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Line | From | To | |
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Oh, just stop stressing about it. | 0:00:03 | 0:00:05 | |
Bernard has a bag of jewels in his head. | 0:00:05 | 0:00:07 | |
Carmen, that could be stolen property. | 0:00:07 | 0:00:09 | |
Why don't we told Mr Twigg? It's his bear. | 0:00:09 | 0:00:12 | |
Because he put them in there. | 0:00:12 | 0:00:13 | |
-He's a jewel thief. It's obvious. -He's really nice. | 0:00:13 | 0:00:15 | |
-He gave me and Finn free chocolate sundaes. -Exactly. | 0:00:15 | 0:00:18 | |
-DOORBELL RINGS -The restaurant's just a cover. | 0:00:18 | 0:00:20 | |
Some criminal's after him so he dumps the bear on us. | 0:00:20 | 0:00:22 | |
Criminals? Suppose they come here? | 0:00:22 | 0:00:25 | |
Lizzie. Rowena. | 0:00:25 | 0:00:26 | |
DOOR CLOSES Bring on day two. | 0:00:28 | 0:00:31 | |
-Morning, campers. -ALL: Morning. | 0:00:31 | 0:00:32 | |
-I'm sorry. -Yeah? | 0:00:40 | 0:00:41 | |
You should have told us yourself, shouldn't you? | 0:00:41 | 0:00:43 | |
Oh, get over it, people. Look, he's been ditched from the Academy. | 0:00:43 | 0:00:46 | |
-There are worse things that could happen. -Like what? | 0:00:46 | 0:00:48 | |
-DOORBELL RINGS -Like we fail this inspection. | 0:00:48 | 0:00:51 | |
-Hello. -Mr Milligan? -Yes. | 0:00:51 | 0:00:53 | |
You wanted to see me. | 0:00:53 | 0:00:55 | |
-Call me Mike. -Oh, OK. -Come in the office. | 0:00:55 | 0:00:58 | |
Erm, is this about the flat? | 0:00:58 | 0:01:00 | |
Because I know that Bailey can't move in | 0:01:00 | 0:01:02 | |
until we get all the official stuff sorted. | 0:01:02 | 0:01:04 | |
Move in? | 0:01:04 | 0:01:06 | |
What flat? You've only just met her. | 0:01:08 | 0:01:11 | |
Whose idea was this? Your mum's? | 0:01:18 | 0:01:20 | |
Your mum can't afford a flat. She got sacked from her job. | 0:01:20 | 0:01:23 | |
Let me guess. | 0:01:23 | 0:01:24 | |
You said you'd pay for it and then the Academy ditched you. | 0:01:24 | 0:01:27 | |
It's time to start talking. | 0:01:27 | 0:01:29 | |
It's my fault she lost her job. | 0:01:32 | 0:01:34 | |
What am I going to tell the landlord? | 0:01:34 | 0:01:36 | |
You've rented somewhere already? | 0:01:38 | 0:01:40 | |
It's 800 quid. | 0:01:40 | 0:01:41 | |
Rent and deposit. | 0:01:41 | 0:01:42 | |
I can't let her down, Mike. | 0:01:44 | 0:01:46 | |
You don't have a choice. | 0:01:46 | 0:01:47 | |
Now, we've sorted the young people into groups for informal interviews. | 0:02:11 | 0:02:15 | |
Right, OK. | 0:02:15 | 0:02:16 | |
We thought we'd mix the ages up a bit. See how they all rub along. | 0:02:16 | 0:02:20 | |
Great. | 0:02:20 | 0:02:21 | |
See, she's stressed out enough without a secret jewel stash. | 0:02:26 | 0:02:29 | |
So what do we do now? | 0:02:29 | 0:02:31 | |
I guess we just wait until after the play. | 0:02:31 | 0:02:33 | |
If we put Bernard in the attic in case the criminals come | 0:02:33 | 0:02:35 | |
and then just forget his head ever fell off. | 0:02:35 | 0:02:37 | |
I guess a few more hours won't make much difference. | 0:02:37 | 0:02:40 | |
You two take him upstairs, OK? | 0:02:40 | 0:02:41 | |
-So, King Leontes. -Ryan, that's you. | 0:02:41 | 0:02:44 | |
And Antig... Er, the servant. | 0:02:44 | 0:02:47 | |
Floss, that's you. | 0:02:47 | 0:02:48 | |
-What the...? -It's nothing, Mike. -It's just a bear. | 0:02:52 | 0:02:55 | |
Alison, sorry for keeping you. Come. | 0:02:56 | 0:02:58 | |
Bailey, shall we take your mum out into the garden? | 0:02:58 | 0:03:01 | |
It's a bit more private, yeah? | 0:03:01 | 0:03:03 | |
-Private? -Yeah. | 0:03:03 | 0:03:05 | |
But you're going to come too? | 0:03:05 | 0:03:06 | |
I'm afraid so, until we can agree unsupervised contact. | 0:03:06 | 0:03:11 | |
GASPS | 0:03:11 | 0:03:13 | |
Jody, get the jewels. | 0:03:13 | 0:03:14 | |
GENERAL CHATTER | 0:03:22 | 0:03:24 | |
Sorry to break the creative flow. | 0:03:43 | 0:03:46 | |
Billie, Kazima and Finn, we'd like a chat with you now. | 0:03:47 | 0:03:50 | |
What kind of a chat? | 0:03:52 | 0:03:53 | |
About this place. | 0:03:53 | 0:03:55 | |
It's your thoughts that count. | 0:03:55 | 0:03:56 | |
They're trying to find out the bad stuff. Play dumb, say nothing. | 0:03:58 | 0:04:02 | |
What if I kill the bear and look after the baby? | 0:04:05 | 0:04:09 | |
You can't change Shakespeare, Floss. | 0:04:09 | 0:04:12 | |
-Then I'm still on strike. -Oh. | 0:04:12 | 0:04:14 | |
And I thought you were more mature than Harry. | 0:04:14 | 0:04:17 | |
That's what I wanted to talk to you about. | 0:04:20 | 0:04:22 | |
I can't pay for it right now. | 0:04:22 | 0:04:23 | |
The flat. | 0:04:23 | 0:04:25 | |
The Academy, they released me. | 0:04:25 | 0:04:28 | |
Released? | 0:04:31 | 0:04:32 | |
But I thought you was really talented, you know? | 0:04:32 | 0:04:36 | |
I can do trials somewhere else. | 0:04:36 | 0:04:38 | |
Bailey. Erm... | 0:04:38 | 0:04:39 | |
It may take a while for me to get spotted | 0:04:41 | 0:04:43 | |
but players move around all the time. | 0:04:43 | 0:04:45 | |
And if you got a job around here... | 0:04:46 | 0:04:49 | |
you know, you could afford a flat yourself. | 0:04:49 | 0:04:52 | |
I'm just, er... | 0:04:56 | 0:04:57 | |
I'm just sad. | 0:04:57 | 0:04:59 | |
For you, you know? | 0:05:00 | 0:05:01 | |
You're not even 16 and they're throwing you on the scrapheap. | 0:05:01 | 0:05:05 | |
Alison. | 0:05:05 | 0:05:06 | |
No, I can deal with it. | 0:05:06 | 0:05:07 | |
Because now I've got you. | 0:05:10 | 0:05:12 | |
HEROIC MUSIC | 0:05:18 | 0:05:21 | |
Bailey, you've got another visitor. | 0:05:26 | 0:05:28 | |
You speak a language I understand not. | 0:05:33 | 0:05:35 | |
It's a line from the play. | 0:05:35 | 0:05:37 | |
Now you're having a pop at my accent. | 0:05:37 | 0:05:38 | |
-And you can't even say my name right. -Oh, whatever. | 0:05:38 | 0:05:42 | |
Bailey, I need you to be the servant because Floss is... | 0:05:42 | 0:05:45 | |
Not now, Carmen. | 0:05:45 | 0:05:46 | |
'I don't even know what we're doing right now.' | 0:05:46 | 0:05:49 | |
'Right, how about you two...' | 0:05:49 | 0:05:51 | |
What are you doing here? | 0:05:53 | 0:05:55 | |
I don't want to see you. | 0:05:55 | 0:05:56 | |
Mr Wharton. Jimmy. | 0:05:56 | 0:05:58 | |
-You should have told us you were coming. -I only found out last night. | 0:05:59 | 0:06:02 | |
Your social worker phoned and said your mum had shown up. | 0:06:02 | 0:06:04 | |
Rowena Spike from Ofsted. Pretend I'm not here. | 0:06:04 | 0:06:07 | |
Why didn't you call me? | 0:06:07 | 0:06:09 | |
Son? | 0:06:11 | 0:06:13 | |
Shall we? Please? | 0:06:13 | 0:06:15 | |
Come on, Bailey. Come on. | 0:06:21 | 0:06:22 | |
Sit down. | 0:06:26 | 0:06:28 | |
Jimmy... | 0:06:28 | 0:06:29 | |
..you'll get your chance to put your views | 0:06:31 | 0:06:33 | |
when Alison applies for formal contact. | 0:06:33 | 0:06:34 | |
No, he won't. | 0:06:34 | 0:06:36 | |
You stopped me seeing her! | 0:06:36 | 0:06:38 | |
And you lied my whole life! | 0:06:38 | 0:06:39 | |
Back up. That's rubbish. | 0:06:39 | 0:06:40 | |
You don't get a say no more. | 0:06:40 | 0:06:43 | |
Ask her what he did. | 0:06:43 | 0:06:44 | |
Go on. | 0:06:45 | 0:06:47 | |
What? | 0:06:47 | 0:06:48 | |
You mean Alison is here? | 0:06:48 | 0:06:50 | |
Now? | 0:06:50 | 0:06:52 | |
Where? | 0:06:52 | 0:06:54 | |
In the garden, but this isn't the time or the place. | 0:06:54 | 0:06:56 | |
Jimmy! Jimmy, hang on! | 0:06:56 | 0:06:58 | |
Bailey! | 0:07:00 | 0:07:01 | |
She's gone. | 0:07:04 | 0:07:06 | |
This is your fault. She probably heard your voice and freaked out. | 0:07:08 | 0:07:10 | |
-Good. -Good? | 0:07:10 | 0:07:12 | |
-She was terrified of you. -Alison? Terrified? | 0:07:12 | 0:07:16 | |
Have you met your mum? | 0:07:16 | 0:07:17 | |
CAR HORN BEEPS | 0:07:17 | 0:07:19 | |
Mum! | 0:07:24 | 0:07:26 | |
-Get in. Move or we'll lose her! -Just drive, don't talk. | 0:07:28 | 0:07:32 | |
Jimmy! You can't take him away like this! You know what the rules are! | 0:07:32 | 0:07:36 | |
Jimmy! Jimmy! | 0:07:36 | 0:07:38 | |
Jimmy! | 0:07:39 | 0:07:40 | |
Mr Twigg. What are you doing here? | 0:07:40 | 0:07:42 | |
Ruining your play, I'm afraid. | 0:07:42 | 0:07:45 | |
I should have been honest with you in the first place. | 0:07:45 | 0:07:49 | |
My restaurant is bankrupt and the bank's selling everything. | 0:07:49 | 0:07:52 | |
Including your bear? | 0:07:52 | 0:07:54 | |
His value to me is priceless. | 0:07:54 | 0:07:57 | |
He belonged to my father and before him to his father. | 0:07:57 | 0:08:01 | |
But we can still use him for the play, right? | 0:08:01 | 0:08:04 | |
The bailiffs already have him on their list. | 0:08:04 | 0:08:07 | |
I have to return him immediately or I am breaking the law. | 0:08:07 | 0:08:10 | |
HE COUGHS Maybe they'll let you keep him. | 0:08:11 | 0:08:15 | |
This would be lovely, but I don't think so. | 0:08:15 | 0:08:19 | |
I owe an awful lot of money. | 0:08:19 | 0:08:21 | |
Maybe he doesn't know about the jewels. | 0:08:21 | 0:08:23 | |
That's her. That's the cab. Pull up. | 0:08:27 | 0:08:28 | |
All right, all right. | 0:08:28 | 0:08:30 | |
-Just stay there. -No way. | 0:08:31 | 0:08:33 | |
She doesn't want to see you. | 0:08:33 | 0:08:35 | |
Just keep out of it. | 0:08:35 | 0:08:36 | |
Mum! | 0:08:39 | 0:08:41 | |
Look, I'm sorry | 0:08:44 | 0:08:46 | |
for running off just now. | 0:08:46 | 0:08:48 | |
It's cos you heard Dad. | 0:08:48 | 0:08:50 | |
YOUR dad? | 0:08:50 | 0:08:51 | |
Yeah, don't worry. | 0:08:51 | 0:08:52 | |
He wouldn't hurt you with me around. | 0:08:52 | 0:08:55 | |
Look, I don't want to speak to him. Don't bother trying to make me. | 0:08:55 | 0:08:58 | |
Don't go that way, please. | 0:08:58 | 0:08:59 | |
What are you doing here? | 0:09:02 | 0:09:04 | |
Just... Don't start anything. | 0:09:04 | 0:09:06 | |
She ain't your mum. | 0:09:08 | 0:09:10 | |
-Change of plan. -We keep him talking until the cops come? | 0:09:16 | 0:09:19 | |
No, he's not a jewel thief. | 0:09:19 | 0:09:20 | |
-He's just a skint old guy who owns a restaurant. -Pizzas for life? | 0:09:20 | 0:09:24 | |
What are you doing to my bear? | 0:09:25 | 0:09:27 | |
Oh, where is it? | 0:09:27 | 0:09:28 | |
I found it, so you can share the treasure with me if you want. | 0:09:28 | 0:09:31 | |
Hang on. Where is what and what treasure? | 0:09:31 | 0:09:34 | |
It fell out of the bear so I hid it. | 0:09:34 | 0:09:35 | |
We were going to tell you when the inspectors had gone. | 0:09:35 | 0:09:38 | |
CHATTER | 0:09:38 | 0:09:40 | |
He's an innocent kid. Don't you care about his feelings? | 0:09:43 | 0:09:45 | |
-You're hardly Dad of the Year. -This isn't about me, Briony. | 0:09:45 | 0:09:49 | |
Look him in the face and tell him who's lying. | 0:09:49 | 0:09:51 | |
I'm not your mum. | 0:09:56 | 0:09:58 | |
The photo of them... | 0:10:01 | 0:10:02 | |
It's real. It's... | 0:10:02 | 0:10:04 | |
We were... | 0:10:04 | 0:10:05 | |
-chilling in your garden back in the day. -This... | 0:10:05 | 0:10:09 | |
is your mum's best mate. | 0:10:09 | 0:10:10 | |
Where's my mum? | 0:10:15 | 0:10:16 | |
I just... I don't understand. | 0:10:18 | 0:10:20 | |
-Did Alison put you up to this? -No... | 0:10:20 | 0:10:22 | |
-I ain't seen her in years. -So, how'd you find him? -I, er... | 0:10:22 | 0:10:26 | |
I saw his photo... | 0:10:26 | 0:10:28 | |
in the paper and then I went along to his Academy game and... | 0:10:28 | 0:10:32 | |
It sort of went from there, really. | 0:10:33 | 0:10:35 | |
So, you lied to me. | 0:10:35 | 0:10:37 | |
On purpose. | 0:10:37 | 0:10:38 | |
-And all those things you said about Dad being violent and... -W... | 0:10:40 | 0:10:43 | |
I didn't say that. That was you. | 0:10:44 | 0:10:47 | |
Joining the dots. | 0:10:47 | 0:10:48 | |
Son. | 0:10:48 | 0:10:50 | |
-You know me better than that. -You know what? | 0:10:50 | 0:10:53 | |
We would have been sweet. | 0:10:53 | 0:10:55 | |
You know, a nice cushy flat, away from the care home... | 0:10:55 | 0:10:58 | |
Till this one gets himself binned off in the Academy. | 0:11:00 | 0:11:02 | |
Oh, guys, I'm disappointed in you. | 0:11:13 | 0:11:15 | |
Are you going to call the police? | 0:11:15 | 0:11:17 | |
That might be rather tricky, | 0:11:17 | 0:11:19 | |
seeing as I haven't even seen this treasure. | 0:11:19 | 0:11:23 | |
Soz to butt in. | 0:11:25 | 0:11:26 | |
Oh, another visitor? | 0:11:26 | 0:11:28 | |
Uh...yeah, no, he's been signed in. | 0:11:28 | 0:11:29 | |
He's our...prop supplier. | 0:11:30 | 0:11:33 | |
Anyway, sorry, who's next for the interviews? | 0:11:33 | 0:11:37 | |
Er, Toni, Floss and Carmen. | 0:11:37 | 0:11:39 | |
Ready when you are. | 0:11:39 | 0:11:40 | |
Remember, careless talk costs lives. | 0:11:41 | 0:11:44 | |
-Good luck. -How about a cup of tea? | 0:11:44 | 0:11:47 | |
Wait, guys, before you go. Carmen... | 0:11:47 | 0:11:49 | |
I know that you're only trying to help with the inspection, | 0:11:49 | 0:11:52 | |
but that's not an excuse. | 0:11:52 | 0:11:54 | |
Missing property, damaging the bear, these plays do more harm than good. | 0:11:54 | 0:11:57 | |
-But Mike, none of that was our fault... -So... | 0:11:57 | 0:11:59 | |
It's cancelled. | 0:11:59 | 0:12:00 | |
ALL COMPLAIN LOUDLY | 0:12:00 | 0:12:02 | |
Keep it down! | 0:12:02 | 0:12:03 | |
Look, until we fix this mess, no treasure, no play. | 0:12:03 | 0:12:07 | |
Sorry. | 0:12:07 | 0:12:09 | |
THEY TALK OVER EACH OTHER | 0:12:09 | 0:12:11 | |
-I'll go look upstairs. -Good luck. | 0:12:11 | 0:12:13 | |
JAZZY DETECTIVE MUSIC PLAYS | 0:12:15 | 0:12:18 | |
How's the play going? | 0:12:21 | 0:12:23 | |
Is this part of the interview? | 0:12:23 | 0:12:24 | |
It's the...chat beforehand. | 0:12:26 | 0:12:28 | |
Cool. | 0:12:28 | 0:12:29 | |
Tell us when you've started. | 0:12:29 | 0:12:31 | |
Cooperation first. | 0:12:37 | 0:12:39 | |
-Pick one. -From the commons box? | 0:12:39 | 0:12:41 | |
I...can't...read. | 0:12:45 | 0:12:47 | |
You told me you were hungry for words. | 0:12:48 | 0:12:51 | |
Your favourite author's Shakespeare. | 0:12:51 | 0:12:52 | |
Oh, yeah! | 0:12:52 | 0:12:54 | |
So, why the silent routine? | 0:12:55 | 0:12:57 | |
-I can only assume you've got something to hide. -No... | 0:12:59 | 0:13:02 | |
We're not. | 0:13:03 | 0:13:04 | |
CARMEN SIGHS | 0:13:06 | 0:13:07 | |
Oh, "Carmen is bossy and vain | 0:13:08 | 0:13:11 | |
"and her hair clogs up the plughole." | 0:13:11 | 0:13:13 | |
-Thank you, Floss. -It wasn't me. | 0:13:14 | 0:13:16 | |
You know, I can recognise your handwriting! | 0:13:16 | 0:13:19 | |
Can I have a biscuit now? | 0:13:25 | 0:13:27 | |
-Whose dumb idea was it not to say anything? -What happened? | 0:13:31 | 0:13:35 | |
Well, they think that we're covering something up. | 0:13:35 | 0:13:37 | |
-We've got to find those jewels, guys. -We've searched everywhere. | 0:13:37 | 0:13:40 | |
-There's no sign. -Someone must have nicked them. | 0:13:40 | 0:13:42 | |
-Like you nicked a computer? -Like you were done for shoplifting? | 0:13:42 | 0:13:45 | |
Hey, hey, we're not just going to start accusing each other! | 0:13:45 | 0:13:48 | |
All right? We've got to figure out some sort of motive. | 0:13:48 | 0:13:51 | |
Well, there's wanting to stop the play. | 0:13:51 | 0:13:53 | |
Like Harry wrecking Bernard I. | 0:13:53 | 0:13:55 | |
Well, what about Bailey? | 0:13:57 | 0:13:58 | |
Bailey wouldn't steal anything... | 0:13:58 | 0:14:00 | |
Would he? | 0:14:00 | 0:14:01 | |
Well... | 0:14:02 | 0:14:04 | |
He did need 800 quid to get a flat. | 0:14:04 | 0:14:07 | |
Well, there's your thief, then. Who else would it be? | 0:14:07 | 0:14:10 | |
My mum. | 0:14:10 | 0:14:11 | |
My fake mum. | 0:14:13 | 0:14:15 | |
-Fake? -You mean, that wasn't the real one? | 0:14:15 | 0:14:17 | |
Just don't ask, OK? | 0:14:17 | 0:14:19 | |
I knew you weren't the thief. | 0:14:19 | 0:14:22 | |
I was about to call the police. | 0:14:22 | 0:14:23 | |
You can't just take off like that. | 0:14:23 | 0:14:25 | |
I'm sorry. | 0:14:25 | 0:14:26 | |
Well, your dad called, told me everything. | 0:14:26 | 0:14:29 | |
I'm glad you came home. | 0:14:29 | 0:14:30 | |
-Wait, so it's Bailey's fake mum that stole the jewels? -Hang on. | 0:14:30 | 0:14:34 | |
How do you figure that? | 0:14:34 | 0:14:36 | |
She was in the lobby when the head fell off on the stairs. | 0:14:36 | 0:14:38 | |
Then I put them in the box. | 0:14:38 | 0:14:40 | |
While she was walking past there, she must have seen the jewels. | 0:14:40 | 0:14:43 | |
Any idea of where she's gone? | 0:14:43 | 0:14:45 | |
Bus station. | 0:14:47 | 0:14:48 | |
Listen, let me handle this, do you hear me? | 0:14:48 | 0:14:49 | |
Do you hear me? | 0:14:49 | 0:14:50 | |
Bailey! | 0:14:53 | 0:14:54 | |
Hey, Briony? | 0:14:56 | 0:14:58 | |
Forgetting something? | 0:14:58 | 0:15:00 | |
What are you doing here? | 0:15:00 | 0:15:01 | |
-No! Don't do that! -Give it back! | 0:15:01 | 0:15:03 | |
Before I call security, give it, give it back! | 0:15:03 | 0:15:06 | |
Yeah, I'm sure the police would love to see these. | 0:15:06 | 0:15:09 | |
You stole from a kid's home? | 0:15:14 | 0:15:16 | |
Have you any idea the effort that I wasted on you | 0:15:16 | 0:15:20 | |
pretending to be interested in your football career? | 0:15:20 | 0:15:23 | |
You know what? It's... | 0:15:25 | 0:15:26 | |
It's a relief that the Academy ditched you. I... | 0:15:26 | 0:15:28 | |
Just leave this for the police. | 0:15:28 | 0:15:30 | |
I don't think I could have put up with those Bambi eyes every day. | 0:15:30 | 0:15:33 | |
She's not worth it. | 0:15:36 | 0:15:37 | |
I'm glad you're not my mum. | 0:15:38 | 0:15:40 | |
These were my mother's! | 0:15:45 | 0:15:47 | |
I thought they were stolen years ago! | 0:15:47 | 0:15:50 | |
Guess this'll pay the bailiffs off. | 0:15:50 | 0:15:52 | |
Thanks to you, Twigg's Restaurant lives on! | 0:15:52 | 0:15:56 | |
And...the pizzas are on me. | 0:15:56 | 0:15:58 | |
THEY CHEER | 0:15:58 | 0:16:01 | |
The hour is upon us. | 0:16:01 | 0:16:02 | |
What revels are in hand? | 0:16:02 | 0:16:05 | |
What play to ease the anguish of this torturing hour? | 0:16:05 | 0:16:08 | |
What? | 0:16:09 | 0:16:11 | |
Are you guys doing a play? Fantastic! | 0:16:11 | 0:16:14 | |
THEY CHEER | 0:16:14 | 0:16:15 | |
-Are we back on? -Can you wing it? | 0:16:18 | 0:16:20 | |
-Do you even have to ask? -Good. -SHE LAUGHS | 0:16:20 | 0:16:22 | |
KNOCK AT DOOR | 0:16:28 | 0:16:30 | |
BOTH: We cleaned your boots for the football demo. | 0:16:36 | 0:16:39 | |
For the inspectors. | 0:16:40 | 0:16:42 | |
CROWD BOOS | 0:16:53 | 0:16:54 | |
CROWD BOOS | 0:16:57 | 0:16:58 | |
LAUGHTER | 0:17:02 | 0:17:04 | |
We're starting. | 0:17:11 | 0:17:13 | |
You can help with costumes... | 0:17:13 | 0:17:15 | |
if you want. | 0:17:15 | 0:17:16 | |
Er... | 0:17:17 | 0:17:19 | |
Fine. | 0:17:19 | 0:17:20 | |
But you're still down to do a football demo. | 0:17:20 | 0:17:23 | |
-I can't. -What? | 0:17:24 | 0:17:26 | |
I don't want these no more. | 0:17:29 | 0:17:31 | |
You might not get into the first club you try, | 0:17:31 | 0:17:34 | |
but you've got to be in it to win it and football is your dream job. | 0:17:34 | 0:17:37 | |
If I had something like that, I'd never give it up. | 0:17:37 | 0:17:39 | |
OK, guys, you've made your point. | 0:17:39 | 0:17:40 | |
-But he's really talented. -Yes... | 0:17:40 | 0:17:43 | |
But it's up to Bailey what he does now. It's been a big knock-back. | 0:17:43 | 0:17:46 | |
Look... | 0:17:46 | 0:17:48 | |
I could try another club, | 0:17:48 | 0:17:50 | |
but I'd be further away. | 0:17:50 | 0:17:52 | |
And I've training four times a week, plus matches. | 0:17:52 | 0:17:55 | |
Mike could take you. | 0:17:55 | 0:17:57 | |
It could be 100 miles away. | 0:17:57 | 0:17:59 | |
We could...find you somewhere else to live. | 0:17:59 | 0:18:01 | |
I mean, if that's what you want. | 0:18:01 | 0:18:03 | |
-Leave here? -No. | 0:18:03 | 0:18:05 | |
Well, that's the choice. | 0:18:05 | 0:18:07 | |
And even then, I might not get picked. | 0:18:07 | 0:18:10 | |
I could just spend the whole season on the sub's bench | 0:18:10 | 0:18:13 | |
and just get dumped at the end of it. | 0:18:13 | 0:18:15 | |
You can't think like that! | 0:18:15 | 0:18:16 | |
Why not? I'm just being realistic. | 0:18:16 | 0:18:18 | |
If I'm going to end up on the scrapheap, I want out now. | 0:18:20 | 0:18:23 | |
DOORBELL RINGS | 0:18:24 | 0:18:26 | |
Me and Bailey have got unfinished business. | 0:18:29 | 0:18:32 | |
Dad? | 0:18:42 | 0:18:43 | |
Backstage, you too, quick. Go on. | 0:18:43 | 0:18:44 | |
How come you never told me about the Academy yourself? | 0:18:59 | 0:19:01 | |
What's to tell? | 0:19:01 | 0:19:02 | |
You won't be seeing me at Wembley no more. | 0:19:02 | 0:19:05 | |
I guess you can't big me up to your friends. | 0:19:06 | 0:19:08 | |
What's that supposed to mean? | 0:19:08 | 0:19:10 | |
I'm proud of you, whatever you do. | 0:19:10 | 0:19:12 | |
Yeah, so proud that you'd just dump me at a football ground. | 0:19:12 | 0:19:15 | |
All right. | 0:19:19 | 0:19:20 | |
I've not been the greatest... | 0:19:21 | 0:19:23 | |
But I never drove Alison away. | 0:19:24 | 0:19:26 | |
I begged her to keep seeing you. | 0:19:27 | 0:19:29 | |
She didn't want to be a mum. | 0:19:30 | 0:19:32 | |
Great. | 0:19:33 | 0:19:34 | |
She hated me that much? | 0:19:36 | 0:19:37 | |
She knew you had me. | 0:19:37 | 0:19:39 | |
I did all right when you were a little nipper. | 0:19:41 | 0:19:43 | |
It was less to get wrong. | 0:19:44 | 0:19:46 | |
And then I got older. | 0:19:47 | 0:19:49 | |
Sorry about that. | 0:19:50 | 0:19:51 | |
I knew I couldn't be the dad you needed. | 0:19:53 | 0:19:56 | |
What, so you just leave me with no dad? | 0:19:56 | 0:19:58 | |
I left you with Mike. | 0:19:59 | 0:20:00 | |
HE SIGHS | 0:20:04 | 0:20:06 | |
So why are you here now? | 0:20:06 | 0:20:08 | |
You don't care. | 0:20:09 | 0:20:10 | |
You only came to stop me seeing her. | 0:20:11 | 0:20:14 | |
# Don't waste my time | 0:20:22 | 0:20:23 | |
# I don't wanna fight no more | 0:20:26 | 0:20:28 | |
# I don't wanna fight no more | 0:20:28 | 0:20:30 | |
# I don't wanna fight no more | 0:20:30 | 0:20:33 | |
# I don't wanna fight no more. # | 0:20:33 | 0:20:35 | |
Hey. | 0:20:39 | 0:20:40 | |
So, to Mike, Bailey and all the assembled guests, | 0:20:40 | 0:20:44 | |
for your entertainment, we present to you... | 0:20:44 | 0:20:47 | |
The Winter's Tale. | 0:20:47 | 0:20:49 | |
What a fantastic surprise! Whoo! | 0:20:51 | 0:20:52 | |
My wife is slippery, she's an adulteress. | 0:20:54 | 0:20:56 | |
You, my lord, but do mistake. | 0:20:56 | 0:20:58 | |
He thinks he's touched his queen. | 0:20:58 | 0:21:01 | |
My best blood turns into infected jelly. | 0:21:01 | 0:21:03 | |
Take this vile creature hence to some remote and desert place | 0:21:08 | 0:21:11 | |
and there thou leave it. | 0:21:11 | 0:21:13 | |
I swear to do this. Prepare my ship! | 0:21:17 | 0:21:20 | |
THEY MAKE SEA AND WIND SOUNDS | 0:21:29 | 0:21:32 | |
We have landed in ill times. The skies look grimly. | 0:21:40 | 0:21:44 | |
Come, poor babe. | 0:21:49 | 0:21:50 | |
Thy mother appeared to me in a dream last night | 0:21:51 | 0:21:54 | |
and said, "If you must hurt my baby, put some garlic next to her, | 0:21:54 | 0:21:58 | |
"because bears really hate garlic." | 0:21:58 | 0:22:01 | |
In a letter saying that she loves you and in 16 years, | 0:22:01 | 0:22:05 | |
spoiler alert, she might see you again in some palace or a nail bar. | 0:22:05 | 0:22:10 | |
-Aw! -LAUGHTER | 0:22:10 | 0:22:12 | |
GROWLING SOUND SHE YELPS | 0:22:16 | 0:22:19 | |
SHE MAKES CHOKING SOUND | 0:22:26 | 0:22:28 | |
APPLAUSE AND CHEERING | 0:22:35 | 0:22:39 | |
# Caramel | 0:22:41 | 0:22:43 | |
# Caramel | 0:22:43 | 0:22:45 | |
# Caramel | 0:22:45 | 0:22:47 | |
# Caramel | 0:22:47 | 0:22:49 | |
# Caramel | 0:22:49 | 0:22:51 | |
# Caramel | 0:22:51 | 0:22:53 | |
# Caramel | 0:22:53 | 0:22:55 | |
# Caramel | 0:22:55 | 0:22:57 | |
# Caramel | 0:22:57 | 0:22:59 | |
# Caramel... # | 0:22:59 | 0:23:01 | |
CHEERING AND APPLAUSE | 0:23:01 | 0:23:04 | |
We have come to see statue of our queen. | 0:23:06 | 0:23:09 | |
Dear queen, mother, lend me your hand. | 0:23:10 | 0:23:12 | |
Music, awake her. Strike. | 0:23:12 | 0:23:14 | |
Be stone no more. | 0:23:17 | 0:23:18 | |
Turn, good lady. Our Perdita is found. | 0:23:20 | 0:23:24 | |
You gods look down and pour your graces on my daughter's head. | 0:23:24 | 0:23:27 | |
Queen Hermione finds her baby, who she thought was dead. | 0:23:29 | 0:23:33 | |
And King Leontes is sorry for being a nasty king, | 0:23:33 | 0:23:36 | |
so everyone forgives him. | 0:23:36 | 0:23:38 | |
And Perdita is so happy, | 0:23:38 | 0:23:41 | |
because she knows her mum never stopped loving her, ever. | 0:23:41 | 0:23:44 | |
APPLAUSE AND CHEERING | 0:23:44 | 0:23:47 | |
BEAR GROWLS | 0:23:57 | 0:23:59 | |
CHEERING AND APPLAUSE | 0:24:08 | 0:24:11 | |
RINGING TONE | 0:24:23 | 0:24:25 | |
Dad? | 0:24:25 | 0:24:26 | |
-Where are you? -Waiting for you. | 0:24:28 | 0:24:31 | |
I told my boss I needed a couple of days off. | 0:24:31 | 0:24:34 | |
-I thought you were out of work? -I got my old job back. | 0:24:34 | 0:24:37 | |
-You never said. -You never asked. | 0:24:37 | 0:24:39 | |
FAINT CHEERING AND APPLAUSE | 0:24:41 | 0:24:43 | |
Whatever Mum did... | 0:24:51 | 0:24:53 | |
..it wasn't your fault. | 0:24:54 | 0:24:57 | |
-And I shouldn't have said all that stuff. -You're not a failure, son. | 0:24:57 | 0:25:01 | |
Football isn't everything. | 0:25:01 | 0:25:03 | |
I never meant for you to feel that way. | 0:25:03 | 0:25:05 | |
I'm just going to take a break for a bit. | 0:25:07 | 0:25:10 | |
There's other stuff to do. | 0:25:10 | 0:25:12 | |
Like...seeing your old man? | 0:25:12 | 0:25:14 | |
Well, you stopped writing. I mean... | 0:25:15 | 0:25:17 | |
Yeah. | 0:25:17 | 0:25:19 | |
Do you want me to find the real Ali...Alison? | 0:25:19 | 0:25:22 | |
-Nah, nah. -Because... | 0:25:22 | 0:25:23 | |
Nah. | 0:25:24 | 0:25:25 | |
See, Mike was right. | 0:25:26 | 0:25:29 | |
-YOU did OK without her. -WE did OK. | 0:25:29 | 0:25:32 | |
I wish we could be mates again. | 0:25:34 | 0:25:36 | |
-I miss your ugly face. -Yeah, I miss yours. | 0:25:37 | 0:25:40 | |
See, you're my real dad. | 0:25:43 | 0:25:44 | |
And that's never going to change. | 0:25:47 | 0:25:49 | |
Come here. | 0:25:50 | 0:25:51 | |
-Did we pass? -It's not a pass-fail thing. | 0:25:57 | 0:26:00 | |
-You'll have the report in two weeks. -Two weeks? | 0:26:00 | 0:26:03 | |
Obviously, there are some areas for improvement. | 0:26:03 | 0:26:06 | |
I took the batteries out of the smoke alarm. | 0:26:06 | 0:26:08 | |
It's a shame you couldn't be so honest in your interviews. | 0:26:08 | 0:26:11 | |
Your loyalty to Mike and May-Li might have been misplaced, | 0:26:11 | 0:26:14 | |
but it shows you value them very deeply. | 0:26:14 | 0:26:17 | |
And after seeing how they supported Bailey, I can't say I'm surprised. | 0:26:18 | 0:26:22 | |
Oi, is she being nice? I can't tell. | 0:26:22 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:25 | |
We were also very impressed with your ambition. | 0:26:25 | 0:26:27 | |
The first time we've ever had a play performed for us. | 0:26:27 | 0:26:30 | |
You guys totally rock. | 0:26:30 | 0:26:32 | |
You're resourceful, imaginative, considerate and caring. | 0:26:32 | 0:26:37 | |
Well done. | 0:26:37 | 0:26:38 | |
Keep up the good work. | 0:26:38 | 0:26:40 | |
Because we're expecting even greater things next time. | 0:26:40 | 0:26:43 | |
RIPPLE OF LAUGHTER | 0:26:46 | 0:26:49 | |
LAUGHTER DIES DOWN NERVOUSLY | 0:26:53 | 0:26:55 | |
Down that end... | 0:26:55 | 0:26:58 | |
Oh, no... | 0:26:58 | 0:26:59 | |
Jody, play something else! | 0:27:01 | 0:27:02 | |
No, you're all right. | 0:27:04 | 0:27:05 | |
-Go on, Harry. -He never passes to me. | 0:27:11 | 0:27:13 | |
So what's it to be next time? | 0:27:15 | 0:27:17 | |
Hamlet? | 0:27:17 | 0:27:18 | |
Macbeth? | 0:27:18 | 0:27:19 | |
Henry VI, Parts One, Two and Three? | 0:27:19 | 0:27:22 | |
-Er, I think I'm just going to stick to reading Shakespeare. -Oh. | 0:27:22 | 0:27:25 | |
-All those egos, too much for me. -HE LAUGHS | 0:27:25 | 0:27:28 | |
Talking of which, look at this. Oi oi! | 0:27:28 | 0:27:31 | |
THEY CHEER | 0:27:34 | 0:27:39 |