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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
-Are you coming from Madison or your dad's? -Madison. | 0:00:03 | 0:00:05 | |
You've been there a lot. Are you planning on staying there? | 0:00:05 | 0:00:08 | |
No, of course not. No. | 0:00:08 | 0:00:10 | |
Leading up to nationals, we used to hang out together all the time, | 0:00:10 | 0:00:13 | |
we were bros, and now he's spending a lot of time with the band. | 0:00:13 | 0:00:17 | |
I kind of miss it. | 0:00:17 | 0:00:19 | |
-What's the point of the exercise? -Well, to get to know one another. | 0:00:19 | 0:00:23 | |
I'm Shantel. You're Giselle. Let's dance. | 0:00:23 | 0:00:26 | |
Of course we failed the duet. | 0:00:26 | 0:00:28 | |
She didn't want to work with me at all. | 0:00:28 | 0:00:30 | |
Nice team work. | 0:00:30 | 0:00:32 | |
MUSIC PLAYS | 0:00:33 | 0:00:36 | |
-Michelle! -Hi. | 0:00:45 | 0:00:47 | |
Hi. You're just the person I wanted to talk to, actually. | 0:00:47 | 0:00:50 | |
We need to figure out the rehearsal schedule for internationals. | 0:00:50 | 0:00:54 | |
-I honestly don't think I can be dance captain this year. -What? | 0:00:54 | 0:00:57 | |
I don't even know where I'm going to live. | 0:00:57 | 0:00:59 | |
I don't know if I'm moving back to Madison or | 0:00:59 | 0:01:02 | |
if I'm staying here with my dad. | 0:01:02 | 0:01:03 | |
I just have a lot on my plate and there's just | 0:01:03 | 0:01:05 | |
so much going on in my life. | 0:01:05 | 0:01:08 | |
It's just not fair to the team if I'm not 100% committed. | 0:01:08 | 0:01:11 | |
OK, well, I'll guess I'll find somebody else, then. | 0:01:11 | 0:01:15 | |
Thank you. | 0:01:15 | 0:01:16 | |
Now that Michelle has resigned, it means The Next Step | 0:01:16 | 0:01:20 | |
needs to find another dance captain. | 0:01:20 | 0:01:22 | |
# We, we are going to show the world | 0:01:22 | 0:01:29 | |
# Everything we're made of | 0:01:29 | 0:01:32 | |
# We're going to tear the roof off this place | 0:01:32 | 0:01:39 | |
Stand up! | 0:01:45 | 0:01:47 | |
Hey, you guys, listen up. | 0:02:03 | 0:02:05 | |
I have a letter from the internationals board. | 0:02:05 | 0:02:08 | |
At internationals, you get bits | 0:02:08 | 0:02:09 | |
and pieces of information at different times | 0:02:09 | 0:02:12 | |
and the purpose of that is to really test the studios | 0:02:12 | 0:02:15 | |
and their ability to deal with ever-changing situations. | 0:02:15 | 0:02:18 | |
At internationals, you have to work as a team, | 0:02:18 | 0:02:22 | |
but you won't get far without a leader. | 0:02:22 | 0:02:24 | |
Declare your captain, and you'll be one step closer to Miami. | 0:02:24 | 0:02:27 | |
-OK. -Well, that's easy. | 0:02:27 | 0:02:29 | |
Well, Michelle is our dance captain. | 0:02:29 | 0:02:31 | |
Uh, actually guys, I've decided to step down as dance captain. | 0:02:31 | 0:02:34 | |
-What? -Why? -So now what? -Look, you guys, | 0:02:34 | 0:02:38 | |
with Emily gone and Michelle stepping down, | 0:02:38 | 0:02:41 | |
I have made the executive decision that Giselle will be our new | 0:02:41 | 0:02:44 | |
-dance captain. -Me? -Yes! | 0:02:44 | 0:02:47 | |
I can't believe Miss Kate wants me to be dance captain. | 0:02:47 | 0:02:51 | |
Me, Giselle. | 0:02:51 | 0:02:53 | |
Guys, no, what about me? | 0:02:56 | 0:02:58 | |
I want a chance to be dance captain too. | 0:02:59 | 0:03:01 | |
When I was co-captain at Elite, Lucien taught | 0:03:01 | 0:03:03 | |
me how to make a winning team. | 0:03:03 | 0:03:05 | |
We need a leader like myself to take us to internationals. | 0:03:05 | 0:03:08 | |
Shantel isn't ready to be dance captain yet. | 0:03:08 | 0:03:10 | |
She just joined A troupe, she should focus on being part of the team. | 0:03:10 | 0:03:13 | |
Let someone else lead us to internationals. | 0:03:13 | 0:03:15 | |
Classic Shantel. Always thinks she knows better than everybody else. | 0:03:15 | 0:03:18 | |
All right, this is what we'll do. | 0:03:18 | 0:03:20 | |
Shantel, you'll choreograph a trio. | 0:03:20 | 0:03:23 | |
Giselle, you'll choreograph a trio. | 0:03:23 | 0:03:24 | |
Those two trios will compete against each other, | 0:03:24 | 0:03:27 | |
-and the winning dance will determine the dance captain. -OK. | 0:03:27 | 0:03:30 | |
-Cool. -Fair? -Yeah. Sounds very fair. -Good. | 0:03:30 | 0:03:33 | |
I'm not surprised that Shantel wants to challenge for dance captain, | 0:03:33 | 0:03:36 | |
but she has a lot of nerve. | 0:03:36 | 0:03:38 | |
This is not going to go over well. | 0:03:38 | 0:03:41 | |
# I try to fight the battle but I'm losing the war | 0:03:42 | 0:03:45 | |
# Whoa, whoa, hey! # | 0:03:45 | 0:03:48 | |
Who would like to be the first on the contemporary team? | 0:03:50 | 0:03:53 | |
Right now, we're deciding who will be in each of the trios | 0:03:53 | 0:03:56 | |
for the dance captain competition. | 0:03:56 | 0:03:58 | |
-I'll do it. -Great, thank you. | 0:03:58 | 0:04:00 | |
Kate wanted us to mix it up a bit, | 0:04:00 | 0:04:02 | |
so I'm doing the contemporary routine, | 0:04:02 | 0:04:04 | |
and Giselle's doing the hip-hop routine. | 0:04:04 | 0:04:06 | |
OK, so the final dancer for contemporary will be... | 0:04:06 | 0:04:08 | |
You know what? As much as I love hip-hop, | 0:04:08 | 0:04:12 | |
I think I'm going to go for contemporary. | 0:04:12 | 0:04:15 | |
I chose Shantel's contemporary team because in order for me to keep up | 0:04:15 | 0:04:19 | |
with the team, I've got to learn everything. | 0:04:19 | 0:04:21 | |
Shantel's team? You get A studio. Giselle? Music room. | 0:04:21 | 0:04:24 | |
We get the studio A. | 0:04:24 | 0:04:27 | |
I'm so excited to work on my hip-hop routine. | 0:04:27 | 0:04:30 | |
I mean, with Eldon, Max and Chloe in my routine, | 0:04:30 | 0:04:32 | |
I know it's going to be amazing. | 0:04:32 | 0:04:34 | |
MUSIC PLAYS | 0:04:34 | 0:04:37 | |
-I don't have a problem, if you don't have a problem, Frankie. -Hey. | 0:04:41 | 0:04:45 | |
Talk to Gina. Get it here. ..Hey! | 0:04:45 | 0:04:47 | |
Yeah, I got to go, Frankie. Jimmy's here. My nephew - James. | 0:04:47 | 0:04:50 | |
I have to get a suit for Aunt Kathy's wedding, | 0:04:50 | 0:04:53 | |
so I have to go to my uncle Enzo's suit shop | 0:04:53 | 0:04:55 | |
because my mom's making me go. | 0:04:55 | 0:04:57 | |
OK, Frankie. Frankie. Frankie. Got to go! | 0:04:57 | 0:05:02 | |
-Jimmy! How ya doing? -Good, man. | 0:05:02 | 0:05:05 | |
-I haven't seen you in for ever. What's going on? -How you doing, man? | 0:05:05 | 0:05:08 | |
-Look at you. You look great. -Thank you. | 0:05:08 | 0:05:11 | |
Not to complain. What are you doing here? | 0:05:11 | 0:05:13 | |
-My mom didn't tell you? -Your mother told me... | 0:05:13 | 0:05:15 | |
-Yes, you need a suit! -Yes, a new suit. -For Aunt Kathy's wedding. | 0:05:15 | 0:05:18 | |
Yes, for the wedding. | 0:05:18 | 0:05:19 | |
My uncle Enzo runs more of a... | 0:05:19 | 0:05:22 | |
like a clearance suit shop. | 0:05:22 | 0:05:23 | |
Like suits from World War Two. | 0:05:23 | 0:05:26 | |
-Don't you worry. We'll find you a suit! -OK. | 0:05:26 | 0:05:29 | |
Find? We can make you a suit! Oooh, ooh. | 0:05:29 | 0:05:32 | |
Sometimes my uncle Enzo makes his own suits. | 0:05:32 | 0:05:34 | |
-Those are even worse! -Check it out. Check it out. Check it out. | 0:05:34 | 0:05:37 | |
-Sky blue! -Yeah. -It is the new black. | 0:05:37 | 0:05:40 | |
I can make you a shirt, jacket, pants, shoes. | 0:05:40 | 0:05:42 | |
-I can make you shoes, Jimmy! -Shoes? | 0:05:42 | 0:05:45 | |
Of course. Don't question Uncle Enzo, I can make anything. | 0:05:45 | 0:05:47 | |
That's really cool, but I don't... | 0:05:47 | 0:05:49 | |
I'm not really a fan of the sky blue, either. | 0:05:49 | 0:05:51 | |
-I hate it! Don't worry. We'll find something. -OK. | 0:05:51 | 0:05:54 | |
We'll find something for you. | 0:05:54 | 0:05:56 | |
Yeah, I'm pretty confident that I'm not finding a suit here. | 0:05:56 | 0:06:00 | |
MUSIC PLAYS | 0:06:00 | 0:06:02 | |
-Let's get this hip-hop group started. -All right. | 0:06:06 | 0:06:09 | |
I think we should start... | 0:06:09 | 0:06:11 | |
I think we should all start with pirouettes. | 0:06:11 | 0:06:13 | |
That would be so fantastic. | 0:06:13 | 0:06:14 | |
I get what you're saying, but this is a hip-hop routine. | 0:06:14 | 0:06:17 | |
'Right now, we're trying to work out some | 0:06:17 | 0:06:18 | |
'choreography for the dance captain challenge.' | 0:06:18 | 0:06:21 | |
Why don't we just bam, bam, bam, you know? Do it. | 0:06:21 | 0:06:23 | |
I think the routine should be a balance of hip-hop style... | 0:06:23 | 0:06:25 | |
-So many times. -OK. | 0:06:25 | 0:06:28 | |
..with technique. | 0:06:28 | 0:06:29 | |
You know what would be cooler than that? | 0:06:29 | 0:06:30 | |
Is if we came in doing a B-twist. | 0:06:30 | 0:06:32 | |
If we're going to do a hip-hop number, | 0:06:32 | 0:06:34 | |
we've got to stick to straight hip-hop. | 0:06:34 | 0:06:36 | |
I want to do a windmill because, you know, | 0:06:36 | 0:06:38 | |
it's kind of like a windmill, you know? | 0:06:38 | 0:06:40 | |
I like windmills. | 0:06:40 | 0:06:42 | |
-All right. A windmill, OK. -Oh, nice. -Wow. -You ever tried that? | 0:06:42 | 0:06:45 | |
I want to take their ideas in, | 0:06:45 | 0:06:47 | |
but I'm supposed to be the dance captain of this group, | 0:06:47 | 0:06:51 | |
and no-one's listening to me. | 0:06:51 | 0:06:52 | |
-But I... -There we go. OK. | 0:06:52 | 0:06:54 | |
Why are we going to start with something like that? | 0:06:54 | 0:06:56 | |
At first, I thought I'd be a great dance captain, but, | 0:06:56 | 0:07:00 | |
'now, from this experience, I'm really not sure.' | 0:07:00 | 0:07:03 | |
I'm going to go get some water. | 0:07:03 | 0:07:06 | |
It's going to be memorable. At the beginning... | 0:07:06 | 0:07:08 | |
But if we do pirouettes at the beginning, we might as well do... | 0:07:08 | 0:07:12 | |
MUSIC PLAYS | 0:07:12 | 0:07:14 | |
I'm very excited. This is the good stuff. | 0:07:23 | 0:07:26 | |
I'm trying on suits in my uncle Enzo's shop right now, | 0:07:26 | 0:07:29 | |
and I'm starting to lose hope. | 0:07:29 | 0:07:31 | |
My lapels look like slices of pizza! | 0:07:35 | 0:07:38 | |
This is not working. | 0:07:38 | 0:07:39 | |
This suit, I hate. | 0:07:39 | 0:07:41 | |
This suit...I kind of like. | 0:07:42 | 0:07:44 | |
I feel like I own an oil well and I should be taking care of my cattle. | 0:07:44 | 0:07:48 | |
But it's not appropriate for Aunt Kathy's wedding. | 0:07:48 | 0:07:51 | |
If this one isn't perfect, Jimmy, I'm going to eat | 0:07:51 | 0:07:55 | |
paper from that three-ring binder. So, let's go. | 0:07:55 | 0:07:58 | |
This is not going well. I'm going to need some help. | 0:08:04 | 0:08:07 | |
Oh, it's so good to just relax. | 0:08:07 | 0:08:09 | |
TEXT ALERT | 0:08:09 | 0:08:12 | |
Oh, James texted me. | 0:08:13 | 0:08:14 | |
SNS. | 0:08:14 | 0:08:16 | |
What does that mean? | 0:08:16 | 0:08:17 | |
"Sister needs sister." | 0:08:17 | 0:08:19 | |
Emily and I usually send these SNS texts, | 0:08:19 | 0:08:22 | |
which means "sister needs sister", when we're in trouble. | 0:08:22 | 0:08:25 | |
I know it must be important so I have to go help him out. | 0:08:25 | 0:08:28 | |
-Maybe you should go. -I'm going to go get that. | 0:08:28 | 0:08:30 | |
-OK. Bye. -Bye. | 0:08:30 | 0:08:32 | |
Ready? Five, six, seven, eight. | 0:08:34 | 0:08:36 | |
Go one, two, three and four, five, six, seven, eight. | 0:08:36 | 0:08:40 | |
'I really want to see how Shantel's rehearsal is going.' | 0:08:40 | 0:08:42 | |
One, two, three and four. OK, just watch your arms, guys. | 0:08:42 | 0:08:46 | |
-Where are the arms? -Big? -Yah, perfect. | 0:08:46 | 0:08:48 | |
Thanks. | 0:08:48 | 0:08:49 | |
Yeah, thank you. OK, ready? Five, six, seven, eight. | 0:08:49 | 0:08:51 | |
'To be honest I thought Shantel's group would be a complete disaster, | 0:08:51 | 0:08:55 | |
'but they're all listening to her. They're taking direction.' | 0:08:55 | 0:08:58 | |
That looks good. That looks really good. | 0:08:58 | 0:09:01 | |
Maybe Shantel would be the better dance captain. | 0:09:01 | 0:09:04 | |
-Giselle. -Hey. -Come sit. | 0:09:16 | 0:09:18 | |
'She looks upset and that's so not like her.' | 0:09:18 | 0:09:22 | |
She's always bubbly and excited to see everyone, | 0:09:22 | 0:09:25 | |
but something's definitely wrong. | 0:09:25 | 0:09:27 | |
Everything's just not going as I planned. | 0:09:27 | 0:09:31 | |
This whole dance captain thing, it's kind of just made me | 0:09:31 | 0:09:35 | |
less confident in myself. | 0:09:35 | 0:09:36 | |
Shantel's doing an amazing job. She's giving correction. | 0:09:36 | 0:09:39 | |
They're taking notes. They're working as a team. My group? | 0:09:39 | 0:09:42 | |
They're running around like fools. | 0:09:42 | 0:09:44 | |
One wants to do a foite, one wants to do a pirouette, so how do you... | 0:09:44 | 0:09:47 | |
Pirouette. | 0:09:47 | 0:09:49 | |
How do you know? | 0:09:49 | 0:09:50 | |
I don't. | 0:09:50 | 0:09:52 | |
Look, as captain, you have to make a decision and the team will follow. | 0:09:52 | 0:09:56 | |
She makes it look so easy but for me? | 0:09:56 | 0:09:59 | |
It's just really hard. | 0:09:59 | 0:10:01 | |
What's hard is believing in yourself. | 0:10:01 | 0:10:03 | |
'She is completely right.' | 0:10:03 | 0:10:05 | |
OK. | 0:10:05 | 0:10:07 | |
This whole dance captain thing, I've been down on myself | 0:10:07 | 0:10:09 | |
and I need to bring up my confidence level. | 0:10:09 | 0:10:12 | |
I do need to believe in myself. | 0:10:12 | 0:10:14 | |
Now get in there and take charge. | 0:10:14 | 0:10:16 | |
OK, I can do this. I got this. | 0:10:16 | 0:10:18 | |
-OK. Good luck. -Thank you. -I trust you. | 0:10:18 | 0:10:21 | |
'I really hope my advice helps Giselle.' | 0:10:21 | 0:10:24 | |
MUSIC PLAYS | 0:10:26 | 0:10:28 | |
'I come to this weird warehouse | 0:10:37 | 0:10:40 | |
'filled with dirty old clothing.' | 0:10:40 | 0:10:42 | |
James! | 0:10:42 | 0:10:43 | |
And I'm not really too sure where James is. | 0:10:43 | 0:10:46 | |
I got your SNS text, where are you? | 0:10:46 | 0:10:49 | |
I'm in here. | 0:10:49 | 0:10:50 | |
I did SNS Riley, but I did not mean "sister needs sister". | 0:10:50 | 0:10:54 | |
I meant "seriously needs suit". | 0:10:54 | 0:10:56 | |
James, is that you? | 0:10:56 | 0:10:59 | |
I don't even know any more. | 0:10:59 | 0:11:02 | |
What?! | 0:11:02 | 0:11:03 | |
'He's wearing the most ridiculous suit I have ever seen!' | 0:11:08 | 0:11:13 | |
There's ruffles and pink and blue. | 0:11:13 | 0:11:16 | |
I can't... I can't even look at you. Oh, my gosh! | 0:11:18 | 0:11:21 | |
Oh, my gosh! This is disgusting. | 0:11:21 | 0:11:25 | |
There's so much dust and clutter! | 0:11:25 | 0:11:28 | |
Ugh! And that smell of meatballs... | 0:11:28 | 0:11:31 | |
And these suits? | 0:11:31 | 0:11:33 | |
Oh, my goodness! | 0:11:33 | 0:11:34 | |
Yep, that's mould. Yep, this place should definitely be condemned. | 0:11:34 | 0:11:37 | |
Ooh... | 0:11:37 | 0:11:39 | |
Why, Riley? | 0:11:39 | 0:11:41 | |
ENZO CLEARS HIS THROAT | 0:11:41 | 0:11:44 | |
-Agh! -I want to introduce you to my uncle Enzo. | 0:11:44 | 0:11:47 | |
This is his shop. | 0:11:47 | 0:11:49 | |
And I heard everything. | 0:11:50 | 0:11:52 | |
The insults, the rudeness, the criticism - | 0:11:52 | 0:11:54 | |
and I agree. It's true. We just don't say it out loud. | 0:11:54 | 0:11:57 | |
What do you think of the suit? | 0:11:57 | 0:11:59 | |
Um, well... | 0:11:59 | 0:12:02 | |
This is clearly a situation where he desperately needs my help. | 0:12:02 | 0:12:06 | |
I'm not too crazy about it. | 0:12:06 | 0:12:08 | |
Do you think you can do better? | 0:12:08 | 0:12:10 | |
Definitely. | 0:12:10 | 0:12:12 | |
Why do we have to open with that? | 0:12:18 | 0:12:20 | |
Because it's the opening of the number. | 0:12:20 | 0:12:22 | |
-I know but... -We need to captivate the audience right away. | 0:12:22 | 0:12:24 | |
We're all so passionate about our ideas, | 0:12:24 | 0:12:26 | |
it gets pretty competitive. | 0:12:26 | 0:12:28 | |
-Eldon, Chloe. -But then... | 0:12:28 | 0:12:30 | |
Eldon, Chloe, Max, let's go! | 0:12:30 | 0:12:31 | |
I believe in myself and we're going to do this, | 0:12:31 | 0:12:35 | |
no matter how hard it's going to be for me. | 0:12:35 | 0:12:36 | |
I want to be dance captain so I'm going to make it happen. | 0:12:36 | 0:12:39 | |
Chloe, start at the back. Boys, start at the sides. | 0:12:39 | 0:12:42 | |
Let's just do a skeleton. | 0:12:44 | 0:12:46 | |
OK? So, Chloe, you're going to have a solo moment. | 0:12:46 | 0:12:48 | |
Boys, this is where you're going to B-Twist in. | 0:12:48 | 0:12:51 | |
She has a clear plan, | 0:12:51 | 0:12:53 | |
'she knows exactly what she wants from us, | 0:12:53 | 0:12:55 | |
'and that's exactly what a good dance captain should do.' | 0:12:55 | 0:12:59 | |
-Yes, I like that a lot! -I like that. -OK? -Yes! | 0:12:59 | 0:13:01 | |
MUSIC PLAYS | 0:13:01 | 0:13:04 | |
You want a meatball? | 0:13:09 | 0:13:11 | |
Um, no, I'm good. I already had meatballs this month. | 0:13:11 | 0:13:14 | |
So, it took me a while | 0:13:14 | 0:13:15 | |
to find a suit in that store that suited James. | 0:13:15 | 0:13:20 | |
SUITED - get it? | 0:13:20 | 0:13:21 | |
Ha-ha, yeah, but, uh... | 0:13:21 | 0:13:24 | |
I think I finally found the right one. | 0:13:24 | 0:13:26 | |
Whoo, look at that! | 0:13:28 | 0:13:30 | |
Doesn't he look good? | 0:13:30 | 0:13:31 | |
'She picked out a sweet suit for me.' | 0:13:31 | 0:13:33 | |
It's nice and fitted. My style, not too much. | 0:13:33 | 0:13:36 | |
Not, like, bright blue or anything. It's a nice suit, so I'm happy. | 0:13:36 | 0:13:39 | |
-Sweet. OK, perfect. -Yeah. -And now what about you? | 0:13:39 | 0:13:42 | |
-Me? -You need a dress. | 0:13:42 | 0:13:44 | |
Uh, no, I'm good. I don't need a dress. | 0:13:44 | 0:13:46 | |
Uh, you're my date to the wedding. You're going to need a dress. | 0:13:46 | 0:13:49 | |
'It's a very kind gesture but, um...' | 0:13:50 | 0:13:54 | |
I don't really think I'll find one here. | 0:13:54 | 0:13:58 | |
Yeah, um, I can just buy one at a store. | 0:13:58 | 0:14:00 | |
No-one in our family pays retail. | 0:14:00 | 0:14:02 | |
Well, there's not really a lot of selection here so... | 0:14:02 | 0:14:06 | |
-I have a whole warehouse! -Oh...! | 0:14:06 | 0:14:09 | |
Let's see the warehouse! | 0:14:09 | 0:14:11 | |
Let's hit the warehouse! | 0:14:11 | 0:14:12 | |
Let's hit the warehouse. OK. | 0:14:12 | 0:14:14 | |
This is going to be awful. | 0:14:14 | 0:14:16 | |
# Oh, I told you and you don't know what to do | 0:14:24 | 0:14:27 | |
# But we're all, yeah, we're all | 0:14:27 | 0:14:29 | |
# Yeah, we're all here for you | 0:14:29 | 0:14:31 | |
# I told you and you don't know what to do | 0:14:31 | 0:14:34 | |
# But we're all, yeah, we're all | 0:14:34 | 0:14:36 | |
# We're all here for you. # | 0:14:36 | 0:14:38 | |
'I'm actually really surprised that Uncle Enzo found me' | 0:14:42 | 0:14:45 | |
a fantastic dress for the wedding. I'm really excited to wear it. | 0:14:45 | 0:14:48 | |
I'm really excited for Aunt Kathy's wedding. | 0:14:49 | 0:14:51 | |
Me and Riley are going to look great. | 0:14:51 | 0:14:53 | |
All right, you guys. It's time for the competition to see | 0:15:04 | 0:15:08 | |
who's going to be the next dance captain. Are the trios ready? | 0:15:08 | 0:15:11 | |
-Yeah! -Yes! OK. -ALL CHEER | 0:15:11 | 0:15:14 | |
OK, who wants to go first? | 0:15:14 | 0:15:16 | |
Me and my team can go first. Let's go, guys. | 0:15:18 | 0:15:20 | |
Perfect! Let's have Shantel's team. | 0:15:20 | 0:15:22 | |
'I worked really hard to make this routine perfect. | 0:15:22 | 0:15:25 | |
'And I really hope everyone else sees that.' | 0:15:25 | 0:15:28 | |
MUSIC PLAYS | 0:15:28 | 0:15:31 | |
'We're dancing to a song called Lost In The Middle, and this story' | 0:15:35 | 0:15:38 | |
is about siblings who just fight and bicker a lot. | 0:15:38 | 0:15:41 | |
Watching Shantel's makes me extremely nervous | 0:15:51 | 0:15:54 | |
they've a story line and mine's more so just dancing. | 0:15:54 | 0:15:59 | |
Shantel's dance is amazing but there is just something missing. | 0:16:06 | 0:16:10 | |
It's almost like they're dancing too safe. | 0:16:12 | 0:16:14 | |
'West is doing a great job. | 0:16:24 | 0:16:25 | |
'I thought he was just a hip-hop dancer,' | 0:16:25 | 0:16:27 | |
but he's great at contemporary, as well. | 0:16:27 | 0:16:29 | |
I think I really helped him. | 0:16:29 | 0:16:31 | |
'Noah, West and Thalia are amazing dancers | 0:16:34 | 0:16:36 | |
'but there is no personality in this dance. It's still really good' | 0:16:36 | 0:16:40 | |
but it's all Shantel. She works a lot like Lucien. | 0:16:40 | 0:16:43 | |
CHEERING AND APPLAUSE | 0:16:50 | 0:16:52 | |
OK, let's have Giselle's group up. | 0:16:54 | 0:16:56 | |
CHEERING AND APPLAUSE | 0:16:56 | 0:16:58 | |
'I hope this dance is good because' | 0:17:01 | 0:17:03 | |
I really, really want to be dance captain. | 0:17:03 | 0:17:05 | |
I'm not going to lie, I'm extremely nervous right now. | 0:17:19 | 0:17:23 | |
I'm just trying to stay positive for my team. | 0:17:23 | 0:17:26 | |
I'm praying that they do the best they can. | 0:17:26 | 0:17:29 | |
HIP-HOP MUSIC PLAYS | 0:17:29 | 0:17:31 | |
I like dancing hip-hop a lot. | 0:17:33 | 0:17:36 | |
I don't love it yet, because I'm not very good at it, | 0:17:36 | 0:17:40 | |
I think I'm getting better. | 0:17:40 | 0:17:41 | |
Giselle's hip-hop routine is awesome. | 0:17:45 | 0:17:47 | |
Looks like Chloe is channelling her inner West. | 0:17:47 | 0:17:50 | |
Giselle's dance is amazing. | 0:17:54 | 0:17:56 | |
I mean, she even incorporated Eldon's moves, Chloe's moves and Max's. | 0:17:56 | 0:17:59 | |
I'm just really happy that she included everyone in the team. | 0:17:59 | 0:18:03 | |
My team is doing so awesome. | 0:18:05 | 0:18:07 | |
I've never seen Chloe dance this way before, ever. | 0:18:07 | 0:18:11 | |
It's looking better than I ever thought it would. | 0:18:11 | 0:18:14 | |
Giselle's dance is pretty good, but as a dance captain, | 0:18:25 | 0:18:28 | |
you need to make sure that everyone is at the same level, | 0:18:28 | 0:18:31 | |
and you can tell that Chloe isn't at the same level as Eldon and Max. | 0:18:31 | 0:18:36 | |
CHEERING AND APPLAUSE | 0:18:38 | 0:18:41 | |
Great job, you guys. Amazing choreography, Giselle and Shantel. | 0:18:44 | 0:18:47 | |
Thank you so much. | 0:18:47 | 0:18:48 | |
Um, Michelle, since you were the previous dance captain, | 0:18:48 | 0:18:51 | |
I think you should be the one to make the decision. | 0:18:51 | 0:18:54 | |
Oh, uh... | 0:18:54 | 0:18:55 | |
'On one hand, we have Shantel, who's driven and focused on her dance, | 0:18:57 | 0:19:02 | |
'and on another hand, we have Giselle, | 0:19:02 | 0:19:05 | |
'who is amazing and dedicated' | 0:19:05 | 0:19:08 | |
and everyone loves her. | 0:19:08 | 0:19:10 | |
I know she always does what's best for the team. | 0:19:10 | 0:19:12 | |
Sometimes you just have to make a decision. | 0:19:12 | 0:19:15 | |
Well, both trios were amazing... | 0:19:19 | 0:19:23 | |
..but... | 0:19:24 | 0:19:25 | |
..I think our dance captain... | 0:19:26 | 0:19:28 | |
..is Giselle. | 0:19:29 | 0:19:31 | |
CHEERING AND APPLAUSE | 0:19:31 | 0:19:34 | |
I'm dance captain! I'm just so excited right now! | 0:19:37 | 0:19:40 | |
'I can't believe it. | 0:19:40 | 0:19:42 | |
'My routine was way more polished than Giselle's.' | 0:19:42 | 0:19:45 | |
This team doesn't recognise my talents, | 0:19:45 | 0:19:48 | |
and I knew Michelle was just going to pick her friend. | 0:19:48 | 0:19:51 | |
Are you guys kidding right now? | 0:19:51 | 0:19:52 | |
You don't see how unfair this is? Really? | 0:19:53 | 0:19:57 | |
Well, Shantel... | 0:19:57 | 0:19:58 | |
Being dance captain is more than just choreographing routines. | 0:20:00 | 0:20:03 | |
It's about how the whole team comes together as one. | 0:20:03 | 0:20:05 | |
And I feel like Giselle did a better job at doing that. | 0:20:05 | 0:20:08 | |
You won't win internationals like this. | 0:20:08 | 0:20:11 | |
'I'm done with The Next Step.' | 0:20:11 | 0:20:13 | |
They don't appreciate what I can do for them? Hey, it's their loss. | 0:20:13 | 0:20:17 | |
'I told Giselle that she had to be decisive as dance captain,' | 0:20:20 | 0:20:24 | |
and then, when I'm decisive, we lose a dancer. | 0:20:24 | 0:20:26 | |
I guess that's the price you pay for being a leader. | 0:20:26 | 0:20:30 | |
-Oh, my gosh. -What? What's it? | 0:20:40 | 0:20:42 | |
I get a text from Kate. | 0:20:42 | 0:20:44 | |
Wow. I didn't see that coming. | 0:20:44 | 0:20:47 | |
'Someone is rejoining A Troupe,' | 0:20:47 | 0:20:50 | |
and I can't believe who it is. | 0:20:50 | 0:20:53 | |
-Aren't you excited? -Can I try some of this? | 0:20:53 | 0:20:56 | |
This is NOT good. | 0:21:00 | 0:21:02 |