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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
The Elite dancers have a shot at making the team. | 0:00:03 | 0:00:07 | |
Elite against The Next Step. 12 dancers from each team. | 0:00:07 | 0:00:10 | |
We put their names in a hat, we pull out two names and they battle. | 0:00:10 | 0:00:14 | |
If I get seven Elite dancers on the Internationals team, | 0:00:14 | 0:00:17 | |
the studio is mine. | 0:00:17 | 0:00:18 | |
Wasn't it weird you weren't able to dance with your team in finals? | 0:00:18 | 0:00:22 | |
It was weird, but I'm just focusing on dancing at Internationals. | 0:00:22 | 0:00:26 | |
110% of me will be dancing at Internationals. | 0:00:26 | 0:00:30 | |
-How's your knee? -I have a doctor's appointment tomorrow. | 0:00:30 | 0:00:32 | |
I think I'm going to get a clean bill of health. | 0:00:32 | 0:00:34 | |
I want you to move up to A-Troupe so you can compete against Elite | 0:00:34 | 0:00:38 | |
-for a spot at Internationals. -Of course! | 0:00:38 | 0:00:40 | |
'I do deserve to be on A-Troupe just as much as he does.' | 0:00:40 | 0:00:42 | |
What are you doing here? | 0:00:42 | 0:00:44 | |
I'm here to compete. | 0:00:44 | 0:00:45 | |
I am willing to do whatever it takes to go to Internationals. | 0:00:45 | 0:00:49 | |
That's right, everyone. I'm now a full-fledged member of Elite. | 0:00:49 | 0:00:51 | |
This is going to be a good competition. | 0:00:51 | 0:00:53 | |
Those mirrors need to be cleaned. They are filthy. | 0:00:59 | 0:01:02 | |
And the windows in the office... | 0:01:02 | 0:01:04 | |
-Oh, my goodness! Are you seeing what I'm seeing? -Yes. | 0:01:04 | 0:01:07 | |
'Ever since Lucien bought the building | 0:01:07 | 0:01:09 | |
'he's been scheming to take over the studio.' | 0:01:09 | 0:01:12 | |
And the first step, apparently, is taking over my office. | 0:01:12 | 0:01:15 | |
What do you think you are doing? | 0:01:15 | 0:01:17 | |
Morning! Kate, Phoebe! | 0:01:17 | 0:01:19 | |
I've rearranged things a little bit, | 0:01:19 | 0:01:21 | |
but I've got all your stuff over there on that desk. | 0:01:21 | 0:01:23 | |
Oh, no, no, no. | 0:01:23 | 0:01:25 | |
This is terrible feng shui. | 0:01:25 | 0:01:29 | |
Just make sure you keep your chair tucked in because I like to pace. | 0:01:29 | 0:01:33 | |
-Are you kidding me? -No, I do that all the time. | 0:01:33 | 0:01:35 | |
This is MY studio! What do you think you are doing? | 0:01:35 | 0:01:37 | |
This is MY building! | 0:01:37 | 0:01:39 | |
I could be wrong, but... | 0:01:39 | 0:01:41 | |
I sense conflict. And there is only one way to deal with that. | 0:01:41 | 0:01:44 | |
-You are not allowed to be in here! -PHOEBE CHANTS | 0:01:44 | 0:01:46 | |
You negotiated already! | 0:01:46 | 0:01:48 | |
PHOEBE CHANTS | 0:01:48 | 0:01:50 | |
If you two do not stop arguing, | 0:02:05 | 0:02:07 | |
I will sing every song | 0:02:07 | 0:02:10 | |
from the Tibetan mountain throat-singing trio. | 0:02:10 | 0:02:12 | |
They are prolific. | 0:02:12 | 0:02:14 | |
Sting sang with them on their sixth album. | 0:02:14 | 0:02:16 | |
It was amazing. It changed my life. | 0:02:16 | 0:02:19 | |
All right, you can have that section of the desk. | 0:02:19 | 0:02:22 | |
(Whatever.) | 0:02:22 | 0:02:25 | |
(That's good. We got the boat.) | 0:02:25 | 0:02:27 | |
I tried to appease my sister with the desk boat, | 0:02:27 | 0:02:30 | |
but I know there will be many stormy seas ahead for these two sailors. | 0:02:30 | 0:02:34 | |
# We, we are going to show the world | 0:02:34 | 0:02:40 | |
# Everything we're made of | 0:02:40 | 0:02:44 | |
# We're going to tear the roof off this place | 0:02:44 | 0:02:48 | |
# Stand up! # | 0:02:57 | 0:02:59 | |
All right, let's go over that plan again. | 0:03:12 | 0:03:15 | |
What are we going to do? We are going to destroy the Next Step. | 0:03:15 | 0:03:18 | |
What are we going to do? | 0:03:18 | 0:03:19 | |
-Destroy The Next Step. -Destroy it. -You got it. | 0:03:19 | 0:03:23 | |
And when the studio is mine, | 0:03:23 | 0:03:25 | |
I'm going to build it back up as the new faction of Elite. | 0:03:25 | 0:03:28 | |
I'm recording Lucien just because he's so crazy | 0:03:28 | 0:03:31 | |
and these speeches are just a good laugh later on. | 0:03:31 | 0:03:35 | |
'You know, Daniel's really impressed me.' | 0:03:35 | 0:03:37 | |
Who knows, he might be a better schemer than Amanda was. | 0:03:37 | 0:03:41 | |
Are you reading a Wire & Circuit magazine? | 0:03:47 | 0:03:50 | |
Yeah, I am. It's really interesting. | 0:03:50 | 0:03:53 | |
'Right now, I'm at the doctor's office with Stephanie.' | 0:03:53 | 0:03:56 | |
I'm here to hopefully get the news that my knee has recovered enough | 0:03:56 | 0:03:59 | |
so I can dance on it. | 0:03:59 | 0:04:01 | |
I have to dance against Elite for a spot on the Internationals team. | 0:04:01 | 0:04:05 | |
I really need this to work out, you know. | 0:04:05 | 0:04:07 | |
I know, and it will. | 0:04:07 | 0:04:09 | |
'I really hope the appointment goes well for Emily today.' | 0:04:09 | 0:04:12 | |
I can't imagine her getting any more bad news. | 0:04:12 | 0:04:16 | |
-Don't worry about it. Everything is going to work out. -I know. | 0:04:16 | 0:04:19 | |
OK. | 0:04:19 | 0:04:21 | |
If there's anybody that can take down Elite, | 0:04:21 | 0:04:23 | |
-even with an injury, it's you. -Thank you. | 0:04:23 | 0:04:26 | |
Emily? Come on in. | 0:04:26 | 0:04:29 | |
-OK, good luck. -Thanks. Watch my stuff. -Yeah. | 0:04:30 | 0:04:33 | |
My whole future as a dancer is riding on this doctor's appointment. | 0:04:33 | 0:04:37 | |
If I don't get the all-clear... | 0:04:37 | 0:04:39 | |
..I don't even know what I'm going to do. | 0:04:41 | 0:04:43 | |
-Hey. -Hey. -How's it going? | 0:04:52 | 0:04:54 | |
Good. | 0:04:55 | 0:04:57 | |
Michelle, tell me the truth. What's wrong? | 0:04:57 | 0:05:00 | |
Well, I'm just going through a really hard time right now. | 0:05:00 | 0:05:03 | |
I want to be there for the team, but I honestly don't think I can be. | 0:05:03 | 0:05:08 | |
What do you mean, you can't be there? | 0:05:08 | 0:05:10 | |
Well, my mom just called me and she told me | 0:05:10 | 0:05:12 | |
that she needs me in Madison to help her pick out a house. | 0:05:12 | 0:05:15 | |
But that means I can't compete for a spot on the Internationals team. | 0:05:15 | 0:05:18 | |
Which means I'm not going to Internationals, Chloe. | 0:05:18 | 0:05:21 | |
Not being able to compete for a spot on the Internationals team | 0:05:21 | 0:05:25 | |
just makes this divorce ten times harder. I'm losing two things. | 0:05:25 | 0:05:29 | |
Without Michelle, The Next Step is not The Next Step. | 0:05:29 | 0:05:33 | |
'She plays such a huge role on our team. | 0:05:33 | 0:05:35 | |
'It's not going to be the same without her.' | 0:05:35 | 0:05:38 | |
If there's one thing I've learned from everything I've been through, | 0:05:38 | 0:05:41 | |
it's to have a little faith. | 0:05:41 | 0:05:44 | |
OK, I'll try. | 0:05:44 | 0:05:45 | |
My family is honestly just falling apart | 0:05:45 | 0:05:47 | |
and I need dancing to hold me together. | 0:05:47 | 0:05:50 | |
This is the hardest thing in my life | 0:05:50 | 0:05:53 | |
and I have no idea how I'm going to deal with this. | 0:05:53 | 0:05:56 | |
One, two and three and four and five, then seven | 0:06:05 | 0:06:08 | |
and eight and one, two and three and four and five... | 0:06:08 | 0:06:11 | |
Since we found out about the competition with The Next Step, | 0:06:11 | 0:06:14 | |
Lucien has been working us really hard. | 0:06:14 | 0:06:16 | |
Up, phoom! | 0:06:16 | 0:06:17 | |
Yeah, yeah, legs together. Tight, tight. | 0:06:17 | 0:06:19 | |
He expects perfection and that's why he's the best. | 0:06:19 | 0:06:22 | |
Let's get ready, everybody! | 0:06:22 | 0:06:24 | |
Little more full out now. Hit some music. | 0:06:24 | 0:06:26 | |
UPBEAT MUSIC | 0:06:26 | 0:06:28 | |
You got to go faster with that, Nick. Too slow! | 0:06:28 | 0:06:31 | |
Yeah, intensity! | 0:06:35 | 0:06:37 | |
Pull up on that! | 0:06:39 | 0:06:41 | |
Yeah, you need that look on your face! | 0:06:43 | 0:06:47 | |
So right now, Elite's dancing, | 0:06:47 | 0:06:50 | |
our lines are perfect, the timing's on point. | 0:06:50 | 0:06:52 | |
We're just here to intimidate The Next Step. | 0:06:52 | 0:06:56 | |
Watch your spacing! | 0:06:56 | 0:06:57 | |
I think Elite can take over The Next Step and go to Internationals. | 0:06:59 | 0:07:02 | |
We've all been working hard. And we're getting very strong. | 0:07:02 | 0:07:05 | |
Now here's the ending. | 0:07:12 | 0:07:13 | |
A little earlier, Cierra. Hold it! | 0:07:13 | 0:07:16 | |
And drop. OK. | 0:07:19 | 0:07:20 | |
This dance will intimidate The Next Step. | 0:07:20 | 0:07:24 | |
Internationals will belong to Elite. | 0:07:24 | 0:07:27 | |
So, er...can I dance? | 0:07:29 | 0:07:31 | |
Actually, no. It's worse than I thought. | 0:07:33 | 0:07:35 | |
I just don't understand. I've been doing the exercises. | 0:07:35 | 0:07:38 | |
It feels a lot stronger. I mean, maybe look again? | 0:07:38 | 0:07:42 | |
No, I don't need to look again. | 0:07:42 | 0:07:44 | |
If you dance on the knee, you may injure it so bad | 0:07:44 | 0:07:46 | |
that you may even need a knee replacement. | 0:07:46 | 0:07:49 | |
So, how long are we talking here? | 0:07:49 | 0:07:52 | |
Two weeks? A month? | 0:07:52 | 0:07:53 | |
No, we're looking at more like eight months, maybe a year. | 0:07:53 | 0:07:56 | |
But if you continue to rest it like you're doing, | 0:07:56 | 0:07:59 | |
it will likely heal completely. | 0:07:59 | 0:08:02 | |
This is the worst thing that's ever happened to me. | 0:08:02 | 0:08:04 | |
I can't dance! | 0:08:04 | 0:08:05 | |
Steph, let's go. | 0:08:07 | 0:08:09 | |
I could totally fix my blender now. This magazine is awesome! | 0:08:09 | 0:08:12 | |
-Ready? -Yeah, what happened? | 0:08:12 | 0:08:14 | |
-No worries. I'm...I'm fine. -OK. | 0:08:14 | 0:08:17 | |
'No doctor is going to tell me what to do.' | 0:08:17 | 0:08:21 | |
Going to Internationals is my dream. | 0:08:21 | 0:08:24 | |
If I want to dance, then I'm going to dance. | 0:08:24 | 0:08:29 | |
So, how bad is it? | 0:08:38 | 0:08:40 | |
Can we just not talk about it right now? | 0:08:40 | 0:08:42 | |
'I can't believe Emily's knee isn't healed.' | 0:08:42 | 0:08:45 | |
I mean, I feel so devastated for her. | 0:08:45 | 0:08:47 | |
I can't even imagine what she's going through. | 0:08:47 | 0:08:50 | |
You can't dance, can you? | 0:08:50 | 0:08:51 | |
So, you going to tell Miss Kate? | 0:08:54 | 0:08:56 | |
No! No-one can know about this. | 0:08:56 | 0:08:59 | |
You're not going to dance on it, are you? | 0:08:59 | 0:09:02 | |
Promise me you won't tell anyone? | 0:09:04 | 0:09:06 | |
'I can't believe Emily expects me to keep this a secret.' | 0:09:06 | 0:09:10 | |
What am I supposed to do? | 0:09:10 | 0:09:12 | |
That's, like, the worst position she could put me in. | 0:09:12 | 0:09:14 | |
Please do this for me. | 0:09:14 | 0:09:16 | |
Please? | 0:09:16 | 0:09:18 | |
Fine. | 0:09:19 | 0:09:21 | |
-Thank you. -OK. | 0:09:23 | 0:09:25 | |
'I know I'm going to have to make a choice.' | 0:09:25 | 0:09:27 | |
If there is a choice to be made, no-one is going to make it for me. | 0:09:27 | 0:09:31 | |
-Hi, Miss Kate. -I have a feeling I know what you're going to ask me. | 0:09:37 | 0:09:40 | |
I just want to know why you put Noah in A-Troupe and not me. | 0:09:40 | 0:09:44 | |
It was a tough choice, but I feel like Noah is the better fit. | 0:09:44 | 0:09:47 | |
I feel like, yes, Richelle deserves a spot on A-Troupe, | 0:09:47 | 0:09:51 | |
but Noah's better. | 0:09:51 | 0:09:53 | |
I never said I was better. I just think I deserve a chance. | 0:09:53 | 0:09:56 | |
You know I'm good, Miss Kate. | 0:09:56 | 0:09:58 | |
I do. But we don't always get what we deserve. I'm sorry. | 0:09:58 | 0:10:02 | |
'When Miss Kate said no, I wasn't too shocked.' | 0:10:04 | 0:10:07 | |
I mean, I was definitely hoping for another answer, | 0:10:07 | 0:10:10 | |
but all I got to do now is work harder | 0:10:10 | 0:10:12 | |
and maybe next year will be my year. | 0:10:12 | 0:10:14 | |
So I'll start facing the back. | 0:10:23 | 0:10:25 | |
'We're trying to determine what our solos will be for this battle.' | 0:10:25 | 0:10:29 | |
And they've only seen us as group dancers. | 0:10:29 | 0:10:31 | |
They don't really know what we're like as a soloist. | 0:10:31 | 0:10:34 | |
INCOMING TEXT | 0:10:34 | 0:10:35 | |
As Chloe and I discuss our solos, | 0:10:35 | 0:10:37 | |
I get a text from Stephanie and it's urgent. | 0:10:37 | 0:10:39 | |
-Um...I'm sorry I got to go. -OK. -I'll see you later? | 0:10:39 | 0:10:43 | |
I have no idea what's wrong, all I know is that | 0:10:43 | 0:10:46 | |
Stephanie said she needs me, so I have to go. | 0:10:46 | 0:10:49 | |
'I'm sitting at Hidalgo's, waiting for Riley, and I am so nervous.' | 0:10:49 | 0:10:54 | |
I don't know how this is going to go. | 0:10:54 | 0:10:56 | |
Steph, what's the emergency? | 0:10:56 | 0:11:00 | |
-Um...so I went to the doctor with Emily and... -OK. | 0:11:00 | 0:11:04 | |
..her knee is not good. Like, really bad. | 0:11:04 | 0:11:08 | |
Like, can't dance on it bad. | 0:11:08 | 0:11:10 | |
She told me it was fine. | 0:11:10 | 0:11:11 | |
No, it's not. And I think she's going to try and dance on it. | 0:11:11 | 0:11:14 | |
Stephanie tells me that if Emily dances on her knee, | 0:11:14 | 0:11:17 | |
she could permanently injure it. | 0:11:17 | 0:11:19 | |
She won't listen to me. She just made me promise not to tell anybody, | 0:11:19 | 0:11:23 | |
but I can't keep this a secret. | 0:11:23 | 0:11:25 | |
A true friend couldn't keep something like this a secret. | 0:11:25 | 0:11:28 | |
And Emily's wellbeing is way more important than keeping my word. | 0:11:28 | 0:11:32 | |
Maybe you can try and talk some sense into her? | 0:11:32 | 0:11:35 | |
Yeah, well, I guess I have to. | 0:11:35 | 0:11:38 | |
I hope it works. | 0:11:38 | 0:11:40 | |
I don't know if I can convince Emily, but I have to try. | 0:11:40 | 0:11:44 | |
# We're floating through the darkness endlessly | 0:11:44 | 0:11:50 | |
# We're meant to be in the stars. # | 0:11:50 | 0:11:54 | |
Are you nervous about the competition? | 0:11:54 | 0:11:57 | |
Well, that's exactly what I wanted to talk to you about. | 0:11:57 | 0:12:00 | |
-I think I'm going to have to bow out. -Bow out? | 0:12:00 | 0:12:03 | |
You're the most important person on our team. I can't let you do that. | 0:12:03 | 0:12:06 | |
My mom called and she told me that she needs me in Madison. | 0:12:06 | 0:12:10 | |
I'm going to miss all the battles. | 0:12:10 | 0:12:12 | |
And I feel really bad not being there to support the team, | 0:12:12 | 0:12:15 | |
but my family is more important than everything else. | 0:12:15 | 0:12:18 | |
Even Internationals. | 0:12:18 | 0:12:20 | |
It wouldn't be fair to me to force her to compete for the team | 0:12:20 | 0:12:24 | |
when she's going through all of these family issues. | 0:12:24 | 0:12:27 | |
I guess you won't be able to compete. | 0:12:27 | 0:12:29 | |
Wait a minute, Kate, let's not be too hasty here. | 0:12:29 | 0:12:31 | |
I could use a Miss National soloist on my Internationals team. | 0:12:31 | 0:12:34 | |
So, what are you saying? | 0:12:34 | 0:12:36 | |
Let's put her on the team! | 0:12:36 | 0:12:38 | |
I'm really surprised that Lucien offers me a spot | 0:12:38 | 0:12:40 | |
on Internationals team right away. | 0:12:40 | 0:12:42 | |
But I also know Lucien | 0:12:42 | 0:12:45 | |
and I know he wouldn't offer something like that for free. | 0:12:45 | 0:12:48 | |
Oh, yeah, there's one more thing. | 0:12:48 | 0:12:50 | |
Michelle counts as an Elite win. | 0:12:50 | 0:12:52 | |
You don't have to do this. | 0:12:56 | 0:12:57 | |
'Michelle counting as one of Elite's dancers | 0:12:57 | 0:12:59 | |
'automatically gives Lucien an advantage.' | 0:12:59 | 0:13:01 | |
All he needs is seven out of 12 dancers and The Next Step is his. | 0:13:01 | 0:13:05 | |
Unfortunately, I do. | 0:13:05 | 0:13:07 | |
Fine. You've got a deal. | 0:13:09 | 0:13:10 | |
'All I wanted to do was help The Next Step.' | 0:13:12 | 0:13:14 | |
Now it seems like I'm putting the team at a huge disadvantage. | 0:13:14 | 0:13:17 | |
Of course I'm happy Michelle's on the team. | 0:13:17 | 0:13:20 | |
I just hope it wasn't too high a price to pay. | 0:13:20 | 0:13:23 | |
I'm going to go warm up. | 0:13:24 | 0:13:26 | |
'As Giselle leaves, I see Emily walking down the hallway.' | 0:13:26 | 0:13:30 | |
And I know she's not supposed to be here | 0:13:30 | 0:13:31 | |
because Stephanie told me about her knee. | 0:13:31 | 0:13:33 | |
-Em, what are you doing here? -I'm here to rehearse. | 0:13:33 | 0:13:36 | |
We have a pretty big competition coming up. | 0:13:36 | 0:13:38 | |
Yeah, but you're not dancing with us. | 0:13:38 | 0:13:40 | |
Of course I am. Why wouldn't I be? | 0:13:40 | 0:13:43 | |
Steph told me. | 0:13:43 | 0:13:44 | |
Stephanie told you what? | 0:13:44 | 0:13:46 | |
'I can't believe Stephanie told her. | 0:13:46 | 0:13:48 | |
'I can't believe Riley's trying to stop me.' | 0:13:48 | 0:13:50 | |
Why don't people see this as my choice and my life? | 0:13:50 | 0:13:54 | |
You can't dance. | 0:13:54 | 0:13:56 | |
Stephanie should've stayed out of this. | 0:13:56 | 0:13:58 | |
Stephanie was just being a good friend. | 0:13:58 | 0:13:59 | |
No. She wasn't. | 0:13:59 | 0:14:01 | |
I understand where Emily is coming from, | 0:14:01 | 0:14:04 | |
but she's not thinking clearly. | 0:14:04 | 0:14:06 | |
I just...I can't let her do it. | 0:14:06 | 0:14:09 | |
Stephanie should have stayed out of it, and so should you. | 0:14:09 | 0:14:13 | |
'If I don't do this, I'm always going to wonder what could have been.' | 0:14:18 | 0:14:22 | |
-Emily! -Oh, Emily! | 0:14:22 | 0:14:24 | |
I'm willing to risk permanent injury. | 0:14:24 | 0:14:28 | |
Dancing is my life. | 0:14:28 | 0:14:30 | |
-How did it go? -I'm all clear. | 0:14:30 | 0:14:32 | |
-Yes! -CHEERING | 0:14:32 | 0:14:35 | |
-I'm so excited! -Wait! | 0:14:35 | 0:14:37 | |
Emily is not clear to dance. Quite the opposite, actually. | 0:14:41 | 0:14:45 | |
I'm sorry, what? | 0:14:45 | 0:14:46 | |
I'm ready to compete. | 0:14:46 | 0:14:48 | |
Oh, really. You're good to rehearse? Good to dance? | 0:14:48 | 0:14:50 | |
So you can do a grand jete right now? | 0:14:50 | 0:14:52 | |
I'm not warmed up. | 0:14:52 | 0:14:54 | |
Well, your knee's fine. You should be able to do it. | 0:14:54 | 0:14:56 | |
Yeah, Emily, let's see a grand jete. | 0:14:56 | 0:14:58 | |
Well, I can't exactly do a grand jete, but I won't put one in my solo. | 0:15:01 | 0:15:06 | |
Look, I'm ready to compete. | 0:15:06 | 0:15:08 | |
I know my body. I can work around this. | 0:15:08 | 0:15:10 | |
No, Emily, you can't. | 0:15:10 | 0:15:12 | |
Because we need you to be at your best | 0:15:12 | 0:15:14 | |
and you're clearly not at your best. | 0:15:14 | 0:15:16 | |
I'm sorry, but we can't risk it. | 0:15:19 | 0:15:21 | |
You can't compete for The Next Step. | 0:15:21 | 0:15:23 | |
Thank you(!) | 0:15:32 | 0:15:34 | |
I'm sorry, Emily. | 0:15:40 | 0:15:42 | |
You know I had to do this. | 0:15:42 | 0:15:43 | |
I'm in shock. | 0:15:43 | 0:15:46 | |
I mean, that's it. It's over. | 0:15:46 | 0:15:50 | |
'I'm in Hidalgo's to find Emily and apologise to her.' | 0:16:02 | 0:16:06 | |
I broke a promise to my best friend | 0:16:06 | 0:16:07 | |
and I know my word is very important to Emily. | 0:16:07 | 0:16:10 | |
Hey. | 0:16:10 | 0:16:12 | |
Oh, my goodness. I was actually looking for you. | 0:16:12 | 0:16:14 | |
I have a few dreams I would like to destroy | 0:16:14 | 0:16:16 | |
and I was wondering if you could help me(?) | 0:16:16 | 0:16:19 | |
Em, I'm sorry. | 0:16:20 | 0:16:22 | |
I had to tell Riley. I had to tell someone! | 0:16:22 | 0:16:25 | |
'I mean, I really have nothing to say to her.' | 0:16:25 | 0:16:27 | |
If she wants an argument, she's about to get one. | 0:16:27 | 0:16:29 | |
You know what, Stephanie? You didn't respect my decision. | 0:16:29 | 0:16:32 | |
-What? -So you do not respect me! | 0:16:32 | 0:16:34 | |
The only reason why I told Riley was because I respect you | 0:16:34 | 0:16:37 | |
-and because I care about you. -Mm-hm(!) | 0:16:37 | 0:16:40 | |
What do you mean, "mm-hm"? | 0:16:40 | 0:16:41 | |
What if you decided to dance on it and break it | 0:16:41 | 0:16:43 | |
and make sure that you could never dance again. Then what? | 0:16:43 | 0:16:46 | |
And what if nothing happened? What if I was fine and...?! | 0:16:46 | 0:16:50 | |
-I guess we won't know. -No, we won't! | 0:16:50 | 0:16:52 | |
You took that way from me, didn't you, Stephanie?! | 0:16:52 | 0:16:54 | |
You're being unbelievable right now. | 0:16:54 | 0:16:57 | |
You wanted to see me? | 0:16:57 | 0:16:59 | |
-I can come back another time. -No, no, no, no! | 0:16:59 | 0:17:01 | |
'When Richelle comes in, I kind of see it as an out.' | 0:17:01 | 0:17:03 | |
I have a big surprise for her, so I think I'm just ready to leave. | 0:17:03 | 0:17:06 | |
Now! | 0:17:06 | 0:17:08 | |
I really have no reason to be here any more, so let's go. | 0:17:08 | 0:17:11 | |
That's nice, thanks(!) | 0:17:11 | 0:17:13 | |
No, thank you(!) | 0:17:13 | 0:17:15 | |
'I have no idea where Emily and I stand. | 0:17:15 | 0:17:18 | |
'Nothing has been resolved.' | 0:17:18 | 0:17:19 | |
I don't know if Emily is ever going to get over this. | 0:17:19 | 0:17:22 | |
-Miss Kate? -Hey, Em. | 0:17:30 | 0:17:31 | |
Look, I'm so sorry how things went down earlier. | 0:17:31 | 0:17:34 | |
-Don't worry about it. I understand that's how it has to be. -Good. | 0:17:34 | 0:17:38 | |
Um...but because of that, | 0:17:38 | 0:17:39 | |
I was thinking about someone who could replace me in the competition. | 0:17:39 | 0:17:43 | |
Who? | 0:17:43 | 0:17:45 | |
'I'm very surprised when Emily brings in her replacement | 0:17:47 | 0:17:51 | |
'and it's Richelle.' | 0:17:51 | 0:17:52 | |
She already has everything planned, as usual, | 0:17:52 | 0:17:55 | |
without talking to me first. | 0:17:55 | 0:17:58 | |
Emily is no longer able to dance, | 0:17:58 | 0:18:00 | |
which means there has been a spot opened up in A-Troupe to compete. | 0:18:00 | 0:18:03 | |
And we were wondering if you wanted... | 0:18:03 | 0:18:05 | |
-Yes, for sure! Oh, my goodness! Can I hug you? -Sure. | 0:18:05 | 0:18:09 | |
-I will not let you down! I promise! -Good. | 0:18:09 | 0:18:13 | |
I think it really means a lot to her. And I honestly don't think she will. | 0:18:14 | 0:18:17 | |
I'm done now! | 0:18:18 | 0:18:20 | |
-It really means a lot to her. -Clearly. -Thank you. | 0:18:20 | 0:18:23 | |
Of course, I am still sad that it won't be me competing, | 0:18:23 | 0:18:26 | |
but I still feel like I helped the team, and that's good enough for me. | 0:18:26 | 0:18:32 | |
'So it's the day of the battles. One versus one.' | 0:18:41 | 0:18:43 | |
Whoever wins moves on to the Internationals team, | 0:18:43 | 0:18:45 | |
whoever doesn't is cut. | 0:18:45 | 0:18:47 | |
Elite just storms in in unison and it's just very intimidating. | 0:18:50 | 0:18:55 | |
Let's do it! UPBEAT MUSIC | 0:18:59 | 0:19:02 | |
This song is called, Make The Ground Shake. | 0:19:09 | 0:19:12 | |
And we're going to shake them up. | 0:19:12 | 0:19:13 | |
As Elite's performing their dance, I think we're all intimidated. | 0:19:33 | 0:19:37 | |
It's threatening when they come in here and do this amazing dance! | 0:19:37 | 0:19:41 | |
And Daniel is fitting in right with them. | 0:19:41 | 0:19:44 | |
And the lifts that they do, | 0:19:44 | 0:19:46 | |
I would be terrified to even think about doing! | 0:19:46 | 0:19:49 | |
And that's what we have to compete against. | 0:19:59 | 0:20:01 | |
I got to admit it, Elite's good. Like, scary good. | 0:20:07 | 0:20:12 | |
I didn't think they stood a chance, | 0:20:14 | 0:20:16 | |
but after watching them, I'm kind of worried. | 0:20:16 | 0:20:18 | |
It's a little hard to watch this routine right now, | 0:20:38 | 0:20:41 | |
knowing that members of Elite could be joining The Next Step. | 0:20:41 | 0:20:43 | |
Watching Elite makes me realise that | 0:20:54 | 0:20:57 | |
some of The Next Step will not be going to Internationals. | 0:20:57 | 0:21:01 | |
# We, we are going to show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're going to tear the roof off this place | 0:21:15 | 0:21:20 | |
# You, you can never fade us out | 0:21:20 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this land. # | 0:21:29 | 0:21:33 |