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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
I'm the dance captain, that's why I deserve to have the best dancer. | 0:00:03 | 0:00:07 | |
I'm tired of the way that Emily's treating me. | 0:00:07 | 0:00:09 | |
I'm just not going to take it anymore. | 0:00:09 | 0:00:11 | |
It's simple. Michelle has to go. | 0:00:11 | 0:00:13 | |
I am dancing terribly. | 0:00:14 | 0:00:16 | |
Riley usually gets nervous. | 0:00:16 | 0:00:17 | |
She's very shy, but she's an amazing dancer. | 0:00:17 | 0:00:20 | |
Is it OK if I step out early? | 0:00:20 | 0:00:22 | |
I don't give special treatments to any of my dancers. | 0:00:22 | 0:00:25 | |
Get back in your spot. | 0:00:25 | 0:00:26 | |
I don't want anyone knowing I have a job. | 0:00:26 | 0:00:28 | |
I don't want anyone to think that I'm not 100% focused on dance. | 0:00:28 | 0:00:32 | |
He's always trying to show off and I'm not falling for it. | 0:00:32 | 0:00:35 | |
All right, from the top, guys. | 0:00:42 | 0:00:44 | |
Right now, what I'm doing is taking the kids through a combo, | 0:00:52 | 0:00:55 | |
getting them ready for a surprise. | 0:00:55 | 0:00:57 | |
I have no idea what this rehearsal is for. | 0:00:59 | 0:01:01 | |
All I do know is that we're dancing to Brighter Brightest, | 0:01:01 | 0:01:04 | |
so it has to be good. | 0:01:04 | 0:01:05 | |
Hold it, hold it, hold it! Nice! | 0:01:07 | 0:01:10 | |
Good job, dancers. | 0:01:12 | 0:01:14 | |
OK. All right, dolphin tail! | 0:01:14 | 0:01:17 | |
THEY MAKE DOLPHIN SOUNDS | 0:01:17 | 0:01:19 | |
-Do you guys like the new song? -Yes! | 0:01:19 | 0:01:21 | |
-Woo! -So does anybody know who this band is? | 0:01:21 | 0:01:23 | |
-Brighter Brightest! -Brighter Brightest. | 0:01:23 | 0:01:25 | |
So, for those of you who do or do not know, I'm actually good | 0:01:25 | 0:01:28 | |
friends with the band and I did their last music video. | 0:01:28 | 0:01:31 | |
And they're actually doing another music video | 0:01:31 | 0:01:33 | |
and they want some dancers. But not just any dancers! | 0:01:33 | 0:01:36 | |
Our dancers. | 0:01:36 | 0:01:37 | |
Wait, wait, wait, wait. Wait, wait, hold on, hold on, hold on. | 0:01:39 | 0:01:43 | |
-I'm just joking. -What?! | 0:01:43 | 0:01:45 | |
No, I'm not! Get excited! | 0:01:45 | 0:01:47 | |
Brighter Brightest coming to the Next Step Studio is a huge deal. | 0:01:47 | 0:01:51 | |
Clearly I'm not as excited as my younger sister, | 0:01:51 | 0:01:54 | |
who is probably their biggest fan. | 0:01:54 | 0:01:56 | |
I'm so excited. Sorry. | 0:01:56 | 0:01:59 | |
Just I can't wait. I can't wait. | 0:01:59 | 0:02:01 | |
How should I act around the band? I mean, I want to be cool, right? | 0:02:42 | 0:02:45 | |
-Yeah. -Is asking their autograph kind of uncool? | 0:02:45 | 0:02:48 | |
I mean like asking their autograph might be cool, I don't know. | 0:02:48 | 0:02:50 | |
-Just be chill. -No. I can't just be chill. | 0:02:50 | 0:02:52 | |
Riley is so going to get nervous. | 0:02:52 | 0:02:55 | |
Let's be serious, though. Like, you get nervous sometimes. | 0:02:55 | 0:02:58 | |
Are you kidding me? I do not get nervous. | 0:02:58 | 0:03:00 | |
OK, OK. Practise on me. Ask for my autograph. | 0:03:00 | 0:03:02 | |
I don't need to practise because I don't get nervous. | 0:03:02 | 0:03:05 | |
You'll freeze up. Practise. | 0:03:05 | 0:03:06 | |
Can I have your autograph? See? Perfect. | 0:03:06 | 0:03:08 | |
I'm going to be so cool around Brighter Brightest. | 0:03:08 | 0:03:10 | |
It's not even a question. | 0:03:10 | 0:03:12 | |
Just do it like that. That was perfect. | 0:03:12 | 0:03:14 | |
Honestly. | 0:03:14 | 0:03:15 | |
-Oh! -Hi. Hi, Chris. Hi. | 0:03:15 | 0:03:17 | |
-Chris. -We just spoke on the phone. -Yes, we did. | 0:03:17 | 0:03:20 | |
-Buddy, how are you? -Derek, Alex, Brighter Brightest. | 0:03:20 | 0:03:22 | |
'They're right there in the flesh in front of me. | 0:03:22 | 0:03:24 | |
'It's all coming true. It's all happening.' | 0:03:24 | 0:03:27 | |
Sha-shamal-shama... | 0:03:27 | 0:03:30 | |
Uhshh-Riley... | 0:03:30 | 0:03:34 | |
Riley is so nervous. | 0:03:34 | 0:03:35 | |
She's speaking a language that hasn't even been invented. | 0:03:35 | 0:03:39 | |
I just start speaking another language because of him. | 0:03:39 | 0:03:42 | |
-It's all James's fault. -I knew it. | 0:03:42 | 0:03:45 | |
-Er... -That's a beautiful accent. -Yeah, is that Swahili? Or... | 0:03:45 | 0:03:48 | |
It's lovely. Yeah. | 0:03:48 | 0:03:50 | |
I feel so sad for Riley. I just want to give her a hug. | 0:03:52 | 0:03:54 | |
-All right, let's see some freestyling. -Uh... | 0:03:54 | 0:03:57 | |
She's fine, she's... | 0:03:59 | 0:04:01 | |
James, you're up. | 0:04:10 | 0:04:12 | |
Right now, we're just showing Derek and Alex how we dance. | 0:04:21 | 0:04:24 | |
They just need to make sure that we're good enough | 0:04:24 | 0:04:26 | |
to be in their video. | 0:04:26 | 0:04:28 | |
I have so much adrenaline right now. | 0:04:30 | 0:04:32 | |
I'm dancing for this band that is going to put me | 0:04:32 | 0:04:35 | |
in their music video. | 0:04:35 | 0:04:37 | |
I'm like, OK, let me turn it up a notch and just | 0:04:37 | 0:04:39 | |
show them personality and be me. | 0:04:39 | 0:04:42 | |
So I had this whole thing planned out | 0:04:42 | 0:04:44 | |
to dance great and I kind of messed up speaking to them, | 0:04:44 | 0:04:47 | |
but I thought if I show them that I'm a good dancer, | 0:04:47 | 0:04:49 | |
everything will be good again. | 0:04:49 | 0:04:52 | |
Same thing happened. Just like I forgot how to speak, | 0:04:52 | 0:04:54 | |
I forgot how to move. | 0:04:54 | 0:04:56 | |
I dig deep down inside myself and all I pull out is this. | 0:04:56 | 0:05:00 | |
Right now, I am a foreign person | 0:05:02 | 0:05:04 | |
who does really bad cartwheels. | 0:05:04 | 0:05:06 | |
Like really? Really? | 0:05:06 | 0:05:07 | |
-So, Derek, Alex, what do you think? -We loved it. | 0:05:18 | 0:05:21 | |
That was fantastic! You guys brought it. We're so impressed. | 0:05:21 | 0:05:24 | |
-We're going to make a great video. -What was I supposed to do? | 0:05:24 | 0:05:27 | |
I thought you were going to impress them. You just froze. | 0:05:27 | 0:05:29 | |
-Can you please stop? -OK. | 0:05:29 | 0:05:30 | |
You have no idea how hard it is to stand in front of them and dance! | 0:05:30 | 0:05:33 | |
OK, I'm sorry. Just go ask for their autograph. | 0:05:33 | 0:05:36 | |
-Hey! Yoo-hoo? -Hello! -In the back! | 0:05:36 | 0:05:40 | |
At the back! A little disruptive. | 0:05:40 | 0:05:42 | |
Listen, you have Brighter Brightest here, it's an opportunity. | 0:05:42 | 0:05:45 | |
How about you show a little professionalism? OK? Come on in. | 0:05:45 | 0:05:47 | |
-Bring it in here. -Pay attention. | 0:05:47 | 0:05:49 | |
I'm thinking, great, they now caught us doing something embarrassing, | 0:05:49 | 0:05:53 | |
and, of course, it's James's fault again. | 0:05:53 | 0:05:55 | |
Uh-sha... I... | 0:05:55 | 0:05:57 | |
It's... Yeah, anyways, | 0:06:00 | 0:06:02 | |
erm, the song definitely has a lot of chemistry, you know? | 0:06:02 | 0:06:05 | |
It's definitely about a relationship and you guys have a lot of chemistry, | 0:06:05 | 0:06:08 | |
there's something obviously going on back there. | 0:06:08 | 0:06:10 | |
How can I have chemistry with somebody that irritating? | 0:06:10 | 0:06:13 | |
Well, they're right. I just hope Riley sees it. | 0:06:13 | 0:06:16 | |
No. Not at all. No way. | 0:06:16 | 0:06:19 | |
No. | 0:06:19 | 0:06:20 | |
We want you guys to be the focus of the video. | 0:06:20 | 0:06:22 | |
Did you hear that? | 0:06:22 | 0:06:24 | |
Being the focus of the music video, although it may be with James, | 0:06:24 | 0:06:27 | |
it's still amazing! I can't even believe | 0:06:27 | 0:06:30 | |
it's happening right now. Like, it's unreal. | 0:06:30 | 0:06:33 | |
Listen, tall order, it's time sensitive, | 0:06:33 | 0:06:35 | |
we need it all by tomorrow. | 0:06:35 | 0:06:36 | |
All right, you will have it by tomorrow for sure. | 0:06:36 | 0:06:38 | |
-Fantastic. -Awesome. -OK. All right. -Thank you so much. | 0:06:38 | 0:06:41 | |
-Thanks a lot, man. -We're going to make a video! | 0:06:41 | 0:06:43 | |
Yeah, it's happening. | 0:06:46 | 0:06:47 | |
-Ms Kate? -Hey, Chloe. -Hi. | 0:06:57 | 0:07:00 | |
I'm not going to be able to make it | 0:07:00 | 0:07:01 | |
to the Brighter Brightest video shoot. | 0:07:01 | 0:07:03 | |
I have a personal commitment. | 0:07:03 | 0:07:05 | |
We're shooting a music video! | 0:07:05 | 0:07:07 | |
If she wants to leave for a personal commitment, | 0:07:07 | 0:07:10 | |
Chloe's not ready for A-Troupe. | 0:07:10 | 0:07:11 | |
I don't want to miss it, there's just something I've got to do. | 0:07:11 | 0:07:14 | |
I can't go to the video shoot | 0:07:14 | 0:07:16 | |
because I have to take a shift at work. | 0:07:16 | 0:07:18 | |
What is it that you have to do? | 0:07:18 | 0:07:20 | |
I can't tell Kate about my job because if you're in A-Troupe, | 0:07:20 | 0:07:22 | |
you should be solely focused on dance. | 0:07:22 | 0:07:25 | |
So, really, nobody in A-Troupe ever has a job. It's really rare. | 0:07:25 | 0:07:28 | |
It's just a personal thing. I...already committed to it. | 0:07:28 | 0:07:33 | |
Well, you're committed to this dance studio as well. | 0:07:33 | 0:07:35 | |
Maybe Chloe's going through a phase where she'd | 0:07:35 | 0:07:37 | |
rather hang out with her friends from school or go shopping | 0:07:37 | 0:07:40 | |
as opposed to be in the studio every night. | 0:07:40 | 0:07:42 | |
But that's what A-troupe is. | 0:07:42 | 0:07:43 | |
You know what? Actually, I'll be there. | 0:07:43 | 0:07:46 | |
-I think I just got the dates mixed up. -OK, good. | 0:07:46 | 0:07:49 | |
All right. Thanks. | 0:07:49 | 0:07:51 | |
At this point, I'm going to try and find someone to cover my shift | 0:07:51 | 0:07:53 | |
so that I don't have to miss the music video shoot. | 0:07:53 | 0:07:56 | |
I'm just praying for a miracle right now. | 0:07:56 | 0:07:58 | |
All right! Let's get it together, guys. | 0:07:58 | 0:08:00 | |
I'm going to teach you what we'll do for Brighter Brightest | 0:08:00 | 0:08:03 | |
and then we'll have to clean it, OK? We need this ready by tomorrow. | 0:08:03 | 0:08:06 | |
As dance captain, I often have to choreograph routines last minute. | 0:08:06 | 0:08:09 | |
Five, six, seven, eight, one... | 0:08:09 | 0:08:11 | |
Prepare on the five. | 0:08:12 | 0:08:13 | |
Then it's just one, and your hands above the head. | 0:08:13 | 0:08:16 | |
-Can we do a double? -And you land out of it. No. | 0:08:16 | 0:08:18 | |
We're going to do single. | 0:08:18 | 0:08:19 | |
A single's not as exciting, though, we should do a double. | 0:08:19 | 0:08:21 | |
-But single works for the music. -But like, it... | 0:08:21 | 0:08:23 | |
The single works for the music! So let's go back. | 0:08:23 | 0:08:26 | |
'It's really just showcasing her, you know?' | 0:08:26 | 0:08:28 | |
It's not really incorporating anybody else's strengths or ideas. | 0:08:28 | 0:08:31 | |
I kind of disagree with Emily, but I'm not going to say anything | 0:08:31 | 0:08:34 | |
because don't want there to be any more drama than there already is. | 0:08:34 | 0:08:37 | |
It goes out, in, out, in. | 0:08:37 | 0:08:38 | |
-Like a circle. Like... -Kind of girly. | 0:08:38 | 0:08:41 | |
Emily's choreography is boring. | 0:08:41 | 0:08:42 | |
It's Brighter Brightest, not Dimmer Dimmest. | 0:08:42 | 0:08:44 | |
You're pretty dim, so that name would suit you better, wouldn't it? | 0:08:44 | 0:08:47 | |
I've just had enough. | 0:08:47 | 0:08:49 | |
-Do you like any of my ideas? -None. Ready? | 0:08:49 | 0:08:53 | |
HE MOOS LIKE A COW | 0:08:53 | 0:08:54 | |
-What did you just do? -Pardon? | 0:08:56 | 0:08:58 | |
That noise you just made. | 0:08:58 | 0:08:59 | |
The reason I mooed was to throw Emily off her game. | 0:08:59 | 0:09:02 | |
Emily, are you OK? | 0:09:02 | 0:09:03 | |
Maybe like the snaps just got you kind of ... | 0:09:03 | 0:09:06 | |
The snaps didn't get to me. You guys are making noises. | 0:09:06 | 0:09:09 | |
HE BARKS | 0:09:09 | 0:09:10 | |
THEY MAKE ANIMAL SOUNDS | 0:09:12 | 0:09:14 | |
When all of the other guys | 0:09:16 | 0:09:17 | |
step up and start making animal noises with me, that's my boys! | 0:09:17 | 0:09:20 | |
HE WHINNIES | 0:09:20 | 0:09:22 | |
They don't realise how important this is. | 0:09:22 | 0:09:24 | |
It has to get done tomorrow. | 0:09:24 | 0:09:25 | |
Either way, they need to get out of my face. | 0:09:25 | 0:09:27 | |
Stop! | 0:09:27 | 0:09:29 | |
If they won't work seriously, then they can't work with me. | 0:09:29 | 0:09:31 | |
-Get out. -You mean like out of like... -No. Get out! | 0:09:31 | 0:09:35 | |
-I'm down to get out of this rehearsal. -You know what? Yeah. | 0:09:35 | 0:09:39 | |
Yo, looks like it's boys against the girls, then. | 0:09:39 | 0:09:41 | |
Exactly how it should be. | 0:09:41 | 0:09:43 | |
THEY MAKE ANIMAL NOISES | 0:09:44 | 0:09:47 | |
They can go act immature and like children somewhere else. | 0:09:49 | 0:09:51 | |
We don't need them in our dance. This is serious. | 0:09:51 | 0:09:53 | |
It's just wasting so much time. We have to get this done. | 0:09:53 | 0:09:56 | |
Try this one, like boom, pop, down. | 0:10:04 | 0:10:06 | |
-Oh, nice. I like that. -Try it out, bro. | 0:10:06 | 0:10:08 | |
All right. So just come down? | 0:10:08 | 0:10:09 | |
Dude, yo. You almost wrecked my ankle. Wassup, man? | 0:10:09 | 0:10:14 | |
We're in Studio B right now because Emily kind of kicked out | 0:10:14 | 0:10:18 | |
all the boys from Studio A. | 0:10:18 | 0:10:20 | |
I'm Tiffany and I like to... | 0:10:20 | 0:10:24 | |
All right, who am I? | 0:10:25 | 0:10:26 | |
I just really want to fit in. | 0:10:28 | 0:10:30 | |
-Totally Michelle. -Michelle. | 0:10:30 | 0:10:32 | |
We all have the same sense of humour. It's always a fun time. | 0:10:32 | 0:10:35 | |
What about this one? This one! | 0:10:35 | 0:10:37 | |
Hey, guys, er, sorry I'm late. | 0:10:37 | 0:10:38 | |
-Chloe! -Chloe! | 0:10:38 | 0:10:40 | |
Oh, I love working with the boys. | 0:10:40 | 0:10:42 | |
They're so chill and so much fun to be around. | 0:10:42 | 0:10:44 | |
We're going to kill it. | 0:10:44 | 0:10:45 | |
OK, let's start rehearsal. Oh, my goodness. | 0:10:45 | 0:10:47 | |
Emily, please! Go out with me! | 0:10:47 | 0:10:49 | |
Please! | 0:10:49 | 0:10:50 | |
I don't think that's a very good impersonation of me. | 0:10:50 | 0:10:54 | |
Yo, man, I don't even care, 'kay? | 0:10:55 | 0:10:57 | |
Oh, James, James! | 0:10:57 | 0:10:59 | |
-Like, I don't even care anymore. -Oh, you're so good! | 0:10:59 | 0:11:02 | |
Yeah, whatever. | 0:11:02 | 0:11:03 | |
We kind of just impersonated the E Girls | 0:11:05 | 0:11:07 | |
to see how it would go and it was actually really a lot of fun. | 0:11:07 | 0:11:10 | |
I'm not really sure if separating the boys and girls is a great idea. | 0:11:12 | 0:11:15 | |
I don't really think it's going to work. | 0:11:15 | 0:11:17 | |
I think we should work as a team. | 0:11:17 | 0:11:19 | |
Me and James are the focus of this music video | 0:11:19 | 0:11:21 | |
and he is now in another studio completely, | 0:11:21 | 0:11:24 | |
so I don't know what's going to happen with that. | 0:11:24 | 0:11:27 | |
Hey, guys, since you've been working so hard, we got you some pizza. | 0:11:30 | 0:11:33 | |
-Yes! -Yum. -But has anybody seen the boys? | 0:11:33 | 0:11:35 | |
I'm not too worried when Kate and Chris asked where the boys are. | 0:11:35 | 0:11:38 | |
I mean, they rebelled themselves. | 0:11:38 | 0:11:40 | |
It's not like it was my fault they mooed. | 0:11:40 | 0:11:42 | |
-So they're horsing around? -Literally. | 0:11:42 | 0:11:43 | |
Sometimes they get way too out of hand. | 0:11:43 | 0:11:46 | |
-So where are they? -Studio B. | 0:11:46 | 0:11:47 | |
Studio B. All right. Take this. I'll be back. | 0:11:47 | 0:11:51 | |
-I'm so hungry. -No! No pizza until the boys get here. | 0:11:51 | 0:11:54 | |
-What? -But we're hungry! -No! | 0:11:54 | 0:11:56 | |
Dolphin tail! FUNNY NOISES | 0:11:56 | 0:12:00 | |
That was such a knee slapper, right, guys? | 0:12:06 | 0:12:08 | |
When Chris walks in and catches us making fun of his dolphin tail, | 0:12:08 | 0:12:11 | |
the first thing that came to my mind is, "How did you know?" | 0:12:11 | 0:12:14 | |
Studio A, guys. | 0:12:14 | 0:12:16 | |
If you're going to impersonate me, | 0:12:16 | 0:12:17 | |
you've got to do the dolphin tone right. | 0:12:17 | 0:12:19 | |
HIGH-PITCHED DOLPHIN SOUND | 0:12:19 | 0:12:22 | |
Aw! Looks like the animals came back to the farm. | 0:12:36 | 0:12:40 | |
-At least we don't look like them. -Oh, seriously? | 0:12:40 | 0:12:42 | |
You have like a unibrow going on here. | 0:12:42 | 0:12:45 | |
The second the guys walked in, it was conflict again. | 0:12:45 | 0:12:49 | |
EVERYONE ARGUES | 0:12:49 | 0:12:54 | |
HIGH-PITCHED DOLPHIN SOUND | 0:12:54 | 0:12:58 | |
Oh, great, you think that's funny. | 0:13:02 | 0:13:04 | |
Any other dancer would kill for this opportunity. | 0:13:04 | 0:13:07 | |
It's being handed to you and you're throwing it away. | 0:13:07 | 0:13:09 | |
Hm? I'm tired of this. I'm tired of this fighting. | 0:13:09 | 0:13:12 | |
So guess what? I'm calling the band and I'm calling it off. | 0:13:12 | 0:13:16 | |
Kate, please! | 0:13:16 | 0:13:18 | |
Oh, no! It's too late to beg! | 0:13:18 | 0:13:20 | |
It is way too late, OK? I'm sick and tired of this. | 0:13:20 | 0:13:23 | |
No music video. | 0:13:23 | 0:13:25 | |
What? Yeah, good job, guys. | 0:13:25 | 0:13:26 | |
OK, well thanks, boys, for ruining it for everyone. | 0:13:26 | 0:13:29 | |
I was looking forward to working with Brighter Brightest. | 0:13:29 | 0:13:32 | |
It's all Emily's fault. She came up | 0:13:32 | 0:13:34 | |
with horrible choreography and it tore us all apart. | 0:13:34 | 0:13:37 | |
It's kind of like a big weight has been lifted off my shoulders | 0:13:37 | 0:13:39 | |
cos I wasn't able to find anybody to cover my shift. | 0:13:39 | 0:13:43 | |
This whole thing has been James's fault. | 0:13:43 | 0:13:45 | |
I had a chance to be in Brighter Brightest's music video | 0:13:45 | 0:13:48 | |
and now I don't, because of James. | 0:13:48 | 0:13:50 | |
Ms Kate, I can do this. | 0:13:57 | 0:13:59 | |
Emily, clearly you don't have it under control, OK? | 0:13:59 | 0:14:01 | |
Half the dancers are over in Studio B. | 0:14:01 | 0:14:03 | |
Don't even look at me for that. | 0:14:03 | 0:14:05 | |
Yeah, it might have been my fault a little bit. | 0:14:05 | 0:14:07 | |
-Oh, what did you do, James? -Well, I mooed in rehearsal. | 0:14:07 | 0:14:10 | |
I knew it was you! | 0:14:10 | 0:14:12 | |
Yeah, I kind of make animal noises when I'm under stress. | 0:14:12 | 0:14:14 | |
I always have, like since I was a little boy. | 0:14:14 | 0:14:16 | |
This month is cow. | 0:14:16 | 0:14:18 | |
He has never made an animal noise before. | 0:14:18 | 0:14:21 | |
I always have. | 0:14:21 | 0:14:22 | |
-And I know you've been under stress. -She doesn't even know who I am. | 0:14:22 | 0:14:25 | |
-What is wrong with you people? -Wrong with me?! | 0:14:25 | 0:14:27 | |
-I'm not the one mooing. -It was kind of a strategic moo. | 0:14:27 | 0:14:30 | |
Just because I felt like she was riding us so hard. | 0:14:30 | 0:14:32 | |
A strategic moo? That's not even a real thing, James. | 0:14:32 | 0:14:36 | |
I just want to do this music video. | 0:14:36 | 0:14:37 | |
The whole team wants to do this music video. | 0:14:37 | 0:14:39 | |
Yeah, but the problem is that she won't consider our ideas. | 0:14:39 | 0:14:42 | |
If we want to do this video, you have to include everyone's moves. | 0:14:42 | 0:14:45 | |
Everyone's mooooves. | 0:14:45 | 0:14:47 | |
I just think she's silly, but she owns the studio, so... | 0:14:47 | 0:14:51 | |
Fine. Consider the mooooves included. | 0:14:54 | 0:14:58 | |
Thank you. | 0:14:58 | 0:14:59 | |
-HE MIAOWS -Out! | 0:15:01 | 0:15:03 | |
Hurry up. | 0:15:04 | 0:15:06 | |
All right, everybody. | 0:15:07 | 0:15:09 | |
It looks like we will be continuing with the video shoot. | 0:15:09 | 0:15:12 | |
I am so relieved that Emily and James | 0:15:14 | 0:15:18 | |
got the music video back on. | 0:15:18 | 0:15:19 | |
I'm happy I could get the music video back for Riley. | 0:15:19 | 0:15:23 | |
Right now, we're waiting for Brighter Brightest | 0:15:31 | 0:15:33 | |
to come for the music video | 0:15:33 | 0:15:34 | |
and I'm trying to figure out how I'm going to act around them. | 0:15:34 | 0:15:38 | |
All right, listen, I know you can perform | 0:15:38 | 0:15:40 | |
in front of Brighter Brightest. | 0:15:40 | 0:15:42 | |
I don't think so. I mean, every time I see them, I freeze up. | 0:15:42 | 0:15:45 | |
You're tripping out. Just don't concentrate on them so much. | 0:15:45 | 0:15:48 | |
See? You're already more relaxed. | 0:15:48 | 0:15:51 | |
Talking to James, surprisingly, helped. | 0:15:51 | 0:15:55 | |
I don't know, he made me feel a lot better. | 0:15:55 | 0:15:57 | |
Brighter Brightest is in the studio and they're doing | 0:15:57 | 0:16:00 | |
a music video shoot, and I really want to be a part of it. | 0:16:00 | 0:16:02 | |
Hi, um...I'm feeling a little sick | 0:16:02 | 0:16:06 | |
and I'm not going to be able to make it in to my shift. | 0:16:06 | 0:16:09 | |
Yeah, I know, I've had this sick feeling for a while | 0:16:13 | 0:16:16 | |
and I haven't been able to get rid of it. | 0:16:16 | 0:16:18 | |
'It was the only excuse I could come up with under pressure.' | 0:16:18 | 0:16:22 | |
OK, I promise this will not happen again. | 0:16:22 | 0:16:24 | |
'My boss told me that if I miss one more shift, I'll be fired.' | 0:16:24 | 0:16:28 | |
Hello. | 0:16:35 | 0:16:37 | |
-Hey. -Morning. -What? -Hey. | 0:16:37 | 0:16:39 | |
-Wassup, man? -What's goin' on? | 0:16:40 | 0:16:42 | |
You guys, these are the dancers I was telling you about. | 0:16:42 | 0:16:44 | |
So nice to meet you. I've heard so much about you. | 0:16:44 | 0:16:46 | |
She doesn't speak English. | 0:16:46 | 0:16:48 | |
Pleased to meet you. | 0:16:48 | 0:16:50 | |
I'm never going to be able to convince them | 0:16:52 | 0:16:55 | |
that I'm a normal human being. | 0:16:55 | 0:16:56 | |
I'm just hoping that I don't mess up the video. | 0:16:56 | 0:16:59 | |
Brighter Brightest video. Action! | 0:17:04 | 0:17:06 | |
# Can we get right back | 0:17:27 | 0:17:29 | |
# To where we started from? | 0:17:29 | 0:17:32 | |
# When we were just hanging out at your parents' house, well | 0:17:33 | 0:17:39 | |
# When it's all said and done | 0:17:39 | 0:17:41 | |
# I know you're the one | 0:17:41 | 0:17:43 | |
# Cos I'll be, be hanging onto every word you say | 0:17:43 | 0:17:48 | |
# It's my way back down | 0:17:48 | 0:17:51 | |
# And I'll be waiting just to reach you | 0:17:51 | 0:17:56 | |
# Every day on my way back down to you | 0:17:56 | 0:18:00 | |
# Can we get right back? | 0:18:08 | 0:18:11 | |
# Cos I need something, someone to hold me up for now | 0:18:11 | 0:18:16 | |
# Sometimes I feel so lost, so lost | 0:18:16 | 0:18:20 | |
# So when it's all said and done | 0:18:20 | 0:18:23 | |
# I know you're the one for me | 0:18:23 | 0:18:26 | |
# I'll be, be hanging onto every word you say | 0:18:28 | 0:18:33 | |
# It's my way back down | 0:18:33 | 0:18:36 | |
# And I'll be waiting just to reach you | 0:18:36 | 0:18:41 | |
# Every day on my way back down to you | 0:18:41 | 0:18:47 | |
# To you! | 0:18:47 | 0:18:49 | |
# Can we get right back | 0:19:14 | 0:19:18 | |
# To where we started from? | 0:19:18 | 0:19:20 | |
# I'll be | 0:19:23 | 0:19:25 | |
# Be hanging onto every word you say | 0:19:25 | 0:19:28 | |
# It's my way back down | 0:19:28 | 0:19:31 | |
# And I'll be waiting just to reach you every day | 0:19:31 | 0:19:36 | |
# On my way back down to you | 0:19:36 | 0:19:40 | |
# Every day on my way back down to you | 0:19:40 | 0:19:44 | |
# On my way back down to you! # | 0:19:49 | 0:19:53 | |
-And cut. -Woo! | 0:19:53 | 0:19:55 | |
Yo. | 0:20:09 | 0:20:11 | |
Why the long face? | 0:20:11 | 0:20:13 | |
I had a chance to talk to Brighter Brightest and I blew it. | 0:20:13 | 0:20:17 | |
They think I'm from another country. | 0:20:17 | 0:20:19 | |
Yeah, that was a little embarrassing. | 0:20:19 | 0:20:22 | |
It's hard for me to keep control of myself | 0:20:22 | 0:20:24 | |
because I kind of have this surprise planned for her. | 0:20:24 | 0:20:27 | |
But, hey, cheer up. | 0:20:27 | 0:20:29 | |
I've got something for you. | 0:20:29 | 0:20:31 | |
What? | 0:20:31 | 0:20:32 | |
This...this is for you. | 0:20:36 | 0:20:38 | |
Thanks so much. Good luck in our country. | 0:20:40 | 0:20:42 | |
Gracias! | 0:20:44 | 0:20:46 | |
Oh, my gosh! | 0:20:46 | 0:20:48 | |
-Ow! -Sorry. | 0:20:48 | 0:20:50 | |
I think what James did for me was really sweet. | 0:20:50 | 0:20:54 | |
I kind of saw his soft side for the first time. | 0:20:54 | 0:20:56 | |
# Down to you... # | 0:20:56 | 0:20:58 | |
HE BEATBOXES | 0:20:58 | 0:21:00 |