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-I took the third right. Grange Street. -'Right.' | 0:00:02 | 0:00:03 | |
Right? There is no right. | 0:00:03 | 0:00:05 | |
'Oh, no. No, I didn't mean... I meant... | 0:00:05 | 0:00:08 | |
'Oh, forget it! | 0:00:08 | 0:00:10 | |
'The second left. | 0:00:10 | 0:00:13 | |
-'There's a street coming up on your right.' -Oh, yeah. | 0:00:13 | 0:00:16 | |
'Take that and then... No, then the third left.' | 0:00:16 | 0:00:18 | |
-Jodie... -'Take the...' -Jodie, you're cutting out! | 0:00:18 | 0:00:22 | |
-Jodie. -Oh! | 0:00:22 | 0:00:25 | |
Oh, you've got to be kidding! | 0:00:25 | 0:00:27 | |
-I'm so sorry. -This is a very new and very expensive jacket. | 0:00:29 | 0:00:33 | |
It'll wash out. Look, I really need to get to Five Bridges Radio. | 0:00:33 | 0:00:36 | |
-I'm really sorry again. -Five Bridges? | 0:00:36 | 0:00:38 | |
Yeah, you know, "Five Bridges News, on the hour, every hour." | 0:00:40 | 0:00:44 | |
I'm doing work experience there as a journalist. | 0:00:44 | 0:00:47 | |
You know, crimes and conspiracies and stuff. | 0:00:47 | 0:00:50 | |
-Follow me. -But... | 0:00:50 | 0:00:51 | |
I'm going to be late. I want to make a good first impression. | 0:00:51 | 0:00:54 | |
It's too late for that. I'm your boss. | 0:00:54 | 0:00:57 | |
So, let me get this straight - | 0:01:20 | 0:01:23 | |
Tyler is working...for free. | 0:01:23 | 0:01:26 | |
It's called work experience. | 0:01:26 | 0:01:29 | |
It's so he can show how serious he is about being a journalist. | 0:01:29 | 0:01:31 | |
It makes no sense at all. | 0:01:31 | 0:01:33 | |
Mate, are you just stalling over showing me this new kick flick? | 0:01:33 | 0:01:37 | |
You can't rush a master, OK? | 0:01:37 | 0:01:38 | |
Oh, Umbleby. Two o'clock. | 0:01:41 | 0:01:45 | |
-What's he doing? -Whatever it is, it doesn't look good. | 0:01:45 | 0:01:48 | |
Come on. | 0:01:50 | 0:01:51 | |
-JINGLE: -# Five Bridges Radio. # | 0:01:55 | 0:01:58 | |
You're back on Talk Time with Tyler Lewis. | 0:01:59 | 0:02:02 | |
Who's our next caller, please? | 0:02:02 | 0:02:04 | |
Ahem. | 0:02:04 | 0:02:07 | |
It'll certainly be a while before we allow you on-air, Mr Lewis. | 0:02:07 | 0:02:10 | |
I was hoping I'd be doing a bit more than sharpening pencils. | 0:02:12 | 0:02:15 | |
What, like investigating crimes and conspiracies? | 0:02:15 | 0:02:18 | |
This is local news. | 0:02:18 | 0:02:20 | |
That stuff, it's few and far between. | 0:02:20 | 0:02:22 | |
I'm sorry about your clothes. | 0:02:22 | 0:02:24 | |
It's just... Can't I get something a bit more exciting? | 0:02:24 | 0:02:27 | |
Oh! If it stops you from getting in my way all day. | 0:02:27 | 0:02:31 | |
Yeah... | 0:02:32 | 0:02:34 | |
Someone called in about an incident by the river. | 0:02:34 | 0:02:36 | |
-Go and investigate. -Thanks! | 0:02:36 | 0:02:39 | |
What kind of incident? | 0:02:42 | 0:02:43 | |
Apparently there's a foul-mouthed fugitive on the loose. | 0:02:43 | 0:02:47 | |
Umbleby loves a notice. | 0:02:55 | 0:02:57 | |
-What is it? -We need to go home. | 0:02:57 | 0:02:59 | |
They're closing the skate park. | 0:02:59 | 0:03:01 | |
'Knickers! Are you looking at me? | 0:03:21 | 0:03:24 | |
'Knickers! Are you looking at me?' | 0:03:24 | 0:03:27 | |
-Foul-mouthed fugitive. -'Knickers! Are you looking at me? | 0:03:27 | 0:03:31 | |
'Knickers! Are you looking at me?' | 0:03:31 | 0:03:34 | |
The bird is just bait. | 0:03:34 | 0:03:37 | |
Meet me at the bench by the bridge. | 0:03:37 | 0:03:40 | |
I've got a story for you. | 0:03:40 | 0:03:42 | |
What is it? | 0:03:49 | 0:03:51 | |
-An alien? -He's under my bed. Come see. | 0:03:51 | 0:03:55 | |
Not when I have this. | 0:03:57 | 0:03:59 | |
-You've already had four of these this week. -Oh! | 0:04:00 | 0:04:03 | |
Look the other way, so we're not talking to each other. | 0:04:07 | 0:04:10 | |
-What's your name? -Tyler Lewis. | 0:04:11 | 0:04:14 | |
How long have you been working at the station? | 0:04:14 | 0:04:18 | |
-Not long. -Do you want to be a parrot and copy everyone else...? | 0:04:19 | 0:04:23 | |
..or do you want to be a real journalist? | 0:04:25 | 0:04:27 | |
'Go to 10 Bradley Street.' | 0:04:35 | 0:04:38 | |
It's simple, we need to stop this meeting from going ahead. | 0:04:42 | 0:04:45 | |
-Right? -ALL: -Yeah. | 0:04:45 | 0:04:47 | |
If we make some noise, they can't make any decisions. | 0:04:47 | 0:04:50 | |
-We could bang pots and pans. -ALL: -Yes! | 0:04:50 | 0:04:52 | |
Guys, listen, it says on the notice that anyone can attend, right? | 0:04:52 | 0:04:55 | |
Well, why don't we go to the meeting? | 0:04:57 | 0:04:59 | |
State our case. | 0:04:59 | 0:05:01 | |
Sit with the enemy? That's stupid. | 0:05:01 | 0:05:04 | |
We have to make them listen to us. | 0:05:04 | 0:05:06 | |
That'll never work. Who's going to take us lot seriously? | 0:05:06 | 0:05:09 | |
Sasha's right, we can't even pick a channel to watch without | 0:05:09 | 0:05:12 | |
-getting into a fight. -One person needs to speak for us - | 0:05:12 | 0:05:14 | |
show them that this is bigger than just a skate park. | 0:05:14 | 0:05:17 | |
You know they got the basketball courts closed the other week. | 0:05:18 | 0:05:21 | |
We need to show them that we're not going to stand for this. | 0:05:21 | 0:05:24 | |
We want to be seen, and we are going to be heard! | 0:05:24 | 0:05:27 | |
Erm... | 0:05:32 | 0:05:33 | |
Yeah, something like that. | 0:05:33 | 0:05:36 | |
-Go, Chloe! -Yeah, I didn't exactly understand what she said, | 0:05:36 | 0:05:39 | |
but I believe her. | 0:05:39 | 0:05:42 | |
Chloe, you can do this. You can speak for us. | 0:05:42 | 0:05:45 | |
-I didn't exactly mean me but... -Oh, come on. | 0:05:45 | 0:05:48 | |
You're good at this stuff. | 0:05:48 | 0:05:50 | |
You're smart and you obviously care. | 0:05:50 | 0:05:52 | |
What's the problem? | 0:05:52 | 0:05:54 | |
Aggggh! | 0:06:01 | 0:06:03 | |
There's no problem. | 0:06:12 | 0:06:14 | |
Yes! | 0:06:14 | 0:06:16 | |
That's awesome. | 0:06:17 | 0:06:19 | |
Ahem. | 0:06:30 | 0:06:31 | |
Are you sure this is the right place? | 0:06:37 | 0:06:40 | |
It's a ghost street. | 0:06:40 | 0:06:41 | |
'Well, it's the address you gave Mike.' | 0:06:41 | 0:06:43 | |
'And he wants you call when you're on your way back.' | 0:06:43 | 0:06:45 | |
Yeah, all right. Bye. | 0:06:45 | 0:06:47 | |
I thought you'd never make it. | 0:06:53 | 0:06:55 | |
Ralph Palmer, pleasure to meet you. | 0:06:57 | 0:06:59 | |
Oh, sorry about the parrot. | 0:07:01 | 0:07:04 | |
Your boss, Miss Bloomfield, refuses to send anyone | 0:07:04 | 0:07:08 | |
to listen to me these days. | 0:07:08 | 0:07:11 | |
OK. | 0:07:11 | 0:07:12 | |
So, what's the story? | 0:07:12 | 0:07:14 | |
It's a conspiracy, young man. | 0:07:15 | 0:07:17 | |
20th of March - infestation of rats. | 0:07:18 | 0:07:23 | |
1st of April - electricity failure for three days running. | 0:07:23 | 0:07:28 | |
5th of April - bad smell reported. | 0:07:28 | 0:07:32 | |
Granted, that was possibly a mouldy trout in the fridge. | 0:07:32 | 0:07:35 | |
7th of April... | 0:07:35 | 0:07:37 | |
Wait. Who do you think's doing all this to you? | 0:07:37 | 0:07:40 | |
Those horrible developers, that's who. | 0:07:42 | 0:07:44 | |
The ones who want to knock this whole street to the ground. | 0:07:44 | 0:07:47 | |
Open your eyes. Did you not see the empty houses? | 0:07:47 | 0:07:51 | |
-I'm the last man standing. -What happened to the others? | 0:07:51 | 0:07:54 | |
All signed up and moved out. Bullied into it. | 0:07:54 | 0:07:57 | |
All this can be explained. | 0:07:58 | 0:08:00 | |
I mean, anyone can get rats. | 0:08:00 | 0:08:02 | |
And we had faulty electricity the same time as you. | 0:08:02 | 0:08:05 | |
Fine. | 0:08:05 | 0:08:08 | |
Want to explain this? | 0:08:08 | 0:08:10 | |
Two of their men came to see me yesterday | 0:08:10 | 0:08:12 | |
to try and convince me to sign. | 0:08:12 | 0:08:15 | |
I shooed them off the premises as usual. | 0:08:15 | 0:08:18 | |
Later I found this... | 0:08:18 | 0:08:21 | |
I don't know, a fox maybe? | 0:08:26 | 0:08:28 | |
No-one will listen to me, Tyler. | 0:08:39 | 0:08:41 | |
I need your help. | 0:08:46 | 0:08:48 | |
Oh, cool zombie thingy? | 0:08:54 | 0:08:56 | |
He's under my bed. | 0:08:56 | 0:08:58 | |
I'm painting it to show Mike. | 0:08:58 | 0:09:01 | |
Oh, you don't have to show him. It's just a hobgoblin. | 0:09:03 | 0:09:07 | |
The what?! | 0:09:07 | 0:09:09 | |
Yeah, every house has a hobgoblin. | 0:09:09 | 0:09:12 | |
They're harmless, as long as you follow the rules. | 0:09:12 | 0:09:15 | |
He doesn't look happy. | 0:09:15 | 0:09:17 | |
That's probably because you looked him in the eye. | 0:09:17 | 0:09:20 | |
That's rule number one - never look him in the eye. | 0:09:20 | 0:09:23 | |
Anyway, see you in a bit. | 0:09:27 | 0:09:30 | |
Looking at this here, they want to build a multi-million pound project. | 0:09:36 | 0:09:40 | |
Luxury apartments, restaurants, the lot. | 0:09:40 | 0:09:42 | |
So Ralph refusing to move is costing them millions. | 0:09:42 | 0:09:45 | |
If this is true, we need to find some proof to stop them. | 0:09:45 | 0:09:48 | |
What are they going to do to him next? | 0:09:48 | 0:09:50 | |
Hit us with it, then, Chloe. | 0:09:54 | 0:09:56 | |
On 22nd of May 2009, the skate park opened. | 0:09:58 | 0:10:03 | |
Erm... | 0:10:04 | 0:10:05 | |
It was a...great thing for the community. | 0:10:05 | 0:10:10 | |
Say fantastic instead of great. | 0:10:10 | 0:10:13 | |
OK. | 0:10:13 | 0:10:14 | |
On 14 January this year the basketball court was closed | 0:10:14 | 0:10:18 | |
at a cost of... | 0:10:18 | 0:10:21 | |
32,000... | 0:10:21 | 0:10:24 | |
Do we really need dates and figures? | 0:10:24 | 0:10:26 | |
And have you thought about if they mention the graffiti on the | 0:10:26 | 0:10:29 | |
-basketball court? -Guys, let her speak. | 0:10:29 | 0:10:31 | |
So according to research, there's a 56... | 0:10:32 | 0:10:37 | |
What happened to all of the hitting the table stuff? | 0:10:37 | 0:10:40 | |
What? I'm just saying what everyone's thinking. | 0:10:43 | 0:10:46 | |
Do you know what? You can find someone else to do it. | 0:10:48 | 0:10:51 | |
I'm done. | 0:10:51 | 0:10:52 | |
Douglas Properties? | 0:10:56 | 0:10:58 | |
Yeah, can I speak to someone about Ralph Palmer? | 0:10:58 | 0:11:01 | |
-RADIO: -Looking for a new house? Want to choose from a brand-new selection | 0:11:01 | 0:11:04 | |
of properties from across the region? | 0:11:04 | 0:11:06 | |
They hung up! No, that's proper dodgy. | 0:11:06 | 0:11:09 | |
Listen to this. | 0:11:09 | 0:11:11 | |
'A range of award-winning developments. | 0:11:12 | 0:11:14 | |
'Visit our website to find out more. | 0:11:14 | 0:11:16 | |
'Douglas Properties, proud sponsors of Five Bridges travel.' | 0:11:16 | 0:11:19 | |
They sponsor the station! | 0:11:19 | 0:11:21 | |
So that's why my boss won't look into Ralph's problem. | 0:11:21 | 0:11:23 | |
You'll make him angry! | 0:11:28 | 0:11:29 | |
He's angry because he's hungry. Did Archie not tell you rule two? | 0:11:33 | 0:11:37 | |
-No. -Bring him treats, especially cupcakes. | 0:11:37 | 0:11:42 | |
Roooarrr! | 0:11:50 | 0:11:53 | |
Yum, yum, yum! | 0:11:55 | 0:11:58 | |
Bleeeughh! | 0:11:58 | 0:12:00 | |
-JINGLE: -# Five Bridges News. Every hour on the hour. # | 0:12:03 | 0:12:07 | |
You've been talking to that Ralph Palmer. | 0:12:07 | 0:12:10 | |
-Is that a bad thing? -He's a harmless fool, | 0:12:10 | 0:12:12 | |
but his mind is full of ridiculous theories. | 0:12:12 | 0:12:15 | |
But someone's trashed his garden and is making threats. | 0:12:15 | 0:12:18 | |
Listen, we've looked into his wild claims hundreds of times in the past | 0:12:18 | 0:12:21 | |
and never found a shred of proof. | 0:12:21 | 0:12:23 | |
A company planting rats? | 0:12:23 | 0:12:25 | |
But this is different. | 0:12:25 | 0:12:28 | |
If this is to do with them sponsoring the station, | 0:12:28 | 0:12:30 | |
I'll carry on myself. | 0:12:30 | 0:12:32 | |
Are you suggesting we let our sponsors influence our journalism? | 0:12:32 | 0:12:35 | |
I'm just trying to find the truth. | 0:12:35 | 0:12:37 | |
And I'm telling you to leave this whole thing alone right now. | 0:12:37 | 0:12:40 | |
Fix the photocopier. | 0:12:40 | 0:12:43 | |
Jodie. It's me. | 0:12:53 | 0:12:55 | |
KNOCK AT DOOR | 0:12:56 | 0:12:58 | |
Leave me alone. | 0:12:58 | 0:13:00 | |
-I said... -We're here to say sorry. | 0:13:00 | 0:13:04 | |
We thought you'd be so good at putting the case | 0:13:04 | 0:13:07 | |
that we wouldn't have to. | 0:13:07 | 0:13:08 | |
We took advantage. | 0:13:08 | 0:13:10 | |
Look... | 0:13:12 | 0:13:13 | |
It's a big thing a kid speaking up against the adults. | 0:13:15 | 0:13:19 | |
But we forgot about you and how scared you'd be. | 0:13:19 | 0:13:22 | |
You don't understand, that's not what I'm scared of. | 0:13:22 | 0:13:24 | |
If I mess up, then... I'd be letting down my friends. | 0:13:26 | 0:13:31 | |
-What? No way. -We'd be proud of you for trying. | 0:13:31 | 0:13:35 | |
Even if I messed up? | 0:13:35 | 0:13:36 | |
Maybe not trying is letting us down because you're our best chance. | 0:13:36 | 0:13:40 | |
What do you say? | 0:13:42 | 0:13:45 | |
Let's do it. | 0:13:51 | 0:13:53 | |
Hobgoblin. | 0:13:56 | 0:13:57 | |
Tyler, your boss is going to flip. | 0:14:11 | 0:14:13 | |
What's she going to do, sack me? | 0:14:13 | 0:14:15 | |
There he is! With backup, too. | 0:14:20 | 0:14:24 | |
-Have you given it to those bullies yet? -Erm... | 0:14:24 | 0:14:27 | |
We need to come and look in your garden again - | 0:14:28 | 0:14:31 | |
try and find some real proof. CRASHING | 0:14:31 | 0:14:34 | |
BARKING | 0:14:36 | 0:14:40 | |
-Did you see anything? -No. | 0:14:44 | 0:14:46 | |
But someone dropped these. | 0:14:51 | 0:14:54 | |
Who'd come back for pieces of garden gnome? | 0:14:54 | 0:14:56 | |
Just these three pieces? Nothing else has even been touched. | 0:14:56 | 0:15:00 | |
Does it matter? Haven't we got enough proof already. | 0:15:00 | 0:15:02 | |
TEXT ALERT | 0:15:02 | 0:15:04 | |
-Mike. -You're in trouble. | 0:15:08 | 0:15:10 | |
He's left his duties, deliberately gone against my orders. | 0:15:11 | 0:15:15 | |
I'm awfully sorry, Ms Bloomfield. | 0:15:15 | 0:15:17 | |
He's jeopardised the future of the station. | 0:15:17 | 0:15:21 | |
-He's an enthusiastic young man. -Possibly. | 0:15:21 | 0:15:24 | |
But the first thing he needs to learn about work is to respect | 0:15:24 | 0:15:27 | |
his boss and to take instruction. | 0:15:27 | 0:15:29 | |
Not when I find out the truth is involved. | 0:15:29 | 0:15:31 | |
Isn't that what good journalists should do? | 0:15:31 | 0:15:33 | |
A good journalist is also open-minded! | 0:15:33 | 0:15:36 | |
This is what your evil company are offering Ralph, | 0:15:37 | 0:15:40 | |
not to mention an incredible sum of money. | 0:15:40 | 0:15:43 | |
Now, I know some of you have doubts about the closure, | 0:15:51 | 0:15:54 | |
but I'm sure we all agree that we need to crack down on crime. | 0:15:54 | 0:15:58 | |
What's that got to do with the skate park? | 0:15:58 | 0:16:00 | |
Ah, apologies, it seems our skate park users here | 0:16:00 | 0:16:04 | |
are a little hot-headed. | 0:16:04 | 0:16:07 | |
Only this morning I was putting up a notice | 0:16:07 | 0:16:09 | |
and I found myself the victim of a torrent of abuse. | 0:16:09 | 0:16:12 | |
Well, that's a lie. We were only skating. | 0:16:12 | 0:16:15 | |
Just stay calm, we'll get our chance. | 0:16:15 | 0:16:17 | |
I rest my case. | 0:16:17 | 0:16:19 | |
This house! | 0:16:23 | 0:16:25 | |
It's amazing. Who wouldn't want to move there? | 0:16:25 | 0:16:29 | |
I don't know. It doesn't add up. | 0:16:29 | 0:16:32 | |
-What's this? -Finn was painting it earlier. | 0:16:42 | 0:16:46 | |
-You've seen this, haven't you? -It's the hobgoblin. | 0:16:59 | 0:17:02 | |
-He's eating under my bed. -What? | 0:17:02 | 0:17:06 | |
-What do you know about this? -Nothing. | 0:17:19 | 0:17:22 | |
I only wanted cupcakes. | 0:17:22 | 0:17:23 | |
-Archie? -I was only fixing him. | 0:17:23 | 0:17:26 | |
I even went back today to try and get the rest of him. | 0:17:26 | 0:17:29 | |
I saved him because the old man didn't want him. | 0:17:29 | 0:17:32 | |
What do you mean? What did you see? | 0:17:32 | 0:17:33 | |
He was acting all crazy - smashing everything in his garden, | 0:17:33 | 0:17:37 | |
and I saw him painting words on his wall. | 0:17:37 | 0:17:39 | |
And all of that graffiti has to come from somewhere. | 0:17:43 | 0:17:46 | |
We've got to do something. | 0:17:46 | 0:17:48 | |
Could you please be quiet over there? This is a meeting. | 0:17:48 | 0:17:52 | |
No, Mr Umbleby, we thought this was going to be a conversation. | 0:17:52 | 0:17:55 | |
And... | 0:17:55 | 0:17:56 | |
Well, you talked about crime and I have stats here somewhere. | 0:18:04 | 0:18:08 | |
And... | 0:18:08 | 0:18:10 | |
Well, it's not quite... | 0:18:10 | 0:18:12 | |
Let me help you, shall I? You seem to be struggling. | 0:18:12 | 0:18:15 | |
-Give her notes back! -Where did you get these figures? | 0:18:15 | 0:18:18 | |
In your head? | 0:18:18 | 0:18:21 | |
Or even worse, the internet? | 0:18:21 | 0:18:23 | |
These are the views of an ill-informed girl. | 0:18:26 | 0:18:29 | |
Now, then, let's talk about alternative suggestions | 0:18:34 | 0:18:37 | |
for the space. | 0:18:37 | 0:18:39 | |
Ladies and gentlemen, I give you the youth of today. | 0:18:41 | 0:18:45 | |
Tyler Lewis. Are we going to give it to those bullies? | 0:18:53 | 0:18:58 | |
I... | 0:18:58 | 0:19:00 | |
I know you did all this. | 0:19:00 | 0:19:02 | |
Look, if you don't want to move, it's fine. | 0:19:03 | 0:19:07 | |
No-one's forcing you. | 0:19:07 | 0:19:08 | |
I just want to get them off my back, OK? | 0:19:11 | 0:19:14 | |
They keep coming around with these amazing offers. | 0:19:14 | 0:19:17 | |
I came this close to signing last night. | 0:19:17 | 0:19:20 | |
Wait, you want to sign? | 0:19:20 | 0:19:23 | |
Ralph, I wanted to help you. | 0:19:26 | 0:19:29 | |
Can you not just tell me what this is really about? | 0:19:29 | 0:19:31 | |
Come with me. | 0:19:35 | 0:19:37 | |
This is where we danced at the turn of the millennium. | 0:19:56 | 0:19:59 | |
Where we held our grandson for the first time. | 0:20:00 | 0:20:03 | |
That was where we had our last meal. | 0:20:07 | 0:20:09 | |
Don't you see? | 0:20:10 | 0:20:12 | |
This house is all I have left of her. | 0:20:14 | 0:20:17 | |
I'm sorry, Ralph. | 0:20:18 | 0:20:20 | |
But these are memories. You can take them with you. | 0:20:21 | 0:20:24 | |
Memories fade. | 0:20:26 | 0:20:28 | |
I won't remember the same. | 0:20:31 | 0:20:32 | |
She's only been gone a year. | 0:20:43 | 0:20:45 | |
And do you know... | 0:20:48 | 0:20:50 | |
..the other morning... | 0:20:52 | 0:20:54 | |
..I woke up... | 0:20:55 | 0:20:59 | |
..and she wasn't the first thing on my mind. | 0:21:01 | 0:21:03 | |
But maybe that's a good thing. You have to keep on living. | 0:21:05 | 0:21:09 | |
What do you know, you're just a little boy?! | 0:21:09 | 0:21:11 | |
But I know what it's like to leave the past behind. | 0:21:14 | 0:21:17 | |
I had to leave my mum and move into this big, scary house on my own. | 0:21:17 | 0:21:23 | |
I used to think about her all the time. | 0:21:23 | 0:21:25 | |
Then I made friends. | 0:21:28 | 0:21:30 | |
And I realised it was the best place for me. | 0:21:30 | 0:21:34 | |
Then one day, I didn't think about her once. | 0:21:34 | 0:21:37 | |
Did you feel bad? | 0:21:38 | 0:21:40 | |
Well, of course, but what else can you do? | 0:21:40 | 0:21:43 | |
Sit around and try and remember everything, or carry on? | 0:21:44 | 0:21:48 | |
Do you remember what you had for tea last Tuesday? | 0:21:52 | 0:21:54 | |
Erm... | 0:21:56 | 0:21:57 | |
Trout, maybe. | 0:21:59 | 0:22:01 | |
See, you have to think. Me, too. | 0:22:02 | 0:22:05 | |
But I remember the last meal I had with my mum in our house. | 0:22:07 | 0:22:12 | |
You see... | 0:22:14 | 0:22:16 | |
..all of this can get knocked down. | 0:22:19 | 0:22:21 | |
But the important stuff, it stays with you forever. | 0:22:22 | 0:22:27 | |
We shall not, we shall not be moved! | 0:22:36 | 0:22:39 | |
We shall not, we shall not be moved! | 0:22:39 | 0:22:42 | |
Sorry about this, everyone. | 0:22:42 | 0:22:44 | |
We'll resume the meeting once we've removed these children. | 0:22:44 | 0:22:48 | |
-We shall not...! -Quiet! | 0:22:49 | 0:22:52 | |
-We shall not...! -Quiet! | 0:22:53 | 0:22:56 | |
If anyone hasn't made up your minds up about the skate park | 0:23:00 | 0:23:03 | |
then I guess we've done it for you. | 0:23:03 | 0:23:04 | |
We blew it. You know why? | 0:23:05 | 0:23:07 | |
Because we're kids. | 0:23:09 | 0:23:11 | |
There's no point pretending we're perfect, because we're not. | 0:23:11 | 0:23:14 | |
We can be loud, hot-headed, | 0:23:14 | 0:23:17 | |
but I wonder how many of you were the same. | 0:23:17 | 0:23:19 | |
Guess where we go to do all that? | 0:23:21 | 0:23:23 | |
The skate park. | 0:23:23 | 0:23:25 | |
Take that away, and then what? | 0:23:25 | 0:23:27 | |
We'll take over your shops, your streets. | 0:23:27 | 0:23:29 | |
Or do we turn to crime, | 0:23:31 | 0:23:34 | |
the very thing that Mr Umbleby is so afraid of? | 0:23:34 | 0:23:37 | |
That's enough! OK, get them out. | 0:23:37 | 0:23:39 | |
Get them out. | 0:23:39 | 0:23:41 | |
Before you vote, just think - is he lying to get his own way, | 0:23:41 | 0:23:45 | |
not letting us speak, trying to make us look bad? | 0:23:45 | 0:23:49 | |
We might be kids, Mr Umbleby, | 0:23:52 | 0:23:54 | |
but you're supposed to be the grown-up here. | 0:23:54 | 0:23:57 | |
-Come in. -I... | 0:24:10 | 0:24:12 | |
I came to apologise. You were right, none of it was true. | 0:24:14 | 0:24:17 | |
It doesn't matter who's right or wrong, | 0:24:19 | 0:24:21 | |
you went after the truth because someone needed your help. | 0:24:21 | 0:24:24 | |
And that is the quality not of a good journalist, but a great one. | 0:24:24 | 0:24:29 | |
Everything else you can learn. | 0:24:29 | 0:24:32 | |
Including when to listen to your superiors! | 0:24:32 | 0:24:36 | |
Maybe I could come back another time and clean those shelves? | 0:24:36 | 0:24:39 | |
Good idea. | 0:24:39 | 0:24:41 | |
But I thought you might like to be a guest | 0:24:41 | 0:24:43 | |
-on the breakfast show tomorrow. -Me?! -Mm-hm. | 0:24:43 | 0:24:46 | |
-On the radio? -Yeah. | 0:24:47 | 0:24:50 | |
You can tell everyone about your work experience. | 0:24:50 | 0:24:52 | |
Make us look good. | 0:24:52 | 0:24:54 | |
And I expect that to be spotless. | 0:24:56 | 0:24:58 | |
You should have seen it, Chloe tore it up. | 0:25:04 | 0:25:07 | |
What do you two have to say? | 0:25:07 | 0:25:10 | |
We're sorry, Finn. | 0:25:10 | 0:25:12 | |
You can have our share of the cupcakes next week. | 0:25:12 | 0:25:15 | |
-It's OK. Want some more pizza? -Yes, please. | 0:25:15 | 0:25:18 | |
Rooar! | 0:25:18 | 0:25:19 | |
-Oh, nice one, Finn! -That was good! | 0:25:23 | 0:25:26 | |
THEY CHATTER | 0:25:26 | 0:25:28 | |
It was great. I learned a lot. | 0:25:49 | 0:25:51 | |
I'd like a career on the radio for sure. | 0:25:51 | 0:25:54 | |
I mean, well, I wasn't sure at first | 0:25:54 | 0:25:57 | |
but after my day here at Five Bridges Radio, | 0:25:57 | 0:26:00 | |
I can definitely see a future in the business. | 0:26:00 | 0:26:03 | |
Why don't you introduce the next song, Tyler? | 0:26:03 | 0:26:06 | |
Yeah, sure. This is Radio, Radio by... | 0:26:06 | 0:26:11 | |
Who? Who's he? | 0:26:11 | 0:26:13 | |
Ralph? | 0:26:18 | 0:26:19 | |
He's a surprise guest, all part of your work experience. | 0:26:19 | 0:26:23 | |
-What are you doing here? -You're the journalist, ask me. | 0:26:23 | 0:26:26 | |
Welcome back, listener. I am joined by Ralph Palmer, | 0:26:28 | 0:26:31 | |
the last resident of Bradley Street that's earmarked for development. | 0:26:31 | 0:26:34 | |
What news, Ralph? | 0:26:34 | 0:26:36 | |
I've decided to sell up. | 0:26:37 | 0:26:41 | |
Erm... | 0:26:46 | 0:26:48 | |
-Why now, Ralph? -Well, I guess... | 0:26:48 | 0:26:51 | |
I guess it's down to a very special young man. | 0:26:52 | 0:26:56 | |
Made me realise I'm not the only one who's had a rough ride. | 0:26:56 | 0:27:01 | |
And for someone of his age, well, | 0:27:01 | 0:27:03 | |
if he can get through it, then so can I. | 0:27:03 | 0:27:06 | |
He sounds like a very special, intelligent, amazing young man. | 0:27:09 | 0:27:13 | |
Yeah, well, I wouldn't go that far. | 0:27:13 | 0:27:15 | |
I spent so long trying to get people to listen to me. | 0:27:17 | 0:27:21 | |
I guess I needed to listen to someone else. | 0:27:23 | 0:27:26 | |
And... | 0:27:28 | 0:27:30 | |
I want to thank him for that. | 0:27:32 | 0:27:34 | |
Well, we'll be back right after this song. | 0:27:38 | 0:27:42 | |
This is Five Bridges Radio and... | 0:27:42 | 0:27:45 | |
..and I'm Tyler Lewis. | 0:27:45 | 0:27:48 |