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CHEERING | 0:00:03 | 0:00:04 | |
# Today I travelled to parts unknown | 0:00:18 | 0:00:21 | |
# Left it all behind. # | 0:00:21 | 0:00:24 | |
We are officially back from nationals | 0:00:24 | 0:00:27 | |
and I still can't believe we won. | 0:00:27 | 0:00:28 | |
-CHEERING -Yes! Yes! | 0:00:28 | 0:00:32 | |
With the momentum that we're gaining right now - | 0:00:33 | 0:00:36 | |
we won regionals, we won nationals - I think TNS is ready to | 0:00:36 | 0:00:39 | |
take on internationals. | 0:00:39 | 0:00:41 | |
Whoo! | 0:00:41 | 0:00:43 | |
# So I'm coming home | 0:00:43 | 0:00:46 | |
# Yeah, I'm coming home | 0:00:48 | 0:00:49 | |
-Guys, guys. -Whoo! | 0:00:49 | 0:00:52 | |
# I'm coming home. # | 0:00:52 | 0:00:54 | |
Michelle's not here now, because, unfortunately, | 0:00:54 | 0:00:56 | |
her parents are getting a divorce and she is helping her mum | 0:00:56 | 0:00:59 | |
find a place in Madison. | 0:00:59 | 0:01:00 | |
And Emily's still recovering from that knee injury | 0:01:00 | 0:01:03 | |
that took her out of the finals. | 0:01:03 | 0:01:05 | |
# I'm coming home | 0:01:05 | 0:01:06 | |
# Coming home, coming home | 0:01:06 | 0:01:09 | |
# I'm coming home, coming home to you | 0:01:09 | 0:01:12 | |
# I'm coming home. # | 0:01:12 | 0:01:14 | |
Emily just needs to rest up and we're waiting to see | 0:01:14 | 0:01:16 | |
if she can even dance at all. | 0:01:16 | 0:01:18 | |
The recovery is going well, but we'll see. | 0:01:18 | 0:01:21 | |
# I'm coming home. | 0:01:21 | 0:01:23 | |
# Yeah, I'm coming home. | 0:01:24 | 0:01:26 | |
Hit it! | 0:01:28 | 0:01:29 | |
# I'm coming home, coming home, coming home | 0:01:29 | 0:01:32 | |
Whoo! | 0:01:32 | 0:01:33 | |
# Coming home to you. # | 0:01:34 | 0:01:35 | |
'The duet that Riley and I did at nationals, | 0:01:35 | 0:01:37 | |
'I felt made us closer and am hoping that' | 0:01:37 | 0:01:39 | |
we get to do another one this year. | 0:01:39 | 0:01:41 | |
# Ooh, coming home, home. | 0:01:41 | 0:01:43 | |
Hey! | 0:01:45 | 0:01:46 | |
# Coming home to you. # | 0:01:46 | 0:01:47 | |
'We're just kind of celebrating our nationals win. | 0:01:47 | 0:01:49 | |
'We all heard some bad news that' | 0:01:49 | 0:01:51 | |
we're going to be evicted from the dance studio. | 0:01:51 | 0:01:53 | |
I just really hope that this doesn't jeopardise our chances | 0:01:53 | 0:01:56 | |
of going to internationals. | 0:01:56 | 0:01:57 | |
'We started packing up our stuff and I really don't know what this means | 0:01:57 | 0:02:00 | |
'for The Next Step at this point.' | 0:02:00 | 0:02:02 | |
Right now, we don't really have a place to practise. | 0:02:02 | 0:02:04 | |
Well, you don't have a place to dance right now, I do. | 0:02:04 | 0:02:07 | |
Elite And The Next Step | 0:02:07 | 0:02:09 | |
merge for internationals. | 0:02:09 | 0:02:11 | |
# So yesterday I travelled far from home. # | 0:02:13 | 0:02:18 | |
Right now I don't exactly know | 0:02:18 | 0:02:19 | |
where I stand with The Next Step. | 0:02:19 | 0:02:21 | |
'I came here undercover for Elite, trying to bring them down. | 0:02:21 | 0:02:24 | |
'I didn't want them to go to nationals.' | 0:02:24 | 0:02:26 | |
-I'm really sorry, for everything. -CHEERING | 0:02:26 | 0:02:28 | |
But, when I got there, I realised that it was wrong. | 0:02:28 | 0:02:31 | |
It looks like we have to officially... | 0:02:31 | 0:02:33 | |
..not forfeit. | 0:02:33 | 0:02:35 | |
'Emily hurt herself, | 0:02:35 | 0:02:36 | |
'so I stepped in and helped them win.' | 0:02:36 | 0:02:39 | |
'I totally betrayed Elite. I think that proves' | 0:02:39 | 0:02:41 | |
that they can trust me. | 0:02:41 | 0:02:44 | |
-CHEERING -Whoo! | 0:02:44 | 0:02:45 | |
# I'm coming home | 0:02:45 | 0:02:46 | |
# Coming home | 0:02:49 | 0:02:50 | |
'I feel like we have a better chance than ever. We just came off' | 0:02:52 | 0:02:55 | |
a huge hot streak at nationals. I think we're going to win. | 0:02:55 | 0:03:00 | |
# I'm coming home | 0:03:00 | 0:03:02 | |
Whoo! | 0:03:02 | 0:03:04 | |
# Yeah, I'm coming home. # | 0:03:04 | 0:03:05 | |
Yeah! | 0:03:05 | 0:03:08 | |
Going to The Next Step was probably the best decision | 0:03:08 | 0:03:10 | |
I ever made in my life. | 0:03:10 | 0:03:12 | |
I can't wait to go to internationals with my team. | 0:03:12 | 0:03:15 | |
-Yeah! -ALL: -Oh! | 0:03:15 | 0:03:18 | |
-Hey! -Whoo! -Hey! | 0:03:18 | 0:03:19 | |
# Coming home, coming home | 0:03:19 | 0:03:21 | |
# I'm coming home | 0:03:21 | 0:03:23 | |
# Coming home to you | 0:03:23 | 0:03:25 | |
# I'm coming home | 0:03:25 | 0:03:27 | |
# Oh, I... | 0:03:27 | 0:03:29 | |
# Yeah, I'm coming home | 0:03:29 | 0:03:30 | |
# Coming home, coming home | 0:03:30 | 0:03:33 | |
# I'm coming home, coming home to you | 0:03:33 | 0:03:37 | |
# I'm coming home. | 0:03:37 | 0:03:39 | |
# Coming home, coming home.# | 0:03:39 | 0:03:40 | |
# We, we are gonna show the world | 0:03:42 | 0:03:47 | |
# Everything we're made of | 0:03:47 | 0:03:51 | |
# We're gonna tear the roof off this place | 0:03:51 | 0:03:58 | |
MUSIC BUILDS | 0:04:00 | 0:04:02 | |
# Stand up! # | 0:04:04 | 0:04:05 | |
BASS STARTS | 0:04:05 | 0:04:06 | |
MUSIC BUILDS | 0:04:08 | 0:04:10 | |
SONG ENDS | 0:04:13 | 0:04:14 | |
I've been gone a week and Culture Shock has changed? | 0:04:23 | 0:04:26 | |
What's going on? THEY LAUGH | 0:04:26 | 0:04:27 | |
Yeah, I'm pretty sure it went bankrupt | 0:04:27 | 0:04:29 | |
and then Hidalgo's bought it. | 0:04:29 | 0:04:31 | |
-Actually, I think it's -Hidolgo's. | 0:04:31 | 0:04:33 | |
-I'm pretty sure it's -Hidolgo's. -Yep. | 0:04:33 | 0:04:34 | |
-HE MIMICS HER: -I'm pretty sure it's Hidalgo's. | 0:04:34 | 0:04:36 | |
MICHELLE LAUGHS | 0:04:36 | 0:04:37 | |
'The pronunciation of the coffee shop | 0:04:37 | 0:04:40 | |
-is clearly -Hidalgo's. -OK? I don't know what the girls are saying. | 0:04:40 | 0:04:43 | |
How did it go in Madison? | 0:04:43 | 0:04:45 | |
It was...it was all right. | 0:04:45 | 0:04:47 | |
My mum and I looked at 24 different town houses | 0:04:47 | 0:04:49 | |
-and she didn't like one of them. -Wow. | 0:04:49 | 0:04:51 | |
It's so annoying, my parents are driving me insane. | 0:04:51 | 0:04:54 | |
'Since the win at nationals,' | 0:04:54 | 0:04:56 | |
my parents have actually been going through a divorce. | 0:04:56 | 0:04:59 | |
I can't deal with them any more. | 0:04:59 | 0:05:01 | |
'And my mum really needs me to be there for her right now,' | 0:05:01 | 0:05:04 | |
because she's moving back to Madison. | 0:05:04 | 0:05:06 | |
'I've honestly never been through anything like this before and...' | 0:05:06 | 0:05:10 | |
it's very hard. | 0:05:10 | 0:05:11 | |
Well, at least you'll have two bedrooms now. | 0:05:11 | 0:05:14 | |
And you'll get to celebrate your birthday twice. | 0:05:14 | 0:05:16 | |
And I know when my friend's parents got divorced, | 0:05:16 | 0:05:18 | |
she got a whole two new wardrobes. | 0:05:18 | 0:05:20 | |
-Oh! -And she got a puppy. -THEY LAUGH | 0:05:20 | 0:05:22 | |
-Come on, Amanda. We have an Elite meeting. -No, thanks. | 0:05:22 | 0:05:25 | |
-I'm with The Next Step now. -What are you talking about? | 0:05:25 | 0:05:28 | |
I'm talking about I'm with The Next Step now. | 0:05:28 | 0:05:30 | |
I hope you realise that there's going to be consequences. | 0:05:30 | 0:05:33 | |
That's fine. | 0:05:33 | 0:05:35 | |
Come on, Tess. | 0:05:35 | 0:05:36 | |
-TESS SIGHS -Chantelle, let's go. | 0:05:36 | 0:05:38 | |
'If Elite is questioning what team I'm on,' | 0:05:38 | 0:05:41 | |
I'm sure The Next Step is, too. | 0:05:41 | 0:05:42 | |
Do you ever miss your old team? | 0:05:42 | 0:05:45 | |
Miss that? | 0:05:45 | 0:05:46 | |
Erm, no. But it definitely is awkward. | 0:05:46 | 0:05:49 | |
I don't know if I'll ever fully trust her. | 0:05:49 | 0:05:51 | |
If you betrayed us once, why wouldn't you betray us again? | 0:05:51 | 0:05:54 | |
We've seen kind of two sides of Amanda | 0:05:54 | 0:05:56 | |
and we don't really know what to think about her. | 0:05:56 | 0:05:59 | |
It's different now and I'll do anything to prove that to you guys. | 0:05:59 | 0:06:02 | |
I can even spy on Elite, if you want. | 0:06:02 | 0:06:04 | |
Let's not stoop to their level. | 0:06:04 | 0:06:05 | |
-Yeah, you're right. Scheming days are over! -Yeah! -Good. | 0:06:05 | 0:06:10 | |
You know what you can do, though? | 0:06:10 | 0:06:11 | |
You can go around and spy on some people here | 0:06:11 | 0:06:13 | |
-and figure out what the proper pronunciation of -Hidalgo's -is. | 0:06:13 | 0:06:18 | |
-Whatever makes you happy. -Or not. | 0:06:18 | 0:06:20 | |
THEY LAUGH | 0:06:20 | 0:06:21 | |
-Yo, check this out. Bam, bam, bam, bam. Oh! -Seriously? | 0:06:24 | 0:06:28 | |
Yo, I wonder where internationals are going to be held this year. | 0:06:28 | 0:06:30 | |
Hopefully it's Barcelona, because I have been working on my Spanish. | 0:06:30 | 0:06:33 | |
HE SPEAKS SPANISH | 0:06:33 | 0:06:36 | |
I'm pretty sure you just said I look like a potato. | 0:06:36 | 0:06:39 | |
Don't even bother. We're probably not even going to make it | 0:06:39 | 0:06:41 | |
to internationals this year. | 0:06:41 | 0:06:42 | |
'We don't even have a space to rehearse right now.' | 0:06:42 | 0:06:45 | |
-How are we going to come up with a dance that's -so -amazing | 0:06:45 | 0:06:48 | |
that it's going to win internationals? | 0:06:48 | 0:06:50 | |
We'll figure it out, we always do. | 0:06:50 | 0:06:52 | |
I'm not so sure. | 0:06:52 | 0:06:53 | |
-James! -Yo! | 0:06:53 | 0:06:55 | |
-We've got practice, man! -For what? | 0:06:55 | 0:06:57 | |
-We've got to get ready for upcoming gigs. -We have a gig? | 0:06:57 | 0:07:01 | |
Not yet. That's why I said upcoming. | 0:07:01 | 0:07:03 | |
'Luke is the lead singer of this new band I'm a part of. | 0:07:03 | 0:07:05 | |
He plays drums, I'm the lead vocalist and I also play guitar. | 0:07:05 | 0:07:08 | |
We've been practising a lot lately | 0:07:08 | 0:07:10 | |
and we're starting to sound pretty good. | 0:07:10 | 0:07:12 | |
-Come on, man! Hey, Riley. -OK. -Hi. | 0:07:12 | 0:07:14 | |
Oh, yo, you want to come to Aunt Kathy's later? | 0:07:14 | 0:07:16 | |
-Why? -Oh, you'll see. | 0:07:16 | 0:07:18 | |
OK. Adios muchachos! | 0:07:18 | 0:07:21 | |
What? | 0:07:21 | 0:07:23 | |
Seriously? | 0:07:23 | 0:07:24 | |
-Hey, man. -What's up, bro? | 0:07:24 | 0:07:26 | |
# Don't want to make your heart break | 0:07:26 | 0:07:28 | |
# Whoa, oh, oh, whoa, oh, oh | 0:07:28 | 0:07:31 | |
# Whoa, oh, oh, oh-oh! | 0:07:32 | 0:07:34 | |
# Don't want to make your heart break. # | 0:07:34 | 0:07:36 | |
KATE SIGHS | 0:07:39 | 0:07:40 | |
-Kate? -What? | 0:07:42 | 0:07:44 | |
Would you sit down? You're stressing me out. | 0:07:44 | 0:07:46 | |
'Now, Phoebe and I are in Hidalgo's | 0:07:46 | 0:07:48 | |
'waiting to meet the new owner of the building.' | 0:07:48 | 0:07:50 | |
We are just crossing our fingers | 0:07:50 | 0:07:51 | |
and hoping that the owner will give The Next Step a reprieve | 0:07:51 | 0:07:54 | |
and allow us to stay in the building for at least this year. | 0:07:54 | 0:07:57 | |
-Listen, do you have a plan B? -No, I don't have a plan B. | 0:07:57 | 0:08:00 | |
'Having a plan B is always important,' | 0:08:00 | 0:08:02 | |
because plan A tends to fall through. | 0:08:02 | 0:08:06 | |
A lot. | 0:08:06 | 0:08:07 | |
-Do you have a plan B? -Yes, Kate. You know I have a plan B. I always do. | 0:08:07 | 0:08:10 | |
And that is to move to Tennessee and become a horse whisperer. | 0:08:10 | 0:08:13 | |
You can't talk to horses, Phoebe. | 0:08:13 | 0:08:15 | |
You don't talk to them, you whisper. They have very sensitive hearing. | 0:08:15 | 0:08:18 | |
OK, that doesn't really help us, | 0:08:18 | 0:08:19 | |
because we still don't have a studio. | 0:08:19 | 0:08:21 | |
I know, I just hope that whoever this owner is, | 0:08:21 | 0:08:23 | |
he's a kind and gentle soul, because, if we don't have a studio | 0:08:23 | 0:08:26 | |
to rehearse in, we're not going to be ready for internationals. | 0:08:26 | 0:08:28 | |
-Thanks for stating the obvious. -You're welcome. | 0:08:28 | 0:08:30 | |
-Ladies! -Oh, great! What are you doing here? | 0:08:30 | 0:08:34 | |
We've already told you, we have zero interest in merging with Elite. | 0:08:34 | 0:08:37 | |
-Don't you want to meet the owner of the building? -Yes, we do. | 0:08:37 | 0:08:39 | |
We're waiting for him, so you should probably go. | 0:08:39 | 0:08:42 | |
Sorry I was late, I just had to stop | 0:08:42 | 0:08:44 | |
and get the keys to my new studio! | 0:08:44 | 0:08:46 | |
-That's right. -I -bought the building. -Oh, no. | 0:08:46 | 0:08:49 | |
'I'm shocked.' | 0:08:49 | 0:08:50 | |
I can't believe he would do something like that. | 0:08:50 | 0:08:52 | |
Actually, that's a lie. Of course I can. | 0:08:52 | 0:08:54 | |
Phoebe and Kate are always one step behind me | 0:08:54 | 0:08:56 | |
and I'm always five steps ahead of them. | 0:08:56 | 0:08:59 | |
And Kate has no choice but to merge with Elite | 0:08:59 | 0:09:02 | |
and I go to internationals. | 0:09:02 | 0:09:04 | |
What more do you want? I already gave The Next Step a week extension | 0:09:04 | 0:09:07 | |
before I shut the place down. Wasn't that nice of me? | 0:09:07 | 0:09:10 | |
-That was nice of you. -No, Phoebe, it was not nice! | 0:09:10 | 0:09:12 | |
That was not nice of you. | 0:09:12 | 0:09:14 | |
SHE WHISPERS: It was nice. | 0:09:14 | 0:09:15 | |
This is ridiculous! You're making an impossible situation | 0:09:15 | 0:09:18 | |
even more impossible. | 0:09:18 | 0:09:19 | |
After that? Mm. | 0:09:24 | 0:09:26 | |
DRUM BANGS | 0:09:26 | 0:09:27 | |
'Luke and I have been hitting the music room pretty regularly.' | 0:09:28 | 0:09:31 | |
'There's something really cool about the vibe' | 0:09:31 | 0:09:34 | |
when we play together. | 0:09:34 | 0:09:35 | |
'I love working with James. | 0:09:38 | 0:09:39 | |
I think he's a great drummer. He finds it a little hard to balance | 0:09:39 | 0:09:42 | |
between the band and dance, but he finds his way. | 0:09:42 | 0:09:44 | |
THEY TALK | 0:09:47 | 0:09:49 | |
'We see Luke and James in the music room | 0:09:49 | 0:09:51 | |
and they're jamming, so, of course, | 0:09:51 | 0:09:53 | |
what do we do? Go in and jam with them. | 0:09:53 | 0:09:55 | |
'Watching the guys dance just reminds me | 0:10:01 | 0:10:03 | |
'of how long it's been since we've all just hung out and cut loose.' | 0:10:03 | 0:10:07 | |
CHEERING | 0:10:08 | 0:10:11 | |
'Leading up to nationals, | 0:10:16 | 0:10:17 | |
'we used to hang out all the time. We were bros and...' | 0:10:17 | 0:10:20 | |
now he's spending a lot of time with the band and... | 0:10:20 | 0:10:23 | |
I mean, it's all good, but... | 0:10:23 | 0:10:25 | |
I kind of miss it. | 0:10:25 | 0:10:26 | |
MUSIC QUICKENS | 0:10:26 | 0:10:27 | |
'James has been spending more time with the band, | 0:10:28 | 0:10:31 | |
'but that's his focus now and, | 0:10:31 | 0:10:33 | |
'as his friend, I have to let him go do that.' | 0:10:33 | 0:10:36 | |
I just hope he's ready to balance music and internationals. | 0:10:36 | 0:10:40 | |
SONG ENDS | 0:10:44 | 0:10:45 | |
-Whoo! -Yes! -THEY LAUGH | 0:10:45 | 0:10:47 | |
-OK! -Wah! | 0:10:47 | 0:10:48 | |
# Woah-oh, oh, oh, oh | 0:10:48 | 0:10:50 | |
# Woah-oh, oh, oh, oh | 0:10:50 | 0:10:51 | |
# Woah-oh! # | 0:10:51 | 0:10:54 | |
THEY TALK | 0:10:56 | 0:10:58 | |
-There's no way that Lucien bought this building. -He went bankrupt | 0:10:58 | 0:11:01 | |
-a couple of years back. -I heard one of his students bought it for him. | 0:11:01 | 0:11:04 | |
-How did they have that much money? -THEY TALK | 0:11:04 | 0:11:06 | |
Yo, take in that Lucien actually bought this place. | 0:11:06 | 0:11:08 | |
-Wow! He straight bought it out? -Just bought it! | 0:11:08 | 0:11:10 | |
No, dude, I heard he bought all the studios in the city. | 0:11:10 | 0:11:13 | |
Dude, not even just the city, the region. | 0:11:13 | 0:11:15 | |
Oh! | 0:11:15 | 0:11:16 | |
All I know is that Lucien bought all the studios in the country | 0:11:16 | 0:11:19 | |
and he's trying to turn them into ice cream shops. | 0:11:19 | 0:11:22 | |
-All right, everyone gather round. -THEY TALK | 0:11:22 | 0:11:24 | |
'I think it's time that the dancers know the truth. | 0:11:24 | 0:11:27 | |
'They've heard so many rumours and it's my duty' | 0:11:27 | 0:11:30 | |
to set them straight and let them know what's happening. | 0:11:30 | 0:11:33 | |
-Lucien has bought the building. -What? -He actually bought it. | 0:11:33 | 0:11:36 | |
-How can he do that? -He's insisting that we merge with Elite, otherwise | 0:11:36 | 0:11:39 | |
he will shut the studio down and The Next Step | 0:11:39 | 0:11:41 | |
will not be able to compete at internationals. | 0:11:41 | 0:11:43 | |
-Wow. -Are you kidding? -THEY TALK | 0:11:43 | 0:11:45 | |
-No! There -has -to be another way. -There is no other way! | 0:11:45 | 0:11:47 | |
We have no time to find another way! | 0:11:47 | 0:11:49 | |
'I'm in shock. I didn't think he would go this far.' | 0:11:49 | 0:11:51 | |
This is our home, he has no right to be here. | 0:11:51 | 0:11:53 | |
No! | 0:11:53 | 0:11:54 | |
'We're in the middle of the dance season, there is zero time' | 0:11:54 | 0:11:57 | |
to figure this out before internationals. | 0:11:57 | 0:11:59 | |
You guys! You guys! Look what just came in the mail. | 0:11:59 | 0:12:02 | |
-It's from The International Board. -Ooh. -And I'm so excited to read it. | 0:12:02 | 0:12:05 | |
I'm just... | 0:12:05 | 0:12:06 | |
-SHE CLEARS HER THROAT -That was rude. | 0:12:06 | 0:12:08 | |
You guys? | 0:12:08 | 0:12:10 | |
Internationals is in Miami! | 0:12:10 | 0:12:11 | |
CHEERING | 0:12:11 | 0:12:13 | |
'I can't believe that internationals are being held in Miami.' | 0:12:13 | 0:12:16 | |
'Now that's a nice spot to have some internationals.' | 0:12:16 | 0:12:18 | |
Sweet! That means I can drop some of my Spanish there. | 0:12:18 | 0:12:21 | |
HE SPEAKS SPANISH: Tu ves patata. | 0:12:21 | 0:12:24 | |
THEY TALK EXCITEDLY | 0:12:24 | 0:12:25 | |
-Guys! -There's an exchange programme. Someone gets to go to Sweden. | 0:12:25 | 0:12:28 | |
-THEY TALK -Does that mean that someone | 0:12:28 | 0:12:29 | |
-from another country gets to come to The Next Step? -Yes! | 0:12:29 | 0:12:32 | |
Guys, I wouldn't get so excited. | 0:12:32 | 0:12:34 | |
At this point, we're not even going to internationals. | 0:12:34 | 0:12:37 | |
'We don't even have a studio to rehearse in. | 0:12:37 | 0:12:39 | |
'I really hope The Next Step finds a way to get to internationals, | 0:12:39 | 0:12:42 | |
'but, as of right now,' | 0:12:42 | 0:12:44 | |
it doesn't look like we're going. | 0:12:44 | 0:12:46 | |
# How could someone be so low? | 0:12:49 | 0:12:53 | |
# How could you be so low? # | 0:12:53 | 0:12:55 | |
'I have no idea why James brought me to Aunt Kathy's. | 0:12:58 | 0:13:01 | |
'I'm a little uncomfortable, because I've never been' | 0:13:01 | 0:13:03 | |
to Aunt Kathy's before and I don't even know if she knows | 0:13:03 | 0:13:07 | |
that I'm here. | 0:13:07 | 0:13:08 | |
OK, Ja...! | 0:13:08 | 0:13:09 | |
SHE GASPS | 0:13:09 | 0:13:11 | |
Now, Riley! Oh-ho! | 0:13:11 | 0:13:14 | |
Oh! | 0:13:14 | 0:13:16 | |
-Well, what a very sweet surprise! -Oh! | 0:13:16 | 0:13:18 | |
Aren't you just as adorable as ever? | 0:13:18 | 0:13:21 | |
Put that down, James. Come, come. I need your help here. | 0:13:21 | 0:13:24 | |
HE SIGHS | 0:13:24 | 0:13:25 | |
SHE SIGHS | 0:13:25 | 0:13:26 | |
Yes. I've got a mess on my hands. | 0:13:26 | 0:13:29 | |
-Congratulations on the engagement. Let me see that bad boy. -Ooh! | 0:13:29 | 0:13:32 | |
-You like that? -So who's the idiot? | 0:13:32 | 0:13:35 | |
-I mean lucky guy. -Mm-hm. -When will we get to meet him? | 0:13:35 | 0:13:38 | |
-When will -you -get to meet him? | 0:13:38 | 0:13:40 | |
-When will -I -get to meet him? | 0:13:40 | 0:13:41 | |
-THEY LAUGH -Oh, man! | 0:13:41 | 0:13:44 | |
What, you haven't even met him yet? | 0:13:44 | 0:13:46 | |
W-Well, of course I've met him! | 0:13:46 | 0:13:49 | |
-Er, Riley, sit down. -Y-Yeah. Make yourself comfortable, honey. -Yeah. | 0:13:49 | 0:13:52 | |
'Aunt Kathy can be summed up in two words - ' | 0:13:52 | 0:13:55 | |
"koo" and "ky". | 0:13:55 | 0:13:56 | |
Hey, how's your knee? | 0:14:03 | 0:14:05 | |
It's getting better. | 0:14:05 | 0:14:07 | |
That's great. So, tell me all about nationals. | 0:14:07 | 0:14:10 | |
It was...spectacular. Like nothing you've ever seen. | 0:14:10 | 0:14:14 | |
But wasn't it kind of weird that you weren't able to dance | 0:14:14 | 0:14:16 | |
with your team in the finals? | 0:14:16 | 0:14:18 | |
Er, yeah, it was weird, | 0:14:18 | 0:14:19 | |
but I'm just focusing on dancing at internationals. | 0:14:19 | 0:14:22 | |
Well, I hope you go. | 0:14:22 | 0:14:24 | |
But, if not, just know that you were such a great dance captain. | 0:14:24 | 0:14:27 | |
-I'm not dead yet. -Oh, come on, look at your knee. | 0:14:27 | 0:14:31 | |
Every dance captain's career has to come to an end at some point. | 0:14:31 | 0:14:35 | |
All right. Thank you. | 0:14:35 | 0:14:38 | |
No problem. | 0:14:38 | 0:14:39 | |
'My career is definitely not over.' | 0:14:40 | 0:14:43 | |
110% of me will be dancing at internationals. | 0:14:43 | 0:14:46 | |
-The seating plan. -The seating plan. | 0:14:48 | 0:14:50 | |
Your mama and I have worked at this for two solid weeks and I believe... | 0:14:50 | 0:14:54 | |
-we have something good to present to you. -Let's check it out. | 0:14:54 | 0:14:56 | |
Wait, present? Why do you need to present it to him? | 0:14:56 | 0:14:59 | |
Oh, well...James has a gift, you see. | 0:14:59 | 0:15:02 | |
He has this uncanny ability to know | 0:15:02 | 0:15:05 | |
who should be seated beside him. | 0:15:05 | 0:15:08 | |
'James is gifted at seating arrangements?' | 0:15:08 | 0:15:11 | |
Like that's a thing? Really? | 0:15:11 | 0:15:14 | |
Uncle Maurice, he cannot be to the right of Aunt Betty. | 0:15:14 | 0:15:16 | |
-He has to be on the left. He'll make fun of her glass eye. -Ah, of course! | 0:15:16 | 0:15:20 | |
'This plan is a mess. It was put together by amateurs.' | 0:15:20 | 0:15:23 | |
-This is going to be a -long -day. | 0:15:23 | 0:15:25 | |
We'll put Wilma next to Ingrid, which is perfect, | 0:15:25 | 0:15:27 | |
cos Wilma has been studying Italian. Ingrid speaks fluent Italian. Boom! | 0:15:27 | 0:15:31 | |
They're just going to be speaking it up the whole time. | 0:15:31 | 0:15:33 | |
At my family weddings, we just do it the old-fashioned way. | 0:15:33 | 0:15:36 | |
You sit beside each other and you make small talk. | 0:15:36 | 0:15:38 | |
No-one has to get along. | 0:15:38 | 0:15:39 | |
-OK, now, the rest of number nine. -HE SIGHS | 0:15:39 | 0:15:42 | |
-Mm. -Wait, erm, how...how long is this going to take? | 0:15:42 | 0:15:45 | |
Oh, are you in a rush, honey? | 0:15:45 | 0:15:46 | |
Yeah. Well, you know what? She's right. This going to take a while. | 0:15:46 | 0:15:49 | |
You know what would be great? | 0:15:49 | 0:15:50 | |
-Some sandwiches. -For you, anything. -Oh! | 0:15:50 | 0:15:53 | |
This is going to be a long day. | 0:15:53 | 0:15:55 | |
DANCE MUSIC PLAYS | 0:15:58 | 0:16:00 | |
No, listen, you talk to your own hand. | 0:16:04 | 0:16:07 | |
VOICE TALKS ON PHONE | 0:16:07 | 0:16:08 | |
I will not speak to your hand like that. I... | 0:16:08 | 0:16:11 | |
How dare you! You own a yoga studio. You should... | 0:16:11 | 0:16:14 | |
PHONE GOES DEAD | 0:16:14 | 0:16:15 | |
Right. She hung up on me. | 0:16:15 | 0:16:18 | |
'Right now, Kate, Phoebe and I are trying to figure out' | 0:16:18 | 0:16:21 | |
where we're going to rehearse | 0:16:21 | 0:16:22 | |
and what to do about this eviction. | 0:16:22 | 0:16:24 | |
That was the last yoga studio in this city. | 0:16:24 | 0:16:26 | |
'I've been on the phone all afternoon, | 0:16:26 | 0:16:28 | |
'calling these yoga studios.' | 0:16:28 | 0:16:30 | |
It may not be a dance studio, it doesn't have the mirrors, | 0:16:30 | 0:16:32 | |
but it's a great open space that we could rehearse in. | 0:16:32 | 0:16:35 | |
They don't want to rent to us. | 0:16:35 | 0:16:36 | |
She said, "I don't want The Next Step in here. | 0:16:36 | 0:16:38 | |
"I don't want your bad vibes in here." | 0:16:38 | 0:16:40 | |
And I said, "Listen, lady. I will cleanse the space. | 0:16:40 | 0:16:43 | |
"I will cleanse the aura of the space." | 0:16:43 | 0:16:45 | |
And she was like, "You are not a good energy healer. | 0:16:45 | 0:16:48 | |
-"You don't know how to cleanse..." -Phoebe? Phoebe? | 0:16:48 | 0:16:50 | |
-We were here. We heard it all. -Yeah, but you did not hear the other side. | 0:16:50 | 0:16:53 | |
Look, it doesn't matter, because every single dance studio | 0:16:53 | 0:16:56 | |
I have called will not rent to us either. | 0:16:56 | 0:16:59 | |
It's like Lucien got to them first and warned them not to help us. | 0:16:59 | 0:17:02 | |
'At this point, I don't think there's anything else we can do.' | 0:17:02 | 0:17:05 | |
We've run out of options. | 0:17:05 | 0:17:06 | |
-PHOEBE SIGHS -I hate to say it, guys. | 0:17:06 | 0:17:08 | |
I don't even want to say his name. | 0:17:08 | 0:17:11 | |
But I think Lucien has won. | 0:17:12 | 0:17:14 | |
We only have one option. | 0:17:14 | 0:17:15 | |
We have to merge. | 0:17:17 | 0:17:19 | |
'I feel like merging would just be the worst idea.' | 0:17:19 | 0:17:23 | |
I just don't think it would ever work out. | 0:17:23 | 0:17:26 | |
'It's unbelievable. We're going to have to meet with Lucien' | 0:17:26 | 0:17:28 | |
and listen to his terms. | 0:17:28 | 0:17:31 | |
Right now, I'm at the ballet bar. | 0:17:41 | 0:17:43 | |
I just find it a really safe place for me to just | 0:17:43 | 0:17:45 | |
put pressure on my knee and try to strengthen it | 0:17:45 | 0:17:47 | |
and work through the injury. | 0:17:47 | 0:17:49 | |
SHE SIGHS | 0:17:50 | 0:17:51 | |
'When I see Emily in the studio, erm... | 0:17:54 | 0:17:56 | |
'it's kind of awkward, cos we kind of...' | 0:17:56 | 0:17:59 | |
kissed at nationals. | 0:17:59 | 0:18:01 | |
Er, I just kind of don't really know where we stand. | 0:18:01 | 0:18:03 | |
-Hey. -Hey. | 0:18:05 | 0:18:07 | |
-How's the knee? -Erm... | 0:18:07 | 0:18:09 | |
Honestly, a little stiff right now. | 0:18:10 | 0:18:12 | |
-But it's getting better. -Cool. | 0:18:12 | 0:18:15 | |
'After my injury, there's been a lot going on' | 0:18:15 | 0:18:17 | |
and my mind just isn't on him right now. | 0:18:17 | 0:18:20 | |
Will it be good for internationals? | 0:18:20 | 0:18:22 | |
I think so. | 0:18:22 | 0:18:23 | |
I mean, I've been going to physio twice a week and my doctor says | 0:18:23 | 0:18:26 | |
I'm making good progress, so I really don't see why not. | 0:18:26 | 0:18:30 | |
-So you can stay? -Yeah. | 0:18:30 | 0:18:31 | |
Er, why don't I, er... | 0:18:36 | 0:18:39 | |
-keep you company? -Sure. | 0:18:39 | 0:18:42 | |
'I realise now, that with all the drama that's happening with her | 0:18:42 | 0:18:44 | |
'and with the troop,' | 0:18:44 | 0:18:46 | |
I know that there's really no hope for this relationship. | 0:18:46 | 0:18:49 | |
But I still really want to be friends, | 0:18:49 | 0:18:51 | |
so I'm not really sure what to say to him. | 0:18:51 | 0:18:54 | |
All I know is that Emily needs a friend | 0:18:54 | 0:18:56 | |
and I'm going to be the best friend that I can be for her. | 0:18:56 | 0:18:59 | |
We're going to need to work on that turned-out toe. | 0:18:59 | 0:19:02 | |
Really? OK. | 0:19:02 | 0:19:04 | |
'I think we both understand what's going on.' | 0:19:04 | 0:19:07 | |
We're friends and that's it. | 0:19:07 | 0:19:09 | |
My goodness, I got it. Ricky... | 0:19:19 | 0:19:20 | |
..moves to table one. | 0:19:22 | 0:19:24 | |
-Next to Manny. -SHE GASPS | 0:19:24 | 0:19:27 | |
-Hallelujah! -Yes, that's it! | 0:19:27 | 0:19:29 | |
-Done! -You have done it, sir! -Done! -All right! Now... | 0:19:29 | 0:19:33 | |
-for the groom's side. Yeah! -Groom's side, let's do it. | 0:19:33 | 0:19:37 | |
RILEY MUMBLES | 0:19:37 | 0:19:39 | |
RILEY SNORES | 0:19:39 | 0:19:40 | |
The last thing I remember before I fell asleep | 0:19:40 | 0:19:43 | |
was that Ricky is sitting next to the sea captain. | 0:19:43 | 0:19:46 | |
It was brilliant. | 0:19:46 | 0:19:47 | |
..cos of nationals. | 0:19:52 | 0:19:54 | |
THEY CHATTER | 0:19:54 | 0:19:55 | |
-So keep me posted? -Yes, I will. | 0:19:56 | 0:19:59 | |
-THEY FALL SILENT -What's going on? | 0:19:59 | 0:20:01 | |
LUCIEN APPROACHES | 0:20:01 | 0:20:03 | |
Erm, you should probably go. | 0:20:03 | 0:20:05 | |
Kate, it's been a week since I gave you that extension. | 0:20:05 | 0:20:08 | |
What's your decision? | 0:20:08 | 0:20:10 | |
-We should go speak in my office. -Fine. | 0:20:13 | 0:20:16 | |
-Phoebe? -Let's go. | 0:20:16 | 0:20:17 | |
What's going on? | 0:20:19 | 0:20:21 | |
'When Lucien is involved, it's never, ever a good thing.' | 0:20:21 | 0:20:25 | |
So why is he here? | 0:20:25 | 0:20:26 | |
'It boils my blood. | 0:20:28 | 0:20:30 | |
'He makes all of us angry,' | 0:20:30 | 0:20:31 | |
just because we know what kind of person he is. | 0:20:31 | 0:20:33 | |
I have no idea what's going on in Miss Kate's office, | 0:20:35 | 0:20:38 | |
but all of us are freaking out. | 0:20:38 | 0:20:40 | |
It can't be good news for us. | 0:20:40 | 0:20:42 | |
Are you ready to make a deal? | 0:20:42 | 0:20:44 | |
Time's up. | 0:20:48 | 0:20:49 | |
'I can see the aggression in his face' | 0:20:49 | 0:20:53 | |
and it's not OK. | 0:20:53 | 0:20:54 | |
We've lost and Lucien has won. | 0:20:54 | 0:20:57 | |
There's no way around it. | 0:20:57 | 0:20:59 | |
The Next Step will have to merge with Elite. | 0:20:59 | 0:21:02 | |
# We, we are gonna show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You, you can never fade us out | 0:21:20 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this land. # | 0:21:29 | 0:21:33 |