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Last year on The Big Performance, ten terrified kids found | 0:00:02 | 0:00:05 | |
the courage to sing to an audience of 40,000 at Proms In The Park. | 0:00:05 | 0:00:09 | |
'The Big Performance gets the biggest cheer of the night!' | 0:00:11 | 0:00:16 | |
But for this year's kids the challenge is much bigger | 0:00:16 | 0:00:19 | |
and much scarier - | 0:00:19 | 0:00:20 | |
singing live on BBC1 to an audience of 11 million | 0:00:20 | 0:00:23 | |
on Children In Need night. | 0:00:23 | 0:00:25 | |
This is the biggest thing I've ever done. I'm scared. | 0:00:25 | 0:00:28 | |
Now at the halfway mark, Gareth is getting tougher... | 0:00:28 | 0:00:32 | |
Let's get it absolutely right, we're talking about quality. | 0:00:32 | 0:00:35 | |
..The challenges are getting more extreme... | 0:00:35 | 0:00:38 | |
You're going to be performing in front of a group of boys. | 0:00:38 | 0:00:41 | |
Oh! | 0:00:41 | 0:00:42 | |
..The surprises keep coming... | 0:00:42 | 0:00:44 | |
I love you! | 0:00:44 | 0:00:46 | |
Oh, I love you, too! | 0:00:46 | 0:00:48 | |
..And they face their most important performance yet. | 0:00:48 | 0:00:52 | |
You are going to be singing this at someone's wedding. | 0:00:52 | 0:00:55 | |
THEY GASP AND GROAN | 0:00:55 | 0:00:56 | |
I'm really scared. | 0:00:56 | 0:00:58 | |
Oh-oh-oh-oh! | 0:00:58 | 0:00:59 | |
This is The Big Performance 2. | 0:00:59 | 0:01:02 | |
These ten children love to sing. | 0:01:26 | 0:01:28 | |
-# La... -Ley... -Oh... # | 0:01:28 | 0:01:30 | |
But have been silenced by bullies. | 0:01:30 | 0:01:33 | |
When I was a kid I used to get bullied a lot about singing. | 0:01:33 | 0:01:37 | |
They made me feel like I'm not good enough. | 0:01:37 | 0:01:39 | |
Now choirmaster Gareth Malone is taking them on a musical journey | 0:01:39 | 0:01:43 | |
to get them confident enough to sing to millions | 0:01:43 | 0:01:46 | |
live on Children In Need night. | 0:01:46 | 0:01:48 | |
I KNOW they're shy but they've got to face up to this challenge. | 0:01:48 | 0:01:52 | |
Last time, it was boys versus girls as the group went head to head. | 0:01:53 | 0:01:57 | |
I really want to beat the girls. | 0:01:57 | 0:01:59 | |
And sung for REAL pop stars. | 0:01:59 | 0:02:01 | |
I just ruined it for everyone. | 0:02:01 | 0:02:03 | |
I can't do it. | 0:02:03 | 0:02:04 | |
After the girls' victory, | 0:02:04 | 0:02:06 | |
can the whole group come back together to raise their game? | 0:02:06 | 0:02:09 | |
It's week six, they need to REALLY go for it. | 0:02:09 | 0:02:11 | |
Today the Big Performance tour bus is pulling up in the South West | 0:02:11 | 0:02:16 | |
at a very British music venue just outside Bristol. | 0:02:16 | 0:02:20 | |
This is Aston Court - a grand estate that's played host to classical, | 0:02:22 | 0:02:25 | |
rock and pop gigs, including Plan B and Portishead. | 0:02:25 | 0:02:30 | |
It's a musical legacy Gareth hopes will inspire the group. | 0:02:30 | 0:02:33 | |
We're getting to the point where the focus has to be | 0:02:33 | 0:02:37 | |
the quality of the singing, | 0:02:37 | 0:02:39 | |
not just the enthusiasm. It's going to be difficult for them. | 0:02:39 | 0:02:43 | |
-So far Molly... -# Oh... # | 0:02:43 | 0:02:45 | |
-..Charlize... -# Let's rock... # | 0:02:45 | 0:02:47 | |
-..Taylor... -# Me... # | 0:02:47 | 0:02:48 | |
-..Mohammed... -# Ee-eee... # | 0:02:48 | 0:02:50 | |
-..and Joan... -# Positivity... # | 0:02:50 | 0:02:52 | |
..have all taken on the solo. Five names remain. | 0:02:52 | 0:02:56 | |
Who will Gareth chose to step into the spotlight next? | 0:02:56 | 0:02:59 | |
Morning, everybody. ALL: Morning! | 0:02:59 | 0:03:02 | |
This week's soloist is... | 0:03:02 | 0:03:04 | |
Ge... Imogen! | 0:03:06 | 0:03:08 | |
CHEERING | 0:03:08 | 0:03:10 | |
I'm feeling a bit scared but I think I'll get through it, hopefully. | 0:03:10 | 0:03:15 | |
Fingers crossed. | 0:03:15 | 0:03:16 | |
My favourite type of music is indie and a LITTLE bit of folk. | 0:03:16 | 0:03:21 | |
In just five weeks, the group will sing live to millions | 0:03:24 | 0:03:26 | |
on Children In Need night, | 0:03:26 | 0:03:28 | |
so Gareth wants them to raise their game with this week's music style. | 0:03:28 | 0:03:32 | |
This is a really appropriate place for this week's theme... | 0:03:32 | 0:03:35 | |
British soul. | 0:03:35 | 0:03:37 | |
ALL: What?! | 0:03:37 | 0:03:39 | |
Plan B. ALL: Oh! | 0:03:39 | 0:03:41 | |
Yeah? | 0:03:41 | 0:03:42 | |
Amy Winehouse. | 0:03:42 | 0:03:43 | |
ALL: Oo-oh! | 0:03:43 | 0:03:44 | |
# She said I love you boy I love you so... # | 0:03:44 | 0:03:49 | |
British soul is a mixture of Jazz, R'n'B and reggae | 0:03:49 | 0:03:51 | |
and comes from the hugely successful American soul sound of the 1960s. | 0:03:51 | 0:03:57 | |
The songs are melodic with heartfelt vocals | 0:03:57 | 0:03:59 | |
and need to be sung with precision. | 0:03:59 | 0:04:01 | |
Today's British soul artists, such as Plan B and Adele, | 0:04:01 | 0:04:04 | |
dominate the UK charts. | 0:04:04 | 0:04:07 | |
Now, this is going to be very difficult this week | 0:04:07 | 0:04:10 | |
because we're doing a very emotional song. | 0:04:10 | 0:04:13 | |
The artist is... | 0:04:13 | 0:04:14 | |
..Adele. | 0:04:16 | 0:04:17 | |
ALL: Yes! Yes! | 0:04:17 | 0:04:19 | |
And the song is... | 0:04:19 | 0:04:21 | |
One And Only. | 0:04:21 | 0:04:23 | |
# You've been on my mind | 0:04:23 | 0:04:27 | |
# I grow fonder every day... # | 0:04:27 | 0:04:30 | |
Adele is one of Britain's most successful soul artists. | 0:04:30 | 0:04:34 | |
Her debut album went four times platinum | 0:04:34 | 0:04:37 | |
and she's already won two Grammys. | 0:04:37 | 0:04:39 | |
One And Only is a heartfelt love song | 0:04:39 | 0:04:41 | |
about one person persuading the other to take a chance on love. | 0:04:41 | 0:04:45 | |
Good song? | 0:04:45 | 0:04:47 | |
ALL: Yeah. | 0:04:47 | 0:04:48 | |
It's a BEAUTIFUL song, so there we are... | 0:04:48 | 0:04:50 | |
one for our soloist. | 0:04:50 | 0:04:52 | |
Singing a love song is a bit awkward, | 0:04:52 | 0:04:56 | |
because it's a bit soppy and I don't really like songs like that. | 0:04:56 | 0:04:59 | |
Let's start by learning the chorus. | 0:04:59 | 0:05:02 | |
Crucially, this is all about the quality of your singing. | 0:05:02 | 0:05:06 | |
The shy singers are over halfway through their musical training | 0:05:06 | 0:05:09 | |
and Gareth is raising the bar. | 0:05:09 | 0:05:11 | |
# You'll never know if you never try. # | 0:05:11 | 0:05:15 | |
Let's get it absolutely right, | 0:05:15 | 0:05:18 | |
this is where we're talking about quality. | 0:05:18 | 0:05:21 | |
'It's week six. | 0:05:21 | 0:05:22 | |
'There aren't many weeks before we sing at Children In Need. | 0:05:22 | 0:05:25 | |
'And they NEED to up their game.' | 0:05:25 | 0:05:27 | |
They need to REALLY go for it. | 0:05:27 | 0:05:29 | |
And they need to make a good quality sound. | 0:05:29 | 0:05:31 | |
ALL: # You'll never know if you never try... # | 0:05:31 | 0:05:35 | |
Almost, but I just get the impression that one or to of us are like, | 0:05:35 | 0:05:39 | |
"Yeah, whatever." Let's get it right. | 0:05:39 | 0:05:41 | |
# You'll never know... # | 0:05:41 | 0:05:44 | |
ALL: # You'll never know if you never try. # | 0:05:44 | 0:05:49 | |
# I dare you to let me be your... # | 0:05:49 | 0:05:52 | |
Good, that's getting there. It's getting much better. | 0:05:52 | 0:05:56 | |
Let's look at the beginning. This is going to be your solo, Imogen. | 0:05:56 | 0:06:00 | |
# You've been on my mind. # | 0:06:00 | 0:06:02 | |
# You've been on my mind. # | 0:06:02 | 0:06:04 | |
Nice to meet you. You nervous? | 0:06:04 | 0:06:08 | |
For Imogen, singing alone fills her with fear, | 0:06:08 | 0:06:10 | |
as Gareth found out when they first met. | 0:06:10 | 0:06:13 | |
When I was in Year 7, | 0:06:13 | 0:06:15 | |
I was up on stage and all these boys laughed at me, | 0:06:15 | 0:06:18 | |
calling me nasty names and saying "You've got a really rubbish voice." | 0:06:18 | 0:06:22 | |
-Then I've never sung again. -Never? -No. | 0:06:22 | 0:06:27 | |
'She's exactly the sort of person that you think,' | 0:06:27 | 0:06:30 | |
"Why shouldn't you sing? Why should people stop you? No reason." | 0:06:30 | 0:06:33 | |
We've got to make her feel all right about her own voice, that's the key. | 0:06:33 | 0:06:38 | |
She has to feel that it's OK for her to open her mouth in public | 0:06:38 | 0:06:41 | |
and that people will like it. | 0:06:41 | 0:06:43 | |
# To let my doubts go... # | 0:06:43 | 0:06:46 | |
'I found it quite hard to sing my solo | 0:06:46 | 0:06:49 | |
'because I didn't really know it.' | 0:06:49 | 0:06:51 | |
I still don't really like singing in front of people still. | 0:06:51 | 0:06:55 | |
'I'm trying to jump over that hurdle.' | 0:06:55 | 0:06:59 | |
# You're the only one that I want. # | 0:06:59 | 0:07:01 | |
Good! | 0:07:01 | 0:07:02 | |
OK, so all we have to do is get you to share that and convey the emotion. | 0:07:02 | 0:07:06 | |
Really good, good start. OK, everyone. | 0:07:06 | 0:07:08 | |
Successful British soul performers really identify | 0:07:08 | 0:07:12 | |
with the emotional lyrics. | 0:07:12 | 0:07:13 | |
The group need to sing with more feeling. | 0:07:13 | 0:07:16 | |
I have got, right here, some signs. | 0:07:16 | 0:07:20 | |
These signs are to help you to convey emotion. | 0:07:20 | 0:07:24 | |
Go. | 0:07:26 | 0:07:27 | |
# I dare you to let me be | 0:07:27 | 0:07:30 | |
# Your one and only. # | 0:07:30 | 0:07:33 | |
OK, good. | 0:07:33 | 0:07:35 | |
# I dare you...# | 0:07:35 | 0:07:36 | |
# I dare you to let me be your... # | 0:07:36 | 0:07:39 | |
OK, good. Go. | 0:07:39 | 0:07:42 | |
# I dare you to let me be your... # | 0:07:42 | 0:07:46 | |
Good. That's how you sounded this morning. | 0:07:46 | 0:07:48 | |
Now we're going to sound like this. | 0:07:48 | 0:07:50 | |
# I dare you to let me be your... # | 0:07:50 | 0:07:54 | |
It actually sounds so much better when we do it like that. | 0:07:54 | 0:07:57 | |
As the timid performers start to sing with more passion, | 0:07:57 | 0:08:01 | |
Gareth drops a bombshell. | 0:08:01 | 0:08:03 | |
We're going to be performing this somewhere where quality of singing | 0:08:03 | 0:08:07 | |
really, really, really matters. | 0:08:07 | 0:08:12 | |
Because you are going to be singing this at someone's wedding. | 0:08:12 | 0:08:17 | |
ALL: Oh! | 0:08:17 | 0:08:20 | |
I'm really scared I'm going to mess it up, because it's their day. | 0:08:20 | 0:08:23 | |
I'm going to make it as special as I can. | 0:08:23 | 0:08:26 | |
Really nervous about singing at the wedding. | 0:08:26 | 0:08:29 | |
It's the most important thing of their life | 0:08:29 | 0:08:32 | |
and we kind of think, "Oh, are we going to wreck it?" | 0:08:32 | 0:08:35 | |
Later, the group will be performing Adele's love song, One And Only, | 0:08:38 | 0:08:42 | |
at the wedding of Kelly and Mark. | 0:08:42 | 0:08:44 | |
Their performance will set the tone for the whole day. | 0:08:44 | 0:08:48 | |
Gareth has brought in a celebrity friend to help prepare | 0:08:48 | 0:08:51 | |
for the task ahead. | 0:08:51 | 0:08:53 | |
This person has been really making waves in the music industry. | 0:08:53 | 0:08:57 | |
And it is... | 0:08:57 | 0:08:58 | |
Dionne Bromfield. | 0:08:58 | 0:09:01 | |
Here she is. | 0:09:01 | 0:09:02 | |
-I love you! -Ah, I love you too. | 0:09:07 | 0:09:10 | |
Dionne is going to perform for us with her guitarist. | 0:09:10 | 0:09:13 | |
-What are you going to sing? -This one is called Get Over it. | 0:09:13 | 0:09:17 | |
# You're staring at your phone all day | 0:09:17 | 0:09:21 | |
# Waiting for a text to come | 0:09:21 | 0:09:26 | |
# From a boy that barely knows your name | 0:09:26 | 0:09:31 | |
# But you think that he's the one... # | 0:09:31 | 0:09:34 | |
As soon as Dionne started singing, | 0:09:34 | 0:09:36 | |
you could see they were all absolutely hooked. | 0:09:36 | 0:09:39 | |
She drew them in and conveyed the emotion of the song. | 0:09:39 | 0:09:42 | |
# ..Tell it like it is... # | 0:09:42 | 0:09:45 | |
'It's simple.' | 0:09:45 | 0:09:47 | |
You just focus on the words, the emotion | 0:09:47 | 0:09:49 | |
and communicate with your audience. | 0:09:49 | 0:09:51 | |
# ..You can't make somebody love you | 0:09:51 | 0:09:56 | |
# So mate, just get over it | 0:09:56 | 0:09:59 | |
# O-oh, oh | 0:09:59 | 0:10:02 | |
# O-oh, oh | 0:10:02 | 0:10:05 | |
# Oh, whoa, whoa | 0:10:05 | 0:10:06 | |
# Whoa. # | 0:10:06 | 0:10:09 | |
APPLAUSE | 0:10:09 | 0:10:12 | |
I think the most important thing to say is, Dionne, how old are you? | 0:10:15 | 0:10:20 | |
-I'm 15. -15. -My God! | 0:10:20 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:24 | |
Dionne is only a few years older than you | 0:10:24 | 0:10:27 | |
and look how confident she is. Have you got any questions for her? | 0:10:27 | 0:10:30 | |
Well, I'm the soloist. Is there any advice which you could give to me? | 0:10:30 | 0:10:35 | |
Be yourself, that's the main thing. Just be you and not someone else. | 0:10:35 | 0:10:39 | |
-Sasha? -Have you always been really confident? | 0:10:39 | 0:10:43 | |
Oh, no. Oh, no. | 0:10:43 | 0:10:45 | |
Definitely not. I used to be so scared to sing. | 0:10:45 | 0:10:47 | |
Before, I used to feel like, | 0:10:47 | 0:10:49 | |
"People will hate me," though I hadn't sung. | 0:10:49 | 0:10:51 | |
The main thing is I'm sure you've got amazing voices, | 0:10:51 | 0:10:54 | |
so just use it. It's a talent. | 0:10:54 | 0:10:56 | |
You've got it, so be proud of it. | 0:10:56 | 0:10:58 | |
Great, thank you. Give her a round of applause. | 0:10:58 | 0:11:00 | |
Amazing, I loved it! | 0:11:02 | 0:11:04 | |
SHE GIGGLES | 0:11:04 | 0:11:06 | |
To think that she's only 15 and only a few years older than us, | 0:11:06 | 0:11:09 | |
it's amazing. It's really inspiring. | 0:11:09 | 0:11:12 | |
Her words have really encouraged me and I'm going to do my best for her. | 0:11:12 | 0:11:17 | |
Dionne's confident performance is an inspiration to all of the group, | 0:11:17 | 0:11:21 | |
but this week it's down to Imogen to prove she too can take centre stage. | 0:11:21 | 0:11:26 | |
13-year-old Imogen lives half at home with Mum, Dad | 0:11:27 | 0:11:31 | |
and little sister, and half at boarding school. | 0:11:31 | 0:11:34 | |
She loves music and rocking out to favourite band Two Door Cinema Club. | 0:11:34 | 0:11:39 | |
From day one, Imogen has been one of the quietest singers in the group... | 0:11:40 | 0:11:46 | |
You've really got to move your mouth, naming no names at all...Imogen. | 0:11:46 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:51 | |
..and has struggled to face up to the performance challenges. | 0:11:51 | 0:11:54 | |
Come and stand over here. | 0:11:54 | 0:11:56 | |
'What's holding her back at the moment is her fear of an audience.' | 0:11:56 | 0:12:01 | |
Specifically a fear of boys. | 0:12:01 | 0:12:03 | |
When she's with the rest of the group, she hardly sings at all. | 0:12:03 | 0:12:06 | |
I have to get her past that. | 0:12:06 | 0:12:08 | |
And one. | 0:12:08 | 0:12:09 | |
-# You've been on my mind -# You've been on my mind | 0:12:09 | 0:12:12 | |
# You've been on my mind. # Try that? | 0:12:12 | 0:12:15 | |
# You've been on my mind. # | 0:12:15 | 0:12:17 | |
Imogen, what we need is to see a very different side | 0:12:17 | 0:12:21 | |
of your personality. | 0:12:21 | 0:12:22 | |
Is the rest of your family shy? | 0:12:22 | 0:12:24 | |
No. | 0:12:24 | 0:12:26 | |
-My mum's not shy at all. -What about your dad? | 0:12:26 | 0:12:29 | |
He's in the army, so he just tells people what to do. | 0:12:29 | 0:12:33 | |
So it is in your family. I'm going to try a little experiment. | 0:12:33 | 0:12:38 | |
I have here this officer's cap. | 0:12:38 | 0:12:41 | |
I'd like you to put it on. | 0:12:41 | 0:12:43 | |
There we are. You are now in charge | 0:12:43 | 0:12:47 | |
and I am going to be your soldier | 0:12:47 | 0:12:50 | |
and I want you to order me | 0:12:50 | 0:12:53 | |
through these cones. | 0:12:53 | 0:12:56 | |
OK? | 0:12:56 | 0:12:59 | |
I'm not going to move unless you give me a proper order. | 0:12:59 | 0:13:02 | |
Imogen suffers from a stutter, | 0:13:02 | 0:13:04 | |
so this challenge will take her completely out of her comfort zone. | 0:13:04 | 0:13:08 | |
OK, move to the first cone. | 0:13:08 | 0:13:12 | |
Please? | 0:13:12 | 0:13:14 | |
Can you please...? | 0:13:15 | 0:13:17 | |
Right, move to the first cone. | 0:13:17 | 0:13:21 | |
Move to that orange cone there. | 0:13:22 | 0:13:25 | |
Move fast! | 0:13:28 | 0:13:29 | |
Move to the fifth one. | 0:13:31 | 0:13:33 | |
MOVE NOW! | 0:13:35 | 0:13:37 | |
Good, that's it. That's real authority. | 0:13:37 | 0:13:40 | |
You've got real authority there. | 0:13:40 | 0:13:42 | |
'She has the ability and she needs to realise that herself.' | 0:13:42 | 0:13:45 | |
That she can stand up in front of a room and she can command. | 0:13:45 | 0:13:48 | |
You're quite powerful. You've got a loud voice. | 0:13:48 | 0:13:52 | |
Let's leave the hat on and just try again. | 0:13:52 | 0:13:54 | |
HE PLAYS PIANO | 0:13:54 | 0:13:56 | |
# You've been on my mind | 0:13:56 | 0:14:00 | |
# I grow fonder every day... # | 0:14:00 | 0:14:04 | |
'Imogen is a person with bags of personality, waiting to come out. | 0:14:04 | 0:14:09 | |
'She can do this, she can give an order, | 0:14:09 | 0:14:11 | |
'she can stand up and sing if she believes in herself.' | 0:14:11 | 0:14:14 | |
And she's got a difficult song. | 0:14:14 | 0:14:16 | |
Fine, good. We are almost there. I'm going to take your hat back. | 0:14:16 | 0:14:21 | |
I need to see this when you're singing. | 0:14:21 | 0:14:23 | |
I know that you can do this and I know you've had a stutter, | 0:14:23 | 0:14:27 | |
I know you've been bullied, | 0:14:27 | 0:14:29 | |
but I don't think it's destroyed Imogen, has it? | 0:14:29 | 0:14:32 | |
Because you're quite tough, I think. | 0:14:32 | 0:14:34 | |
-Can you do it? -Yeah. -Good, thank you. Good girl. | 0:14:34 | 0:14:36 | |
'I don't really like shouting at people, | 0:14:36 | 0:14:40 | |
'so that was quite hard. But I did it and it felt really good after.' | 0:14:40 | 0:14:43 | |
I'm going to just sing as loud as I can and just enjoy myself | 0:14:43 | 0:14:48 | |
and not care what everybody thinks. | 0:14:48 | 0:14:52 | |
All eyes will be on Imogen and the group | 0:14:55 | 0:14:57 | |
when they perform at the wedding later on. | 0:14:57 | 0:15:00 | |
They need to take to the stage like stars. | 0:15:00 | 0:15:03 | |
It's very important, when you're on stage, | 0:15:03 | 0:15:05 | |
to not care what other people think. | 0:15:05 | 0:15:07 | |
You need to get lost. | 0:15:07 | 0:15:09 | |
Get lost in your performance, get lost in yourself | 0:15:09 | 0:15:11 | |
and that's when you'll be the best you can. | 0:15:11 | 0:15:14 | |
I think it's always the best to be yourself | 0:15:14 | 0:15:16 | |
and show your true personality when you're on stage. | 0:15:16 | 0:15:19 | |
That's when the audience can tell if you're a true performer. | 0:15:19 | 0:15:22 | |
You have to be yourself and I think you do have to have the courage | 0:15:22 | 0:15:25 | |
to just go out there and put what you are out there. | 0:15:25 | 0:15:28 | |
Soul singers are known for their heartfelt performances | 0:15:32 | 0:15:35 | |
that convey real emotion. | 0:15:35 | 0:15:38 | |
Gareth wants his group to be able to do the same | 0:15:38 | 0:15:40 | |
when they sing at the wedding. | 0:15:40 | 0:15:43 | |
And he has a rather unusual strategy to get them expressing themselves. | 0:15:43 | 0:15:47 | |
In there is a press room and you are going to be interviewed | 0:15:47 | 0:15:51 | |
by Top Of The Pops Magazine journalist Zoe. What I'm looking for | 0:15:51 | 0:15:55 | |
is for you to be open, engaging and honest, | 0:15:55 | 0:15:58 | |
as much as you possibly can. | 0:15:58 | 0:16:00 | |
The person who is, will get their face on the magazine. | 0:16:00 | 0:16:05 | |
ALL: Oh! | 0:16:05 | 0:16:06 | |
Follow me. | 0:16:06 | 0:16:08 | |
The things that make an interview really interesting | 0:16:08 | 0:16:11 | |
are honesty and truthfulness. | 0:16:11 | 0:16:13 | |
This is Zoe. | 0:16:13 | 0:16:14 | |
'Someone who can be conversational and engaging.' | 0:16:14 | 0:16:19 | |
Most of these shy children find it hard to be the centre of attention. | 0:16:19 | 0:16:23 | |
Can they relax and talk about themselves? | 0:16:23 | 0:16:25 | |
Today, I'm going to be asking you all about The Big Performance. | 0:16:25 | 0:16:28 | |
Who's been your favourite celebrity guest? | 0:16:28 | 0:16:31 | |
I think Melanie C from The Spice Girls. She was really fun. | 0:16:31 | 0:16:35 | |
She gave really nice advice. | 0:16:35 | 0:16:37 | |
She was so sincere with it, I found that really nice. | 0:16:37 | 0:16:40 | |
He's really clear and really concise. | 0:16:40 | 0:16:42 | |
He kind of made it his own interview by making it really personal. | 0:16:42 | 0:16:46 | |
They're enjoying speaking, | 0:16:46 | 0:16:48 | |
they're enjoying talking about themselves and they're opening up. | 0:16:48 | 0:16:51 | |
You have to open up when performing. | 0:16:51 | 0:16:53 | |
Next is Michael. In rock'n'roll week, | 0:16:53 | 0:16:56 | |
he managed to cover up his mistakes during the dance challenge. | 0:16:56 | 0:17:00 | |
That was a great example of when you go wrong, keep going. | 0:17:00 | 0:17:03 | |
This task isn't about distracting the audience with fancy moves. | 0:17:03 | 0:17:08 | |
Can he keep his cool and give a no-frills, honest interview? | 0:17:08 | 0:17:11 | |
-What's been hardest for you so far? -Well, it's hard to put my finger on. | 0:17:11 | 0:17:15 | |
Er... probably be trying to stand out from the crowd more when I'm singing. | 0:17:15 | 0:17:20 | |
Michael's really good. He's very honest, very open. | 0:17:20 | 0:17:23 | |
I hesitated on a couple of them and I said, "Um," | 0:17:23 | 0:17:27 | |
quite a lot, because everyone does that, but I think... I don't know. | 0:17:27 | 0:17:31 | |
-Hi, James. -James has no problem talking honestly about Gareth. | 0:17:31 | 0:17:36 | |
Let's say he's a bit of a... a beatbox. | 0:17:36 | 0:17:39 | |
-I can't really describe him. -Really? | 0:17:39 | 0:17:41 | |
HE BEATBOXES | 0:17:41 | 0:17:43 | |
Finally, it's Taylor. Can he make the headlines with Zoe? | 0:17:47 | 0:17:52 | |
I've really enjoyed all the fun activities, like meeting celebrities. | 0:17:52 | 0:17:56 | |
-Especially coming here and meeting you. -Wow! | 0:17:56 | 0:18:00 | |
-It's true. -OK. Er, and... | 0:18:00 | 0:18:03 | |
Smooth moves, Taylor! | 0:18:03 | 0:18:05 | |
'He was really good. He was charming, he was funny.' | 0:18:05 | 0:18:08 | |
It's not always what you're saying, it's how you say it. | 0:18:08 | 0:18:11 | |
Adele, for example, is really truthful, honest and bubbly. | 0:18:11 | 0:18:14 | |
They've all started to open up, | 0:18:16 | 0:18:20 | |
but who was the most expressive and engaging? | 0:18:20 | 0:18:22 | |
We have deliberated, we have thought about your interviews | 0:18:22 | 0:18:26 | |
and we have chosen a winner. | 0:18:26 | 0:18:27 | |
You all did a really brilliant job, | 0:18:27 | 0:18:29 | |
but there was one of you that really stood out and that was... | 0:18:29 | 0:18:33 | |
Mohammed. | 0:18:33 | 0:18:36 | |
APPLAUSE | 0:18:36 | 0:18:38 | |
Well done, Mohammed. | 0:18:38 | 0:18:39 | |
'It was amazing.' | 0:18:39 | 0:18:41 | |
I'm definitely going to put it on my wall in my room. | 0:18:41 | 0:18:44 | |
It's hard to believe that Mohammed was crying when he had to sing | 0:18:44 | 0:18:47 | |
a solo, and now he's really finding much more confidence. | 0:18:47 | 0:18:51 | |
Children In Need is just five weeks away, | 0:18:52 | 0:18:56 | |
where the nervous performers will sing live on television | 0:18:56 | 0:19:00 | |
to 11 million viewers. | 0:19:00 | 0:19:01 | |
On the night, they'll be joined via satellite | 0:19:01 | 0:19:04 | |
by nine other groups across the nation. | 0:19:04 | 0:19:06 | |
Including Bridgewater College Show Choir, | 0:19:08 | 0:19:11 | |
who Gareth's brought to demonstrate the performance he's looking for. | 0:19:11 | 0:19:15 | |
As soon as they started, it was just like a sonic boom of voices. | 0:19:15 | 0:19:19 | |
'I really want our choir to be like them.' | 0:19:19 | 0:19:23 | |
I thought they were really cool and I was literally feeling the vibe. | 0:19:23 | 0:19:27 | |
I was like, "Yeah!" | 0:19:27 | 0:19:28 | |
# I'm talking to the man in the mirror... # | 0:19:28 | 0:19:32 | |
At Children In Need, we have to reach that level. | 0:19:32 | 0:19:35 | |
We have to get to that intensity, | 0:19:35 | 0:19:37 | |
we have to mean what we're singing about. | 0:19:37 | 0:19:40 | |
Later, the shy singers will be performing Adele's love song | 0:19:42 | 0:19:46 | |
One And Only to a bride and groom on their wedding day. | 0:19:46 | 0:19:49 | |
This is a huge responsibility, especially for timid soloist Imogen. | 0:19:51 | 0:19:55 | |
To make sure she's up to it, Gareth wants her to face her worst fear. | 0:19:55 | 0:20:00 | |
Who do you think you're going to be performing for | 0:20:00 | 0:20:03 | |
in your performance challenge? | 0:20:03 | 0:20:05 | |
-I think in front of my friends. -I'm afraid it's not your friends. | 0:20:05 | 0:20:10 | |
It is something a little bit more scary. | 0:20:10 | 0:20:13 | |
You are going to be performing in front of a group of boys | 0:20:13 | 0:20:16 | |
-from the local boys school. -Oh! | 0:20:16 | 0:20:19 | |
I'm feeling quite, like, nervous about the solo challenge | 0:20:26 | 0:20:30 | |
and I'm quite scared of boys. | 0:20:30 | 0:20:33 | |
The reason Imogen's frightened of singing | 0:20:33 | 0:20:35 | |
is because she was bullied about her singing by boys. | 0:20:35 | 0:20:38 | |
This is the only way for her to get over this fear. | 0:20:38 | 0:20:41 | |
She's got to confront it. | 0:20:41 | 0:20:43 | |
Come and stand there. This is Imogen, everyone. | 0:20:45 | 0:20:49 | |
That's it, stand up to it. | 0:20:51 | 0:20:53 | |
-Um... -Go for it. | 0:20:53 | 0:20:57 | |
GARETH PLAYS PIANO | 0:20:57 | 0:20:59 | |
# You've been on my mind | 0:21:03 | 0:21:06 | |
# I grow fonder every day... # | 0:21:08 | 0:21:13 | |
Oh! | 0:21:13 | 0:21:14 | |
With the boys all watching, shy Imogen forgets the lyrics. | 0:21:14 | 0:21:18 | |
# Losing myself in... # | 0:21:18 | 0:21:19 | |
# Losing myself in time | 0:21:19 | 0:21:23 | |
# You're the only one that I want. # | 0:21:23 | 0:21:29 | |
-How do you think she did? -Brilliant. -What do you think of her voice? | 0:21:34 | 0:21:38 | |
-Fantastic. -Amazing. -It's a nice voice. | 0:21:38 | 0:21:40 | |
It really is a nice voice. Any words of advice? | 0:21:40 | 0:21:43 | |
Try and be more confident with yourself, | 0:21:43 | 0:21:45 | |
because you're just amazing at it. Just be more confident. | 0:21:45 | 0:21:49 | |
I think now I can conquer anything | 0:21:49 | 0:21:51 | |
because I've just performed in front of six boys | 0:21:51 | 0:21:54 | |
and I did it, so I can do anything, really. | 0:21:54 | 0:21:58 | |
She did it, she passed. | 0:21:58 | 0:22:01 | |
But she did fluff some lines and the worry is, at the wedding, | 0:22:01 | 0:22:04 | |
she cannot afford to do that. | 0:22:04 | 0:22:06 | |
But I'm really proud of her. | 0:22:06 | 0:22:08 | |
As they arrive at the wedding venue, | 0:22:11 | 0:22:15 | |
the countdown to show time begins. | 0:22:15 | 0:22:18 | |
Weddings are one of the most emotional occasions | 0:22:18 | 0:22:22 | |
in anyone's life, so the group must put on a memorable performance. | 0:22:22 | 0:22:25 | |
When under pressure, soloist Imogen forgot the lyrics | 0:22:25 | 0:22:30 | |
so Gareth calls a last minute rehearsal with the band. | 0:22:30 | 0:22:32 | |
We are singing to them on the most special day of their entire lives. | 0:22:32 | 0:22:37 | |
So it's got to good, but I think more than anything it has to be heartfelt. | 0:22:37 | 0:22:41 | |
So we've got to forget about our worries, | 0:22:41 | 0:22:43 | |
forget about ourselves and put them first. | 0:22:43 | 0:22:46 | |
HE PLAYS PIANO | 0:22:48 | 0:22:50 | |
# You've been on my mind... # | 0:22:50 | 0:22:54 | |
Come on, where's the Sergeant Major? Yeah? Go for it. | 0:22:54 | 0:22:57 | |
Sergeant Major. | 0:22:57 | 0:22:58 | |
LOUDLY: # You've been on my mind! # And go! | 0:22:58 | 0:23:02 | |
# You've been on my mind... # | 0:23:02 | 0:23:04 | |
Great! | 0:23:04 | 0:23:06 | |
# ..I grow stronger every day | 0:23:07 | 0:23:12 | |
# Lose myself in time | 0:23:12 | 0:23:15 | |
# Just thinking of your face | 0:23:15 | 0:23:19 | |
# God only knows... # | 0:23:19 | 0:23:22 | |
Hallelujah! | 0:23:22 | 0:23:24 | |
# ..Why it's taking me so long | 0:23:24 | 0:23:28 | |
# To let my...doubts go... # | 0:23:28 | 0:23:31 | |
Don't worry, keep going. | 0:23:31 | 0:23:33 | |
# ..You're the only one that I want... # | 0:23:33 | 0:23:38 | |
Sorry, sorry, sorry. Who was that? Was that Imogen?! | 0:23:38 | 0:23:41 | |
'It was really cool. I, like, turned up the volume.' | 0:23:41 | 0:23:45 | |
I felt really proud of myself. | 0:23:45 | 0:23:47 | |
I was so happy to hear Imogen sing properly, with a loud voice, | 0:23:47 | 0:23:52 | |
in front of everyone | 0:23:52 | 0:23:54 | |
and really get the solo exactly as it should be. | 0:23:54 | 0:23:57 | |
It's a great final rehearsal for Imogen, but will she lead the group | 0:23:57 | 0:24:01 | |
and sing her heart out when it matters? | 0:24:01 | 0:24:03 | |
MUSIC: The Wedding March | 0:24:03 | 0:24:06 | |
The vows have been made and it's just moments until the shy singers | 0:24:06 | 0:24:09 | |
have to perform to the newlyweds and all of their guests. | 0:24:09 | 0:24:14 | |
I'm feeling quite scared about doing a solo at the wedding, | 0:24:14 | 0:24:17 | |
but if I can do this, I can do anything. | 0:24:17 | 0:24:20 | |
'I'm excited now, but really scared.' | 0:24:24 | 0:24:26 | |
I don't know, I've got every single emotion mixed up. Ooh! | 0:24:26 | 0:24:31 | |
They cannot get this wrong. | 0:24:31 | 0:24:33 | |
This has got to be fantastic and if it's not, we're in trouble. | 0:24:33 | 0:24:38 | |
Can Imogen dig deep and sing with real emotion to the bride and groom? | 0:24:40 | 0:24:44 | |
This song is dedicated to you. | 0:24:46 | 0:24:49 | |
It's called The One And Only by Adele. | 0:24:49 | 0:24:52 | |
PIANO PLAYS | 0:24:52 | 0:24:54 | |
# You've been on my mind | 0:24:56 | 0:24:59 | |
# I grow fonder every day | 0:25:00 | 0:25:05 | |
# Losing my mind | 0:25:05 | 0:25:08 | |
# Just thinking of your face | 0:25:10 | 0:25:16 | |
# Nobody knows | 0:25:16 | 0:25:19 | |
# And it's taking over me | 0:25:19 | 0:25:23 | |
# My doubts go | 0:25:23 | 0:25:27 | |
# You're the only one that I want | 0:25:27 | 0:25:31 | |
# You'll never know if you never try | 0:25:33 | 0:25:36 | |
# To forget your past and simply be mine | 0:25:36 | 0:25:43 | |
# I dare you to let me be | 0:25:43 | 0:25:47 | |
# Your one and only | 0:25:47 | 0:25:50 | |
# I promise I'm worthy | 0:25:52 | 0:25:56 | |
# To hold in your arms | 0:25:56 | 0:25:59 | |
# So come on and give me the chance | 0:25:59 | 0:26:03 | |
# To prove I am the one who can | 0:26:03 | 0:26:07 | |
# Walk that mile | 0:26:07 | 0:26:11 | |
# Until the end starts. # | 0:26:11 | 0:26:17 | |
APPLAUSE AND CHEERING | 0:26:19 | 0:26:23 | |
Despite a few mistakes with the lyrics, they did it. | 0:26:23 | 0:26:27 | |
Their first formal gig and this time | 0:26:27 | 0:26:30 | |
the only tears were in the audience. | 0:26:30 | 0:26:33 | |
Imogen is amazing. Yeah, she made me cry. | 0:26:33 | 0:26:36 | |
We were very impressed. | 0:26:36 | 0:26:38 | |
It was very nice to have that as part of our wedding. | 0:26:38 | 0:26:41 | |
Smile, guys! | 0:26:41 | 0:26:42 | |
'I kind of mucked it up because I forgot some words,' | 0:26:42 | 0:26:45 | |
but I covered it up and followed Gareth's voice | 0:26:45 | 0:26:49 | |
and I just gave my performance. | 0:26:49 | 0:26:52 | |
I think they liked it, especially the bride | 0:26:52 | 0:26:54 | |
because she was crying. | 0:26:54 | 0:26:56 | |
I think, hopefully, it was with happiness. | 0:26:56 | 0:26:58 | |
'I'm not sure that they absolutely slammed it.' | 0:26:58 | 0:27:03 | |
It was good and they were pleased, | 0:27:03 | 0:27:04 | |
but I know that they can do much better | 0:27:04 | 0:27:06 | |
and I have to keep getting them to aspire | 0:27:06 | 0:27:09 | |
to be as good as they possibly can be in front of the audience. | 0:27:09 | 0:27:12 | |
That's the problem. | 0:27:12 | 0:27:15 | |
I'm really pleased with how far Imogen has come, | 0:27:15 | 0:27:19 | |
because she seemed so timid when they started. | 0:27:19 | 0:27:22 | |
As much as I'd like to give her a high, as her voice | 0:27:22 | 0:27:24 | |
sounds really nice, she was a little bit unreliable in performance. | 0:27:24 | 0:27:28 | |
So I'm giving her a medium chance of being a Big Performance soloist. | 0:27:28 | 0:27:32 | |
Next time, Gareth gets tough. | 0:27:33 | 0:27:35 | |
We perform for the entire nation | 0:27:35 | 0:27:39 | |
in a matter of weeks. | 0:27:39 | 0:27:40 | |
Their final performance is thrown into jeopardy. | 0:27:40 | 0:27:43 | |
Their first performance on a massive scale, and look at the weather! | 0:27:43 | 0:27:47 | |
-Can Rizzle Kicks save the day? -It's all about confidence, right? | 0:27:47 | 0:27:51 | |
You've got to show you know what you're doing. | 0:27:51 | 0:27:54 | |
Subtitles by Red Bee Media Ltd | 0:28:04 | 0:28:07 | |
E-mail [email protected] | 0:28:07 | 0:28:10 |