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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
Because Stephanie is here to announce | 0:00:04 | 0:00:05 | |
she's auditioning for A troupe! | 0:00:05 | 0:00:07 | |
Congratulations, Stephanie! | 0:00:07 | 0:00:09 | |
Eldon can't start dating you until he hits 30 pirouettes. | 0:00:09 | 0:00:13 | |
He can't do 30 pirouettes! | 0:00:13 | 0:00:15 | |
So does anyone want to tell me what's going on? | 0:00:15 | 0:00:18 | |
Amanda, I have decided to have Max replace | 0:00:18 | 0:00:20 | |
you in the trio for internationals. | 0:00:20 | 0:00:22 | |
I can't believe Giselle and Thalia would give away my spot. | 0:00:22 | 0:00:24 | |
I don't know where I stand anymore at the studio. | 0:00:24 | 0:00:27 | |
MUSIC PLAYS | 0:00:28 | 0:00:33 | |
Honestly, our team has never felt so great as it does right now. | 0:00:44 | 0:00:49 | |
I cannot wait to prove myself and | 0:00:53 | 0:00:56 | |
to show everybody how hard I'm going to work and I'm | 0:00:56 | 0:00:58 | |
so excited to be a part of this team. | 0:00:58 | 0:01:00 | |
I'm excited to go to internationals. | 0:01:03 | 0:01:05 | |
I lost my spot in the trio, | 0:01:05 | 0:01:07 | |
so I need to show Kate that I deserve another chance. | 0:01:07 | 0:01:10 | |
I feel so good about A troupe. | 0:01:18 | 0:01:19 | |
We finally have a full team for internationals. | 0:01:19 | 0:01:22 | |
But we are about to face the hardest competition that we've ever | 0:01:22 | 0:01:27 | |
had to face. | 0:01:27 | 0:01:28 | |
We may not be prepared for internationals yet, but, | 0:01:28 | 0:01:31 | |
there is hope for us, for sure. | 0:01:31 | 0:01:33 | |
Guys! Guys. | 0:01:41 | 0:01:43 | |
Well, now that I'm here, which one of you is leaving? | 0:01:45 | 0:01:49 | |
Leaving? | 0:01:51 | 0:01:54 | |
Is it you? You look like you need a holiday? | 0:01:54 | 0:01:56 | |
What? | 0:01:58 | 0:02:00 | |
# We, we are going to show the world | 0:02:00 | 0:02:06 | |
# Everything we're made of | 0:02:06 | 0:02:09 | |
# We're going to tear the roof off this place | 0:02:09 | 0:02:13 | |
Stand up! | 0:02:22 | 0:02:25 | |
Uh, who's the new girl? | 0:02:39 | 0:02:41 | |
The new girl is Ella. Nice to meet you. | 0:02:41 | 0:02:44 | |
I'm so confused with this new girl arriving at The Next Step. | 0:02:44 | 0:02:48 | |
What do you mean, one of us has to leave? | 0:02:48 | 0:02:50 | |
We just got our group of 12 people. | 0:02:50 | 0:02:51 | |
Ella, here, is part of the exchange programme at Internationals. | 0:02:53 | 0:02:57 | |
-Oh. -OK. Yeah that makes more sense. | 0:02:57 | 0:03:00 | |
-Yeah. -She's from a dance studio in England. | 0:03:00 | 0:03:02 | |
Basically, the exchange programme is when every team in internationals | 0:03:02 | 0:03:06 | |
sends one of their dancers over to a different country to | 0:03:06 | 0:03:08 | |
learn about their cultures. | 0:03:08 | 0:03:10 | |
None of you has actually answered my question. | 0:03:10 | 0:03:12 | |
And what was your question? | 0:03:12 | 0:03:14 | |
Which one of you is leaving for the exchange for internationals? | 0:03:14 | 0:03:18 | |
When we signed up for internationals, we also are signed | 0:03:18 | 0:03:21 | |
up for this exchange programme. | 0:03:21 | 0:03:23 | |
We knew that one of us was going to be going abroad, | 0:03:23 | 0:03:26 | |
we just didn't know who that was going to be. | 0:03:26 | 0:03:28 | |
One of you is going to Sweden. | 0:03:28 | 0:03:30 | |
You'll be back in time for internationals, though. | 0:03:30 | 0:03:32 | |
Miss Kate, who's leaving? | 0:03:32 | 0:03:34 | |
-I have chosen Amanda. -Me? -Yeah | 0:03:34 | 0:03:37 | |
Amanda is like the luckiest person on the planet. | 0:03:37 | 0:03:41 | |
I don't want to go to Sweden. | 0:03:43 | 0:03:45 | |
I want to stay here and I want to practice for internationals. | 0:03:45 | 0:03:48 | |
I don't understand why Miss Kate chose me. | 0:03:48 | 0:03:51 | |
It would be cool to go to another country, but, if you leave now, | 0:03:51 | 0:03:54 | |
your chances of being featured in an internationals routine | 0:03:54 | 0:03:57 | |
are next to zero. | 0:03:57 | 0:03:59 | |
# Well, hey, you, what do you say? | 0:04:02 | 0:04:04 | |
# I've been thinking about it since yesterday... # | 0:04:04 | 0:04:07 | |
Hey guys. Er... | 0:04:08 | 0:04:10 | |
-That was a good rehearsal. -A good rehearsal. | 0:04:10 | 0:04:12 | |
-Great, see you. -Take it easy. | 0:04:12 | 0:04:15 | |
One of the strategies for making friends is pulling pranks on them. | 0:04:15 | 0:04:19 | |
I know it's a little juvenile, but the laughs won't be. | 0:04:19 | 0:04:23 | |
You dropped into the splits. | 0:04:23 | 0:04:25 | |
Well, I think my work here is done. | 0:04:25 | 0:04:27 | |
I could have been injured. I wasn't, but I could've been. | 0:04:30 | 0:04:34 | |
Ella's prank is funny. I don't know what Riley's problem is. | 0:04:35 | 0:04:39 | |
All the dancers on The Next Step seem pretty cool but that one girl, | 0:04:39 | 0:04:42 | |
Riley, she seems pretty uptight. | 0:04:42 | 0:04:45 | |
She just needs to loosen up a little bit. | 0:04:45 | 0:04:47 | |
I don't like this new girl much. | 0:04:47 | 0:04:48 | |
She's been here one minute and she's already causing trouble. | 0:04:48 | 0:04:52 | |
Hi, can I get a juice, please? Great. Perfect. | 0:04:56 | 0:04:59 | |
-Hey, Michelle. -Hey, how are you doing? -Good, how are you? -Good. | 0:04:59 | 0:05:03 | |
Ella's arrival is just another reminder | 0:05:03 | 0:05:06 | |
how crazy internationals is going to be, | 0:05:06 | 0:05:08 | |
and to be dance captain, I need to know how to handle every situation. | 0:05:08 | 0:05:12 | |
So, I think I'm going to need some help. | 0:05:12 | 0:05:15 | |
I really need to know everything you know about being dance captain. | 0:05:15 | 0:05:19 | |
Why would you need that? You're doing a great job. | 0:05:19 | 0:05:22 | |
Have you seen the drama that happens in this studio? | 0:05:22 | 0:05:24 | |
Giselle makes a good point. | 0:05:24 | 0:05:27 | |
Michelle was a great dance captain, so... | 0:05:27 | 0:05:29 | |
I know she'll be able to help me. | 0:05:29 | 0:05:30 | |
So, the Thames, it flows through London and out to Kent? | 0:05:38 | 0:05:41 | |
Yeah, it starts really small and ties into an estuary. | 0:05:41 | 0:05:43 | |
-And then goes out into the sea. -Estuary. Can you say that again? | 0:05:43 | 0:05:46 | |
-Estuary. -I really like Ella. She's so charming. | 0:05:46 | 0:05:49 | |
-You have the coolest accent ever. -Thank you so much. | 0:05:49 | 0:05:52 | |
-Uh, you wanted to see me, Miss Kate? -Er, yes, you remember Ella, right? | 0:05:52 | 0:05:55 | |
-Ella. -Yeah, she just said that. | 0:05:55 | 0:05:58 | |
Well, I think we should have someone show her the ropes of the studio. | 0:05:58 | 0:06:01 | |
That's a great idea. I'll go get the dance captain. | 0:06:01 | 0:06:05 | |
Actually, she was just telling me how well you two got along. | 0:06:05 | 0:06:09 | |
-So, I think you should do it. -Oh. I wouldn't go that far. | 0:06:09 | 0:06:12 | |
Oh, stop joking, bestie. Bring it in. | 0:06:12 | 0:06:16 | |
This is going to be so much fun. | 0:06:16 | 0:06:18 | |
This is going to be a disaster. | 0:06:22 | 0:06:24 | |
I'm in Hidalgo's and I'm really distracted because | 0:06:32 | 0:06:35 | |
all I keep thinking about is Sweden and how I don't want to go. | 0:06:35 | 0:06:38 | |
Why so glum, chum? You haven't even eaten your muffin mguffin. | 0:06:43 | 0:06:47 | |
Ha. It works. | 0:06:48 | 0:06:50 | |
I don't want to go abroad. | 0:06:52 | 0:06:54 | |
Why? Sweden is awesome. It's paradise. | 0:06:54 | 0:06:59 | |
How do you know that? | 0:06:59 | 0:07:00 | |
I once got locked in a Swedish furniture shop | 0:07:00 | 0:07:03 | |
and I ate nothing but Swedish meatballs. | 0:07:03 | 0:07:06 | |
That and I slept in something called a flonter de disk. | 0:07:06 | 0:07:10 | |
A flonter disks? A flinter disk. | 0:07:10 | 0:07:13 | |
I don't know if that is how you pronounce it, | 0:07:13 | 0:07:15 | |
but it sounds good to me and it was comfortable. | 0:07:15 | 0:07:18 | |
I know a lot a things about Sweden. The long distance area code is 46. | 0:07:18 | 0:07:23 | |
OK. | 0:07:23 | 0:07:24 | |
The population is 9.7 million people which makes it 21 inhabitants | 0:07:24 | 0:07:29 | |
per square kilometre. | 0:07:29 | 0:07:31 | |
I think you'd be perfect for the exchange programme. | 0:07:31 | 0:07:33 | |
Hmm... | 0:07:33 | 0:07:35 | |
-Sure, I'll go to Sweden. Why not? -Cool. | 0:07:35 | 0:07:38 | |
Here I am thinking that I'm out of luck but West wants to go to Sweden. | 0:07:38 | 0:07:42 | |
All we have to do is talk to Miss Kate. | 0:07:42 | 0:07:44 | |
Come on, girl. | 0:07:44 | 0:07:47 | |
-Now that was sick. -Yeah, Becca! | 0:07:48 | 0:07:51 | |
All right, guys. It's time to do our scenarios for Giselle. | 0:07:51 | 0:07:54 | |
Giselle asked for my help with being a dance captain, so, | 0:07:54 | 0:07:57 | |
I've gathered some of the J troupe dancers to act out some | 0:07:57 | 0:08:00 | |
dance captain scenarios. | 0:08:00 | 0:08:01 | |
-I have an injury, but I'm hiding it. -OK. | 0:08:03 | 0:08:05 | |
If you think you're able to dance, than you should dance. | 0:08:05 | 0:08:08 | |
Let's do a jete to test it out. | 0:08:08 | 0:08:10 | |
All right. | 0:08:10 | 0:08:12 | |
I heard Giselle and Michelle were practicing some dance captain | 0:08:12 | 0:08:15 | |
scenarios and since I've been reading the dance captain | 0:08:15 | 0:08:18 | |
diary that Emily gave me, I came to check it out. | 0:08:18 | 0:08:20 | |
OK. Your jete was pretty good, so let's try a pirouette. | 0:08:20 | 0:08:24 | |
Really? | 0:08:24 | 0:08:25 | |
She really does not come up with the best answer. | 0:08:25 | 0:08:28 | |
Ooh! | 0:08:29 | 0:08:30 | |
Giselle, you're going to permanently injure his leg. | 0:08:30 | 0:08:34 | |
He won't be able to dance. | 0:08:34 | 0:08:36 | |
Plus, I'm going to sue. | 0:08:36 | 0:08:38 | |
Oh, you just bankrupted the studio. | 0:08:38 | 0:08:41 | |
OK. Not doing so well. | 0:08:43 | 0:08:45 | |
I'm supposed to be showing Ella around the studio | 0:08:51 | 0:08:54 | |
and when I turn around, I see that she's pulling a prank on somebody. | 0:08:54 | 0:08:58 | |
Gotcha! | 0:09:00 | 0:09:03 | |
She just goes to no ends just to make people uncomfortable. | 0:09:03 | 0:09:08 | |
I'm not like that at all, | 0:09:08 | 0:09:09 | |
so I don't know how I'm supposed to get along with this girl. | 0:09:09 | 0:09:13 | |
MUSIC PLAYS | 0:09:14 | 0:09:16 | |
We've been at this a while now and Giselle is not getting any better. | 0:09:21 | 0:09:26 | |
I have to work to pay for dance. | 0:09:26 | 0:09:28 | |
Rehearsals are cutting into my hours, so I have to leave early. | 0:09:28 | 0:09:31 | |
Hmm. I have this. You get free dance lessons. | 0:09:31 | 0:09:35 | |
Great. | 0:09:35 | 0:09:37 | |
-Can I get free dance lessons too? -Me too. -I like free dance, a lot. | 0:09:37 | 0:09:41 | |
OK. Free dance for everybody. | 0:09:42 | 0:09:44 | |
No! You just bankrupted the studio again! | 0:09:46 | 0:09:52 | |
We've gone bankrupt 13 times now with Giselle. | 0:09:52 | 0:09:55 | |
We could've made a schedule for Becca, so that she could dance | 0:09:55 | 0:09:58 | |
but have a part time job to pay for it. | 0:09:58 | 0:10:01 | |
Richelle knows a lot more than I thought she did. I mean... | 0:10:01 | 0:10:04 | |
She has a solution for every single situation. | 0:10:04 | 0:10:08 | |
How does she know that? | 0:10:08 | 0:10:09 | |
Amanda and I go into Kate's office because | 0:10:20 | 0:10:22 | |
I agreed to take Amanda's place in Sweden. | 0:10:22 | 0:10:25 | |
Miss Kate, West wants to go to Sweden, so he's going to go | 0:10:25 | 0:10:28 | |
-and I'm going to stay. -No. | 0:10:28 | 0:10:30 | |
Why not? West, tell her all of your Swedish facts. | 0:10:30 | 0:10:33 | |
-OK. -Well, the national bird of Sweden is the common blackbird. | 0:10:33 | 0:10:37 | |
When Amanda comes into my office | 0:10:37 | 0:10:39 | |
and has West agree to take her spot in Sweden, | 0:10:39 | 0:10:43 | |
I know I have to tell her the truth as to why she's going. | 0:10:43 | 0:10:46 | |
-West, can you please step outside? -Sure. | 0:10:46 | 0:10:49 | |
When Miss Kate asks West to leave the office, | 0:10:49 | 0:10:53 | |
I know there's more to her reasoning than I thought there was. | 0:10:53 | 0:10:58 | |
Look. You're not going to be featured | 0:10:58 | 0:11:01 | |
in the internationals routines. | 0:11:01 | 0:11:04 | |
I was dance captain at Elite | 0:11:04 | 0:11:06 | |
and I was dance captain at The Next Step | 0:11:06 | 0:11:09 | |
and all of a sudden, I'm an alternate? | 0:11:09 | 0:11:11 | |
We need to feature the strongest dancers at internationals. | 0:11:11 | 0:11:15 | |
And I'm the weakest? | 0:11:15 | 0:11:16 | |
Apparently, Sweden is an incredible team. | 0:11:16 | 0:11:19 | |
You can learn so much from them. | 0:11:19 | 0:11:22 | |
Fine. I'll go to Sweden. | 0:11:22 | 0:11:25 | |
But you're wrong about me. | 0:11:26 | 0:11:28 | |
Two, three, four, five, six, seven, eight, nine, ten, | 0:11:36 | 0:11:40 | |
11, 12, 13, 14. | 0:11:40 | 0:11:43 | |
Hi. What's going on? | 0:11:44 | 0:11:46 | |
Eldon is trying to do 30 pirouettes, but he's stuck on 14. | 0:11:46 | 0:11:49 | |
If he makes it to 30, he can date me. | 0:11:49 | 0:11:52 | |
Is that how you guys date in this country? | 0:11:52 | 0:11:55 | |
-No, this is a special case. -Yeah. | 0:11:55 | 0:11:58 | |
-Can I try and help? -Sure, yeah, of course. | 0:11:58 | 0:12:00 | |
Ooh, do you have pirouette pointers or something? | 0:12:00 | 0:12:03 | |
Erm, yeah, you can call it that if you wanted to. | 0:12:03 | 0:12:06 | |
OK, so, Elliot? If you... | 0:12:06 | 0:12:08 | |
-Erm, his name is Eldon. -Does it really matter? Anyway. -Yeah. | 0:12:08 | 0:12:12 | |
If you can do up to 24 pirouettes, I'll give you a snog. | 0:12:12 | 0:12:18 | |
Ew, that sounds gross. What's that? | 0:12:18 | 0:12:21 | |
It's a kiss, you nitwit. | 0:12:21 | 0:12:23 | |
She doesn't even know my name. | 0:12:23 | 0:12:26 | |
But I'm OK with that. | 0:12:26 | 0:12:28 | |
-Oh, then I like it. -Oh, really? -Or not. | 0:12:28 | 0:12:32 | |
You know what? | 0:12:32 | 0:12:34 | |
At this point, I'm willing to try anything, so, go for it. | 0:12:34 | 0:12:37 | |
Hey. Whatever gets me past 14 pirouettes. | 0:12:37 | 0:12:40 | |
-Oh, 24! -24. | 0:12:53 | 0:12:55 | |
First time ever. 24. | 0:12:55 | 0:12:58 | |
Well, I'm a woman of my word and you deserve it, so, here's a kiss. | 0:12:58 | 0:13:02 | |
-Bye! -Bye! | 0:13:04 | 0:13:05 | |
This is not how things work. | 0:13:08 | 0:13:11 | |
You don't just waltz in and kiss someone | 0:13:11 | 0:13:13 | |
when you haven't even met them before. | 0:13:13 | 0:13:16 | |
Riley is supposed to be showing Ella around. | 0:13:16 | 0:13:18 | |
Showing Eldon around isn't kissing my almost boyfriend. | 0:13:18 | 0:13:21 | |
You need to get that girl under control before the whole | 0:13:21 | 0:13:23 | |
studio falls apart. | 0:13:23 | 0:13:25 | |
OK, whoa! How is this my problem? You're the one that agreed to this. | 0:13:25 | 0:13:29 | |
Yeah, you're right. I have to fix this. | 0:13:29 | 0:13:31 | |
I'm about to give Eldon even more motivation. | 0:13:32 | 0:13:35 | |
Right now, I'm sitting in Hidalgo's, kind of looking at what happened | 0:13:38 | 0:13:43 | |
today and, honestly, I'm not even sure if I should be | 0:13:43 | 0:13:46 | |
dance captain anymore. | 0:13:46 | 0:13:48 | |
-Hey, Giselle. -Hey. -How's everything going? | 0:13:51 | 0:13:55 | |
-Not so good. -It'll get easier. | 0:13:55 | 0:13:59 | |
Richelle, I bankrupt the studio 19 times, | 0:13:59 | 0:14:02 | |
got three kids injured and one deported. | 0:14:02 | 0:14:05 | |
Yeah, but your heart is in the right place. | 0:14:05 | 0:14:09 | |
I think I have something that might cheer her up. | 0:14:09 | 0:14:12 | |
I think you could really use this. | 0:14:12 | 0:14:13 | |
What is it? | 0:14:15 | 0:14:16 | |
It's the dance captain diary. It has all the tips and secrets. | 0:14:16 | 0:14:20 | |
I've heard of this. I can't believe there really is | 0:14:21 | 0:14:24 | |
a dance captain book. It's a real thing and I have it. | 0:14:24 | 0:14:27 | |
It's like finding a treasure. | 0:14:27 | 0:14:30 | |
-Thank you. -No problem. | 0:14:30 | 0:14:32 | |
I'm so thankful for this dance captain diary and I'm going to read | 0:14:33 | 0:14:38 | |
the whole thing and make sure I know exactly what to do | 0:14:38 | 0:14:41 | |
in every situation. | 0:14:41 | 0:14:42 | |
I really do miss those football games. | 0:14:47 | 0:14:49 | |
Right now, I'm just having a video chat with Hunter | 0:14:49 | 0:14:52 | |
and, you know, all the stuff he's talking about is really | 0:14:52 | 0:14:55 | |
making me miss Madison. | 0:14:55 | 0:14:56 | |
I heard that things at the old studio are crumbling to the | 0:14:56 | 0:14:59 | |
-ground without me. -Well, I heard that things at our old studio are | 0:14:59 | 0:15:02 | |
falling apart without me. | 0:15:02 | 0:15:04 | |
OK, actually they're going quite well. | 0:15:04 | 0:15:06 | |
You know, everyone at the studio misses you, though, | 0:15:06 | 0:15:08 | |
-and is wondering when they're going to see you next. -Yeah, I know. | 0:15:08 | 0:15:11 | |
I miss them too. | 0:15:11 | 0:15:12 | |
I grew up in Madison, I mean, it's where... | 0:15:12 | 0:15:16 | |
I first learned how to dance. So it's... | 0:15:16 | 0:15:20 | |
..it's hard for me to forget about that. I really miss it. | 0:15:20 | 0:15:26 | |
And then this weekend, everyone is going down to Lake Mandota | 0:15:26 | 0:15:29 | |
-for a bonfire. -That sounds really fun, Hunter. | 0:15:29 | 0:15:32 | |
-OK, Michelle, I got to go, I'm sorry. -Wait! | 0:15:32 | 0:15:35 | |
I did tell Miss Kate that I was staying in A troupe, | 0:15:37 | 0:15:40 | |
but Hunter talking about Madison just kind of makes me | 0:15:40 | 0:15:44 | |
rethink my decision. | 0:15:44 | 0:15:45 | |
MUSIC PLAYS | 0:15:47 | 0:15:49 | |
I walk into the music room and there is this drum kit and I think, | 0:15:55 | 0:15:59 | |
who wouldn't want to wrap these in bubble wrap? | 0:15:59 | 0:16:02 | |
What are you doing? This is James's drum set. | 0:16:02 | 0:16:05 | |
-Who's John? -James. | 0:16:05 | 0:16:08 | |
And I'm not telling you just in case you might go kissing him. | 0:16:08 | 0:16:12 | |
Aw. Is James your boyfriend? | 0:16:12 | 0:16:14 | |
Yeah. | 0:16:16 | 0:16:17 | |
This prank is actually kind of funny. | 0:16:17 | 0:16:20 | |
Why not join in? | 0:16:20 | 0:16:21 | |
I mean James does dumb stuff all the time, so why can't I? | 0:16:21 | 0:16:25 | |
-Can I help? -Definitely. | 0:16:25 | 0:16:27 | |
I absolutely love it. | 0:16:28 | 0:16:30 | |
I think I might be getting through to her because she's | 0:16:30 | 0:16:32 | |
starting to loosen up a little bit. | 0:16:32 | 0:16:34 | |
What? | 0:16:39 | 0:16:41 | |
Why are my drums in bubble wrap? What? | 0:16:41 | 0:16:43 | |
Are we moving? Nobody told me we were moving. What?! | 0:16:43 | 0:16:48 | |
What is this? | 0:16:48 | 0:16:50 | |
All right, West. Come out, bud. | 0:16:53 | 0:16:57 | |
-Wow. -Gotcha. | 0:16:57 | 0:16:59 | |
Wow. You're the worst. That was actually pretty good, though. | 0:16:59 | 0:17:04 | |
I guess. | 0:17:04 | 0:17:05 | |
I have to say I'm impressed with Riley. | 0:17:08 | 0:17:10 | |
For a first time prank, it's a pretty good prank. | 0:17:10 | 0:17:13 | |
It felt really good to let loose and do something | 0:17:13 | 0:17:16 | |
reckless with Ella. | 0:17:16 | 0:17:17 | |
-What? What are we...? -Shush. | 0:17:24 | 0:17:26 | |
When Thalia drags me to studio A, I have no idea what's happening. | 0:17:27 | 0:17:34 | |
Hey, Elliot. Do you want to see something? | 0:17:34 | 0:17:37 | |
Yeah? Yeah, OK. | 0:17:37 | 0:17:39 | |
Maybe she's mad about the whole Ella thing? | 0:17:42 | 0:17:44 | |
You didn't see it? Do you want to see it again? | 0:17:46 | 0:17:49 | |
Spin! | 0:17:51 | 0:17:53 | |
Nine. Nine Spins. | 0:18:01 | 0:18:02 | |
Nine pirouettes? Nine pirouettes, Eldon? Really? | 0:18:02 | 0:18:05 | |
You disappoint me. | 0:18:05 | 0:18:07 | |
Well, at least now we're even. | 0:18:13 | 0:18:15 | |
MUSIC PLAYS | 0:18:20 | 0:18:22 | |
In the song, Destiny, the lyrics really link to the dance | 0:18:24 | 0:18:27 | |
and the way I feel. | 0:18:27 | 0:18:29 | |
# I want to tell you my name... # | 0:18:29 | 0:18:32 | |
Being at The Next Step and being new, I want to show people who I am. | 0:18:34 | 0:18:38 | |
# The words I want to say can't come out any way | 0:18:38 | 0:18:42 | |
# The top of my tongue like I'm lost in the waves | 0:18:42 | 0:18:45 | |
# Oh, I breathe... # | 0:18:45 | 0:18:49 | |
I enter studio A to see Ella dancing | 0:18:49 | 0:18:51 | |
and she doesn't look like the weakest dancer, but if she is, | 0:18:51 | 0:18:55 | |
then her team must be really good. | 0:18:55 | 0:18:57 | |
Hey. That was really good, I mean, for being the weakest | 0:19:06 | 0:19:10 | |
member at your studio. | 0:19:10 | 0:19:12 | |
I don't understand. | 0:19:12 | 0:19:14 | |
Well, I thought that all the weakest members | 0:19:14 | 0:19:16 | |
went on the exchange programme. | 0:19:16 | 0:19:18 | |
At your studio, maybe, but not mine. | 0:19:19 | 0:19:23 | |
In fact, I'm probably the strongest. | 0:19:23 | 0:19:25 | |
-Uh, I'm sorry I didn't know that. -It's OK. | 0:19:27 | 0:19:30 | |
Don't feel so down, I mean, you know, going away can be fun. | 0:19:30 | 0:19:34 | |
You know, it can be like the tornado, you know? Yeah? | 0:19:34 | 0:19:39 | |
-What? -You heard me. Go and have fun! | 0:19:39 | 0:19:43 | |
That's what it's about. | 0:19:43 | 0:19:44 | |
OK. | 0:19:44 | 0:19:47 | |
Yeah, I'll be a tornado. | 0:19:47 | 0:19:50 | |
You be a tornado. | 0:19:50 | 0:19:51 | |
That's exactly what I'm going to do. | 0:19:51 | 0:19:54 | |
I need to get out of here and just have fun. | 0:19:54 | 0:19:56 | |
We're just finishing up packing the van because | 0:20:01 | 0:20:03 | |
my mom's moving back to Madison today and I've decided to go along | 0:20:03 | 0:20:07 | |
to keep her company. | 0:20:07 | 0:20:08 | |
-Hey! -Hey, Michelle! -Hey guys! | 0:20:08 | 0:20:10 | |
What are you doing here? | 0:20:10 | 0:20:12 | |
We just wanted to say goodbye. Plus we kind of brought you muffins. | 0:20:12 | 0:20:15 | |
We made enough for you and your mom to have one every hour so... | 0:20:15 | 0:20:18 | |
-And don't worry, I did not bake them. -Oh, OK! | 0:20:18 | 0:20:21 | |
I'm really glad that my friends came to say bye to me, | 0:20:21 | 0:20:24 | |
I mean, it means a lot to me. | 0:20:24 | 0:20:27 | |
They mean a lot to me. | 0:20:27 | 0:20:29 | |
Are you OK? | 0:20:29 | 0:20:30 | |
Yeah, I'm just... I'm really going to miss you guys. | 0:20:32 | 0:20:35 | |
-Well, we'll see you soon. -Yeah. | 0:20:35 | 0:20:40 | |
Seeing Michelle get a little teary eyed and upset is kind of surprising | 0:20:40 | 0:20:44 | |
just because she's going to be back in a couple days. | 0:20:44 | 0:20:46 | |
As hard as it is to say goodbye to these guys, | 0:20:46 | 0:20:49 | |
I can't imagine how hard it'll be to say goodbye to my mom. | 0:20:49 | 0:20:53 | |
What if I can't? If I decide to stay in Madison, I | 0:20:53 | 0:20:57 | |
may be saying bye to them for the last time. | 0:20:57 | 0:20:59 | |
MUSIC PLAYS | 0:21:05 | 0:21:10 |