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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
I've never been to the beach. | 0:00:03 | 0:00:04 | |
-Yo, let's go to the beach! -Yeah. | 0:00:04 | 0:00:06 | |
I want to take my dancing to the ultimate level. | 0:00:09 | 0:00:11 | |
'What are you doing?' | 0:00:11 | 0:00:13 | |
I clearly do not deserve to be in the front row, | 0:00:13 | 0:00:15 | |
-Michelle does. -No-one's ever stood up to Emily like that. | 0:00:15 | 0:00:18 | |
And it's her sister. I'm pretty impressed. | 0:00:18 | 0:00:20 | |
Michelle's literally been here for a few days, | 0:00:20 | 0:00:22 | |
and she's already making us all fight. | 0:00:22 | 0:00:24 | |
Who thinks Riley should get kicked out of E Girls? | 0:00:24 | 0:00:27 | |
-What? -Emily has taken this way too far. | 0:00:27 | 0:00:30 | |
How's all that drama going with the E Girls? | 0:00:30 | 0:00:32 | |
Emily's been mad at me before. This time it seems different. | 0:00:32 | 0:00:36 | |
Please don't do this. | 0:00:36 | 0:00:38 | |
It's done. | 0:00:38 | 0:00:40 | |
Didn't Emily, Stephanie and Tiffany have a competition this weekend? | 0:00:45 | 0:00:49 | |
I don't know, | 0:00:49 | 0:00:50 | |
I've tried to avoid talking about dance around my sister. | 0:00:50 | 0:00:53 | |
'Me and my sister keep our personal lives separate,' | 0:00:53 | 0:00:55 | |
and I really don't want this thing that's going on at the studio | 0:00:55 | 0:00:58 | |
to affect our lives at home. | 0:00:58 | 0:01:00 | |
-Hey! -ALL: Hey! | 0:01:00 | 0:01:02 | |
How'd you guys do? | 0:01:02 | 0:01:03 | |
-Oh, well, we came in second. -Whoo! | 0:01:03 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:06 | |
A trio competition is where you go with a trio | 0:01:06 | 0:01:09 | |
so there's solos which is one person, duets which is two, | 0:01:09 | 0:01:12 | |
and trios which is three. | 0:01:12 | 0:01:13 | |
We went out there to kind of remember what it's like to | 0:01:13 | 0:01:15 | |
be on stage in front of an audience and | 0:01:15 | 0:01:17 | |
we can go into regionals not being so nervous. | 0:01:17 | 0:01:19 | |
Second? Who came first? | 0:01:19 | 0:01:21 | |
Elite. | 0:01:21 | 0:01:22 | |
Elite Dance Academy is our... | 0:01:22 | 0:01:24 | |
OK, well, they're everyone's main competition. They win a lot. | 0:01:24 | 0:01:27 | |
It's been The Next Step's goal | 0:01:27 | 0:01:29 | |
to beat them for as long as I've been here. | 0:01:29 | 0:01:31 | |
You should have seen Elite. They were amazing. | 0:01:31 | 0:01:34 | |
You guys have to see this. | 0:01:34 | 0:01:36 | |
I've never seen a team so polished... | 0:01:36 | 0:01:38 | |
-It's scary good. -Whoa. -Yeah. | 0:01:38 | 0:01:40 | |
-No way! -Yeah. -They're so on time. | 0:01:40 | 0:01:42 | |
-And that's just a trio. -Look at that move. -What is that? | 0:01:42 | 0:01:45 | |
-Wow! -ALL: Whoa! | 0:01:47 | 0:01:49 | |
I taped the footage of Elite because I wanted to | 0:01:49 | 0:01:52 | |
show people what we lost against. | 0:01:52 | 0:01:54 | |
-OK, OK, that's enough. That's enough! -Yeah. | 0:01:54 | 0:01:56 | |
Right? | 0:01:56 | 0:01:57 | |
Look, I say we take a little road trip to Elite, | 0:01:57 | 0:02:01 | |
sneak into their studio, see what they're doing for regionals | 0:02:01 | 0:02:05 | |
and come back and work on ours. What does everyone think? | 0:02:05 | 0:02:07 | |
Oh, I... I could... | 0:02:07 | 0:02:08 | |
-EMILY SCOFFS -Wait. | 0:02:08 | 0:02:10 | |
You weren't thinking you were invited, were you? | 0:02:12 | 0:02:15 | |
No. | 0:02:15 | 0:02:17 | |
Good. 'Why would I want Riley to come?' | 0:02:17 | 0:02:19 | |
She's so negative about everything. | 0:02:19 | 0:02:20 | |
She can stay here alone and learn her lesson. | 0:02:20 | 0:02:22 | |
I really thought things with Emily would have been better by now. | 0:02:22 | 0:02:25 | |
My relationship with Emily is... | 0:02:25 | 0:02:27 | |
not really going to heal as fast as I thought it would. | 0:02:27 | 0:02:29 | |
So, who's going to come? | 0:02:29 | 0:02:31 | |
Oh! Oh! I'm... I'm coming! | 0:02:31 | 0:02:32 | |
I'm happy to go on this road trip with Emily. | 0:02:32 | 0:02:35 | |
I'm even going to pretend like it's kind of a date. | 0:02:35 | 0:02:37 | |
Stop. Back. | 0:02:37 | 0:02:40 | |
I really hope he doesn't think this is a date or something. | 0:02:40 | 0:02:43 | |
OK, James, how about you? | 0:02:47 | 0:02:49 | |
Nah, I'm not interested. | 0:02:50 | 0:02:52 | |
All right. | 0:02:52 | 0:02:53 | |
Obviously this isn't for Michelle, so... | 0:02:53 | 0:02:55 | |
No, I'll come. | 0:02:55 | 0:02:57 | |
Really? | 0:02:57 | 0:02:59 | |
Yeah, I'm interested in seeing the competition, right? | 0:02:59 | 0:03:01 | |
I want to go check out Elite's routine because | 0:03:01 | 0:03:03 | |
if I spend a little bit more time with Emily and the rest of the team, | 0:03:03 | 0:03:06 | |
it'll bring me a little bit closer. | 0:03:06 | 0:03:07 | |
OK. | 0:03:07 | 0:03:08 | |
I let Michelle come along because I want people to think I'm fair. | 0:03:08 | 0:03:11 | |
'But I'm not.' | 0:03:11 | 0:03:12 | |
This isn't a democracy. | 0:03:12 | 0:03:14 | |
It's an Emily-ocracy. | 0:03:14 | 0:03:16 | |
# We | 0:03:16 | 0:03:18 | |
# We are gonna show the world | 0:03:18 | 0:03:22 | |
# Everything we're made of | 0:03:22 | 0:03:25 | |
# We're gonna tear the roof off this place | 0:03:25 | 0:03:33 | |
# Stand up! # | 0:03:38 | 0:03:40 | |
I'm working on my math right now | 0:04:01 | 0:04:02 | |
because my grades are dropping, and if I don't pull them up, | 0:04:02 | 0:04:05 | |
my mom's going to pull me out of the studio. | 0:04:05 | 0:04:07 | |
-James? -Yeah? | 0:04:11 | 0:04:12 | |
-Can we talk? -Yeah. | 0:04:12 | 0:04:14 | |
What are you doing? | 0:04:14 | 0:04:16 | |
Don't worry about it. What's up? | 0:04:17 | 0:04:20 | |
I need you to do something for me. | 0:04:20 | 0:04:23 | |
Wait. You want something from me? | 0:04:24 | 0:04:26 | |
Yes. Yes. | 0:04:26 | 0:04:27 | |
Oh, you want a favour. | 0:04:27 | 0:04:29 | |
I don't know about that. | 0:04:30 | 0:04:32 | |
It kind of amuses me that Riley would come to me for a favour. | 0:04:32 | 0:04:34 | |
I know he's going to hold this against me, | 0:04:34 | 0:04:37 | |
but it has to be done. | 0:04:37 | 0:04:39 | |
I'm just a little worried about Michelle. | 0:04:39 | 0:04:40 | |
Why? | 0:04:40 | 0:04:42 | |
I don't really want her to go on the trip with Emily | 0:04:42 | 0:04:44 | |
by herself. | 0:04:44 | 0:04:45 | |
I mean, her and the E Girls are not really on good terms right now, | 0:04:45 | 0:04:48 | |
and I just don't want any trouble. | 0:04:48 | 0:04:50 | |
OK, so where do I come into this? | 0:04:50 | 0:04:52 | |
I just want you to go on the trip and just make sure nothing happens. | 0:04:52 | 0:04:55 | |
'I asked James to keep an eye on Michelle at Elite because' | 0:04:55 | 0:04:59 | |
I feel like he's the only one I can really trust. | 0:04:59 | 0:05:01 | |
That's a big favour. | 0:05:01 | 0:05:03 | |
Really? James, please, come on. | 0:05:03 | 0:05:05 | |
Well, I'm going to have to convince Emily to let me go. | 0:05:05 | 0:05:07 | |
I already told her I wasn't going to go. | 0:05:07 | 0:05:09 | |
That's going to cost you. | 0:05:09 | 0:05:11 | |
OK. | 0:05:11 | 0:05:12 | |
OK? | 0:05:12 | 0:05:14 | |
I owe you. | 0:05:14 | 0:05:15 | |
Hey, Giselle. | 0:05:16 | 0:05:17 | |
Oh, hey, Daniel. How are you? | 0:05:17 | 0:05:20 | |
Now that a bunch of dancers have gone to Elite, | 0:05:20 | 0:05:22 | |
I booked some studio time and I'm hoping to get in some extra practice. | 0:05:22 | 0:05:25 | |
-Good, how are you? -Good, thank you. | 0:05:25 | 0:05:27 | |
'Giselle and I have a really close bond.' | 0:05:27 | 0:05:29 | |
I've known her since I was five years old | 0:05:29 | 0:05:31 | |
and she mentored me so that I could become a great dancer. | 0:05:31 | 0:05:34 | |
So, er, how's everything in A Troupe? | 0:05:34 | 0:05:38 | |
-Really good. It's just a lot of pressure, you know. -Yeah. | 0:05:38 | 0:05:41 | |
I just wish you were there too. | 0:05:41 | 0:05:42 | |
'It's really hard not having Giselle' | 0:05:42 | 0:05:43 | |
in A Troupe with me because the whole point of her mentoring me | 0:05:43 | 0:05:47 | |
was that one day we could be partners in A Troupe. | 0:05:47 | 0:05:49 | |
'And now, I'm in B Troupe.' | 0:05:49 | 0:05:50 | |
I feel like I really let Daniel down. | 0:05:50 | 0:05:53 | |
I'm just going to practise as hard as I can, night and day, | 0:05:53 | 0:05:56 | |
and I'm not going to make that mistake again. | 0:05:56 | 0:05:59 | |
-Hey. -Hey. | 0:05:59 | 0:06:01 | |
Hey, er, Daniel, do you know where James is? | 0:06:03 | 0:06:06 | |
No. | 0:06:06 | 0:06:07 | |
Last year, Beth dated James for, like, five minutes | 0:06:07 | 0:06:09 | |
and she will not get over him. She just doesn't leave him alone. | 0:06:09 | 0:06:14 | |
OK. Thanks. | 0:06:14 | 0:06:15 | |
You're welcome. | 0:06:15 | 0:06:17 | |
DOOR OPENS AND CLOSES | 0:06:17 | 0:06:18 | |
You! Why are you here? | 0:06:21 | 0:06:24 | |
I'm here to rehearse. | 0:06:24 | 0:06:25 | |
Daniel, Daniel, Daniel, Daniel! | 0:06:25 | 0:06:27 | |
I'm annoyed that Daniel's here because I thought that | 0:06:27 | 0:06:30 | |
I would've had this space, this time, for myself | 0:06:30 | 0:06:32 | |
for me to work on what I need to work on. | 0:06:32 | 0:06:34 | |
And then when I walk in, I see him. I mean, how would you feel? | 0:06:34 | 0:06:37 | |
OK, well, you should have booked the studio. I did. | 0:06:37 | 0:06:39 | |
Well, I thought I was going to be here by myself | 0:06:39 | 0:06:41 | |
cos everyone's at Elite. | 0:06:41 | 0:06:42 | |
I've only known West for a year, him and I were in B Troupe. | 0:06:42 | 0:06:45 | |
He wasn't that committed last year but he's pulled it together this year | 0:06:45 | 0:06:48 | |
and he's working pretty hard. | 0:06:48 | 0:06:49 | |
Here's what I'm going to do for you. We can split the studio. | 0:06:49 | 0:06:52 | |
-Oh! OK, I have back half! -OK, it doesn't matter. | 0:06:52 | 0:06:54 | |
Yes, it does! | 0:06:54 | 0:06:55 | |
How are you going to get to the bathroom through my territory? | 0:06:55 | 0:06:58 | |
It's going to cost you. | 0:06:58 | 0:06:59 | |
HE LAUGHS That West is a funny guy. | 0:06:59 | 0:07:01 | |
THEY LAUGH | 0:07:01 | 0:07:04 | |
WEST STOPS LAUGHING ABRUPTLY | 0:07:04 | 0:07:07 | |
Wait, is he being serious? | 0:07:08 | 0:07:10 | |
I mean, maybe not the washroom, but if you want a beverage, | 0:07:10 | 0:07:13 | |
I got a water cooler, OK? | 0:07:13 | 0:07:15 | |
OK. | 0:07:15 | 0:07:17 | |
Why do you even want to go? | 0:07:24 | 0:07:25 | |
I really don't know why James suddenly changed his mind. | 0:07:25 | 0:07:28 | |
No-one's going to pull a fast one over me. | 0:07:28 | 0:07:30 | |
I want to help you guys out. | 0:07:30 | 0:07:32 | |
So now I have to convince Emily to let me tag along | 0:07:32 | 0:07:35 | |
on her Elite spy mission | 0:07:35 | 0:07:37 | |
after I already rejected her once. | 0:07:37 | 0:07:39 | |
I know a shortcut there. | 0:07:39 | 0:07:40 | |
I have GPS, it automatically finds the fastest way. | 0:07:41 | 0:07:44 | |
I do... | 0:07:44 | 0:07:46 | |
-I used to date a girl there, so I... -You dated a girl from Elite? | 0:07:46 | 0:07:49 | |
I did. | 0:07:49 | 0:07:50 | |
'Typical James. Is there' | 0:07:50 | 0:07:52 | |
anywhere in town where he hasn't dated someone? | 0:07:52 | 0:07:55 | |
Er, so I know a back entrance. It's kinda sneaky too. | 0:07:55 | 0:07:58 | |
'At the end of the day,' | 0:07:58 | 0:07:59 | |
James is part of A Troupe. | 0:07:59 | 0:08:01 | |
He says he knows all of these shortcuts, so he might be an asset. | 0:08:01 | 0:08:04 | |
All right, all right, all right, OK, you can come. | 0:08:04 | 0:08:07 | |
Perfect. | 0:08:07 | 0:08:08 | |
OK, I'll get changed and I'll see you guys out front. | 0:08:08 | 0:08:11 | |
Well, you owe me. | 0:08:14 | 0:08:16 | |
Thank you. | 0:08:20 | 0:08:21 | |
'I feel a lot better' | 0:08:21 | 0:08:23 | |
knowing that James is going to Elite. It'll be nice for someone | 0:08:23 | 0:08:27 | |
to look over Michelle cos we all know Emily won't be. | 0:08:27 | 0:08:30 | |
DANIEL'S MUSIC PLAYS QUIETLY THROUGH HEADPHONES | 0:08:37 | 0:08:41 | |
WEST'S MUSIC BLARES THROUGH SPEAKERS | 0:08:45 | 0:08:48 | |
West has no spatial awareness. He is blasting his music. | 0:08:54 | 0:08:56 | |
After I was nice enough to lend him half the studio, | 0:08:56 | 0:08:59 | |
he won't even stay on his own side. | 0:08:59 | 0:09:01 | |
MUSIC STOPS | 0:09:07 | 0:09:09 | |
West! West! What are you doing? | 0:09:11 | 0:09:14 | |
Wha...? | 0:09:14 | 0:09:15 | |
Wait! Who turned off the music? | 0:09:16 | 0:09:18 | |
I did. | 0:09:18 | 0:09:19 | |
Wha...? Why? | 0:09:19 | 0:09:20 | |
Because your music is too loud and I can't hear mine. | 0:09:20 | 0:09:23 | |
Come on, man, I'm just... I'm just feeling my groove, you know? | 0:09:23 | 0:09:26 | |
Feeling my music. | 0:09:26 | 0:09:27 | |
Dancing isn't about that, it's about practice and precision. | 0:09:27 | 0:09:29 | |
Dan's a good guy, but, I mean, he just needs to loosen up. | 0:09:29 | 0:09:32 | |
'I'm a classically trained dancer so' | 0:09:32 | 0:09:34 | |
my style is very, very technical and precise. | 0:09:34 | 0:09:37 | |
West throws himself around the studio and if it looks cool, great. | 0:09:37 | 0:09:40 | |
And besides, you're not even on your own half. | 0:09:40 | 0:09:44 | |
You know what? Free water. Just for that. | 0:09:44 | 0:09:46 | |
That's not funny. | 0:09:46 | 0:09:48 | |
Well, if you hate my dancing and my music so much, | 0:09:48 | 0:09:50 | |
-why don't you rehearse in Studio B? -Why don't you go to Studio B? | 0:09:50 | 0:09:53 | |
-Why don't you rehearse in Studio B? -OK. | 0:09:53 | 0:09:55 | |
Looks like we're at an impasse. | 0:09:55 | 0:09:57 | |
You know what, can you spell "impasse"? | 0:09:57 | 0:09:59 | |
I-M-P-A-S-S-E. | 0:09:59 | 0:10:00 | |
Huh, good, cos I did not know that. | 0:10:00 | 0:10:04 | |
Right now, we're on a bit of a mission to spy on Elite. | 0:10:13 | 0:10:15 | |
It's just time for the dancers to see how amazing they are. | 0:10:15 | 0:10:18 | |
They're our main competition and people have to take this seriously. | 0:10:18 | 0:10:21 | |
We're so close. | 0:10:21 | 0:10:22 | |
-You don't even know where we are... -Why am I in the back seat? | 0:10:22 | 0:10:25 | |
What route are you taking us on? | 0:10:25 | 0:10:27 | |
Right now, we're pulling up to Elite, | 0:10:27 | 0:10:28 | |
and we're all super excited, there's a big tension in the air. | 0:10:28 | 0:10:31 | |
This is the first thing we've really ever done | 0:10:31 | 0:10:33 | |
kind of as a team. | 0:10:33 | 0:10:34 | |
'Coming to Elite is an opportunity to become closer with the team | 0:10:34 | 0:10:37 | |
'and I can see that Emily and I are' | 0:10:37 | 0:10:38 | |
getting along. | 0:10:38 | 0:10:39 | |
I told you I knew a back way! | 0:10:39 | 0:10:41 | |
-Who cares? Do you want a cookie or something? -I'd love a cookie! | 0:10:41 | 0:10:43 | |
We're entering Elite from the service entrance. | 0:10:43 | 0:10:45 | |
'No-one knew about this back entrance except for James.' | 0:10:45 | 0:10:49 | |
Obviously. | 0:10:49 | 0:10:50 | |
How about we play a game? | 0:10:52 | 0:10:53 | |
I don't want to do that. | 0:10:53 | 0:10:55 | |
How are you going to say no? You don't even know what the game is. | 0:10:55 | 0:10:57 | |
What if the game could be I'm giving you a million dollars? | 0:10:57 | 0:11:00 | |
-Well, are you going to give me a million dollars? -Better! | 0:11:00 | 0:11:02 | |
You are going to choreograph a ballet routine for me, | 0:11:02 | 0:11:05 | |
and I'm going to choreograph a hip-hop routine for you. | 0:11:05 | 0:11:08 | |
West has a ton of crazy ideas | 0:11:08 | 0:11:11 | |
and this choreographing for each other is another crazy idea. | 0:11:11 | 0:11:15 | |
You're about to learn a little lesson. | 0:11:15 | 0:11:18 | |
Oh! Huh, you know what? I love to learn. | 0:11:18 | 0:11:21 | |
I mean I just learned how to spell "impasse". | 0:11:21 | 0:11:24 | |
DANCE MUSIC PLAYS | 0:11:32 | 0:11:36 | |
'Their legs, their turns, their feet?' | 0:12:00 | 0:12:02 | |
Oh, my gosh! | 0:12:02 | 0:12:05 | |
'I'm just surprised at how good they are.' | 0:12:05 | 0:12:07 | |
They're unreal. | 0:12:07 | 0:12:08 | |
Elite's dance is incredible. | 0:12:08 | 0:12:10 | |
'I've never seen anything like it.' | 0:12:10 | 0:12:12 | |
They're like robots! Dancing robots. | 0:12:12 | 0:12:15 | |
I'm a little worried about getting caught, | 0:12:29 | 0:12:31 | |
but if we leave now, we won't get caught. | 0:12:31 | 0:12:34 | |
Guys, I think we've seen enough. Let's just go. | 0:12:34 | 0:12:36 | |
Yeah, let's get out of here, guys. Quietly! | 0:12:36 | 0:12:39 | |
'I think my choreography is' | 0:12:49 | 0:12:51 | |
going to be much better than West's. | 0:12:51 | 0:12:54 | |
I think mine's going to be better. | 0:12:54 | 0:12:55 | |
I mean, maybe Daniel's... | 0:12:55 | 0:12:57 | |
I mean, no, maybe mine... | 0:12:57 | 0:12:58 | |
I mean, maybe Dan... You know what? | 0:12:58 | 0:13:00 | |
Maybe both of ours can be better. | 0:13:00 | 0:13:02 | |
-OK, start right foot front in fifth position. -OK. -Yup. | 0:13:02 | 0:13:05 | |
Your arm is going to come on out, and your leg to the side. | 0:13:05 | 0:13:09 | |
I really like dance because it's kind of like math. | 0:13:09 | 0:13:12 | |
'In dance and math, there's a right way to do something and a wrong way. | 0:13:12 | 0:13:15 | |
'Especially in ballet, there is a right technique' | 0:13:15 | 0:13:18 | |
and many different ways you can do it wrong. | 0:13:18 | 0:13:20 | |
One, two, three, four... | 0:13:20 | 0:13:23 | |
and then five, six, pas de chat. | 0:13:23 | 0:13:25 | |
Pas de chat. Is that like...like a new breed of cat or something? | 0:13:25 | 0:13:29 | |
It means "jump of the cat" in French. | 0:13:29 | 0:13:31 | |
See? I kinda got it. | 0:13:31 | 0:13:32 | |
Yeah, OK. So what you're going to do for that... | 0:13:32 | 0:13:35 | |
Hit me, hit me. Hit me, hit me, hit me... | 0:13:35 | 0:13:36 | |
-Get in coup pas... -Hit me, hit me. | 0:13:36 | 0:13:38 | |
Come on, don't leave me hanging. Don't, don't, don't... | 0:13:38 | 0:13:41 | |
All right. Let's go. | 0:13:41 | 0:13:42 | |
It's kind of fun teaching West my choreography. | 0:13:42 | 0:13:44 | |
It's a good training exercise for me. | 0:13:44 | 0:13:45 | |
OK. No, no, no, this isn't the dinner table. | 0:13:45 | 0:13:48 | |
Get that biscuit foot out of here. | 0:13:48 | 0:13:49 | |
Dry! Is that a ballet joke? | 0:13:49 | 0:13:51 | |
Hah! It just means that you have ugly little ballet feet. | 0:13:51 | 0:13:54 | |
-Oh. -Five, six, seven, eight... | 0:13:54 | 0:13:56 | |
'He's like a little ballet student who has absolutely' | 0:13:56 | 0:13:59 | |
no idea what he's doing. | 0:13:59 | 0:14:01 | |
-Did you guys see that? -That was crazy! -Yeah, they were amazing! | 0:14:16 | 0:14:19 | |
Have you guys seen a team that cleaned this early in the season? | 0:14:19 | 0:14:21 | |
-ALL: -Never. -No. | 0:14:21 | 0:14:23 | |
I have an idea. | 0:14:23 | 0:14:25 | |
-Let's go in and shoot a video. -Really? | 0:14:25 | 0:14:27 | |
That way, we can take it back to the studio and analyse it. | 0:14:27 | 0:14:29 | |
-No, that's such a bad idea. -Yeah. -Why? | 0:14:29 | 0:14:31 | |
-What if we get caught shooting a video? -I'll go. | 0:14:31 | 0:14:33 | |
-You'll go? -Yeah. I have my phone. | 0:14:33 | 0:14:35 | |
I volunteered to go video Elite because I do want to fit in here | 0:14:35 | 0:14:39 | |
at The Next Step and I feel like if I do go and video them, | 0:14:39 | 0:14:42 | |
then I will be more accepted by Emily and the rest of the team. | 0:14:42 | 0:14:45 | |
-Perfect! -Nah, you know what? I'll do it. It's fine. I can do it. | 0:14:45 | 0:14:48 | |
I promised Riley nothing would happen to anyone, | 0:14:48 | 0:14:50 | |
especially Michelle. | 0:14:50 | 0:14:51 | |
-Don't worry about it. -No, it's fine. I volunteered. -I...I'll do it. | 0:14:51 | 0:14:54 | |
No. | 0:14:54 | 0:14:55 | |
I should have volunteered sooner to show Emily that I'm brave | 0:14:55 | 0:14:59 | |
and I'm a man. She shouts me down, though. | 0:14:59 | 0:15:02 | |
Go. | 0:15:02 | 0:15:03 | |
It's nice to see Michelle doing something for the team, for once. | 0:15:03 | 0:15:07 | |
'When Michelle goes into Elite to videotape their dance, | 0:15:07 | 0:15:10 | |
'I get a very bad feeling.' | 0:15:10 | 0:15:12 | |
I knew I shouldn't have let her go. | 0:15:12 | 0:15:13 | |
And I don't even want to think about what Riley's going to do to me | 0:15:13 | 0:15:16 | |
if something happens to Michelle. | 0:15:16 | 0:15:18 | |
So, now we're in my world, OK? | 0:15:20 | 0:15:22 | |
And in my world, we like to start off with a little handshake, | 0:15:22 | 0:15:24 | |
so put 'er there, all right? Circle up. Circle it up. | 0:15:24 | 0:15:27 | |
Come around, circle, pop up, pop. Yup, you see? | 0:15:27 | 0:15:29 | |
You got it. | 0:15:29 | 0:15:30 | |
And also in hip-hop, that would be our warm-up. | 0:15:30 | 0:15:34 | |
'Daniel just put me through ballet school.' | 0:15:34 | 0:15:36 | |
Now, it's time for me to school him. | 0:15:36 | 0:15:38 | |
'I'm a little nervous about learning hip-hop' | 0:15:38 | 0:15:40 | |
because I've never abandoned my technique before. | 0:15:40 | 0:15:44 | |
We're going to sit down, sit, | 0:15:44 | 0:15:46 | |
and then we're going to punch with our knees, and our hands, | 0:15:46 | 0:15:49 | |
and we come up and we push it down. | 0:15:49 | 0:15:51 | |
All right? What...? | 0:15:51 | 0:15:53 | |
Dude, what was this? | 0:15:53 | 0:15:55 | |
What...? Wha...? | 0:15:55 | 0:15:57 | |
Well, that's what you did, right, you developped your one leg, | 0:15:57 | 0:15:59 | |
and your supporting leg was off on deux. | 0:15:59 | 0:16:01 | |
Devil pay fondue...what? Dude, in hip-hop, we speak English. | 0:16:01 | 0:16:04 | |
We don't use any of those French terms or anything, all right? | 0:16:04 | 0:16:07 | |
So let's just stick to English. | 0:16:07 | 0:16:08 | |
Learning West's choreography is a lot harder than I thought | 0:16:08 | 0:16:11 | |
it was going to be. | 0:16:11 | 0:16:12 | |
There's no technical precisions. There's no classical terms. | 0:16:12 | 0:16:14 | |
It's trickier than what I'm used to. | 0:16:14 | 0:16:16 | |
-From the beginning again. -OK. From the beginning. | 0:16:16 | 0:16:18 | |
Five, six, seven, and around, step, step, one, tw... What? | 0:16:18 | 0:16:24 | |
Why are you facing the mirror? | 0:16:24 | 0:16:25 | |
-Well, I just wanted to see how it looked... -No, no, no, no, no, no! | 0:16:25 | 0:16:29 | |
You've got to feel your body movin' to the music and the beat. | 0:16:29 | 0:16:31 | |
-OK, sorry. -All right, so let's try it this way this time, OK? | 0:16:31 | 0:16:34 | |
-Not the mirror. All right. -Yep. | 0:16:34 | 0:16:37 | |
So, let's try it, five, six, seven, and... | 0:16:37 | 0:16:40 | |
'West is surprisingly a good teacher. I seem to be getting the hang of' | 0:16:40 | 0:16:43 | |
hip-hop and I think that I'll be able to pull off the duet. | 0:16:43 | 0:16:46 | |
I am terrified of getting caught... | 0:17:02 | 0:17:05 | |
..but, you know, it's best for the team | 0:17:06 | 0:17:08 | |
and I do want to impress Emily. | 0:17:08 | 0:17:10 | |
Guys, where is she? | 0:17:12 | 0:17:14 | |
I told you this was a bad idea. | 0:17:14 | 0:17:16 | |
I told you not to shoot the video. | 0:17:16 | 0:17:17 | |
OK, enough with the "I told you so's", can you text her? | 0:17:17 | 0:17:19 | |
Yeah, that's actually a good idea. | 0:17:19 | 0:17:21 | |
Sent. | 0:17:23 | 0:17:24 | |
MOBILE PHONE CHIRPS | 0:17:27 | 0:17:29 | |
Hey! Hey, you. | 0:17:30 | 0:17:32 | |
I didn't think this would happen. | 0:17:32 | 0:17:34 | |
'I thought I could just get the video, get outta there', | 0:17:34 | 0:17:36 | |
but that's not the case. | 0:17:36 | 0:17:38 | |
'At this moment, we're waiting for Michelle.' | 0:17:51 | 0:17:53 | |
I'm getting worried because it's been a while. | 0:17:53 | 0:17:56 | |
She hasn't even replied yet. | 0:17:56 | 0:17:58 | |
-It's been ten minutes. -Go look for her. | 0:17:58 | 0:18:01 | |
You're actually just going to send another person in there like that? | 0:18:01 | 0:18:04 | |
It's not a war zone, they're going to come out alive. | 0:18:04 | 0:18:07 | |
Me and Daniel just had so much fun learning each other's dance styles, | 0:18:22 | 0:18:25 | |
so we just decided to combine the two, | 0:18:25 | 0:18:27 | |
and just come up with an ultimate ballet/hip-hop dance duet. | 0:18:27 | 0:18:30 | |
It's kind of a fusion of opposites. | 0:18:30 | 0:18:32 | |
'The story of our dance is I'm a puppet and' | 0:18:35 | 0:18:38 | |
West is controlling me. | 0:18:38 | 0:18:39 | |
'He's the puppet master.' | 0:18:39 | 0:18:41 | |
I learned a lot of new things about dance | 0:19:06 | 0:19:09 | |
that I didn't even think existed, like feeling the music | 0:19:09 | 0:19:12 | |
and really working out that groove. | 0:19:12 | 0:19:13 | |
He really helped me learn that. | 0:19:13 | 0:19:15 | |
I came to The Next Step to take my dancing to the next level | 0:19:15 | 0:19:17 | |
and this is all really just good training for me. | 0:19:17 | 0:19:20 | |
-Sweet, man! -That's good. -Yeah! | 0:19:36 | 0:19:39 | |
-Do you want to grab a juice? -Let's do it! | 0:19:39 | 0:19:41 | |
Turn. | 0:19:43 | 0:19:44 | |
BOTH: Drop it like it's hot! | 0:19:44 | 0:19:45 | |
'At the beginning, there were a lot of misconceptions' | 0:19:45 | 0:19:47 | |
about mine and Daniel's different dance styles. | 0:19:47 | 0:19:50 | |
'We really gained an appreciation for each other's dances.' | 0:19:50 | 0:19:53 | |
'I was always taught that' | 0:19:53 | 0:19:54 | |
dance was about technique and precision, | 0:19:54 | 0:19:57 | |
but West kind of showed me a new side to dance. | 0:19:57 | 0:19:58 | |
Dance is all about feeling the music and expressing yourself. | 0:19:58 | 0:20:02 | |
Yeah, you. Get over here. | 0:20:08 | 0:20:10 | |
'Walking towards the Elite troupe is terrifying.' | 0:20:11 | 0:20:15 | |
I see that Michelle is standing in front of the whole company | 0:20:21 | 0:20:25 | |
and she's caught. | 0:20:25 | 0:20:26 | |
All I can think is she's in so much trouble. | 0:20:26 | 0:20:29 | |
Guys! She got caught, we need to go! | 0:20:30 | 0:20:32 | |
-What? -Yeah, she got caught. We'll talk about it in the car. | 0:20:32 | 0:20:35 | |
-Get in the car, just get in the car. -We can't just leave! | 0:20:35 | 0:20:37 | |
Just cos one of us goes down, all of us don't have to go down. | 0:20:37 | 0:20:40 | |
This isn't the Titanic. | 0:20:40 | 0:20:42 | |
Get in the car! Get in the car! | 0:20:42 | 0:20:44 | |
I didn't want to leave Michelle there, | 0:20:46 | 0:20:47 | |
I basically got forced to go. | 0:20:47 | 0:20:49 | |
It's just bad, bad, bad. | 0:20:49 | 0:20:51 | |
'These people look so mad at me. | 0:20:53 | 0:20:56 | |
'I don't know how I got into this situation and I'm so overwhelmed' | 0:20:56 | 0:20:58 | |
and I just want to cry. | 0:20:58 | 0:21:01 |