Browse content similar to Slings and Arrows (Episode 1&2). Check below for episodes and series from the same categories and more!
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AIR HORN BLARES | 0:00:07 | 0:00:09 | |
Yes, yes! | 0:00:09 | 0:00:10 | |
CROWD CHEER | 0:00:22 | 0:00:25 | |
Sorry. | 0:00:25 | 0:00:26 | |
That's all right. | 0:00:26 | 0:00:27 | |
WHISTLE | 0:00:35 | 0:00:37 | |
You totally won it for the Blues. | 0:00:42 | 0:00:44 | |
You're definitely going to get a scholarship. | 0:00:44 | 0:00:46 | |
-Hey, my manager wants to see me later. -Way to go! | 0:00:46 | 0:00:50 | |
Can you sign your match shirt for me? | 0:00:50 | 0:00:52 | |
What are you doing? | 0:00:52 | 0:00:53 | |
It'll go for megabucks when he's top goal scorer for England. | 0:00:53 | 0:00:57 | |
See, you're going to win one day. | 0:00:57 | 0:00:59 | |
Top shelf more like. | 0:00:59 | 0:01:00 | |
-Ryan! -Go on, Bailey. | 0:01:00 | 0:01:02 | |
-ALL CHANT: -Bailey, Bailey, Bailey, Bailey, Bailey... | 0:01:02 | 0:01:07 | |
Go on, Bailey. | 0:01:18 | 0:01:20 | |
THEY CHEER | 0:01:22 | 0:01:25 | |
Bailey Wharton? | 0:01:27 | 0:01:29 | |
You were at the football trials. | 0:01:31 | 0:01:33 | |
Yeah, if you're an agent you've got to talk to my manager. | 0:01:33 | 0:01:36 | |
I, er, I'm not an agent... | 0:01:36 | 0:01:40 | |
I'm your mum. | 0:01:41 | 0:01:42 | |
I've been...been trying to track you down for years and then, | 0:02:03 | 0:02:07 | |
and then I saw this in the paper. | 0:02:07 | 0:02:10 | |
Found out you was playing yesterday. | 0:02:10 | 0:02:12 | |
I'll get Mike. | 0:02:12 | 0:02:14 | |
How did you know I live here? | 0:02:14 | 0:02:16 | |
One of your team-mates told me. | 0:02:16 | 0:02:18 | |
So sorry, Bailey. | 0:02:20 | 0:02:21 | |
Mike? We need you in the garden. | 0:02:24 | 0:02:25 | |
DOORBELL | 0:02:25 | 0:02:27 | |
One second. | 0:02:27 | 0:02:29 | |
-Mike Milligan? -Yes. | 0:02:31 | 0:02:32 | |
Rowena Spike and Lizzie Drewit from Ofsted. | 0:02:32 | 0:02:35 | |
Lucky you. It's inspection day. | 0:02:39 | 0:02:41 | |
You said you were trying to track me down. | 0:02:45 | 0:02:47 | |
Yeah, that's rubbish, because you could have called my dad. | 0:02:47 | 0:02:50 | |
-It's not that simple. -You need to leave now. | 0:02:50 | 0:02:53 | |
-Unless you have official permission. -Kazima, chill out. | 0:02:53 | 0:02:55 | |
-The inspectors from Ofsted are here. -Bailey. -No. | 0:02:55 | 0:02:58 | |
No, you walked out when I was two. | 0:03:00 | 0:03:03 | |
I don't need my mum no more. | 0:03:03 | 0:03:05 | |
-Bailey, wait. -An Ofsted inspection, here? -I can't leave him like this. | 0:03:07 | 0:03:11 | |
-Can you talk to him for me? -Inspecting what? | 0:03:12 | 0:03:15 | |
Basically, how Mike runs The Dumping Ground, | 0:03:15 | 0:03:17 | |
-they check every single file in the office. -Yeah, check our daily logs. | 0:03:17 | 0:03:21 | |
And ask loads of dumb questions like, how much salad do we eat? | 0:03:21 | 0:03:26 | |
They marked my last place so bad it nearly got shut down. | 0:03:26 | 0:03:28 | |
-Did Mike know they were coming? -No, that's the whole point. | 0:03:28 | 0:03:31 | |
They catch you on a normal day. | 0:03:31 | 0:03:33 | |
Sanction book. Complaints book. Risk assessments. Health and safety log. | 0:03:52 | 0:03:59 | |
Care plans. Hospital and doctors reports. | 0:04:00 | 0:04:04 | |
I told you to get lost. | 0:04:14 | 0:04:16 | |
Is she yours or...or? | 0:04:20 | 0:04:23 | |
Is it a he? | 0:04:23 | 0:04:25 | |
It's none of your business. | 0:04:25 | 0:04:27 | |
Come on, Bailey, she's your mum. You can give her five minutes. | 0:04:27 | 0:04:30 | |
Er... I can, er... I can see that you're into your footy, then. | 0:04:33 | 0:04:38 | |
-My dad, he, he would have been proud. -That's your grandad, Bailey. | 0:04:40 | 0:04:44 | |
Clock's ticking, yeah? | 0:04:46 | 0:04:49 | |
I'm sorry, what was that again, now? | 0:04:49 | 0:04:51 | |
The fire extinguisher is used for fires, not propping open doors. | 0:04:54 | 0:04:58 | |
And what's that up there? Where's the batteries for the smoke alarm? | 0:05:00 | 0:05:05 | |
-TV remote. -Tyler! | 0:05:05 | 0:05:07 | |
Right, grand tour before we get stuck in. | 0:05:09 | 0:05:12 | |
Let's have Floss and Sasha do the honours. | 0:05:12 | 0:05:17 | |
Ladies...? | 0:05:17 | 0:05:18 | |
It was the hardest thing I ever did...saying goodbye. | 0:05:18 | 0:05:24 | |
It's true. | 0:05:24 | 0:05:25 | |
I wanted to...to get settled, somewhere safe, | 0:05:27 | 0:05:31 | |
and then come for you. | 0:05:31 | 0:05:33 | |
But, er, your...your dad, he...he moved house...without telling me. | 0:05:33 | 0:05:38 | |
I couldn't find where you'd gone. | 0:05:38 | 0:05:40 | |
Safe from who? Bailey's dad? | 0:05:40 | 0:05:44 | |
-I don't want to diss him...if you two are close. -We're not close. | 0:05:44 | 0:05:48 | |
He stopped writing. Probably on one of his benders again. | 0:05:51 | 0:05:54 | |
But what would you know? | 0:05:57 | 0:05:58 | |
It's not like you ever looked for me very hard. | 0:05:58 | 0:06:00 | |
I thought about you... | 0:06:00 | 0:06:03 | |
..every day, OK? | 0:06:03 | 0:06:05 | |
Everything I ever did was, was about making a better life for us. | 0:06:05 | 0:06:09 | |
Oh, please(!) | 0:06:09 | 0:06:10 | |
OK, then. I got a job. Looking after old people. | 0:06:10 | 0:06:15 | |
I want you to be proud of me. | 0:06:16 | 0:06:18 | |
I grew up without a mum. | 0:06:22 | 0:06:24 | |
I used to think you was dead. | 0:06:27 | 0:06:29 | |
ALARM BEEPS | 0:06:33 | 0:06:34 | |
Time's up. Now get out. | 0:06:36 | 0:06:38 | |
-Bailey. -Get out. Go on. | 0:06:38 | 0:06:41 | |
This is our bathroom... | 0:06:47 | 0:06:50 | |
..guess we've got some more pin ins. | 0:06:50 | 0:06:53 | |
And you are? | 0:06:53 | 0:06:55 | |
An intruder. Help! | 0:06:57 | 0:06:59 | |
Floss! | 0:06:59 | 0:07:01 | |
I...I had no idea she was here. | 0:07:04 | 0:07:05 | |
Do you often have members of the public wandering around? | 0:07:06 | 0:07:09 | |
Oh, um, she's not "members of the public". She's Bailey's mum. | 0:07:09 | 0:07:14 | |
What? | 0:07:14 | 0:07:15 | |
She hasn't been on the scene for years. | 0:07:18 | 0:07:22 | |
I've never even met her. | 0:07:22 | 0:07:24 | |
Obviously, we would have been all over this but... | 0:07:24 | 0:07:27 | |
if you hadn't arrived. | 0:07:27 | 0:07:28 | |
Coping with a multiple workload. Managing your time. | 0:07:30 | 0:07:33 | |
This isn't typical. | 0:07:35 | 0:07:37 | |
I promise. | 0:07:37 | 0:07:38 | |
Let's find out. | 0:07:38 | 0:07:40 | |
I want to see your safeguarding procedures and your incident book. | 0:07:40 | 0:07:44 | |
Yes, straightaway. | 0:07:44 | 0:07:45 | |
-Has she gone? -Yes. | 0:07:55 | 0:07:56 | |
I told her to go through your social worker next time | 0:07:56 | 0:07:58 | |
if she wants to see you again. | 0:07:58 | 0:08:00 | |
Yeah, let her try. | 0:08:00 | 0:08:01 | |
-Oh! -Germs? | 0:08:08 | 0:08:10 | |
Allergic. | 0:08:10 | 0:08:12 | |
This is Mischief, yeah? He lives here. | 0:08:12 | 0:08:14 | |
Mischief? | 0:08:14 | 0:08:16 | |
It doesn't say you have a house pet. | 0:08:17 | 0:08:19 | |
-Was it formally agreed? -We saved him from the streets. | 0:08:19 | 0:08:23 | |
-He was going to die otherwise. -He's really well-trained. | 0:08:23 | 0:08:27 | |
-He's eating paper. -It's fine, Floss does it all the time. | 0:08:31 | 0:08:35 | |
Floss eats paper? | 0:08:35 | 0:08:37 | |
Yes...! | 0:08:37 | 0:08:38 | |
Cos I'm hungry for words. | 0:08:38 | 0:08:40 | |
I could eat all the books in the world. | 0:08:41 | 0:08:43 | |
That is beautifully said, Floss. | 0:08:46 | 0:08:49 | |
Who's your favourite author? | 0:08:49 | 0:08:50 | |
She likes Twits. | 0:08:54 | 0:08:56 | |
That's for kids. | 0:08:57 | 0:08:59 | |
Will-i-am Shakespeare? | 0:09:00 | 0:09:02 | |
Awesome. | 0:09:04 | 0:09:06 | |
Me, too. Which play do you like best? | 0:09:06 | 0:09:10 | |
So many to choose from. | 0:09:10 | 0:09:12 | |
Yeah. | 0:09:12 | 0:09:13 | |
A sweaty blind man? | 0:09:24 | 0:09:26 | |
That's, er, just a codename... because it's a secret. | 0:09:28 | 0:09:32 | |
A secret from who? | 0:09:34 | 0:09:35 | |
Mike and May-Li. | 0:09:37 | 0:09:38 | |
You see, we're going to be performing that as a surprise. | 0:09:38 | 0:09:41 | |
Wow, double awesome. | 0:09:41 | 0:09:45 | |
You told them you're putting on a Shakespeare play tomorrow? | 0:09:50 | 0:09:54 | |
Are you insane? | 0:09:54 | 0:09:56 | |
We can tell them it was a misunderstanding. | 0:09:56 | 0:09:58 | |
You know, you guys just got carried away. | 0:09:58 | 0:10:00 | |
-Mike? -Yeah? -Ready? -Yeah. | 0:10:00 | 0:10:02 | |
She's scary. | 0:10:05 | 0:10:06 | |
How is it all going out there? | 0:10:06 | 0:10:10 | |
Yeah, exactly. | 0:10:10 | 0:10:11 | |
See, I think that we need something double awesome to make up | 0:10:11 | 0:10:15 | |
for the missing fire-alarm batteries and, you know, the random mums. | 0:10:15 | 0:10:18 | |
If we're going to do a play we need a butt-kicking director. | 0:10:18 | 0:10:22 | |
-I could be the director. I mean, how hard could it be? -Good luck. | 0:10:24 | 0:10:28 | |
I might have passed your number on. | 0:10:37 | 0:10:39 | |
All right, guys, guys, we need to decide what play we're going | 0:10:44 | 0:10:47 | |
to do so, I'm thinking Romeo and Juliet. | 0:10:47 | 0:10:52 | |
That's too soppy, how about A Winter's Tale? | 0:10:52 | 0:10:54 | |
The only Shakespeare's play with a bear in it. | 0:10:54 | 0:10:56 | |
-Er, excuse me, who's the director here? -A polar bear? -Or a koala beer? | 0:10:56 | 0:10:59 | |
A koala isn't actually a bear, it's a marsupial. | 0:10:59 | 0:11:02 | |
-OK, can we stop talking about bears, yeah? -OK, so hands up for my pick. | 0:11:02 | 0:11:06 | |
Bear takes it, you lose. | 0:11:10 | 0:11:12 | |
All right. | 0:11:12 | 0:11:13 | |
"A Winter's Tale, King Leontes plunges into a jealous rage | 0:11:13 | 0:11:16 | |
-"because he thinks his wife is cheating on him." -Who with. | 0:11:16 | 0:11:19 | |
"His best friend, Polixenes, | 0:11:19 | 0:11:21 | |
"so he banishes their newborn baby to an island | 0:11:21 | 0:11:24 | |
"and sends Hermione to a prison where she dies of a broken heart." | 0:11:24 | 0:11:27 | |
It's not a comedy, then? | 0:11:27 | 0:11:29 | |
"Meanwhile on the island, baby Perdita is found by a shepherd... | 0:11:29 | 0:11:33 | |
"Fast forward 16 years and she falls in love with Polixenes' son... | 0:11:33 | 0:11:39 | |
"..comes back to life, she wasn't really dead. | 0:11:39 | 0:11:41 | |
"Leontes says sorry and everyone is happy, the end." | 0:11:41 | 0:11:45 | |
Can't we do The Lion King instead? | 0:11:45 | 0:11:47 | |
No, I think this could work, OK? | 0:11:47 | 0:11:50 | |
So, right, you guys focus and I will hand out these parts. OK? | 0:11:50 | 0:11:55 | |
THEY BICKER | 0:11:55 | 0:11:56 | |
-Married to Tee! -Married to Tee, are you serious? | 0:11:56 | 0:11:59 | |
-Why can't Bailey play King Leontes? -I've got a scholarship meeting. | 0:11:59 | 0:12:02 | |
Look, if there's any kissing, I'll need a body double. | 0:12:02 | 0:12:04 | |
A body double? Look, Ryan, are you too much of a baby to do this? | 0:12:04 | 0:12:07 | |
Look, I've got more theatrical experience than anyone here. | 0:12:07 | 0:12:10 | |
Look, it doesn't matter because, Ryan, you look older. | 0:12:10 | 0:12:12 | |
-I can play old, that's the whole point of acting. -Costume budget? | 0:12:12 | 0:12:15 | |
If I'm going to make a killer bear suit, I'm going to need cash. | 0:12:15 | 0:12:18 | |
-A fiver, that'll do the trick. Ryan! -Can I be the king? -What about you? | 0:12:18 | 0:12:22 | |
That's me and my...my mum. | 0:12:25 | 0:12:28 | |
Are you going to see her, then, if you're social worker... | 0:12:29 | 0:12:32 | |
-Why should I? -She's making more of an effort than mine ever does. | 0:12:35 | 0:12:39 | |
-What do you reckon? -I don't know, a kind of bag-lady Cruella, | 0:12:55 | 0:12:58 | |
with really bad hair. | 0:12:58 | 0:12:59 | |
It sounds like a whole lot of bear to me. | 0:12:59 | 0:13:02 | |
Is that Bailey's mum? | 0:13:06 | 0:13:09 | |
What's she doing here? | 0:13:09 | 0:13:11 | |
-Look. -There isn't a bottomless pit of money. -A bottomless pit of m...? | 0:13:13 | 0:13:19 | |
FUNKY RAP MUSIC | 0:13:38 | 0:13:46 | |
Thank you. Are you all right? | 0:14:06 | 0:14:09 | |
Yeah. | 0:14:09 | 0:14:10 | |
You dropped your... | 0:14:10 | 0:14:13 | |
Thank you. Have you ordered? | 0:14:15 | 0:14:18 | |
You know, you can have whatever you want. This is my treat. | 0:14:18 | 0:14:21 | |
Have you spoke to my social worker? | 0:14:23 | 0:14:26 | |
Are you saying you want me to? Cos I wasn't sure. | 0:14:26 | 0:14:29 | |
Thought you out shopping? | 0:14:31 | 0:14:34 | |
We got distracted. | 0:14:34 | 0:14:36 | |
Ask your mum where she just was. | 0:14:36 | 0:14:39 | |
Two for one cocktails. What were you doing here? | 0:14:42 | 0:14:46 | |
If you're going to spy on me, get it right. | 0:14:46 | 0:14:49 | |
I was actually working. | 0:14:49 | 0:14:51 | |
-Working? -Yeah, I got a shift behind the bar. | 0:14:51 | 0:14:55 | |
I thought you worked with old people. | 0:14:55 | 0:14:58 | |
Which is why I didn't want him to know. Thanks, guys. | 0:14:58 | 0:15:01 | |
Look, I, erm... I lost my job. Yesterday. | 0:15:03 | 0:15:08 | |
-My boss, he...he wouldn't give me the time off so I walked. -You quit? | 0:15:08 | 0:15:12 | |
-To go to a football match? -To see my son. | 0:15:13 | 0:15:15 | |
And, erm, well, now, I'm... | 0:15:18 | 0:15:21 | |
Well, now, I'm homeless because the job, it was live-in and, | 0:15:21 | 0:15:26 | |
which is why I was picking up a few quid anyway I could, OK? | 0:15:26 | 0:15:31 | |
To pay for my bill at the B&B. | 0:15:31 | 0:15:34 | |
So, you lost... You lost your home and your job cos of me? | 0:15:37 | 0:15:42 | |
You know, all these years I've been, been missing a piece of me. | 0:15:45 | 0:15:49 | |
I couldn't wait another day. | 0:15:49 | 0:15:52 | |
We're going to, erm, | 0:16:17 | 0:16:18 | |
crack on with the bear suit. | 0:16:18 | 0:16:20 | |
You coming? | 0:16:20 | 0:16:21 | |
I haven't ordered yet. | 0:16:24 | 0:16:26 | |
DOORBELL TINKLES | 0:16:30 | 0:16:32 | |
-And I want it learned by tomorrow, OK? -OK. | 0:16:35 | 0:16:37 | |
Edited version, I took out all the bits Carmen couldn't understand. | 0:16:37 | 0:16:41 | |
-As long as I still get to send "Herm-own-nee" to jail. -Yeah. | 0:16:41 | 0:16:44 | |
Er, it's Hermione, OK? | 0:16:44 | 0:16:46 | |
Unless you want to call me Her Majesty. | 0:16:46 | 0:16:48 | |
Hey, how far have you got? | 0:16:48 | 0:16:50 | |
Erm... | 0:16:50 | 0:16:51 | |
Verily, verily and behold. | 0:16:51 | 0:16:54 | |
I may not be young Mo but His Royal Highness, the King. | 0:16:54 | 0:16:57 | |
Read my lips, you are not playing Leonardo. | 0:16:58 | 0:17:02 | |
Leontes. | 0:17:02 | 0:17:04 | |
-MAY-LI CLEARS HER THROAT -Carmen? | 0:17:04 | 0:17:05 | |
Actors can be a nightmare, | 0:17:05 | 0:17:07 | |
everybody knows that, | 0:17:07 | 0:17:09 | |
you've just got to use your people skills. | 0:17:09 | 0:17:12 | |
Mo... | 0:17:12 | 0:17:13 | |
I need you to play Flora Bund. | 0:17:13 | 0:17:17 | |
Florizel. | 0:17:17 | 0:17:19 | |
Florizel. OK, it's the prince that falls in love with the baby | 0:17:19 | 0:17:22 | |
16 years later and you get to do a special little dance with Harry. | 0:17:22 | 0:17:26 | |
Dance, what dance? | 0:17:26 | 0:17:29 | |
You said Perdita was a pirate. | 0:17:29 | 0:17:31 | |
Pirate, princess, what's the difference? | 0:17:31 | 0:17:34 | |
I'm not being a girl. | 0:17:34 | 0:17:36 | |
Oh, yes, you are, Harry. | 0:17:36 | 0:17:38 | |
Ashdene Ridge needs you. | 0:17:38 | 0:17:40 | |
We could hang out longer but I've got my scholarship meeting. | 0:17:40 | 0:17:44 | |
-Scholarship? -Yeah. | 0:17:45 | 0:17:47 | |
It's to see if the club are going to give me a contract. | 0:17:48 | 0:17:50 | |
Already? | 0:17:50 | 0:17:52 | |
So, not that I'm surprised, you totally owned that pitch. | 0:17:52 | 0:17:56 | |
I'll play even better next time if I know you're watching. | 0:17:58 | 0:18:01 | |
So you just try and keep me away, right? | 0:18:01 | 0:18:04 | |
I'm so going to be there at the touchline. | 0:18:04 | 0:18:06 | |
If you get the touchline, you'll be in the box. | 0:18:07 | 0:18:10 | |
Can you text me and let me know how it goes? | 0:18:13 | 0:18:17 | |
I wish I could stick around to find out. | 0:18:17 | 0:18:19 | |
You are going? | 0:18:23 | 0:18:25 | |
I can't afford the B&B for another night. | 0:18:25 | 0:18:27 | |
But, you know what, this is your big break, OK? | 0:18:30 | 0:18:33 | |
I don't want to burden you with my problems, right? | 0:18:36 | 0:18:39 | |
Good luck, yeah? | 0:18:44 | 0:18:46 | |
DOORBELL TINKLES | 0:18:46 | 0:18:48 | |
Put it over here and fold over. | 0:18:54 | 0:18:56 | |
Yeah, that's it. | 0:18:56 | 0:18:59 | |
MUSIC: Monster by The Automatic | 0:18:59 | 0:19:01 | |
# What's that coming over the hill? | 0:19:06 | 0:19:09 | |
# Is it a monster? | 0:19:09 | 0:19:10 | |
# Is it a monster? | 0:19:10 | 0:19:13 | |
# What's that coming over the hill? | 0:19:13 | 0:19:16 | |
# Is it a monster? | 0:19:16 | 0:19:18 | |
# Is it a monster? | 0:19:18 | 0:19:20 | |
# What's that coming over the hill? | 0:19:20 | 0:19:22 | |
# Is it a monster?... # | 0:19:22 | 0:19:24 | |
Yeah, keep it in here, so we get the full shock value. | 0:19:24 | 0:19:26 | |
# Is it a monster? # | 0:19:26 | 0:19:28 | |
Best bear ever. | 0:19:32 | 0:19:33 | |
Yeah, I'm calling about the flat on your website | 0:19:33 | 0:19:36 | |
near the football ground. | 0:19:36 | 0:19:37 | |
Yeah, I've just been signed for the youth squad. | 0:19:41 | 0:19:44 | |
Yeah. | 0:19:45 | 0:19:46 | |
I'll take it. | 0:19:47 | 0:19:49 | |
Bailey, Bailey, you off now? | 0:19:51 | 0:19:54 | |
Yeah, I've got my Academy meeting in half an hour. | 0:19:54 | 0:19:56 | |
Good luck, they will be very fortunate to have you. | 0:19:56 | 0:19:59 | |
-I heard about your mum. -Yeah, weird, isn't it? | 0:19:59 | 0:20:01 | |
Obviously, we will talk about some proper contact | 0:20:01 | 0:20:05 | |
but focus on your Academy meeting first. You need to show them | 0:20:05 | 0:20:08 | |
that you understand the responsibility of a scholarship. | 0:20:08 | 0:20:10 | |
-I'm on it, chill. -And obviously... Bailey, I should come with you. | 0:20:10 | 0:20:15 | |
No, mate, no worries, it's all in hand. | 0:20:15 | 0:20:17 | |
But good luck with Ofsted, though, yeah? | 0:20:18 | 0:20:20 | |
Sure, thanks. | 0:20:20 | 0:20:21 | |
DISTANT CROWD CHEERS | 0:20:31 | 0:20:32 | |
-COMMENTATOR: -He has the ball. | 0:20:32 | 0:20:34 | |
He is running down the pitch, looks like can score. | 0:20:34 | 0:20:36 | |
It is a goal! | 0:20:36 | 0:20:38 | |
This proves Bailey Wharton's worth every penny of his transfer fee. | 0:20:38 | 0:20:41 | |
DOG WOOFS | 0:20:44 | 0:20:45 | |
CHEERING | 0:20:49 | 0:20:52 | |
Bailey, you're up next. | 0:21:00 | 0:21:02 | |
FROM ANOTHER ROOM: We have landed in ill times. | 0:21:09 | 0:21:12 | |
-Shall we say it together? ALL: -We have landed in ill times... | 0:21:12 | 0:21:15 | |
-Tyler, you're on. -Yes! | 0:21:15 | 0:21:17 | |
What? | 0:21:25 | 0:21:26 | |
No, my lovely bear suit! | 0:21:29 | 0:21:31 | |
Mischief! | 0:21:31 | 0:21:32 | |
It was in your room, how did it get out here? | 0:21:32 | 0:21:34 | |
Oh, I wonder. | 0:21:34 | 0:21:36 | |
I didn't know Mischief would eat him. | 0:21:36 | 0:21:38 | |
Do you know what this means, Harry? | 0:21:38 | 0:21:39 | |
No bear means no play. | 0:21:39 | 0:21:41 | |
It means were going to fail the inspection. | 0:21:41 | 0:21:43 | |
They are going to close us down and it's all your fault. | 0:21:43 | 0:21:46 | |
-I hid it because I didn't want to be a girl. -Grow up. | 0:21:46 | 0:21:49 | |
Alas, poor Bernard, you are unique, irreplaceable, | 0:21:49 | 0:21:53 | |
there will never be a bear like you again. | 0:21:53 | 0:21:55 | |
There might be. | 0:21:55 | 0:21:56 | |
-Can't believe I'm doing this. Ready? -Yeah. -Let's go. | 0:22:01 | 0:22:05 | |
Shut up about the bear, we are professional people. | 0:22:08 | 0:22:11 | |
Please say it's good news. | 0:22:12 | 0:22:13 | |
What do you think? | 0:22:15 | 0:22:16 | |
Am I congratulating our first ever football apprentice? | 0:22:16 | 0:22:20 | |
-Yeah, I guess. -Yes! -THEY ALL CHEER AND CLAP | 0:22:20 | 0:22:24 | |
Will you live with us when you are a pro? | 0:22:24 | 0:22:26 | |
Can I have your room then? | 0:22:26 | 0:22:28 | |
-He'll be on 20 grand a week. -A million grand. | 0:22:28 | 0:22:30 | |
With our sporting and theatrical talents, we are | 0:22:30 | 0:22:33 | |
-going to blow the inspectors away. -Bailey could do a football demo. | 0:22:33 | 0:22:36 | |
-Mike? -Yeah. -Care plans. -Yeah, right, sure, coming up. | 0:22:36 | 0:22:39 | |
Excuse me, coming through, coming through. | 0:22:40 | 0:22:42 | |
Yeah, I'd better go work out my moves. | 0:22:42 | 0:22:45 | |
KNOCK ON DOOR | 0:22:57 | 0:22:59 | |
DOORBELL TINKLES AND DOOR CREAKS | 0:22:59 | 0:23:00 | |
This is Mr Twigg. He owns the restaurant. | 0:23:02 | 0:23:04 | |
-Hi. -Hi. | 0:23:04 | 0:23:06 | |
Harry | 0:23:08 | 0:23:09 | |
and Finn. I never forget a customer. | 0:23:09 | 0:23:14 | |
And I never forget him. | 0:23:14 | 0:23:16 | |
-MAY-LI GASPS -Wow. | 0:23:19 | 0:23:22 | |
SHE LAUGHS | 0:23:22 | 0:23:24 | |
Mum... | 0:23:31 | 0:23:32 | |
Go on, open it. | 0:23:34 | 0:23:36 | |
SHE LAUGHS | 0:23:42 | 0:23:43 | |
I knew you'd get in. | 0:23:43 | 0:23:44 | |
My little superstar. | 0:23:46 | 0:23:47 | |
THEY LAUGH | 0:23:52 | 0:23:53 | |
Well, aren't you going to ask me how I know? | 0:23:53 | 0:23:56 | |
Er... | 0:23:56 | 0:23:58 | |
The letting agent rang me. | 0:23:58 | 0:24:00 | |
Apparently, my son is renting a flat from next week. | 0:24:00 | 0:24:03 | |
Why did he call you? | 0:24:06 | 0:24:07 | |
Well, you might be a football genius, | 0:24:07 | 0:24:11 | |
but you are not old enough to sign a rental agreement. | 0:24:11 | 0:24:14 | |
I can't believe you didn't tell me. | 0:24:16 | 0:24:19 | |
I was going to tell you. | 0:24:19 | 0:24:21 | |
I was. | 0:24:21 | 0:24:22 | |
It is for us, right? | 0:24:22 | 0:24:23 | |
I'm not getting ahead of myself? | 0:24:25 | 0:24:26 | |
Of course it's for us. | 0:24:26 | 0:24:28 | |
Cos this is the dream that has kept me going, you know, | 0:24:28 | 0:24:32 | |
living with my little boy again. | 0:24:32 | 0:24:34 | |
Well, you're a big boy now. | 0:24:36 | 0:24:37 | |
Come here. | 0:24:41 | 0:24:42 | |
Turn it round, there we go. | 0:24:49 | 0:24:52 | |
-Whoa! It is outstanding. -Yeah, thank Finn. | 0:24:52 | 0:24:56 | |
What do you think, Carmen? | 0:24:56 | 0:24:57 | |
Oh, it's cool, but if you think that gets you out of playing Perdita... | 0:24:57 | 0:25:00 | |
Yeah, you killed Bernard I, wearing a dress is the least you can do. | 0:25:00 | 0:25:03 | |
Come on, mate, take one for the team. | 0:25:03 | 0:25:05 | |
OK, I'll do it, but only for Mike. | 0:25:07 | 0:25:09 | |
OK, good. | 0:25:09 | 0:25:10 | |
Right, now, Scene Three from the top, come on. | 0:25:10 | 0:25:13 | |
We have landed in ill times, the skies look grimly... | 0:25:15 | 0:25:19 | |
Come, poor babe, | 0:25:28 | 0:25:30 | |
blah blah... | 0:25:30 | 0:25:32 | |
So, out my poor babe, | 0:25:36 | 0:25:38 | |
leave it crying... | 0:25:38 | 0:25:39 | |
..in the rain? In a forest? | 0:25:40 | 0:25:42 | |
Are you having a laugh? | 0:25:43 | 0:25:44 | |
Just drop the doll on the ground. | 0:25:44 | 0:25:47 | |
No, I didn't agree to dump the baby. | 0:25:47 | 0:25:50 | |
If you don't abandon the baby, there is no story. | 0:25:50 | 0:25:52 | |
It's cruel and nasty. | 0:25:52 | 0:25:55 | |
I'm having nothing to do with it. | 0:25:55 | 0:25:57 | |
Fine, I'll play her part. | 0:25:57 | 0:26:00 | |
So, out my poor babe, this is the chase, I'm gone, forever. | 0:26:00 | 0:26:04 | |
Bailey, can I have a word? | 0:26:05 | 0:26:08 | |
HE ROARS | 0:26:08 | 0:26:10 | |
-Ugh! -Ross! | 0:26:10 | 0:26:13 | |
-Have the inspectors gone, then? -Coming back tomorrow. | 0:26:22 | 0:26:25 | |
I've a feeling I'm going to be here all night. | 0:26:25 | 0:26:27 | |
Your manager called to make sure that you're OK. | 0:26:27 | 0:26:30 | |
I'm sorry you didn't make it. | 0:26:30 | 0:26:32 | |
Lots of the lads were released, it's not just you. | 0:26:32 | 0:26:35 | |
He said you were a fine player, | 0:26:35 | 0:26:37 | |
you just don't have that extra edge to turn pro. | 0:26:37 | 0:26:41 | |
You got binned! Why didn't you just tell us? | 0:26:43 | 0:26:47 | |
You wouldn't understand. | 0:26:47 | 0:26:49 | |
DOG WHINES | 0:26:53 | 0:26:55 | |
Just stop stressing about it. | 0:27:39 | 0:27:41 | |
Bernard has a bag of jewels in his head. | 0:27:41 | 0:27:44 | |
Carmen, that could be stolen property. | 0:27:44 | 0:27:46 | |
Why don't we tell Mr Twigg? It's his bear. | 0:27:46 | 0:27:48 | |
Because he put them in there. | 0:27:48 | 0:27:49 | |
-He's a jewel thief, it's obvious. -He's really nice. | 0:27:49 | 0:27:51 | |
He gave me and Finn free chocolate Sundays. DOORBELL RINGS | 0:27:51 | 0:27:54 | |
Exactly, the restaurant's just a cover. | 0:27:54 | 0:27:56 | |
He's got criminals after him so he dumps the bear on us. | 0:27:56 | 0:27:59 | |
Criminals? Suppose they come here. | 0:27:59 | 0:28:01 | |
Lizzie, Rowena. | 0:28:01 | 0:28:04 | |
Bring on day two! | 0:28:04 | 0:28:06 | |
Morning, campers. | 0:28:06 | 0:28:08 | |
ALL: Morning. | 0:28:08 | 0:28:09 | |
-I'm sorry. Yeah? -You should have told us yourself, shouldn't you? | 0:28:15 | 0:28:19 | |
Get over it, people. He's been ditched from the Academy, | 0:28:19 | 0:28:21 | |
there are worse things that can happen. | 0:28:21 | 0:28:23 | |
DOORBELL RINGS Like what? | 0:28:23 | 0:28:25 | |
like we fail this inspection. | 0:28:25 | 0:28:27 | |
-Hello? -Is it Mr Milligan? | 0:28:27 | 0:28:28 | |
-Yes. -You wanted to see me? | 0:28:28 | 0:28:30 | |
Call me Mike. | 0:28:30 | 0:28:32 | |
-OK. -Come in the office. | 0:28:32 | 0:28:34 | |
Is this about the flat because I know that Bailey can't move in | 0:28:34 | 0:28:38 | |
-until we get all the official stuff sorted. -Move in? | 0:28:38 | 0:28:41 | |
What flat? | 0:28:44 | 0:28:45 | |
You've only just met her! | 0:28:45 | 0:28:48 | |
-Whose idea was this? Your mum's? -Your mum can't afford a flat. | 0:28:54 | 0:28:57 | |
She got sacked from her job. | 0:28:57 | 0:28:59 | |
Let me guess, you said you'd pay for it | 0:28:59 | 0:29:01 | |
-and then the Academy ditched you. -It's time to start talking. | 0:29:01 | 0:29:05 | |
It's my fault she lost her job. | 0:29:08 | 0:29:10 | |
I'm not going to tell her landlord. | 0:29:10 | 0:29:13 | |
You've rented somewhere already? | 0:29:13 | 0:29:16 | |
It's 800 quid. Rent and deposit. | 0:29:16 | 0:29:18 | |
I can't let her down. | 0:29:20 | 0:29:22 | |
You don't have a choice. | 0:29:22 | 0:29:24 | |
Now, we sorted the young people into groups for informal interviews. | 0:29:33 | 0:29:36 | |
-Right, OK. -We thought we'd mix the ages up a bit, | 0:29:36 | 0:29:39 | |
-see how they'll rub along. -Great! | 0:29:39 | 0:29:42 | |
See, she's stressed out enough without a secret jewel stash. | 0:29:48 | 0:29:51 | |
So, what do we do now? | 0:29:51 | 0:29:52 | |
I guess we just wait until after the play, if we put Bernard | 0:29:52 | 0:29:55 | |
in the attic in case the criminals come, | 0:29:55 | 0:29:57 | |
and just forget his head ever fell off. | 0:29:57 | 0:29:59 | |
I guess a few more hours won't make much difference. | 0:29:59 | 0:30:01 | |
You two take him upstairs, OK? | 0:30:01 | 0:30:03 | |
-So, King Leontes... -That's you. | 0:30:03 | 0:30:05 | |
-And Antig... The servant. -Ross, that's you. | 0:30:05 | 0:30:08 | |
But why don't you just stick to what's on the script? | 0:30:08 | 0:30:12 | |
Alison, sorry for keeping you. | 0:30:17 | 0:30:19 | |
Bailey, should we take your mum out into the garden | 0:30:19 | 0:30:22 | |
-because it's a bit more private. -Private? | 0:30:22 | 0:30:25 | |
-But you're going to come, too? -Afraid so, | 0:30:25 | 0:30:28 | |
until we can agree on supervised contact. | 0:30:28 | 0:30:31 | |
Sorry, sorry to break the creative flow! | 0:31:04 | 0:31:08 | |
Billie, Kazima and Finn, we'd like a chat with you now. | 0:31:08 | 0:31:11 | |
What kind of a chat? | 0:31:11 | 0:31:14 | |
About this place. | 0:31:14 | 0:31:16 | |
It's your thoughts that count. | 0:31:16 | 0:31:18 | |
They're trying to find out the bad stuff. | 0:31:18 | 0:31:21 | |
Play dumb, say nothing. | 0:31:21 | 0:31:23 | |
What if I kill the bear and look after the baby? | 0:31:26 | 0:31:30 | |
-You can't change Shakespeare, Floss! -Then I'm still on strike. | 0:31:30 | 0:31:35 | |
I thought you were more mature than Harry. | 0:31:35 | 0:31:38 | |
That's what I wanted to talk to you about. | 0:31:41 | 0:31:43 | |
I can't pay for it right now, the flat. | 0:31:43 | 0:31:46 | |
The Academy, they released me. | 0:31:46 | 0:31:49 | |
"Released"? | 0:31:52 | 0:31:53 | |
But I thought you was really talented, you know? | 0:31:53 | 0:31:57 | |
I can do trial somewhere else. | 0:31:57 | 0:32:00 | |
Bailey... | 0:32:00 | 0:32:02 | |
It may take a while for me to get spotted, | 0:32:02 | 0:32:04 | |
but players move around all the time. | 0:32:04 | 0:32:07 | |
If you got a job around here, you could afford a flat yourself. | 0:32:07 | 0:32:13 | |
I'm just... I'm just sad. | 0:32:16 | 0:32:20 | |
For you, you know, you're not even 16 | 0:32:21 | 0:32:24 | |
and they're throwing you on the scrapheap. | 0:32:24 | 0:32:26 | |
-Alison... -I can deal with it. | 0:32:26 | 0:32:30 | |
Because now I've got you. | 0:32:30 | 0:32:32 | |
Bailey, you've got another visitor. | 0:32:45 | 0:32:49 | |
You speak a language I understand not. | 0:32:54 | 0:32:57 | |
It's a line from the play. | 0:32:57 | 0:32:58 | |
Now you're having a pop at me accent?! | 0:32:58 | 0:33:00 | |
You can't even say my name right! | 0:33:00 | 0:33:03 | |
I need you to be the servant because Floss is... | 0:33:03 | 0:33:06 | |
Not now, Carmen.. | 0:33:06 | 0:33:08 | |
-I don't even know what we're doing right now. -How about you two... | 0:33:08 | 0:33:12 | |
What are you doing here? I don't want to see you. | 0:33:14 | 0:33:17 | |
Mr Wharton, Jimmy, should have told us you were coming. | 0:33:17 | 0:33:21 | |
I only found out last night. | 0:33:21 | 0:33:22 | |
Your social worker phoned and said your mum had showed up. | 0:33:22 | 0:33:25 | |
Rowena Spike from Ofsted, pretend I'm not here. | 0:33:25 | 0:33:28 | |
Why didn't you call me? | 0:33:28 | 0:33:31 | |
Son? | 0:33:31 | 0:33:33 | |
Shall we? Please? | 0:33:35 | 0:33:37 | |
Come on, Bailey. Come on. | 0:33:42 | 0:33:45 | |
Sit down. | 0:33:48 | 0:33:49 | |
Jimmy, you'll get your chance to put your views | 0:33:49 | 0:33:53 | |
-when Alison applies for formal contact. -No, he won't. | 0:33:53 | 0:33:56 | |
You stopped me seeing her! You lied my whole life! | 0:33:56 | 0:34:00 | |
-Back up, that's rubbish. -You don't get to say no more. | 0:34:00 | 0:34:03 | |
Ask her what he did! | 0:34:03 | 0:34:06 | |
Go on. | 0:34:06 | 0:34:07 | |
You mean, Alison is here? | 0:34:09 | 0:34:11 | |
Now? Where? | 0:34:11 | 0:34:14 | |
In the garden, but this isn't the time or the place. | 0:34:14 | 0:34:17 | |
Jimmy, hang on! | 0:34:17 | 0:34:19 | |
Bailey! | 0:34:19 | 0:34:22 | |
She's gone! | 0:34:25 | 0:34:28 | |
This is your fault. | 0:34:28 | 0:34:30 | |
She probably heard your voice and freaked out. | 0:34:30 | 0:34:32 | |
-Good. -Good? | 0:34:32 | 0:34:34 | |
Like she was terrified of you. | 0:34:34 | 0:34:36 | |
Alison, terrified? Have you met your mum? | 0:34:36 | 0:34:38 | |
CAR HORN | 0:34:38 | 0:34:40 | |
Mum! | 0:34:45 | 0:34:46 | |
Get in! | 0:34:49 | 0:34:50 | |
Move or we'll lose her! | 0:34:50 | 0:34:52 | |
Just drive, don't talk! | 0:34:52 | 0:34:53 | |
Jimmy, you can't take him away like this! | 0:34:53 | 0:34:55 | |
You know what the rules are! Jimmy! Jimmy! | 0:34:55 | 0:34:59 | |
Mr Twigg? What are you doing here? | 0:35:02 | 0:35:04 | |
Ruining your play, I'm afraid. | 0:35:04 | 0:35:06 | |
I should have been honest with you in the first place. | 0:35:06 | 0:35:10 | |
My restaurant is bankrupt and the bank is selling everything. | 0:35:10 | 0:35:13 | |
-Including your bear? -Its value to me is priceless. | 0:35:13 | 0:35:18 | |
He belonged to my father and before him to his father. | 0:35:18 | 0:35:22 | |
But we can still use him for the play, right? | 0:35:22 | 0:35:25 | |
The bailiffs already have him on their list. | 0:35:25 | 0:35:28 | |
I have to return him immediately or I am breaking the law. | 0:35:28 | 0:35:32 | |
Maybe they'll let you keep him? | 0:35:33 | 0:35:35 | |
This would be lovely but I don't think so. | 0:35:36 | 0:35:40 | |
I owe an awful lot of money. | 0:35:40 | 0:35:42 | |
Maybe he doesn't know about the jewels. | 0:35:42 | 0:35:45 | |
That's her, that's the cab, pull up! | 0:35:47 | 0:35:50 | |
All right, all right! | 0:35:50 | 0:35:52 | |
-Just stay there. -No way. | 0:35:52 | 0:35:53 | |
She doesn't want to see you. | 0:35:53 | 0:35:55 | |
Just keep out of it. | 0:35:55 | 0:35:57 | |
Mum! | 0:36:01 | 0:36:02 | |
Look, I'm, er, I'm sorry for running off just now. | 0:36:05 | 0:36:09 | |
-Yeah, it's cos you heard Dad. -Your dad? -Yeah, don't worry. | 0:36:09 | 0:36:13 | |
I mean, he wouldn't hurt you with me around. | 0:36:13 | 0:36:15 | |
Look, I don't want to speak to him. | 0:36:15 | 0:36:17 | |
-Don't bother trying to make me. -Don't go that way, please. | 0:36:17 | 0:36:20 | |
-What are you doing here? -Just don't start anything. | 0:36:23 | 0:36:27 | |
She ain't your mum. | 0:36:30 | 0:36:31 | |
Er, change of plan. We keep him talking till the cops come. | 0:36:37 | 0:36:40 | |
No, it's not a joke, he's just a skint old guy who owns a restaurant. | 0:36:40 | 0:36:43 | |
Pizzas for life. | 0:36:43 | 0:36:45 | |
What are you doing to my bear? | 0:36:46 | 0:36:48 | |
I found it, so you can share the treasure with me if you want. | 0:36:48 | 0:36:52 | |
Hang on, where is what and what treasure? | 0:36:52 | 0:36:55 | |
It fell out of the bear, so I hid it. | 0:36:55 | 0:36:56 | |
We were going to tell you when the inspectors had gone. | 0:36:56 | 0:36:59 | |
ALL TALK AT ONCE | 0:36:59 | 0:37:01 | |
He's an innocent kid. | 0:37:04 | 0:37:05 | |
-Don't you care about his feelings? -You're hardly Dad Of The Year. | 0:37:05 | 0:37:08 | |
This isn't about me, Bryony. | 0:37:08 | 0:37:10 | |
Look him in the face and tell him who's lying. | 0:37:10 | 0:37:12 | |
I'm not your mum. | 0:37:17 | 0:37:19 | |
-The photo. -It's real. It's... | 0:37:22 | 0:37:24 | |
We were chilling in your garden, back in the day. | 0:37:25 | 0:37:29 | |
This is your mum's best mate. | 0:37:29 | 0:37:32 | |
So, where's my mum? | 0:37:36 | 0:37:37 | |
-Just... I don't understand. -Did Alison put you up to this? | 0:37:39 | 0:37:42 | |
-No, I ain't seen her in years. -So how'd you find him? | 0:37:42 | 0:37:46 | |
I, er, I saw his photo in the paper | 0:37:46 | 0:37:50 | |
and then I went along to his Academy game. | 0:37:50 | 0:37:53 | |
-It sort of went from there, really. -So you lied to me on purpose? | 0:37:54 | 0:37:59 | |
-Remember all those things you said about Dad being violent. -What? | 0:38:01 | 0:38:04 | |
-I didn't say that. That was you... joining the dots. -Son... | 0:38:05 | 0:38:10 | |
-..you know me better than that. -You know what? | 0:38:12 | 0:38:14 | |
We would have been sweet, you know, and nice, cushy flat, | 0:38:14 | 0:38:18 | |
away from the care home... | 0:38:18 | 0:38:20 | |
..till this one gets himself binned off from the Academy. | 0:38:21 | 0:38:24 | |
-Oh, guys, I'm disappointed in you. -Are you going to call the police? | 0:38:34 | 0:38:39 | |
That might be rather tricky, | 0:38:39 | 0:38:41 | |
seeing as I haven't even seen this treasure. | 0:38:41 | 0:38:44 | |
Sorry to butt in. Oh, and another visitor? | 0:38:46 | 0:38:50 | |
-Yes, no, he's been signed in. -He's our prop supplier. | 0:38:50 | 0:38:54 | |
-Anyway, sorry, who's next for the interviews? -Toni, Floss and Carmen. | 0:38:54 | 0:39:01 | |
Ready when you are. | 0:39:01 | 0:39:02 | |
-Remember, careless talk costs lives. -Good luck. | 0:39:02 | 0:39:06 | |
-How about a cup of tea? -Wait, guys, before you go, Carmen, | 0:39:06 | 0:39:10 | |
I know that you were only trying to help with the inspection | 0:39:10 | 0:39:13 | |
but that's not an excuse. | 0:39:13 | 0:39:15 | |
Missing property, damaging the bear - | 0:39:15 | 0:39:16 | |
this play's doing more harm than good. | 0:39:16 | 0:39:18 | |
-But, Mike, that... -So, it's cancelled. | 0:39:18 | 0:39:21 | |
ALL TALK AT ONCE | 0:39:21 | 0:39:23 | |
Keep it down. Look, until we fix this mess, no treasure, no play. | 0:39:23 | 0:39:29 | |
Sorry. | 0:39:29 | 0:39:30 | |
-We've just got to find the treasure, then. -I'll go and look upstairs. | 0:39:30 | 0:39:34 | |
-How's the play going? -Is this part of the interview? | 0:39:42 | 0:39:45 | |
-It's the chat beforehand. -Cool. Tell us when you've started. | 0:39:47 | 0:39:52 | |
-Cooperation first. Pick one. -From the comments box? | 0:39:58 | 0:40:02 | |
-I can't read. -You told me you were hungry for words. | 0:40:07 | 0:40:12 | |
-Your favourite author's Shakespeare. -Oh, yeah! | 0:40:12 | 0:40:15 | |
So, why the silent routine? | 0:40:17 | 0:40:19 | |
-I can only assume you've got something to hide. -No. We're not. | 0:40:20 | 0:40:25 | |
"Carmen is bossy and vain and her hair clogs up the plughole." | 0:40:30 | 0:40:35 | |
-Thank you, Floss(!) -It wasn't me. | 0:40:36 | 0:40:38 | |
You know, I can recognise your handwriting. | 0:40:38 | 0:40:40 | |
Can I have a biscuit now? | 0:40:47 | 0:40:48 | |
-Whose dumb idea was it not to say anything? -What happened? | 0:40:53 | 0:40:56 | |
Well, they think that we're covering something up. | 0:40:56 | 0:40:59 | |
We've got to find those jewels, guys. | 0:40:59 | 0:41:00 | |
We've searched everywhere. There's no sign. | 0:41:00 | 0:41:02 | |
-Someone must have nicked them. -Like you nicked a computer? | 0:41:02 | 0:41:05 | |
Like you were done for shoplifting. | 0:41:05 | 0:41:07 | |
Hey, we're not going to start accusing each other. | 0:41:07 | 0:41:09 | |
We've got to figure out some sort of motive. | 0:41:09 | 0:41:12 | |
Well, there's wanting to stop the play, | 0:41:12 | 0:41:14 | |
like Harry wrecking Bernard I. | 0:41:14 | 0:41:16 | |
What about Bailey? | 0:41:18 | 0:41:19 | |
Bailey wouldn't steal anything... would he? | 0:41:19 | 0:41:22 | |
Well, he did need 800 quid to get a flat. | 0:41:23 | 0:41:28 | |
Well, there's your thief, then. Who else would it be? | 0:41:28 | 0:41:32 | |
My mum. | 0:41:32 | 0:41:33 | |
-My fake mum. -Fake? -You mean, that wasn't the real one? -Just don't ask. | 0:41:34 | 0:41:40 | |
-I knew you weren't the thief. -I was about to call the police. | 0:41:41 | 0:41:44 | |
-You can't just take off like that. -I'm sorry. | 0:41:44 | 0:41:48 | |
Your dad called, told me everything. I'm glad you came home. | 0:41:48 | 0:41:52 | |
Wait, so it's Bailey's fake mum that stole the jewels? | 0:41:52 | 0:41:55 | |
Hang on, how do you figure that? | 0:41:55 | 0:41:57 | |
She was in the lobby when the head fell off on the stairs, | 0:41:57 | 0:42:00 | |
then I put them in the box while she was walking past there. | 0:42:00 | 0:42:03 | |
-She must have seen the jewels. -Have you any idea where she's gone? | 0:42:03 | 0:42:06 | |
Bus station. | 0:42:07 | 0:42:09 | |
Listen, let me handle this, do you hear me? Do you hear me? | 0:42:09 | 0:42:11 | |
Oh, Bailey. | 0:42:14 | 0:42:15 | |
Hey, Bryony! | 0:42:17 | 0:42:19 | |
-Forgetting something? -What are you doing here?! Oh! -Don't do that. | 0:42:19 | 0:42:23 | |
Give it back...before I call security. Give it back. | 0:42:23 | 0:42:26 | |
Yeah, I'm sure the police would love to see these. | 0:42:28 | 0:42:30 | |
You stole from a kids' home? | 0:42:35 | 0:42:37 | |
Have you any idea, the effort, that I wasted on you, | 0:42:38 | 0:42:42 | |
pretending to be interested in your football career? | 0:42:42 | 0:42:44 | |
You know what? It's... It's a relief that the Academy ditched you, I... | 0:42:46 | 0:42:50 | |
Just leave this, please. | 0:42:50 | 0:42:51 | |
I don't think I could have put up with those Bambi eyes every day. | 0:42:51 | 0:42:54 | |
She's not worth it. | 0:42:57 | 0:42:58 | |
I'm glad you're not my mum. | 0:42:58 | 0:43:00 | |
These were my mother's. I thought they were stolen years ago. | 0:43:06 | 0:43:11 | |
Just disappeared a little bit. | 0:43:11 | 0:43:13 | |
Thanks to you, Twigg's Restaurant lives on. And the pizzas are on me. | 0:43:13 | 0:43:20 | |
Brilliant! | 0:43:20 | 0:43:21 | |
The hour is upon us. What rebels are in hand? | 0:43:21 | 0:43:25 | |
What play to ease the anguish of this torturing hour? | 0:43:25 | 0:43:29 | |
What? Are you guys doing a play? Fantastic. | 0:43:30 | 0:43:35 | |
-CHEERING -Good luck. | 0:43:35 | 0:43:38 | |
-Um, are we back on? -Can you wing it? -Do you even have to ask? -Good. | 0:43:38 | 0:43:43 | |
KNOCK ON DOOR | 0:43:49 | 0:43:50 | |
TOGETHER: We cleaned your boots for the football demo... | 0:43:57 | 0:44:00 | |
..for the inspectors. | 0:44:02 | 0:44:03 | |
CROWD GROANS | 0:44:14 | 0:44:15 | |
CROWD GROANS | 0:44:17 | 0:44:19 | |
LAUGHTER | 0:44:23 | 0:44:24 | |
-We're starting. You can help with costumes, if you want. -Er... | 0:44:33 | 0:44:39 | |
Fine. But you're still down to do a football demo. | 0:44:40 | 0:44:43 | |
-I can't. -What? | 0:44:45 | 0:44:47 | |
I don't want these no more. | 0:44:50 | 0:44:53 | |
You might not get into the first club you try, | 0:44:53 | 0:44:55 | |
-but you've got to be in it to win it. -Football is your dream job. | 0:44:55 | 0:44:58 | |
If I had something like that, I'd never give it up. | 0:44:58 | 0:45:00 | |
-OK, guys, you've made your point. -But he's really talented. | 0:45:00 | 0:45:03 | |
Yes, but it's up to Bailey what he does now. | 0:45:03 | 0:45:06 | |
It's been a big knock-back. | 0:45:06 | 0:45:08 | |
Look, I could try another club, but I'd be further away | 0:45:08 | 0:45:12 | |
and have training four times a week, plus matches. | 0:45:12 | 0:45:16 | |
-Mike could take you. -Could be 100 miles away. | 0:45:16 | 0:45:19 | |
We could find you somewhere else to live, I mean, | 0:45:19 | 0:45:22 | |
-if that's what you want. -Leave here? -No. -Well, that's the choice. | 0:45:22 | 0:45:27 | |
And even then I might not get picked. | 0:45:27 | 0:45:31 | |
I could just spend the whole season on the subs' bench. | 0:45:31 | 0:45:34 | |
-Just get dumped at the end of it. -You can't think like that. -Why not? | 0:45:34 | 0:45:39 | |
I'm just being realistic. | 0:45:39 | 0:45:40 | |
If I'm going to end up on a scrapheap, I want out now. | 0:45:40 | 0:45:44 | |
DOORBELL RINGS | 0:45:46 | 0:45:47 | |
Me and Bailey have got unfinished business. | 0:45:51 | 0:45:53 | |
-Dad? -Backstage, you two, quick. | 0:46:03 | 0:46:05 | |
Come on. Come on. | 0:46:05 | 0:46:08 | |
-How come you never told me about the Academy yourself? -What's to tell? | 0:46:20 | 0:46:23 | |
You won't be seeing me at Wembley no more. | 0:46:23 | 0:46:26 | |
Guess you can't big me up to your friends. | 0:46:27 | 0:46:29 | |
What's that supposed to mean? I'm proud of you, whatever you do. | 0:46:29 | 0:46:34 | |
Yeah, so proud that you just dump me at a football ground. | 0:46:34 | 0:46:37 | |
All right. | 0:46:40 | 0:46:41 | |
I've not been the greatest... but I never drove Alison away. | 0:46:42 | 0:46:48 | |
I begged her to keep seeing you, but she didn't want to be a mum. | 0:46:48 | 0:46:53 | |
Great(!) | 0:46:54 | 0:46:56 | |
-She hate me that much? -She knew you had me. | 0:46:57 | 0:47:00 | |
I did all right when you was a little nipper. | 0:47:02 | 0:47:05 | |
There was less to get wrong. | 0:47:06 | 0:47:07 | |
And then I got older. | 0:47:09 | 0:47:10 | |
Sorry about that(!) | 0:47:11 | 0:47:13 | |
I knew I couldn't be the dad you needed. | 0:47:14 | 0:47:17 | |
-What, so, you just leave me with no dad? -I left you with Mike. | 0:47:17 | 0:47:21 | |
Oh. | 0:47:21 | 0:47:23 | |
So, why are you here now? | 0:47:27 | 0:47:29 | |
You don't care. You only came to stop me seeing her. | 0:47:30 | 0:47:35 | |
MUSIC: Don't Wanna Fight Alabama Shakes | 0:47:43 | 0:47:46 | |
Hey, so, er... | 0:48:00 | 0:48:02 | |
to Mike, May-Li, and all the assembled guests, | 0:48:02 | 0:48:05 | |
for your entertainment we present to you - The Winter's Tale. | 0:48:05 | 0:48:09 | |
Fantastic surprise. | 0:48:12 | 0:48:14 | |
My wife is slippery, she is an adulteress. | 0:48:15 | 0:48:18 | |
You, my lord, but do mistake. | 0:48:18 | 0:48:19 | |
He thinks you've touched his queen. | 0:48:19 | 0:48:22 | |
My best blood turned into infected jelly. | 0:48:22 | 0:48:25 | |
Take this vile creature hence to some remote and desert place | 0:48:29 | 0:48:33 | |
and there thou leave it. | 0:48:33 | 0:48:35 | |
I swear to do this. Prepare my ship. | 0:48:38 | 0:48:41 | |
WIND HOWLS | 0:48:51 | 0:48:52 | |
We have landed in ill times and skies look grimly. | 0:49:01 | 0:49:05 | |
Come, poor babe. Thy mother appeared to me in a dream last night. | 0:49:11 | 0:49:15 | |
She said, "If you must have my baby, put some garlic next to her, | 0:49:15 | 0:49:19 | |
"cos bears really hate garlic," | 0:49:19 | 0:49:21 | |
in a letter saying that she loves you... | 0:49:21 | 0:49:25 | |
and in 16 years - spoiler alert - | 0:49:25 | 0:49:28 | |
she might see you again in some palace or a nail bar. | 0:49:28 | 0:49:31 | |
THEY GASP | 0:49:37 | 0:49:39 | |
Aggh! | 0:49:39 | 0:49:40 | |
SHE CHOKES | 0:49:47 | 0:49:48 | |
APPLAUSE | 0:49:55 | 0:49:57 | |
DREAMY MUSIC PLAYS | 0:49:57 | 0:49:58 | |
We have come to see the statue of our queen. | 0:50:28 | 0:50:30 | |
-Dear Queen, Mother, lend me your hand. -Music, awake her, strike. | 0:50:31 | 0:50:36 | |
Be stone no more. | 0:50:38 | 0:50:40 | |
Turn, good lady, our Perdita is found. | 0:50:41 | 0:50:45 | |
You gods, look down and pour your graces on my daughter's head. | 0:50:45 | 0:50:49 | |
Queen Hermione finds her baby, Fat Harry, who she thought was dead | 0:50:51 | 0:50:54 | |
and King Leontes is sorry for being a nasty king, | 0:50:54 | 0:50:57 | |
so everyone forgives him. | 0:50:57 | 0:50:59 | |
Perdita is well happy | 0:50:59 | 0:51:02 | |
cos she knows her mum never stopped loving her, ever. | 0:51:02 | 0:51:05 | |
CHEERING AND APPLAUSE | 0:51:05 | 0:51:09 | |
THUNDERCLAP | 0:51:15 | 0:51:18 | |
BEAR ROARS | 0:51:18 | 0:51:20 | |
CHEERING AND APPLAUSE | 0:51:30 | 0:51:33 | |
RINGING TONE | 0:51:45 | 0:51:46 | |
Dad? | 0:51:46 | 0:51:48 | |
-Where are you? -'I'm waiting for you.' | 0:51:49 | 0:51:52 | |
I told my boss I needed a couple of days off. | 0:51:52 | 0:51:55 | |
'I thought you were out of work.' | 0:51:55 | 0:51:57 | |
I got my old job back. | 0:51:57 | 0:51:58 | |
-'You never said.' -You never asked. | 0:51:58 | 0:52:01 | |
Whatever Mum did... | 0:52:13 | 0:52:14 | |
..it wasn't your fault. | 0:52:16 | 0:52:17 | |
I shouldn't have said all that stuff. | 0:52:19 | 0:52:21 | |
You're not a failure, Son. Football isn't everything. | 0:52:21 | 0:52:24 | |
I never meant for you to feel that way. | 0:52:24 | 0:52:27 | |
I'm just going to take a break for a bit. | 0:52:29 | 0:52:31 | |
There's other stuff to do. | 0:52:31 | 0:52:33 | |
Like...seeing your old man? | 0:52:33 | 0:52:36 | |
Well, you stopped writing. | 0:52:36 | 0:52:38 | |
Yeah. | 0:52:39 | 0:52:40 | |
-Do you want me to find the real Ali...Alison? -No. No. | 0:52:40 | 0:52:45 | |
No. | 0:52:46 | 0:52:47 | |
See, Mike was right. | 0:52:48 | 0:52:50 | |
YOU did OK without her. | 0:52:50 | 0:52:52 | |
WE did OK. | 0:52:52 | 0:52:54 | |
I wish we could be mates again. | 0:52:55 | 0:52:57 | |
-I miss your ugly face. -Yeah, I miss yours. | 0:52:58 | 0:53:02 | |
See, you're my real dad. | 0:53:05 | 0:53:07 | |
That's never going to change. | 0:53:08 | 0:53:09 | |
Come here. | 0:53:12 | 0:53:13 | |
Did we pass? | 0:53:19 | 0:53:20 | |
It's not a pass/fail thing. You'll have the report in two weeks. | 0:53:20 | 0:53:23 | |
Two weeks? | 0:53:23 | 0:53:25 | |
Obviously, there are some areas for improvement. | 0:53:25 | 0:53:27 | |
I took the batteries out of the smoke alarm. | 0:53:27 | 0:53:29 | |
It's a shame you couldn't be so honest in your interviews. | 0:53:29 | 0:53:32 | |
Your loyalty to Mike and May-Li might have been misplaced, | 0:53:32 | 0:53:35 | |
but it shows you value them very deeply. | 0:53:35 | 0:53:39 | |
After seeing how they supported Bailey, I can't say I'm surprised. | 0:53:39 | 0:53:43 | |
Is she being nice? I can't tell. | 0:53:43 | 0:53:45 | |
We were also very impressed with your ambition. | 0:53:45 | 0:53:49 | |
It's the first time we've ever had a play performed for us. | 0:53:49 | 0:53:51 | |
You guys totally rock! | 0:53:51 | 0:53:54 | |
You're resourceful, imaginative, considerate and caring. | 0:53:54 | 0:53:58 | |
Well done. Keep up the good work. | 0:53:58 | 0:54:01 | |
We are expecting even greater things next time. | 0:54:01 | 0:54:04 | |
LAUGHTER | 0:54:08 | 0:54:10 | |
Down that end. Twins. | 0:54:16 | 0:54:18 | |
Go on, Harry. | 0:54:19 | 0:54:21 | |
Play something else. | 0:54:22 | 0:54:23 | |
No, you're all right. | 0:54:25 | 0:54:27 | |
-Go on, Harry. -He never passes to me. | 0:54:32 | 0:54:35 | |
So what's it to be next time? Hamlet? Macbeth? | 0:54:36 | 0:54:40 | |
Henry VI, Parts 1 and 2 and 3? | 0:54:40 | 0:54:43 | |
I think I'm going to stick to reading Shakespeare. All those egos. | 0:54:44 | 0:54:47 | |
Too much from me. | 0:54:47 | 0:54:49 | |
HE LAUGHS | 0:54:49 | 0:54:50 | |
Talking of which, look at this! Oi-oi! | 0:54:50 | 0:54:52 | |
INDISTINCT VOICES | 0:54:52 | 0:54:54 | |
CHEERING | 0:54:55 | 0:54:59 |