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Previously, on The Next Step... | 0:00:02 | 0:00:03 | |
I really like you. | 0:00:03 | 0:00:04 | |
I, uh, I really like you too. | 0:00:04 | 0:00:07 | |
It's really nice to be doing this duet with him, | 0:00:07 | 0:00:09 | |
knowing that he has feelings for me, | 0:00:09 | 0:00:11 | |
because it actually feels real. | 0:00:11 | 0:00:13 | |
However long it takes you to do 30 pirouettes, | 0:00:13 | 0:00:15 | |
then you'll be ready to date girls. | 0:00:15 | 0:00:17 | |
CHLOE: This is the best thing that's ever happened to me... | 0:00:17 | 0:00:20 | |
Have you made a decision about the offer with the touring company? | 0:00:20 | 0:00:23 | |
I'm so confused. | 0:00:23 | 0:00:25 | |
I need to make sure every single one of you | 0:00:25 | 0:00:27 | |
is 100% committed to Internationals. | 0:00:27 | 0:00:29 | |
..but also the worst because if I take this position | 0:00:29 | 0:00:33 | |
I have to leave The Next Step. | 0:00:33 | 0:00:34 | |
SLOW-PACED DANCE MUSIC | 0:00:46 | 0:00:49 | |
Right now, I'm in studio A doing a solo. | 0:00:51 | 0:00:53 | |
I'm just trying to get all my feelings out. | 0:00:53 | 0:00:56 | |
I don't know whether or not to take this position | 0:01:04 | 0:01:07 | |
with the touring company or to stay with The Next Step. | 0:01:07 | 0:01:10 | |
Both are incredibly awesome opportunities. | 0:01:12 | 0:01:15 | |
# ..with a ticking clock... # | 0:01:16 | 0:01:19 | |
I walk into studio A and I see Chloe dancing. | 0:01:20 | 0:01:23 | |
She's just so captivating. | 0:01:23 | 0:01:26 | |
I just have to stay and watch. | 0:01:26 | 0:01:28 | |
I love The Next Step and it's my home, | 0:01:58 | 0:02:01 | |
but The Nutcracker is my dream. | 0:02:01 | 0:02:03 | |
How am I supposed to decide between these two things? | 0:02:06 | 0:02:09 | |
After watching Chloe dance, I can see that she's outgrown | 0:02:09 | 0:02:13 | |
The Next Step and it's time for her to do bigger and better things. | 0:02:13 | 0:02:16 | |
So have you decided yet? | 0:02:18 | 0:02:20 | |
What do you think? | 0:02:20 | 0:02:23 | |
Well, the decision is yours to make, | 0:02:23 | 0:02:26 | |
but names need to be submitted soon. | 0:02:26 | 0:02:28 | |
I don't know what I'm going to do, | 0:02:33 | 0:02:36 | |
but I have to decide soon. | 0:02:36 | 0:02:38 | |
# We... We're gonna show the world | 0:02:38 | 0:02:44 | |
# Everything we're made of | 0:02:44 | 0:02:48 | |
# We're gonna tear the roof off this place... # | 0:02:48 | 0:02:53 | |
# Stand up! # | 0:03:01 | 0:03:03 | |
All right, guys, let's get our shoes on | 0:03:18 | 0:03:19 | |
so we can start class then we'll take to the floor. | 0:03:19 | 0:03:23 | |
CHLOE: I'm setting up for baby ballet class, but I'm really distracted | 0:03:23 | 0:03:27 | |
because I keep thinking about the decision I have to make. | 0:03:27 | 0:03:30 | |
All right, we'll start in first position. | 0:03:30 | 0:03:32 | |
You got to let go of Mr Tiger | 0:03:32 | 0:03:34 | |
because if you hold on to something too tightly | 0:03:34 | 0:03:37 | |
you won't be able to do your best dance. | 0:03:37 | 0:03:40 | |
Margie starts talking to another dancer. | 0:03:40 | 0:03:42 | |
It couldn't be more accurate about what I'm going through right now. | 0:03:42 | 0:03:46 | |
OK. Everybody spread out, let's start in first position. | 0:03:46 | 0:03:50 | |
'What Margie says makes a lot of sense. | 0:03:50 | 0:03:53 | |
'You have to let go of something' | 0:03:53 | 0:03:54 | |
if you want to be the best dancer you can ever be. | 0:03:54 | 0:03:57 | |
Things have been going pretty well with Eldon. | 0:03:59 | 0:04:02 | |
We've been hanging out a lot around the studio, | 0:04:02 | 0:04:04 | |
but I think it's time to go on an official date. | 0:04:04 | 0:04:06 | |
Hey. | 0:04:06 | 0:04:08 | |
Hi. | 0:04:09 | 0:04:11 | |
-ELDON: -I get nervous as soon as I see Thalia. | 0:04:11 | 0:04:14 | |
I really like her, | 0:04:14 | 0:04:15 | |
but I don't want to mess things up like I always do. | 0:04:15 | 0:04:18 | |
Um, do you... | 0:04:18 | 0:04:21 | |
Do you want to go to a concert with me? | 0:04:21 | 0:04:24 | |
Ah... | 0:04:27 | 0:04:28 | |
I promised James that I wouldn't date anyone | 0:04:28 | 0:04:31 | |
until I got 30 pirouettes because that will show | 0:04:31 | 0:04:34 | |
that I'm mature enough, but right now I'm only at 22. | 0:04:34 | 0:04:38 | |
I... | 0:04:38 | 0:04:39 | |
Yah, I can't. | 0:04:39 | 0:04:41 | |
Er... I don't like... | 0:04:41 | 0:04:45 | |
music. | 0:04:45 | 0:04:47 | |
All music? | 0:04:47 | 0:04:48 | |
Well, most of the stuff they are doing today anyway. | 0:04:48 | 0:04:52 | |
'I have no idea why Eldon is acting so strange.' | 0:04:52 | 0:04:55 | |
Maybe he's a little nervous to go on a date with me? | 0:04:55 | 0:04:57 | |
But at this point I really don't know. | 0:04:57 | 0:04:59 | |
Maybe we could go to like a baseball game or something? | 0:04:59 | 0:05:02 | |
Er, yah. I can't do that either. | 0:05:05 | 0:05:07 | |
Er, the leather on the ball... | 0:05:10 | 0:05:13 | |
I'm allergic to. | 0:05:13 | 0:05:15 | |
And if a home run were to be hit towards me, | 0:05:15 | 0:05:18 | |
instinctively I would catch it, right? | 0:05:18 | 0:05:21 | |
Eldon keeps feeding me these weird excuses. What is going on with him? | 0:05:21 | 0:05:26 | |
And then I would rash up. | 0:05:26 | 0:05:29 | |
So... | 0:05:29 | 0:05:30 | |
Yeah. | 0:05:31 | 0:05:32 | |
Why are you avoiding me? | 0:05:34 | 0:05:36 | |
You want the truth? | 0:05:36 | 0:05:39 | |
I can't tell you right now, but I have some business | 0:05:39 | 0:05:42 | |
I have to take care of before we can go out on a date. | 0:05:42 | 0:05:46 | |
Business? What are you, like, running a store? | 0:05:46 | 0:05:49 | |
No. | 0:05:52 | 0:05:53 | |
Feel free to enjoy the rest of my beverage. | 0:05:53 | 0:05:56 | |
I don't really know what's going on with Eldon. | 0:05:56 | 0:05:58 | |
We had a great time teaching the J-Troupers, | 0:05:58 | 0:06:00 | |
but now he's just avoiding me. | 0:06:00 | 0:06:02 | |
I got the baby ballet cheques. | 0:06:11 | 0:06:12 | |
I finished up registration | 0:06:12 | 0:06:13 | |
and now I'm just checking the schedule for tomorrow. | 0:06:13 | 0:06:16 | |
I'm finishing some work for Miss Kate | 0:06:16 | 0:06:18 | |
and trying to gather the courage to let her know | 0:06:18 | 0:06:20 | |
that I'll be leaving The Next Step. | 0:06:20 | 0:06:22 | |
I honestly don't know what I would do without you. | 0:06:22 | 0:06:26 | |
I'm really not that great. | 0:06:26 | 0:06:28 | |
Ha-ha. No really. | 0:06:28 | 0:06:29 | |
I'm so proud of the person and the dancer you've become. | 0:06:29 | 0:06:32 | |
With everything that's happened with Elite | 0:06:32 | 0:06:34 | |
and all these dancers leaving us, | 0:06:34 | 0:06:36 | |
I know that you are the one person I can count on to always be here. | 0:06:36 | 0:06:39 | |
I can't imagine The Next Step without you. | 0:06:39 | 0:06:41 | |
I really enjoy being a part of The Next Step, but I didn't think that | 0:06:41 | 0:06:45 | |
I was that important to her and the rest of the team. | 0:06:45 | 0:06:47 | |
Thank you. | 0:06:47 | 0:06:49 | |
-I should get going. -OK! Bye! | 0:06:50 | 0:06:52 | |
-Hey! -Hi. | 0:07:09 | 0:07:11 | |
I've made a really, really hard decision. | 0:07:15 | 0:07:17 | |
OK. So you decided to take the part? | 0:07:19 | 0:07:21 | |
Well, no. I can't leave The Next Step. It's my family. | 0:07:22 | 0:07:26 | |
I'm staying here. | 0:07:26 | 0:07:28 | |
I've decided to stay with The Next Step because Miss Kate told me how | 0:07:29 | 0:07:32 | |
much she needs me and I'd be really letting the team down if I left now. | 0:07:32 | 0:07:37 | |
But, it's The Nutcracker. | 0:07:37 | 0:07:39 | |
I know. | 0:07:42 | 0:07:43 | |
Isn't that... isn't that your dream? | 0:07:44 | 0:07:46 | |
Sometimes dreams don't come true, West. | 0:07:50 | 0:07:52 | |
OK. | 0:07:57 | 0:07:59 | |
Good... Good decision... | 0:07:59 | 0:08:01 | |
I guess. | 0:08:01 | 0:08:03 | |
Chloe's dream did come true. | 0:08:06 | 0:08:09 | |
She's just letting it pass by. | 0:08:09 | 0:08:11 | |
I know Chloe's making the wrong decision, | 0:08:22 | 0:08:25 | |
but it's not my life and it's not my place to say. | 0:08:25 | 0:08:28 | |
Hey, Margie! | 0:08:31 | 0:08:33 | |
Just the type of distraction I need. | 0:08:33 | 0:08:35 | |
A staring contest, huh? | 0:08:37 | 0:08:39 | |
All right, challenge accepted. | 0:08:39 | 0:08:41 | |
I'm really good at this game. | 0:08:41 | 0:08:44 | |
This is not a game. | 0:08:44 | 0:08:46 | |
You're right. It's not a game. It's a way of life. | 0:08:46 | 0:08:49 | |
My highest is three hours. What about yours? | 0:08:50 | 0:08:53 | |
You need to help Chloe make the right decision, | 0:08:53 | 0:08:56 | |
and right now she's not. | 0:08:56 | 0:08:57 | |
How did Margie even know that I was thinking about that? | 0:09:01 | 0:09:05 | |
Does she read minds? | 0:09:05 | 0:09:07 | |
You know what to do, West. She'll listen to you. | 0:09:07 | 0:09:11 | |
I've always suspected that Margie can read minds and, you know what? | 0:09:11 | 0:09:15 | |
There's proof right there. | 0:09:15 | 0:09:17 | |
You're right. | 0:09:17 | 0:09:19 | |
Yeah, yeah, yeah. You're right. Hmm. | 0:09:19 | 0:09:22 | |
By the way, I can stare longer than six hours without blinking. | 0:09:27 | 0:09:32 | |
Hey! Uh...how are you doing? | 0:09:39 | 0:09:42 | |
Oh, so you're talking to me now? | 0:09:42 | 0:09:44 | |
Mm. OK, look. I'm sorry for being weird earlier. | 0:09:47 | 0:09:51 | |
I just have something I need to take care of before we can hang out. | 0:09:51 | 0:09:55 | |
Something? | 0:09:55 | 0:09:56 | |
More like 30 things. | 0:09:58 | 0:10:00 | |
He says he has 30 things to take care of. | 0:10:00 | 0:10:02 | |
That's a lot of things. | 0:10:02 | 0:10:04 | |
To be honest, I'm not exactly sure how this whole | 0:10:04 | 0:10:09 | |
30 pirouette dating thing works, but James came up with it | 0:10:09 | 0:10:13 | |
and I know he'll be able to explain it a lot better than I can. | 0:10:13 | 0:10:17 | |
James? What does James have to do with this? | 0:10:17 | 0:10:20 | |
Just come with me. | 0:10:20 | 0:10:21 | |
Hopefully, James can explain why Eldon is being so weird, | 0:10:21 | 0:10:24 | |
because Eldon is not doing a very good job. | 0:10:24 | 0:10:26 | |
-James will explain everything. -James! | 0:10:29 | 0:10:32 | |
-Yo! -What's going on? | 0:10:32 | 0:10:34 | |
Like, what is this "something" Eldon has to deal with? | 0:10:34 | 0:10:36 | |
What are you talking about? | 0:10:36 | 0:10:38 | |
I don't know, he's been avoiding me. | 0:10:38 | 0:10:40 | |
Oh, this! Yeah. | 0:10:41 | 0:10:43 | |
Eldon can't start dating you until he hits 30 pirouettes. | 0:10:43 | 0:10:47 | |
I don't understand what 30 pirouettes has to do | 0:10:47 | 0:10:49 | |
with me dating Eldon. That's a lot of pirouettes. | 0:10:49 | 0:10:51 | |
That's crazy! He can't do 30 pirouettes. | 0:10:51 | 0:10:54 | |
I'm just trying to save Eldon from making another horrible mistake. | 0:10:54 | 0:10:57 | |
That's all, really. | 0:10:57 | 0:10:58 | |
Oh, so I'm a horrible mistake? | 0:10:58 | 0:11:00 | |
Oh, no-no-no, no-no. | 0:11:00 | 0:11:02 | |
No-no-no. I didn't mean that. | 0:11:02 | 0:11:03 | |
Quite the opposite actually, but if you two start dating | 0:11:03 | 0:11:06 | |
it'll end in heartbreak for both of you. | 0:11:06 | 0:11:08 | |
Like it did with Eldon and Emily and Eldon and Michelle. | 0:11:08 | 0:11:10 | |
He just wasn't ready. | 0:11:10 | 0:11:12 | |
But, by the time he masters 30 pirouettes, he'll be ready. | 0:11:12 | 0:11:14 | |
OK, and what if we don't wait? | 0:11:14 | 0:11:16 | |
Well, then after you break up, which I know you will, | 0:11:16 | 0:11:18 | |
Eldon will be left an empty husk of a guy | 0:11:18 | 0:11:21 | |
never being able to date again. | 0:11:21 | 0:11:23 | |
You really want to do that to my man? | 0:11:23 | 0:11:25 | |
You care that little about him? | 0:11:25 | 0:11:29 | |
Hmm... See? | 0:11:29 | 0:11:30 | |
How many pirouettes can you do? | 0:11:32 | 0:11:34 | |
Uh, 22? | 0:11:34 | 0:11:36 | |
Oh, great! | 0:11:37 | 0:11:39 | |
Bye, Thalia! | 0:11:39 | 0:11:42 | |
It's going to take Eldon forever to get to 30 pirouettes | 0:11:42 | 0:11:45 | |
and I don't know if I can wait that long. | 0:11:45 | 0:11:47 | |
WEST: 'I think I need to try a different approach.' | 0:11:58 | 0:12:01 | |
This time I need to be more tough on Chloe | 0:12:01 | 0:12:03 | |
because I need to get through to her. | 0:12:03 | 0:12:06 | |
I've been doing some thinking... | 0:12:06 | 0:12:09 | |
and you're wrong. | 0:12:09 | 0:12:10 | |
I've already made up my mind and there's nothing else you can say. | 0:12:12 | 0:12:16 | |
Oh, yes there is. | 0:12:16 | 0:12:18 | |
If you're staying for the team, you're kidding yourself. | 0:12:18 | 0:12:21 | |
The team can survive without you. | 0:12:21 | 0:12:23 | |
Well, if I'm really that unimportant to the team then maybe I will go. | 0:12:25 | 0:12:29 | |
That's the attitude. That's not what I meant. | 0:12:29 | 0:12:33 | |
What I meant was The Next Step is all about helping people | 0:12:33 | 0:12:36 | |
accomplish their dreams and dancing The Nutcracker is your dream. | 0:12:36 | 0:12:41 | |
If you don't go, the team has failed. | 0:12:41 | 0:12:45 | |
It makes sense when West tells me that I'll be letting | 0:12:45 | 0:12:48 | |
The Next Step down if I didn't take the opportunity. | 0:12:48 | 0:12:51 | |
I guess I have a lot to consider. | 0:12:51 | 0:12:54 | |
Come on! Come on, let's go! | 0:13:04 | 0:13:06 | |
I don't know if I helped Chloe with her dream, | 0:13:06 | 0:13:08 | |
but I'm going to help Eldon achieve his dream of 30 pirouettes. | 0:13:08 | 0:13:13 | |
Now that Thalia knows the truth, | 0:13:13 | 0:13:14 | |
it's more important than ever that I get to 30 pirouettes. | 0:13:14 | 0:13:18 | |
Come on! You got... Ah! | 0:13:18 | 0:13:20 | |
BREATHLESS: Ah, man! | 0:13:20 | 0:13:22 | |
Come on, let's do it again. | 0:13:22 | 0:13:24 | |
-You OK? -Yah, yah. | 0:13:24 | 0:13:25 | |
I've been turning for a while now and, to be honest, | 0:13:25 | 0:13:29 | |
I'm feeling a little bit sick. | 0:13:29 | 0:13:31 | |
I was at 22 this morning and I'm only at 16 now. | 0:13:31 | 0:13:37 | |
It's no use. | 0:13:37 | 0:13:39 | |
Well, do you have to get 30 all at once? | 0:13:40 | 0:13:43 | |
Because I think you did like 950 already. | 0:13:43 | 0:13:46 | |
ELDON SIGHS | 0:13:46 | 0:13:47 | |
-Eldon! -Hey! -Are you OK? | 0:13:47 | 0:13:49 | |
Yeah, 23-and-a-half! | 0:13:49 | 0:13:52 | |
OK, you shouldn't be doing this! You're spinning yourself sick. | 0:13:52 | 0:13:55 | |
'Eldon must have really strong feelings towards Thalia' | 0:13:55 | 0:13:58 | |
because he looks like he's going to throw up. | 0:13:58 | 0:14:00 | |
Either that or he's disgusted by Thalia. | 0:14:00 | 0:14:03 | |
Cos he looks like he's going to throw up. | 0:14:03 | 0:14:05 | |
Oh! | 0:14:05 | 0:14:06 | |
OK. All right, Thalia. Come on, we got to go. | 0:14:06 | 0:14:08 | |
-This is not some stuff for girls. -West... | 0:14:08 | 0:14:10 | |
Thanks. | 0:14:10 | 0:14:11 | |
-ELDON: -No woman should see a man in this state | 0:14:11 | 0:14:14 | |
and I'm a little dizzy. | 0:14:14 | 0:14:15 | |
-You have to get used to it. -He's not family. | 0:14:17 | 0:14:19 | |
-He's been married to your Aunt Kathy for like two days. -He's family. | 0:14:19 | 0:14:22 | |
-James! -Yeah? -This has gone too far. Eldon is spinning himself sick. | 0:14:22 | 0:14:25 | |
-I don't even understand why he's doing this. -Listen, Thalia. | 0:14:25 | 0:14:28 | |
The fact that he's overdoing it and actually hurting himself | 0:14:28 | 0:14:31 | |
proves this exercise is more important than ever. | 0:14:31 | 0:14:34 | |
It's not actually about doing 30 pirouettes. | 0:14:34 | 0:14:36 | |
Then what is it about? | 0:14:36 | 0:14:37 | |
It's about taking the time to master the skill. | 0:14:37 | 0:14:40 | |
That takes maturity. | 0:14:40 | 0:14:41 | |
So does being in a relationship. | 0:14:41 | 0:14:43 | |
I feel for Thalia. | 0:14:43 | 0:14:45 | |
I really do, but that's why I'm doing this, because I think Eldon | 0:14:45 | 0:14:48 | |
and Thalia together make a great couple. | 0:14:48 | 0:14:51 | |
OK, but Thalia is plenty mature on her own. | 0:14:51 | 0:14:53 | |
-She can compensate for both of them. -I'm so mature. | 0:14:53 | 0:14:55 | |
Yes, I agree, but do you really want Eldon to be constantly | 0:14:55 | 0:14:59 | |
relying on Thalia? | 0:14:59 | 0:15:00 | |
-Yeah, but he...he can rely on me. -See? | 0:15:00 | 0:15:02 | |
That's not what it's about. | 0:15:02 | 0:15:03 | |
Each person has to be complete as a whole. | 0:15:03 | 0:15:06 | |
The way I'm complete and complement you. | 0:15:06 | 0:15:09 | |
What James is saying does make sense, | 0:15:09 | 0:15:11 | |
but I still don't like this. | 0:15:11 | 0:15:13 | |
Eldon is an incredible dancer so he will get to 30 pirouettes soon. | 0:15:13 | 0:15:16 | |
Guys, he's never going to get there. | 0:15:16 | 0:15:17 | |
He'll get there. Just give him a chance. | 0:15:17 | 0:15:20 | |
Well, thank you so much for your help, James. | 0:15:20 | 0:15:22 | |
You've been so helpful. | 0:15:22 | 0:15:23 | |
-No worries. -Yeah. JAMES LAUGHS | 0:15:23 | 0:15:25 | |
-You really think Eldon's going to get there? -I have no idea. | 0:15:25 | 0:15:28 | |
I'm finishing up some work in Kate's office, waiting for her to arrive, | 0:15:33 | 0:15:37 | |
because I have to tell her something. | 0:15:37 | 0:15:39 | |
Chloe! You're here so late. | 0:15:40 | 0:15:42 | |
-Yeah, just finishing up a few things. -Don't worry about it. | 0:15:43 | 0:15:46 | |
We can deal with it tomorrow. | 0:15:46 | 0:15:48 | |
We can't, actually. | 0:15:48 | 0:15:50 | |
Why not? | 0:15:50 | 0:15:51 | |
I hope she's not mad at me, but I have to do this. | 0:15:51 | 0:15:54 | |
I got a job. | 0:15:55 | 0:15:56 | |
Oh, like, another waitressing job? | 0:15:56 | 0:15:59 | |
No, I got offered a role in The Nutcracker | 0:16:00 | 0:16:04 | |
and rehearsals start next week. | 0:16:04 | 0:16:05 | |
So, that means you're not going to be able to dance | 0:16:09 | 0:16:11 | |
at The Next Step any longer? | 0:16:11 | 0:16:14 | |
Yeah. | 0:16:14 | 0:16:15 | |
It was the hardest decision I'll ever have to make. | 0:16:17 | 0:16:21 | |
-Well, congratulations. -Thank you. | 0:16:23 | 0:16:26 | |
-I'm proud of you. -Thanks. | 0:16:26 | 0:16:28 | |
And we're all going to miss you. | 0:16:28 | 0:16:29 | |
I'll miss you guys too. | 0:16:29 | 0:16:31 | |
I'll miss my family. | 0:16:31 | 0:16:32 | |
Come here. | 0:16:34 | 0:16:35 | |
'I'm happy that Miss Kate is happy for me' | 0:16:36 | 0:16:39 | |
and I'm going to try my best not to let the studio down. | 0:16:39 | 0:16:43 | |
I'm sad because she won't be with us any more, | 0:16:43 | 0:16:46 | |
but I am also so proud of her. | 0:16:46 | 0:16:48 | |
She's doing what every little girl wants to do. | 0:16:48 | 0:16:51 | |
She gets to be in a ballet company. How perfect is that? | 0:16:51 | 0:16:55 | |
-We'll all be there, opening night, OK? -OK. -OK. | 0:16:56 | 0:17:00 | |
I'm going to miss Chloe a lot. | 0:17:05 | 0:17:08 | |
A lot. | 0:17:08 | 0:17:09 | |
It's going to be really weird not dancing at The Next Step, | 0:17:09 | 0:17:13 | |
but I'm going to make my dream come true. | 0:17:13 | 0:17:16 | |
I'm not practising pirouettes any more, | 0:17:26 | 0:17:28 | |
because I've been at this for a long time and I just can't seem to | 0:17:28 | 0:17:33 | |
hit 30 pirouettes and I'm just, kind of, discouraged. | 0:17:33 | 0:17:36 | |
When I see Eldon on the floor, he looks so defeated | 0:17:41 | 0:17:44 | |
and he's been trying so hard, I just really feel bad for him. | 0:17:44 | 0:17:47 | |
How's it going? | 0:17:47 | 0:17:49 | |
16 and still falling. | 0:17:50 | 0:17:52 | |
It's more than half. | 0:17:54 | 0:17:56 | |
You're doing a really good job. | 0:17:56 | 0:17:58 | |
Mmm...I could do better. | 0:17:59 | 0:18:00 | |
Do you want to keep going? | 0:18:02 | 0:18:04 | |
Sitting across from Thalia just reminds me how much she means to me. | 0:18:04 | 0:18:08 | |
More than anything. | 0:18:09 | 0:18:10 | |
-All right. Count them off. -All right. | 0:18:16 | 0:18:19 | |
I mean, I still don't understand why he needs to | 0:18:19 | 0:18:21 | |
hit 30 pirouettes before we can date, | 0:18:21 | 0:18:23 | |
but if it means that much to him, | 0:18:23 | 0:18:26 | |
then it means that much to me. | 0:18:26 | 0:18:28 | |
Thalia knows the truth and I don't have to avoid her any more. | 0:18:28 | 0:18:33 | |
I'm really happy that we can deal with this together. | 0:18:33 | 0:18:36 | |
I'm in Studio A, taking it in for one last time, and Margie appears. | 0:18:48 | 0:18:54 | |
-Hi, Margie. -Hi. | 0:18:55 | 0:18:57 | |
-I see you made the right decision. -I did. | 0:19:00 | 0:19:03 | |
-I see you lost another tooth. -Yep. I'm changing a lot. | 0:19:03 | 0:19:07 | |
-Shall we? -We shall. | 0:19:07 | 0:19:10 | |
It means a lot to have Margie there. | 0:19:10 | 0:19:12 | |
She's always been there through pretty much every tough decision | 0:19:12 | 0:19:15 | |
I've ever had to make, | 0:19:15 | 0:19:17 | |
and she was, kind of, like my little guardian angel looking over me. | 0:19:17 | 0:19:22 | |
# Because the world is rather small, oh, oh | 0:19:22 | 0:19:27 | |
# I think I like who we can all, oh... # | 0:19:31 | 0:19:35 | |
It's nice dancing with Margie | 0:19:39 | 0:19:41 | |
because I've finally accepted my position with the ballet company | 0:19:41 | 0:19:46 | |
and I'm just dancing and celebrating what's next. | 0:19:46 | 0:19:50 | |
# But if you want to | 0:19:50 | 0:19:53 | |
# You can break through cos we can | 0:19:53 | 0:19:56 | |
# Cos we can, we can, we can | 0:19:56 | 0:19:59 | |
# And if you need to | 0:19:59 | 0:20:02 | |
# You can always have my hand... # | 0:20:02 | 0:20:05 | |
The Next Step has always been my home, | 0:20:05 | 0:20:07 | |
but at some point, it comes time to graduate | 0:20:07 | 0:20:11 | |
and now I'm moving on to bigger and better things. | 0:20:11 | 0:20:16 | |
As I'm dancing, Margie waves at me... | 0:20:23 | 0:20:25 | |
..and then she disappears | 0:20:37 | 0:20:39 | |
and it makes me wonder if she was ever really there. | 0:20:39 | 0:20:43 | |
Everyone could use a Margie in their life... | 0:20:43 | 0:20:46 | |
..and I'm just so glad that I had one. | 0:20:47 | 0:20:50 | |
# You can always have my hand | 0:20:52 | 0:20:55 | |
# Cos we can, we can | 0:20:58 | 0:21:01 | |
# Cos we can, we can. # | 0:21:01 | 0:21:03 | |
# We, we're gonna show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place # | 0:21:15 | 0:21:19 | |
# You, you can never fade us out | 0:21:19 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this land... # | 0:21:29 | 0:21:34 |