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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
I know there's something magical between me and Emily. | 0:00:04 | 0:00:06 | |
-I was wondering, like, do you want to go to, like... -No. | 0:00:06 | 0:00:09 | |
She's amazing! | 0:00:13 | 0:00:15 | |
I think with Michelle on the team | 0:00:15 | 0:00:17 | |
we actually have a shot at regionals this year. | 0:00:17 | 0:00:20 | |
Elite Dance Academy is our main competition. | 0:00:20 | 0:00:23 | |
I say we take a little road trip to Elite, | 0:00:23 | 0:00:25 | |
check out their regional routine. | 0:00:25 | 0:00:27 | |
-I'll come. -Really? | 0:00:27 | 0:00:28 | |
I do want to fit in here at the Next Step | 0:00:28 | 0:00:30 | |
and I feel like Emily will accept me more. | 0:00:30 | 0:00:33 | |
Let's go in and shoot a video - | 0:00:33 | 0:00:34 | |
that way we can take it back to the studio and analyse it. | 0:00:34 | 0:00:36 | |
-No. That's such a bad idea. -Yeah. | 0:00:36 | 0:00:38 | |
-Why? -What if we get caught shooting a video? | 0:00:38 | 0:00:40 | |
-They do it in all of the other sports. You'll go? -Yeah. | 0:00:40 | 0:00:42 | |
Hey. Hey, you! | 0:00:42 | 0:00:44 | |
-She got caught. We need to go! -Get in the car! | 0:00:45 | 0:00:47 | |
Not a good idea... Hey, look! Here they are. | 0:00:57 | 0:01:01 | |
Uh, where's Michelle? | 0:01:01 | 0:01:02 | |
-We left her behind. -Why? | 0:01:02 | 0:01:04 | |
Because she got caught. | 0:01:04 | 0:01:06 | |
You know what? I feel like you keep pushing Michelle away. | 0:01:06 | 0:01:10 | |
It's not right to call out the dance captain | 0:01:10 | 0:01:12 | |
but I honestly feel like Emily needs to be put in her place. | 0:01:12 | 0:01:16 | |
-You're threatened by her somehow. -She doesn't threaten me. | 0:01:16 | 0:01:19 | |
OK, yeah. She is our one chance at winning at regionals. | 0:01:19 | 0:01:22 | |
Oh, so none of these people can help us win at regionals? | 0:01:22 | 0:01:25 | |
-You're such a team player. -That's not what I'm saying. -Good for you. | 0:01:25 | 0:01:28 | |
Get... | 0:01:34 | 0:01:36 | |
I was just trying to say | 0:01:36 | 0:01:38 | |
that Michelle is on this team for a reason. | 0:01:38 | 0:01:41 | |
She's helping us get to nationals | 0:01:41 | 0:01:43 | |
and it's so crucial that she stays with us. | 0:01:43 | 0:01:45 | |
What are you doing here? | 0:01:52 | 0:01:54 | |
I actually have no idea how I'm going to get myself | 0:01:57 | 0:01:59 | |
out of this situation. | 0:01:59 | 0:02:00 | |
I'm in trouble. | 0:02:00 | 0:02:01 | |
# We, we're gonna show the world | 0:02:03 | 0:02:09 | |
# Everything we're made of | 0:02:09 | 0:02:13 | |
# We're gonna tell 'em | 0:02:13 | 0:02:14 | |
# Rock this place | 0:02:14 | 0:02:22 | |
# Stand up! # | 0:02:26 | 0:02:27 | |
What are you doing here? | 0:02:43 | 0:02:45 | |
Um... | 0:02:47 | 0:02:48 | |
I'm actually interested in joining your studio. | 0:02:48 | 0:02:52 | |
I feel like if I tell them that I'm here to audition for their troupe, | 0:02:52 | 0:02:55 | |
that they'll believe me. | 0:02:55 | 0:02:57 | |
I mean, why else would I be recording their routine, you know? | 0:02:57 | 0:03:01 | |
I actually just moved here from Madison | 0:03:01 | 0:03:02 | |
and I'm kinda looking for something better. | 0:03:02 | 0:03:05 | |
Really? Then why don't you show us what you've got. | 0:03:06 | 0:03:09 | |
As I see that group | 0:03:15 | 0:03:17 | |
looking at me and kind of giving me nasty looks, | 0:03:17 | 0:03:19 | |
I'm just kind of nervous about this whole situation. | 0:03:19 | 0:03:22 | |
Hopefully they buy it. | 0:03:22 | 0:03:23 | |
# I'm feeling the rush I'm lost in the sound | 0:03:25 | 0:03:27 | |
# I'm up in the sky... # | 0:03:28 | 0:03:30 | |
Right now, I'm just kind of showing Elite that, you know, | 0:03:30 | 0:03:33 | |
I am worthy of auditioning for their troupe. | 0:03:33 | 0:03:35 | |
I'm just pulling out all of the best tricks, doing some acro | 0:03:35 | 0:03:38 | |
to show them that, you know, I can be a part of their troupe. | 0:03:38 | 0:03:42 | |
So what do you think? | 0:03:48 | 0:03:49 | |
Actually, I think we could use someone like you on our team. | 0:03:49 | 0:03:53 | |
OK, dancers - listen up. | 0:04:00 | 0:04:02 | |
We're going to do something different this week, OK? | 0:04:02 | 0:04:05 | |
We're going to do duets. | 0:04:05 | 0:04:06 | |
We all need to work on working together more, | 0:04:06 | 0:04:08 | |
listening to each other, collaborating. | 0:04:08 | 0:04:10 | |
Sorry, Kate, do you guys know where Michelle is? | 0:04:10 | 0:04:13 | |
It's weird that Michelle's not here. Something weird's going on. | 0:04:13 | 0:04:16 | |
-No, I haven't seen her. -Really? -Anyone? | 0:04:16 | 0:04:19 | |
I do know where Michelle is. She's over at the Elite studio | 0:04:19 | 0:04:22 | |
and from what I know she's been caught. | 0:04:22 | 0:04:25 | |
We're so in trouble. You have no idea. | 0:04:25 | 0:04:28 | |
She's late, though. | 0:04:28 | 0:04:29 | |
Interesting. | 0:04:31 | 0:04:32 | |
Anyway, as I was saying, duets - we need you to all pair off, OK? | 0:04:33 | 0:04:37 | |
Choose your own duet partner, create a duet, work together, | 0:04:37 | 0:04:40 | |
listen to each other. | 0:04:40 | 0:04:41 | |
Lately in our studio, things have been a bit divided | 0:04:41 | 0:04:43 | |
and we haven't been working as a team. | 0:04:43 | 0:04:46 | |
Duets are so important, cos it teaches you to | 0:04:46 | 0:04:48 | |
lean on your duet partner. | 0:04:48 | 0:04:50 | |
Cool? Questions? No? Get started. Let's go, come on. | 0:04:50 | 0:04:53 | |
Hey, Emily, uh, do you want to be my duet partner? | 0:04:58 | 0:05:01 | |
I don't even know what to say to him. | 0:05:01 | 0:05:04 | |
This is probably the 1,031st time I've turned him down. | 0:05:04 | 0:05:07 | |
If I have to do it one more time I might just kick myself. | 0:05:07 | 0:05:11 | |
No. | 0:05:11 | 0:05:13 | |
It's kind of like the same feeling as always when Emily turns me down. | 0:05:13 | 0:05:16 | |
I mean, it's kind of comforting to know that nothing's changed, | 0:05:16 | 0:05:19 | |
but hopefully one day she'll actually say yes. | 0:05:19 | 0:05:23 | |
Well, uh, do you want to go out sometime? | 0:05:23 | 0:05:26 | |
Why would I want to go out with you if I just said no | 0:05:26 | 0:05:28 | |
to being your duet partner? | 0:05:28 | 0:05:31 | |
Riley, I've got some sweet ideas for our duet. | 0:05:31 | 0:05:33 | |
Yeah, but I don't remember agreeing to be your partner. | 0:05:33 | 0:05:36 | |
Yeah, but I decided for the both of us. | 0:05:36 | 0:05:37 | |
When James asks me to be his partner - well, he didn't really ask, | 0:05:37 | 0:05:40 | |
he kind of just implied that I would be his partner. | 0:05:40 | 0:05:43 | |
I know, I was kind of like - OK. | 0:05:43 | 0:05:45 | |
I just kind of agreed to it. | 0:05:45 | 0:05:46 | |
-Wasting time, babes. -Let's go. | 0:05:46 | 0:05:48 | |
Do not call me "babes". | 0:05:48 | 0:05:49 | |
Tiff, do you want to be duet partners? | 0:05:49 | 0:05:51 | |
-Yeah, for sure. -Great. | 0:05:51 | 0:05:52 | |
His technique is just impeccable, so I'm really excited to work with him, | 0:05:52 | 0:05:57 | |
-but also scared. -Hey, you. | 0:05:57 | 0:05:59 | |
Hey. | 0:05:59 | 0:06:00 | |
Uh, my name is West. | 0:06:02 | 0:06:03 | |
E Girl rule number 71 - never call a person by their first name, | 0:06:03 | 0:06:07 | |
unless they've said yours first. | 0:06:07 | 0:06:09 | |
Cool, um, you're going to be my duet partner, OK? OK, cool. Thanks. | 0:06:09 | 0:06:13 | |
Being Stephanie's partner... I mean, it could have been worse. | 0:06:13 | 0:06:16 | |
I mean I could have been paired up with Emily. | 0:06:16 | 0:06:19 | |
Hey, guys. | 0:06:19 | 0:06:21 | |
Are you OK? | 0:06:23 | 0:06:25 | |
What happened? | 0:06:25 | 0:06:26 | |
I got caught. Don't worry. I handled it. | 0:06:26 | 0:06:28 | |
Well, what did you tell them? | 0:06:28 | 0:06:30 | |
I told them that I was there to audition for their studio. | 0:06:30 | 0:06:32 | |
When Michelle came back from Elite, I don't know, | 0:06:32 | 0:06:34 | |
I kind of thought it was a little bit weird | 0:06:34 | 0:06:36 | |
that she said she was auditioning for them. | 0:06:36 | 0:06:38 | |
After what happened, I really hope Michelle | 0:06:38 | 0:06:40 | |
isn't considering going to Elite. | 0:06:40 | 0:06:42 | |
-I told you guys it was a bad idea to spy on them. -Yeah. -Yeah. | 0:06:42 | 0:06:45 | |
My bad, Michelle. | 0:06:45 | 0:06:46 | |
I feel bad for Michelle. | 0:06:46 | 0:06:47 | |
I told Riley I'd keep an eye on her but I left, like everyone else. | 0:06:47 | 0:06:51 | |
I'm just glad you're OK. | 0:06:51 | 0:06:52 | |
Michelle, I need to talk to you. | 0:06:52 | 0:06:54 | |
Oh, OK. | 0:06:54 | 0:06:56 | |
When Kate calls Michelle into the office, | 0:06:56 | 0:06:58 | |
I'm almost 100% sure that she knows that Michelle was there. | 0:06:58 | 0:07:00 | |
I'm worried for Michelle. | 0:07:00 | 0:07:02 | |
I just...I really hope she doesn't get kicked out of the studio. | 0:07:02 | 0:07:05 | |
I hope Kate kicks Michelle out of the studio! | 0:07:05 | 0:07:07 | |
When I'm walking into Kate's office, I know that | 0:07:07 | 0:07:10 | |
it's about the Elite-spying situation. | 0:07:10 | 0:07:12 | |
I just don't know if she knows that I was spying, or how she found out. | 0:07:12 | 0:07:16 | |
Lucien gave me a call and told me | 0:07:16 | 0:07:17 | |
that you were planning on transferring. | 0:07:17 | 0:07:19 | |
To be honest, I'm a little worried that Michelle may switch studios. | 0:07:19 | 0:07:22 | |
She just hasn't been getting along with the E Girls. | 0:07:22 | 0:07:25 | |
Look, I assure you I'm not transferring. | 0:07:25 | 0:07:27 | |
What were you doing? | 0:07:27 | 0:07:28 | |
I was there to check out the regional routines. | 0:07:30 | 0:07:33 | |
Why were you doing that? | 0:07:34 | 0:07:35 | |
So that we know what we're facing. | 0:07:35 | 0:07:38 | |
You're not planning on leaving? | 0:07:38 | 0:07:40 | |
-No! -OK, good. | 0:07:40 | 0:07:42 | |
I feel relieved that she just thought I was transferring. | 0:07:42 | 0:07:44 | |
I'm so glad I'm not in trouble. | 0:07:44 | 0:07:46 | |
-Now, go get a duet partner. -OK! | 0:07:46 | 0:07:49 | |
Do you think those pants are appropriate dance-wear? | 0:07:51 | 0:07:55 | |
E Girl rule number 9 - always wear appropriate clothes to dance. | 0:07:55 | 0:07:58 | |
It's a no-brainer. That's why it's part of the top 10. | 0:07:58 | 0:08:01 | |
Those shorts are completely inappropriate | 0:08:01 | 0:08:03 | |
-and I don't want to see them in the dance studio again. -Emily! | 0:08:03 | 0:08:06 | |
-Hey, uh, Eldon. -Yeah? | 0:08:11 | 0:08:13 | |
-Do you want to be my duet partner? -Yeah, sure! | 0:08:13 | 0:08:16 | |
I asked Eldon to be my duet partner because, | 0:08:16 | 0:08:18 | |
well, he's an amazing dancer | 0:08:18 | 0:08:20 | |
and he's kind of cute but you know, I only asked him | 0:08:20 | 0:08:22 | |
because he is a GREAT dancer. That's it. | 0:08:22 | 0:08:25 | |
-Great. -Cool. | 0:08:26 | 0:08:28 | |
My first choice would have been Emily | 0:08:28 | 0:08:30 | |
but I am happy with Michelle being my duet partner. | 0:08:30 | 0:08:33 | |
Just please be nicer to her. | 0:08:33 | 0:08:34 | |
She's close to leaving the studio and going to Elite, all right? | 0:08:34 | 0:08:37 | |
When Kate tells me that Michelle is close to leaving the studio, | 0:08:37 | 0:08:40 | |
I'm absolutely over the moon. | 0:08:40 | 0:08:42 | |
I definitely do not think we need Michelle to win regionals. | 0:08:42 | 0:08:45 | |
-Kate, sorry, the parents are ready for the tour. -Oh, yeah. | 0:08:45 | 0:08:48 | |
Em. Hey. | 0:08:50 | 0:08:52 | |
What was that all about? | 0:08:52 | 0:08:54 | |
You will never believe what Kate just told me. Apparently Michelle | 0:08:54 | 0:08:57 | |
is this close to leaving for Elite. | 0:08:57 | 0:08:59 | |
-Amazing! -I know! All she needs is a little push | 0:08:59 | 0:09:02 | |
and she's out of here. | 0:09:02 | 0:09:03 | |
Even though Emily's my sister, she's pushing our chances of regionals | 0:09:03 | 0:09:08 | |
out the door with Michelle. | 0:09:08 | 0:09:10 | |
And that's not the best thing for the team at all. | 0:09:10 | 0:09:13 | |
Something has to be done. | 0:09:13 | 0:09:14 | |
And slide, and slide. | 0:09:18 | 0:09:20 | |
Eldon and I are supposed to be teaching a baby ballet class | 0:09:20 | 0:09:23 | |
-right now, but you know, I've got to study. -Slide back. | 0:09:23 | 0:09:25 | |
-Yo, what's up? -Hey. -I'm just trying to do this math stuff. | 0:09:25 | 0:09:28 | |
What is this Pythagorean theorem exactly? | 0:09:28 | 0:09:30 | |
It's A2 + B2 = C2. You good? | 0:09:30 | 0:09:33 | |
Yeah. | 0:09:34 | 0:09:36 | |
So, um, I overheard Emily talking to Stephanie in Kate's office | 0:09:36 | 0:09:40 | |
and she's planning on pushing Michelle out of the studio. | 0:09:40 | 0:09:44 | |
What? How? How did you... | 0:09:44 | 0:09:46 | |
She's probably, um...she's going to make her life miserable | 0:09:46 | 0:09:49 | |
so that she leaves. | 0:09:49 | 0:09:51 | |
OK, so wait, why are you coming to me about it, then? | 0:09:51 | 0:09:54 | |
Well, I've thought about it and I... | 0:09:54 | 0:09:57 | |
-I think we have to dethrone my sister as dance captain. -Wait. | 0:09:57 | 0:10:01 | |
We have to replace Emily as dance...? | 0:10:01 | 0:10:03 | |
-OK, you know what I meant. OK? -OK. | 0:10:03 | 0:10:05 | |
Just us as like a team. | 0:10:05 | 0:10:07 | |
I'm so surprised that Riley actually wants to dethrone | 0:10:07 | 0:10:09 | |
her sister as dance captain. That's got to take a lot of courage. | 0:10:09 | 0:10:12 | |
It's hard, because she's my sister and I love her but | 0:10:12 | 0:10:15 | |
at the same time, I know that it's the right thing to do. | 0:10:15 | 0:10:18 | |
It's what's best for the team. | 0:10:18 | 0:10:20 | |
We have to decide who would be better at it. | 0:10:20 | 0:10:22 | |
-Yeah, I guess, but... -Well, let's face it, I mean, I could do it. | 0:10:22 | 0:10:26 | |
-I'd kill it. -No. Definitely not. | 0:10:26 | 0:10:30 | |
Oh, dry. What about you? You could do it. | 0:10:30 | 0:10:31 | |
No. I'm not going to take my sister's spot. | 0:10:31 | 0:10:34 | |
-I can't do that. -What about Eldon? | 0:10:34 | 0:10:36 | |
He's a good dancer and everything but...he's kinda... | 0:10:37 | 0:10:40 | |
-He's too awkward. -Yeah. | 0:10:40 | 0:10:41 | |
Um...Michelle. | 0:10:44 | 0:10:45 | |
We landed on Michelle, um...probably because she's the best candidate. | 0:10:46 | 0:10:50 | |
She's been in nationals before. She won top dancer at nationals. | 0:10:50 | 0:10:54 | |
She was dance captain at her last studio. | 0:10:54 | 0:10:56 | |
-She has perfect qualifications. All right. -All right. | 0:10:56 | 0:10:58 | |
I should get back to my math. | 0:10:58 | 0:11:00 | |
-Yeah. Good luck. -Thanks. | 0:11:00 | 0:11:01 | |
There you go. All right, see you later. | 0:11:05 | 0:11:08 | |
-Yo, man. -Yo. What up? | 0:11:08 | 0:11:11 | |
I need to talk. | 0:11:11 | 0:11:13 | |
Emily turning me down as a duet partner made me realise | 0:11:13 | 0:11:15 | |
I have to change my tactics if I ever hope to get a date with her. | 0:11:15 | 0:11:19 | |
I need lady advice. | 0:11:19 | 0:11:21 | |
What do you need, man? | 0:11:21 | 0:11:22 | |
James knows as much about women as he doesn't know about math. | 0:11:22 | 0:11:27 | |
Man, I'm trying to get Emily and it's not working. | 0:11:27 | 0:11:30 | |
-We need her attention. I mean, like... -Yeah. | 0:11:30 | 0:11:32 | |
What gets Emily's attention? | 0:11:32 | 0:11:33 | |
I mean, like when we're in ballet class | 0:11:33 | 0:11:35 | |
-and I'm just brutal at it, she's always on me. -Oh, yeah. | 0:11:35 | 0:11:39 | |
That's it right there, man. You're dancing too good. | 0:11:39 | 0:11:42 | |
If you start dancing badly, you know she'll be on you. | 0:11:42 | 0:11:44 | |
Yeah, but then she's just going to be mad at me | 0:11:44 | 0:11:46 | |
-because I'm doing horribly. -No, man. Trust me. | 0:11:46 | 0:11:48 | |
That will get her attention and then she'll be on you. | 0:11:48 | 0:11:51 | |
I'll take care of it from there. | 0:11:51 | 0:11:52 | |
-I got your back. -Well, James had this brilliant idea | 0:11:52 | 0:11:55 | |
and I really don't understand how it's going to work but... | 0:11:55 | 0:11:58 | |
-Hey, Eldon! -'Sup, bro? | 0:12:11 | 0:12:13 | |
-OK, so duet? -Er, sure. | 0:12:14 | 0:12:16 | |
-What's his problem? -I don't know. | 0:12:20 | 0:12:22 | |
Six, seven... | 0:12:25 | 0:12:26 | |
I really don't know what's wrong with Eldon right now. | 0:12:26 | 0:12:29 | |
I mean, he's acting all mopey. | 0:12:29 | 0:12:31 | |
I'm doing this all on purpose so that Emily notices how sad I'm acting. | 0:12:31 | 0:12:37 | |
-James? -Yeah. -What's going on with Eldon? | 0:12:37 | 0:12:40 | |
Look at him. It's obvious. | 0:12:40 | 0:12:44 | |
You've broken his heart just too many times. | 0:12:44 | 0:12:46 | |
I've turned Eldon down hundreds of times, | 0:12:46 | 0:12:49 | |
maybe even thousands. | 0:12:49 | 0:12:51 | |
Why would it affect him now? | 0:12:51 | 0:12:53 | |
-No. -Look. | 0:12:53 | 0:12:55 | |
-That doesn't affect someone's dancing. -It's starting to. | 0:12:55 | 0:12:57 | |
I think you broke Eldon. | 0:12:57 | 0:13:00 | |
HE SINGS TO HIMSELF | 0:13:00 | 0:13:03 | |
That's your doing. | 0:13:03 | 0:13:05 | |
I think my plan for getting Emily to go on a date with Eldon | 0:13:05 | 0:13:08 | |
is working perfectly, actually. | 0:13:08 | 0:13:11 | |
It's satisfying watching it unravel. | 0:13:11 | 0:13:13 | |
-What do I do? -Well, what does Eldon want? | 0:13:24 | 0:13:27 | |
-To dance? -You've gotta go out with him. | 0:13:27 | 0:13:30 | |
What are you doing? | 0:13:32 | 0:13:34 | |
HE MUMBLES | 0:13:34 | 0:13:36 | |
Let's do it AGAIN. | 0:13:36 | 0:13:39 | |
Eldon, can I talk to you for a second? | 0:13:39 | 0:13:42 | |
Alone. | 0:13:42 | 0:13:44 | |
-What's going on with you? -Nothing. | 0:13:47 | 0:13:49 | |
-Hey. -Hey. | 0:13:49 | 0:13:50 | |
-Can I talk to you in Studio B later? -Yeah. | 0:13:50 | 0:13:52 | |
-But don't tell anyone about it. -OK. | 0:13:52 | 0:13:55 | |
I really have no idea what Riley wants to talk to me about. | 0:13:55 | 0:13:59 | |
Well, your dancing is horrible. | 0:13:59 | 0:14:01 | |
You're really not on top of your game. | 0:14:01 | 0:14:02 | |
Does this have something to do with us? | 0:14:02 | 0:14:05 | |
No. "Us" is great. | 0:14:05 | 0:14:09 | |
-Really? -Yeah. | 0:14:09 | 0:14:11 | |
So, if I asked you to go to Squeeze tonight with me, you would say no? | 0:14:11 | 0:14:16 | |
Well, are you asking me? | 0:14:16 | 0:14:19 | |
Let's just say I am. | 0:14:21 | 0:14:22 | |
Well, if you really wanted to go with me, | 0:14:24 | 0:14:27 | |
then I guess I will go. | 0:14:27 | 0:14:30 | |
OK. After dance? | 0:14:30 | 0:14:33 | |
It's been years and years of me asking her out | 0:14:33 | 0:14:37 | |
and finally, for the first time, we're actually going on a date. | 0:14:37 | 0:14:42 | |
So I'm really happy. | 0:14:42 | 0:14:44 | |
When Emily agrees to go on a date with Eldon, | 0:14:44 | 0:14:47 | |
it put a smile on my face. | 0:14:47 | 0:14:49 | |
Honestly, I feel that maybe it won't be the worst thing, | 0:14:49 | 0:14:52 | |
but it's not what I want to do. | 0:14:52 | 0:14:54 | |
But it's for the team and I'm going to do it. | 0:14:54 | 0:14:57 | |
'My date with Eldon is going like this - | 0:15:04 | 0:15:07 | |
'first I think he read a book that was based in the 1940s | 0:15:07 | 0:15:10 | |
'as he ushers me in with both hands.' | 0:15:10 | 0:15:13 | |
I mean, it's Squeezed, it's pretty casual. | 0:15:13 | 0:15:16 | |
My date is going great. | 0:15:16 | 0:15:18 | |
'I very courteously offer her a seat.' | 0:15:18 | 0:15:21 | |
And he goes and sits in the pink chair, | 0:15:21 | 0:15:23 | |
and he can't sit still. | 0:15:23 | 0:15:25 | |
"Do I sit like this? "Do I sit like this? | 0:15:25 | 0:15:28 | |
"Do I sit like this? | 0:15:28 | 0:15:30 | |
"Do I sit like this?" I don't know. | 0:15:30 | 0:15:32 | |
I am pretty nervous | 0:15:32 | 0:15:34 | |
but I think I'm pulling off this like cool, sly guy pretty well. | 0:15:34 | 0:15:38 | |
Do you... Do you want, um... | 0:15:38 | 0:15:40 | |
-A drink? -Yeah. | 0:15:42 | 0:15:45 | |
Sure. | 0:15:45 | 0:15:47 | |
'He just sits there. It's like he forgot the question. | 0:15:47 | 0:15:51 | |
'It was weird.' | 0:15:51 | 0:15:53 | |
Are you going to get me one? | 0:15:53 | 0:15:56 | |
Yeah. | 0:15:56 | 0:15:58 | |
'This is literally the weirdest date I've ever been on. | 0:16:01 | 0:16:05 | |
'What's with the pillow?!' | 0:16:06 | 0:16:08 | |
Honestly, I have no idea why I hand her a pillow. | 0:16:08 | 0:16:13 | |
THEY SLURP | 0:16:13 | 0:16:15 | |
I do regret volunteering to going on this date with Eldon. | 0:16:17 | 0:16:20 | |
It's going awful. But I keep reminding myself | 0:16:20 | 0:16:23 | |
I'm dance captain, this is basically my duty. | 0:16:23 | 0:16:26 | |
OK, wait. How do I know the distance between a negative sign... | 0:16:34 | 0:16:37 | |
OK, this is not a time for math problems. | 0:16:37 | 0:16:39 | |
Michelle's about to come through any minute. | 0:16:39 | 0:16:41 | |
I am kind of nervous cos this whole plan | 0:16:41 | 0:16:43 | |
could end really badly. | 0:16:43 | 0:16:44 | |
But I'm not even close to as nervous as Riley. | 0:16:44 | 0:16:47 | |
She's freaking out. I'm just trying to lighten the mood. | 0:16:47 | 0:16:49 | |
So, I just really hope she sees our side of things and agrees. | 0:16:49 | 0:16:55 | |
-Hey, guys. -Hey. -Hey, what's up? | 0:16:56 | 0:16:58 | |
Nothing. | 0:16:58 | 0:17:00 | |
OK, so I overheard my sister and Stephanie talking. | 0:17:00 | 0:17:05 | |
OK. | 0:17:05 | 0:17:06 | |
And, um, she's planning on pushing you out of the studio. | 0:17:06 | 0:17:09 | |
What?! 'When Riley tells me' | 0:17:09 | 0:17:11 | |
that Emily wants to kick me out of the studio, | 0:17:11 | 0:17:14 | |
I'm not surprised but I'm really offended. | 0:17:14 | 0:17:16 | |
What's her problem? Honestly. | 0:17:16 | 0:17:18 | |
-I've done nothing to her. -It's cos she's threatened by you. | 0:17:18 | 0:17:21 | |
-Still, that gives her no right to kick me out of the studio. -I agree, | 0:17:21 | 0:17:25 | |
which is why we were talking earlier | 0:17:25 | 0:17:27 | |
and we've decided to replace her as dance captain. | 0:17:27 | 0:17:31 | |
How are you going to replace her? She's an E Girl. | 0:17:31 | 0:17:33 | |
Well, uh, the best way to do that is replace her with you. | 0:17:33 | 0:17:39 | |
I've already competed against Emily once to be dance captain | 0:17:39 | 0:17:41 | |
and it turned out horribly. I don't want to risk it again. | 0:17:41 | 0:17:44 | |
Can you at least think about it? | 0:17:44 | 0:17:46 | |
Emily already hates me. | 0:17:46 | 0:17:48 | |
If I try to take over as dance captain, | 0:17:48 | 0:17:50 | |
what is she going to do to me? | 0:17:50 | 0:17:52 | |
-We're here. We'll help you. -I'm not ready to become dance captain. | 0:17:52 | 0:17:55 | |
You have to understand. | 0:17:55 | 0:17:57 | |
I have no idea what we're going to do now. | 0:18:02 | 0:18:05 | |
You know what tonight was? | 0:18:12 | 0:18:13 | |
No. | 0:18:13 | 0:18:15 | |
It was a three-juice date. | 0:18:15 | 0:18:17 | |
A what? | 0:18:17 | 0:18:19 | |
Well, like, I drank three juices | 0:18:19 | 0:18:21 | |
so, like, I figured I'd just call it a three-juice date. | 0:18:21 | 0:18:24 | |
OK. | 0:18:24 | 0:18:26 | |
This kid is so weird. | 0:18:26 | 0:18:28 | |
How many juices did you have? | 0:18:28 | 0:18:30 | |
-A half, and then you finished mine. -Oh, right. | 0:18:30 | 0:18:33 | |
So I guess it's a three-and-a-half-juice date. | 0:18:33 | 0:18:35 | |
The whole three-juice date, | 0:18:35 | 0:18:37 | |
three-and-a-half-juice date thing was me trying to be funny | 0:18:37 | 0:18:39 | |
and it did not work at all. | 0:18:39 | 0:18:42 | |
-Do you, like, want to go out tomorrow, or something? -No. | 0:18:42 | 0:18:46 | |
-Well, what about Saturday? -No! | 0:18:46 | 0:18:50 | |
-Why don't you want to go out with me? -You try too hard. | 0:18:51 | 0:18:55 | |
Yeah, I do try too hard, | 0:18:56 | 0:18:58 | |
because if I didn't try this hard, how would I be able to do this? | 0:18:58 | 0:19:01 | |
'I was like possessed by all of these feelings | 0:19:01 | 0:19:04 | |
'and I was thinking, like, why can't she just see me' | 0:19:04 | 0:19:07 | |
for who I am? And I did what I had to do. | 0:19:07 | 0:19:10 | |
MUSIC STARTS | 0:19:10 | 0:19:12 | |
# From the first time that I saw you | 0:19:14 | 0:19:17 | |
# There was something that took me by surprise | 0:19:17 | 0:19:20 | |
# And then I fell | 0:19:20 | 0:19:22 | |
# Oh yeah, I fell for you | 0:19:22 | 0:19:25 | |
# But I can't get you out of my head | 0:19:25 | 0:19:30 | |
# No, I can't go Oh-oh, whoa-oa... # | 0:19:30 | 0:19:34 | |
At first I started out kind of like, what? | 0:19:34 | 0:19:38 | |
What are you doing? Stop. That's so embarrassing. | 0:19:38 | 0:19:42 | |
# ..You can teach me | 0:19:42 | 0:19:44 | |
# You can please me... # | 0:19:44 | 0:19:46 | |
As it went on and I kind of got into it, | 0:19:46 | 0:19:48 | |
and I kind of got into it. I don't know. It was cute! | 0:19:48 | 0:19:52 | |
I can't lie. It was kind of nice. | 0:19:52 | 0:19:54 | |
# ..But I can't get you out of my head | 0:19:54 | 0:19:57 | |
# No, I can't go Oh-oh, whoa-oh... # | 0:19:57 | 0:20:00 | |
I'm doing all of this for her and I actually care about her. | 0:20:00 | 0:20:04 | |
As I'm running towards her, I'm just giving it everything I've got. | 0:20:04 | 0:20:08 | |
When Eldon leaps over me, | 0:20:10 | 0:20:12 | |
I actually think it's so cool. I've never seen him do that before. | 0:20:12 | 0:20:16 | |
I didn't even know he could do that. | 0:20:16 | 0:20:18 | |
That was to show her that this is me and if she doesn't like me, | 0:20:18 | 0:20:20 | |
she doesn't like all of these jumps and these flips | 0:20:20 | 0:20:23 | |
and how hard I'm trying for her, then...whatever. | 0:20:23 | 0:20:26 | |
I'm still not going to go out with you... | 0:20:28 | 0:20:31 | |
..but you can be my duet partner. | 0:20:34 | 0:20:37 | |
I think I did win Emily over | 0:20:39 | 0:20:42 | |
because she went from wanting nothing to do with me at all | 0:20:42 | 0:20:46 | |
to at least being my duet partner. | 0:20:46 | 0:20:48 | |
It's like the best thing that's ever happened to me. | 0:20:48 | 0:20:51 |