 | 0:10:33 | |
Later today the group must sing their version of Jailhouse Rock | 0:10:35 | 0:10:39 | |
to an as yet unknown special audience. | 0:10:39 | 0:10:42 | |
You are going to be performing your song, Jailhouse Rock, | 0:10:42 | 0:10:45 | |
in front of rock'n'roll professional performers. | 0:10:45 | 0:10:48 | |
Oh, my day! | 0:10:48 | 0:10:50 | |
These specialist rock'n'roll musical stars will be judging our reluctant rockabillies later, | 0:10:50 | 0:10:57 | |
and have high expectations. | 0:10:57 | 0:10:59 | |
To put on an authentic rock and roll performance, you've got to be able to do the moves. | 0:10:59 | 0:11:04 | |
Gareth's brought in two celebrity dancers | 0:11:05 | 0:11:08 | |
to teach our singers rock'n'roll's most famous dance, the jive. | 0:11:08 | 0:11:11 | |
-Hi, guys. -Hey, guys. How are you? | 0:11:11 | 0:11:13 | |
Actress Ali Bastian and professional dancer Robin Windsor | 0:11:13 | 0:11:16 | |
both took part in BBC's Strictly Come Dancing | 0:11:16 | 0:11:19 | |
before going on to tour the country together | 0:11:19 | 0:11:21 | |
in their globally successful dance show, Burn The Floor. | 0:11:21 | 0:11:25 | |
# One, two, three o'clock, four o'clock, rock | 0:11:25 | 0:11:28 | |
# Five, six, seven o'clock, eight o'clock, rock | 0:11:28 | 0:11:31 | |
# Nine, ten, eleven o'clock, twelve o'clock, rock | 0:11:31 | 0:11:34 | |
# We're gonna rock around the clock tonight... # | 0:11:34 | 0:11:38 | |
The jive is a fast-paced dance that involves lots of kicks, turns, swings and swivels. | 0:11:38 | 0:11:43 | |
It takes a lot of energy, which is what Ali and Robin want from the group | 0:11:43 | 0:11:46 | |
when they teach them the moves. | 0:11:46 | 0:11:49 | |
The thing with jive is it really captures the spirit of the 1950s, | 0:11:49 | 0:11:52 | |
so the main thing is just to have a good time. Just keep on smiling. | 0:11:52 | 0:11:57 | |
I don't know how they move so fast. | 0:11:57 | 0:12:00 | |
I can just about walk! I've got two left feet, honestly. | 0:12:00 | 0:12:03 | |
I can't dance at all. | 0:12:03 | 0:12:04 | |
I won't be able to dance like them. Definitely not. | 0:12:05 | 0:12:08 | |
I'll drop the person I'm dancing with! | 0:12:08 | 0:12:11 | |
I think it's time that you had a go at this, so just over here, | 0:12:11 | 0:12:15 | |
I've got some brilliant rock'n'roll outfits for you. | 0:12:15 | 0:12:18 | |
I want you to get changed into those and then come back in a minute | 0:12:18 | 0:12:22 | |
and you're going to learn five rock'n'roll dance moves. | 0:12:22 | 0:12:25 | |
OK? Off you go. | 0:12:25 | 0:12:26 | |
I'm going to be Gareth! | 0:12:26 | 0:12:28 | |
After a quick change, it's time for these guys to hit the floor. | 0:12:32 | 0:12:35 | |
With some coaching from Ali and Robin, they learn five basic steps, | 0:12:35 | 0:12:39 | |
including the hand-jive and the twist. | 0:12:39 | 0:12:42 | |
I want you to go nice and low! | 0:12:45 | 0:12:48 | |
And all the way back up. | 0:12:48 | 0:12:50 | |
Clap, clap, knees. | 0:12:50 | 0:12:52 | |
Very, very good. | 0:12:52 | 0:12:53 | |
OK, guys. Now you've got your five steps. | 0:12:54 | 0:12:58 | |
You're going to go away with your partners and freestyle and make up a little routine yourself. | 0:12:58 | 0:13:03 | |
# Let's twist again Like we did last summer | 0:13:03 | 0:13:07 | |
# Yeah... # | 0:13:07 | 0:13:08 | |
When I first announced rock'n'roll, they were absolutely crestfallen, | 0:13:08 | 0:13:13 | |
and now they're having good fun. Look at Tia. She's right in it. | 0:13:13 | 0:13:16 | |
Singing is supposed to be fun but dance really helps. | 0:13:16 | 0:13:19 | |
# Yeah, let's twist again... # | 0:13:19 | 0:13:23 | |
She's a really good dancer and I've stood on her toes once. | 0:13:23 | 0:13:27 | |
-I thought I got two left feet, but... -I've got them. | 0:13:27 | 0:13:31 | |
We're getting into the rock'n'roll mood really nicely. We love it. | 0:13:32 | 0:13:36 | |
-We're good partners, aren't we? -Yeah. | 0:13:36 | 0:13:39 | |
Maybe rock'n'roll is not so bad after all. | 0:13:39 | 0:13:42 | |
Although Michael and Imogen still need convincing. | 0:13:44 | 0:13:47 | |
I can cope with the singing. I enjoy that. I enjoy the glasses. | 0:13:47 | 0:13:50 | |
I do not like the dancing. I just think it's spoilt the whole thing. | 0:13:50 | 0:13:55 | |
I think he doesn't like dancing with me. | 0:13:55 | 0:13:59 | |
You take your hand out | 0:13:59 | 0:14:01 | |
and your partner will put her hand into yours. Oh, so cute! | 0:14:01 | 0:14:04 | |
I think there's a little romance brewing between Sasha and James. | 0:14:04 | 0:14:07 | |
They're dancing together. I think they're enjoying it a lot. | 0:14:07 | 0:14:10 | |
Holding hands and all. | 0:14:10 | 0:14:12 | |
Sasha and James got close when they were paired together for the karaoke challenge. | 0:14:12 | 0:14:17 | |
Sasha and James. | 0:14:17 | 0:14:20 | |
James became her tower of strength, | 0:14:21 | 0:14:24 | |
and since then, their bond has continued to grow. | 0:14:24 | 0:14:26 | |
Going out with James is so much easier because I know he's there. | 0:14:26 | 0:14:31 | |
-This is just too awkward, isn't it? -Yeah. | 0:14:31 | 0:14:36 | |
RECORD SKIPS | 0:14:36 | 0:14:37 | |
# Come on, baby... # | 0:14:37 | 0:14:38 | |
The dancing has proved popular, | 0:14:38 | 0:14:40 | |
but Gareth is about to throw a spanner in the works. | 0:14:40 | 0:14:43 | |
You are going to be performing these little dance routines | 0:14:43 | 0:14:47 | |
in front of the public in a shopping mall in the centre of Leeds later on. | 0:14:47 | 0:14:52 | |
Oh, no, no, no! | 0:14:52 | 0:14:54 | |
Oh, yes! Oh, yes. | 0:14:54 | 0:14:55 | |
Keep smiling. If you're having a good time then everybody will be having a good time watching you. | 0:14:55 | 0:15:01 | |
No! I don't want to do it. | 0:15:01 | 0:15:03 | |
It's going to be scary when we dance. | 0:15:03 | 0:15:05 | |
I can't dance in the middle of a shopping mall. | 0:15:05 | 0:15:07 | |
It doesn't matter if they fall over or stand on each other's toes, | 0:15:07 | 0:15:11 | |
it's about getting up in front of an audience and having a laugh. | 0:15:11 | 0:15:14 | |
In just eight weeks, the shy singers will be performing | 0:15:19 | 0:15:22 | |
in front of 11 million viewers on Children In Need night. | 0:15:22 | 0:15:25 | |
They have to get used to being put on the spot. | 0:15:25 | 0:15:28 | |
I'm really scared now. | 0:15:28 | 0:15:29 | |
It's weird because you're pulling the girl towards you | 0:15:29 | 0:15:32 | |
and I don't want to pull her too much that she pulls something! | 0:15:32 | 0:15:36 | |
This challenge will be tough for them. | 0:15:36 | 0:15:38 | |
They need to take the plunge and not worry about things going wrong. | 0:15:38 | 0:15:42 | |
OK, everyone, here we are at our destination. | 0:15:43 | 0:15:47 | |
We're going to perform your dance moves in front of whoever is in the shopping centre. | 0:15:47 | 0:15:51 | |
The key thing is not to worry about it. | 0:15:51 | 0:15:54 | |
Your energy is infectious when you go for it. You ready? | 0:15:54 | 0:15:57 | |
ALL: Yeah. | 0:15:57 | 0:15:59 | |
Come on. Let's go. | 0:15:59 | 0:16:01 | |
The Corn Exchange, built nearly 150 years ago, | 0:16:03 | 0:16:06 | |
is the oldest landmark in Leeds. | 0:16:06 | 0:16:08 | |
It attracts many visitors for its architectural beauty, | 0:16:08 | 0:16:13 | |
but a rock'n'roll performance will be a surprise. | 0:16:13 | 0:16:15 | |
OK. Come and gather here. This is it. | 0:16:17 | 0:16:20 | |
I want you to use all your courage and effort to get through this. Yes? | 0:16:20 | 0:16:25 | |
The first couple that are going to go are Mohammed and Joan. | 0:16:25 | 0:16:29 | |
It's going to be fine. Just have some fun. | 0:16:29 | 0:16:33 | |
To me, it looks like there's loads of people. | 0:16:33 | 0:16:35 | |
That makes me feel really nervous. | 0:16:35 | 0:16:37 | |
I feel really sick and I just can't do it. | 0:16:37 | 0:16:41 | |
That's it, smiling. | 0:16:42 | 0:16:44 | |
This challenge is extremely daunting for the timid performers. | 0:16:44 | 0:16:47 | |
The teasing they've experienced in the past has prevented them from really going for it. | 0:16:47 | 0:16:52 | |
Will they be able to do just that today? | 0:16:52 | 0:16:55 | |
# One, two, three o'clock, four o'clock, rock | 0:16:56 | 0:16:58 | |
# Five, six, seven o'clock, eight o'clock, rock | 0:16:58 | 0:17:02 | |
# Nine, ten, eleven o'clock, twelve o'clock rock | 0:17:02 | 0:17:04 | |
# We're gonna rock around the clock tonight | 0:17:04 | 0:17:07 | |
# Put your glad rags on and join me, hon | 0:17:07 | 0:17:10 | |
# We'll have some fun when the clock strikes one | 0:17:10 | 0:17:13 | |
# We're gonna rock around the clock tonight... # | 0:17:13 | 0:17:15 | |
I think I'm going to cry! | 0:17:17 | 0:17:20 | |
Not a bad start! | 0:17:20 | 0:17:22 | |
Can Taylor and Tia do it without stepping on each other's toes? | 0:17:22 | 0:17:25 | |
They've set the bar really high. I'm so scared now. | 0:17:25 | 0:17:27 | |
Tia wasn't initially a big fan of rock'n'roll. | 0:17:27 | 0:17:31 | |
Her fear of looking silly saw her close to tears. | 0:17:31 | 0:17:34 | |
But the fun dancing has seen her conquer her nerves. | 0:17:34 | 0:17:37 | |
Yay! | 0:17:39 | 0:17:40 | |
-That was so scary! -Let's not do that again. | 0:17:40 | 0:17:44 | |
Two pairs down and the support from the public | 0:17:45 | 0:17:47 | |
is boosting the confidence of our next dancing duo. | 0:17:47 | 0:17:50 | |
I'm really excited to go down there. | 0:17:50 | 0:17:52 | |
I thought I was going to be really nervous but I can't wait to go now. | 0:17:52 | 0:17:56 | |
# We'll be right in seventh heaven | 0:17:56 | 0:17:59 | |
# We're gonna rock around the clock tonight | 0:17:59 | 0:18:02 | |
# We're gonna rock, rock, rock till broad daylight... # | 0:18:02 | 0:18:06 | |
Another successful routine, | 0:18:07 | 0:18:09 | |
and this week's soloist can't wait to show off her moves. | 0:18:09 | 0:18:12 | |
-I just want to go down there and have fun. -Yep. High-five. | 0:18:12 | 0:18:16 | |
# We're gonna rock around the clock tonight | 0:18:16 | 0:18:18 | |
# We're gonna rock, rock, rock till broad daylight | 0:18:18 | 0:18:21 | |
# We're gonna rock, gonna rock around the clock tonight. # | 0:18:21 | 0:18:26 | |
CHEERING | 0:18:26 | 0:18:27 | |
Off you go. Good luck. | 0:18:29 | 0:18:31 | |
With only one pair left to perform, can a reluctant Michael throw himself into his routine? | 0:18:31 | 0:18:37 | |
I feel nervous about it. I don't want to do it. | 0:18:37 | 0:18:39 | |
# When the clock strikes twelve... # | 0:18:42 | 0:18:44 | |
Michael has forgotten his rehearsed moves, but instead of falling apart, | 0:18:44 | 0:18:48 | |
he thinks on his feet and covers up his mistake... | 0:18:48 | 0:18:51 | |
A clever technique he's used before. | 0:18:51 | 0:18:54 | |
You always forget this stuff, don't you? Just go blank on TV. | 0:18:54 | 0:18:58 | |
APPLAUSE | 0:18:58 | 0:18:59 | |
That was a great example of, when you go wrong, keep going. | 0:19:02 | 0:19:06 | |
That went a bit wrong in the middle but I came back | 0:19:06 | 0:19:09 | |
and injected a little personality and it ended up OK. | 0:19:09 | 0:19:13 | |
Well done. That was fantastic. You really drew on your courage. | 0:19:13 | 0:19:16 | |
I could see you going for it, which is great. | 0:19:16 | 0:19:18 | |
It's what we need when we sing our song. Feeling ready for it? | 0:19:18 | 0:19:21 | |
ALL: Yeah. | 0:19:21 | 0:19:23 | |
Come on. Let's rock'n'roll. | 0:19:23 | 0:19:24 | |
Later today, the performers will be singing in front of their first ever professional audience. | 0:19:30 | 0:19:34 | |
Before soloist Charlize can face this, | 0:19:34 | 0:19:36 | |
Gareth wants her to conquer her biggest fear. | 0:19:36 | 0:19:39 | |
I know you haven't been at this school for very long, | 0:19:39 | 0:19:42 | |
but I want you to perform in front of your friends and the other students. | 0:19:42 | 0:19:45 | |
-Have you ever done this before? -No. I haven't done it before. | 0:19:45 | 0:19:48 | |
I don't think many of my friends know that I'm able to sing. | 0:19:48 | 0:19:51 | |
I think this is the only way for you to get over this fear. | 0:19:51 | 0:19:54 | |
Charlize gets very nervous, but she also gets emotional about singing, | 0:19:54 | 0:19:57 | |
and that goes straight to her throat. She sounds so tense and restricted. | 0:19:57 | 0:20:01 | |
I hope she can get through this without crying. | 0:20:01 | 0:20:03 | |
I am worried that I might crumble but if I crumble, | 0:20:03 | 0:20:06 | |
I'll try to get back on my feet as soon as possible. | 0:20:06 | 0:20:08 | |
This is a big deal for Charlize. | 0:20:10 | 0:20:12 | |
Singing was never encouraged in her old life | 0:20:12 | 0:20:14 | |
and having only been in this school a short amount of time, | 0:20:14 | 0:20:17 | |
she's still finding her place amongst her classmates. | 0:20:17 | 0:20:20 | |
It takes some courage for someone to stand up and sing | 0:20:20 | 0:20:22 | |
in front of her friends because you never know what they're thinking. | 0:20:22 | 0:20:26 | |
I'm really glad she's trying it. | 0:20:26 | 0:20:28 | |
Hello. Come on in, Charlize. Say hello. | 0:20:31 | 0:20:35 | |
Can Charlize tap into the confidence she found in the dancing challenge | 0:20:35 | 0:20:39 | |
and put it into this performance? | 0:20:39 | 0:20:42 | |
OK, deep breath. | 0:20:42 | 0:20:44 | |
Let's give it a go, let's give it a go. Here we go. | 0:20:44 | 0:20:50 | |
Two, three, four, five, six... | 0:20:50 | 0:20:52 | |
# The warden threw a party in the county jail | 0:20:52 | 0:20:55 | |
# The prison band was there and they began to wail | 0:20:55 | 0:20:58 | |
# The band was jumping and the joint began to swing | 0:20:58 | 0:21:01 | |
# You should've heard those knocked out jailbirds sing | 0:21:01 | 0:21:04 | |
# Let's rock | 0:21:04 | 0:21:06 | |
# Everybody let's rock... # | 0:21:06 | 0:21:08 | |
Do you want to give her a hug or something? | 0:21:09 | 0:21:11 | |
Charlize is overcome with emotion | 0:21:11 | 0:21:14 | |
and can't make it to the end of the song. | 0:21:14 | 0:21:16 | |
Just look at us lot. | 0:21:17 | 0:21:20 | |
Exactly, just focus on them and you'll be absolutely fine. | 0:21:20 | 0:21:24 | |
Let's give it one more go, yes? | 0:21:24 | 0:21:25 | |
After some encouragement from her new friends, | 0:21:25 | 0:21:27 | |
Charlize decides to have another go. | 0:21:27 | 0:21:30 | |
# The warden threw a party in the county jail | 0:21:30 | 0:21:33 | |
# The prison band was there and they began to wail | 0:21:33 | 0:21:35 | |
# The band was jumping and the joint began to swing | 0:21:35 | 0:21:38 | |
# You should've heard this knocked out jailbird sing | 0:21:38 | 0:21:41 | |
# Let's rock | 0:21:41 | 0:21:42 | |
# Everybody, let's rock | 0:21:42 | 0:21:44 | |
# Everybody in the whole cell block was dancing to the jailhouse rock. # | 0:21:46 | 0:21:51 | |
APPLAUSE | 0:21:52 | 0:21:55 | |
There we go. Give me a high-five. | 0:21:55 | 0:21:57 | |
Well done, Charlize. | 0:21:57 | 0:21:59 | |
I think you've officially passed your solo challenge. | 0:21:59 | 0:22:03 | |
To come to her school and sing in front of her new friends, | 0:22:03 | 0:22:06 | |
I think that's really brave. | 0:22:06 | 0:22:07 | |
She crumbled and cried her way through the performance, | 0:22:07 | 0:22:10 | |
but she did it and I'm really glad she did. | 0:22:10 | 0:22:13 | |
It shows she's got the courage and the determination to succeed. | 0:22:13 | 0:22:17 | |
I think she will. | 0:22:17 | 0:22:18 | |
I think she's really brave because she cried first | 0:22:18 | 0:22:20 | |
and then she got back up and did well. | 0:22:20 | 0:22:24 | |
If I can sing in front of my friends which I see every day, | 0:22:24 | 0:22:28 | |
I might as well sing in front of an audience I don't know at all. | 0:22:28 | 0:22:31 | |
As they head towards their first professional audience, | 0:22:37 | 0:22:40 | |
Gareth uses the time to get them all practising the complex words. | 0:22:40 | 0:22:44 | |
# Everybody in the whole cell block was dancing to the jailhouse rock. # | 0:22:44 | 0:22:49 | |
I thought they did an excellent job at their dancing | 0:22:49 | 0:22:52 | |
and I hope they can put that into their singing. | 0:22:52 | 0:22:55 | |
They're fine when they're dancing, fine doing anything else. | 0:22:55 | 0:22:58 | |
When it comes to singing, they've really fallen apart. | 0:22:58 | 0:23:01 | |
To ensure their rock'n'roll performance | 0:23:01 | 0:23:03 | |
is as real as possible, the group need to stop holding back. | 0:23:03 | 0:23:08 | |
Something these stars know only too well. | 0:23:08 | 0:23:10 | |
Put it all out there and take a bit of a risk. | 0:23:10 | 0:23:13 | |
If you don't and you look back, | 0:23:13 | 0:23:15 | |
you'll think, "God, I could've done that little bit more." | 0:23:15 | 0:23:18 | |
I always want to feel like I'm performing with my fans, | 0:23:18 | 0:23:22 | |
not for my fans. | 0:23:22 | 0:23:23 | |
A lot of clapping involved, a lot of dancing with them. | 0:23:23 | 0:23:26 | |
I look ridiculous on stage | 0:23:26 | 0:23:27 | |
so I want them to be OK with wanting to feel ridiculous and free. | 0:23:27 | 0:23:31 | |
Once the music is playing, | 0:23:31 | 0:23:33 | |
I'm in that zone and you feel it from there, really. | 0:23:33 | 0:23:36 | |
Gareth has chosen this '50s diner as the perfect place | 0:23:38 | 0:23:42 | |
to get our budding singers into the rock'n'roll spirit. | 0:23:42 | 0:23:45 | |
Waiting expectantly for their arrival is today's audience, | 0:23:45 | 0:23:49 | |
the cast of The Twist. | 0:23:49 | 0:23:50 | |
These guys perform hits from the '50s and '60s on a regular basis. | 0:23:52 | 0:23:56 | |
They know a good rock'n'roll performance requires high-energy, | 0:23:56 | 0:24:00 | |
big smiles and pizzazz. | 0:24:00 | 0:24:01 | |
Exactly what they'll be expecting to see today. | 0:24:03 | 0:24:06 | |
I'm looking for big energy, really enjoying what they're singing | 0:24:06 | 0:24:10 | |
and really vibey and having fun with it. | 0:24:10 | 0:24:14 | |
Everyone says having some fun really is the key, | 0:24:14 | 0:24:16 | |
especially with Jailhouse Rock. | 0:24:16 | 0:24:18 | |
It's not an easy song to do. | 0:24:18 | 0:24:19 | |
Right now, I'm feeling quite nervous. | 0:24:19 | 0:24:21 | |
It's not my style of music. | 0:24:21 | 0:24:23 | |
I was really excited before, but now I'm going a little bit nervous now. | 0:24:23 | 0:24:28 | |
If you have fun, the audience will have fun | 0:24:28 | 0:24:30 | |
and I think this lot are liable to get up and dance. | 0:24:30 | 0:24:33 | |
If they get up and dance, that will be a massive success. | 0:24:33 | 0:24:36 | |
For this performance, I want a good time, | 0:24:36 | 0:24:39 | |
I want the spirit of rock'n'roll. | 0:24:39 | 0:24:41 | |
It doesn't need to be a perfect performance. | 0:24:41 | 0:24:43 | |
They've been so frightened. | 0:24:43 | 0:24:46 | |
This is the time to come together as a group and have some fun. | 0:24:46 | 0:24:49 | |
This is it. | 0:24:50 | 0:24:51 | |
Last time the group performed, | 0:24:51 | 0:24:53 | |
they were so nervous, they couldn't contain their tears. | 0:24:53 | 0:24:56 | |
With soloist Charlize starting the song, | 0:24:56 | 0:24:59 | |
can they all pull together, perfect the words and perform with energy? | 0:24:59 | 0:25:04 | |
# The warden threw a party at the county jail | 0:25:09 | 0:25:11 | |
# The prison band was there and they began to wail | 0:25:11 | 0:25:14 | |
# The band was jumping and the joint began to swing | 0:25:14 | 0:25:16 | |
# You should've seen those knocked out jailbirds sing | 0:25:16 | 0:25:19 | |
# Let's rock | 0:25:19 | 0:25:21 | |
# Everybody, let's rock | 0:25:21 | 0:25:24 | |
# Everybody in the whole cell block was dancing to the jailhouse rock | 0:25:24 | 0:25:28 | |
# Spider Murphy played the tenor saxophone | 0:25:28 | 0:25:32 | |
# Little Joe blowing on the slide trombone | 0:25:32 | 0:25:34 | |
# Drummer boy from Illinois went crash, boom, bang | 0:25:34 | 0:25:37 | |
# The whole rhythm section was the purple gang | 0:25:37 | 0:25:40 | |
# Let's rock | 0:25:40 | 0:25:41 | |
# Everybody, let's rock | 0:25:41 | 0:25:45 | |
# Everybody in the whole cell block was dancing to the jailhouse rock | 0:25:45 | 0:25:49 | |
# Let's rock | 0:25:49 | 0:25:51 | |
# Everybody, let's rock | 0:25:51 | 0:25:54 | |
# Everybody in the whole cell block was dancing to the jailhouse rock. # | 0:25:54 | 0:26:00 | |
APPLAUSE | 0:26:00 | 0:26:04 | |
Wow, well done. | 0:26:04 | 0:26:07 | |
Thank you very much. | 0:26:07 | 0:26:09 | |
The words may not have been perfect, but they still impressed. | 0:26:10 | 0:26:13 | |
The best thing about it was that they really enjoyed it. | 0:26:13 | 0:26:17 | |
They did really well. Congratulations, kids. | 0:26:17 | 0:26:21 | |
I think it was quite good. | 0:26:22 | 0:26:24 | |
If I had the first note louder, it would've been ace. | 0:26:24 | 0:26:28 | |
I'm happy with myself. | 0:26:28 | 0:26:29 | |
I was really scared and I didn't want to do this song. | 0:26:29 | 0:26:33 | |
Now I've done the performance, I'm really happy I did it | 0:26:33 | 0:26:35 | |
and I stuck to it. | 0:26:35 | 0:26:37 | |
The singing wasn't absolutely beautiful, but it had energy, | 0:26:37 | 0:26:40 | |
it had spirit and that's really good. | 0:26:40 | 0:26:42 | |
We're getting over our fear of the audience. | 0:26:42 | 0:26:44 | |
Now we've got to make them sound good. | 0:26:44 | 0:26:46 | |
With the challenges getting tougher | 0:26:46 | 0:26:48 | |
and the audiences bigger as they head towards Children In Need night, | 0:26:48 | 0:26:52 | |
they've got to start upping their game. | 0:26:52 | 0:26:55 | |
I'm going to keep pushing and pushing and pushing until it is right. | 0:26:55 | 0:26:58 | |
Today was Charlize's turn under the spotlight. | 0:27:00 | 0:27:02 | |
Does she have what it takes | 0:27:02 | 0:27:04 | |
to be the soloist on Children In Need night? | 0:27:04 | 0:27:06 | |
Charlize did a fantastic job. | 0:27:06 | 0:27:08 | |
She really turned it on and gave a great performance today. | 0:27:08 | 0:27:12 | |
Vocally, it still sounded a bit tense. | 0:27:12 | 0:27:14 | |
For that, she has a medium chance of being the Big Performance soloist. | 0:27:14 | 0:27:18 | |
From when I first said it was rock'n'roll, | 0:27:18 | 0:27:21 | |
to that performance, was a huge, huge turnaround | 0:27:21 | 0:27:23 | |
and I'm really proud of them for working that hard. | 0:27:23 | 0:27:26 | |
They still have further to go. | 0:27:26 | 0:27:28 | |
We've got to sing better, perform better. | 0:27:28 | 0:27:30 | |
There's lots of hard work ahead. | 0:27:30 | 0:27:32 | |
Next time on The Big Performance 2, | 0:27:35 | 0:27:37 | |
the group get a taste for pop stardom | 0:27:37 | 0:27:39 | |
when they hit the recording studio. | 0:27:39 | 0:27:41 | |
A celebrity mentor joins the tour bus. | 0:27:43 | 0:27:45 | |
Hello. | 0:27:45 | 0:27:47 | |
And their nerves are tested, singing live on the radio. | 0:27:47 | 0:27:51 | |
They're slightly nervous, I have to say! | 0:27:51 | 0:27:53 |