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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
You're perfect for Dance Captain. | 0:00:03 | 0:00:05 | |
-Try it. We'll get her out of power. -If I try to take over | 0:00:05 | 0:00:08 | |
as Dance Captain, what is she going to do to me? | 0:00:08 | 0:00:10 | |
All she needs is a little push, and she's out of here. | 0:00:10 | 0:00:13 | |
She's pushing our chances of Regionals | 0:00:13 | 0:00:15 | |
out the door with Michelle. | 0:00:15 | 0:00:17 | |
-Like, you're threatened by her somehow. -She doesn't threaten me. | 0:00:17 | 0:00:19 | |
Something has to be done. | 0:00:19 | 0:00:21 | |
We need you all to pair off, OK? Choose your own duet partner. | 0:00:21 | 0:00:24 | |
My first choice would have been Emily... | 0:00:24 | 0:00:26 | |
-Do you want to be my duet partner? -No. | 0:00:26 | 0:00:29 | |
..but I am happy with Michelle being my duet partner. | 0:00:29 | 0:00:32 | |
Awesome. | 0:00:32 | 0:00:33 | |
-Why don't you want to go out with me? -You try too hard. | 0:00:33 | 0:00:36 | |
Why can't she just see me for who I am? | 0:00:36 | 0:00:39 | |
I'm still not going to go out with you... | 0:00:39 | 0:00:42 | |
but you can be my duet partner. | 0:00:42 | 0:00:44 | |
Yes! | 0:00:44 | 0:00:45 | |
Uh-oh... Michelle. | 0:00:48 | 0:00:50 | |
Right now, I have two duet partners. | 0:00:50 | 0:00:53 | |
OK, a reminder you're performing your duets | 0:00:58 | 0:01:00 | |
for Chris and I tomorrow, OK? So make sure they're ready. | 0:01:00 | 0:01:03 | |
Do you need some inspiration, maybe? | 0:01:03 | 0:01:06 | |
Woo! | 0:01:06 | 0:01:07 | |
# When I walked through the door I felt all alone | 0:01:10 | 0:01:14 | |
# If I knew how things worked out | 0:01:16 | 0:01:19 | |
# I wouldn't have walked away... # | 0:01:19 | 0:01:22 | |
Chris and I are doing the duet | 0:01:23 | 0:01:25 | |
just to kind of spice it up a bit and give the kids some inspiration. | 0:01:25 | 0:01:28 | |
Kate and Chris doing a duet? I... | 0:01:28 | 0:01:31 | |
-'didn't see that coming. They're amazing. -When I see Kate and Chris' | 0:01:31 | 0:01:34 | |
do that lift, that is definitely | 0:01:34 | 0:01:36 | |
what I want to put in my duet. | 0:01:36 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:41 | |
Their technique is crazy | 0:01:45 | 0:01:46 | |
and their hip-hop moves are just awesome. | 0:01:46 | 0:01:49 | |
Woo! | 0:01:51 | 0:01:53 | |
'I think Kate and Chris' dance' | 0:01:55 | 0:01:56 | |
is great...for two old people. | 0:01:56 | 0:01:58 | |
-How was that for inspiration? -Awesome! -Oh, wow! | 0:02:00 | 0:02:03 | |
I loved Kate and Chris' duet. | 0:02:03 | 0:02:05 | |
That was... It was unreal. | 0:02:05 | 0:02:06 | |
Make sure you grab your partners, work hard, | 0:02:06 | 0:02:09 | |
and kill it like we just did. | 0:02:09 | 0:02:11 | |
Cos we are way too old for this! | 0:02:11 | 0:02:12 | |
Hey, Eldon... | 0:02:19 | 0:02:20 | |
-So, we need to rehearse. -Yeah, yeah, yeah. | 0:02:20 | 0:02:23 | |
-I'm excited, let's go. -OK, let's go. | 0:02:23 | 0:02:24 | |
'I'm glad Eldon's my duet partner.' | 0:02:24 | 0:02:26 | |
He's an amazing dancer. | 0:02:26 | 0:02:28 | |
Are you ready? | 0:02:30 | 0:02:32 | |
-Yeah. -We're duet partners. | 0:02:32 | 0:02:34 | |
-Yeah, yeah, yeah. -OK, I need you to warm up, | 0:02:34 | 0:02:36 | |
make sure you're stretched, and meet me in Studio B | 0:02:36 | 0:02:38 | |
in ten minutes. Don't be late. | 0:02:38 | 0:02:39 | |
'Eldon has' | 0:02:39 | 0:02:41 | |
amazing technique. I have amazing technique. | 0:02:41 | 0:02:43 | |
'I think we're really going to get it done.' | 0:02:43 | 0:02:46 | |
I'm kind of in a bit of a dilemma. | 0:02:46 | 0:02:49 | |
-Hey, Eldon. -Yeah? -Did you want to be duet partners? | 0:02:49 | 0:02:52 | |
I still don't have a partner. | 0:02:52 | 0:02:53 | |
Um... I... Uh... | 0:02:53 | 0:02:56 | |
I've gone from, like, no duet partners to, all of a sudden, | 0:02:56 | 0:02:59 | |
three girls wanting to be my duet partner. | 0:02:59 | 0:03:02 | |
I can't... I can't do it. | 0:03:04 | 0:03:05 | |
THEY BOTH MUMBLE | 0:03:48 | 0:03:51 | |
-Yo, guys. -Yo. -Yo, yo. | 0:03:53 | 0:03:55 | |
I don't know what to do. | 0:03:55 | 0:03:57 | |
I have two duet partners. | 0:03:57 | 0:03:58 | |
-Two? -Yeah. -Who? | 0:03:58 | 0:04:00 | |
Michelle and Emily. | 0:04:00 | 0:04:02 | |
Man, since when? How did that happen? | 0:04:02 | 0:04:03 | |
How did Eldon get two duet partners?! | 0:04:03 | 0:04:05 | |
He's probably the most awkward guy on the planet. | 0:04:05 | 0:04:07 | |
Eldon has no clue. | 0:04:07 | 0:04:09 | |
He never has, he never will. | 0:04:09 | 0:04:11 | |
You know what, man? You've got to do what's right. | 0:04:11 | 0:04:13 | |
Well, what's right? | 0:04:13 | 0:04:15 | |
I say you go for it with Emily, man. | 0:04:15 | 0:04:16 | |
Trust me, I've got three sisters. I know the ladies... | 0:04:16 | 0:04:19 | |
No, no, that's not what I said at all. | 0:04:19 | 0:04:21 | |
What's right is who asked you first. | 0:04:21 | 0:04:24 | |
James and West both make good points, | 0:04:24 | 0:04:26 | |
so I'm going to stick with | 0:04:26 | 0:04:27 | |
Michelle AND Emily for now. | 0:04:27 | 0:04:28 | |
It's not going to turn out good. | 0:04:28 | 0:04:31 | |
West! | 0:04:38 | 0:04:39 | |
West, come here! | 0:04:39 | 0:04:42 | |
-All right, man. Got to go. -Yeah. Peace, bro. | 0:04:45 | 0:04:47 | |
OK, well, I'll let you two talk. | 0:04:47 | 0:04:49 | |
'When Stephanie called me over, | 0:04:49 | 0:04:50 | |
'I mean, like, she's just being herself. She's just a boss.' | 0:04:50 | 0:04:53 | |
She's being bossy, really bossy, and I just don't like that. | 0:04:53 | 0:04:56 | |
And the shoes? We're not doing hip-hop. I thought we already | 0:04:56 | 0:04:59 | |
-established that. -Sorry. | 0:04:59 | 0:05:01 | |
I'm just really tired of Stephanie bossing me around. | 0:05:04 | 0:05:07 | |
Yo, there's your girl, go get it. | 0:05:07 | 0:05:09 | |
-Eldon. -Yeah? -I've been waiting in Studio B... | 0:05:09 | 0:05:11 | |
-Oh... -..for, like, five minutes. | 0:05:11 | 0:05:13 | |
-Uh, I'll come right now. -Now? -Yeah. -OK. -OK. | 0:05:13 | 0:05:16 | |
Eldon, where are you going? | 0:05:17 | 0:05:19 | |
-We have to rehearse. -Oh! Hey, yeah, um... | 0:05:19 | 0:05:22 | |
I'll be five minutes and I'll come right back, OK? | 0:05:22 | 0:05:25 | |
And then we'll practise, OK? | 0:05:25 | 0:05:27 | |
-OK... -All right. OK. All right. See you in five. | 0:05:27 | 0:05:30 | |
'I'm feeling like he's doing something behind my back.' | 0:05:30 | 0:05:34 | |
Like, where is he going? | 0:05:34 | 0:05:36 | |
Right now, I don't have the guts to tell either of them. | 0:05:36 | 0:05:39 | |
I'm... I'm just kind of like all mixed up, and I'm confused | 0:05:39 | 0:05:43 | |
and overwhelmed. | 0:05:43 | 0:05:45 | |
-Hi! -Hey, Emily. -How are you? -Good. | 0:05:57 | 0:05:58 | |
-Are you ready? Are you stretched? -Yeah. | 0:05:58 | 0:06:00 | |
Like, if I can pull it off and run back and forth... | 0:06:00 | 0:06:02 | |
'five minutes with Michelle, then five minutes with Emily, | 0:06:02 | 0:06:05 | |
'without getting caught, I think it'll be fine.' | 0:06:05 | 0:06:07 | |
OK, um, you know what? Actually... | 0:06:08 | 0:06:11 | |
Um, I have to go to the washroom, so I'll be... I'll be right back. | 0:06:11 | 0:06:14 | |
All right. Well, hurry. | 0:06:14 | 0:06:16 | |
I don't know what Eldon is doing, but it has to stop. | 0:06:16 | 0:06:20 | |
I'm running out of excuses. | 0:06:20 | 0:06:21 | |
'I can only go to the bathroom so many times.' | 0:06:21 | 0:06:24 | |
Watch this, watch this... | 0:06:24 | 0:06:26 | |
-Finally. -Hey, sorry. Um, I was just really hungry and I needed a snack, | 0:06:28 | 0:06:33 | |
-so I'm all good now, though. -Let's go from... | 0:06:33 | 0:06:35 | |
-From this part again? OK. -So if you start like this, | 0:06:35 | 0:06:37 | |
but you're going to bend down so you can still see me, | 0:06:37 | 0:06:40 | |
-because you can't block me. -OK. | 0:06:40 | 0:06:41 | |
And you're going to go to the side, | 0:06:41 | 0:06:43 | |
then I'm going to come out and appear. | 0:06:43 | 0:06:44 | |
I don't like it when the E-Girls try and boss around everyone. | 0:06:44 | 0:06:47 | |
'So I think West should kind of stand up for himself.' | 0:06:47 | 0:06:50 | |
And then at the end, I want a big lift. And I want to be in the air, | 0:06:50 | 0:06:53 | |
and I want to smile, and you're going to be lifting me. | 0:06:53 | 0:06:55 | |
That's still showcasing you. What about me? I want to do a flip. | 0:06:55 | 0:06:58 | |
Being in my old dance crew, it was like...there was a lot... | 0:06:58 | 0:07:01 | |
we just free-styled. | 0:07:01 | 0:07:02 | |
'We'd do, like, all the waves and everything, you know? It was fun.' | 0:07:02 | 0:07:05 | |
And coming here with Stephanie, uh, it's like... | 0:07:05 | 0:07:09 | |
it's like having a pound of cheese just on your spine, | 0:07:09 | 0:07:12 | |
and you're just like a robot and you can't move, like, you're restricted. | 0:07:12 | 0:07:16 | |
One, two, three, four, five, six, seven... | 0:07:21 | 0:07:25 | |
Sorry, you know what? Um, I have to go to the washroom really quick. | 0:07:25 | 0:07:29 | |
-OK? I'll be right back. -OK. | 0:07:29 | 0:07:31 | |
Hey! Uh... | 0:07:35 | 0:07:36 | |
-Oh, hey. -Hi. -Hi. -Are you ready? -Yeah. | 0:07:38 | 0:07:40 | |
-You don't need to be somewhere? -Nope. | 0:07:40 | 0:07:42 | |
I do not like working with Eldon. He's disoriented, he's not present - | 0:07:42 | 0:07:45 | |
'literally and mentally - and I just...' | 0:07:45 | 0:07:49 | |
I don't think I'm going to ask him to be my partner again. | 0:07:49 | 0:07:51 | |
-Uh, one sec... -Uh! | 0:07:53 | 0:07:56 | |
I do feel like the double duet situation | 0:07:57 | 0:08:00 | |
is getting a little overwhelming. | 0:08:00 | 0:08:02 | |
I have a feeling I'm going to have to drop one of them. | 0:08:02 | 0:08:05 | |
Round two, buddy. Here we go. | 0:08:05 | 0:08:07 | |
-OK, finally. What is going on? -Oh, nothing, nothing. It's fine. | 0:08:10 | 0:08:13 | |
-Don't worry about it. -No, this is getting ridiculous. | 0:08:13 | 0:08:15 | |
-You've got to tell me what's going on. -Nothing. | 0:08:15 | 0:08:17 | |
I just had to do something, it's all done now. | 0:08:17 | 0:08:20 | |
-Michelle, it's fine. Let's just practise. -No. | 0:08:20 | 0:08:23 | |
I will not practise until you tell me what is happening. | 0:08:23 | 0:08:25 | |
You left, like, five times. | 0:08:25 | 0:08:27 | |
OK. You know what? I have something to tell you. | 0:08:28 | 0:08:31 | |
I... | 0:08:31 | 0:08:33 | |
I... I... I accidentally... | 0:08:33 | 0:08:37 | |
double-booked myself. I actually have two duets. | 0:08:37 | 0:08:42 | |
With who? | 0:08:42 | 0:08:44 | |
I have one with you and... | 0:08:44 | 0:08:47 | |
one with Emily. | 0:08:47 | 0:08:49 | |
'I can tell by the look on Michelle's face that she really understands' | 0:08:49 | 0:08:52 | |
what I'm going through right now, | 0:08:52 | 0:08:54 | |
and she'll definitely let me have the duet with Emily. | 0:08:54 | 0:08:57 | |
That's my situation. And, you know, I'm really... | 0:08:57 | 0:09:00 | |
I'm really glad that you can help me out with this and help me | 0:09:00 | 0:09:03 | |
keep my duet with Emily, you know, I really appreciate it. | 0:09:03 | 0:09:05 | |
I can't believe Eldon double-booked himself. | 0:09:05 | 0:09:08 | |
What is he thinking? | 0:09:08 | 0:09:09 | |
No! | 0:09:09 | 0:09:12 | |
What? | 0:09:12 | 0:09:13 | |
Do you need a tissue for your issue? | 0:09:13 | 0:09:15 | |
I asked you first, so we're duet partners. | 0:09:15 | 0:09:17 | |
You heard me. I said no. I asked you first. | 0:09:28 | 0:09:30 | |
We're duet partners. | 0:09:30 | 0:09:31 | |
When Michelle stands up to Eldon... | 0:09:31 | 0:09:33 | |
it just pushes me more into thinking that she should be | 0:09:33 | 0:09:36 | |
Dance Captain of the studio. | 0:09:36 | 0:09:37 | |
The fact that she can stand up and say, | 0:09:37 | 0:09:39 | |
"This is what's right, I asked you first," that shows real leadership. | 0:09:39 | 0:09:42 | |
'I think Emily is refusing to give up Eldon' | 0:09:42 | 0:09:45 | |
because it's another way for her to get at me. | 0:09:45 | 0:09:48 | |
Since I've been here, that's all she's been doing. | 0:09:48 | 0:09:50 | |
And I'm not giving up Eldon. I don't care what she says. | 0:09:50 | 0:09:53 | |
I'll be right back. | 0:09:54 | 0:09:56 | |
-Eldon, finally! -Leave Eldon out of our feud! | 0:10:00 | 0:10:03 | |
-What are you talking about? -We're rehearsing our duet | 0:10:03 | 0:10:06 | |
and he keeps on coming back in here and rehearsing with you?! | 0:10:06 | 0:10:09 | |
Well, maybe that's cos he's my duet partner. | 0:10:09 | 0:10:11 | |
You rejected him, don't you remember? | 0:10:11 | 0:10:13 | |
Yeah, and now I'm saying yes. You know, just because you now have | 0:10:13 | 0:10:15 | |
a crush on Eldon doesn't mean you can just | 0:10:15 | 0:10:17 | |
take him for your duet partner. | 0:10:17 | 0:10:18 | |
-I have a crush on Eldon?! -Yes. | 0:10:18 | 0:10:21 | |
-Maybe you do. -Why would I like a little, dweeby dork? | 0:10:21 | 0:10:25 | |
But he's also the best dancer in the studio. | 0:10:25 | 0:10:27 | |
Yeah, and I'm the Dance Captain. | 0:10:27 | 0:10:30 | |
That's why I deserve to have the best dancer. | 0:10:30 | 0:10:33 | |
'Rule number 44.' | 0:10:33 | 0:10:34 | |
An E-Girl always | 0:10:34 | 0:10:36 | |
gets what she wants. | 0:10:36 | 0:10:38 | |
West... | 0:10:50 | 0:10:52 | |
West! | 0:10:52 | 0:10:53 | |
-I said take five, not 45! -All right, Stephanie, | 0:10:56 | 0:10:58 | |
I don't know if I can be your dance partner any more. | 0:10:58 | 0:11:01 | |
I just put it on the line. I just told her what I wanted. | 0:11:01 | 0:11:04 | |
I mean, maybe if you weren't so bossy, then I'd probably compromise, | 0:11:04 | 0:11:07 | |
and do what you want to do, but... | 0:11:07 | 0:11:09 | |
I mean, you make me not want to dance. | 0:11:09 | 0:11:12 | |
'I'm freaking out.' | 0:11:12 | 0:11:13 | |
I don't want to be left without a duet partner. | 0:11:13 | 0:11:15 | |
OK... | 0:11:16 | 0:11:18 | |
I'm going to be nice for about two minutes, | 0:11:19 | 0:11:21 | |
we're going to figure this out, | 0:11:21 | 0:11:23 | |
and then we're going to go in the studio and rehearse, OK? | 0:11:23 | 0:11:26 | |
-Two minutes? -I'm being nice. -OK. -See? -All right. | 0:11:26 | 0:11:31 | |
-All right, yes, I do want to do a flip. -OK. | 0:11:31 | 0:11:33 | |
I'll trade you a flip if I get to be just a little bossy. | 0:11:33 | 0:11:37 | |
-Like, a little. -All right, yeah. -Perfect. -That could work. | 0:11:37 | 0:11:40 | |
We're going to go back in the studio, and that's it. OK? | 0:11:40 | 0:11:45 | |
-You're being bossy again. -No, I'm not. Let's go. | 0:11:45 | 0:11:47 | |
I think that was the longest she's ever been nice to anybody. | 0:11:48 | 0:11:52 | |
That was the hardest two minutes of my life. | 0:11:52 | 0:11:54 | |
When I see everyone else dancing and I don't have a partner, | 0:11:59 | 0:12:03 | |
it definitely hurts, and I don't like | 0:12:03 | 0:12:05 | |
sitting on the sides and not dancing. | 0:12:05 | 0:12:07 | |
-Can I talk to you for a minute? -Of course. Come. | 0:12:10 | 0:12:12 | |
OK, um, so, I've been giving a lot of thought lately to A-Troupe, | 0:12:12 | 0:12:16 | |
and I feel like I've been in it for a really long time | 0:12:16 | 0:12:19 | |
-and I kind of want more. -You're not quitting, are you? -No, no, no. | 0:12:19 | 0:12:22 | |
I want to do different things. I want to act, I want to sing, | 0:12:22 | 0:12:25 | |
I want to be able to do that stuff and, like, you know? | 0:12:25 | 0:12:27 | |
-So you want to be able to, like, a triple threat? -Yeah. Exactly. -OK. | 0:12:27 | 0:12:30 | |
I want to be a triple threat | 0:12:30 | 0:12:31 | |
because it's been a dream of mine since I was a little kid. | 0:12:31 | 0:12:34 | |
I don't know where to start and I was hoping that maybe you could help me. | 0:12:34 | 0:12:38 | |
Sure, I do know a few agents, so I could give them a call | 0:12:38 | 0:12:40 | |
and see if I could set up an appointment. | 0:12:40 | 0:12:42 | |
-Thank you. -OK? -You're the best. | 0:12:42 | 0:12:45 | |
'I've always thought of Kate' as, like, a mother figure to me, | 0:12:45 | 0:12:47 | |
so going to her and asking her for advice and help just seems natural. | 0:12:47 | 0:12:53 | |
Eldon, bro... You're looking huge. | 0:13:00 | 0:13:02 | |
Why are you so down, man? | 0:13:05 | 0:13:06 | |
Eldon! > | 0:13:07 | 0:13:09 | |
-So, do you like being my duet partner? -Yeah! | 0:13:10 | 0:13:14 | |
Good, because I like being yours, | 0:13:14 | 0:13:15 | |
and I just think there's so much potential for us to grow, | 0:13:15 | 0:13:18 | |
-you know...closer together. -Yeah. | 0:13:18 | 0:13:21 | |
Two words - train wreck coming... | 0:13:21 | 0:13:22 | |
which is three words. | 0:13:22 | 0:13:24 | |
Stop talking to him. He's my duet partner. | 0:13:25 | 0:13:28 | |
Look, Michelle, he doesn't want to be your partner. Get over it! | 0:13:28 | 0:13:31 | |
If he didn't want to be my partner, | 0:13:31 | 0:13:32 | |
-why would he say yes? -Obviously, he just felt bad for you. | 0:13:32 | 0:13:35 | |
-Why would he feel bad for me? -Well... -What's wrong with me? | 0:13:35 | 0:13:39 | |
I mean, the shirt. | 0:13:39 | 0:13:40 | |
'I'm the Dance Captain' | 0:13:40 | 0:13:42 | |
and he is the best dancer. I deserve it. | 0:13:42 | 0:13:43 | |
So, Eldon, you better pick me. | 0:13:43 | 0:13:46 | |
'There is no way that' | 0:13:46 | 0:13:48 | |
she's going to be Eldon's duet partner. | 0:13:48 | 0:13:49 | |
You better pick me. | 0:13:49 | 0:13:51 | |
Ha! | 0:13:54 | 0:13:55 | |
Dry! | 0:13:59 | 0:14:01 | |
Go help him out. | 0:14:03 | 0:14:05 | |
Eldon doesn't really deserve this. I know James is the right guy | 0:14:05 | 0:14:08 | |
to help him out. | 0:14:08 | 0:14:10 | |
-Yo. -Yo. | 0:14:11 | 0:14:13 | |
-Tough break, bro. -Yeah. | 0:14:14 | 0:14:16 | |
All right, this is what you're going to do... | 0:14:19 | 0:14:21 | |
'The advice that James gave me,' | 0:14:21 | 0:14:24 | |
I mean, it just made me think like, | 0:14:24 | 0:14:26 | |
wow, he's a genius. | 0:14:26 | 0:14:27 | |
All right, ladies and gentlemen, | 0:14:36 | 0:14:38 | |
attention, please. Attention, please. | 0:14:38 | 0:14:40 | |
All right, quiet down, quiet down, listen. | 0:14:40 | 0:14:42 | |
Miss Kate has something to say. Listen up. | 0:14:42 | 0:14:44 | |
OK, we're going to get started and do duets, all right? | 0:14:44 | 0:14:46 | |
Is everybody warmed up? You're good to go? | 0:14:46 | 0:14:48 | |
You've run over it with your partner? Yeah? | 0:14:48 | 0:14:50 | |
We're feeling good? Do we have any, uh, volunteers? | 0:14:50 | 0:14:53 | |
Any volunteers? Anyone? Anyone? | 0:14:53 | 0:14:55 | |
Volunteers? Anyone, anyone? | 0:14:55 | 0:14:57 | |
-I will. -Oh, Eldon, perfect! Thank you. | 0:14:57 | 0:15:00 | |
And...who is your partner? | 0:15:00 | 0:15:02 | |
Uh... | 0:15:02 | 0:15:04 | |
As I'm walking towards Michelle and Emily, | 0:15:06 | 0:15:08 | |
'I'm kind of second-guessing my decision.' | 0:15:08 | 0:15:11 | |
'Honestly,' | 0:15:11 | 0:15:12 | |
I'm not worried. Eldon's obviously going to pick me. | 0:15:12 | 0:15:15 | |
I'm really hoping that he'll choose me. | 0:15:15 | 0:15:17 | |
He better pick Emily. | 0:15:17 | 0:15:19 | |
I have no idea how he's going to get out of this mess. | 0:15:19 | 0:15:22 | |
-You don't know who your partner is? -No, I do. -You do? -Yeah. | 0:15:22 | 0:15:25 | |
-OK, grab your partner. -Yeah. | 0:15:25 | 0:15:27 | |
'I just hope everyone's happy with my decision, | 0:15:27 | 0:15:31 | |
'and that none of this is going to come crashing down on me.' | 0:15:31 | 0:15:34 | |
'I hate to admit it,' | 0:15:41 | 0:15:42 | |
but James' advice is really good. | 0:15:42 | 0:15:45 | |
All right. Awesome. | 0:15:45 | 0:15:47 | |
'Unfortunately, there's no E-Girl rule against that...' | 0:15:47 | 0:15:51 | |
but I'll look into it. | 0:15:51 | 0:15:53 | |
MUSIC STARTS | 0:15:53 | 0:15:55 | |
He really dodged two bullets between me and Michelle by choosing Chloe. | 0:16:07 | 0:16:11 | |
'It was rude and mean and hurtful, but...' | 0:16:11 | 0:16:15 | |
a smart move altogether. | 0:16:15 | 0:16:17 | |
He's doing a great job and so is she, | 0:16:28 | 0:16:30 | |
and she's dancing beautifully and so is he, | 0:16:30 | 0:16:32 | |
but...I just wish it was me. | 0:16:32 | 0:16:35 | |
CHEERING | 0:16:35 | 0:16:38 | |
Now that I've worked with Stephanie, um, I really see... | 0:16:52 | 0:16:55 | |
'she's a really good person, you know, instead of...' | 0:16:55 | 0:16:59 | |
the wall that she puts up. | 0:16:59 | 0:17:00 | |
For our compromise, we decided | 0:17:02 | 0:17:04 | |
'that he could have his flip if I could have my time to shine. | 0:17:04 | 0:17:07 | |
'I guess West isn't that bad after all, and our dance came together' | 0:17:07 | 0:17:10 | |
quite nicely, so I'm happy with that. | 0:17:10 | 0:17:12 | |
'I think our dance is going great.' | 0:17:47 | 0:17:48 | |
Um, I'm having a blast, I'm having a great time with him. | 0:17:48 | 0:17:51 | |
We have a lot of chemistry. | 0:17:51 | 0:17:52 | |
'I don't know, I'm starting to find a new likeness to James.' | 0:17:52 | 0:17:55 | |
I feel like I'm finally getting her to like me. | 0:17:57 | 0:17:59 | |
'I mean, she's sending me these little signs,' | 0:17:59 | 0:18:01 | |
but it's Riley - mixed signals everywhere. | 0:18:01 | 0:18:03 | |
'My favourite part of the duet is' | 0:18:19 | 0:18:20 | |
the turning section that I do. | 0:18:20 | 0:18:22 | |
I love spinning. It's just... It's so fun. | 0:18:22 | 0:18:24 | |
Daniel's choreography | 0:18:24 | 0:18:25 | |
'is actually really good. | 0:18:25 | 0:18:27 | |
'Like, he had a lot of amazing lines and techniques that he put into it.' | 0:18:27 | 0:18:30 | |
They looked awesome. | 0:18:30 | 0:18:32 | |
Good job. | 0:18:32 | 0:18:33 | |
Now, the two that I have on my list | 0:18:34 | 0:18:36 | |
that didn't get a chance to perform... | 0:18:36 | 0:18:38 | |
last, but absolutely not least, Emily and Michelle. | 0:18:38 | 0:18:42 | |
You guys ready to do your duet? | 0:18:42 | 0:18:44 | |
Oh, no. No. | 0:18:49 | 0:18:51 | |
-Definitely not. -We're not ready, no. | 0:18:51 | 0:18:53 | |
-You guys don't have a duet together? -No. | 0:18:53 | 0:18:55 | |
You were the last two left over, why would you not pair up? | 0:18:55 | 0:18:58 | |
'It's a bit disappointing that' | 0:18:58 | 0:18:59 | |
they weren't prepared and everybody else was. | 0:18:59 | 0:19:01 | |
The whole point of the duet exercise was teamwork and team building. | 0:19:01 | 0:19:05 | |
You know what? Let's see if they can make something up on the spot. | 0:19:05 | 0:19:08 | |
-How does that sound? -No, no. -No. -No... | 0:19:08 | 0:19:10 | |
-I think that sounds great, actually. -Freestyle? | 0:19:10 | 0:19:13 | |
I love how Emily and Michelle have to freestyle a duet. | 0:19:13 | 0:19:15 | |
Teach them both a lesson. | 0:19:15 | 0:19:17 | |
I think it's totally unfair that Kate is making Emily freestyle a duet. | 0:19:17 | 0:19:21 | |
Get in the centre, both of you, right now. | 0:19:21 | 0:19:23 | |
-Get in the centre. Go for it! -No! -There's no question! | 0:19:23 | 0:19:26 | |
I'm terrified to do this duet with Emily because | 0:19:26 | 0:19:29 | |
'duets are all about teamwork, | 0:19:29 | 0:19:30 | |
'working together, listening to each other's ideas,' | 0:19:30 | 0:19:33 | |
and Emily and I are totally not on the same page. | 0:19:33 | 0:19:37 | |
'I didn't want to go out in front of Kate' | 0:19:38 | 0:19:40 | |
and the rest of the dance troupe unprepared. | 0:19:40 | 0:19:42 | |
It's disrespectful to them, it's disrespectful to me. | 0:19:42 | 0:19:45 | |
'I could definitely see it in Michelle's eyes,' | 0:19:54 | 0:19:56 | |
she was terrified cos she's never really been put on the spot before, | 0:19:56 | 0:19:59 | |
especially with the Dance Captain. | 0:19:59 | 0:20:00 | |
'She's pulling out all her best moves,' | 0:20:23 | 0:20:25 | |
I'm pulling out all my best moves. | 0:20:25 | 0:20:26 | |
Stop the music! | 0:20:31 | 0:20:33 | |
I'm disappointed in both of you. | 0:20:36 | 0:20:37 | |
I'm tired of the way that Emily's treating me. I'm just | 0:20:37 | 0:20:40 | |
not going to take it any more. | 0:20:40 | 0:20:42 | |
If this doesn't change, we're not going to win Regionals, OK? | 0:20:42 | 0:20:44 | |
'We need a leader who keeps us together' | 0:20:44 | 0:20:46 | |
for Regionals, and my sister's just not doing that. | 0:20:46 | 0:20:49 | |
It's simple - if we want to win Regionals... | 0:20:51 | 0:20:54 | |
Michelle has to go. | 0:20:54 | 0:20:56 |