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Previously on The Next Step... | 0:00:03 | 0:00:04 | |
So, since you guys are back together, | 0:00:04 | 0:00:06 | |
we want to give you your duet back. | 0:00:06 | 0:00:08 | |
This was always their duet. | 0:00:08 | 0:00:09 | |
I guess we're just not as in sync as we used to be. | 0:00:11 | 0:00:14 | |
Choreo is amazing. | 0:00:14 | 0:00:15 | |
I think we're going to do really good in Nationals. | 0:00:15 | 0:00:17 | |
Oh, I've been working on this move, the B-Twist. | 0:00:17 | 0:00:20 | |
Can you hear it talking to you? No, no. | 0:00:20 | 0:00:22 | |
Exactly! You're not ready. Oh... | 0:00:22 | 0:00:25 | |
It's as simple as this, folks. It's one off. | 0:00:25 | 0:00:27 | |
They go up against each other. The winner moves on. | 0:00:27 | 0:00:30 | |
The loser? They go home. | 0:00:30 | 0:00:32 | |
The Next Step! CHEERING AND APPLAUSE | 0:00:32 | 0:00:35 | |
It's the momentum of the win - | 0:00:35 | 0:00:37 | |
and next thing you know, we're going to be taking all the rounds. | 0:00:37 | 0:00:39 | |
I can't wait to see the boys' Small Group. | 0:00:39 | 0:00:41 | |
It's going to be good! | 0:00:41 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:50 | |
They go by "Life Of Dance", | 0:00:59 | 0:01:02 | |
but "LOD" also stands for something else. | 0:01:02 | 0:01:04 | |
"Ladies Of Destruction". | 0:01:04 | 0:01:06 | |
Why's that? | 0:01:06 | 0:01:07 | |
I think you're about to see why that really is. | 0:01:07 | 0:01:10 | |
The Small Group competition is incredible - | 0:01:16 | 0:01:19 | |
and it's actually pretty intimidating. | 0:01:19 | 0:01:22 | |
This is round two. | 0:01:25 | 0:01:27 | |
We're starting with 32 teams and after this round, | 0:01:27 | 0:01:30 | |
there'll only be 16 teams left. | 0:01:30 | 0:01:32 | |
Wow. They're really good. Yup. | 0:01:56 | 0:01:58 | |
Huh. They're so in sync. Yup. | 0:02:01 | 0:02:03 | |
They're doing a very, very good job. | 0:02:03 | 0:02:05 | |
It's just making me nervous. It's making me very nervous. | 0:02:05 | 0:02:08 | |
LOD'S dance is crazy good. | 0:02:16 | 0:02:19 | |
It's a little scary, obviously, | 0:02:19 | 0:02:21 | |
but at the same time, it's kind of motivating. | 0:02:21 | 0:02:24 | |
CHEERING | 0:02:27 | 0:02:29 | |
I feel like no-one wants to go up against LOD, | 0:02:35 | 0:02:37 | |
because as soon as you face them, you know you're going home. | 0:02:37 | 0:02:41 | |
'And the team moving on to the duet round is... | 0:02:41 | 0:02:45 | |
'Life Of Dance!' | 0:02:45 | 0:02:47 | |
There you have it. CHEERING AND APPLAUSE | 0:02:47 | 0:02:51 | |
Well, Tre, this is not a surprise, | 0:02:51 | 0:02:53 | |
but LOD did not come here to win Small Group. | 0:02:53 | 0:02:57 | |
'I have a feeling we're going to be talking about this group... | 0:02:57 | 0:03:00 | |
Are you OK? Hmm? You seem kind of...unclear. | 0:03:00 | 0:03:04 | |
No, I'm good, I'm good. | 0:03:04 | 0:03:05 | |
I'm feeling a little bit distracted, just because I'm contemplating | 0:03:05 | 0:03:08 | |
whether or not to do the B-Twist in the Small Group. | 0:03:08 | 0:03:11 | |
You sure? Just a lot on my mind right now. | 0:03:11 | 0:03:14 | |
OK... 'It would be so dope if I hit it, | 0:03:14 | 0:03:16 | |
'and it would make the dance that much better.' | 0:03:16 | 0:03:18 | |
The only thing is, I've never really landed it, | 0:03:18 | 0:03:22 | |
so it's kind of a risk, if I want to hit it. | 0:03:22 | 0:03:24 | |
MUSIC: Stand Up by Jessica Lee and Kit Knows | 0:03:25 | 0:03:28 | |
Right now, we are in the second round of Nationals, | 0:04:13 | 0:04:15 | |
which is Small Groups. | 0:04:15 | 0:04:17 | |
When The Next Step made it to Nationals ten years ago, | 0:04:20 | 0:04:22 | |
I competed in the Small Group competition and we lost. | 0:04:22 | 0:04:26 | |
That's why I brought Luther in to work with the boys, | 0:04:26 | 0:04:28 | |
because I know how tough the Small Group competition really is. | 0:04:28 | 0:04:31 | |
If we win the Small Group round, | 0:04:36 | 0:04:39 | |
then The Next Step will have gone further | 0:04:39 | 0:04:41 | |
than we ever have at Nationals before. | 0:04:41 | 0:04:44 | |
I mean, a hip-hop routine at such a high level... | 0:04:47 | 0:04:49 | |
It's really hard to execute. | 0:04:49 | 0:04:51 | |
So, no-one really does it. | 0:04:51 | 0:04:53 | |
I mean, these dancers are good, | 0:04:53 | 0:04:55 | |
but we're definitely going to stand out with our Luther Brown choreo. | 0:04:55 | 0:04:59 | |
CHEERING AND APPLAUSE | 0:05:00 | 0:05:03 | |
They look stellar! | 0:05:06 | 0:05:08 | |
West is waiting for you guys in the lobby. Oh, OK. | 0:05:08 | 0:05:11 | |
The boys' Small Group is coming up | 0:05:11 | 0:05:12 | |
and they need to start getting ready. | 0:05:12 | 0:05:14 | |
Good luck! 'Next up, | 0:05:14 | 0:05:16 | |
'we have the Small Group routine | 0:05:16 | 0:05:18 | |
'from Joanne Chapman's School of Dance.' | 0:05:18 | 0:05:20 | |
CHEERING AND APPLAUSE | 0:05:20 | 0:05:22 | |
Joanne Chapman's is a very established studio. | 0:05:37 | 0:05:39 | |
They always go to Nationals. | 0:05:39 | 0:05:41 | |
They've never beaten Life Of Dance, but they always do pretty well - | 0:05:41 | 0:05:44 | |
and that makes them a bit of a threat. | 0:05:44 | 0:05:46 | |
They have this prop, | 0:05:55 | 0:05:56 | |
which is incorporating the theme of their routine, which is struggling, | 0:05:56 | 0:05:59 | |
and it's all about getting to the top of this hill. | 0:05:59 | 0:06:02 | |
It's just a really good dance. | 0:06:02 | 0:06:04 | |
Joanne Chapman's was in the finals last year | 0:06:09 | 0:06:12 | |
with the Ladies Of Destruction | 0:06:12 | 0:06:13 | |
and I can tell by the way they are dancing right now | 0:06:13 | 0:06:16 | |
that they want that rematch. | 0:06:16 | 0:06:19 | |
CHEERING AND APPLAUSE | 0:06:19 | 0:06:21 | |
How nervous do you guys think the boys are? | 0:06:23 | 0:06:25 | |
Pretty nervous. So nervous! | 0:06:25 | 0:06:27 | |
And that's why I put on my socks backwards. | 0:06:27 | 0:06:29 | |
Makes sense. What?! It actually makes sense? What? Why would you ever...? | 0:06:29 | 0:06:32 | |
OK, yo, yo. I really want to put a B-Twist in this dance. | 0:06:32 | 0:06:34 | |
Dude, we need 100%. | 0:06:34 | 0:06:36 | |
Cos man, if you mess this up, we're going home. | 0:06:36 | 0:06:39 | |
I know, but I feel like with adrenaline he'll get it, | 0:06:39 | 0:06:41 | |
and if he does, it's like gravy. | 0:06:41 | 0:06:43 | |
'I know James. | 0:06:46 | 0:06:47 | |
'I know once he gets out on stage, he sees that audience...' | 0:06:47 | 0:06:50 | |
I know he's going to pull it. I know he can do it.' | 0:06:50 | 0:06:53 | |
Guys, what are you doing? | 0:06:53 | 0:06:55 | |
James wants to put the B-Twist in our group. | 0:06:55 | 0:06:57 | |
OK, no. You're on in 30 minutes, you need to get ready. | 0:06:57 | 0:07:00 | |
All right, all right... | 0:07:00 | 0:07:01 | |
Luther Brown thinks I shouldn't do the B-Twist, | 0:07:01 | 0:07:04 | |
because he said I have to wait for it to talk to me, | 0:07:04 | 0:07:07 | |
but that makes no sense, because dance moves don't talk. | 0:07:07 | 0:07:10 | |
So, how am I supposed to know when I can do the B-Twist? | 0:07:10 | 0:07:13 | |
Up now is the Small Group routine from Elite Dance Academy. | 0:07:24 | 0:07:27 | |
There are big expectations for this troop, Tre. | 0:07:27 | 0:07:30 | |
Elite isn't even supposed to be here. | 0:07:45 | 0:07:47 | |
I mean, we won Regionals. | 0:07:47 | 0:07:50 | |
But they somehow found a loophole, | 0:07:50 | 0:07:51 | |
where they ended up competing at another Regionals and won. | 0:07:51 | 0:07:55 | |
But I consider that cheating. | 0:07:55 | 0:07:57 | |
That's not fair. | 0:07:57 | 0:07:59 | |
Yo, right now, guys, we got to kill this for Luther, OK? | 0:08:10 | 0:08:12 | |
We got to get out there and just got to get buck with it. | 0:08:12 | 0:08:15 | |
Honestly, I'm so torn about between doing the B-Twist or not, | 0:08:15 | 0:08:17 | |
because it's such a risk. | 0:08:17 | 0:08:20 | |
We're cutting it kind of short. | 0:08:20 | 0:08:21 | |
I mean, we're about to get on stage right now. | 0:08:21 | 0:08:23 | |
OK, how about this? | 0:08:23 | 0:08:24 | |
Let's come up with like... some sort of signal on stage. | 0:08:24 | 0:08:27 | |
Why don't you come up with like a sound, like | 0:08:27 | 0:08:28 | |
"Chi-chi-chi-chi-chi-chi-chi-chi", you know what I'm saying? | 0:08:28 | 0:08:31 | |
Like, so we will all... Bro, I'm not... | 0:08:31 | 0:08:33 | |
I'm not saying "Chi-chi-chi". I'm not going to say that. | 0:08:33 | 0:08:35 | |
Listen, I'm going to nod, all right? | 0:08:35 | 0:08:37 | |
I'm going to nod at West if I'm going to do the flip, all right? | 0:08:37 | 0:08:39 | |
All right, cool. Yeah, for sure. | 0:08:39 | 0:08:41 | |
Excellent napkin use, girls! | 0:08:49 | 0:08:51 | |
The dancers are so together and their tricks are just perfect. | 0:08:56 | 0:09:01 | |
They've upped their props, they've upped their turns, | 0:09:01 | 0:09:04 | |
they've just improved on everything. | 0:09:04 | 0:09:06 | |
And we barely beat them at Regionals, | 0:09:06 | 0:09:08 | |
so it's going to be a stiff competition at Nationals. | 0:09:08 | 0:09:11 | |
CHEERING AND APPLAUSE | 0:09:12 | 0:09:16 | |
Whoo! Yeah! Yeah, ha-ha! | 0:09:18 | 0:09:20 | |
Elite's Small Group is really good and it kind of makes me realise | 0:09:22 | 0:09:25 | |
that we're going to have to go up against them at some point, | 0:09:25 | 0:09:28 | |
cos they're going to keep advancing. | 0:09:28 | 0:09:30 | |
'The studio advancing to the duet round is... | 0:09:30 | 0:09:33 | |
'Elite!' CHEERING AND APPLAUSE | 0:09:33 | 0:09:36 | |
I think James will do the B-Twist. | 0:09:40 | 0:09:42 | |
I mean, he's always had this competitive drive inside of him | 0:09:42 | 0:09:45 | |
and something tells me he's going to do it. | 0:09:45 | 0:09:47 | |
Well, let's see if The Next Step can join Elite. | 0:09:47 | 0:09:50 | |
Here they are, performing in Small Group. | 0:09:50 | 0:09:53 | |
A-TROUPE CHEER | 0:09:53 | 0:09:55 | |
James, you OK? | 0:09:55 | 0:09:56 | |
As I walk out onto stage, I can't wait to hit the number. | 0:10:01 | 0:10:04 | |
I'm a bit nervous, but I'm excited to kill it. | 0:10:05 | 0:10:08 | |
I'm as ready as I'll ever be. | 0:10:08 | 0:10:10 | |
As I head on stage, I'm pretty nervous. | 0:10:12 | 0:10:15 | |
I'm just really hoping I don't mess this up. | 0:10:17 | 0:10:19 | |
I'm getting goose bumps just listening to the audience cheer. | 0:10:40 | 0:10:43 | |
I definitely think Luther's choreo makes a difference. | 0:10:43 | 0:10:46 | |
It just gives us that much more to dance for, you know? | 0:10:46 | 0:10:48 | |
It's not just for the team, but it's also for Luther. | 0:10:48 | 0:10:51 | |
Is it automatic that these dancers right now | 0:10:53 | 0:10:55 | |
are feeding off the energy of the music? | 0:10:55 | 0:10:58 | |
Absolutely, that bass - | 0:10:58 | 0:10:59 | |
and their dance alone will get them like that. | 0:10:59 | 0:11:02 | |
The boys are doing amazing. | 0:11:14 | 0:11:16 | |
They are so together and they're killing it, they're so in it. | 0:11:16 | 0:11:19 | |
Oh! Oh, boy, here comes some attitude! | 0:11:27 | 0:11:29 | |
He went to the Dougie! | 0:11:29 | 0:11:32 | |
Oh - and now he's giving a bit of crunk! OK! | 0:11:32 | 0:11:35 | |
So, I get to the part in the dance | 0:11:40 | 0:11:41 | |
where I was thinking about putting the B- Twist in | 0:11:41 | 0:11:43 | |
and I don't "hear it" or whatever, | 0:11:43 | 0:11:46 | |
but honestly, it just doesn't feel right. | 0:11:46 | 0:11:48 | |
CHEERING AND APPLAUSE | 0:11:57 | 0:11:59 | |
So many tricks, so many flips... | 0:11:59 | 0:12:01 | |
I mean, this is a professional calibre routine | 0:12:01 | 0:12:04 | |
that you would see in any commercial today, or any video, and guess what? | 0:12:04 | 0:12:09 | |
That's what Luther Brown does. Well done! | 0:12:09 | 0:12:12 | |
We just share the love, | 0:12:12 | 0:12:13 | |
because I feel like we've come really close | 0:12:13 | 0:12:15 | |
and this number was just amazing, so I'm really happy. | 0:12:15 | 0:12:18 | |
Oh, my goodness, you guys! | 0:12:18 | 0:12:21 | |
That was amazing! | 0:12:21 | 0:12:22 | |
You killed it! Oh, you're so great! | 0:12:22 | 0:12:24 | |
Whoo! | 0:12:24 | 0:12:26 | |
Yo, guys, guys, I'm sorry I didn't hit uh...that B-Twist. | 0:12:26 | 0:12:29 | |
Don't even worry about it, it was so good. It was great. | 0:12:29 | 0:12:33 | |
I was so pumped about doing it, | 0:12:33 | 0:12:34 | |
I felt like they were kind of getting pumped | 0:12:34 | 0:12:36 | |
that I was going to do it and I just bailed. I didn't do it - | 0:12:36 | 0:12:39 | |
and I think it would've added to the dance if I did it. | 0:12:39 | 0:12:42 | |
James, seriously, it's fine, OK? Don't worry about it. | 0:12:42 | 0:12:45 | |
I mean, I guess it's better to be safe than sorry, but... | 0:12:45 | 0:12:48 | |
I was sure he was going to do it. | 0:12:50 | 0:12:52 | |
If we don't win, I'll probably feel super guilty. | 0:12:52 | 0:12:55 | |
'And the team moving on to the Duet round is... | 0:12:56 | 0:13:00 | |
'The Next Step!' CHEERING AND APPLAUSE | 0:13:00 | 0:13:04 | |
Definitely feels so good to win. We're moving on, again! | 0:13:09 | 0:13:13 | |
We get to move on to the next round! | 0:13:13 | 0:13:15 | |
Only 16 studios are moving on and we're one of them! | 0:13:15 | 0:13:20 | |
It is also a little bit nerve-racking, | 0:13:20 | 0:13:22 | |
because me and James's duet is next. | 0:13:22 | 0:13:25 | |
Male Solo? | 0:13:52 | 0:13:53 | |
Check. | 0:13:53 | 0:13:55 | |
Small Group? | 0:13:55 | 0:13:56 | |
Check. | 0:13:56 | 0:13:57 | |
Life Of Dance now focusing on Duets | 0:13:57 | 0:14:00 | |
and this duo really does | 0:14:00 | 0:14:03 | |
a fine job of incorporating acro into their routine. | 0:14:03 | 0:14:05 | |
Right now, we are in the third round of Nationals - | 0:14:19 | 0:14:22 | |
the Duet round. | 0:14:22 | 0:14:23 | |
We have 16 teams in total. | 0:14:23 | 0:14:25 | |
By the end of the third round, there'll be eight. | 0:14:25 | 0:14:28 | |
The Duet competition is fierce. | 0:14:28 | 0:14:30 | |
I mean, we're getting up to the rounds of Nationals | 0:14:30 | 0:14:33 | |
where it's only the best competitors. | 0:14:33 | 0:14:35 | |
After James and I got back together, | 0:14:42 | 0:14:44 | |
we decided to start off with a whole new routine | 0:14:44 | 0:14:48 | |
and that makes me extremely nervous, | 0:14:48 | 0:14:50 | |
because we haven't had a lot of time to rehearse it | 0:14:50 | 0:14:52 | |
and if our competition is as good as LOD is, we're in trouble. | 0:14:52 | 0:14:56 | |
CHEERING AND APPLAUSE | 0:15:03 | 0:15:06 | |
I'm scared to eventually go against LOD, | 0:15:08 | 0:15:12 | |
cos it's going to happen, unless one of us gets cut. | 0:15:12 | 0:15:16 | |
'And the winner, moving on to Female Solos is... | 0:15:16 | 0:15:20 | |
'Life Of Dance!' CHEERING AND APPLAUSE | 0:15:20 | 0:15:23 | |
I don't even think the word "lose" is in their vocabulary. | 0:15:25 | 0:15:28 | |
Yo, what's up? How you doing? | 0:15:39 | 0:15:41 | |
I'm fine. | 0:15:41 | 0:15:42 | |
You seem nervous, what's up? | 0:15:43 | 0:15:44 | |
I've just been thinking. | 0:15:44 | 0:15:46 | |
There's something on my mind, | 0:15:46 | 0:15:48 | |
ever since watching the boys do their Small Group | 0:15:48 | 0:15:51 | |
and I just need to tell James about it. | 0:15:51 | 0:15:53 | |
I think you should do the B-Twist in our duet. | 0:15:54 | 0:15:57 | |
The B-Twist? Yeah. | 0:15:57 | 0:15:58 | |
I'm kind of shocked that she wants me to do the B-Twist. | 0:15:58 | 0:16:01 | |
I thought we were kind of past the B-Twist. | 0:16:01 | 0:16:02 | |
The competition here is fierce. | 0:16:02 | 0:16:04 | |
If James can do the B-Twist, it'll put our routine over the top. | 0:16:04 | 0:16:08 | |
I don't even know if I can do the move 100%! | 0:16:08 | 0:16:10 | |
OK, but I know you can do the move. | 0:16:10 | 0:16:12 | |
Really? Yes. You've worked so hard on it. I believe in you. | 0:16:12 | 0:16:16 | |
OK, when? | 0:16:19 | 0:16:21 | |
Um... After we do the lift, stage left. | 0:16:21 | 0:16:23 | |
OK. | 0:16:26 | 0:16:28 | |
If Riley's sure I can do it, I'm doing it. | 0:16:28 | 0:16:30 | |
I'm a little nervous, but I'm so confident in this | 0:16:30 | 0:16:32 | |
and I feel so comfortable with Riley, | 0:16:32 | 0:16:34 | |
I just want to kill this dance. | 0:16:34 | 0:16:37 | |
Well, Tre Armstrong, the Absolute Dance National Championships | 0:16:44 | 0:16:48 | |
just went a little Van Gogh on us. | 0:16:48 | 0:16:51 | |
Check out this set. | 0:16:51 | 0:16:53 | |
Well, the set up is magnificent. | 0:16:53 | 0:16:55 | |
Let's see what happens, | 0:16:55 | 0:16:56 | |
as The Next Step looks to move on to Female Solo. | 0:16:56 | 0:16:59 | |
The whole story of our piece is that I am a piece of artwork | 0:17:13 | 0:17:17 | |
and James is all about business and I somehow come to life. | 0:17:17 | 0:17:21 | |
So, she dances and basically, she shows me her world | 0:17:37 | 0:17:39 | |
and convinces me to come into her world with her. | 0:17:39 | 0:17:42 | |
It's a pretty cool concept. | 0:17:42 | 0:17:43 | |
Our first duet... It kind of was based a lot on Riley's style, | 0:17:59 | 0:18:04 | |
and it was for her and I was trying to make her happy - | 0:18:04 | 0:18:06 | |
and it didn't work. And neither did we. | 0:18:06 | 0:18:09 | |
After we got back together, | 0:18:09 | 0:18:11 | |
I thought it would be a good idea to fuse ballet - | 0:18:11 | 0:18:13 | |
which is my style - and hip-hop, which is his style. | 0:18:13 | 0:18:16 | |
And it just works so much better, | 0:18:21 | 0:18:23 | |
because we're not trying to be something that we're not. | 0:18:23 | 0:18:27 | |
'When I come out, I see Riley, | 0:18:51 | 0:18:54 | |
'and I know that with her, I can do anything.' | 0:18:54 | 0:18:56 | |
Riley, Riley, I'm going to do it. | 0:18:56 | 0:18:58 | |
What was that?! | 0:19:01 | 0:19:02 | |
I'll tell you what that was. That was an incredible B-Twist! | 0:19:02 | 0:19:05 | |
CHEERING AND APPLAUSE | 0:19:11 | 0:19:14 | |
Seeing James do the B-Twist | 0:19:25 | 0:19:28 | |
just puts a huge smile on my face. | 0:19:28 | 0:19:30 | |
I'm just so unbelievably proud of him. | 0:19:30 | 0:19:32 | |
Luther said I shouldn't do the B-Twist until I hear it. | 0:19:37 | 0:19:40 | |
But once Riley told me to do the B-Twist, | 0:19:40 | 0:19:43 | |
I kind of realised that | 0:19:43 | 0:19:44 | |
maybe that's the voice telling me to do it. | 0:19:44 | 0:19:47 | |
When it comes down to it, | 0:19:48 | 0:19:50 | |
the only voice I ever need to hear is Riley's. | 0:19:50 | 0:19:52 | |
You did it! | 0:19:55 | 0:19:56 | |
I know, that was unreal. I'm so proud of you. | 0:19:56 | 0:19:58 | |
I love you, you know that? | 0:19:58 | 0:20:00 | |
CHEERING AND APPLAUSE | 0:20:05 | 0:20:07 | |
There's an audience here. Yeah... | 0:20:11 | 0:20:13 | |
I didn't mean to say that I love James, but I do. | 0:20:14 | 0:20:19 | |
I mean, this is the first time I'm ever realising it, but... | 0:20:19 | 0:20:22 | |
I love him. | 0:20:22 | 0:20:24 | |
'And the studio moving on to compete in the Female Solo round is... | 0:20:24 | 0:20:29 | |
'..The Next Step!' CHEERING AND APPLAUSE | 0:20:29 | 0:20:33 | |
We won! Yo! | 0:20:35 | 0:20:38 | |
Wooo! | 0:20:38 | 0:20:39 | |
Next Step has been quite good. | 0:20:39 | 0:20:41 | |
Oh, yeah, they've been the dark horse in this whole competition, | 0:20:41 | 0:20:44 | |
so it's going to be interesting to see where they go from here. | 0:20:44 | 0:20:46 | |
And now, they get ready for Female Solo. | 0:20:46 | 0:20:48 | |
The Next Step is going to the fourth round! | 0:20:50 | 0:20:52 | |
This is insane! | 0:20:52 | 0:20:53 | |
Now that we've won Duets, we are on to Michelle's solo. | 0:20:56 | 0:20:59 | |
I can't wait to compete with my solo - and I'm fired up! | 0:20:59 | 0:21:02 |