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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
-NOAH: -'I've seen Abi dance before.' | 0:00:03 | 0:00:05 | |
I'd really like to get to know her. | 0:00:05 | 0:00:06 | |
Ah, good luck, I mean, you need luck, I need luck. | 0:00:06 | 0:00:08 | |
-Um, I have a cat. -Oh. | 0:00:08 | 0:00:10 | |
Why am I saying these things?! | 0:00:10 | 0:00:12 | |
Do you think it would be OK if my sister joined The Next Step? | 0:00:12 | 0:00:15 | |
We'd love to have you join B-Troupe. | 0:00:15 | 0:00:16 | |
Maybe Abi and Shannon would be able to come, too? | 0:00:16 | 0:00:19 | |
OK, fine. B-Troupe will be awesome. | 0:00:19 | 0:00:22 | |
WEST: Leading up to Nationals, we used to hang out all the time, | 0:00:22 | 0:00:25 | |
we were bros and...now he's spending a lot of time with the band. | 0:00:25 | 0:00:28 | |
I think our dance captain... is Giselle. | 0:00:28 | 0:00:31 | |
What? | 0:00:35 | 0:00:36 | |
I get a text from Kate. | 0:00:36 | 0:00:37 | |
Wow. | 0:00:37 | 0:00:39 | |
Someone is rejoining A-Troupe. | 0:00:39 | 0:00:40 | |
This is not good. | 0:00:40 | 0:00:42 | |
WEST: I walk into Studio A and I see Eldon practising some ballet moves. | 0:00:50 | 0:00:54 | |
I correct him on a few things, you know, | 0:00:54 | 0:00:55 | |
cos I'm a team player, I like to help out. | 0:00:55 | 0:00:57 | |
Can I see that one more time? | 0:01:01 | 0:01:02 | |
-Sure. -Yeah. | 0:01:02 | 0:01:04 | |
Yeah. | 0:01:08 | 0:01:09 | |
You see, next time you do that jump, | 0:01:09 | 0:01:11 | |
you might want to just engage your core a bit more, | 0:01:11 | 0:01:13 | |
-just so you don't fall forward. -OK. | 0:01:13 | 0:01:15 | |
And also that back leg? | 0:01:15 | 0:01:17 | |
You want to turn it out a bit more. | 0:01:17 | 0:01:20 | |
So you think you know a little bit about ballet, huh? | 0:01:20 | 0:01:23 | |
Yeah. You know, I've access to the internet. | 0:01:23 | 0:01:26 | |
You know, I researched some things. I know stuff. | 0:01:26 | 0:01:29 | |
And what muscle do I use to turn it out? | 0:01:29 | 0:01:31 | |
The... | 0:01:31 | 0:01:32 | |
..inside of your leg muscle. | 0:01:34 | 0:01:36 | |
You know? | 0:01:36 | 0:01:37 | |
All right. You think you know so much about ballet? | 0:01:37 | 0:01:40 | |
Why don't you go audition for the Ballet de la Reine touring company? | 0:01:40 | 0:01:43 | |
They have auditions for the Nutcracker coming up. | 0:01:43 | 0:01:45 | |
You want me to audition for ballet? | 0:01:45 | 0:01:47 | |
If it's so easy to master ballet, | 0:01:47 | 0:01:49 | |
then you should have no problem landing a role. | 0:01:49 | 0:01:52 | |
I'll have no problem at all. | 0:01:53 | 0:01:55 | |
Just as long as I don't have to be THE Nutcracker, | 0:01:55 | 0:01:58 | |
cos, you know, I'm opposed to violence. | 0:01:58 | 0:02:00 | |
I've watched people do ballet. I can do ballet. | 0:02:00 | 0:02:05 | |
Oh. | 0:02:06 | 0:02:08 | |
Wow(!) | 0:02:08 | 0:02:09 | |
OK. | 0:02:09 | 0:02:11 | |
Hey, engage your core! | 0:02:11 | 0:02:13 | |
'I will not only ace the ballet audition,' | 0:02:13 | 0:02:16 | |
I will get an A plus...plus. | 0:02:16 | 0:02:18 | |
OPENING SONG | 0:02:18 | 0:02:22 | |
I'm just in the music room | 0:03:00 | 0:03:02 | |
and I'm practising my ballet moves. | 0:03:02 | 0:03:04 | |
How many ballet moves do I know? | 0:03:04 | 0:03:06 | |
I would say I know at least 75% of them. | 0:03:07 | 0:03:12 | |
You know, I think I'm good enough to audition right now. | 0:03:12 | 0:03:14 | |
'I'm walking by the music room and I notice West doing something | 0:03:16 | 0:03:21 | |
that looks like ballet? But I'm not really sure. | 0:03:21 | 0:03:24 | |
-Hey, West. -Oh, hey, what's up? | 0:03:26 | 0:03:29 | |
-What're you doing? -Just doing some ballet. | 0:03:29 | 0:03:31 | |
OK, what's really going on? | 0:03:31 | 0:03:35 | |
All right, well, if you may know, I have an audition for the Nutcracker | 0:03:36 | 0:03:40 | |
this week at the Ballet de la Reine touring company. | 0:03:40 | 0:03:43 | |
Have you ever even taken a ballet class before? | 0:03:45 | 0:03:48 | |
No, why? | 0:03:48 | 0:03:50 | |
Well, it takes a lot of hard work and practice | 0:03:50 | 0:03:52 | |
-to get into a production like that. -OK, you look a bit worried. | 0:03:52 | 0:03:55 | |
I'm not leaving the Next Step, | 0:03:55 | 0:03:57 | |
if that's what you're worried about, so just relax, OK? | 0:03:57 | 0:03:59 | |
Cos that's what I was worried about(!) | 0:03:59 | 0:04:01 | |
You know, I'm just doing it to prove to Eldon that I can get better | 0:04:01 | 0:04:05 | |
at ballet in a week so I can make the show. | 0:04:05 | 0:04:08 | |
Well, in that case... | 0:04:08 | 0:04:10 | |
..I think you're going to need a little help. | 0:04:12 | 0:04:14 | |
I trained a lot in ballet before I came to The Next Step, | 0:04:14 | 0:04:16 | |
so I really think I can help West out with this audition. | 0:04:16 | 0:04:19 | |
OK, I mean, if that's what you think I need. | 0:04:19 | 0:04:22 | |
'Chloe seems to think I need I help,' | 0:04:22 | 0:04:25 | |
so I'll humour her for a bit. | 0:04:25 | 0:04:27 | |
How can you even be thinking about this right now? | 0:04:28 | 0:04:31 | |
It should be a no-brainer. | 0:04:31 | 0:04:32 | |
Shantel left A-Troupe and there's a spot open. | 0:04:32 | 0:04:35 | |
So the Next Step offered me that spot. | 0:04:35 | 0:04:39 | |
The thing is, I'm really into the band right now and I'm loving it. | 0:04:39 | 0:04:43 | |
Riley, there's so much going on with the band right now. | 0:04:43 | 0:04:46 | |
What, like a gig? | 0:04:46 | 0:04:48 | |
Ha. A, touche and B, you don't have to be so mean about it. | 0:04:48 | 0:04:52 | |
Look, I understand that, | 0:04:52 | 0:04:54 | |
but this is Internationals that we're talking about. | 0:04:54 | 0:04:57 | |
I've got band practice. I've got to go. We'll talk about this later. | 0:04:57 | 0:05:00 | |
'And if I'm not 100% sure...' | 0:05:00 | 0:05:02 | |
then why should I take this spot on A-Troupe over someone | 0:05:02 | 0:05:04 | |
who really, really wants it? | 0:05:04 | 0:05:06 | |
'I kind of thought that James would want to rejoin | 0:05:06 | 0:05:09 | |
'the Internationals team.' | 0:05:09 | 0:05:11 | |
I don't know, I just thought that he would want | 0:05:11 | 0:05:13 | |
to spend more time with me. | 0:05:13 | 0:05:14 | |
Thank you, guys, so much for helping me out. | 0:05:21 | 0:05:23 | |
-I'm sure West will appreciate it. -No problem. | 0:05:23 | 0:05:25 | |
I set up a mock ballet class to help West get ready for his audition | 0:05:25 | 0:05:28 | |
and I asked Noah and Abi to help me out. | 0:05:28 | 0:05:31 | |
Happy to help out my fellow man. | 0:05:31 | 0:05:33 | |
'I was so happy to hear that Abi joined B-Troupe' | 0:05:33 | 0:05:35 | |
and, to be honest, I don't really care if West learns ballet or not, | 0:05:35 | 0:05:38 | |
I just really want to look good in front of Abi. | 0:05:38 | 0:05:41 | |
Hey, Chloe, come here. | 0:05:41 | 0:05:42 | |
-I need you to do a favour for me, OK? -Hmm-mmm. | 0:05:44 | 0:05:47 | |
OK, whatever I do, make me look good... | 0:05:47 | 0:05:50 | |
(in that direction.) | 0:05:50 | 0:05:52 | |
-OK? -OK, Noah. | 0:05:52 | 0:05:54 | |
Just make sure you guys are warm for when West gets here. | 0:05:54 | 0:05:57 | |
OK. | 0:05:57 | 0:05:58 | |
Yo! OK, Chloe, it's a party! Abi? Noah! | 0:05:58 | 0:06:01 | |
-What's going on, man? -Not much, bro. -Oh! | 0:06:01 | 0:06:04 | |
West, this is a ballet mock audition. | 0:06:04 | 0:06:07 | |
Ballet is much more refined. | 0:06:07 | 0:06:09 | |
Instead of saying, "What's up," | 0:06:09 | 0:06:11 | |
try saying, "Good afternoon, friends." | 0:06:11 | 0:06:14 | |
Good afternoon. | 0:06:14 | 0:06:16 | |
Good afternoon, my friend. | 0:06:16 | 0:06:17 | |
Great. All right, let's start with a stretch at the bar. | 0:06:17 | 0:06:20 | |
I didn't know this was going to be an English class. | 0:06:20 | 0:06:23 | |
Ready? | 0:06:23 | 0:06:24 | |
Five, six, seven, eight. | 0:06:24 | 0:06:26 | |
Grab the heel, one, two. | 0:06:26 | 0:06:29 | |
Stretch, three, four. | 0:06:29 | 0:06:30 | |
To the side, five, six, that's it, seven, eight, repeat. | 0:06:30 | 0:06:34 | |
One... Repeat! Three, four. | 0:06:34 | 0:06:38 | |
-Good job, Noah, you're just so cute! -I'm not cute! | 0:06:38 | 0:06:41 | |
-Who's my ballerina? -I'm not cute! | 0:06:41 | 0:06:43 | |
Ugh. | 0:06:43 | 0:06:44 | |
What position is this? | 0:06:44 | 0:06:46 | |
It's a very uncomfortable second position. | 0:06:46 | 0:06:49 | |
-So let's stretch our knee, point the foot. -Point. | 0:06:49 | 0:06:52 | |
-And let's carry our arm up to fifth. -Fifth, OK. | 0:06:52 | 0:06:54 | |
-Yeah, now hold. -Hold. OK. | 0:06:54 | 0:06:56 | |
-You just got to let me know when... -Yeah. -OK. | 0:06:56 | 0:07:00 | |
Here, I'll show you, bro. Watch, watch this. | 0:07:00 | 0:07:03 | |
Uh! | 0:07:05 | 0:07:06 | |
Chloe, do you see this? | 0:07:06 | 0:07:08 | |
You're supposed to be teaching me and not making me feel inferior, OK? | 0:07:08 | 0:07:12 | |
'I think I was doing a pretty good job impressing Abi | 0:07:12 | 0:07:14 | |
'until West called me out on it,' | 0:07:14 | 0:07:16 | |
and kind of made me feel embarrassed. | 0:07:16 | 0:07:19 | |
We'll do degages from fifth. | 0:07:19 | 0:07:21 | |
You know what? I had that for lunch. | 0:07:21 | 0:07:23 | |
Gave me a bit of gas and not the good kind. | 0:07:23 | 0:07:25 | |
You don't want that. | 0:07:25 | 0:07:27 | |
We'll prepare on five, six, seven, eight. | 0:07:27 | 0:07:30 | |
We'll do two to the front. | 0:07:30 | 0:07:31 | |
One, two, then we'll go... | 0:07:31 | 0:07:33 | |
OK, maybe I might need a little more work. Just a little. | 0:07:33 | 0:07:36 | |
-GISELLE: -'Since Shantel left, I just want to make sure Max | 0:07:50 | 0:07:52 | |
'feels like he's a part of the team' | 0:07:52 | 0:07:54 | |
and, as the new dance captain, I need to make sure | 0:07:54 | 0:07:57 | |
that no-one else leaves. | 0:07:57 | 0:07:58 | |
Hey, Max. | 0:07:58 | 0:07:59 | |
We're going for pizza later, if you want to join. | 0:08:01 | 0:08:04 | |
OK. I'm putting an acro workshop together tomorrow morning, | 0:08:07 | 0:08:10 | |
maybe you'd like to join me there. | 0:08:10 | 0:08:12 | |
I'm good... | 0:08:14 | 0:08:15 | |
at acro... | 0:08:15 | 0:08:17 | |
and in general. | 0:08:17 | 0:08:18 | |
I know you were good friends with Shantel | 0:08:20 | 0:08:22 | |
and I just really wanted to make sure you were OK. | 0:08:22 | 0:08:24 | |
I'm good. | 0:08:26 | 0:08:28 | |
'Maybe it's worse than I thought. | 0:08:29 | 0:08:31 | |
'He doesn't seem to be OK,' | 0:08:31 | 0:08:33 | |
but he didn't really say much, so I don't know. | 0:08:33 | 0:08:36 | |
Pirouettes? | 0:08:39 | 0:08:41 | |
-CHLOE: -'My new approach to teaching West is to show him some moves | 0:08:41 | 0:08:44 | |
'and let him copy me. | 0:08:44 | 0:08:46 | |
'West is mostly a self-taught dancer,' | 0:08:46 | 0:08:48 | |
so it's pretty cool that he can just pick things up | 0:08:48 | 0:08:50 | |
by looking at somebody. | 0:08:50 | 0:08:51 | |
That's so good! | 0:08:56 | 0:08:57 | |
That's actually really good. | 0:08:57 | 0:08:59 | |
I feel that I'm dancing really well right now | 0:08:59 | 0:09:02 | |
and I owe a lot of that to Chloe. | 0:09:02 | 0:09:04 | |
That was good! | 0:09:07 | 0:09:09 | |
-That was good. -Thank you. | 0:09:09 | 0:09:10 | |
-It's getting better. -Yeah! | 0:09:10 | 0:09:12 | |
-It's getting better, for sure. -Awesome. | 0:09:12 | 0:09:14 | |
So, ready for the big audition? | 0:09:14 | 0:09:17 | |
-Yeah. -Yeah? | 0:09:17 | 0:09:19 | |
I wish I could be there to see the artistic director | 0:09:19 | 0:09:21 | |
correct your core. | 0:09:21 | 0:09:24 | |
Dude, I'm just trying to, like, improve. | 0:09:24 | 0:09:26 | |
Well, he's actually been doing really good. | 0:09:26 | 0:09:29 | |
Oh, yeah? | 0:09:29 | 0:09:30 | |
Yeah, you'd be surprised. | 0:09:30 | 0:09:32 | |
Hm. We'll see about that. Good luck(!) | 0:09:32 | 0:09:36 | |
'Then Eldon comes in and...' | 0:09:36 | 0:09:39 | |
he totally just kills my confidence. | 0:09:39 | 0:09:42 | |
You know what? I think this is a bad idea. | 0:09:42 | 0:09:45 | |
But, what do you mean? You're going to be fine. | 0:09:45 | 0:09:47 | |
I can't even properly get a fifth and I'm so nervous, | 0:09:47 | 0:09:50 | |
I don't even know what to expect. | 0:09:50 | 0:09:53 | |
Well, if you're so nervous, I could come with you. | 0:09:53 | 0:09:56 | |
To audition? | 0:09:58 | 0:09:59 | |
Well, I hadn't really thought about that, but... | 0:09:59 | 0:10:02 | |
Come on, Chloe! I need you in the room with me. | 0:10:02 | 0:10:05 | |
-OK. -Yes! | 0:10:05 | 0:10:07 | |
I kind of like the idea of going to the audition. | 0:10:07 | 0:10:10 | |
It'll be good practice for Internationals. | 0:10:10 | 0:10:13 | |
'Chloe and I together...' | 0:10:13 | 0:10:15 | |
we're going to kill this audition. | 0:10:15 | 0:10:17 | |
You seem really anxious. What's up? | 0:10:30 | 0:10:32 | |
RILEY SIGHS | 0:10:32 | 0:10:34 | |
I'm supposed to meet James here at two to talk about | 0:10:34 | 0:10:37 | |
whether or not he's joining the team and he's not here yet. | 0:10:37 | 0:10:39 | |
James is still in band practice right now. | 0:10:39 | 0:10:43 | |
We were supposed to meet at Hidalgo's. | 0:10:43 | 0:10:45 | |
But of course he's late. | 0:10:45 | 0:10:46 | |
I have to meet Emily now, so I've got to go. | 0:10:46 | 0:10:50 | |
All right. If James comes, I'll tell him that you left. | 0:10:50 | 0:10:53 | |
OK, thanks. | 0:10:53 | 0:10:54 | |
I can understand where Riley's coming from. | 0:10:54 | 0:10:56 | |
I mean, James would be perfect for Internationals. | 0:10:56 | 0:10:58 | |
But time's ticking, we need to know what he's going to do. | 0:10:58 | 0:11:02 | |
West and I are getting ready for the first round of the ballet auditions | 0:11:07 | 0:11:10 | |
and I'm not really that nervous. | 0:11:10 | 0:11:12 | |
I'm mostly just here for West. | 0:11:12 | 0:11:14 | |
Good morning. | 0:11:18 | 0:11:19 | |
'Sonia Rodriguez walks in.' | 0:11:19 | 0:11:21 | |
She's the artistic director. Right away, all my nerves kick in. | 0:11:21 | 0:11:24 | |
Please take your places at the bar. | 0:11:24 | 0:11:27 | |
'I have no idea who Sonia Rodriguez is.' | 0:11:27 | 0:11:30 | |
Those of you wearing warm-ups, | 0:11:30 | 0:11:32 | |
this will be a good time to remove them. | 0:11:32 | 0:11:34 | |
'I remember seeing her in the Nutcracker when I was, like, 12. | 0:11:34 | 0:11:37 | |
'When I saw her on stage in her beautiful costume...' | 0:11:37 | 0:11:40 | |
I knew that that's where I wanted to be. | 0:11:40 | 0:11:43 | |
We are going to start with plies at the bar. | 0:11:43 | 0:11:46 | |
Left hand on the bar. | 0:11:46 | 0:11:48 | |
Thank you. | 0:11:48 | 0:11:50 | |
We'll do two demi-plies in each position. | 0:11:52 | 0:11:55 | |
Starting in first. | 0:11:55 | 0:11:56 | |
She has already cut one person and we haven't done an exercise yet. | 0:11:56 | 0:12:00 | |
BALLET MUSIC PLAYS | 0:12:00 | 0:12:03 | |
Two, three, four, | 0:12:03 | 0:12:07 | |
and five, six... | 0:12:07 | 0:12:09 | |
'As Sonia eliminates people, all that is going through my mind is,' | 0:12:11 | 0:12:14 | |
"I hope that she does not eliminate me." | 0:12:14 | 0:12:17 | |
..other side, fourth position. | 0:12:17 | 0:12:18 | |
Fourth position. | 0:12:20 | 0:12:23 | |
Thank you. | 0:12:23 | 0:12:24 | |
Three and four. | 0:12:26 | 0:12:29 | |
Grand plie. | 0:12:29 | 0:12:31 | |
Come right back. | 0:12:34 | 0:12:36 | |
'When Sonia approaches me and touches my arm,' | 0:12:39 | 0:12:43 | |
I think that's it for me. I'm done, I'm a goner. | 0:12:43 | 0:12:47 | |
But she just adjusts me and she doesn't tap me out. | 0:12:47 | 0:12:50 | |
Very nice. | 0:12:54 | 0:12:56 | |
I guess I'm doing something right. | 0:12:56 | 0:12:58 | |
Guys, has anyone heard anything about West and Chloe? | 0:13:02 | 0:13:05 | |
I haven't heard anything. | 0:13:05 | 0:13:07 | |
Well, if no-one's heard from them, | 0:13:07 | 0:13:08 | |
then that probably means West made it past the first round. | 0:13:08 | 0:13:11 | |
Really? Wow. | 0:13:11 | 0:13:14 | |
Who is running this audition? | 0:13:14 | 0:13:15 | |
I might have to go out and get me a flying pig. | 0:13:15 | 0:13:18 | |
Eldon! | 0:13:18 | 0:13:20 | |
He's a hip-hop dancer. | 0:13:20 | 0:13:22 | |
Do you guys want to go to Hidalgo's? | 0:13:22 | 0:13:23 | |
Yeah. | 0:13:23 | 0:13:25 | |
Only if Noah's going. | 0:13:25 | 0:13:26 | |
Well, I'm going. | 0:13:26 | 0:13:28 | |
All right. Let's go, bro. | 0:13:28 | 0:13:29 | |
-GISELLE: -'Max is a complete mystery.' | 0:13:29 | 0:13:32 | |
Max, are you going to be here for long? | 0:13:34 | 0:13:36 | |
I'll be around. | 0:13:36 | 0:13:38 | |
I just hope he's OK. | 0:13:38 | 0:13:40 | |
DANCE MUSIC | 0:13:40 | 0:13:44 | |
MAX: 'I dance because I love it.' | 0:13:54 | 0:13:57 | |
It's my favourite thing to do in the world. | 0:14:00 | 0:14:03 | |
It's a way to communicate without talking. | 0:14:03 | 0:14:06 | |
'Max is a really good dancer and to know that he's in the studio, | 0:14:09 | 0:14:13 | |
'working something out by himself...' | 0:14:13 | 0:14:16 | |
it's great work ethic. | 0:14:16 | 0:14:18 | |
'It's nice to have on our team. | 0:14:18 | 0:14:20 | |
'He seems to be doing OK, so I'm going to' | 0:14:20 | 0:14:22 | |
let him have his space and do his thing at the Next Step. | 0:14:22 | 0:14:25 | |
Thank you. | 0:14:30 | 0:14:32 | |
Next, please? | 0:14:32 | 0:14:34 | |
-CHLOE: -'I'm so proud of West for making it to the final round.' | 0:14:34 | 0:14:37 | |
He's worked so hard and he definitely deserves it. | 0:14:37 | 0:14:40 | |
'Chloe did a really good job with helping me out with this solo.' | 0:14:41 | 0:14:45 | |
I just want to make her proud. | 0:14:45 | 0:14:47 | |
NUTCRACKER SONG PLAYS | 0:14:47 | 0:14:51 | |
I'm not going to lie. | 0:15:06 | 0:15:07 | |
Ballet is maybe a bit harder than hip-hop. | 0:15:07 | 0:15:10 | |
Even if I don't get in, I am really proud of my progress | 0:15:12 | 0:15:16 | |
and where I've got to. | 0:15:16 | 0:15:17 | |
Honestly, this decision is a lot harder than I thought. | 0:15:35 | 0:15:40 | |
I think you can have many passions. | 0:15:40 | 0:15:42 | |
Dance is one of them, but drumming is, too. | 0:15:42 | 0:15:44 | |
I want to be able to dance and play in the band. | 0:15:46 | 0:15:49 | |
Is that realistic? | 0:15:49 | 0:15:51 | |
POP MUSIC PLAYS | 0:15:51 | 0:15:54 | |
I'm kind of just jamming out, just dancing, | 0:16:04 | 0:16:06 | |
how I do when I'm alone. | 0:16:06 | 0:16:08 | |
I love it. I mean, I've always loved to dance. It's amazing. | 0:16:15 | 0:16:18 | |
It's the best feeling. | 0:16:29 | 0:16:30 | |
I think I know what I want to do now. | 0:16:52 | 0:16:54 | |
-CHLOE: -'Now that West has completed his solo, | 0:17:05 | 0:17:08 | |
'it's my turn to go and there's no pressure.' | 0:17:08 | 0:17:11 | |
I'm glad that West did well | 0:17:11 | 0:17:12 | |
and this is just going to be so much fun. | 0:17:12 | 0:17:15 | |
'It's so awesome to just do ballet.' | 0:17:26 | 0:17:29 | |
No tricks, no flips, just ballet. | 0:17:29 | 0:17:32 | |
It's going really well. | 0:17:42 | 0:17:43 | |
It kind of reminds me how much I really love ballet. | 0:17:43 | 0:17:46 | |
I'm watching Chloe perform and I never really realised | 0:17:49 | 0:17:52 | |
how good she was at ballet. | 0:17:52 | 0:17:54 | |
She just totally blew me right out of the water. | 0:18:00 | 0:18:03 | |
'So I'm heading into studio A and I'm really excited | 0:18:11 | 0:18:14 | |
'because an envelope came in from the Ballet de la Reine touring company.' | 0:18:14 | 0:18:17 | |
I just can't wait to show Eldon. | 0:18:17 | 0:18:20 | |
Look what I just...got. | 0:18:20 | 0:18:23 | |
This just came in the mail in care of The Next Step. | 0:18:24 | 0:18:27 | |
Kate just gave it to me. | 0:18:27 | 0:18:29 | |
It's from the Ballet de la Reine touring company. | 0:18:29 | 0:18:32 | |
I suspect this to be my acceptance letter. | 0:18:32 | 0:18:35 | |
I thought it would be better to open it in front of you. | 0:18:35 | 0:18:37 | |
'I think it's good news.' | 0:18:37 | 0:18:39 | |
I'm pretty confident in getting in. | 0:18:39 | 0:18:41 | |
WEST CLEARS HIS THROAT | 0:18:42 | 0:18:45 | |
'I think the letter will say...' | 0:18:45 | 0:18:47 | |
"Thanks for coming out." | 0:18:47 | 0:18:48 | |
That's it. | 0:18:50 | 0:18:51 | |
You know what? | 0:18:54 | 0:18:56 | |
Who really cares what the letter says anyway, you know? | 0:18:56 | 0:18:58 | |
Yeah, yeah. | 0:18:58 | 0:19:00 | |
West crumples up the paper. | 0:19:00 | 0:19:01 | |
Victory is mine. | 0:19:03 | 0:19:05 | |
I can't tell Eldon about what this letter says. | 0:19:05 | 0:19:08 | |
I'm even a bit shocked right now. | 0:19:08 | 0:19:10 | |
There you are. Can we talk now? | 0:19:17 | 0:19:19 | |
-Ah, no. I already know what I'm doing. You come with me. -But... | 0:19:19 | 0:19:22 | |
MICHELLE: 'Right now, we're having a meeting about Internationals,' | 0:19:23 | 0:19:26 | |
about the fact that we're missing one dancer | 0:19:26 | 0:19:29 | |
and we don't know what to do. | 0:19:29 | 0:19:31 | |
Well, guys, we need a plan. | 0:19:31 | 0:19:32 | |
'We've invited James back but we haven't heard an answer, | 0:19:32 | 0:19:36 | |
'so it's just really stressful.' | 0:19:36 | 0:19:38 | |
Yo, what's up? | 0:19:39 | 0:19:41 | |
Oh, we are just having a meeting for Internationals. | 0:19:41 | 0:19:44 | |
Oh, for Internationals. Yeah, that explains all the mopey faces. | 0:19:44 | 0:19:48 | |
-I don't need this. -Yeah, you do. | 0:19:48 | 0:19:50 | |
Oh, yeah, that's right. I'm on the Internationals team. | 0:19:50 | 0:19:52 | |
-What?! -What? -Are you serious? -Yeah, for real. | 0:19:52 | 0:19:55 | |
I'm just so happy cos I finally have my best friend back. | 0:19:56 | 0:20:00 | |
Everything just feels right again. | 0:20:00 | 0:20:04 | |
I didn't even realise James was gone. | 0:20:04 | 0:20:06 | |
-RILEY: -'I'm just so happy that' | 0:20:06 | 0:20:09 | |
we can both be a part of this team together, finally. | 0:20:09 | 0:20:12 | |
Juice is on me! | 0:20:12 | 0:20:13 | |
'It feels amazing to be welcomed back to A-Troupe.' | 0:20:13 | 0:20:16 | |
I'm very happy with this decision. | 0:20:16 | 0:20:18 | |
Chloe, I need to talk to you. | 0:20:18 | 0:20:20 | |
'I pulled Chloe aside because' | 0:20:20 | 0:20:22 | |
there's something really important that I need to show her. | 0:20:22 | 0:20:25 | |
I think you're going to want to see this. | 0:20:25 | 0:20:27 | |
'I can't believe it. La Ballet de la Reine offered me' | 0:20:37 | 0:20:39 | |
a touring company position. | 0:20:39 | 0:20:41 | |
That would mean I'm a professional dancer | 0:20:41 | 0:20:44 | |
and that is what I've always wanted. | 0:20:44 | 0:20:46 | |
'Even though I didn't get the Nutcracker,' | 0:20:46 | 0:20:48 | |
I'm just so happy for Chloe. | 0:20:48 | 0:20:51 | |
There's no way that I can choose the Nutcracker position | 0:20:51 | 0:20:53 | |
and go to Internationals. | 0:20:53 | 0:20:55 | |
I have to choose between myself and the team. | 0:20:55 | 0:20:58 | |
And I have no idea what I'm going to do. | 0:20:58 | 0:21:00 |