Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# My alarm wakes me up I'm ready to rise | 0:00:02 | 0:00:04 | |
# I splash some water on my face to get the sleep out of my eyes | 0:00:04 | 0:00:06 | |
# The sun's out shining I'd better stop rhyming | 0:00:06 | 0:00:08 | |
# As Mum's always telling me Fix up your timing | 0:00:08 | 0:00:11 | |
# Now we've got a show on CBBC | 0:00:11 | 0:00:13 | |
# Sure all of my fans will be happy to see me | 0:00:13 | 0:00:15 | |
# It's sick cos the time is here | 0:00:15 | 0:00:17 | |
# Now sit back, relax and get ready to cheer | 0:00:17 | 0:00:19 | |
# We're doing well As you can tell | 0:00:19 | 0:00:21 | |
-# So here comes the show with Johnny -And Inel. # | 0:00:21 | 0:00:24 | |
'Coming up on today's show...' | 0:00:24 | 0:00:26 | |
Darrel! You're stealing my line to the ramp. | 0:00:26 | 0:00:29 | |
Deal with it. | 0:00:29 | 0:00:31 | |
You're stealing my line. | 0:00:31 | 0:00:32 | |
'We've got an interview with Radio 1 DJ Gemma Cairney.' | 0:00:32 | 0:00:35 | |
What advice would you give to someone if they were told that they had, | 0:00:35 | 0:00:39 | |
like, sausage fingers and couldn't mix properly? | 0:00:39 | 0:00:41 | |
You could make it part of your schtick. | 0:00:41 | 0:00:43 | |
You could be, like, "Yeah, I'm the Lincolnshire sausage man." | 0:00:43 | 0:00:46 | |
You could make up a little sausage skank. You know what I mean? | 0:00:46 | 0:00:49 | |
'The Only Way Is Blondie.' | 0:00:49 | 0:00:50 | |
It means I got it perfectly correct | 0:00:50 | 0:00:53 | |
and you two are trying to slow me down | 0:00:53 | 0:00:56 | |
and make me look bad in front of Shanice. | 0:00:56 | 0:01:00 | |
'So, let's get this show started.' | 0:01:00 | 0:01:01 | |
-Ready for the show today, Johnny? -Don't worry about the show, mate. | 0:01:07 | 0:01:12 | |
I've lined us up a top interview on the radio. You can thank me later. | 0:01:12 | 0:01:17 | |
OK, what's that for, then? | 0:01:17 | 0:01:18 | |
Well, you know how cool Gayle looks when she's DJing? | 0:01:18 | 0:01:21 | |
I reckon we'd be great at that. I mean, how hard can it be? | 0:01:21 | 0:01:24 | |
A lot of the club DJs have got their own radio shows, right, | 0:01:24 | 0:01:27 | |
so we head over to the radio studio, | 0:01:27 | 0:01:29 | |
supposedly to be interviewed about The Johnny And Inel Show | 0:01:29 | 0:01:31 | |
but, instead, we show them how good we are on the decks. | 0:01:31 | 0:01:34 | |
-Before you know it, we'll be headlining in Ibiza. -What, really? | 0:01:34 | 0:01:38 | |
Trust me. I was born to do this. | 0:01:38 | 0:01:41 | |
-What about our show, then? -We ARE the show, Inel. | 0:01:42 | 0:01:46 | |
The cameras will follow us around. Come on, we'll take them with us. | 0:01:46 | 0:01:49 | |
-See? Nothing to worry about. -Where are you off to, guys? | 0:01:53 | 0:01:57 | |
-We need to start the show. -Um... | 0:01:57 | 0:02:00 | |
Welcome to The Johnny And Inel Show! | 0:02:00 | 0:02:03 | |
'Sounds like we're in for another one of Johnny's famous schemes. | 0:02:03 | 0:02:06 | |
'In the meantime, | 0:02:06 | 0:02:08 | |
'here are some familiar crazy characters in the WWJI ring.' | 0:02:08 | 0:02:12 | |
BELL DINGS | 0:02:12 | 0:02:14 | |
The biggest rematch in WWJI history. | 0:02:14 | 0:02:17 | |
Once again, it's the Tickler... | 0:02:17 | 0:02:19 | |
..versus the Brickhouse. | 0:02:21 | 0:02:23 | |
-The Brickhouse! -Ha-ha! | 0:02:27 | 0:02:29 | |
Last time, Tickler, you tickled me, and that was below the belt. | 0:02:29 | 0:02:34 | |
But this time, I've got a new anti-tickling device. | 0:02:34 | 0:02:39 | |
HE LAUGHS | 0:02:39 | 0:02:40 | |
Ha-ha! | 0:02:40 | 0:02:42 | |
-What do you say now, Tickler? -Shops will sell anything nowadays. | 0:02:42 | 0:02:45 | |
We'll see about that. | 0:02:45 | 0:02:47 | |
Ha-ha-ha! Tickle-tickle-tickle. Tickle-tickle-tickle. | 0:02:47 | 0:02:50 | |
-Look who's laughing now, Tickler. -HE LAUGHS | 0:02:50 | 0:02:54 | |
I'm going to humiliate YOU, Tickler. | 0:02:54 | 0:02:56 | |
-He's got a plan. -What's that you've got? | 0:02:58 | 0:03:01 | |
Put it down. Put that down, mate. You don't want to use that. No... | 0:03:01 | 0:03:05 | |
Ahh! | 0:03:05 | 0:03:07 | |
-I'm going to laugh. -Tickle-tickle-tickle. | 0:03:07 | 0:03:10 | |
Oh, my goodness! | 0:03:10 | 0:03:11 | |
Will the Brickhouse be able to resist the Tickler's might? | 0:03:11 | 0:03:15 | |
Find out this Saturday, only on WWJI. | 0:03:15 | 0:03:18 | |
BELL DINGS | 0:03:20 | 0:03:21 | |
Now it's time for the best part of the entire show. | 0:03:23 | 0:03:25 | |
The Only Way Is Blondie. | 0:03:25 | 0:03:27 | |
Stepton High's Got Talent? Yeah, yeah, yeah, yeah. | 0:03:32 | 0:03:35 | |
Find the most talented pupil in the school? Pfft! | 0:03:35 | 0:03:37 | |
Don't need a competition for that. Obviously it's me. | 0:03:37 | 0:03:39 | |
I think you'll find that I'm going to win, | 0:03:39 | 0:03:41 | |
and anything you three produce | 0:03:41 | 0:03:43 | |
is going to be wickedy, wickedy, wickedy, wickedy...wah. | 0:03:43 | 0:03:46 | |
So, Shanice thinks she's all that? She's not. | 0:03:50 | 0:03:52 | |
Thinks she can say what she wants to me? She can't. | 0:03:52 | 0:03:56 | |
Has she ever done a music video inside a canteen before? | 0:03:56 | 0:03:59 | |
I don't think so. I swear down this girl's got her head in the clouds. | 0:03:59 | 0:04:02 | |
Does she not know about the Destiny's Child | 0:04:02 | 0:04:04 | |
All The Single Ladies Super-Talented Dancer Friendship Group? | 0:04:04 | 0:04:07 | |
We're well tight. | 0:04:07 | 0:04:08 | |
-MUSIC PLAYS -OK. | 0:04:13 | 0:04:15 | |
Five, six, seven, eight. | 0:04:15 | 0:04:17 | |
Mm-mm-mm. Mm-mm-mm. Mm-mm... | 0:04:17 | 0:04:20 | |
Oh, my gosh, Ruby! Can you just get it right, please? Oh! | 0:04:20 | 0:04:25 | |
I'm not about to get embarrassed in front of the entire school | 0:04:25 | 0:04:28 | |
because you don't know your left from your right. | 0:04:28 | 0:04:30 | |
Leave it, B. Right, come on. We'll take it from the top. | 0:04:30 | 0:04:33 | |
-Five, six, seven... -Oh, my days, Michelle! | 0:04:33 | 0:04:37 | |
Why are you trying to long out my life like that? | 0:04:37 | 0:04:39 | |
Calling out five, six, seven, eight? Think you're Beyonce? | 0:04:39 | 0:04:43 | |
We missed the timing on the last one. | 0:04:43 | 0:04:44 | |
My timing was perfectly correct on that one, Michelle. | 0:04:44 | 0:04:48 | |
-Er, I did trip a bit. -BOTH: We saw! | 0:04:48 | 0:04:51 | |
Sorry! | 0:04:51 | 0:04:53 | |
Ohh! | 0:04:53 | 0:04:55 | |
SHE TURNS MUSIC OFF | 0:04:55 | 0:04:57 | |
Ruby! Can you stop texting silly boys and put your phone away? | 0:04:57 | 0:05:00 | |
The world doesn't revolve around men, thank you! | 0:05:00 | 0:05:03 | |
Well, we should do it again, because it wasn't great before. | 0:05:03 | 0:05:06 | |
We need to be unified and that. Practice takes perfect. | 0:05:06 | 0:05:11 | |
-Oh, my days. -MUSIC PLAYS | 0:05:11 | 0:05:14 | |
Practice makes perfect? | 0:05:14 | 0:05:16 | |
I know how Beyonce must feel, working with Kelly and Michelle. | 0:05:16 | 0:05:20 | |
-What's that supposed to mean? -It means... | 0:05:20 | 0:05:22 | |
Hey, guys, there's an 80% sale in Shop Top. | 0:05:22 | 0:05:26 | |
It means I got it perfectly correct | 0:05:26 | 0:05:28 | |
and you two are trying to slow me down | 0:05:28 | 0:05:31 | |
and make me look bad in front of Shanice. | 0:05:31 | 0:05:34 | |
-Blondie, that's kind of rude. -Oh, is it? -Yes, it really hurts. | 0:05:34 | 0:05:38 | |
I bet Shanice doesn't talk to her friends like that. | 0:05:38 | 0:05:41 | |
THEY TALK OVER EACH OTHER | 0:05:41 | 0:05:47 | |
I don't know what Blondie's problem is lately, | 0:05:47 | 0:05:50 | |
but she's been overly moody. | 0:05:50 | 0:05:51 | |
-I think it's puberty. -BOTH: Definitely. | 0:05:51 | 0:05:54 | |
I mean, how rude is that? | 0:05:55 | 0:05:57 | |
'We'll be back with Blondie later | 0:06:00 | 0:06:01 | |
'to see if they've settled their differences. | 0:06:01 | 0:06:03 | |
'Now it's time for our radio interview. Exciting or what?' | 0:06:03 | 0:06:07 | |
-Going round again, mate. -Yeah? | 0:06:07 | 0:06:09 | |
-Oh. Hiya. -Hi. | 0:06:11 | 0:06:13 | |
Er, we're here for the Johnny and Inel interview. | 0:06:13 | 0:06:16 | |
-Oh, they're expecting you. Just go on through. -Expecting us! -Nice one. | 0:06:16 | 0:06:20 | |
-You all right? -You all right? -How you doing? -Cool. | 0:06:23 | 0:06:25 | |
The DJ just popped to the loo, but he'll be back in a moment. | 0:06:25 | 0:06:28 | |
-If you have a seat, then we'll get you on air. -Not a problem. | 0:06:28 | 0:06:31 | |
-Nice one. -See you in a bit. | 0:06:31 | 0:06:33 | |
Are you thinking what I'm thinking? | 0:06:33 | 0:06:35 | |
-You thinking about ginger beer? -No! -What are you thinking about, then? | 0:06:35 | 0:06:39 | |
I'm thinking he's gone - why don't we go in there | 0:06:39 | 0:06:42 | |
-and take over the radio show? -I weren't thinking that. | 0:06:42 | 0:06:45 | |
Quick, he's gone. Let's go. | 0:06:45 | 0:06:46 | |
I could teach you to be a DJ, Inel, but please don't touch anything, OK? | 0:06:46 | 0:06:50 | |
-Yeah? -Leave it to the professional. Did a bit of student radio. -Nice. | 0:06:50 | 0:06:55 | |
COW MOOS, TYRES SCREECH | 0:06:55 | 0:06:56 | |
-Now, what did I just say? We've got one shot at this. -All right. | 0:06:56 | 0:07:00 | |
COW MOOS | 0:07:00 | 0:07:01 | |
-The DJ's going to be back soon. We've got to nail this, OK? -Right. | 0:07:01 | 0:07:04 | |
Yo, yo, yo! | 0:07:04 | 0:07:06 | |
You're listening to the Inel Drum'n'Bass And Garage Hour. | 0:07:06 | 0:07:10 | |
Are you listening to a word I've just said? Besides, it's actually... | 0:07:10 | 0:07:15 | |
Hi, guys, welcome to Late Night, with me, Johnny Cochrane. | 0:07:15 | 0:07:19 | |
Late night grooves? It's, like, five o'clock. | 0:07:19 | 0:07:23 | |
# You're listening to Inel's | 0:07:23 | 0:07:26 | |
# Sou-ou-ou-oul train-n-n-n-a! # | 0:07:26 | 0:07:33 | |
RASPBERRY | 0:07:33 | 0:07:36 | |
-Oh, seriously?! And on air as well. -Inel, I'm a professional. | 0:07:36 | 0:07:41 | |
I think you'll find we're not on air. | 0:07:41 | 0:07:43 | |
Look. Look at the light. On air! | 0:07:43 | 0:07:46 | |
If we were live on air, do you think I'd do this? | 0:07:46 | 0:07:49 | |
Meow. Baa! | 0:07:49 | 0:07:51 | |
HE NEIGHS | 0:07:51 | 0:07:53 | |
-Cat, sheep. -That's pretty good. Look. | 0:07:54 | 0:07:56 | |
Naaaargh! Naaaargh! | 0:07:56 | 0:08:00 | |
-Naaaargh! -Uhh-aaah! Hope you're listening. | 0:08:00 | 0:08:05 | |
TEXT ALERT | 0:08:05 | 0:08:07 | |
-Oh, no. -What? | 0:08:08 | 0:08:10 | |
My mum's just texted me. We're live on air. | 0:08:10 | 0:08:12 | |
Why do you always have to mess around, Inel? | 0:08:12 | 0:08:15 | |
-You're ruining it for me. -Me?! | 0:08:15 | 0:08:16 | |
You're the one who's breaking wind live on air. | 0:08:16 | 0:08:18 | |
We can still save this, OK? We've got to be professional. | 0:08:18 | 0:08:21 | |
Let's come up with a jingle. | 0:08:21 | 0:08:22 | |
Hi, guys. Don't worry about it. KLAXON BLARES | 0:08:22 | 0:08:24 | |
-Which one's the jingle button? -ENGINE REVS | 0:08:24 | 0:08:26 | |
-Release the jingle now! -I'm trying. -COW MOOS, MUSIC PLAYS | 0:08:26 | 0:08:29 | |
What was I saying about being professional? | 0:08:29 | 0:08:31 | |
-I'm trying. -Oi! What are you doing in there? -Oh, security. | 0:08:31 | 0:08:35 | |
Guys, don't worry. We don't need to panic. | 0:08:35 | 0:08:37 | |
We'll just keep playing all those magic hits. | 0:08:37 | 0:08:40 | |
Mate, we're just finishing the show. Let us finish the show! | 0:08:40 | 0:08:43 | |
All right, mate. Don't crease this. This is worth loads. | 0:08:43 | 0:08:47 | |
Right, OK, sorry about that, folks. | 0:08:47 | 0:08:49 | |
We just got hijacked by a couple of goons. Order has now been restored. | 0:08:49 | 0:08:53 | |
'Looks like our DJ debut has landed us in trouble. | 0:08:53 | 0:08:56 | |
'Let's go over to Liam Piam to see what the feedback was.' | 0:08:56 | 0:08:59 | |
Fresh! | 0:08:59 | 0:09:00 | |
Mountain@Mohammed says, "Johnny and Inel are awesome DJs. | 0:09:00 | 0:09:05 | |
"Hashtag - only in the mind." | 0:09:05 | 0:09:08 | |
'Let's head over to the supermarket with Rudy and Boyyer. Baggit!' | 0:09:13 | 0:09:16 | |
BELL DINGS | 0:09:18 | 0:09:20 | |
-All right, lady bruv? -How you doing today, lady bruv? -I'm good, thanks. | 0:09:23 | 0:09:27 | |
Cool, cool, cool. | 0:09:27 | 0:09:28 | |
Face cream. | 0:09:28 | 0:09:30 | |
Soft, smooth skin. | 0:09:30 | 0:09:33 | |
Baggit! | 0:09:33 | 0:09:35 | |
-I bet you moisturise, like, daily. -How do you know?! | 0:09:35 | 0:09:38 | |
It's the way the sunshine bounces off your face, bruv. | 0:09:38 | 0:09:42 | |
Oh! | 0:09:42 | 0:09:43 | |
Strawberry lip balm. For sweet, sweet lips. | 0:09:43 | 0:09:47 | |
Baggit! | 0:09:47 | 0:09:49 | |
-Conditioner. -For shiny, silky hair. | 0:09:49 | 0:09:53 | |
Baggit! | 0:09:53 | 0:09:55 | |
-That'll be £8.33, bruv. -That's very expensive. | 0:09:55 | 0:10:00 | |
I think you'll find that our prices are highly competitive, bruv. | 0:10:00 | 0:10:03 | |
I know, but... | 0:10:03 | 0:10:05 | |
..I just don't have enough. | 0:10:06 | 0:10:08 | |
So...what should I do? | 0:10:08 | 0:10:12 | |
-Get a cheaper brand. Simple. -But they're not as good. | 0:10:12 | 0:10:15 | |
Actually, it's been proven in clinical tests, yeah, | 0:10:15 | 0:10:17 | |
that 98% of people questioned preferred the cheaper brand | 0:10:17 | 0:10:20 | |
over the more expensive brand, bruv. | 0:10:20 | 0:10:21 | |
You're paying extra just for the name. | 0:10:21 | 0:10:23 | |
Maybe I could just get that lot for free. | 0:10:25 | 0:10:28 | |
Un-baggit! | 0:10:28 | 0:10:30 | |
-She likes me. -You think so? | 0:10:35 | 0:10:37 | |
'With the competition drawing close, | 0:10:39 | 0:10:40 | |
'let's see how Darrel and Chad are doing at the rampz.' | 0:10:40 | 0:10:43 | |
This can't go on, Darrel. One of us is going to have to leave the rampz. | 0:10:43 | 0:10:47 | |
-Well, go on, then. See you later. Boom! -That competition. | 0:10:49 | 0:10:53 | |
I'll face you one-on-one, | 0:10:53 | 0:10:54 | |
and the loser needs to get out the rampz for good. | 0:10:54 | 0:10:57 | |
I'm up for that. | 0:10:57 | 0:10:58 | |
Well, Darrel, you're about to see a skater in complete control | 0:10:58 | 0:11:03 | |
and at the top of his game. | 0:11:03 | 0:11:04 | |
This week, we're at the rampz with Chad and the Skate Till Late Crew. | 0:11:11 | 0:11:15 | |
-Wagwan? -Are you nervous about next week's competition, Chad? -No. | 0:11:15 | 0:11:19 | |
Why would I be nervous? | 0:11:19 | 0:11:21 | |
I'm Chad, leader and founder of the Skate Till Late Crew, after all. | 0:11:21 | 0:11:26 | |
I did come up with the Skate Till Late Crew, didn't I? | 0:11:26 | 0:11:29 | |
I don't know. I wasn't there. | 0:11:29 | 0:11:30 | |
To answer your question, am I nervous about next week's competition? | 0:11:30 | 0:11:34 | |
No. Well, why would I be? | 0:11:34 | 0:11:36 | |
Cos when I get out there, you're going to see some crazy ollies. | 0:11:36 | 0:11:39 | |
Whoa! | 0:11:39 | 0:11:40 | |
Some awesome flips. Did you see that flip? Chad's cool. | 0:11:40 | 0:11:44 | |
Look at his grinds. Look at him grinding. Grind! Yeah! | 0:11:44 | 0:11:48 | |
Next. | 0:11:49 | 0:11:50 | |
Don't leave me hanging next time. | 0:11:52 | 0:11:54 | |
So...yeah, it's going to be good. | 0:11:55 | 0:11:59 | |
There's a lot at stake for you, Chad. | 0:11:59 | 0:12:01 | |
You and Darrel have made a bet | 0:12:01 | 0:12:03 | |
and the loser won't be allowed to use the rampz any more. | 0:12:03 | 0:12:05 | |
Yeah, but, like, I'm fine with that. | 0:12:05 | 0:12:07 | |
I mean, I can't wait to see the back of that loser. | 0:12:07 | 0:12:10 | |
Anyway, if you'll excuse me, | 0:12:10 | 0:12:12 | |
I'd better start training for next week's epic competition. | 0:12:12 | 0:12:16 | |
Peace out. | 0:12:16 | 0:12:17 | |
Darrel! You're stealing my line to the ramp. Guys! | 0:12:21 | 0:12:25 | |
Darrel! | 0:12:30 | 0:12:32 | |
-Come on, Darrel, move your bike. -It's stabiliser power, innit? Look. | 0:12:32 | 0:12:36 | |
-Look. -Move your bike already, Darrel. -Look at that. Look. | 0:12:36 | 0:12:40 | |
Ah, look, look, look. No hands. No hands. | 0:12:40 | 0:12:42 | |
I think perhaps it might be best if we leave them to it. | 0:12:42 | 0:12:46 | |
We'll come back later. | 0:12:46 | 0:12:48 | |
'OK, so the interview didn't work out as I'd hoped. | 0:12:48 | 0:12:51 | |
'But now we've managed to sneak in to Radio 1, | 0:12:51 | 0:12:53 | |
'let's see if we have better luck there.' | 0:12:53 | 0:12:56 | |
Who would have thought, oh, they didn't want to interview us, | 0:13:01 | 0:13:04 | |
-because we gate-crashed their show, took over? -I know! How sensitive! | 0:13:04 | 0:13:10 | |
But here on The Johnny And Inel Show, we are not giving up that easy. | 0:13:10 | 0:13:13 | |
-BOTH: -No. | 0:13:13 | 0:13:15 | |
Especially when at least one of us | 0:13:15 | 0:13:16 | |
still has a very good chance of making it as a top DJ. | 0:13:16 | 0:13:20 | |
'..on BBC Radio 1.' | 0:13:20 | 0:13:21 | |
You know what? I think we should get some advice from a professional. | 0:13:23 | 0:13:26 | |
Someone who knows what they're doing. | 0:13:26 | 0:13:28 | |
As luck would have it, there's one right there. It's Gemma Cairney. | 0:13:28 | 0:13:31 | |
# Gemma! # | 0:13:31 | 0:13:32 | |
That's my name. Do wear it out. That was One Direction, Little Things. | 0:13:32 | 0:13:37 | |
How are you, everybody? Loads of lovely texts here. One from Jack... | 0:13:37 | 0:13:40 | |
-All right, Gemma? -What's happening, Gemma? -How you doing? -Hiya. | 0:13:40 | 0:13:43 | |
-Johnny on the air! -And Inel. -Quick, ask her something. | 0:13:43 | 0:13:46 | |
-Oh, yeah, Gemma, I wanted to ask, actually. -Yeah? | 0:13:46 | 0:13:48 | |
When I'm DJing, right, with my headphones, | 0:13:48 | 0:13:50 | |
do I put them over my beanie or underneath my beanie? | 0:13:50 | 0:13:53 | |
I reckon that you should have, like, the beanie over the headphones. | 0:13:53 | 0:13:56 | |
If you can fit it. | 0:13:56 | 0:13:58 | |
-Ah! -The other way round might look a bit better. | 0:13:58 | 0:14:00 | |
-Left and right, yeah? -SHE LAUGHS | 0:14:00 | 0:14:03 | |
-Right, OK... -Oh, right, I can actually hear her. | 0:14:03 | 0:14:05 | |
Now let me ask you a question, OK? | 0:14:05 | 0:14:07 | |
I mean, this is a friend asked me to ask you. What would you... | 0:14:07 | 0:14:11 | |
What advice would you give to someone if they were told that they had, | 0:14:11 | 0:14:14 | |
-like, sausage fingers and couldn't mix properly? -Which flavour sausages? | 0:14:14 | 0:14:18 | |
-Lincolnshire, everyone says. -Yeah? | 0:14:18 | 0:14:20 | |
I reckon Lincolnshire sausages are pretty good, to be fair. | 0:14:20 | 0:14:23 | |
You can't DJ with them, though. | 0:14:23 | 0:14:25 | |
Not necessarily, but you can make it part of your schtick. | 0:14:25 | 0:14:28 | |
You could be, like, I'm the Lincolnshire sausage man. | 0:14:28 | 0:14:30 | |
You could make up a little sausage skank. It could be quite good. | 0:14:30 | 0:14:33 | |
Gemma, I've got a question, How did you get into DJing? | 0:14:33 | 0:14:37 | |
By having a big gob, which I reckon you two have already got, yeah? | 0:14:37 | 0:14:40 | |
You have a way with words. You have a way with words. | 0:14:40 | 0:14:43 | |
You've got to think about what's missing on the radio | 0:14:43 | 0:14:45 | |
and what you would love and what you can bring to it, | 0:14:45 | 0:14:48 | |
rather than pretending to be anyone else. | 0:14:48 | 0:14:49 | |
Yeah, well, I know what I can bring to it. | 0:14:49 | 0:14:51 | |
Like, top quality Johnny material, you know. | 0:14:51 | 0:14:54 | |
With a bit of Inel in there. Spice it up a bit. | 0:14:54 | 0:14:58 | |
So, obviously you do a radio show on your own. | 0:14:58 | 0:15:00 | |
-I like your radio show, by the way. -Thank you, thank you. | 0:15:00 | 0:15:02 | |
-I love your radio show. -I like it a bit more than he does. | 0:15:02 | 0:15:05 | |
Is it definitely worth doing it on your own? | 0:15:05 | 0:15:07 | |
You know, because you don't want people holding you back. | 0:15:07 | 0:15:10 | |
SHE LAUGHS | 0:15:10 | 0:15:11 | |
I need to get back to playing some music. | 0:15:11 | 0:15:13 | |
A lot of people are saying that they want me to play the next track. | 0:15:13 | 0:15:16 | |
-Everyone's waiting for Taylor Swift. -Ain't there no texts from us? | 0:15:16 | 0:15:19 | |
Er... | 0:15:19 | 0:15:21 | |
Oh, there's one text about you guys, actually. Yeah. Mo... | 0:15:21 | 0:15:24 | |
Mo and Brennan. They say, "Where are you?" | 0:15:24 | 0:15:28 | |
-We'd better get out of here, then. -Yeah. | 0:15:28 | 0:15:30 | |
I mean, you've been quality, Gemma, | 0:15:30 | 0:15:32 | |
but I will let you know that I've arranged an awesome gig for us DJing. | 0:15:32 | 0:15:37 | |
-Yeah? -Yeah. -Where's that? Ibiza? -It's not Ibiza. It's like that. | 0:15:37 | 0:15:42 | |
Oh, it must be Magaluf, then, yeah? | 0:15:42 | 0:15:44 | |
It's not Magaluf. It's... It's kind of like a bit better, if anything. | 0:15:44 | 0:15:48 | |
Let's keep in touch. Let's follow each other on Twitter. | 0:15:48 | 0:15:50 | |
-Yeah. Yeah, we'll do that. -OK. -Catch later, Gemma. -Lovely to meet you. | 0:15:50 | 0:15:53 | |
It's been great. Cheers with the advice and that. | 0:15:53 | 0:15:55 | |
-Got to get out of here. -OK. Yeah. | 0:15:55 | 0:15:57 | |
Thanks for your text, Mo and Brennan, and everyone else. | 0:15:57 | 0:16:01 | |
You are listening to Gemma Cairney on BBC Radio 1, | 0:16:01 | 0:16:04 | |
and this is Taylor Swift. | 0:16:04 | 0:16:06 | |
'Looks like Johnny's lined us up | 0:16:06 | 0:16:07 | |
'with a big gig for the end of the show.' | 0:16:07 | 0:16:09 | |
'But first up, it's time for School Room Solutions.' | 0:16:09 | 0:16:12 | |
Kids, tired of being dropped off at the school gates | 0:16:15 | 0:16:18 | |
by your embarrassing parents? | 0:16:18 | 0:16:21 | |
Are you tired of your dad's persistent cardigan-wearing | 0:16:21 | 0:16:24 | |
or your mum's bad fashion choices? | 0:16:24 | 0:16:27 | |
Then what you need is our One Stop Pit Stop Parent Makeover Team. | 0:16:27 | 0:16:31 | |
Mad eyebrows? No probs. | 0:16:31 | 0:16:34 | |
RIPPING | 0:16:34 | 0:16:35 | |
Hideous cardie? | 0:16:35 | 0:16:37 | |
Get out! | 0:16:38 | 0:16:40 | |
Grotesque display of public affection? Not any more. | 0:16:42 | 0:16:45 | |
With our One Stop Pit Stop Parent Makeover Team, | 0:16:47 | 0:16:49 | |
you'll have cool parents | 0:16:49 | 0:16:51 | |
you'll be proud to be seen with at the school gates. | 0:16:51 | 0:16:53 | |
My word is my bond. | 0:16:53 | 0:16:55 | |
'I'm definitely getting one of those. | 0:16:55 | 0:16:57 | |
'Now let's get back to the rampz to see Darrel in training.' | 0:16:57 | 0:17:00 | |
-So, Darrel, how are you preparing for the competition? -Ha! Please! | 0:17:06 | 0:17:10 | |
I don't need to train, yeah? I've been riding since I was a baby. | 0:17:10 | 0:17:13 | |
Like, I come out my... | 0:17:13 | 0:17:14 | |
I come out my cot, yeah, I ride my bike. Boom. | 0:17:16 | 0:17:19 | |
-Did that REALLY happen, Darrel? -I don't know. Probably. | 0:17:19 | 0:17:22 | |
Look, I'm going to make it real simple for you, yeah, | 0:17:22 | 0:17:24 | |
so you can understand, yeah? | 0:17:24 | 0:17:26 | |
Imagine a shark, yeah, | 0:17:26 | 0:17:28 | |
challenged a monkey to a banana-eating competition. Boom. | 0:17:28 | 0:17:31 | |
-Who's going to win that? Tell me that. -Mm, I don't know. | 0:17:31 | 0:17:34 | |
-Is it on land or in the water? -It doesn't matter. | 0:17:34 | 0:17:36 | |
The monkey's going to win, innit? | 0:17:36 | 0:17:38 | |
-Cos everybody knows that sharks don't eat bananas. Boom. -Right. | 0:17:38 | 0:17:41 | |
-Thanks for clearing that up. -No worries. | 0:17:41 | 0:17:45 | |
Hey, yo, yo. What's going on? What's going on? | 0:17:45 | 0:17:47 | |
I thought you was making a documentary about me, yeah? Darrel! | 0:17:47 | 0:17:50 | |
AKA Ghost Rider. AKA Mad Cyclist. AKA Big Biker Boss. | 0:17:50 | 0:17:56 | |
-Ain't no big biker bosses around here but me. -OK. | 0:17:56 | 0:17:59 | |
Can you show us any of the tricks you hope to wow the judges with? | 0:17:59 | 0:18:03 | |
Yeah, yeah, cool, cool, cool. Hey, yo, yo. | 0:18:03 | 0:18:05 | |
Liam, Liam, Liam, back it off, man. | 0:18:05 | 0:18:07 | |
They want to see some real tricks, innit? Yo. | 0:18:07 | 0:18:10 | |
Er, I could show you a bunny hop. Ready, yeah? Back up, then. | 0:18:10 | 0:18:14 | |
Look, do you lot want to get hurt or something? Ooh. | 0:18:15 | 0:18:18 | |
-Yeah. -OK, we're ready. | 0:18:19 | 0:18:22 | |
-I did it. -You've done it? -Yeah, just did it. | 0:18:22 | 0:18:24 | |
-Wow. -I know, innit? | 0:18:26 | 0:18:27 | |
See that? Mesmerised. Impressed. All right, let me get out of here, yeah? | 0:18:27 | 0:18:32 | |
Competitions to win, you know what I mean? Yeah! That's what I mean. | 0:18:32 | 0:18:36 | |
I don't know what they're talking about. | 0:18:36 | 0:18:38 | |
Skate Till Late? Who are they? Who are they? | 0:18:38 | 0:18:41 | |
It's all about Bike All Night, you know what I mean? Come, we go. | 0:18:41 | 0:18:45 | |
-Come, we go. -Bye, Darrel. | 0:18:45 | 0:18:47 | |
Oh, looks like we're actually going to see a jump. | 0:18:47 | 0:18:50 | |
-Yo, yo, yo, yo, yo, yo, yo... -No. | 0:18:50 | 0:18:52 | |
Gotta think about the competition, innit? Let's walk it. Let's walk it. | 0:18:52 | 0:18:55 | |
Safety first, innit? Don't want to injure yourself. | 0:18:55 | 0:18:57 | |
-Don't injure yourself. Yeah? -Perhaps not. | 0:18:57 | 0:19:00 | |
'Next up, grumpy Beanie and cheeky Fro Fro.' | 0:19:02 | 0:19:05 | |
Yo, Beanie. | 0:19:07 | 0:19:10 | |
-Ah. Just one day of peace, that's all I ask. -Beanie, I've got a joke. | 0:19:10 | 0:19:16 | |
-Oh, just one day. -Beanie, are you listening? -Please. | 0:19:16 | 0:19:22 | |
What do you call a fish with no eye? | 0:19:22 | 0:19:26 | |
Me not know and me not care neither. | 0:19:26 | 0:19:30 | |
Fsssssh. | 0:19:30 | 0:19:34 | |
FRO FRO LAUGHS | 0:19:34 | 0:19:36 | |
Oh, Lord. I must have been a real bad man in a past life or something. | 0:19:36 | 0:19:41 | |
Chill out, Beanie. They're just jokes, eh? | 0:19:41 | 0:19:46 | |
'Let's see what Blondie's up to.' | 0:19:47 | 0:19:49 | |
Oh, my gosh, Michelle. You're, like, proper taking over. | 0:19:53 | 0:19:55 | |
Calling out five, six, seven, eight like you're a choreographer. | 0:19:55 | 0:19:58 | |
You can't even spell it. | 0:19:58 | 0:20:00 | |
I just want us to be the best we can be, | 0:20:00 | 0:20:02 | |
but Blondie's just focused on getting one over on Shanice. | 0:20:02 | 0:20:04 | |
Oh, my days! Did I just hear my name being discriminated against? | 0:20:04 | 0:20:09 | |
-This is private time now, Blondie. -Oh, private time? | 0:20:09 | 0:20:12 | |
Private time so you can just curse me behind my back? | 0:20:12 | 0:20:14 | |
I swear down I trusted you, Michelle, and you just took... | 0:20:14 | 0:20:17 | |
# Bare liberties! # | 0:20:17 | 0:20:22 | |
Even on my own show, that's proper feisty. | 0:20:22 | 0:20:25 | |
I'd expect that sort of behaviour from Ruby. | 0:20:25 | 0:20:27 | |
-Did you call me? -Oh, | 0:20:31 | 0:20:34 | |
Well, everybody knows I'm, like, the Beyonce of the group. | 0:20:34 | 0:20:37 | |
My name even sounds like Beyonce. Blonde-once. | 0:20:37 | 0:20:41 | |
-MICHELLE TUTS AND SIGHS -Yeah. | 0:20:41 | 0:20:43 | |
I just want to be Kelly Rowland. | 0:20:45 | 0:20:47 | |
Well...well, I bet...I bet you can't...can't do this, Michelle. | 0:20:49 | 0:20:53 | |
# If you liked it then you should have put a ring on it | 0:20:55 | 0:20:57 | |
# If you liked it then you should have put a ring on it | 0:20:57 | 0:20:59 | |
# If you liked it then you should have put a ring on it. # | 0:20:59 | 0:21:02 | |
"A ring on it". | 0:21:02 | 0:21:04 | |
A phrase coined by the wonderful Miss Beyonce Knowles, | 0:21:04 | 0:21:07 | |
meaning to get engaged. | 0:21:07 | 0:21:10 | |
You may know it from such things as... | 0:21:10 | 0:21:12 | |
MUSIC: "Single Ladies" by Beyonce | 0:21:12 | 0:21:15 | |
# Oh oh oh | 0:21:15 | 0:21:17 | |
# Oh oh oh, oh oh oh, oh-oh, oh | 0:21:17 | 0:21:21 | |
# Oh oh oh | 0:21:21 | 0:21:22 | |
# Whoa-oh-oh, oh oh oh, oh oh-oh-ohh | 0:21:22 | 0:21:26 | |
# Oh oh oh | 0:21:26 | 0:21:27 | |
# Cos if you liked it then you should have put a ring on it | 0:21:27 | 0:21:29 | |
# If you liked it then you should have put a ring on it. | 0:21:29 | 0:21:32 | |
# Whoa-oh-oh. # | 0:21:32 | 0:21:33 | |
Better than the original. | 0:21:33 | 0:21:35 | |
-Right! I have an announcement to make. -Doo-doo-doo-doo! | 0:21:38 | 0:21:41 | |
-Me and my newly appointed BFF... -Whoo! | 0:21:42 | 0:21:46 | |
..have come to the conclusion that you, Michelle, | 0:21:46 | 0:21:50 | |
are officially out of the... | 0:21:50 | 0:21:52 | |
Destiny's Child All The Single Ladies Super-Talented Dance Group. | 0:21:52 | 0:21:56 | |
-RUBY GASPS -What?! | 0:21:56 | 0:21:58 | |
-Aren't we going to Michelle's on Saturday? -Yeah, you're right. | 0:21:58 | 0:22:02 | |
You, Michelle, are officially out of the Destiny's Child | 0:22:02 | 0:22:05 | |
All The Single Ladies Super-Talented Dance Group for three days. | 0:22:05 | 0:22:09 | |
Count yourself lucky that we already pre-organised | 0:22:09 | 0:22:12 | |
going round to your house. Mm-hm. | 0:22:12 | 0:22:14 | |
-So, therefore, this injunction only lasts until Friday. -You're so kind! | 0:22:14 | 0:22:18 | |
-I know. I know, Rubes. -Do you know what, Blondie? | 0:22:18 | 0:22:20 | |
-I'm done being friends with you. You're well egress. -Ah! | 0:22:20 | 0:22:24 | |
-What did you just say? -You heard me. I said, we're done. Laters. | 0:22:24 | 0:22:30 | |
BLONDIE GASPS | 0:22:30 | 0:22:32 | |
-Good! -Yeah! -Be seeing you! -Doubt it. | 0:22:32 | 0:22:35 | |
-So long, farewell, Auf Wiedersehen, goodbye, Michelle. -Whatever, yeah? | 0:22:35 | 0:22:40 | |
BOTH: Come on, Rubes. | 0:22:40 | 0:22:42 | |
Are we still going round to Michelle's? | 0:22:48 | 0:22:50 | |
When you're out there on the stage, really enjoy yourself. | 0:22:57 | 0:23:01 | |
Cos it's the last time that you're going to be in the spotlight. | 0:23:01 | 0:23:05 | |
Cos when everyone sees how lame your dance is, | 0:23:05 | 0:23:08 | |
all those cameras will be following me. | 0:23:08 | 0:23:13 | |
'Are you ready for DJ Johnny and DJ Inel's big gig? Here we go!' | 0:23:13 | 0:23:17 | |
MUSIC: "Waiting All Night" by Rudimental | 0:23:17 | 0:23:20 | |
Sorry, we don't do requests. | 0:23:20 | 0:23:22 | |
# Tell me that you need me... # | 0:23:22 | 0:23:24 | |
Right, that's it, guys. Reach for the lasers! | 0:23:24 | 0:23:27 | |
Wait for it! | 0:23:27 | 0:23:29 | |
Can you feel that right now? It's electric out there. | 0:23:29 | 0:23:33 | |
We've definitely found our calling. | 0:23:33 | 0:23:35 | |
Right, guys, we're going to keep making it look good. | 0:23:35 | 0:23:38 | |
The only way Johnny and Inel... Jiggedy-jig! ..could. Ha-ha! | 0:23:38 | 0:23:41 | |
Wait for the drop! | 0:23:41 | 0:23:43 | |
ALARM RINGS | 0:23:43 | 0:23:45 |