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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
Sorry I was late, I just had to stop and get the keys to my new studio! | 0:00:04 | 0:00:08 | |
Every single dance studio I have called will not rent to us either. | 0:00:08 | 0:00:12 | |
We have to merge. | 0:00:12 | 0:00:14 | |
I feel like merging would just be the WORST idea. | 0:00:14 | 0:00:18 | |
I'm just focusing on dancing at internationals. | 0:00:18 | 0:00:20 | |
Well, I hope you go. | 0:00:20 | 0:00:22 | |
But if not, just know that you were such a great dance captain. | 0:00:22 | 0:00:26 | |
Come on, Amanda, we have an Elite meeting. | 0:00:26 | 0:00:27 | |
But I'm with The Next Step now. | 0:00:27 | 0:00:29 | |
I hope you realise that there is going to be consequences. | 0:00:29 | 0:00:32 | |
I honestly still don't fully trust Amanda. | 0:00:32 | 0:00:34 | |
We are going to have to meet with Lucien | 0:00:34 | 0:00:37 | |
and listen to his terms. | 0:00:37 | 0:00:39 | |
# Well, hey, you, what do you say? | 0:00:39 | 0:00:41 | |
# I been thinking 'bout you since yesterday... # | 0:00:41 | 0:00:44 | |
Are you ready to make a deal? | 0:00:49 | 0:00:52 | |
'Phoebe and Kate are going to be excited to accept my offer.' | 0:00:52 | 0:00:55 | |
The same way someone is while they are being attacked by a lion! | 0:00:55 | 0:00:59 | |
Lucien is playing hardball with us. | 0:00:59 | 0:01:01 | |
He's not going to go out without a fight | 0:01:01 | 0:01:03 | |
and he basically has us in a really tough situation right now. | 0:01:03 | 0:01:07 | |
When Lucien is involved, it's never, ever a good thing. | 0:01:07 | 0:01:11 | |
What exactly are we talking about here? | 0:01:11 | 0:01:13 | |
A competition. Elite against The Next Step. | 0:01:13 | 0:01:17 | |
12 dancers from each team, | 0:01:17 | 0:01:18 | |
we put their names in a hat, we pull out two names and they battle. | 0:01:18 | 0:01:22 | |
At the end of the competition, | 0:01:22 | 0:01:24 | |
the 12 remaining dancers go to internationals. | 0:01:24 | 0:01:27 | |
OK, but what happens | 0:01:27 | 0:01:28 | |
if a Next Step dancer pulls out another Next Step dancer's name? | 0:01:28 | 0:01:31 | |
Do they compete against each other? | 0:01:31 | 0:01:33 | |
Of course! It's a democracy, ladies. It's only fair. | 0:01:33 | 0:01:36 | |
What if we do have to compete against ourselves? | 0:01:36 | 0:01:40 | |
-You are evil. -I have evil for lunch. | 0:01:40 | 0:01:43 | |
You shouldn't be eating that. | 0:01:43 | 0:01:45 | |
All you have to do is get seven out of 12 Next Step dancers | 0:01:45 | 0:01:48 | |
on the internationals team and I'm gone forever. | 0:01:48 | 0:01:51 | |
-Good. -Great. | 0:01:51 | 0:01:53 | |
But if I get seven Elite dancers on the team, you two are gone for good. | 0:01:53 | 0:01:57 | |
'I have no idea what's going on in Miss Kate's office,' | 0:01:57 | 0:02:00 | |
but all of us are freaking out. | 0:02:00 | 0:02:02 | |
What do you think, Phoebe? Can we do this? | 0:02:02 | 0:02:05 | |
We don't have a choice. | 0:02:05 | 0:02:06 | |
I hate to admit it, but I know she's right. | 0:02:08 | 0:02:10 | |
We have no other option. | 0:02:10 | 0:02:11 | |
This is the only way we could potentially | 0:02:11 | 0:02:13 | |
keep The Next Step studio. | 0:02:13 | 0:02:16 | |
Fine! | 0:02:16 | 0:02:17 | |
Why is Miss Kate shaking his hand? | 0:02:20 | 0:02:23 | |
I don't know, but whatever this decision was, | 0:02:23 | 0:02:25 | |
I don't think Miss Kate had a choice. | 0:02:25 | 0:02:27 | |
At this point, Miss Kate | 0:02:27 | 0:02:29 | |
doesn't look very happy, | 0:02:29 | 0:02:30 | |
but I know that she has our best interest in mind | 0:02:30 | 0:02:33 | |
and I don't think she would let anything happen to our team. | 0:02:33 | 0:02:35 | |
If we are going to lose the studio, we are going to go out with a fight. | 0:02:35 | 0:02:39 | |
# We | 0:02:39 | 0:02:41 | |
# We're going to show the world | 0:02:41 | 0:02:45 | |
# Everything we're made of | 0:02:45 | 0:02:48 | |
# We're going to tear the roof off this place | 0:02:48 | 0:02:56 | |
# Stand up! # | 0:03:01 | 0:03:03 | |
Right now, Riley and I are working on a dance for my Aunt Kathy's wedding. | 0:03:28 | 0:03:31 | |
It's got some pretty sweet choreo and I know... | 0:03:31 | 0:03:34 | |
everyone's going to go crazy when they see us dance together. | 0:03:34 | 0:03:37 | |
James thinks that working on the dance will | 0:03:37 | 0:03:39 | |
be a fun distraction from all the drama | 0:03:39 | 0:03:41 | |
that's going on with the studio, and I hope he's right. | 0:03:41 | 0:03:44 | |
# I need you now I'm alone and I'm wasting away without you | 0:03:45 | 0:03:51 | |
# Yeah, I need you now I'm alone and I'm wasting away without you | 0:03:51 | 0:03:56 | |
# You're my sun, my stars, my everything | 0:04:05 | 0:04:08 | |
# You're the reason... # | 0:04:11 | 0:04:13 | |
I've always loved to dance, and since Riley's been in my life, | 0:04:13 | 0:04:16 | |
it's always better with her, so I couldn't be happier. | 0:04:16 | 0:04:19 | |
# Oh-whoa-whoa | 0:04:19 | 0:04:22 | |
# Oh-whoa-whoa | 0:04:23 | 0:04:25 | |
# Oh-whoa-whoa. # | 0:04:26 | 0:04:28 | |
THEY EXHALE | 0:04:30 | 0:04:32 | |
-Wow! We need to work on that. -Just a little bit. | 0:04:32 | 0:04:34 | |
HE EXHALES HEAVILY | 0:04:34 | 0:04:37 | |
What's the matter? | 0:04:37 | 0:04:39 | |
-I'm just really worried. -Worried? | 0:04:39 | 0:04:40 | |
'It's easy for James to be cool, he never worries about anything.' | 0:04:40 | 0:04:44 | |
But I have to be a little more realistic | 0:04:44 | 0:04:47 | |
and know that we don't have a studio space right now to rehearse. | 0:04:47 | 0:04:51 | |
So how are we going to get to internationals | 0:04:51 | 0:04:53 | |
without a studio space? | 0:04:53 | 0:04:56 | |
We haven't heard anything about the studio. | 0:04:56 | 0:04:58 | |
I know Riley's upset, but this is The Next Step, | 0:04:58 | 0:05:00 | |
there is always some sort of disaster. | 0:05:00 | 0:05:03 | |
Honestly, we just need to focus on the positive. | 0:05:03 | 0:05:06 | |
We are going to internationals. Do you know what that means? | 0:05:06 | 0:05:10 | |
Miami! We are going to Miami, baby! | 0:05:10 | 0:05:13 | |
SHE SCREAMS | 0:05:13 | 0:05:14 | |
MOBILE PHONE RINGS | 0:05:14 | 0:05:16 | |
-Miami! -What? | 0:05:16 | 0:05:18 | |
-You would check your phone right now? -Just breathe. | 0:05:20 | 0:05:24 | |
-What? -Miss Kate needs us at Studio A. | 0:05:24 | 0:05:25 | |
Of course she does. | 0:05:25 | 0:05:27 | |
LAUGHING: Miami, baby! | 0:05:27 | 0:05:29 | |
This is definitely one of the hardest things I have ever had to do. | 0:05:31 | 0:05:35 | |
I just really hope they can understand where | 0:05:35 | 0:05:38 | |
I'm coming from and see that I'm just trying to save the studio. | 0:05:38 | 0:05:41 | |
So, what did Lucien say? | 0:05:41 | 0:05:44 | |
Well, he said a lot of things. | 0:05:44 | 0:05:47 | |
Are we allowed to stay here or do we have to hide? | 0:05:47 | 0:05:49 | |
Because I don't want to get arrested for trespassing. | 0:05:49 | 0:05:52 | |
The Next Step is allowed to stay in this building. | 0:05:52 | 0:05:55 | |
-DANCERS: Yes! -Take that, Lucien. | 0:05:55 | 0:05:58 | |
-That's great. -But... | 0:05:58 | 0:06:00 | |
the Elite dancers have a shot at making the team. | 0:06:00 | 0:06:03 | |
'I don't tell them that Lucien could take over The Next Step' | 0:06:03 | 0:06:05 | |
because they don't need that added extra pressure. | 0:06:05 | 0:06:08 | |
They need to focus on their dancing and that is all that matters. | 0:06:08 | 0:06:12 | |
What's going to happen is 12 dancers from The Next Step are going | 0:06:12 | 0:06:16 | |
to compete head-to-head against 12 dancers from Elite. | 0:06:16 | 0:06:18 | |
Guys, that's fine. | 0:06:18 | 0:06:20 | |
Any one of us can take on any one of them. | 0:06:20 | 0:06:22 | |
That's not exactly how it's going to go. | 0:06:22 | 0:06:24 | |
24 names will go into a hat. | 0:06:24 | 0:06:26 | |
Two names will be pulled out and those two dancers | 0:06:26 | 0:06:29 | |
compete against each other for a spot on the internationals team. | 0:06:29 | 0:06:32 | |
Wait, so if my name gets pulled and then one of their names | 0:06:32 | 0:06:36 | |
get pulled, then I have to face someone from my own studio? | 0:06:36 | 0:06:39 | |
Unfortunately, yes. | 0:06:39 | 0:06:41 | |
Wow. | 0:06:41 | 0:06:44 | |
It was the only way I could save the studio, | 0:06:44 | 0:06:46 | |
you guys have to understand. | 0:06:46 | 0:06:48 | |
I can't do it. I will not compete against The Next Step. | 0:06:48 | 0:06:52 | |
Consider me not a part of this team then! | 0:06:53 | 0:06:55 | |
-Eldon! -Eldon! -Eldon, bro... | 0:06:55 | 0:06:58 | |
Great. Now Eldon is gone. | 0:06:58 | 0:07:01 | |
'The fact that Eldon stormed off like that is just giving Lucien | 0:07:01 | 0:07:04 | |
'the ammunition that he needs.' | 0:07:04 | 0:07:05 | |
He's already tearing the team apart. | 0:07:05 | 0:07:09 | |
There's no way | 0:07:09 | 0:07:11 | |
that everyone in this room is going to make the internationals team. | 0:07:11 | 0:07:14 | |
Hey, Daniel! | 0:07:19 | 0:07:20 | |
I had a huge opportunity with this Juilliard audition | 0:07:20 | 0:07:24 | |
and it went really terribly. I've never danced so poorly in my life. | 0:07:24 | 0:07:30 | |
-I have no idea what happened. -So, what are your plans? | 0:07:30 | 0:07:34 | |
I don't have any. I don't even have a studio to dance at. | 0:07:34 | 0:07:37 | |
I left Superstar Dance to get ready for the Juilliard audition. | 0:07:37 | 0:07:40 | |
I don't know what I'm going to do now. | 0:07:40 | 0:07:43 | |
-Your moping ends today, Daniel. -What do you mean? | 0:07:43 | 0:07:46 | |
There's an opportunity for you. | 0:07:46 | 0:07:49 | |
An opportunity for you to get on a team going to internationals. | 0:07:49 | 0:07:52 | |
Well, how? | 0:07:52 | 0:07:54 | |
You've just got to do exactly what I say. | 0:07:54 | 0:07:57 | |
I am willing to do whatever it takes to go to internationals. | 0:07:57 | 0:08:00 | |
And if that means going and following what Lucien says, | 0:08:00 | 0:08:04 | |
then I'm willing to do it. | 0:08:04 | 0:08:06 | |
I'll do anything at this point. | 0:08:06 | 0:08:08 | |
-Hey. -Hey. -How's it going? | 0:08:23 | 0:08:25 | |
It's kind of rough. | 0:08:25 | 0:08:26 | |
Whenever I get this upset, | 0:08:26 | 0:08:28 | |
dancing just helps me clear my head, | 0:08:28 | 0:08:31 | |
and Thalia is nice enough that she helps me choose a song. | 0:08:31 | 0:08:34 | |
I'm really disappointed that Eldon left the team. | 0:08:36 | 0:08:39 | |
You know, we've kind of being getting a lot closer lately | 0:08:39 | 0:08:42 | |
and I was hoping to get to know him a bit better, but... | 0:08:42 | 0:08:45 | |
if he's gone, I don't know how that is going to happen. | 0:08:45 | 0:08:47 | |
UPBEAT POP MUSIC PLAYS | 0:08:47 | 0:08:49 | |
Not feeling it. | 0:08:49 | 0:08:51 | |
MELLOW GUITAR TRACK PLAYS | 0:08:51 | 0:08:52 | |
-This is definitely not you. -No. | 0:08:52 | 0:08:54 | |
DRUM AND BASS TRACK PLAYS | 0:08:54 | 0:08:57 | |
-I think this is it. -Cool. | 0:08:58 | 0:09:01 | |
# Everyone is talking, I need someone to receive | 0:09:07 | 0:09:12 | |
# Imitation everything, I don't know what is real... # | 0:09:12 | 0:09:15 | |
I still haven't changed my mind about leaving The Next Step, | 0:09:15 | 0:09:19 | |
but I've got to admit... | 0:09:19 | 0:09:20 | |
it is nice having Thalia around. | 0:09:20 | 0:09:22 | |
# ..make a sound, unless you open... | 0:09:22 | 0:09:24 | |
# UP! # | 0:09:24 | 0:09:26 | |
I can tell there is nothing I can say to Eldon to | 0:09:26 | 0:09:28 | |
make him come back. But at least he's dancing. | 0:09:28 | 0:09:31 | |
# Unless you open up. # | 0:09:34 | 0:09:37 | |
Wow. | 0:09:43 | 0:09:44 | |
I just don't understand how Miss Kate can let this happen. | 0:09:44 | 0:09:47 | |
Right? | 0:09:47 | 0:09:48 | |
We are all hanging out in Hidalgo's | 0:09:48 | 0:09:50 | |
and I tell the rest of A-Troupe that Eldon | 0:09:50 | 0:09:51 | |
is not ready to come back. | 0:09:51 | 0:09:53 | |
All we need to do is keep The Next Step alive | 0:09:53 | 0:09:55 | |
and we all can go to internationals. | 0:09:55 | 0:09:57 | |
Guys, Lucien probably didn't leave Kate with a choice. | 0:09:57 | 0:10:00 | |
I know this is a crucial time and I know we have to stick together | 0:10:00 | 0:10:03 | |
as a team, but I just find it really hard to trust | 0:10:03 | 0:10:06 | |
Amanda because of the past. | 0:10:06 | 0:10:08 | |
So, Amanda, did you know that Lucien was planning this all along? | 0:10:08 | 0:10:11 | |
I wouldn't be surprised if she did know. | 0:10:11 | 0:10:14 | |
-What are you accusing her of? -It's... It's fine. | 0:10:14 | 0:10:16 | |
Um, actually I didn't, but I get it. | 0:10:16 | 0:10:21 | |
'This is exactly what I was afraid of.' | 0:10:21 | 0:10:23 | |
Michelle questioning me already? | 0:10:23 | 0:10:25 | |
I mean, Elite's not even merged with us yet. | 0:10:25 | 0:10:27 | |
Well, I'm sorry for thinking that, but can you blame me? | 0:10:27 | 0:10:30 | |
-No, it's OK, we get it. -We can't start fighting now. Let's stick together. | 0:10:30 | 0:10:33 | |
James is right, and we also need to | 0:10:33 | 0:10:34 | |
-try and get Eldon back. -Yeah, yeah, I'll talk to him. | 0:10:34 | 0:10:36 | |
'We cannot win internationals without Eldon.' | 0:10:36 | 0:10:39 | |
And, honestly, I'm the only one who's | 0:10:39 | 0:10:41 | |
going to be able to get through to him. | 0:10:41 | 0:10:42 | |
James can talk anyone into doing anything, so... | 0:10:42 | 0:10:45 | |
I'm sure if he talks to Eldon, he'll come back to A-Troupe. | 0:10:45 | 0:10:49 | |
# We-we-we run the dance floor, break it down... # | 0:10:55 | 0:10:59 | |
Yeah, Richelle and I are just hanging out in the studio. | 0:10:59 | 0:11:02 | |
We're just messing around, working on some new tricks and stuff. | 0:11:02 | 0:11:06 | |
Noah and I are the best two dancers on J-Troupe. | 0:11:08 | 0:11:11 | |
We both push each other. We train together. | 0:11:11 | 0:11:13 | |
I know we are going to be on A-Troupe soon. | 0:11:13 | 0:11:15 | |
# Got the DJ screaming, tell me, do you hear? # | 0:11:15 | 0:11:19 | |
-Noah, can I talk to you for a second? -Yeah. | 0:11:20 | 0:11:25 | |
OK, I've been thinking, and we may be rushing this a little bit, | 0:11:25 | 0:11:29 | |
but I think you're ready for it. | 0:11:29 | 0:11:31 | |
For what? | 0:11:31 | 0:11:33 | |
I'm going to hold Eldon's spot in A-Troupe in case | 0:11:33 | 0:11:35 | |
he decides to come back. | 0:11:35 | 0:11:37 | |
In the meantime, we need to find a 12th dancer, | 0:11:37 | 0:11:40 | |
and that is where Noah comes in. | 0:11:40 | 0:11:42 | |
I want you to move up to A-Troupe | 0:11:42 | 0:11:43 | |
so you can compete against Elite for a spot at internationals. | 0:11:43 | 0:11:47 | |
Of course! I can do it! | 0:11:47 | 0:11:48 | |
'I've been ready for a very long time' | 0:11:48 | 0:11:50 | |
and I'm so pumped to be a part of A-Troupe now. | 0:11:50 | 0:11:53 | |
I can't believe it. I'm ready. | 0:11:53 | 0:11:55 | |
-Perfect. Come on, let's go! -Wait, Miss Kate! | 0:11:55 | 0:11:57 | |
I heard Eldon was leaving the studio too. | 0:11:57 | 0:11:59 | |
Doesn't that mean another spot opens up on A-Troupe? | 0:11:59 | 0:12:02 | |
Yes, Richelle, it does. | 0:12:02 | 0:12:03 | |
But we are dealing with one thing at a time, | 0:12:03 | 0:12:05 | |
so you don't need to worry about that. | 0:12:05 | 0:12:07 | |
Richelle is fantastic. | 0:12:07 | 0:12:09 | |
She is so talented, but she just doesn't have enough experience yet. | 0:12:09 | 0:12:13 | |
Hey. | 0:12:22 | 0:12:23 | |
How are you? | 0:12:23 | 0:12:25 | |
I'm OK. How's your knee? | 0:12:25 | 0:12:26 | |
Uh...you know what? It's getting better. | 0:12:26 | 0:12:28 | |
I actually have a doctor's appointment tomorrow | 0:12:28 | 0:12:30 | |
and I think I'm going to get a clean bill of health. | 0:12:30 | 0:12:32 | |
After hearing about the competition, I am a little nervous. | 0:12:32 | 0:12:35 | |
My knee is not completely healed, so...I'm honestly not sure, | 0:12:35 | 0:12:39 | |
but I will not let anyone know that. | 0:12:39 | 0:12:42 | |
So you think you're going to be ready? | 0:12:42 | 0:12:44 | |
For internationals? Yes, for sure! | 0:12:44 | 0:12:47 | |
I know Emily is going through a really hard time right now. | 0:12:47 | 0:12:51 | |
Well, because it hurts not being able to dance. | 0:12:51 | 0:12:54 | |
She's going to get through and I'm confident that she is. | 0:12:54 | 0:12:57 | |
She just needs someone there for her. | 0:12:57 | 0:13:00 | |
# Did you have to leave so early without warning? | 0:13:08 | 0:13:14 | |
# I gave everything and more just to save it... # | 0:13:14 | 0:13:21 | |
Right now, I'm dancing a solo, | 0:13:21 | 0:13:23 | |
because I don't feel like I'll ever belong anywhere. | 0:13:23 | 0:13:25 | |
Especially if Elite comes into The Next Step. | 0:13:25 | 0:13:28 | |
After I stepped up for The Next Step at nationals, | 0:13:32 | 0:13:34 | |
I thought that the drama would be left behind. | 0:13:34 | 0:13:37 | |
I thought that they would trust me. | 0:13:37 | 0:13:40 | |
But some way, somehow, the drama keeps following me, | 0:13:40 | 0:13:43 | |
and it doesn't seem to be going away. | 0:13:43 | 0:13:45 | |
# Never thought I'd see this day, but I'll face it | 0:13:45 | 0:13:51 | |
# I'll move on | 0:13:51 | 0:13:54 | |
# Without your love... # | 0:13:54 | 0:13:57 | |
'Shantel and Tess have always kind of been my friends. | 0:13:57 | 0:14:00 | |
'They were my assistant captains at Elite.' | 0:14:00 | 0:14:03 | |
But I just think because they're still there | 0:14:03 | 0:14:05 | |
and I'm at The Next Step now... | 0:14:05 | 0:14:06 | |
it's different. | 0:14:06 | 0:14:07 | |
# Seems like we only started yesterday | 0:14:07 | 0:14:12 | |
# You closed the door and left me here, alone in the dark | 0:14:14 | 0:14:19 | |
# With something else in place of my heart | 0:14:19 | 0:14:23 | |
# Falling apart | 0:14:23 | 0:14:26 | |
# Falling apart. # | 0:14:28 | 0:14:31 | |
Wow, look at you, Amanda. | 0:14:35 | 0:14:36 | |
Learned some new tricks since you were at Elite? | 0:14:36 | 0:14:39 | |
Well, I have, but most importantly, I've learned not to scheme. | 0:14:39 | 0:14:42 | |
And that is why Lucien sent us here. | 0:14:42 | 0:14:43 | |
We want to see if you want to come back to Elite. | 0:14:43 | 0:14:45 | |
I don't know about that. | 0:14:45 | 0:14:47 | |
'I don't think Lucien will ever be done scheming.' | 0:14:47 | 0:14:49 | |
I think that is what he does for fun. | 0:14:49 | 0:14:51 | |
What happened at nationals, Amanda, it's water under the bridge. | 0:14:51 | 0:14:55 | |
It doesn't matter, and I really want to go to internationals this year. | 0:14:55 | 0:14:58 | |
We all do. Just look at what Lucien did for us | 0:14:58 | 0:15:00 | |
last year at nationals. If his plan works out this year, | 0:15:00 | 0:15:03 | |
-we are all going to internationals. -And we want you with us. | 0:15:03 | 0:15:06 | |
I'm still kind of wary about Amanda, | 0:15:06 | 0:15:09 | |
so I kind of followed her to the music room | 0:15:09 | 0:15:11 | |
and I've been secretly watching her. | 0:15:11 | 0:15:13 | |
I've changed. | 0:15:13 | 0:15:15 | |
I'm not the same person that I used to be. | 0:15:15 | 0:15:18 | |
I don't belong at Elite. | 0:15:18 | 0:15:20 | |
If I'm ever going to really be a part of The Next Step... | 0:15:20 | 0:15:22 | |
-Come on, Amanda. -'..I need to make a clean break with my past.' | 0:15:22 | 0:15:25 | |
Guys, that's really nice. | 0:15:25 | 0:15:26 | |
But I'm not coming back and you know that. | 0:15:26 | 0:15:29 | |
So I hope we can still be friends, but no. | 0:15:29 | 0:15:32 | |
Maybe people can change after all. I believe I trust Amanda now. | 0:15:32 | 0:15:35 | |
Right now, I'm packing up my things and I'm not competing, | 0:15:47 | 0:15:51 | |
because this pretty much violates everything I stand for. | 0:15:51 | 0:15:55 | |
And I'm not going to kick one of my friends off the team. | 0:15:55 | 0:15:58 | |
It's not going to happen. | 0:15:58 | 0:16:00 | |
When I see Eldon packing up his stuff, | 0:16:00 | 0:16:02 | |
I know that this may be my only chance to convince him | 0:16:02 | 0:16:05 | |
to come back before it's too late. | 0:16:05 | 0:16:07 | |
Yo, what are you thinking? | 0:16:07 | 0:16:09 | |
You are the best dancer at the studio and everybody knows it. | 0:16:09 | 0:16:12 | |
You need to represent. | 0:16:12 | 0:16:14 | |
I am going to dance as hard as I can, no matter who I dance against. | 0:16:14 | 0:16:18 | |
Yo! Are you actually walking away from me right now? | 0:16:18 | 0:16:20 | |
You need to grow up! | 0:16:20 | 0:16:22 | |
I can't. | 0:16:25 | 0:16:27 | |
I hate to say it... | 0:16:32 | 0:16:33 | |
..but it really looks like we lost Eldon for good. | 0:16:35 | 0:16:38 | |
All right, tell me again, what went wrong? | 0:16:43 | 0:16:46 | |
Amanda didn't want to hear anything we had to say, she just left. | 0:16:46 | 0:16:49 | |
-You let her go? -She said we were too schemey. | 0:16:49 | 0:16:51 | |
Schemey? That's not a word! | 0:16:51 | 0:16:54 | |
-I meant sche-ming. -Scheming, yeah, that's a word. | 0:16:54 | 0:16:57 | |
And I don't scheme - I do. | 0:16:57 | 0:16:59 | |
We're just going to have to get rid of Amanda somehow... | 0:16:59 | 0:17:01 | |
-Ahem. -Amanda! Hi! See? She's had a change of heart. | 0:17:01 | 0:17:05 | |
I entered the music room to confront Lucien. | 0:17:05 | 0:17:07 | |
He needs to know that what he's doing has to stop. | 0:17:07 | 0:17:10 | |
'I'm ready to face Elite head-on.' | 0:17:10 | 0:17:11 | |
But you came to your senses, and that is terrific. | 0:17:11 | 0:17:14 | |
This is going to be great. | 0:17:14 | 0:17:16 | |
-Can I talk to you for a second? -Sure, sure. | 0:17:16 | 0:17:19 | |
I am not part of Elite and Lucien needs to know that. | 0:17:19 | 0:17:22 | |
-You need to stop this. -Stop this? You can't stop this! | 0:17:23 | 0:17:28 | |
You... Stop what? | 0:17:28 | 0:17:30 | |
Trying to bring down The Next Step. | 0:17:30 | 0:17:32 | |
Amanda, I can't stop that. That is what I do for fun. | 0:17:32 | 0:17:36 | |
That is what I enjoy, through all this stress, is bringing them down. | 0:17:36 | 0:17:39 | |
Besides, I deserve to be at internationals, | 0:17:39 | 0:17:42 | |
you deserve to be at internationals and so do they. | 0:17:42 | 0:17:44 | |
And you're going to help us do this. We are going to do this together. | 0:17:44 | 0:17:47 | |
You're right. I do deserve to go to internationals. | 0:17:47 | 0:17:49 | |
Yes! Good girl. | 0:17:49 | 0:17:51 | |
With The Next Step. | 0:17:51 | 0:17:53 | |
-Bad girl. -Sorry. | 0:17:53 | 0:17:55 | |
I think it's time to deploy | 0:17:58 | 0:18:00 | |
Project Daniel Is Going To Mess With The Next Step. | 0:18:00 | 0:18:04 | |
Right now, all of A-Troupe is just | 0:18:13 | 0:18:15 | |
getting ready for rehearsals in Studio A. | 0:18:15 | 0:18:17 | |
But we are all really distracted because of this competition | 0:18:17 | 0:18:20 | |
we have to do against Elite. | 0:18:20 | 0:18:21 | |
We haven't even started the competition yet | 0:18:21 | 0:18:23 | |
and we've already lost one of our best dancers from The Next Step. | 0:18:23 | 0:18:27 | |
I still can't believe you couldn't convince Eldon. | 0:18:27 | 0:18:29 | |
I mean, he usually always listens to you. | 0:18:29 | 0:18:31 | |
I know. I've never seen him that upset about something before. | 0:18:31 | 0:18:35 | |
Look, there's Daniel. | 0:18:37 | 0:18:39 | |
As Daniel walks in we are all just a little bit confused | 0:18:39 | 0:18:42 | |
as to why he is here. | 0:18:42 | 0:18:44 | |
Oh, my God! Daniel? | 0:18:44 | 0:18:46 | |
What are you doing here? | 0:18:48 | 0:18:50 | |
I'm here to compete. | 0:18:50 | 0:18:52 | |
Maybe Juilliard wasn't what I was supposed to do, | 0:18:52 | 0:18:54 | |
and maybe with this shot that Lucien is giving me, | 0:18:54 | 0:18:57 | |
this going to internationals is what I've been waiting for. | 0:18:57 | 0:19:00 | |
So I'm positive that this is my time. | 0:19:00 | 0:19:04 | |
I blew it with Juilliard. | 0:19:04 | 0:19:06 | |
This is really all I've got, and I hope you can understand. | 0:19:06 | 0:19:09 | |
I get it. | 0:19:11 | 0:19:12 | |
I understand Daniel's situation with the Juilliard audition | 0:19:12 | 0:19:16 | |
and him not getting it. | 0:19:16 | 0:19:18 | |
But now he's on our enemy's team. | 0:19:18 | 0:19:21 | |
What's going on? | 0:19:21 | 0:19:23 | |
That's right, everyone. I'm now a full-fledged member of Elite. | 0:19:23 | 0:19:26 | |
No way. | 0:19:26 | 0:19:28 | |
I never thought that he would go to Elite. | 0:19:28 | 0:19:30 | |
This is not the Daniel I used to know. | 0:19:30 | 0:19:34 | |
This is not the person I used to call my best friend. | 0:19:34 | 0:19:37 | |
-You're a traitor, Daniel! -That's not right. | 0:19:37 | 0:19:39 | |
-How could you do that? -How could you do this to us? | 0:19:39 | 0:19:42 | |
How can you be laughing right now? | 0:19:42 | 0:19:45 | |
I just figured out how to get Eldon back. | 0:19:45 | 0:19:47 | |
Riley wants to know why I'm laughing. | 0:19:47 | 0:19:49 | |
But I'm not going to tell her. It'll spoil the surprise. | 0:19:49 | 0:19:52 | |
She'll find out soon enough. | 0:19:52 | 0:19:54 | |
MOBILE PHONE CHIMES | 0:19:57 | 0:20:00 | |
Urrrgh! | 0:20:05 | 0:20:07 | |
HE CRACKS NECK | 0:20:10 | 0:20:13 | |
HE ROARS | 0:20:17 | 0:20:18 | |
-So, what are we supposed to be waiting for? -Shh. | 0:20:18 | 0:20:22 | |
Five, four, | 0:20:22 | 0:20:24 | |
three, two, one. | 0:20:24 | 0:20:28 | |
Let the competition begin. You are going down, Daniel. | 0:20:33 | 0:20:36 | |
I'm confident that I can beat anyone at The Next Step. | 0:20:39 | 0:20:42 | |
I know in the past Eldon has bettered me, | 0:20:42 | 0:20:45 | |
but he doesn't know that I'm a fighter now and I'm going to win. | 0:20:45 | 0:20:50 | |
'I really hope that I get Daniel's name so I can | 0:20:50 | 0:20:52 | |
'bring him down once again.' | 0:20:52 | 0:20:54 | |
This is going to be a good competition. | 0:20:54 | 0:20:57 | |
Now that Eldon is back, I'm ready. Let's do this. | 0:20:57 | 0:21:00 |