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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
THEY CHEER | 0:00:03 | 0:00:05 | |
That means the competition is over! | 0:00:05 | 0:00:08 | |
Congratulations, you guys! | 0:00:08 | 0:00:10 | |
This is officially the Internationals team! | 0:00:10 | 0:00:14 | |
One, two three! Internationals! | 0:00:14 | 0:00:17 | |
I would have been bothered if you didn't make it into A-Troupe. | 0:00:17 | 0:00:21 | |
Do you feel the same way? | 0:00:21 | 0:00:23 | |
Yeah. | 0:00:24 | 0:00:25 | |
# One, two, three, four | 0:00:32 | 0:00:34 | |
# Follow me out the door | 0:00:34 | 0:00:35 | |
# We're going out tonight to hit the dance floor | 0:00:35 | 0:00:39 | |
# There's no time to be down any more | 0:00:39 | 0:00:43 | |
# Now | 0:00:43 | 0:00:45 | |
# And five, six, seven, eight | 0:00:45 | 0:00:47 | |
# Come on now, don't be late | 0:00:47 | 0:00:49 | |
# We gotta go now | 0:00:49 | 0:00:51 | |
# Get rid of your frown | 0:00:51 | 0:00:52 | |
# No time to be down... # | 0:00:52 | 0:00:54 | |
This is the first time A-Troupe is dancing | 0:00:54 | 0:00:57 | |
with the three new Elite people. | 0:00:57 | 0:00:59 | |
# I feel all right... # | 0:00:59 | 0:01:02 | |
Dancing with The Next Step is really weird. | 0:01:02 | 0:01:05 | |
They've been our sworn enemies for years. | 0:01:05 | 0:01:07 | |
I don't know how this is going to work. | 0:01:07 | 0:01:09 | |
# Time for a good time now... # | 0:01:09 | 0:01:12 | |
I don't have to like these people. They don't have to like me. | 0:01:12 | 0:01:15 | |
As long as we look like a team and we're clean, | 0:01:15 | 0:01:18 | |
that's all I care about. | 0:01:18 | 0:01:19 | |
# Whoa-oh, ah-oh, ah-oh, ah-oh-oh... # | 0:01:19 | 0:01:22 | |
I still don't feel like I'm fitting in as part of the Next Step. | 0:01:22 | 0:01:25 | |
Max, Shantel and I are just kind of outsiders still. | 0:01:25 | 0:01:29 | |
# Now the music's loud | 0:01:29 | 0:01:31 | |
# The bass is going down... # | 0:01:31 | 0:01:32 | |
It is weird dancing with the three new members of A-troupe, | 0:01:32 | 0:01:35 | |
because I danced with them at Elite. | 0:01:35 | 0:01:38 | |
But I'm just happy that I'm here and I'm on the Next Step now. | 0:01:38 | 0:01:41 | |
# Oh, whoa-oh-oh, whoa-oh-oh... # | 0:01:42 | 0:01:44 | |
My two boys are not there, James and Hunter, | 0:01:44 | 0:01:46 | |
and of course Emily's not here. | 0:01:46 | 0:01:48 | |
So it's...it's definitely new for all of us. | 0:01:48 | 0:01:50 | |
I'm the new guy, | 0:01:52 | 0:01:53 | |
and I guess I don't really quite fit in right now, but... | 0:01:53 | 0:01:56 | |
hopefully, in time, I'll start to get the hang of things in A-Troupe. | 0:01:56 | 0:02:01 | |
# Whoa-oh, ah-oh, ah-oh, ah-oh-oh | 0:02:02 | 0:02:05 | |
# Oh-oh-oh, ah-oh, ah-oh | 0:02:05 | 0:02:07 | |
# Oh-oh-oh | 0:02:07 | 0:02:09 | |
# Whoa-oh, ah-oh, ah-oh, ah-oh-oh... # | 0:02:09 | 0:02:12 | |
As the new A-Troupe, we don't really feel united. | 0:02:12 | 0:02:16 | |
But, because we're dancers, | 0:02:16 | 0:02:17 | |
you don't really see that during a routine. | 0:02:17 | 0:02:19 | |
It's only when the dance ends that you can really start to feel | 0:02:20 | 0:02:23 | |
the tension between the Elite members and the Next Step. | 0:02:23 | 0:02:26 | |
I think why we don't really hang out with the Elite people is... | 0:02:27 | 0:02:31 | |
because we want our old team back. | 0:02:31 | 0:02:33 | |
Things are different now, | 0:02:33 | 0:02:34 | |
and I don't know if we'll be able to pull it together. | 0:02:34 | 0:02:38 | |
# We | 0:02:38 | 0:02:40 | |
# We are gonna show the world | 0:02:40 | 0:02:43 | |
# Everything we're made of | 0:02:44 | 0:02:47 | |
# We're gonna tear the roof off this place | 0:02:47 | 0:02:55 | |
# Stand up! # | 0:03:00 | 0:03:02 | |
'I am here at the orthodontist today...' | 0:03:21 | 0:03:23 | |
to get my braces off! | 0:03:23 | 0:03:26 | |
I'm so excited! | 0:03:26 | 0:03:27 | |
I cannot wait to be able to eat corn on the cob and apples | 0:03:27 | 0:03:31 | |
and hard candies and gum! | 0:03:31 | 0:03:33 | |
Riley. | 0:03:33 | 0:03:35 | |
This magazine is from 1992 | 0:03:35 | 0:03:36 | |
and, look, still an amazing macaroni and cheese recipe. | 0:03:36 | 0:03:40 | |
Are you seriously reading a magazine right now? | 0:03:40 | 0:03:42 | |
Aren't you excited? | 0:03:42 | 0:03:44 | |
-Excited? No, I'm frightened. -Why? | 0:03:44 | 0:03:46 | |
I don't think you've thought this whole thing through. | 0:03:46 | 0:03:49 | |
Are you kidding? | 0:03:49 | 0:03:50 | |
No, I'm not kidding. I might not even recognise you. | 0:03:50 | 0:03:53 | |
You know what you should do? Come out with a little name tag | 0:03:53 | 0:03:55 | |
-that says, "Hello, my name is Riley," just so I know. -Yeah? Mm-hm? | 0:03:55 | 0:03:59 | |
Ah! | 0:04:00 | 0:04:01 | |
'Clearly, Riley is way too nervous' | 0:04:01 | 0:04:04 | |
to have any sense of humour right now. | 0:04:04 | 0:04:06 | |
I wasn't finished reading my horoscope. Come on. | 0:04:06 | 0:04:09 | |
This magazine is from 1992. | 0:04:09 | 0:04:11 | |
I think you're up. I think you're up. | 0:04:11 | 0:04:13 | |
Hold on Riley. Smile. | 0:04:15 | 0:04:17 | |
-What? -Smile. | 0:04:17 | 0:04:18 | |
'Take one last look at my smile,' | 0:04:18 | 0:04:19 | |
cos it's changing for ever. | 0:04:19 | 0:04:21 | |
All right. Five, six, seven, eight. One, two... | 0:04:29 | 0:04:32 | |
'I don't even know these three new people from Elite, | 0:04:32 | 0:04:35 | |
so it's hard to dance with somebody without a connection. | 0:04:35 | 0:04:39 | |
Five, six, seven, eight. | 0:04:39 | 0:04:41 | |
I can feel the tension in the room | 0:04:41 | 0:04:43 | |
and I feel it's just because The Next Step isn't used to the way they work | 0:04:43 | 0:04:47 | |
and they're not used to the way we work. | 0:04:47 | 0:04:49 | |
Seven, eight, hit. | 0:04:49 | 0:04:51 | |
If we're going to succeed at Internationals, | 0:04:52 | 0:04:54 | |
this tension has to go. | 0:04:54 | 0:04:56 | |
At some point, we have to make up, and this is the time. | 0:04:56 | 0:05:00 | |
OK. This has been bothering me all rehearsal. | 0:05:00 | 0:05:03 | |
Something's not right here. | 0:05:03 | 0:05:05 | |
Clearly, there's two separate teams. We're not a family yet, | 0:05:05 | 0:05:08 | |
and there is no way we can win Internationals like that. | 0:05:08 | 0:05:11 | |
Well, what do you have in mind? | 0:05:11 | 0:05:13 | |
Oh, I don't know. | 0:05:15 | 0:05:16 | |
Duets? | 0:05:16 | 0:05:17 | |
'I'm hoping with maybe duets, we can' | 0:05:17 | 0:05:19 | |
work one-on-one with each other | 0:05:19 | 0:05:21 | |
and it'll give us a chance to work out our differences. | 0:05:21 | 0:05:23 | |
I like that. That is a great idea, Cierra. | 0:05:23 | 0:05:27 | |
'Right now, I'm feeling the divided countries,' | 0:05:27 | 0:05:30 | |
so this is a great opportunity for them to...become one. | 0:05:30 | 0:05:34 | |
OK. | 0:05:34 | 0:05:36 | |
West, Noah and Giselle, | 0:05:36 | 0:05:38 | |
you guys pick one Elite dancer to pair up with. | 0:05:38 | 0:05:40 | |
-OK? -Yeah. -Sure. | 0:05:40 | 0:05:42 | |
-Don't be shy. -Shantel, right? | 0:05:42 | 0:05:44 | |
Giselle? | 0:05:44 | 0:05:45 | |
'I'm really excited to work with Shantel. | 0:05:45 | 0:05:48 | |
'I don't really know much about her,' | 0:05:48 | 0:05:49 | |
so I'm just excited to get to know her. | 0:05:49 | 0:05:52 | |
Oh...OK... | 0:05:52 | 0:05:54 | |
-Yeah. -So duet or not? | 0:05:54 | 0:05:57 | |
I definitely want to duet with Eldon | 0:05:57 | 0:06:00 | |
because we'd get to spend a lot more time together. | 0:06:00 | 0:06:03 | |
Quiz time. Thalia. | 0:06:03 | 0:06:05 | |
What is Eldon's pre-competitive ritual? | 0:06:06 | 0:06:10 | |
Oh, that's easy. | 0:06:10 | 0:06:11 | |
He doesn't wash his lucky sock for like three weeks before competition. | 0:06:11 | 0:06:15 | |
That's disgusting. | 0:06:15 | 0:06:16 | |
And it's true. | 0:06:16 | 0:06:17 | |
You guys have clearly already bonded many a time. | 0:06:17 | 0:06:22 | |
You guys don't need to do this. Go enjoy your afternoon. | 0:06:22 | 0:06:24 | |
-Thanks, Phoebe. -Good job. | 0:06:24 | 0:06:26 | |
Ugh! I shouldn't have got that question right, | 0:06:26 | 0:06:28 | |
cos then I would have been able to work with Eldon. | 0:06:28 | 0:06:31 | |
'Noah and I are in Studio A, | 0:06:39 | 0:06:41 | |
'we're supposed to be working on our duet...' | 0:06:41 | 0:06:43 | |
but we're just kind of sitting on the floor. | 0:06:43 | 0:06:45 | |
Not even talking. | 0:06:45 | 0:06:48 | |
I had pizza yesterday. | 0:06:48 | 0:06:49 | |
Oh, yeah? | 0:06:49 | 0:06:50 | |
Way too many olives. | 0:06:51 | 0:06:53 | |
Why am I talking to her about pizza? | 0:06:53 | 0:06:55 | |
I should ask her something about herself. | 0:06:55 | 0:06:57 | |
Do you miss Elite? | 0:06:57 | 0:06:58 | |
Mm. I don't know. Parts of it but, you know, not really. | 0:07:00 | 0:07:03 | |
Sometimes I miss here. | 0:07:03 | 0:07:05 | |
And I go here. | 0:07:05 | 0:07:07 | |
How do you miss here, then? | 0:07:07 | 0:07:10 | |
I used to be in J-Troupe, and now I'm here. | 0:07:10 | 0:07:13 | |
-So you're new to A-Troupe too? -Yeah. | 0:07:13 | 0:07:16 | |
'So I found out that Noah is kind of new to the team, too.' | 0:07:16 | 0:07:19 | |
I'm starting to loosen up around him. | 0:07:19 | 0:07:21 | |
-Want to try some stuff? -Yeah. | 0:07:21 | 0:07:23 | |
All right. Er... | 0:07:23 | 0:07:25 | |
-Do you do any acro? -Yeah. I can tumble. Can you? | 0:07:25 | 0:07:28 | |
Sweet. I say we start in the corner. | 0:07:28 | 0:07:30 | |
'So now that we've broken the ice,' | 0:07:30 | 0:07:31 | |
I think that our duet will be pretty good. | 0:07:31 | 0:07:33 | |
I think Noah and I will really come together. | 0:07:33 | 0:07:36 | |
OK, let me see them. | 0:07:43 | 0:07:45 | |
Wow. OK. | 0:07:46 | 0:07:48 | |
-Yeah. -Not bad at all. Look at that. | 0:07:48 | 0:07:50 | |
-It's not a bad job... -HE GASPS | 0:07:50 | 0:07:53 | |
Seriously? | 0:07:53 | 0:07:54 | |
-HE LAUGHS -I'm playing with you. | 0:07:54 | 0:07:56 | |
Look at you. Look at how beautiful you look. | 0:07:56 | 0:07:59 | |
Thank you. | 0:07:59 | 0:08:01 | |
I cannot wait to show everyone my new teeth. | 0:08:01 | 0:08:04 | |
It's going to be amazing. | 0:08:04 | 0:08:06 | |
I can't wait for everyone to notice. I'm really excited! | 0:08:06 | 0:08:09 | |
# Cold | 0:08:25 | 0:08:27 | |
# I was cold | 0:08:27 | 0:08:29 | |
# Well, I spoke to you like no-one ever should | 0:08:29 | 0:08:33 | |
# You | 0:08:33 | 0:08:34 | |
# And your games | 0:08:34 | 0:08:36 | |
# Well, you play me like a guitar all day | 0:08:36 | 0:08:39 | |
# We go round and around and around and around | 0:08:39 | 0:08:43 | |
# Till we're out of breath on the ground | 0:08:43 | 0:08:46 | |
# We go back and forth... # | 0:08:46 | 0:08:48 | |
'The duet's going really good.' | 0:08:48 | 0:08:50 | |
I'm actually kind of glad I got to know Cierra a little bit better | 0:08:50 | 0:08:53 | |
and it's just been a lot of fun. | 0:08:53 | 0:08:54 | |
# We used to be cold Now we're all right, baby | 0:08:54 | 0:08:58 | |
# Yes, we're all right, baby | 0:08:58 | 0:09:00 | |
# Whoa-ah-oh | 0:09:00 | 0:09:01 | |
# We used to be down Now we're all right... # | 0:09:01 | 0:09:04 | |
'I'm having so much fun right now.' | 0:09:04 | 0:09:06 | |
I love dancing with Noah. | 0:09:06 | 0:09:07 | |
# Whoa-ah-oh-ah-oh. # | 0:09:07 | 0:09:09 | |
Woo! | 0:09:11 | 0:09:13 | |
Great job, you guys! | 0:09:13 | 0:09:15 | |
'This was a great exercise.' | 0:09:15 | 0:09:17 | |
If I do say so myself. | 0:09:17 | 0:09:18 | |
I thought maybe our team could do duets | 0:09:19 | 0:09:21 | |
to help us bond and work out our differences. | 0:09:21 | 0:09:24 | |
That sounds great! | 0:09:24 | 0:09:25 | |
'I'm at Hidalgos to show someone - ANYONE -' | 0:09:25 | 0:09:28 | |
my new teeth. | 0:09:28 | 0:09:29 | |
Hi, guys. | 0:09:29 | 0:09:30 | |
-BOTH: -Hey. -How are you? | 0:09:30 | 0:09:32 | |
Good. | 0:09:32 | 0:09:34 | |
That's a very cheesy pastry. | 0:09:34 | 0:09:35 | |
-Yeah. -Lots of cheese in there. Like cheese on cheese on cheese. | 0:09:35 | 0:09:40 | |
-On cheese. -Yeah, cheese. -Lots of cheese. | 0:09:40 | 0:09:42 | |
Riley seems obsessed with cheese and smiling. | 0:09:42 | 0:09:44 | |
I'm trying to say cheese a lot because it makes me smile | 0:09:44 | 0:09:48 | |
and then hopefully Cierra and Skylar will notice my...my teeth. | 0:09:48 | 0:09:52 | |
Is everything all right? | 0:09:52 | 0:09:53 | |
Everything's great. Everything is fantastic. | 0:09:53 | 0:09:57 | |
Notice anything different about me? | 0:09:57 | 0:09:59 | |
Um...well, you seem very happy. | 0:09:59 | 0:10:01 | |
Yes, yes! And why would that be? | 0:10:01 | 0:10:03 | |
You won the lottery? | 0:10:03 | 0:10:05 | |
No. No. But try again! | 0:10:05 | 0:10:08 | |
Your shirt. | 0:10:08 | 0:10:10 | |
It's like islands...it's a choice. | 0:10:10 | 0:10:13 | |
The hair! | 0:10:13 | 0:10:14 | |
It's the hair. | 0:10:14 | 0:10:16 | |
Never mind. | 0:10:16 | 0:10:18 | |
'I don't understand why Cierra and Skyler' | 0:10:19 | 0:10:21 | |
can't see that I don't have braces on. | 0:10:21 | 0:10:23 | |
I mean, it's a really big change! But, uh, you know, they are new. | 0:10:23 | 0:10:27 | |
So they'll get a free pass on this one. | 0:10:27 | 0:10:29 | |
Hey, James. | 0:10:36 | 0:10:37 | |
Yo, what's up? | 0:10:37 | 0:10:39 | |
What's in the bag? | 0:10:39 | 0:10:40 | |
It's a romantic gift for Riley. | 0:10:41 | 0:10:44 | |
OK, what is it? | 0:10:44 | 0:10:45 | |
I hesitate to tell Eldon because | 0:10:45 | 0:10:47 | |
I know he won't get it. | 0:10:47 | 0:10:48 | |
-What is it? -All right, it's corn on the cob. | 0:10:48 | 0:10:51 | |
How is that romantic? | 0:10:51 | 0:10:52 | |
Uh, it's the most romantic. | 0:10:52 | 0:10:54 | |
-Hey. -Hey. -I got something for you. | 0:10:57 | 0:10:59 | |
What did you get? | 0:10:59 | 0:11:01 | |
A bag? | 0:11:01 | 0:11:02 | |
No, not just a bag. | 0:11:02 | 0:11:03 | |
Oh! Corn on the cob! | 0:11:06 | 0:11:08 | |
Yeah, corn on the cob. | 0:11:08 | 0:11:09 | |
-That's so romantic! Thank you! -No worries! | 0:11:09 | 0:11:11 | |
I don't know why the corn is working but it gives me an idea. | 0:11:11 | 0:11:18 | |
Now hold on! You need butter with that. | 0:11:18 | 0:11:20 | |
Ah, butter kebab. | 0:11:21 | 0:11:22 | |
-Oh, yeah. -Yes. | 0:11:22 | 0:11:25 | |
Mmm, | 0:11:27 | 0:11:28 | |
this is so good. | 0:11:29 | 0:11:31 | |
This... | 0:11:31 | 0:11:32 | |
is the most romantic gift I have ever received. | 0:11:32 | 0:11:36 | |
In my life. | 0:11:36 | 0:11:37 | |
All right. So how has the rehearsal been going? The dance? | 0:11:38 | 0:11:41 | |
How are you guys connecting? | 0:11:41 | 0:11:43 | |
Oh, the dance! | 0:11:43 | 0:11:44 | |
-Dance. -Dance. -Yeah. | 0:11:44 | 0:11:46 | |
-Good. -Great! -Amazing. -OK. | 0:11:46 | 0:11:48 | |
We didn't really work on much. | 0:11:48 | 0:11:51 | |
but our styles are so similar. | 0:11:51 | 0:11:53 | |
I think we can figure this out as we go. | 0:11:53 | 0:11:55 | |
I only have one thing left to say to you two. | 0:11:55 | 0:11:57 | |
And that is, let's see your dance. | 0:11:57 | 0:12:00 | |
-OK. -Dance. | 0:12:00 | 0:12:02 | |
Yeah, are you ready? | 0:12:02 | 0:12:04 | |
Yeah. | 0:12:04 | 0:12:05 | |
# Oh, we believe in the summertime | 0:12:07 | 0:12:10 | |
# We're gonna feel right | 0:12:10 | 0:12:12 | |
-# Tonight -Tonight | 0:12:12 | 0:12:14 | |
# Another moment of sunlight we're gonna fire fire fire... # | 0:12:14 | 0:12:21 | |
'I feel Max and I are on a level that is beyond talking.' | 0:12:27 | 0:12:33 | |
We don't even have to talk to communicate or to connect. | 0:12:33 | 0:12:36 | |
# We believe in the summertime | 0:12:36 | 0:12:38 | |
# We're gonna feel all right | 0:12:38 | 0:12:41 | |
-# Tonight -Tonight | 0:12:41 | 0:12:43 | |
# Another moment... # | 0:12:43 | 0:12:45 | |
My duet with West is amazing. | 0:12:45 | 0:12:48 | |
We're so connected, it's like we can read each other's minds. | 0:12:48 | 0:12:51 | |
Yeah, I love working with Max. | 0:12:51 | 0:12:53 | |
I definitely think we can be friends after this. | 0:12:53 | 0:12:58 | |
MUSIC ENDS | 0:12:58 | 0:12:59 | |
SHE APPLAUDS | 0:12:59 | 0:13:00 | |
Amazing! | 0:13:00 | 0:13:01 | |
You guys, that was fantastic! | 0:13:01 | 0:13:04 | |
Dude! | 0:13:04 | 0:13:05 | |
Great job! Honestly! Like, the connection the two of you had...! | 0:13:05 | 0:13:09 | |
'Max and West have a really strong bond' | 0:13:09 | 0:13:12 | |
and I'm just hoping that the last duet | 0:13:12 | 0:13:14 | |
goes as smoothly as these first two. | 0:13:14 | 0:13:16 | |
Hey, Eldon. | 0:13:26 | 0:13:27 | |
Hey. | 0:13:27 | 0:13:28 | |
Please stand. | 0:13:28 | 0:13:30 | |
OK. | 0:13:30 | 0:13:31 | |
'I'm very excited to give Thalia the corn.' | 0:13:31 | 0:13:33 | |
Mainly because I saw Riley's reaction and if I could get Thalia | 0:13:33 | 0:13:37 | |
to react like that, then, I don't know - that would be awesome. | 0:13:37 | 0:13:41 | |
I got you this. | 0:13:41 | 0:13:43 | |
Why? | 0:13:43 | 0:13:45 | |
It's romantic. | 0:13:45 | 0:13:46 | |
I have no idea what went wrong. | 0:13:54 | 0:13:56 | |
It wasn't buttered. Should have buttered it. | 0:13:58 | 0:14:01 | |
Hey, so listen. | 0:14:12 | 0:14:14 | |
I was thinking we start at the back of the room and you start behind me. | 0:14:14 | 0:14:17 | |
On the count of five, we split out and then we do a kick, | 0:14:17 | 0:14:20 | |
a jump and maybe even some turns. | 0:14:20 | 0:14:22 | |
And then at the end the last five counts of eight, | 0:14:22 | 0:14:24 | |
we do some acro stuff and everything | 0:14:24 | 0:14:26 | |
and I have the music picked out and everything. | 0:14:26 | 0:14:28 | |
It sounds great | 0:14:30 | 0:14:31 | |
but I think you are kind of missing the point of the exercise. | 0:14:31 | 0:14:34 | |
And what's the point of the exercise? | 0:14:34 | 0:14:36 | |
Well, to get to know one another. | 0:14:36 | 0:14:38 | |
I'm Shantel. You're Giselle. | 0:14:38 | 0:14:40 | |
Let's dance. | 0:14:40 | 0:14:42 | |
That's not really getting to know one another. | 0:14:42 | 0:14:44 | |
Why don't you tell me something about yourself? | 0:14:44 | 0:14:46 | |
Why don't you tell me something about yourself? | 0:14:46 | 0:14:48 | |
OK. I started dancing when I was five. | 0:14:48 | 0:14:51 | |
Well, I started dancing when I was two. | 0:14:51 | 0:14:53 | |
Did my ballet exam at five and I passed that. | 0:14:53 | 0:14:56 | |
OK. I started dancing when I was five, started acro when I was seven | 0:14:56 | 0:15:00 | |
and went to circus school. | 0:15:00 | 0:15:01 | |
Oh. So like a clown? | 0:15:01 | 0:15:03 | |
No. Like a contortionist. | 0:15:03 | 0:15:05 | |
Well, I started dancing when I was two. | 0:15:05 | 0:15:07 | |
Did my ballet exam at five, passed that and at the age of eight | 0:15:07 | 0:15:10 | |
I got my aerial and then I toured with a ballet company when I was 14. | 0:15:10 | 0:15:14 | |
I started dancing when I was five. | 0:15:14 | 0:15:16 | |
Started acro when I was seven, was a contortionist, | 0:15:16 | 0:15:18 | |
went to circus school, came back learned other styles | 0:15:18 | 0:15:20 | |
-and now I'm here. -So are you happy now? Can we dance? | 0:15:20 | 0:15:23 | |
I guess. | 0:15:25 | 0:15:26 | |
Perfect. Like I said, you start behind me. | 0:15:26 | 0:15:28 | |
'We are not working together. | 0:15:30 | 0:15:32 | |
'We are not doing anything of what the exercise was supposed to be.' | 0:15:32 | 0:15:36 | |
It is pushing me further away from Elite. | 0:15:36 | 0:15:39 | |
I really want someone - | 0:15:50 | 0:15:52 | |
anyone - to notice that I don't have braces on. | 0:15:52 | 0:15:55 | |
Hey, your teeth! | 0:15:55 | 0:15:57 | |
Yes! Yes what about my teeth? | 0:15:57 | 0:15:58 | |
Hey, you've got something in your teeth. | 0:15:58 | 0:16:00 | |
Oh, yeah... | 0:16:00 | 0:16:02 | |
it's corn. | 0:16:02 | 0:16:03 | |
James got me this really romantic gift of corn on the cob. | 0:16:03 | 0:16:06 | |
Oh. | 0:16:06 | 0:16:07 | |
Riley tells me that James gave her corn on the cob | 0:16:07 | 0:16:09 | |
and that apparently it's really romantic. | 0:16:09 | 0:16:12 | |
So now it's got me thinking, maybe that is why Eldon gave me the corn. | 0:16:12 | 0:16:16 | |
Hah. | 0:16:16 | 0:16:17 | |
Wait a second. | 0:16:19 | 0:16:21 | |
What? | 0:16:21 | 0:16:22 | |
-Your teeth. -Yeah, I know, there is corn in them. | 0:16:22 | 0:16:25 | |
No. You got your braces off! | 0:16:25 | 0:16:27 | |
Yes! Yes! Oh, my gosh! | 0:16:27 | 0:16:29 | |
Finally! It's about time someone notices I don't have braces on. | 0:16:29 | 0:16:34 | |
-Ha. It feels good. -They look really good! | 0:16:34 | 0:16:36 | |
-Thank you! -You're welcome. | 0:16:36 | 0:16:38 | |
So, are you coming from Madison or your dad's? | 0:16:39 | 0:16:43 | |
Uh, well, I've been everywhere which way up and down | 0:16:43 | 0:16:45 | |
but I just came back from Madison. | 0:16:45 | 0:16:48 | |
You've been there a lot. Are you planning on staying there? | 0:16:48 | 0:16:52 | |
No, of course not, no. | 0:16:52 | 0:16:53 | |
Good, because we need you here. | 0:16:53 | 0:16:55 | |
Yeah, I love it here. | 0:16:55 | 0:16:57 | |
I know that the team needs her more than ever | 0:16:57 | 0:16:59 | |
so, hopefully she'll choose The Next Step. | 0:16:59 | 0:17:01 | |
One, two, three and four | 0:17:07 | 0:17:09 | |
five, six... | 0:17:09 | 0:17:10 | |
I think it's to the right. | 0:17:10 | 0:17:12 | |
No, I think it's to the left, I mean it feels better. | 0:17:12 | 0:17:16 | |
I know, but I thought we decided... OK, fine. | 0:17:16 | 0:17:18 | |
-It's to the left. -OK, to the left. | 0:17:18 | 0:17:20 | |
Five, six, 7...8. | 0:17:20 | 0:17:22 | |
That's it, right? | 0:17:22 | 0:17:23 | |
-Yeah, the leg is up. -OK. | 0:17:23 | 0:17:25 | |
-Hey, girls. -Hi. | 0:17:25 | 0:17:26 | |
How's it going? | 0:17:26 | 0:17:28 | |
-Good. -Good. | 0:17:28 | 0:17:30 | |
Good. | 0:17:30 | 0:17:31 | |
Good to hear, you know what that means. | 0:17:31 | 0:17:34 | |
This whole duet has been a complete nightmare. | 0:17:34 | 0:17:38 | |
You guys feeling what I'm feeling? | 0:17:38 | 0:17:39 | |
Because I'm feeling a lot coming off you two right now. | 0:17:39 | 0:17:42 | |
I'm feeling something. | 0:17:42 | 0:17:43 | |
I think I should see your dance now. Are you guys ready? | 0:17:43 | 0:17:45 | |
'The duet is...' | 0:17:45 | 0:17:47 | |
nowhere close to being ready but if Phoebe really wants to see it | 0:17:47 | 0:17:54 | |
then we'll work together and we'll make it happen. | 0:17:54 | 0:17:56 | |
Yeah. | 0:17:56 | 0:17:57 | |
I'm not dancing. | 0:17:57 | 0:17:59 | |
-What? -I... It's messy and the timing is off. | 0:17:59 | 0:18:03 | |
I mean at Elite, we wouldn't show something that is so messy. | 0:18:03 | 0:18:06 | |
-Oh, OK. This is The Next Step. -Yeah. | 0:18:06 | 0:18:10 | |
This is not Elite. | 0:18:10 | 0:18:11 | |
Here at The Next Step, we take risks. | 0:18:11 | 0:18:13 | |
Yeah. Let's just go for it. We are just going to have to wing it. | 0:18:13 | 0:18:16 | |
So she's going to have to trust me | 0:18:16 | 0:18:18 | |
and that's the only way this is going to work. | 0:18:18 | 0:18:21 | |
You can go for it. I'm not going to. | 0:18:21 | 0:18:24 | |
So you are going to make me do the duet by myself? | 0:18:24 | 0:18:26 | |
I'm not making you do anything. | 0:18:26 | 0:18:28 | |
Fine. I'll do it by myself. | 0:18:28 | 0:18:31 | |
OK. | 0:18:31 | 0:18:32 | |
I thought she'd take one for the team, | 0:18:34 | 0:18:36 | |
but clearly not. | 0:18:36 | 0:18:37 | |
# We-We-We-We-We-We run the dance floor | 0:18:43 | 0:18:46 | |
# Break it down this is how we paint the town | 0:18:46 | 0:18:48 | |
# My-My team we run the scene | 0:18:48 | 0:18:50 | |
# Breaking heart taking crowns | 0:18:50 | 0:18:52 | |
# So we showing off, Adeline | 0:18:52 | 0:18:54 | |
# Crazy, we out our minds | 0:18:54 | 0:18:56 | |
# All my girls around the world | 0:18:56 | 0:18:58 | |
# Get-Get ready, we 'bout to shine... # | 0:18:58 | 0:18:59 | |
I just, I just can't believe that I have to do this duet as a solo. | 0:18:59 | 0:19:03 | |
It is specifically made for two people | 0:19:03 | 0:19:08 | |
so it's very strange performing it alone. | 0:19:08 | 0:19:10 | |
# Let it go, let it go, let the music take control | 0:19:10 | 0:19:14 | |
# Let the beat drop down | 0:19:14 | 0:19:16 | |
# Till it's underneath the floor... # | 0:19:16 | 0:19:18 | |
I would have really loved to get to know her as a person | 0:19:18 | 0:19:22 | |
and then everything would have been fine. | 0:19:22 | 0:19:24 | |
Why'd she have to be so stubborn? | 0:19:24 | 0:19:26 | |
RAPPING | 0:19:26 | 0:19:29 | |
'These two really are surprising me.' | 0:19:29 | 0:19:33 | |
I thought that they would really click. | 0:19:33 | 0:19:36 | |
Shantel is clearly very resistant to the exercise | 0:19:36 | 0:19:39 | |
and she hasn't quite let go of the old Elite ways. | 0:19:39 | 0:19:44 | |
# Let it go, oh, oh, oh | 0:19:44 | 0:19:46 | |
# Oh, oh, oh. # | 0:19:46 | 0:19:48 | |
-That was great. -Thank you. | 0:19:51 | 0:19:53 | |
Great dancing, Giselle. | 0:19:53 | 0:19:55 | |
But unfortunately it was a complete failure. | 0:19:55 | 0:19:59 | |
Because we only had one, and one plus one equals two - duet. | 0:19:59 | 0:20:04 | |
I am making note of this, this was your choice. | 0:20:04 | 0:20:07 | |
I'm disappointed. | 0:20:10 | 0:20:11 | |
Of course we failed the duet, | 0:20:11 | 0:20:13 | |
of course! | 0:20:13 | 0:20:14 | |
She didn't want to work with me at all. | 0:20:14 | 0:20:16 | |
You didn't point your foot at one of the parts. | 0:20:19 | 0:20:22 | |
I thought we had decided point and not flex and then for the arms, | 0:20:22 | 0:20:25 | |
they were like here and I really thought we decided on here. | 0:20:25 | 0:20:29 | |
-And then the left thing... -Are you kidding me? | 0:20:29 | 0:20:31 | |
After all of that? | 0:20:33 | 0:20:34 | |
I'm just saying that's why I didn't want to do it. | 0:20:36 | 0:20:38 | |
-It was... -Yeah, but it doesn't matter if it was messy. | 0:20:38 | 0:20:42 | |
The whole point of the exercise was to get to know one another. | 0:20:42 | 0:20:45 | |
This might be how you guys do things at Elite | 0:20:45 | 0:20:48 | |
but this is not what we do at The Next Step. | 0:20:48 | 0:20:50 | |
We actually work as a team! | 0:20:50 | 0:20:51 | |
Nice. Nice teamwork. | 0:20:53 | 0:20:55 | |
I'm done with Shantel. | 0:20:55 | 0:20:56 | |
I don't think she'll ever fit in here. | 0:20:56 | 0:20:58 | |
# We are gonna show the world | 0:21:05 | 0:21:08 | |
# Everything we're made of | 0:21:08 | 0:21:12 | |
# We're gonna tear the roof off this place | 0:21:12 | 0:21:19 | |
# You can never fade us out | 0:21:19 | 0:21:23 | |
# Don't even ask to change it | 0:21:23 | 0:21:26 | |
# Everybody knows we own this town... # | 0:21:26 | 0:21:31 |