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Hello and welcome to the Johnny And Inel Show, guys. | 0:00:02 | 0:00:05 | |
# My alarm wakes me up I'm ready to rise | 0:00:05 | 0:00:07 | |
# I splash some water on my face to get the sleep out of my eyes | 0:00:07 | 0:00:10 | |
# The sun's out shining I better stop rhyming | 0:00:10 | 0:00:11 | |
# As Mum's always telling me "Fix up your timing!" | 0:00:11 | 0:00:14 | |
# Now we got a show on CBBC | 0:00:14 | 0:00:16 | |
# So all of my fans will be out to see me | 0:00:16 | 0:00:18 | |
# Get set cos the time is here | 0:00:18 | 0:00:20 | |
# Now sit back relax and get ready to cheer | 0:00:20 | 0:00:22 | |
# We're doing well as you can tell | 0:00:22 | 0:00:24 | |
-# So here comes the show with Johnny -And Inel. # | 0:00:24 | 0:00:26 | |
Coming up on today's show, The Only Way is Blondie... | 0:00:26 | 0:00:29 | |
My new on-screen BFF will be... | 0:00:29 | 0:00:33 | |
Doc Brown! | 0:00:33 | 0:00:35 | |
HE PLAYS LONE RANGER THEME | 0:00:35 | 0:00:39 | |
Baggit...bread... baggit...milk...baggit... | 0:00:39 | 0:00:43 | |
Now it's time for the studio. | 0:00:45 | 0:00:47 | |
She runs the show. | 0:00:51 | 0:00:53 | |
Last year's runner and now he calls the shots. | 0:00:53 | 0:00:57 | |
She spins the wheels on the J and I decks. | 0:00:59 | 0:01:01 | |
He just wants to be famous but not on my watch. | 0:01:02 | 0:01:05 | |
Welcome to the Johnny And Inel Show, guys. | 0:01:05 | 0:01:09 | |
Oh, mate, you're going to have to remember my lines. | 0:01:13 | 0:01:15 | |
What did he say? | 0:01:15 | 0:01:17 | |
I don't know, I wasn't listening. I was...too busy watching. | 0:01:17 | 0:01:21 | |
What I'm saying is there must be a job that we can do as Johnny | 0:01:21 | 0:01:25 | |
and Inel that just doesn't demand so much of my precious gifts. | 0:01:25 | 0:01:29 | |
Hmm. | 0:01:29 | 0:01:32 | |
Down here in the south we've also got some more clouds | 0:01:32 | 0:01:34 | |
gathering around the London region. Some more chances of rain | 0:01:34 | 0:01:37 | |
and over here we've got some slight fog. | 0:01:37 | 0:01:41 | |
Back to you guys in the studio. | 0:01:42 | 0:01:44 | |
Weather forecasters. They've got it easy. | 0:01:44 | 0:01:46 | |
Yeah, you're right, Inel, and sports commentators. | 0:01:46 | 0:01:49 | |
It's been a wonderful day in the stadium. | 0:01:51 | 0:01:53 | |
We've seen some wonderful action. Jessica Ennis. Good night. | 0:01:53 | 0:01:56 | |
I know what you mean. | 0:01:58 | 0:01:59 | |
I tell you who's got it cushty, though...game show hosts. | 0:01:59 | 0:02:02 | |
Game show hosts, right? | 0:02:02 | 0:02:04 | |
I mean, all they do is ask a couple of questions, | 0:02:04 | 0:02:06 | |
hand out a prize, done! Easy. | 0:02:06 | 0:02:08 | |
You know what, you're right, Inel. I've got it. | 0:02:08 | 0:02:13 | |
I've just come up with my own original format for a game show. | 0:02:13 | 0:02:16 | |
Can't wait to hear about it, Johnny, but first it's time for WWJI. | 0:02:16 | 0:02:21 | |
Tonight, we finally get to see The Waiter... | 0:02:21 | 0:02:23 | |
..take on The Duck. | 0:02:25 | 0:02:27 | |
IN BAD ITALIAN ACCENT: Hi, I will be your waiter this evening. | 0:02:29 | 0:02:33 | |
I'm going to serve you up a delicious array of food. | 0:02:33 | 0:02:36 | |
To start, I will tip-a your soup all over your arm. | 0:02:36 | 0:02:40 | |
-Next, I will sprinkle my dandruff... -Dandruff. | 0:02:40 | 0:02:44 | |
-..all over your beef Wellington. -I can't eat this now. | 0:02:44 | 0:02:47 | |
And, to finish, I will serve your dinner | 0:02:47 | 0:02:49 | |
in an extremely hot plate which I will not have warned you about. | 0:02:49 | 0:02:54 | |
-Oh, yeah. -Enjoy. -Oh, yeah. | 0:02:54 | 0:02:56 | |
Well, I'm going to waddle on over there and peck at your ankle. | 0:02:56 | 0:02:58 | |
That's right. And then I'm going to go up there in your face | 0:02:58 | 0:03:02 | |
and start quacking real loud. Quack quack, quack quack, quack quack! | 0:03:02 | 0:03:06 | |
Then I'm going to feed you some stale mouldy bread | 0:03:06 | 0:03:08 | |
-and see how you like it. -That's fighting talk. | 0:03:08 | 0:03:12 | |
You aren't going to get out of here dry, sucker. | 0:03:12 | 0:03:15 | |
Do not miss out on this once-in-a-lifetime event. | 0:03:15 | 0:03:17 | |
Quack quack, quack quack! | 0:03:17 | 0:03:19 | |
Tickets go on sale midnight tonight. Be there or be square. | 0:03:19 | 0:03:22 | |
Now it's time for The Only Way is Blondie. | 0:03:28 | 0:03:30 | |
Since I was so popular on the Johnny and Inel Show last year | 0:03:30 | 0:03:33 | |
the BBC have decided to give me my own show, ha-ha-ha! | 0:03:33 | 0:03:36 | |
Standard! That's why I've decided to audition for my new BFF. | 0:03:36 | 0:03:41 | |
So get your acts together! | 0:03:41 | 0:03:43 | |
OK, I'm finally going to make a decision about who's going to | 0:03:46 | 0:03:50 | |
be my BFF...just as soon as I send this text. | 0:03:50 | 0:03:52 | |
OK. N-star. Selfie. | 0:03:54 | 0:03:56 | |
Oh, my gosh, I look so good there. | 0:03:58 | 0:04:01 | |
I wonder what Johnny's idea for a game show is. | 0:04:03 | 0:04:06 | |
-Hello and welcome to the show, Darcy. -Thank you. | 0:04:10 | 0:04:14 | |
I wish you the best of luck in your chance to win the prestigious | 0:04:14 | 0:04:19 | |
Johnny and Inel mouse mat. | 0:04:19 | 0:04:21 | |
AUDIENCE: Whoo! | 0:04:21 | 0:04:23 | |
All you have to do, Darcy, is tell me whether you think the next card | 0:04:23 | 0:04:28 | |
is higher or lower than your starting card | 0:04:28 | 0:04:31 | |
which is a... It's a king! | 0:04:31 | 0:04:34 | |
Very good start! | 0:04:35 | 0:04:37 | |
So, what is it, higher or lower than a king? | 0:04:37 | 0:04:39 | |
Come on, guys, higher or lower? | 0:04:39 | 0:04:41 | |
-Lower. -You going for lower? -Lower. | 0:04:42 | 0:04:45 | |
It's a 10. | 0:04:45 | 0:04:47 | |
We're on a roll here. Higher or lower than a 10? | 0:04:49 | 0:04:52 | |
What's he going to do, guys? Higher or lower? | 0:04:52 | 0:04:55 | |
THEY ALL SHOUT AT ONCE | 0:04:55 | 0:04:57 | |
-Lower! -He's going for lower. | 0:04:57 | 0:05:00 | |
It's a 2! | 0:05:00 | 0:05:01 | |
Lower than a 10. He went 2. Right, let's keep up the momentum. | 0:05:02 | 0:05:06 | |
-Higher or lower than a 2? Higher or lower? -Higher than a 2? | 0:05:06 | 0:05:08 | |
What do you think it is? | 0:05:08 | 0:05:11 | |
ALL SHOUT AT ONCE | 0:05:11 | 0:05:12 | |
-Higher. -Are you sure? | 0:05:12 | 0:05:14 | |
It's a queen. It's a queen. | 0:05:15 | 0:05:18 | |
It looks like that queen has been hand drawn. | 0:05:18 | 0:05:21 | |
Right, OK, what should he do next, guys? Higher or lower than a queen? | 0:05:21 | 0:05:24 | |
ALL SHOUT AT ONCE | 0:05:24 | 0:05:27 | |
-Lower, lower. -You going for a lower? You going for lower? | 0:05:28 | 0:05:32 | |
It's an eagle. | 0:05:32 | 0:05:33 | |
Is an equal lower or higher than a queen? | 0:05:35 | 0:05:38 | |
How do I know, Darcy, it's an eagle. Honestly, this is a shambles. | 0:05:38 | 0:05:42 | |
I know but... Do you know what? | 0:05:42 | 0:05:46 | |
I reckon we should just go back to the original Johnny and Inel show. | 0:05:46 | 0:05:50 | |
We'll go and watch some game show professionals, | 0:05:50 | 0:05:53 | |
see how it's done and then we'll do our audition. | 0:05:53 | 0:05:56 | |
-Are you with me? -Er...OK. | 0:05:56 | 0:05:59 | |
OK, there we go, let's just cut to a sketch. | 0:05:59 | 0:06:03 | |
Did I win the mouse mat or not? | 0:06:03 | 0:06:05 | |
No, you've got to earn it! | 0:06:05 | 0:06:06 | |
Oi! Voiced-over bruv, baggit! | 0:06:08 | 0:06:11 | |
-Here to help, bruv, yeah? -Yeah, yeah. | 0:06:17 | 0:06:21 | |
Bread. Baggit. Milk. Baggit. | 0:06:22 | 0:06:25 | |
Eggs. Baggit. Squash. Baggit. Chocolate. Baggit. Nice. | 0:06:25 | 0:06:33 | |
-Is that everything you want from the store today, bruv? -Yeah. | 0:06:33 | 0:06:36 | |
-Are you sure though, bruv? -Yeah, course. | 0:06:36 | 0:06:38 | |
-I'm pretty sure we sell those items on aisle two, bruv. -We do, bruv. | 0:06:38 | 0:06:43 | |
-Do a price check for me. -No worries, man. -It's coming up at £7.99. | 0:06:43 | 0:06:48 | |
A baby T-shirt for some reason | 0:06:48 | 0:06:50 | |
but you're still going to have to pay innit? | 0:06:50 | 0:06:52 | |
-Boya, baggit. -Er, what are you doing? -I'm bagging it. | 0:06:52 | 0:06:56 | |
Are you suggesting you didn't get that from aisle two, bruv? | 0:06:56 | 0:06:59 | |
No, of course not. | 0:06:59 | 0:07:00 | |
Aaaah! | 0:07:02 | 0:07:04 | |
You got it from another store, bruv. I get it, I get it. | 0:07:04 | 0:07:07 | |
See, see, see. You got a receipt, though? | 0:07:07 | 0:07:10 | |
With all the feedback from the show, it's Liam Piam. | 0:07:13 | 0:07:16 | |
Simon at hashtag says, | 0:07:16 | 0:07:18 | |
"Baggit, baggit, | 0:07:18 | 0:07:20 | |
baggit, baggit." | 0:07:20 | 0:07:22 | |
Sweet! | 0:07:22 | 0:07:24 | |
Look, we'll go and see Family Misfortunes, Inel. | 0:07:25 | 0:07:27 | |
Boris and Norris are great | 0:07:27 | 0:07:29 | |
but I hear the producers are looking for fresh talent. | 0:07:29 | 0:07:31 | |
-Hi, I'm Boris Horace. -And I'm Norris Glorris. | 0:07:43 | 0:07:47 | |
And welcome to Family Misfortunes. | 0:07:47 | 0:07:51 | |
So, here we are once again meeting two families for a chance to | 0:07:56 | 0:08:00 | |
win big money and some magnificent prizes. | 0:08:00 | 0:08:03 | |
Why don't you tell them what they can win, Boris. | 0:08:03 | 0:08:05 | |
Well, the lucky family tonight can win an all expenses paid trip | 0:08:05 | 0:08:09 | |
to a luxurious resort in Mauritius. | 0:08:09 | 0:08:11 | |
APPLAUSE | 0:08:11 | 0:08:13 | |
Let's meet our contestants, shall we? Come on up. | 0:08:14 | 0:08:17 | |
OK, right, we asked 101 school kids, | 0:08:19 | 0:08:21 | |
what would you rather be doing than your homework? | 0:08:21 | 0:08:25 | |
Watch the Johnny And Inel Show. | 0:08:26 | 0:08:28 | |
Our screen says... | 0:08:28 | 0:08:30 | |
..it's the top answer! | 0:08:32 | 0:08:34 | |
JOHNNY: This show is wicked! | 0:08:34 | 0:08:36 | |
And you've won our mystery prize which is the family | 0:08:38 | 0:08:41 | |
selection of underpants. | 0:08:41 | 0:08:43 | |
And may I say, I've given those babies a test drive | 0:08:46 | 0:08:49 | |
and they are as snug as a bug. | 0:08:49 | 0:08:51 | |
But you'll have to get them off me first, ha-ha! | 0:08:52 | 0:08:55 | |
Oh, Norris, you tease, you. | 0:08:57 | 0:08:59 | |
These guys are machines. | 0:08:59 | 0:09:01 | |
Don't worry I've been making notes. Let's go and prepare. | 0:09:01 | 0:09:05 | |
It's a big audition, Inel, | 0:09:05 | 0:09:06 | |
we could be the new faces of Family Misfortunes. | 0:09:06 | 0:09:09 | |
The Only Way Is Blondie! | 0:09:09 | 0:09:12 | |
Firstly, I'd just like to say how lucky you girls are to get | 0:09:12 | 0:09:15 | |
this far in the competition as I could have made | 0:09:15 | 0:09:18 | |
anybody in the entire school my BFF but I just narrowed | 0:09:18 | 0:09:21 | |
it down to you two, so, obviously, show your appreciation. | 0:09:21 | 0:09:24 | |
Thank you, thank you, thank you. Oh, my gosh. | 0:09:25 | 0:09:28 | |
This decision is, like, so hard to make. | 0:09:28 | 0:09:31 | |
I wish I could be my own BFF so I could make it easier on myself. | 0:09:31 | 0:09:34 | |
But I have finally come to a decision. | 0:09:34 | 0:09:37 | |
SUSPENSEFUL MUSIC PLAYS | 0:09:38 | 0:09:40 | |
My new on-screen BFF will be... | 0:09:42 | 0:09:46 | |
This decision is, like, too hard for me to make | 0:09:51 | 0:09:54 | |
so, therefore, I've decided that I'm going to make you both my BFFs | 0:09:54 | 0:09:58 | |
and you're going to share the responsibility. | 0:09:58 | 0:10:00 | |
SHE SCREAMS | 0:10:00 | 0:10:01 | |
For sure? Really? I haven't won anything in my entire life. | 0:10:04 | 0:10:08 | |
Oh, my gosh. This is like the best day of my life ever. | 0:10:08 | 0:10:11 | |
Better than when I was born, even. | 0:10:11 | 0:10:13 | |
I'm sure it was. | 0:10:13 | 0:10:15 | |
Right, now that I have my new BFFs behind me, | 0:10:15 | 0:10:18 | |
there's nothing to stop the new age Destiny's Child. | 0:10:18 | 0:10:21 | |
We're going to run this school. | 0:10:21 | 0:10:23 | |
Listen up, peeps. | 0:10:28 | 0:10:29 | |
Me and my girls are going to run the school. | 0:10:29 | 0:10:31 | |
So if you want to be down with us, | 0:10:31 | 0:10:33 | |
you need to be able to wear your hair like this. | 0:10:33 | 0:10:35 | |
You need to be able to talk like this. | 0:10:35 | 0:10:36 | |
Oh, my dizzy, dizzy days. | 0:10:36 | 0:10:38 | |
And you need to know this - we run this world. | 0:10:38 | 0:10:40 | |
MUSIC: "Run The World (Girls)" by Beyonce | 0:10:40 | 0:10:44 | |
LAUGHTER | 0:11:01 | 0:11:03 | |
MUSIC STOPS ABRUPTLY | 0:11:03 | 0:11:04 | |
-Hey, Blondie. ALL: -Hey. | 0:11:08 | 0:11:10 | |
Whatever, Chanice. Wahoo. | 0:11:14 | 0:11:17 | |
See ya! | 0:11:20 | 0:11:21 | |
Blondie? | 0:11:21 | 0:11:22 | |
I trust you're behaving yourself. | 0:11:22 | 0:11:24 | |
Eh, of course I am, sir. | 0:11:24 | 0:11:26 | |
Next time on TOWIB... | 0:11:26 | 0:11:27 | |
And this is my mum Denise. | 0:11:27 | 0:11:30 | |
Did you take your shoes off at the door? | 0:11:30 | 0:11:32 | |
As you can see, my family's pretty crazy! | 0:11:33 | 0:11:36 | |
Next up...Rampz! | 0:11:39 | 0:11:41 | |
-It's morning at the ramps, and I'm joined by Chad. -And cut. | 0:11:49 | 0:11:54 | |
-I told you not to call me that, man. -61, take two. | 0:11:54 | 0:11:57 | |
Marker. | 0:11:57 | 0:11:58 | |
I'm here with the king of the skaters, Chad. | 0:11:58 | 0:12:00 | |
And king of the ramps. | 0:12:00 | 0:12:02 | |
And king of the ramps. | 0:12:02 | 0:12:03 | |
So tell me, King Chad, | 0:12:03 | 0:12:05 | |
what's an average day like for you down here at the skate ramps. | 0:12:05 | 0:12:08 | |
Good question. Jeez, let me think about it for a second. | 0:12:08 | 0:12:11 | |
Here's a word - epic. Mega. Crazy. Gnarly. | 0:12:13 | 0:12:17 | |
Gnarly - meaning to do something totally extreme, | 0:12:18 | 0:12:22 | |
totally radical, involving totally crazy skills. | 0:12:22 | 0:12:26 | |
I'm about to do some gnarly skills now. | 0:12:27 | 0:12:30 | |
Hope you're watching. | 0:12:31 | 0:12:32 | |
First up, I'm Chad, leader of Skate Till Late Crew. | 0:12:32 | 0:12:35 | |
Over here, shuffle round to my right. | 0:12:35 | 0:12:37 | |
This guy is renowned for the craziest grinds all the time. | 0:12:37 | 0:12:40 | |
Grind, grind, grind, grind. Give it up for my main man, Glen. | 0:12:40 | 0:12:44 | |
Shuffle round to my left. | 0:12:44 | 0:12:45 | |
I've got another crazy skater, renowned for his awesome kick flips. | 0:12:45 | 0:12:49 | |
Give it up for my main man. | 0:12:49 | 0:12:51 | |
I'm not going to lie, dude. I don't even know your name. | 0:12:52 | 0:12:55 | |
It's Giles. | 0:12:55 | 0:12:57 | |
HE SNORTS Giles. | 0:12:57 | 0:12:58 | |
Dude, you cannot be part of an epic skate team like mine | 0:12:59 | 0:13:03 | |
with a name like Giles. You need to be cooler than that. | 0:13:03 | 0:13:07 | |
I'm going to give you a cool name. | 0:13:07 | 0:13:09 | |
Ben. | 0:13:09 | 0:13:10 | |
OK. | 0:13:11 | 0:13:12 | |
OK, could you show us some of your rad skate moves now? | 0:13:15 | 0:13:19 | |
Oh, that's a shame because I haven't got my board with me at the moment. | 0:13:19 | 0:13:23 | |
Isn't that your board? | 0:13:23 | 0:13:25 | |
What, this? | 0:13:25 | 0:13:27 | |
Oh, this board? Oh, no, that's Ben's. | 0:13:27 | 0:13:30 | |
Can I see it? | 0:13:30 | 0:13:32 | |
Er. Yeah, yeah, sure. | 0:13:32 | 0:13:33 | |
There you go. | 0:13:39 | 0:13:40 | |
Yeah, it says, "Chad." | 0:13:40 | 0:13:42 | |
Yeah, that's his name, dude. | 0:13:43 | 0:13:45 | |
It's Ben Chad, and Ben Chad's not going to let me skate on his board, | 0:13:45 | 0:13:49 | |
cos my awesomeness might break it in half. | 0:13:49 | 0:13:52 | |
Isn't that right, Ben Chad? | 0:13:52 | 0:13:54 | |
Right. So do you want to give us a tour of the ramps? | 0:13:55 | 0:13:58 | |
Tour of the ramps. Let's go! | 0:13:58 | 0:14:00 | |
Right, over here we got a crazy ramp. | 0:14:01 | 0:14:04 | |
Man, once I did a grind on there for like two minutes straight | 0:14:04 | 0:14:07 | |
and people were like, "Hey, when are you going to stop grinding, Chad?" | 0:14:07 | 0:14:10 | |
I was like "Never." Ain't that right, Glen? | 0:14:10 | 0:14:13 | |
I don't know, I wasn't there. | 0:14:13 | 0:14:15 | |
OK, well, Glen wasn't there, but it, like, happened, dude. | 0:14:15 | 0:14:19 | |
Hey, yo! Hey, yo! | 0:14:19 | 0:14:20 | |
Oh, who's that? | 0:14:21 | 0:14:23 | |
Is this a friend of yours? | 0:14:25 | 0:14:26 | |
What are you all filming, though? | 0:14:28 | 0:14:29 | |
Well, Chad was telling us about the ramps | 0:14:29 | 0:14:32 | |
and how he's, like, king of the ramps. | 0:14:32 | 0:14:34 | |
Oh, is that right, chatty boy? King of the ramps, yeah? | 0:14:34 | 0:14:37 | |
Is that you? | 0:14:37 | 0:14:39 | |
Like, you know, it's getting late. I'm going to get out of here, man. | 0:14:39 | 0:14:43 | |
You know what? | 0:14:43 | 0:14:44 | |
Suddenly the ramps ain't as cool as they were five minutes ago. | 0:14:44 | 0:14:47 | |
See you later, guys. | 0:14:47 | 0:14:48 | |
Inel is at a big audition at Family Misfortunes, don't mess it up. | 0:15:04 | 0:15:07 | |
Hi, I'm Johnny and I'm Inel. | 0:15:13 | 0:15:15 | |
Whoa, whoa, whoa that's my line. I say the bit in yellow. | 0:15:15 | 0:15:17 | |
Calm down, Inel. These execs make me panic. | 0:15:19 | 0:15:21 | |
Uh? | 0:15:21 | 0:15:23 | |
Let's meet our guests, shall we? | 0:15:23 | 0:15:24 | |
AUDIENCE OOHS | 0:15:24 | 0:15:26 | |
Well, next up is the bonus round, Lorraine, | 0:15:27 | 0:15:29 | |
where all your points will be doubled. | 0:15:29 | 0:15:31 | |
Tripled. Tripled. | 0:15:31 | 0:15:32 | |
BELL DINGS I'm going to... | 0:15:32 | 0:15:34 | |
Ask me a question? | 0:15:35 | 0:15:36 | |
Inel, questions!? | 0:15:36 | 0:15:38 | |
I don't have any questions, just look at your notes or something. | 0:15:38 | 0:15:41 | |
You'll struggle to get me out of my pants, Lorraine. | 0:15:42 | 0:15:45 | |
You what? | 0:15:45 | 0:15:47 | |
You can't have my pants even if you want them. | 0:15:47 | 0:15:49 | |
I don't want them. | 0:15:49 | 0:15:51 | |
No, look! The executives are starting to leave. | 0:15:51 | 0:15:54 | |
Quick, Inel, do something. | 0:15:54 | 0:15:56 | |
Stop 'em. | 0:15:56 | 0:15:58 | |
Thou shall not pass! | 0:15:58 | 0:16:00 | |
Excuse me. | 0:16:00 | 0:16:01 | |
Well, I guess we blew it. | 0:16:05 | 0:16:07 | |
-Well, YOU did. -Me? | 0:16:07 | 0:16:09 | |
Well, I guess game shows just ain't for me. | 0:16:11 | 0:16:14 | |
Couldn't agree more, mate. | 0:16:14 | 0:16:16 | |
Think I'm going to go back to Johnny and Inel. | 0:16:16 | 0:16:18 | |
I know how to do that one. | 0:16:18 | 0:16:19 | |
-AUDIENCE: -Bye! | 0:16:21 | 0:16:23 | |
Let's cut to a sketch. | 0:16:24 | 0:16:25 | |
On today's Johnny Kyle. Aladdin tells Genie, | 0:16:28 | 0:16:31 | |
"You owe me a wish and I want it back." | 0:16:31 | 0:16:34 | |
So, Aladdin, you brought this guy Genie on the show | 0:16:37 | 0:16:40 | |
because apparently he's betrayed you | 0:16:40 | 0:16:42 | |
and not followed through on his promises to you. | 0:16:42 | 0:16:44 | |
-AUDIENCE: -Aw! | 0:16:44 | 0:16:45 | |
That is exactly right, he promised me three wishes, Johnny. | 0:16:45 | 0:16:48 | |
And while I've got the first two, | 0:16:48 | 0:16:50 | |
check the bling, check the creps, | 0:16:50 | 0:16:51 | |
I am still waiting on the last one. | 0:16:51 | 0:16:53 | |
And what exactly have you done for him? | 0:16:53 | 0:16:56 | |
Nuttin'. | 0:16:58 | 0:16:59 | |
It's one of those relationships, is it? Completely one way! | 0:17:00 | 0:17:04 | |
You're just a taker, are you? | 0:17:04 | 0:17:06 | |
Well, I'll tell you what, | 0:17:06 | 0:17:07 | |
I don't know why this Genie guy stands for it. | 0:17:07 | 0:17:09 | |
But let's get him out here on the Johnny Kyle Show | 0:17:09 | 0:17:12 | |
and see his side of the story. | 0:17:12 | 0:17:14 | |
Guys, give it up for Genie. | 0:17:14 | 0:17:15 | |
You all right, our Kyle? | 0:17:19 | 0:17:21 | |
-How are you? -Yeah, dead good, dead good. | 0:17:21 | 0:17:24 | |
May I say what a wonderful lamp that is? | 0:17:24 | 0:17:26 | |
Yeah, cheers, our Kyle. | 0:17:26 | 0:17:28 | |
It's not much but, you know, it's home. | 0:17:28 | 0:17:30 | |
So, yeah, I'm not just gonna sit here while this guy Aladdin just | 0:17:30 | 0:17:33 | |
bad mouths me to the nation. | 0:17:33 | 0:17:34 | |
-I mean, I gave him his three wishes. -Dude, you gave me two. | 0:17:34 | 0:17:37 | |
Oi! Button it! | 0:17:37 | 0:17:39 | |
You might be able to push this guy around, | 0:17:39 | 0:17:41 | |
getting him to do everything for you, but it won't work with me. | 0:17:41 | 0:17:44 | |
Not on my show. | 0:17:44 | 0:17:46 | |
Thanks, our Kyle, that's boss, that. | 0:17:46 | 0:17:48 | |
Yeah, as I said, I gave him his three wishes. | 0:17:48 | 0:17:51 | |
He used his last wish during an argument with his girlfriend Jasmine | 0:17:51 | 0:17:54 | |
and he said - and I quote - "I wish she'd leave me alone". | 0:17:54 | 0:17:58 | |
And she ain't spoken to him since. | 0:17:58 | 0:18:01 | |
That is not what I meant! | 0:18:01 | 0:18:02 | |
I meant because she was bothering me to go shopping with her. | 0:18:02 | 0:18:05 | |
-How am I supposed to know that? -Oh, just stop it! | 0:18:05 | 0:18:08 | |
I am sick to the back teeth of listening to you whining on, | 0:18:08 | 0:18:12 | |
like the world owes you something. | 0:18:12 | 0:18:14 | |
Do you know what I wish? I wish you'd just get out of my sight. | 0:18:14 | 0:18:18 | |
-What happened there? -Well, you asked for it, so I made it happen. | 0:18:20 | 0:18:24 | |
Look, I'm the only one who makes people disappear round here. | 0:18:24 | 0:18:27 | |
Get him out of here! | 0:18:27 | 0:18:28 | |
-Get out! -Kyle, what you doin'? I like your show! | 0:18:28 | 0:18:31 | |
Oversized Smurf. | 0:18:31 | 0:18:33 | |
Eh, mate, give that back. Give it back. | 0:18:33 | 0:18:37 | |
Now that's done, who's next? | 0:18:37 | 0:18:39 | |
Just get out of it. | 0:18:39 | 0:18:41 | |
Who's in the booth today? | 0:18:43 | 0:18:44 | |
It's Doc Brown. | 0:18:44 | 0:18:46 | |
-# Bants in the booth -Get up, get up | 0:18:46 | 0:18:48 | |
# Bants in the booth. # | 0:18:48 | 0:18:49 | |
Oh, look, it's Doc Brown! | 0:18:51 | 0:18:52 | |
-Oh, wicked, how you doin', Doc Brown? -What's happening? | 0:18:52 | 0:18:55 | |
Give me some skin, bruv. Respect. | 0:18:55 | 0:18:57 | |
Me too. Me too, me too! | 0:18:57 | 0:18:58 | |
Safe, safe, safe. | 0:19:00 | 0:19:02 | |
You are the star of the CBBC show The Four O'Clock Club. | 0:19:02 | 0:19:05 | |
# So long as Josh doesn't embarrass me | 0:19:05 | 0:19:08 | |
# Too much as best man when he has a speech | 0:19:08 | 0:19:11 | |
# So long as there's a great crowd | 0:19:11 | 0:19:12 | |
# Then I know that my mum and my in-laws, I made proud... # | 0:19:12 | 0:19:16 | |
Now, Doc. | 0:19:16 | 0:19:17 | |
Now that we know you're a top actor, wicked rapper | 0:19:17 | 0:19:20 | |
and a funny guy comedian as well, are your parents proud? | 0:19:20 | 0:19:23 | |
I mean, what do they think of your success? | 0:19:23 | 0:19:26 | |
My mum, she loves it, man. | 0:19:26 | 0:19:27 | |
If I had any awards or anything like that, she's got them. | 0:19:27 | 0:19:31 | |
Not even on the mantle, like, in her handbag ready to pull out. | 0:19:31 | 0:19:33 | |
It's kind of a way of saying, "Yep, I made that." | 0:19:33 | 0:19:37 | |
Have you got any, like, hidden talents? | 0:19:38 | 0:19:41 | |
PLAYS THEME TO LONE RANGER | 0:19:41 | 0:19:43 | |
Who needs a drum kit? | 0:19:48 | 0:19:50 | |
I'll be real with you, I don't think I've ever shared that with anybody, | 0:19:50 | 0:19:53 | |
so that's, like, a world exclusive. | 0:19:53 | 0:19:55 | |
We're trying to get into a bit of music at the moment. | 0:19:58 | 0:20:00 | |
Have you heard about the very successful music group... | 0:20:00 | 0:20:04 | |
Jinel! | 0:20:04 | 0:20:06 | |
TUNELESS SINGING | 0:20:06 | 0:20:09 | |
I've heard a little about them. | 0:20:09 | 0:20:12 | |
Sometimes it comes on in the house every now and again, | 0:20:12 | 0:20:14 | |
but then someone shuts it off. | 0:20:14 | 0:20:16 | |
You can almost sense the desperation of the people running | 0:20:16 | 0:20:18 | |
to turn it off, it's weird. | 0:20:18 | 0:20:20 | |
-Fine. -That's fine. | 0:20:20 | 0:20:22 | |
Right, we better get on with these photos. | 0:20:23 | 0:20:25 | |
And the final one. Three, two, one. | 0:20:25 | 0:20:26 | |
Hold it, hold it. | 0:20:28 | 0:20:30 | |
-Hold it. -Hold it. -Hold it. -Hold it. | 0:20:30 | 0:20:32 | |
-Hold it. -Sorting out the ISO. | 0:20:32 | 0:20:34 | |
-Got it. Got it. -Just waiting for the flash, man. | 0:20:34 | 0:20:37 | |
-Just hold up. -Hold it. | 0:20:37 | 0:20:39 | |
It's coming up. | 0:20:39 | 0:20:40 | |
-Hold it, hold it. -Keep it. | 0:20:40 | 0:20:42 | |
Your lip's shaking, mate. Lip's shaking there, isn't it? | 0:20:42 | 0:20:44 | |
It's coming out, it's coming out. | 0:20:44 | 0:20:46 | |
Hold it. | 0:20:46 | 0:20:47 | |
Hold it. | 0:20:47 | 0:20:49 | |
DOC LAUGHS | 0:20:49 | 0:20:50 | |
-Oh, that one! -That's it. | 0:20:50 | 0:20:52 | |
That's it. | 0:20:52 | 0:20:53 | |
Thank you very much, Doc Brown, for giving us | 0:20:53 | 0:20:56 | |
some serious Bants In The Booth. | 0:20:56 | 0:20:59 | |
-# Bants in the booth -Get up, get up | 0:20:59 | 0:21:01 | |
-# Bants in the booth -Get up, get up | 0:21:01 | 0:21:03 | |
-# Bants in the booth -Get up, get up | 0:21:03 | 0:21:05 | |
# Bants in the booth. # | 0:21:05 | 0:21:07 | |
And, next, we go to the Salon, with Ernesto and Julio. | 0:21:09 | 0:21:14 | |
Welcome to the great Ernesto...salon. | 0:21:20 | 0:21:24 | |
And me, Julio. | 0:21:24 | 0:21:26 | |
Julio! Play me some music from Francais. | 0:21:26 | 0:21:31 | |
Sure thing, Ernesto. | 0:21:31 | 0:21:33 | |
MUSIC STARTS | 0:21:33 | 0:21:34 | |
I am ready. Julio! | 0:21:39 | 0:21:41 | |
MUSIC STOPS Onions. | 0:21:41 | 0:21:42 | |
Ony-ony-ony-onions. | 0:21:42 | 0:21:44 | |
MUSIC STARTS UP AGAIN | 0:21:44 | 0:21:46 | |
MUSIC STOPS | 0:21:51 | 0:21:52 | |
It is so beautiful. | 0:21:53 | 0:21:54 | |
Julio! Ripe fromage! | 0:21:54 | 0:21:57 | |
MUSIC STARTS UP | 0:21:57 | 0:21:59 | |
MUSIC STOPS | 0:22:03 | 0:22:04 | |
Julio! Garlic. | 0:22:04 | 0:22:06 | |
Garlic. | 0:22:06 | 0:22:07 | |
MUSIC STARTS | 0:22:07 | 0:22:08 | |
It is complete. MUSIC STOPS | 0:22:09 | 0:22:11 | |
Voila! | 0:22:12 | 0:22:13 | |
LA MARSEILLAISE PLAYS | 0:22:13 | 0:22:16 | |
I don't like it. | 0:22:19 | 0:22:20 | |
The fromage, it must be stale. | 0:22:20 | 0:22:22 | |
Julio! | 0:22:22 | 0:22:24 | |
-SNIFFS -Urgh. | 0:22:24 | 0:22:26 | |
And, now, back to the studio. | 0:22:30 | 0:22:32 | |
-Hi, guys! Hey! -ALL CHEER | 0:22:32 | 0:22:35 | |
Hi! Don't know about you, Johnny, | 0:22:35 | 0:22:37 | |
but I love being on the Johnny And Inel Show. | 0:22:37 | 0:22:39 | |
I mean, I love the set, the audience, everything. | 0:22:39 | 0:22:42 | |
I love our show, the production team - everything about our show, | 0:22:42 | 0:22:47 | |
I just love! | 0:22:47 | 0:22:49 | |
Especially you and you and you! | 0:22:49 | 0:22:52 | |
High-five. High-five. | 0:22:52 | 0:22:53 | |
-Yeah. -Yeah. -Yeah. -Yeah. | 0:22:53 | 0:22:56 | |
-Yeah. -Yeah. -Yeah. -Yeah. | 0:22:56 | 0:22:58 | |
And not forgetting you guys at home. | 0:22:58 | 0:23:00 | |
No. There's Faye, Jasmine, Taylor... | 0:23:00 | 0:23:03 | |
Marcus, Ciaran, Heidi... | 0:23:03 | 0:23:06 | |
We get it, we can't get through everybody. | 0:23:06 | 0:23:08 | |
-Can we finish up the show, please? -Oh, right, OK. | 0:23:08 | 0:23:11 | |
We're gonna keep making it look good... | 0:23:11 | 0:23:13 | |
..the only way Johnny and Inel could. | 0:23:13 | 0:23:15 | |
-A-ha! -Hit the music! | 0:23:15 | 0:23:17 | |
-Fraser. -Emily. -Kai. | 0:23:17 | 0:23:19 | |
-Yeah, Chloe. -Bob. | 0:23:19 | 0:23:21 | |
-Gavin. -Kai. | 0:23:21 | 0:23:23 | |
-Jason. -Mason. | 0:23:23 | 0:23:25 | |
-Christopher. -And...and...Kai. | 0:23:25 | 0:23:28 | |
Nathan, there's Nathan. | 0:23:28 | 0:23:31 | |
-Donna. -And... | 0:23:31 | 0:23:32 | |
THEY CARRY ON READING NAMES | 0:23:32 | 0:23:36 |