Browse content similar to I Hope I Get It. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Previously on The Next Step... | 0:00:02 | 0:00:04 | |
I've been offered a position under La Ballet de la Reine | 0:00:04 | 0:00:06 | |
for the Nutcracker. | 0:00:06 | 0:00:07 | |
It's going to be really weird not dancing at The Next Step but | 0:00:07 | 0:00:10 | |
I'm going to make my dream come true. | 0:00:10 | 0:00:14 | |
I never make mistakes. I never stumble. | 0:00:14 | 0:00:16 | |
-You were great. -Not great enough. | 0:00:16 | 0:00:18 | |
Obviously I would have done my best to get her on the team | 0:00:19 | 0:00:23 | |
but she didn't do her part. | 0:00:23 | 0:00:25 | |
I guess I'll see you around when I'm in B-Troupe. | 0:00:25 | 0:00:28 | |
-I honestly don't think I can be dance captain this year. -What? | 0:00:28 | 0:00:32 | |
I don't even know where I'm going to live. | 0:00:32 | 0:00:34 | |
I don't know if I'm moving back to Madison | 0:00:34 | 0:00:36 | |
or if I'm staying here with my dad. | 0:00:36 | 0:00:38 | |
It's just not fair to the team if I'm not 100% committed. | 0:00:38 | 0:00:41 | |
Whoo! | 0:00:53 | 0:00:55 | |
'I just got a call from the Internationals Board asking me | 0:00:55 | 0:00:59 | |
'to submit the list of our 12 dancers which' | 0:00:59 | 0:01:02 | |
is freaking me out a little bit because we only have 11 dancers. | 0:01:02 | 0:01:05 | |
'but they need to know ASAP.' | 0:01:05 | 0:01:07 | |
Whoo! | 0:01:07 | 0:01:09 | |
Guys, listen up. | 0:01:11 | 0:01:13 | |
Just got off the phone with the Internationals Board | 0:01:13 | 0:01:16 | |
and they need the list of our dancers | 0:01:16 | 0:01:17 | |
so we need to figure out who's going to replace Chloe. | 0:01:17 | 0:01:20 | |
-Um, I think we might need two dancers. -Why? | 0:01:20 | 0:01:24 | |
Well, you might be moving back to Madison. Right, Michelle? | 0:01:25 | 0:01:28 | |
I'm sorry, what? | 0:01:30 | 0:01:31 | |
I really wish Cierra didn't say anything | 0:01:31 | 0:01:33 | |
because I have no idea what I'm going to do. | 0:01:33 | 0:01:36 | |
I know she has family stuff to deal with but | 0:01:36 | 0:01:39 | |
I thought dance was her passion. | 0:01:39 | 0:01:41 | |
-What are you doing? -Look, Michelle, | 0:01:41 | 0:01:44 | |
I know you're an amazing dancer but this is a huge risk. | 0:01:44 | 0:01:48 | |
This is Internationals. I want all 12 of us to be there. | 0:01:48 | 0:01:51 | |
Right now, there just might be some other dancers | 0:01:51 | 0:01:54 | |
-that are more reliable. -Michelle, is this true? | 0:01:54 | 0:01:58 | |
Well, yeah, my parents are getting a divorce | 0:01:58 | 0:02:00 | |
and my mom is moving back to Madison and my dad's staying here. | 0:02:00 | 0:02:03 | |
So I don't know who I'm staying with yet. | 0:02:03 | 0:02:05 | |
So you are saying that you might not be coming to Internationals | 0:02:05 | 0:02:07 | |
with the team? | 0:02:07 | 0:02:09 | |
I don't...I don't know. | 0:02:09 | 0:02:11 | |
I understand Michelle is torn | 0:02:12 | 0:02:14 | |
but this is Internationals we're talking about. | 0:02:14 | 0:02:17 | |
She needs to make a decision ASAP. | 0:02:17 | 0:02:19 | |
Well, I'm sorry, but you are going to have to let me | 0:02:19 | 0:02:21 | |
know by tomorrow, otherwise I'm going to have to replace you. | 0:02:21 | 0:02:24 | |
-OK. -Good. | 0:02:26 | 0:02:27 | |
I'm really not ready to make this decision and I really wish | 0:02:29 | 0:02:32 | |
I didn't have to. | 0:02:32 | 0:02:34 | |
# We, we are going to show the world | 0:02:35 | 0:02:42 | |
# Everything we're made of | 0:02:42 | 0:02:45 | |
# We're going to tear the roof off this place | 0:02:45 | 0:02:53 | |
# Stand up... # | 0:02:58 | 0:02:59 | |
# Let it go, let it go | 0:03:10 | 0:03:11 | |
# Let the music take control | 0:03:11 | 0:03:13 | |
# Let the bass drop down till it's underneath the floor. # | 0:03:13 | 0:03:17 | |
-Hey. -Hey. | 0:03:23 | 0:03:25 | |
'Cierra approaches me.' | 0:03:25 | 0:03:27 | |
And I do not want to talk to her. | 0:03:27 | 0:03:29 | |
So have you made your decision yet? | 0:03:29 | 0:03:31 | |
No, I haven't decided yet. It's too early to decide. | 0:03:32 | 0:03:36 | |
Look, I really didn't mean to call you out on it | 0:03:36 | 0:03:40 | |
but you have to tell everybody. This is Internationals. | 0:03:40 | 0:03:44 | |
I don't know what I'm going to do. I mean, I can't decide that fast. | 0:03:44 | 0:03:49 | |
I realise that | 0:03:49 | 0:03:50 | |
and when I do make my decision, I'll let Kate know. | 0:03:50 | 0:03:53 | |
I know this is a big decision but | 0:03:56 | 0:03:58 | |
I have no idea what I'm going to do. | 0:03:58 | 0:04:01 | |
I'm so pumped for these auditions tomorrow. | 0:04:09 | 0:04:12 | |
Yeah, same, do you know what song you're using? | 0:04:12 | 0:04:14 | |
-Oh, I'm not auditioning. -You're not? | 0:04:14 | 0:04:17 | |
Stephanie is crazy for not auditioning. | 0:04:17 | 0:04:19 | |
This is a huge opportunity. | 0:04:19 | 0:04:21 | |
Do you know how much work A-Troupe is? No way. | 0:04:21 | 0:04:24 | |
'I don't want to audition for the Internationals team' | 0:04:24 | 0:04:26 | |
because I don't want to set myself up for disappointment again. | 0:04:26 | 0:04:29 | |
I'm really happy where I am right now. | 0:04:29 | 0:04:30 | |
I'm stress free and I'm just enjoying it. | 0:04:30 | 0:04:33 | |
-Sky, I have amazing news! -What is it? | 0:04:36 | 0:04:39 | |
OK, I have good news and bad news. Which one do you want first? | 0:04:39 | 0:04:41 | |
The good news. | 0:04:41 | 0:04:43 | |
There's a chance you can go to Internationals! | 0:04:43 | 0:04:45 | |
What do you mean? | 0:04:45 | 0:04:46 | |
Well, Chloe's leaving, which is sad, | 0:04:46 | 0:04:49 | |
but that means you can have a chance. | 0:04:49 | 0:04:51 | |
-So we could go to Miami together? -Yeah. | 0:04:51 | 0:04:53 | |
'I am so excited.' | 0:04:53 | 0:04:55 | |
If we could go to Internationals together, | 0:04:55 | 0:04:57 | |
it would be the best thing ever. | 0:04:57 | 0:04:58 | |
Hey, Abi, so I heard that you're maybe auditioning for A-Troupe. | 0:04:58 | 0:05:02 | |
I don't know. I mean, I know the competition's going to be | 0:05:02 | 0:05:04 | |
really intense, especially because...what happened last time. | 0:05:04 | 0:05:07 | |
I just don't think I'm ready for that. | 0:05:07 | 0:05:09 | |
'I really don't want to audition.' | 0:05:09 | 0:05:10 | |
I mean, last time, I only made it to B-troupe and I just don't know | 0:05:10 | 0:05:14 | |
if I've improved enough to compete against them again. | 0:05:14 | 0:05:16 | |
I understand where Abi's coming from. | 0:05:16 | 0:05:18 | |
I think I want to wait until next year. | 0:05:18 | 0:05:20 | |
I think next year's going to be my time to shine. | 0:05:20 | 0:05:22 | |
She's amazing. As a girl. | 0:05:22 | 0:05:25 | |
I mean, as a dancer. Girl...girl dancer. | 0:05:25 | 0:05:28 | |
She should audition. She should definitely audition. Yep, ah. | 0:05:28 | 0:05:32 | |
Abi! You should audition. You should definitely audition. | 0:05:32 | 0:05:36 | |
Erm, and you too, Richelle. | 0:05:38 | 0:05:40 | |
I think I'm going to head out now. | 0:05:43 | 0:05:45 | |
I'm really surprised. Noah thinks I should audition again. | 0:05:47 | 0:05:50 | |
Maybe I should give it a little bit more thought. | 0:05:50 | 0:05:53 | |
# Right down in the spotlight... # | 0:05:54 | 0:06:00 | |
-Yo, West, you have a second? -Yeah. What's up, man? | 0:06:05 | 0:06:08 | |
I approach West for some advice on talking to Abi. | 0:06:08 | 0:06:12 | |
I need some advice. | 0:06:12 | 0:06:13 | |
The fact that Noah wants some advice from me makes sense | 0:06:13 | 0:06:17 | |
cos I just give great advice. | 0:06:17 | 0:06:19 | |
-Let me guess - it's about recycling. -Nah. No. | 0:06:19 | 0:06:23 | |
OK, it's about school. It's about school. | 0:06:23 | 0:06:25 | |
-No. -OK, it's about your hair. | 0:06:25 | 0:06:27 | |
I've been meaning to talk to you about your hair. | 0:06:27 | 0:06:29 | |
Actually, I think I'm good with the hair. | 0:06:29 | 0:06:31 | |
Honestly, honestly, it's about a girl. | 0:06:31 | 0:06:33 | |
Ah. Just as I suspected. You came to the right person. | 0:06:33 | 0:06:38 | |
-Who's the girl? -Abi. -Ha! | 0:06:38 | 0:06:40 | |
Of course. | 0:06:41 | 0:06:42 | |
-Yo. Yo, who you calling? -Hey. Hey, James. -Yo. | 0:06:44 | 0:06:49 | |
My man over here's got a complicated girl problem. | 0:06:49 | 0:06:51 | |
-Your man? -Yeah. | 0:06:51 | 0:06:52 | |
-Does he like her a lot? -Yeah, he really likes her. -No, no, no. | 0:06:52 | 0:06:55 | |
-Obviously. -Well, who is it? -It's Noah and Abi. -No, no, no, no. | 0:06:55 | 0:06:58 | |
-Yeah, I'm not surprised, to be honest. -Yeah, I know. | 0:06:58 | 0:07:01 | |
Should I come talk to him myself? | 0:07:01 | 0:07:03 | |
That's a perfect idea. I don't know why I didn't think of that myself. | 0:07:03 | 0:07:06 | |
-All right, West. I've got to go. -Right. See you, man. -All right. | 0:07:06 | 0:07:09 | |
Just talk to her, man. | 0:07:09 | 0:07:11 | |
-Thanks? -Yeah, no problem, man. Glad I could help. | 0:07:13 | 0:07:16 | |
Tomorrow morning, I'm going to take West's advice | 0:07:16 | 0:07:19 | |
or James' advice. | 0:07:19 | 0:07:21 | |
I'm going to talk to Abi. | 0:07:21 | 0:07:22 | |
# I know you're watching what you do to me | 0:07:24 | 0:07:28 | |
# You've got kindness in your eyes | 0:07:28 | 0:07:31 | |
# But your game is cruelty... # | 0:07:31 | 0:07:32 | |
# If I hold my hand on my heart | 0:07:34 | 0:07:39 | |
# Will you come back to the window? # | 0:07:40 | 0:07:45 | |
Right now, I'm just running through the solo that I made up myself. | 0:07:47 | 0:07:51 | |
I've really tried to push myself | 0:07:51 | 0:07:52 | |
and put some tricks in that I've been working on lately. | 0:07:52 | 0:07:55 | |
I've really taken initiative to up my game and push myself harder | 0:07:55 | 0:07:58 | |
and I feel like I'm so much stronger as a dancer | 0:07:58 | 0:08:01 | |
and I just love what I'm doing. | 0:08:01 | 0:08:03 | |
# As your breath hangs still in the midnight air | 0:08:03 | 0:08:06 | |
# And try to hang my hat before it disappears | 0:08:06 | 0:08:12 | |
# We're swinging slow, ooh... # | 0:08:12 | 0:08:15 | |
'Watching Stephanie dance, I'm honestly taken aback. I mean,' | 0:08:15 | 0:08:19 | |
everything is better - from her tricks to her techniques, | 0:08:19 | 0:08:23 | |
even the emotion she's putting out. | 0:08:23 | 0:08:26 | |
'I'm watching an A-Troupe dancer,' | 0:08:26 | 0:08:28 | |
not a B-Troupe one. | 0:08:28 | 0:08:29 | |
CLAPPING | 0:08:32 | 0:08:34 | |
-Hi. -Hi! -Aren't I supposed to meet you after? | 0:08:34 | 0:08:37 | |
This was amazing. | 0:08:37 | 0:08:39 | |
-Thanks. -I've never seen you dance like that. | 0:08:39 | 0:08:41 | |
Is this your solo for Internationals? | 0:08:41 | 0:08:43 | |
-I'm not auditioning for Internationals. -Why not? | 0:08:43 | 0:08:46 | |
I'm not auditioning for the Internationals team | 0:08:46 | 0:08:49 | |
because I can't imagine ever going through that heartbreak again. | 0:08:49 | 0:08:52 | |
Oh, I don't know. I'm just trying to improve myself. | 0:08:52 | 0:08:55 | |
I don't really have any other intentions. | 0:08:55 | 0:08:57 | |
Her confidence really took a hit when she got kicked out of A-Troupe. | 0:08:57 | 0:09:01 | |
So I think, maybe, she's kind of selling herself short. | 0:09:01 | 0:09:04 | |
-You're really not planning on auditioning? -No. | 0:09:04 | 0:09:07 | |
Stephanie's about to make a huge mistake | 0:09:07 | 0:09:09 | |
but I'm not going to let that happen. | 0:09:09 | 0:09:11 | |
'Emily is dragging me down the hall | 0:09:22 | 0:09:24 | |
'and I have no idea where we're going.' | 0:09:24 | 0:09:26 | |
Hi, how are you? | 0:09:30 | 0:09:32 | |
We are amazing because Stephanie is here to announce | 0:09:32 | 0:09:37 | |
-she's auditioning for A-Troupe! -What? -What? | 0:09:37 | 0:09:40 | |
I can't believe Emily just put me on the spot like that. | 0:09:40 | 0:09:43 | |
Well, you know, Stephanie feels that she's really worked hard | 0:09:43 | 0:09:46 | |
and achieved so much. I mean, she has improved beyond belief | 0:09:46 | 0:09:51 | |
and she knows she's A-Troupe material and when she digs down, | 0:09:51 | 0:09:55 | |
she realises she's tired of being a goof | 0:09:55 | 0:09:57 | |
and do I really have to keep going? | 0:09:57 | 0:10:00 | |
Stephanie, do YOU want to audition? | 0:10:00 | 0:10:02 | |
Emily actually made some really strong points. Maybe she's right. | 0:10:04 | 0:10:08 | |
If I could put it into words...yeah, yeah. | 0:10:10 | 0:10:12 | |
OK, great. We'll see you tomorrow at 8am for the auditions, then. | 0:10:13 | 0:10:17 | |
Perfect. | 0:10:17 | 0:10:19 | |
I mean, I'm not even really sure if I even want to do this | 0:10:19 | 0:10:22 | |
but I feel like if I don't, I'll regret it. | 0:10:22 | 0:10:24 | |
'Right now, I'm in the music room just warming up | 0:10:41 | 0:10:43 | |
'and practising for the auditions today.' | 0:10:43 | 0:10:45 | |
I'm really excited. | 0:10:45 | 0:10:46 | |
I enter the music room because | 0:10:48 | 0:10:50 | |
I'm going to talk to Abi today. | 0:10:50 | 0:10:52 | |
-Hey. -Hey. | 0:10:52 | 0:10:55 | |
-You can't get that move either? -No. | 0:10:55 | 0:10:57 | |
We're both just not good at it. | 0:10:57 | 0:10:58 | |
Ha! Thanks. | 0:10:58 | 0:11:00 | |
Er, I mean you're good at it. I just...I can't do it. | 0:11:00 | 0:11:03 | |
We're just similar in how we both can't. | 0:11:03 | 0:11:05 | |
-Yeah. -You should audition. | 0:11:05 | 0:11:07 | |
-Why else would I be here at 7am? -What made you change your mind? | 0:11:07 | 0:11:10 | |
I don't know. I mean, I guess what you said yesterday. | 0:11:10 | 0:11:13 | |
I should just go for it, right? | 0:11:13 | 0:11:15 | |
-Really? -Yeah. | 0:11:15 | 0:11:17 | |
That's great. I'm always here to help, | 0:11:17 | 0:11:19 | |
-if you want to talk or anything. -Thanks. | 0:11:19 | 0:11:22 | |
Everything's going perfect. | 0:11:22 | 0:11:25 | |
I think I'd better leave before I mess anything up. | 0:11:25 | 0:11:28 | |
I'll see you later, eh? Bye. | 0:11:28 | 0:11:29 | |
Oh, OK, bye. | 0:11:29 | 0:11:31 | |
'I don't know why Noah's running away.' | 0:11:31 | 0:11:33 | |
I thought maybe he was starting to like me. | 0:11:33 | 0:11:35 | |
# We're floating through the darkness endlessly... # | 0:11:39 | 0:11:44 | |
'I walk into Miss Kate's office because' | 0:11:46 | 0:11:49 | |
I need to tell her that I've made a decision. | 0:11:49 | 0:11:52 | |
Come in. | 0:11:52 | 0:11:53 | |
-Hi. -Have you made a decision? | 0:11:55 | 0:11:57 | |
Tell me, are we bringing one new dancer into A-Troupe or two? | 0:11:57 | 0:12:01 | |
One, because I will definitely be there. | 0:12:01 | 0:12:04 | |
Like, for sure, definitely? | 0:12:04 | 0:12:06 | |
Definitely, definitely, definitely. Three definitelys. | 0:12:06 | 0:12:10 | |
-I will be there. -Good. | 0:12:10 | 0:12:12 | |
Kate and the team are pressuring me to make a decision right now. | 0:12:12 | 0:12:14 | |
I've decided to stay on the A-Troupe but there is this part of me | 0:12:14 | 0:12:19 | |
that still does want to move back to Madison with my mom. | 0:12:19 | 0:12:22 | |
'As I enter the studio to audition for the Internationals team,' | 0:12:26 | 0:12:30 | |
I'm full of emotions. | 0:12:30 | 0:12:32 | |
'I'm nervous, I'm excited, I'm scared' | 0:12:32 | 0:12:35 | |
and I just want them over with. | 0:12:35 | 0:12:37 | |
All right, you guys. Let's get these auditions started. | 0:12:37 | 0:12:40 | |
Clear the floor, please. | 0:12:40 | 0:12:42 | |
'We're holding auditions for the Internationals team right now. | 0:12:42 | 0:12:44 | |
'Everyone will perform a solo in the hopes that they will make | 0:12:44 | 0:12:47 | |
'the 12th spot.' | 0:12:47 | 0:12:49 | |
Since it's so important for the team to mesh, | 0:12:49 | 0:12:51 | |
the team will decide who gets into A-Troupe. | 0:12:51 | 0:12:54 | |
All right, let's have Abi up first. | 0:12:54 | 0:12:56 | |
NOAH CLAPS ENTHUSIASTICALLY | 0:12:56 | 0:12:57 | |
Whoa, Noah, chill. | 0:12:57 | 0:12:59 | |
'Having Abi on the International team would help everyone.' | 0:12:59 | 0:13:02 | |
Our chemistry is so strong, it would help all the dances. | 0:13:02 | 0:13:05 | |
MUSIC PLAYS | 0:13:05 | 0:13:08 | |
# You were playing me all along | 0:13:13 | 0:13:17 | |
# Made a fool of me and now you're gone | 0:13:17 | 0:13:20 | |
# We were something and now we're not | 0:13:20 | 0:13:24 | |
# I gave everything I gave everything... # | 0:13:24 | 0:13:27 | |
'I'm feeling so good right now | 0:13:29 | 0:13:30 | |
'and I'm really glad that I came out to audition.' | 0:13:30 | 0:13:33 | |
I owe it all to Noah. | 0:13:33 | 0:13:34 | |
'Abi's doing amazing on her solo. | 0:13:37 | 0:13:39 | |
'It's so strong and she's ripping it.' | 0:13:39 | 0:13:41 | |
I think she has a chance. | 0:13:41 | 0:13:43 | |
'Shannon is a very strong member of Elite' | 0:13:44 | 0:13:46 | |
but in previous auditions, | 0:13:46 | 0:13:47 | |
her nerves have gotten the better of her. | 0:13:47 | 0:13:49 | |
'But, today, her confidence is so strong, I could see her being' | 0:13:49 | 0:13:53 | |
a possible replacement for Chloe. | 0:13:53 | 0:13:55 | |
'My sister's done so much for me. | 0:13:57 | 0:13:58 | |
'She's the main reason I'm able to audition today. | 0:13:58 | 0:14:01 | |
'If I make the Internationals team it would mean everything to me.' | 0:14:01 | 0:14:04 | |
I'd get to dance with my sister | 0:14:04 | 0:14:05 | |
and I'd achieve one of my ultimate goals. | 0:14:05 | 0:14:07 | |
'I'm so happy Skylar gets to audition today.' | 0:14:11 | 0:14:14 | |
I'd love it if we were on the same team. | 0:14:14 | 0:14:16 | |
# We gave it everything. # | 0:14:16 | 0:14:18 | |
Watching the competition is really nerve-racking for me. | 0:14:22 | 0:14:25 | |
I mean, everybody is so amazing | 0:14:25 | 0:14:27 | |
and I'm just scared that I might not measure up. | 0:14:27 | 0:14:29 | |
Great. Let's have Jake up next. | 0:14:29 | 0:14:31 | |
The auditions are in here, right? | 0:14:31 | 0:14:33 | |
JAMES SCOFFS | 0:14:35 | 0:14:36 | |
That's right, I'm back. | 0:14:40 | 0:14:42 | |
'Look what the cat dragged in. Daniel.' | 0:14:56 | 0:14:58 | |
Now what? | 0:14:58 | 0:15:00 | |
He has proven time and time again | 0:15:00 | 0:15:02 | |
that he does not care about the team. | 0:15:02 | 0:15:04 | |
He only cares about himself. | 0:15:04 | 0:15:05 | |
He cannot audition. | 0:15:05 | 0:15:07 | |
'It's a huge no.' | 0:15:07 | 0:15:09 | |
So, Kate, where can you fit me in the line-up? | 0:15:09 | 0:15:12 | |
I'm a little surprised to see you here, actually. | 0:15:12 | 0:15:14 | |
Well, The Next Step can't win Internationals without me, so... | 0:15:14 | 0:15:17 | |
I'm confident because I've seen these other dancers before | 0:15:17 | 0:15:20 | |
and I know what I have that they don't. | 0:15:20 | 0:15:22 | |
They don't have a dancer like me. They really do need me. | 0:15:22 | 0:15:24 | |
-Excuse me. -No, no, no. Let him dance. This'll be fun. | 0:15:24 | 0:15:27 | |
Honestly, I want Daniel to audition because I know he's not getting in. | 0:15:27 | 0:15:31 | |
He has messed with The Next Step too many times. | 0:15:31 | 0:15:33 | |
How many people here want to see Daniel audition...again? | 0:15:33 | 0:15:37 | |
-Yeah. -I'm down. -Down? All right, let it happen. | 0:15:37 | 0:15:41 | |
All right, fine. You can go right before Stephanie. | 0:15:41 | 0:15:43 | |
Great, thank you. | 0:15:43 | 0:15:45 | |
OK, Jake, let's have you up next, please. | 0:15:46 | 0:15:49 | |
I'm basically out of options and I don't want anyone else to see that. | 0:15:52 | 0:15:57 | |
MUSIC PLAYS | 0:15:57 | 0:16:00 | |
As I dance, I just feel really free. | 0:16:10 | 0:16:12 | |
Nothing else is on my mind. Just me and my dance. | 0:16:12 | 0:16:14 | |
'Jake is really good. | 0:16:19 | 0:16:21 | |
'He has his own style, which is really like' | 0:16:21 | 0:16:24 | |
in and down, he does a lot of shoulders. | 0:16:24 | 0:16:27 | |
'I really like Jake.' | 0:16:27 | 0:16:28 | |
We could use a new guy in A-Troupe. | 0:16:32 | 0:16:34 | |
'To make it on the Internationals team,' | 0:16:38 | 0:16:40 | |
it would be so great. Such a great accomplishment. | 0:16:40 | 0:16:43 | |
'That's why I transferred from my last studio' | 0:16:49 | 0:16:52 | |
to move on and do bigger and better things. | 0:16:52 | 0:16:54 | |
APPLAUSE | 0:16:56 | 0:16:58 | |
Daniel, please take the floor. | 0:16:58 | 0:17:00 | |
'This solo is really a reflection of me.' | 0:17:01 | 0:17:05 | |
Dancing who I truly am without all the attitude and anger layered on. | 0:17:05 | 0:17:10 | |
MUSIC PLAYS | 0:17:10 | 0:17:13 | |
# I put your heart inside a paper cup | 0:17:17 | 0:17:24 | |
# I carry it everywhere... # | 0:17:24 | 0:17:28 | |
'I really miss who I used to be | 0:17:28 | 0:17:30 | |
'and it hasn't really worked out well for me,' | 0:17:30 | 0:17:33 | |
this new competitive edge. | 0:17:33 | 0:17:36 | |
# Leave me with a heart of stone | 0:17:36 | 0:17:38 | |
# I don't want to close my eyes and leave it all behind... # | 0:17:38 | 0:17:46 | |
I've had a really tough time since leaving The Next Step. | 0:17:46 | 0:17:49 | |
'I've been cut from Juilliard, I've been defeated by Lucien, | 0:17:49 | 0:17:53 | |
'I've lost all my friends.' | 0:17:53 | 0:17:55 | |
# Hold me in your arms so I can feel your warm embrace... # | 0:17:55 | 0:18:00 | |
'As much as I don't like to admit that Daniel is great,' | 0:18:00 | 0:18:05 | |
he is and he would definitely add an element | 0:18:05 | 0:18:09 | |
to our team for Internationals. | 0:18:09 | 0:18:11 | |
# And the ship has left the shore | 0:18:12 | 0:18:19 | |
# You were so full of grace | 0:18:19 | 0:18:23 | |
# Don't ever want to leave this place | 0:18:23 | 0:18:27 | |
# Hold me in your arms... # | 0:18:27 | 0:18:29 | |
I really want to be the reason that they win Internationals. | 0:18:29 | 0:18:32 | |
# ..warm embrace. # | 0:18:32 | 0:18:34 | |
LIGHT APPLAUSE | 0:18:34 | 0:18:36 | |
OK, and last but definitely not least, Miss Stephanie. | 0:18:38 | 0:18:42 | |
CHEERING | 0:18:42 | 0:18:45 | |
'I'm just really scared that my chances of being in A-Troupe again' | 0:18:45 | 0:18:48 | |
might be ruined. | 0:18:48 | 0:18:50 | |
# If I hold my hand on my heart | 0:18:50 | 0:18:56 | |
# Will you come back to the window? | 0:18:56 | 0:19:01 | |
# If I lay down here on the green, green grass... # | 0:19:02 | 0:19:07 | |
'As I'm dancing,' | 0:19:07 | 0:19:08 | |
I'm feeling really confident. I'm hitting everything perfectly. | 0:19:08 | 0:19:11 | |
I really hope that everybody can see how hard I've been working | 0:19:11 | 0:19:15 | |
and how much I've improved. | 0:19:15 | 0:19:16 | |
# If you speak, I will stare | 0:19:16 | 0:19:18 | |
# As your breath hangs still in the midnight air... # | 0:19:18 | 0:19:22 | |
Watching Stephanie dance is really refreshing. | 0:19:22 | 0:19:26 | |
'I haven't seen her dance in a long time | 0:19:26 | 0:19:28 | |
'and it's just nice to see her show her passion again.' | 0:19:28 | 0:19:31 | |
# We swing in slow, ooh, motion | 0:19:33 | 0:19:40 | |
# When you speak, there's a glare off your breath... # | 0:19:40 | 0:19:44 | |
I'm a little worried watching Stephanie dance. | 0:19:44 | 0:19:47 | |
'She has actually improved. | 0:19:47 | 0:19:49 | |
'It seems that she's been working really hard in B-Troupe.' | 0:19:49 | 0:19:53 | |
# Slow, ooh, motion... # | 0:19:53 | 0:19:57 | |
'I guess I just realised that | 0:20:01 | 0:20:02 | |
'if you want something, you have to go for it' | 0:20:02 | 0:20:04 | |
and this is what I really, really want. | 0:20:04 | 0:20:07 | |
-Yay! -APPLAUSE | 0:20:07 | 0:20:09 | |
Even though Stephanie got moved down to B-Troupe, | 0:20:11 | 0:20:14 | |
she's always been a part of this team. | 0:20:14 | 0:20:16 | |
Stephanie would be perfect to fill the last spot in A-Troupe. | 0:20:16 | 0:20:20 | |
OK, I think we all know who the new member of A-Troupe is. | 0:20:20 | 0:20:24 | |
Stephanie is the right choice. | 0:20:25 | 0:20:27 | |
Congratulations, Stephanie! | 0:20:27 | 0:20:28 | |
CHEERING | 0:20:28 | 0:20:29 | |
'I'm ecstatic, I'm floored.' | 0:20:29 | 0:20:32 | |
I was so scared of disappointment | 0:20:32 | 0:20:33 | |
that I wasn't even going to audition. | 0:20:33 | 0:20:36 | |
'I'm really heartbroken but not that surprised.' | 0:20:36 | 0:20:40 | |
I have been mean and selfish in the past but I kind of hoped that | 0:20:40 | 0:20:46 | |
some of my old friends would still have my back. | 0:20:46 | 0:20:49 | |
-THEY CLAP A BEAT -Yup, oh, you're doing it. | 0:20:49 | 0:20:52 | |
'I'm so happy that Stephanie is the new member | 0:20:52 | 0:20:54 | |
'of the Internationals team.' | 0:20:54 | 0:20:55 | |
It's just like having our old family back together again. | 0:20:55 | 0:20:58 | |
I'm really glad Emily made me audition. | 0:20:58 | 0:21:00 | |
I'm just so happy to be back. | 0:21:00 | 0:21:02 | |
# We, we are going to show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're going to tear the roof off this place | 0:21:15 | 0:21:22 | |
# You, you can never fade us out | 0:21:22 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this land. # | 0:21:29 | 0:21:35 |