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'Previously on The Next Step...' | 0:00:02 | 0:00:04 | |
Max is a really good dancer - | 0:00:04 | 0:00:06 | |
and it's nice to have him on our team. | 0:00:06 | 0:00:08 | |
-Here you go. -Thanks. That was really fast. | 0:00:10 | 0:00:12 | |
Oh, yeah, yeah. I'm pretty fast. I'm fast. | 0:00:12 | 0:00:15 | |
I pride myself on that. But no worries. | 0:00:15 | 0:00:16 | |
That's right. Speed is one of my best qualities. | 0:00:16 | 0:00:19 | |
I can't believe it. | 0:00:21 | 0:00:22 | |
La Ballet de La Reine offered me a touring company position. | 0:00:22 | 0:00:26 | |
I'm going to make my dream come true. | 0:00:26 | 0:00:28 | |
And five, six, seven, eight, hey one. | 0:00:33 | 0:00:36 | |
OK. Clearly, we need to work on that end pose. | 0:00:36 | 0:00:39 | |
But don't worry about it, you guys worked super hard, | 0:00:39 | 0:00:41 | |
so let's call it a wrap on the group rehearsal. | 0:00:41 | 0:00:43 | |
-You can head home. Thank you. -WHOOPING | 0:00:43 | 0:00:45 | |
I'm walking into the studio and I'm a little nervous | 0:00:45 | 0:00:47 | |
about how the team is going to react to my decision. | 0:00:47 | 0:00:49 | |
Hey, Chloe - where were you? | 0:00:49 | 0:00:51 | |
I think you need to tell them. | 0:00:53 | 0:00:55 | |
I've been offered a position under La Ballet de La Reine | 0:00:56 | 0:00:59 | |
for the Nutcracker touring company. | 0:00:59 | 0:01:01 | |
-Seriously? -Oh, my gosh. -What? -That's amazing! | 0:01:01 | 0:01:04 | |
So, how are you going to Internationals | 0:01:04 | 0:01:07 | |
and doing the production at the same time? | 0:01:07 | 0:01:09 | |
Well, I can't. | 0:01:11 | 0:01:13 | |
I've chosen the Nutcracker. | 0:01:14 | 0:01:16 | |
Is that OK? | 0:01:16 | 0:01:18 | |
Oh, that's too bad... | 0:01:18 | 0:01:20 | |
But we're so happy for you, Chloe! | 0:01:20 | 0:01:22 | |
LAUGHTER | 0:01:22 | 0:01:24 | |
'I couldn't be more proud. This is her dream.' | 0:01:24 | 0:01:28 | |
And I'm just very, very happy that she's following her dream. | 0:01:28 | 0:01:30 | |
This calls for a celebration. | 0:01:30 | 0:01:32 | |
Drinks on Chloe! | 0:01:32 | 0:01:34 | |
What? OK - let's go. | 0:01:34 | 0:01:36 | |
MUSIC: Stand Up by Jessica Lee and Kit Knows | 0:01:37 | 0:01:41 | |
One, two, three, four, | 0:02:16 | 0:02:18 | |
five, six, seven, eight and good. | 0:02:18 | 0:02:20 | |
Nice. OK. Pause-pause-pause. | 0:02:22 | 0:02:23 | |
'Internationals is being very vague with each dance round.' | 0:02:23 | 0:02:27 | |
So, we're working on a trio, to be prepared. | 0:02:27 | 0:02:29 | |
Let's just keep running it from the top, again. | 0:02:29 | 0:02:31 | |
Well, actually, Miss Kate, I have to go. | 0:02:31 | 0:02:33 | |
What do you mean you have to go? | 0:02:33 | 0:02:34 | |
I have to go help my mom set up for a barbecue this weekend. | 0:02:34 | 0:02:36 | |
Do you have to leave now, though? | 0:02:36 | 0:02:38 | |
Yeah, we really need to rehearse, Amanda. | 0:02:38 | 0:02:40 | |
It's kind of frustrating that Amanda has to leave, | 0:02:40 | 0:02:42 | |
because our dance is nowhere near where we need it to be. | 0:02:42 | 0:02:45 | |
Trust me, guys. | 0:02:45 | 0:02:47 | |
I don't want to have to do this now, but I have to. Sorry. | 0:02:47 | 0:02:51 | |
I feel really bad, because Giselle and Thalia want to stay | 0:02:51 | 0:02:54 | |
and keep rehearsing it. | 0:02:54 | 0:02:55 | |
Hopefully, they'll be fine without me. | 0:02:55 | 0:02:56 | |
OK. We can just work with the two of you. | 0:02:56 | 0:02:58 | |
-We'll figure out your spacing. -Can I go get some water? | 0:02:58 | 0:03:01 | |
Sure. Yeah, yeah. Actually, take five and then we'll come right back. | 0:03:01 | 0:03:06 | |
-What are you doing? -Oh! | 0:03:06 | 0:03:07 | |
I'm just waiting for James. It's our anniversary. | 0:03:07 | 0:03:10 | |
Oh! Did you get him anything? | 0:03:10 | 0:03:12 | |
Um, no. | 0:03:12 | 0:03:13 | |
I feel like us just being together is more important than the presents. | 0:03:13 | 0:03:18 | |
I thought that we should spend time with each other, | 0:03:18 | 0:03:20 | |
just because that's kind of like a gift in itself. | 0:03:20 | 0:03:22 | |
-Bye, lovebirds. -Bye! | 0:03:22 | 0:03:24 | |
Hey. Are you OK? HE PANTS FOR BREATH | 0:03:26 | 0:03:28 | |
-Happy anniversary. -Oh! | 0:03:31 | 0:03:33 | |
I may have forgotten about my anniversary a little bit. | 0:03:33 | 0:03:36 | |
So, I had to sprint to Aunt Kathy's house to get some chocolates. | 0:03:36 | 0:03:41 | |
I hope she likes them. | 0:03:42 | 0:03:43 | |
-Chocolates? -Yeah. | 0:03:43 | 0:03:45 | |
Why are half of them eaten? | 0:03:45 | 0:03:47 | |
I decided to eat the ones that I know you don't like. | 0:03:49 | 0:03:53 | |
Specifically, that one, because I thought you might be allergic to it. | 0:03:53 | 0:03:57 | |
Because it's full of allergies. | 0:03:57 | 0:03:58 | |
But this is like an appetizer gift. It's like a warm up. | 0:03:58 | 0:04:02 | |
I got you an even bigger, better present for later on today. | 0:04:02 | 0:04:06 | |
I have nothing. | 0:04:06 | 0:04:08 | |
Yeah, well, I got you something too! | 0:04:08 | 0:04:10 | |
-What? -And it involves...things. | 0:04:10 | 0:04:14 | |
-Things? -Lots...of things. | 0:04:14 | 0:04:16 | |
I've got nothing. | 0:04:16 | 0:04:18 | |
-Best anniversary ever! -I'm so excited! -OK... | 0:04:18 | 0:04:21 | |
OK, I need you guys' help. | 0:04:37 | 0:04:38 | |
-I forgot about my anniversary with Riley. -You forgot? | 0:04:38 | 0:04:41 | |
What you going to do, bro? | 0:04:41 | 0:04:42 | |
-I got her a box of chocolates. -OK, that's good. That's good. | 0:04:42 | 0:04:45 | |
-A half-eaten box of chocolates! -Oh, that's horrible. | 0:04:45 | 0:04:47 | |
That's why I used my famous bait and switch technique | 0:04:47 | 0:04:50 | |
and promised her an even bigger gift later. | 0:04:50 | 0:04:52 | |
But I don't know what that is, man! You have to help me. | 0:04:52 | 0:04:54 | |
You know what? It's good you came to us, buddy. | 0:04:54 | 0:04:58 | |
I am great with gift-giving ideas. | 0:04:58 | 0:04:59 | |
I mean, I'm just the idea guy. | 0:04:59 | 0:05:01 | |
Why don't you take her on a trip? Around the world? | 0:05:01 | 0:05:05 | |
Yeah. Yeah. That's it. That's the one. | 0:05:05 | 0:05:08 | |
No, that's idiotic. | 0:05:08 | 0:05:10 | |
OK... I got the perfect one. | 0:05:10 | 0:05:12 | |
-OK! -What about a baby pig? | 0:05:12 | 0:05:16 | |
-A baby pig! -Aww, that's so cute. | 0:05:16 | 0:05:18 | |
-Oh, like a little baby pig? -THEY LAUGH | 0:05:18 | 0:05:22 | |
No! | 0:05:22 | 0:05:23 | |
West - you're an idiot. | 0:05:23 | 0:05:26 | |
Do you have any ideas? | 0:05:26 | 0:05:27 | |
No. | 0:05:30 | 0:05:31 | |
Hey, thanks, guys(!) | 0:05:31 | 0:05:33 | |
I don't even know why I asked you guys. | 0:05:35 | 0:05:38 | |
Did you...? | 0:05:38 | 0:05:40 | |
'I have never seen anybody catch a glass of milk...' | 0:05:40 | 0:05:43 | |
falling off a table without anything spilling. | 0:05:43 | 0:05:46 | |
What did you just do? | 0:05:46 | 0:05:47 | |
-Um...I don't know. -No, no. | 0:05:49 | 0:05:52 | |
You just caught that glass | 0:05:52 | 0:05:53 | |
without spilling any contents onto the floor. | 0:05:53 | 0:05:55 | |
That's nothing, really. 'I don't know why they're freaking out.' | 0:05:55 | 0:05:58 | |
I just caught a glass of milk. Can't anyone do that? | 0:05:58 | 0:06:01 | |
All right. | 0:06:01 | 0:06:02 | |
Noah! You're a freak. | 0:06:08 | 0:06:11 | |
We're going to have to check this out. | 0:06:11 | 0:06:13 | |
-We? -Yeah. -Yeah. -Yeah. | 0:06:13 | 0:06:16 | |
Time for some investigating. | 0:06:16 | 0:06:18 | |
I have never seen anyone like Noah before. | 0:06:18 | 0:06:20 | |
We've got to see what else he can do. | 0:06:22 | 0:06:24 | |
Five, six, seven, eight, one, two, three, four... | 0:06:31 | 0:06:35 | |
'Internationals can throw anything at us,' | 0:06:35 | 0:06:37 | |
so we need to be prepared | 0:06:37 | 0:06:38 | |
and perfect as many routines as possible. | 0:06:38 | 0:06:41 | |
And then, I think we go down on eight. | 0:06:41 | 0:06:43 | |
Yeah. Or eight and... | 0:06:43 | 0:06:44 | |
'Thalia and I are working on our trio. | 0:06:44 | 0:06:46 | |
Amanda's supposed to be here, | 0:06:46 | 0:06:48 | |
but she had to leave to go to a family barbecue. | 0:06:48 | 0:06:49 | |
We really can't afford to wait for Amanda right now. | 0:06:49 | 0:06:52 | |
So, hopefully, she'll catch up later. | 0:06:52 | 0:06:53 | |
Maybe we could add a floor section. One of those... | 0:06:53 | 0:06:57 | |
Ooh, I really like that. That's really nice. | 0:06:57 | 0:07:00 | |
-Yeah, I think that will be perfect. -That looks solid. -Thank you. | 0:07:00 | 0:07:03 | |
I mean, it's hard when you're doing a trio with two people, so... | 0:07:03 | 0:07:07 | |
Actually, Max, if you wouldn't mind standing in for Amanda, | 0:07:07 | 0:07:10 | |
we would really appreciate it. | 0:07:10 | 0:07:11 | |
That would really help us with spacing. | 0:07:11 | 0:07:13 | |
Yeah. I'll help. | 0:07:13 | 0:07:15 | |
Max coming to help us is the perfect fix. | 0:07:15 | 0:07:19 | |
One, two, three, four, five, six, seven, eight... | 0:07:19 | 0:07:23 | |
'Max is picking up the choreography so fast.' | 0:07:23 | 0:07:26 | |
-I think that works. -I think that'll work better. | 0:07:26 | 0:07:29 | |
I think you guys are limiting yourselves with the acro. | 0:07:29 | 0:07:31 | |
You could do more. | 0:07:31 | 0:07:32 | |
It's just that Amanda... Amanda really can't do much in acro. | 0:07:32 | 0:07:37 | |
-You don't all have to do it. -That's true. | 0:07:37 | 0:07:40 | |
You know what? We can just try it for now and see how it goes. | 0:07:40 | 0:07:43 | |
Seven, eight... | 0:07:43 | 0:07:45 | |
-I think that's perfect... -I think it's going to look really cool. | 0:07:46 | 0:07:48 | |
'I mean, I knew he was good...' | 0:07:48 | 0:07:51 | |
But he's really good. | 0:07:51 | 0:07:52 | |
'Now, I'm going to the band,' | 0:08:05 | 0:08:07 | |
because they are my last hope for a gift idea. | 0:08:07 | 0:08:11 | |
What do you got so far? | 0:08:11 | 0:08:12 | |
Man, I gave her a half-eaten box of chocolates, | 0:08:12 | 0:08:14 | |
-cos it was all I could find. -LAUGHTER | 0:08:14 | 0:08:16 | |
I feel like you should make her something - like DIY, | 0:08:16 | 0:08:20 | |
Do It Yourself. | 0:08:20 | 0:08:22 | |
OK. I was going to get her a card. What? Should I make her a card? | 0:08:22 | 0:08:25 | |
-Why not? -I'm good at drawing. | 0:08:25 | 0:08:27 | |
I'm good at cutting things out. | 0:08:27 | 0:08:29 | |
I can paste. | 0:08:29 | 0:08:30 | |
Oh, man. That's worse than the baby pig. | 0:08:31 | 0:08:35 | |
Making a card is a terrible idea. | 0:08:35 | 0:08:37 | |
But that gives me another idea. | 0:08:37 | 0:08:40 | |
Can you guys help me with something? | 0:08:40 | 0:08:41 | |
Sure... | 0:08:41 | 0:08:43 | |
I know exactly what to get Riley. | 0:08:43 | 0:08:45 | |
'Eldon, Cierra and I have collected | 0:08:59 | 0:09:02 | |
'a whole bunch of items from Hidalgos,' | 0:09:02 | 0:09:05 | |
to see how good Noah really is. | 0:09:05 | 0:09:07 | |
One, two, three. | 0:09:07 | 0:09:09 | |
APPLAUSE Unbelievable! | 0:09:11 | 0:09:13 | |
This kid is insane. | 0:09:13 | 0:09:14 | |
We're going to make this more challenging. Noah, turn around. | 0:09:14 | 0:09:18 | |
'West, Cierra and Eldon think they're testing me...' | 0:09:18 | 0:09:21 | |
But really, they're not. | 0:09:21 | 0:09:23 | |
I could catch this stuff any time. | 0:09:23 | 0:09:25 | |
All right, Noah. Catch this. | 0:09:25 | 0:09:28 | |
APPLAUSE | 0:09:28 | 0:09:29 | |
How...? Did he actually...? | 0:09:29 | 0:09:31 | |
How does he do it? | 0:09:31 | 0:09:32 | |
I don't understand. | 0:09:32 | 0:09:34 | |
'I can't believe this kid.' | 0:09:34 | 0:09:36 | |
We're going to have to take this to another level. | 0:09:36 | 0:09:39 | |
How much for one of these? | 0:09:53 | 0:09:55 | |
'A mug is a perfectly good gift.' | 0:09:55 | 0:09:57 | |
Right? I mean, he gave me a half-eaten box of chocolates. | 0:09:57 | 0:10:00 | |
You're one lucky girl, Riley. | 0:10:03 | 0:10:05 | |
-What? -You have no idea how great a gift James has for you. | 0:10:05 | 0:10:08 | |
Could you give me a hint? | 0:10:08 | 0:10:09 | |
It comes from the heart. I'll catch you later. | 0:10:09 | 0:10:12 | |
Heartfelt? Why didn't I think of that? | 0:10:12 | 0:10:14 | |
I need to up my game. | 0:10:17 | 0:10:19 | |
MUSIC: We Can by Francesca Van Keeken | 0:10:26 | 0:10:29 | |
'Right now, we're showing Miss Kate our trio,' | 0:10:29 | 0:10:32 | |
because we want to show her the changes that we made. | 0:10:32 | 0:10:35 | |
'I feel really great about this trio.' | 0:10:41 | 0:10:45 | |
I really did not expect Max to fill in like he has. | 0:10:45 | 0:10:47 | |
'We're adding elements we would have never added | 0:10:49 | 0:10:52 | |
'if Amanda was in the trio.' | 0:10:52 | 0:10:53 | |
'Max is dancing in my position.' | 0:11:08 | 0:11:10 | |
I can't do what Max is doing. | 0:11:10 | 0:11:12 | |
'I can't do half the tricks in that dance.' | 0:11:16 | 0:11:18 | |
Acro is not my strong style. | 0:11:18 | 0:11:20 | |
-MISS KATE LAUGHS -Yes, you guys! I loved that. | 0:11:23 | 0:11:27 | |
Oh, my goodness. Those acro tricks make such a difference. | 0:11:27 | 0:11:30 | |
The trio was awesome. | 0:11:30 | 0:11:31 | |
Giselle, Thalia and Max took an ordinary routine | 0:11:31 | 0:11:34 | |
and turned it into something amazing. | 0:11:34 | 0:11:36 | |
That is the bar that we need to reach | 0:11:36 | 0:11:38 | |
if we want to win Internationals. | 0:11:38 | 0:11:40 | |
So, does anyone want to tell me what is going on - | 0:11:40 | 0:11:42 | |
and why the dance is completely different | 0:11:42 | 0:11:44 | |
than what it was yesterday? | 0:11:44 | 0:11:46 | |
Amanda, I have decided to have Max replace you | 0:11:46 | 0:11:49 | |
in the trio for Internationals. | 0:11:49 | 0:11:50 | |
Look, if you can pick up the choreography, | 0:11:50 | 0:11:52 | |
I would be happy to put you back in. | 0:11:52 | 0:11:54 | |
Obviously, I'm not going to learn these acro moves overnight. | 0:11:54 | 0:11:57 | |
I wish I could. | 0:11:57 | 0:11:59 | |
If they want acro in the dance, | 0:11:59 | 0:12:01 | |
Max is better for it than I am. | 0:12:01 | 0:12:04 | |
You know what? Max can have it. | 0:12:04 | 0:12:06 | |
'I really feel guilty about replacing Amanda with Max. | 0:12:11 | 0:12:14 | |
'But at the same time, we're at Internationals here...' | 0:12:14 | 0:12:17 | |
and we all want to do the best, | 0:12:17 | 0:12:21 | |
so I hope she just understands that. | 0:12:21 | 0:12:23 | |
All right. | 0:12:26 | 0:12:27 | |
'We had to find a new way to test Noah's abilities.' | 0:12:32 | 0:12:35 | |
He can catch anything, | 0:12:35 | 0:12:37 | |
so let's see if he can dodge things, too. | 0:12:37 | 0:12:39 | |
I did this when I was three years old. Come on, guys. | 0:12:43 | 0:12:46 | |
Give me a little bit of a challenge. | 0:12:46 | 0:12:47 | |
Not only can he dodge balls, | 0:12:50 | 0:12:51 | |
he can do it while flipping. | 0:12:51 | 0:12:53 | |
Ready for this one? | 0:12:53 | 0:12:55 | |
'This is getting ridiculous.' | 0:12:58 | 0:13:01 | |
But I think I know how to beat Noah. | 0:13:01 | 0:13:03 | |
If this next test doesn't work... | 0:13:03 | 0:13:06 | |
I don't know what will. | 0:13:06 | 0:13:07 | |
'I'm waiting for Riley and I'm really excited,' | 0:13:13 | 0:13:15 | |
because I cannot wait to give Riley my gift. | 0:13:15 | 0:13:18 | |
Yo, when she comes in, don't say anything. OK, OK. | 0:13:18 | 0:13:21 | |
Um...why did you text me to come here? | 0:13:24 | 0:13:26 | |
'Honestly, while writing this song, it actually came pretty easy to me,' | 0:13:33 | 0:13:36 | |
because I just reflected on how I felt about her. | 0:13:36 | 0:13:40 | |
# We took a ride on a Monday | 0:13:42 | 0:13:45 | |
# That's when I fell I fell in love with you | 0:13:45 | 0:13:49 | |
# Your big brown eyes I can't stop staring... # | 0:13:50 | 0:13:53 | |
'I wrote about how much I love our relationship | 0:13:53 | 0:13:55 | |
'and what I love about her.' | 0:13:55 | 0:13:56 | |
And I really hope that that comes out in the song. | 0:13:56 | 0:13:59 | |
# You're finicky like a cat | 0:13:59 | 0:14:02 | |
# You worry You worry about this and that | 0:14:02 | 0:14:06 | |
# But all your quirks I adore them | 0:14:08 | 0:14:11 | |
# When you bite your nails | 0:14:11 | 0:14:13 | |
# You know opposites attract | 0:14:13 | 0:14:16 | |
# I wanna see the world with you | 0:14:16 | 0:14:18 | |
# Come on and take me by the hand | 0:14:18 | 0:14:20 | |
# Don't even worry about it You'll understand | 0:14:20 | 0:14:24 | |
# I wanna see the world with you | 0:14:24 | 0:14:27 | |
# Where you go I will follow | 0:14:27 | 0:14:29 | |
# What's better than us Better than us | 0:14:29 | 0:14:31 | |
# We don't want to know. # | 0:14:31 | 0:14:33 | |
This song that James wrote for me... | 0:14:33 | 0:14:37 | |
I mean, it's so sweet, and really cute and quirky | 0:14:37 | 0:14:40 | |
and I love it. | 0:14:40 | 0:14:42 | |
# We had our ups and downs | 0:14:42 | 0:14:44 | |
# But we always seemed to make it through the day | 0:14:46 | 0:14:50 | |
# You always bring me round | 0:14:50 | 0:14:52 | |
# We're going to make it anyway Anyway, anyway | 0:14:53 | 0:14:59 | |
# I wanna see the world with you | 0:14:59 | 0:15:01 | |
# Come on and take me by the hand | 0:15:01 | 0:15:03 | |
# Don't even worry about it You'll understand | 0:15:03 | 0:15:07 | |
# I wanna see the world with you | 0:15:07 | 0:15:09 | |
# Where you go I will follow | 0:15:09 | 0:15:11 | |
# What's better than us Better than us | 0:15:11 | 0:15:14 | |
# We don't want to know. # | 0:15:14 | 0:15:16 | |
-Whoo! -BAND: -Happy anniversary, Riley! | 0:15:16 | 0:15:19 | |
Ha-ha! Did you love it? | 0:15:19 | 0:15:21 | |
Yes, of course I did! | 0:15:21 | 0:15:23 | |
-Happy anniversary! -Happy anniversary! | 0:15:23 | 0:15:25 | |
'This gift is perfect.' | 0:15:27 | 0:15:31 | |
And I still have nothing for James. | 0:15:31 | 0:15:34 | |
So yeah, I'm more than a little worried. | 0:15:34 | 0:15:37 | |
Marco? | 0:15:44 | 0:15:45 | |
Polo! | 0:15:45 | 0:15:46 | |
We had to take things to a whole other level. | 0:15:46 | 0:15:48 | |
-Marco? -Polo! | 0:15:48 | 0:15:51 | |
Now we're going to test his senses in the dark. | 0:15:51 | 0:15:53 | |
Marco? | 0:15:53 | 0:15:55 | |
Polo? | 0:15:55 | 0:15:56 | |
'We've got night-vision goggles on and he's blind-folded.' | 0:15:56 | 0:15:58 | |
If he can find us in this, | 0:15:58 | 0:16:01 | |
I don't know what this kid can't do. | 0:16:01 | 0:16:03 | |
What's going on, Eldon? | 0:16:03 | 0:16:05 | |
Of course, Noah finds me first. | 0:16:06 | 0:16:08 | |
What's going on, Cierra? | 0:16:09 | 0:16:11 | |
-Wow. -What? | 0:16:11 | 0:16:12 | |
We cannot defeat Noah. | 0:16:12 | 0:16:14 | |
Why are you doing something like jellyfish dancing? I don't know. | 0:16:16 | 0:16:20 | |
I can sense all of them - and honestly, it's really easy. | 0:16:20 | 0:16:22 | |
Man, Noah. You're so sick, man. | 0:16:22 | 0:16:25 | |
-Noah! -You hit me in the throat, bro. Come on. Enough with the shoe. | 0:16:26 | 0:16:29 | |
I'm sorry. I thought... | 0:16:29 | 0:16:31 | |
You know what? I'm going to find a building to throw Noah off of, | 0:16:31 | 0:16:33 | |
and you too, West. | 0:16:33 | 0:16:35 | |
'Noah has aced every single test that we've given him. | 0:16:36 | 0:16:39 | |
'It's like we haven't even scratched the surface of his abilities.' | 0:16:39 | 0:16:42 | |
The Next Step has their very own superhero. | 0:16:42 | 0:16:45 | |
I'm sorry about what happened. | 0:17:01 | 0:17:02 | |
I know. It's just... | 0:17:04 | 0:17:06 | |
the studio's all about acro now, and I don't do acro. | 0:17:06 | 0:17:10 | |
'I can't believe Giselle and Thalia would give away my spot...' | 0:17:10 | 0:17:13 | |
without asking me about it. | 0:17:13 | 0:17:14 | |
I thought they were my friends. | 0:17:14 | 0:17:16 | |
I thought they were my closest friends on this team. | 0:17:16 | 0:17:19 | |
It's not your fault, so don't worry about it. | 0:17:19 | 0:17:22 | |
I could teach you acro. | 0:17:24 | 0:17:25 | |
I'll think about it. | 0:17:26 | 0:17:27 | |
'Last year, I thought I was one of the best. | 0:17:32 | 0:17:35 | |
'This year, I think I'm one of the worst.' | 0:17:35 | 0:17:38 | |
I don't know where I stand any more at the studio. | 0:17:38 | 0:17:41 | |
Well, I couldn't find the jasmine. | 0:17:47 | 0:17:50 | |
I desperately need a gift for James - | 0:17:50 | 0:17:52 | |
and I thought that Aunt Kathy could help. | 0:17:52 | 0:17:54 | |
So, Riley - How can I help you today? | 0:17:54 | 0:17:58 | |
I need a gift for James, for our anniversary. | 0:17:58 | 0:18:02 | |
Aww. You've come to the right person. I'm the expert. | 0:18:02 | 0:18:05 | |
Oh, on presents? | 0:18:05 | 0:18:07 | |
No, on James. Everybody loves him. | 0:18:07 | 0:18:09 | |
Uh...great. | 0:18:09 | 0:18:10 | |
Look at that painting. He did that. | 0:18:12 | 0:18:15 | |
Oh, really? How old was he? | 0:18:15 | 0:18:17 | |
-16. -16? Oh, yeah. | 0:18:17 | 0:18:19 | |
I mean, I love how the boat doesn't touch the water. | 0:18:20 | 0:18:24 | |
He's always loved painting. | 0:18:24 | 0:18:25 | |
Oh, Riley - are you hungry? | 0:18:27 | 0:18:29 | |
I'm sorry, normally I'd have some chocolates to offer you, | 0:18:29 | 0:18:32 | |
but I don't know where they've gone. | 0:18:32 | 0:18:33 | |
They seem to have disappeared since this morning. | 0:18:33 | 0:18:36 | |
-Oh. Were they about yea big? Half-eaten? -Mmm. | 0:18:36 | 0:18:39 | |
The whole painting theme for our Nationals duet was James' idea. | 0:18:39 | 0:18:43 | |
After I saw the painting at Aunt Kathy's house, | 0:18:43 | 0:18:46 | |
I know exactly what to get James for our anniversary. | 0:18:46 | 0:18:49 | |
What? What is this? | 0:19:00 | 0:19:02 | |
Are you ready for your gift? | 0:19:02 | 0:19:03 | |
A gift? | 0:19:03 | 0:19:04 | |
I'm super confused right now, | 0:19:04 | 0:19:06 | |
because I walked into studio A | 0:19:06 | 0:19:08 | |
'and there's this canvas on the ground | 0:19:08 | 0:19:10 | |
'and Riley looks like a scientist.' | 0:19:10 | 0:19:13 | |
Put that on. | 0:19:13 | 0:19:14 | |
OK... | 0:19:18 | 0:19:19 | |
'Our Nationals duet was James' idea, | 0:19:19 | 0:19:21 | |
'and it was so much fun dancing in a painting with him,' | 0:19:21 | 0:19:24 | |
so I thought, "Why not dance in a painting for real?" | 0:19:24 | 0:19:27 | |
So, what? Are we going to paint a picture or something? | 0:19:27 | 0:19:30 | |
Yeah. We're going to make a human painting. | 0:19:31 | 0:19:34 | |
-Oh. -It's my anniversary gift to you. Come on. | 0:19:35 | 0:19:37 | |
OK. It's on! | 0:19:37 | 0:19:38 | |
# You call me up I'm at your door in record time | 0:19:42 | 0:19:46 | |
'This gift is actually kind of perfect.' | 0:19:46 | 0:19:49 | |
# We're gonna go out | 0:19:49 | 0:19:51 | |
# Even if it rains or shines | 0:19:53 | 0:19:56 | |
# We're getting higher We're getting closer... # | 0:19:58 | 0:20:02 | |
'It's really cool that she found a way | 0:20:02 | 0:20:04 | |
'to combine painting and dance.' | 0:20:04 | 0:20:06 | |
It's like she knew I would love this. | 0:20:06 | 0:20:09 | |
# Let's get lost and find each other | 0:20:09 | 0:20:11 | |
# In the middle of the crowd tonight... # | 0:20:11 | 0:20:15 | |
'It is also lots of fun to throw paint at each other | 0:20:15 | 0:20:17 | |
'and roll around on the ground!' | 0:20:17 | 0:20:19 | |
# Throw your hands up in the air Let's all have a good time. | 0:20:19 | 0:20:23 | |
# Let's get lost and find each other | 0:20:27 | 0:20:29 | |
# In the middle of the crowd tonight... # | 0:20:29 | 0:20:31 | |
Being with Riley has been the best time of my life - | 0:20:31 | 0:20:34 | |
and this anniversary feels like the old us. | 0:20:34 | 0:20:38 | |
We're just connected again. | 0:20:38 | 0:20:40 | |
It's the best anniversary ever. | 0:20:40 | 0:20:42 | |
# Let's get lost and find each other | 0:20:42 | 0:20:44 | |
# In the middle of the crowd tonight... # | 0:20:44 | 0:20:46 | |
'No matter how hard it has been, | 0:20:46 | 0:20:48 | |
'it's also been the most fun I've ever had with anyone,' | 0:20:48 | 0:20:51 | |
so I couldn't thank him enough for that. | 0:20:51 | 0:20:55 | |
# Throw your hands up in the air Let's all have a good time. # | 0:20:55 | 0:20:58 |