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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
How many turns could you do if you took your shoe off right now | 0:00:03 | 0:00:06 | |
-and just hit a bunch of turns? -I've done 22. | 0:00:06 | 0:00:08 | |
OK. So let's say 30. | 0:00:08 | 0:00:09 | |
'By the time I can do 30 pirouettes I should be ready to date.' | 0:00:09 | 0:00:14 | |
-Yeah, you're amazing. Um, I have a cat. -Oh. | 0:00:14 | 0:00:17 | |
'Why am I saying these things? | 0:00:17 | 0:00:19 | |
'I just really want to look good in front of Abi.' | 0:00:19 | 0:00:21 | |
-Very nice. -'I never really realised | 0:00:21 | 0:00:24 | |
'how good she was at ballet.' | 0:00:24 | 0:00:26 | |
I think you are going to want to see this. | 0:00:26 | 0:00:28 | |
It's what I've always wanted. | 0:00:28 | 0:00:30 | |
THEY CHATTER | 0:00:39 | 0:00:41 | |
I'm still in shock. That letter that West gave to me | 0:00:44 | 0:00:47 | |
was from Le Ballet de la Reine | 0:00:47 | 0:00:49 | |
and they want to offer me a position in their touring company. | 0:00:49 | 0:00:53 | |
This is the best thing that's ever happened to me. | 0:00:53 | 0:00:57 | |
But also the worst because if I take this position, | 0:00:57 | 0:01:01 | |
I have to leave The Next Step. | 0:01:01 | 0:01:02 | |
All right, you guys, listen up. | 0:01:02 | 0:01:04 | |
It's time for us to officially declare | 0:01:05 | 0:01:07 | |
the dancers on our Internationals team. | 0:01:07 | 0:01:09 | |
I need to make sure that we do not have a repeat of last year. | 0:01:09 | 0:01:13 | |
At Internationals, we still have no idea what kind of dances | 0:01:13 | 0:01:15 | |
we're going to be doing, which is why I need all 12 dancers there. | 0:01:15 | 0:01:19 | |
Last year losing Amanda and Daniel and then having Emily injured... | 0:01:19 | 0:01:24 | |
That just cannot happen again. | 0:01:24 | 0:01:27 | |
Which means I need to make sure every single one of you | 0:01:27 | 0:01:29 | |
is 100% committed to Internationals. | 0:01:29 | 0:01:32 | |
-Yeah. -Yeah. | 0:01:32 | 0:01:33 | |
Great. I'll get on this. You guys keep warming up. | 0:01:33 | 0:01:36 | |
Yeah, OK. Yo, check this. | 0:01:36 | 0:01:38 | |
'I immediately feel really guilty.' | 0:01:40 | 0:01:43 | |
This is a huge opportunity to tour with a ballet company. | 0:01:43 | 0:01:47 | |
This is the chance of a lifetime. | 0:01:47 | 0:01:49 | |
But so is Internationals. | 0:01:49 | 0:01:52 | |
Not very many studios have made it all the way. | 0:01:52 | 0:01:55 | |
These are two incredible opportunities and I'm just torn. | 0:01:55 | 0:02:00 | |
I don't know which one I'm going to pick. | 0:02:00 | 0:02:02 | |
# We, we are going to show the world | 0:02:02 | 0:02:08 | |
# Everything we're made of | 0:02:08 | 0:02:12 | |
# We're going to tear the roof | 0:02:12 | 0:02:13 | |
# Off this place | 0:02:13 | 0:02:18 | |
# Stand up... # | 0:02:25 | 0:02:26 | |
So, have you made a decision about the offer with the touring company? | 0:02:45 | 0:02:50 | |
-I don't know. I'm so confused. -Confused? | 0:02:50 | 0:02:53 | |
Chloe, the reason why we're at The Next Step is to get professional jobs | 0:02:53 | 0:02:56 | |
when we're done. This is what's happening. | 0:02:56 | 0:02:59 | |
-I guess. -You...? Look at me. | 0:02:59 | 0:03:01 | |
This is with one the most prestigious dance companies in the world. | 0:03:01 | 0:03:05 | |
I have no idea why you're not jumping at the chance. | 0:03:05 | 0:03:08 | |
Well, I made a commitment to The Next Step | 0:03:08 | 0:03:10 | |
and how cool would it be to say we won Internationals? | 0:03:10 | 0:03:13 | |
You see, I don't know if you're right. | 0:03:13 | 0:03:15 | |
OK, what you should do is you should write a list. Pros and cons. | 0:03:15 | 0:03:18 | |
I suggested a pro-con list because a con-con list is everything against | 0:03:18 | 0:03:23 | |
your idea and then a pro-pro list is everything for it, | 0:03:23 | 0:03:26 | |
so I just think a pro-con list is the most balanced method. | 0:03:26 | 0:03:31 | |
That's exactly how I decided about skydiving. | 0:03:31 | 0:03:34 | |
Well, what did you do? | 0:03:34 | 0:03:35 | |
There was absolutely no pros, it was all cons. | 0:03:35 | 0:03:38 | |
Does that help? | 0:03:40 | 0:03:41 | |
I think the pro-con list is a good idea. | 0:03:42 | 0:03:45 | |
It will make me have to sit down and think about each decision | 0:03:45 | 0:03:48 | |
and put a lot of thought into each one. | 0:03:48 | 0:03:50 | |
So, I think it'll be really helpful. | 0:03:50 | 0:03:52 | |
So, right now I'm just working on some choreo in the studio | 0:04:01 | 0:04:04 | |
and I see Michelle and Eldon having a conversation... | 0:04:04 | 0:04:07 | |
It was so funny, last night my brother was trying to beat | 0:04:07 | 0:04:09 | |
his record for eating the most hot dogs | 0:04:09 | 0:04:11 | |
-but he only got to seven cos he... -Chews on the left side of his mouth. | 0:04:11 | 0:04:15 | |
-You got it. -I remember that. -Yeah. | 0:04:15 | 0:04:17 | |
..and I just hope that they don't still have feelings for each other... | 0:04:17 | 0:04:20 | |
..because I like Eldon. | 0:04:22 | 0:04:24 | |
Michelle and Eldon used to date and I thought | 0:04:24 | 0:04:26 | |
that they were over each other but maybe I'm wrong. | 0:04:26 | 0:04:29 | |
I think I need to look into this. | 0:04:29 | 0:04:31 | |
# It was like a love song | 0:04:33 | 0:04:36 | |
# I would watch over you. # | 0:04:36 | 0:04:39 | |
That class went really well last night. | 0:04:40 | 0:04:42 | |
-Yeah, I'm excited to add on today. -Yeah, it should be fun. | 0:04:42 | 0:04:45 | |
So I walk into the music room with Richelle | 0:04:45 | 0:04:47 | |
and we're just warming up and getting ready for class | 0:04:47 | 0:04:49 | |
-and then Noah comes in. -Hey, guys. What's going on? | 0:04:49 | 0:04:51 | |
-Oh, hey, Noah! -Hey. | 0:04:51 | 0:04:53 | |
Oh, I forgot my water bottle. I'm just going to go grab it. | 0:04:53 | 0:04:56 | |
-Oh, no, no. It's cool. I'll go grab it. It's all good. -OK. | 0:04:56 | 0:04:58 | |
-Get me one too! -Wow. | 0:04:58 | 0:05:00 | |
'I go get Abi water because she's thirsty, | 0:05:00 | 0:05:03 | |
'she's pretty and I can do it really fast.' | 0:05:03 | 0:05:06 | |
-Back to... -So, the choreography... -Yeah, OK. -One... | 0:05:06 | 0:05:09 | |
-Here you go. -Oh. Thanks. That was really fast. | 0:05:09 | 0:05:12 | |
Oh, yeah, yeah. I'm pretty fast. I'm fast. | 0:05:12 | 0:05:14 | |
I pride myself in that. But no worries. It's all good. | 0:05:14 | 0:05:16 | |
But I'm pretty fast. | 0:05:16 | 0:05:18 | |
'That's right, speed is one of my best qualities. | 0:05:18 | 0:05:21 | |
'I'm so glad Abi got to see that.' | 0:05:21 | 0:05:24 | |
-Cool. -Did you want one too? | 0:05:24 | 0:05:27 | |
'I do think that Noah really does like Abi | 0:05:27 | 0:05:30 | |
'and it's starting to bother me because I kind of like him.' | 0:05:30 | 0:05:34 | |
No! The plastic is bad for the environment. | 0:05:34 | 0:05:37 | |
You guys should know this! | 0:05:37 | 0:05:39 | |
That was weird. | 0:05:41 | 0:05:43 | |
Yeah, cos you can recycle now. | 0:05:43 | 0:05:46 | |
SHE LAUGHS Yeah, I guess so. | 0:05:46 | 0:05:49 | |
# So give it up, up | 0:05:49 | 0:05:51 | |
# All of your love, love | 0:05:51 | 0:05:52 | |
# And don't run, run away. # | 0:05:52 | 0:05:55 | |
Thalia texted me and she told me that she needed to talk to me | 0:06:00 | 0:06:02 | |
in the music room so I'm here waiting for her. | 0:06:02 | 0:06:05 | |
-Hey. -Hey, there you are. What do you need to talk to me about? | 0:06:06 | 0:06:09 | |
I was reading this magazine earlier and it was about bears | 0:06:09 | 0:06:11 | |
and if people liked bears or frightened by them... | 0:06:11 | 0:06:14 | |
'I asked Michelle to meet me in the music room so I can find out | 0:06:14 | 0:06:16 | |
'if she still likes Eldon but I don't want her to know that I like Eldon | 0:06:16 | 0:06:20 | |
'so I talked to her about bears.' | 0:06:20 | 0:06:22 | |
How do you feel about bears? | 0:06:22 | 0:06:23 | |
I guess I like bears. They seem pretty cool. | 0:06:23 | 0:06:26 | |
-Hey, now that I have you here... -Yeah? | 0:06:26 | 0:06:28 | |
I saw you and Eldon joking around earlier. | 0:06:28 | 0:06:30 | |
You guys looked like you were having a lot of fun. | 0:06:30 | 0:06:33 | |
'All of a sudden, Thalia switches from the bear questions | 0:06:33 | 0:06:36 | |
'to Eldon questions.' | 0:06:36 | 0:06:38 | |
Oh, yeah, we were just talking about his family. | 0:06:38 | 0:06:40 | |
His whole family is so hilarious and I guess that's why he's so funny. | 0:06:40 | 0:06:43 | |
I didn't realise that you've met his family. | 0:06:43 | 0:06:46 | |
Oh, yeah, I used to go over to his house all the time. | 0:06:46 | 0:06:48 | |
We'd spend hours together. | 0:06:48 | 0:06:50 | |
-Hours? -Yeah. -That's a lot of time. | 0:06:50 | 0:06:53 | |
Wow. So, you guys are, like, really close? | 0:06:53 | 0:06:55 | |
Well, yeah. We dance together a lot so... | 0:06:55 | 0:06:58 | |
Yeah, I guess we're pretty close. | 0:06:58 | 0:07:00 | |
'It bothers me that Michelle and Eldon are that close' | 0:07:00 | 0:07:03 | |
because I wish I was that close to Eldon. | 0:07:03 | 0:07:05 | |
So is that all for your bear survey or did you...? | 0:07:05 | 0:07:08 | |
Oh, well, yeah, there were more questions, like ABCs... | 0:07:08 | 0:07:10 | |
'I didn't think Michelle and Eldon were going to get back together | 0:07:10 | 0:07:13 | |
'but after talking to her, I think she still has feelings for him. | 0:07:13 | 0:07:16 | |
'So I need to talk to Eldon.' | 0:07:16 | 0:07:17 | |
-I'll see you later. -OK. -Yeah, bye. -Bye. | 0:07:17 | 0:07:19 | |
Wait a minute. | 0:07:21 | 0:07:23 | |
Did Eldon tell Thalia that he still has feelings for me? | 0:07:23 | 0:07:25 | |
Cos if he did, I'm going to need to talk to him. | 0:07:25 | 0:07:28 | |
I enter Hidalgo's and see Eldon. | 0:07:32 | 0:07:35 | |
I need to find out how he feels about Michelle. | 0:07:35 | 0:07:37 | |
-Hey, Eldon. -Hey! Sit down. | 0:07:37 | 0:07:40 | |
Um. I saw you and Michelle joking around today. | 0:07:40 | 0:07:43 | |
Oh, yeah. I was just telling her about my brother's eating. | 0:07:43 | 0:07:46 | |
You wouldn't really understand cos you haven't met him | 0:07:46 | 0:07:48 | |
but it was really funny. | 0:07:48 | 0:07:49 | |
Pretty much, he's only a left side chewer and I don't know... | 0:07:49 | 0:07:52 | |
Yeah, so you and Michelle, you really know a lot about each other then? | 0:07:52 | 0:07:56 | |
-Yeah. -You have like a lot of chemistry? | 0:07:57 | 0:08:00 | |
-You think so? -Do you think so? | 0:08:00 | 0:08:03 | |
I guess so. Why not? | 0:08:04 | 0:08:06 | |
'Thalia's right. Me and Michelle do have a lot of chemistry. | 0:08:06 | 0:08:09 | |
'She's so observant.' | 0:08:09 | 0:08:11 | |
I can't believe Eldon just admitted that he has chemistry with Michelle. | 0:08:11 | 0:08:14 | |
I don't know what I'm going to do now but I've got to get out of here. | 0:08:14 | 0:08:17 | |
Yeah, I mean, chemistry... | 0:08:17 | 0:08:18 | |
I would totally see why you guys have chemistry, | 0:08:18 | 0:08:20 | |
so I'll see you later, OK? OK, yeah, bye. | 0:08:20 | 0:08:23 | |
See ya. | 0:08:24 | 0:08:25 | |
'I don't really understand where this is coming from.' | 0:08:27 | 0:08:30 | |
I hope I didn't say anything wrong though. | 0:08:30 | 0:08:32 | |
-Hey. -Hey. | 0:08:47 | 0:08:49 | |
-I actually wanted to talk to you. -OK. | 0:08:50 | 0:08:53 | |
'I'm nervous talking to Eldon because' | 0:08:53 | 0:08:56 | |
I don't know how he feels. | 0:08:56 | 0:08:57 | |
Judging from the questions that Thalia was asking me, it seems like | 0:08:57 | 0:09:01 | |
he still likes me and I don't know if I feel the same way about him. | 0:09:01 | 0:09:04 | |
Have you been feeling OK lately? | 0:09:06 | 0:09:08 | |
-Yup. -No strange or odd feelings between us? | 0:09:08 | 0:09:12 | |
-Nope. -OK. | 0:09:13 | 0:09:16 | |
Why are you asking? | 0:09:16 | 0:09:18 | |
Um... | 0:09:18 | 0:09:19 | |
I need to resolve this issue right now. | 0:09:19 | 0:09:22 | |
I just want to make sure that we have no relationship feelings | 0:09:22 | 0:09:24 | |
between us and it's just friends and, you know, no awkwardness. | 0:09:24 | 0:09:28 | |
Yeah, no way. All I have is your regular "we're friends" feelings. | 0:09:28 | 0:09:33 | |
I used to have very romantic feelings for Michelle. | 0:09:33 | 0:09:36 | |
Now we're just friends. | 0:09:36 | 0:09:38 | |
-OK. -Why would you even think that? | 0:09:38 | 0:09:41 | |
'It finally makes sense. Thalia has been asking me about Eldon | 0:09:41 | 0:09:45 | |
'because she likes Eldon. Obviously. How didn't I realise this earlier? | 0:09:45 | 0:09:50 | |
Uh, it's just my silly imagination. I'm sorry. | 0:09:51 | 0:09:54 | |
Oh, OK. | 0:09:54 | 0:09:55 | |
When I see Michelle and Eldon hug, | 0:09:57 | 0:09:58 | |
I definitely know they still have feelings for each other | 0:09:58 | 0:10:01 | |
and that they're probably going to get back together. | 0:10:01 | 0:10:03 | |
I really thought Eldon liked me. | 0:10:05 | 0:10:07 | |
I'm just going to have to let my feelings for Eldon go. | 0:10:07 | 0:10:09 | |
# We're floating through the darkness endlessly | 0:10:11 | 0:10:16 | |
# We're meant to be in the stars. # | 0:10:17 | 0:10:21 | |
'So, I'm just rehearsing my solo right now | 0:10:27 | 0:10:29 | |
'and all that I can think about is Noah.' | 0:10:29 | 0:10:32 | |
# I'm always dancing Dancing by myself | 0:10:32 | 0:10:36 | |
# I want to take it there with someone else like you... # | 0:10:36 | 0:10:39 | |
'This thing about Noah... I really can't deal with this right now. | 0:10:39 | 0:10:42 | |
'I have to focus on getting into A-Troupe. | 0:10:42 | 0:10:44 | |
'That's what I came here for and that's what I'm leaving with.' | 0:10:44 | 0:10:47 | |
# Don't hold on so tight | 0:10:47 | 0:10:51 | |
# Dance with me tonight | 0:10:54 | 0:11:01 | |
# Let's go | 0:11:01 | 0:11:03 | |
# So fast | 0:11:03 | 0:11:04 | |
# So high | 0:11:04 | 0:11:06 | |
# Don't keep me waiting | 0:11:06 | 0:11:08 | |
# I just want to go | 0:11:08 | 0:11:10 | |
# So fast tonight... # | 0:11:10 | 0:11:12 | |
'Richelle's solo is so strong and she's just an amazing dancer and,' | 0:11:12 | 0:11:17 | |
I mean, I've known her for years and she just keeps | 0:11:17 | 0:11:19 | |
getting better and better. | 0:11:19 | 0:11:20 | |
# Let's go | 0:11:20 | 0:11:22 | |
# So fast | 0:11:22 | 0:11:24 | |
# So high | 0:11:24 | 0:11:26 | |
# Don't keep me waiting | 0:11:26 | 0:11:27 | |
# I just want to go | 0:11:27 | 0:11:29 | |
# So fast | 0:11:29 | 0:11:31 | |
# Tonight | 0:11:31 | 0:11:34 | |
# Don't keep me waiting | 0:11:37 | 0:11:38 | |
# I just want to go | 0:11:38 | 0:11:40 | |
# Tonight. # | 0:11:40 | 0:11:43 | |
Yo. Yo, that was sick. That was amazing! | 0:11:43 | 0:11:46 | |
-Thank you. -Unbelievable. | 0:11:46 | 0:11:48 | |
So, why are you here? | 0:11:48 | 0:11:50 | |
I just... I have a question. | 0:11:50 | 0:11:52 | |
Go for it. | 0:11:52 | 0:11:54 | |
-Um. Has Abi said anything to you? -About what? | 0:11:54 | 0:11:57 | |
-She hasn't said anything at all? -Nothing. | 0:11:59 | 0:12:01 | |
I'm kind of disappointed that Noah only showed up to ask about Abi. | 0:12:01 | 0:12:05 | |
-Nothing? -Not one thing. | 0:12:05 | 0:12:08 | |
-Nothing at all? -Nope. why? | 0:12:08 | 0:12:11 | |
'This may come as a surprise but I like Abi.' | 0:12:11 | 0:12:15 | |
And Richelle and Abi are good friends | 0:12:15 | 0:12:18 | |
so I thought I'd come to Richelle to see if Abi said anything about me. | 0:12:18 | 0:12:21 | |
Well, to be honest, I kind of like her. | 0:12:21 | 0:12:24 | |
OK. Well, isn't it a little unprofessional | 0:12:26 | 0:12:28 | |
to have dancers dating from the same studio? | 0:12:28 | 0:12:31 | |
Everyone in A-Troupe does it. | 0:12:31 | 0:12:33 | |
'How is liking someone unprofessional? Eldon likes Thalia | 0:12:33 | 0:12:36 | |
'and he's one of the best dancers in the studio.' | 0:12:36 | 0:12:38 | |
Yeah, and look at them. They lose a dancer every five minutes. | 0:12:38 | 0:12:42 | |
Is that what you're all about? Cos it sure seems like it. | 0:12:42 | 0:12:45 | |
-No, no, no. Not at all. No, um... -Really? | 0:12:45 | 0:12:48 | |
-Just let me know. Thanks. -Will do. | 0:12:52 | 0:12:54 | |
'I want Noah to be happy.' | 0:12:57 | 0:12:59 | |
but I don't know if I want him to be happy with Abi. | 0:12:59 | 0:13:01 | |
I made my list. | 0:13:20 | 0:13:22 | |
'I show West my pros and cons list because I still can't decide' | 0:13:22 | 0:13:26 | |
and maybe West has some insight. | 0:13:26 | 0:13:29 | |
I think it's good. | 0:13:29 | 0:13:31 | |
Wow. You even have little doodles and stuff on this. | 0:13:33 | 0:13:37 | |
Yeah, I stayed up all night working on it. | 0:13:37 | 0:13:39 | |
Yeah, you must have spent a lot of time on this. | 0:13:39 | 0:13:41 | |
Interesting. | 0:13:43 | 0:13:44 | |
West! I worked really hard on that! | 0:13:45 | 0:13:48 | |
Chloe! Listen. Get real! | 0:13:48 | 0:13:51 | |
OK? The Nutcracker is your dream and you know it. | 0:13:51 | 0:13:53 | |
Come on, Sugar Plum Fairy? | 0:13:55 | 0:13:57 | |
West, no littering. Hi Chloe! | 0:13:57 | 0:14:01 | |
Hi. | 0:14:01 | 0:14:03 | |
'Margie always seems to be around when I have a big decision to make.' | 0:14:03 | 0:14:07 | |
You should listen to her. Don't litter. | 0:14:07 | 0:14:09 | |
'When I think about following my dreams, I feel like | 0:14:10 | 0:14:13 | |
'I'm betraying The Next Step.' | 0:14:13 | 0:14:15 | |
I don't want to let the team down | 0:14:15 | 0:14:16 | |
but this is a huge opportunity for me. | 0:14:16 | 0:14:19 | |
I'm still not sure what I'm going to do. | 0:14:19 | 0:14:22 | |
# We're on top of the world | 0:14:24 | 0:14:26 | |
# We're on top of the world | 0:14:26 | 0:14:28 | |
# We're on top of the world | 0:14:28 | 0:14:29 | |
# What you think about it? # | 0:14:29 | 0:14:31 | |
'I'm in the locker room area putting my stuff away next to Michelle | 0:14:36 | 0:14:39 | |
'and it's a little awkward because I know she likes Eldon.' | 0:14:39 | 0:14:41 | |
-Hey. -Hey. | 0:14:43 | 0:14:45 | |
I actually need to talk to you about something. | 0:14:45 | 0:14:47 | |
Look, I'm really happy that you and Eldon worked everything out | 0:14:47 | 0:14:51 | |
and stuff and that you guys are back together. | 0:14:51 | 0:14:53 | |
That's exactly what I wanted to talk to you about! | 0:14:53 | 0:14:55 | |
I need to tell her that I know she likes Eldon | 0:14:55 | 0:14:57 | |
and I want her to know that that is OK with me! | 0:14:57 | 0:15:00 | |
I know you like Eldon. | 0:15:00 | 0:15:02 | |
-No, I don't. -Yes, you do. | 0:15:02 | 0:15:04 | |
How did she know I liked Eldon? | 0:15:04 | 0:15:06 | |
I've seen the way she acts around him. She likes him. | 0:15:06 | 0:15:09 | |
OK, maybe I do but how did you know? | 0:15:11 | 0:15:13 | |
It's so obvious. | 0:15:13 | 0:15:15 | |
And I also wanted to tell you that there's no way | 0:15:15 | 0:15:17 | |
that him and I would ever get back together. | 0:15:17 | 0:15:19 | |
-I don't even like him like that! -Oh! | 0:15:19 | 0:15:21 | |
OK, that makes me feel so much better then. | 0:15:21 | 0:15:24 | |
It's really nice knowing that Eldon and Michelle | 0:15:24 | 0:15:26 | |
aren't getting back together. Maybe Eldon does like me. | 0:15:26 | 0:15:29 | |
And I also wanted to let you know, he's kind of a doofus. | 0:15:29 | 0:15:32 | |
Yeah, I know. That's kind of why I like him. | 0:15:32 | 0:15:34 | |
Good luck with that. | 0:15:34 | 0:15:36 | |
'After all this miscommunication' | 0:15:36 | 0:15:38 | |
I just want to be straight with Eldon. | 0:15:38 | 0:15:40 | |
# I'm coming home Coming home, coming home | 0:15:40 | 0:15:44 | |
# I'm coming home Coming home to you | 0:15:44 | 0:15:48 | |
# I'm coming home. # | 0:15:48 | 0:15:50 | |
You don't really see paisley much in these magazines any more. | 0:15:50 | 0:15:53 | |
Oh, yeah, I think she retired a while ago. | 0:15:53 | 0:15:55 | |
-Not the model, the pattern. -Oh. | 0:15:56 | 0:15:59 | |
'I just have to say hi. I JUST have to say hi.' | 0:15:59 | 0:16:02 | |
'I'm standing here cos I'm going to say hi to Abi. | 0:16:07 | 0:16:09 | |
'This isn't awkward. I'm just being cool.' | 0:16:09 | 0:16:13 | |
-Hey, Noah. -Oh. Hey... How's it going? | 0:16:13 | 0:16:17 | |
-Good. Do you want to sit down? -Oh, really? -Yeah. | 0:16:17 | 0:16:21 | |
Don't mind if I do. | 0:16:21 | 0:16:22 | |
-Hey, we both have orange chairs. -Yeah, that's cool. | 0:16:27 | 0:16:31 | |
-I mean, you have a blue chair. We have orange chairs. -Yeah. | 0:16:31 | 0:16:34 | |
-So, how's A-Troupe? -It's awesome, yeah. -Awesome! | 0:16:35 | 0:16:38 | |
Yeah, how's um... How's B-Troupe? | 0:16:38 | 0:16:40 | |
It really bothers me to see Abi and Noah getting along SO well together. | 0:16:40 | 0:16:45 | |
I just can't deal with it. | 0:16:45 | 0:16:46 | |
-Sick! -It's so fun, yeah. -Dope. What are you reading? | 0:16:46 | 0:16:49 | |
I'm just reading an article about dogs. For my dog. | 0:16:49 | 0:16:52 | |
-Oh! You have a dog? -Yeah, I have a dog. | 0:16:52 | 0:16:54 | |
-Man's best friend. -Yeah. -Yes. I have a cat. | 0:16:54 | 0:16:57 | |
-Yeah, I knew that. What's its name? -Um, Montevideo. | 0:16:57 | 0:17:00 | |
Hey! That's the capital of Uruguay. | 0:17:00 | 0:17:03 | |
'She knows that's the capital of Uruguay.' | 0:17:03 | 0:17:05 | |
Who knows that? It's a sign! | 0:17:05 | 0:17:07 | |
We're soul mates. | 0:17:07 | 0:17:09 | |
'Right now, I'm working on a tap/hip-hop solo. | 0:17:20 | 0:17:22 | |
'I'm always doing ballet, and jazz, and contemporary, | 0:17:24 | 0:17:28 | |
'and more technical stuff but... | 0:17:28 | 0:17:30 | |
'..I don't take enough time to work on the other styles so | 0:17:31 | 0:17:34 | |
'I'm getting to work on my hip-hop and my tap at the same time.' | 0:17:34 | 0:17:37 | |
'I come into the studio to talk to Eldon about us... | 0:17:38 | 0:17:41 | |
'..but he's in the middle of doing this amazing solo' | 0:17:44 | 0:17:47 | |
and all I want to do is watch him dance. | 0:17:47 | 0:17:49 | |
MUSIC STARTS TO SPEED UP | 0:17:56 | 0:17:58 | |
'Eldon is an amazing guy. | 0:18:06 | 0:18:08 | |
'He can be completely goofy and awkward and weird one minute | 0:18:08 | 0:18:11 | |
'and then the next minute he's this amazingly passionate dancer.' | 0:18:11 | 0:18:15 | |
Every time I'm around Thalia | 0:18:20 | 0:18:22 | |
I get really nervous and awkward | 0:18:22 | 0:18:26 | |
but when I'm dancing in front of her I'm not nervous at all. | 0:18:26 | 0:18:30 | |
'Thalia is like no girl I've ever met before.' | 0:18:42 | 0:18:46 | |
The more I hang out with her, it just makes me want to | 0:18:46 | 0:18:48 | |
hang out with her more and more. | 0:18:48 | 0:18:50 | |
Watching Eldon dance makes me like him even more than I already do. | 0:18:52 | 0:18:55 | |
HE PANTS | 0:19:01 | 0:19:03 | |
-Hey. -Hey. | 0:19:03 | 0:19:05 | |
HE CLEARS HIS THROAT | 0:19:10 | 0:19:12 | |
I'm really nervous to tell Eldon how I feel. | 0:19:15 | 0:19:17 | |
I really hope he feels the same way. | 0:19:17 | 0:19:19 | |
I really like you. | 0:19:22 | 0:19:23 | |
'I'm waiting to hear how Eldon's going to respond and I'm so nervous.' | 0:19:26 | 0:19:30 | |
James told me that I can't get involved with any girls | 0:19:30 | 0:19:34 | |
or anything romantic until I get 30 pirouettes | 0:19:34 | 0:19:37 | |
and that's what I'm going to do. | 0:19:37 | 0:19:38 | |
HE CLEARS HIS THROAT | 0:19:38 | 0:19:40 | |
I really like you too. | 0:19:40 | 0:19:42 | |
I'm doomed. | 0:19:46 | 0:19:47 | |
OK. So, I'm going to... Yeah... You... Yeah. | 0:19:49 | 0:19:52 | |
-OK. -Yeah. Yeah, yeah. -Bye! -All right. -OK. | 0:19:52 | 0:19:54 | |
'I like her and she likes me,' | 0:19:55 | 0:19:58 | |
and James is not going to like any part of this. | 0:19:58 | 0:20:01 | |
'I'm no closer to making a decision.' | 0:20:07 | 0:20:10 | |
I'm actually more confused than I've ever been | 0:20:11 | 0:20:14 | |
'but I know someone who can help me make a decision.' | 0:20:14 | 0:20:17 | |
Margie! | 0:20:18 | 0:20:20 | |
I see you've lost a tooth. | 0:20:25 | 0:20:27 | |
-Yep. You know what that means? -What? | 0:20:27 | 0:20:30 | |
Things are changing. | 0:20:30 | 0:20:31 | |
So, I guess you know what's going on? | 0:20:33 | 0:20:35 | |
Yep. You've got a big decision to make, Chloe. | 0:20:35 | 0:20:38 | |
I don't know what to do. | 0:20:40 | 0:20:41 | |
In my experience, the hardest things to do are the right things to do. | 0:20:41 | 0:20:47 | |
You'll be OK. | 0:20:49 | 0:20:50 | |
'Margie's right. | 0:20:53 | 0:20:54 | |
'The hard thing to do is the right thing to do | 0:20:54 | 0:20:58 | |
'but right now,' | 0:20:58 | 0:20:59 | |
both seem impossible. | 0:20:59 | 0:21:01 |