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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Ella here is part of the exchange programme with internationals. | 0:00:03 | 0:00:06 | |
She's from a dance studio in England. | 0:00:06 | 0:00:08 | |
Eldon can't start dating you until he hits 30 pirouettes. | 0:00:08 | 0:00:11 | |
He never said anything about writing how I feel. I just outsmarted James. | 0:00:11 | 0:00:15 | |
From now on, no talking, no direct communication | 0:00:15 | 0:00:19 | |
and definitely no letters. | 0:00:19 | 0:00:22 | |
Any round that ends in a tie will be decided by a duet battle. | 0:00:22 | 0:00:25 | |
'James and Riley are our perfect duet.' | 0:00:25 | 0:00:28 | |
As long as their relationship goes well, we're good. | 0:00:28 | 0:00:31 | |
This whole square dance thing is actually not | 0:00:31 | 0:00:33 | |
a part of Internationals. | 0:00:33 | 0:00:34 | |
-You and Ella made it up? -Funny, right? | 0:00:34 | 0:00:37 | |
'That's so unlike Riley. What is she doing?' | 0:00:37 | 0:00:40 | |
Yeah, it was actually pretty funny. | 0:00:44 | 0:00:46 | |
-You know when the guy goes up the stairs... -Go. | 0:00:46 | 0:00:49 | |
OK, here's your chance, all right? | 0:00:49 | 0:00:50 | |
-Go and say it. -Do I have to? -Yes! Go! | 0:00:50 | 0:00:53 | |
Ahem. | 0:00:59 | 0:01:01 | |
-Yeah? -Roses are white, green onions are green, you make me smile | 0:01:01 | 0:01:05 | |
when I am seen...by you. | 0:01:05 | 0:01:08 | |
What? | 0:01:08 | 0:01:09 | |
Wait, does Max like me? | 0:01:09 | 0:01:11 | |
Oh, that's from Eldon. | 0:01:11 | 0:01:13 | |
Oh. OK, good. | 0:01:15 | 0:01:18 | |
'We have found another way to outsmart James.' | 0:01:18 | 0:01:20 | |
James said we couldn't talk to each other but he never said | 0:01:20 | 0:01:23 | |
anything about talking to each other through different people. | 0:01:23 | 0:01:27 | |
He's so smart. | 0:01:27 | 0:01:29 | |
Well, you tell Eldon that his sweet words are like the nectar | 0:01:29 | 0:01:32 | |
that bees sip. | 0:01:32 | 0:01:34 | |
-Really? -Do it. | 0:01:34 | 0:01:36 | |
Now. | 0:01:37 | 0:01:39 | |
I'm passing this message along because I'm a sucker for love. | 0:01:40 | 0:01:43 | |
Your words are the nectar that bees sip. | 0:01:43 | 0:01:46 | |
Yeah, they are! | 0:01:46 | 0:01:47 | |
-You're so not impressed right now. -I need some milk. | 0:01:50 | 0:01:54 | |
'I'm so glad Eldon and I found a new way to communicate with each other.' | 0:01:54 | 0:01:57 | |
I just really hope James doesn't find out. | 0:01:57 | 0:02:00 | |
Where are you going? | 0:02:01 | 0:02:03 | |
-Band. -Big surprise. -Where are you going? | 0:02:03 | 0:02:06 | |
-To hang with Ella. -Big surprise. | 0:02:06 | 0:02:08 | |
-What is your problem? -Do you even know her? | 0:02:09 | 0:02:11 | |
I know her better than you do. You won't even give her a chance. | 0:02:11 | 0:02:14 | |
Riley, think about it. She's from a rival studio. | 0:02:14 | 0:02:16 | |
Maybe she's here to mess with you and screw up The Next Step. | 0:02:16 | 0:02:19 | |
-Ella's not like that! She wouldn't mess with me. -How would you know? | 0:02:19 | 0:02:22 | |
You've known her for like a week! | 0:02:22 | 0:02:23 | |
'After Ella and Riley pulled that stupid little prank | 0:02:23 | 0:02:26 | |
I feel that Riley's a lot different. | 0:02:26 | 0:02:28 | |
He doesn't want me getting my own life and that's not OK with me. | 0:02:28 | 0:02:31 | |
-We're just hanging out! -Riley, this has happened to us before. | 0:02:31 | 0:02:34 | |
-Look at Amanda! -OK, that was a completely different... | 0:02:34 | 0:02:36 | |
-It's the same situation! -No, it's not! | 0:02:36 | 0:02:39 | |
Hi, guys. | 0:02:40 | 0:02:41 | |
What are you guys talking about? | 0:02:46 | 0:02:47 | |
How you would never mess with me. | 0:02:49 | 0:02:51 | |
Of course I would. I'm from a rival team. | 0:02:52 | 0:02:55 | |
# We, we are going to show the world | 0:03:07 | 0:03:13 | |
# Everything we're made of | 0:03:13 | 0:03:17 | |
# We're going to tear the roof off this place | 0:03:17 | 0:03:24 | |
# Stand up! # | 0:03:30 | 0:03:31 | |
It's getting harder and harder to talk to Thalia, | 0:03:46 | 0:03:49 | |
so I'm trying to get to 30 pirouettes as fast as I can. | 0:03:49 | 0:03:52 | |
-Eldon? -Hey, Skylar. | 0:03:54 | 0:03:57 | |
Um, Max asked me to give you a message from Thalia. | 0:03:57 | 0:03:59 | |
OK, let's hear it. | 0:03:59 | 0:04:00 | |
'The message is kind of embarrassing but I'm excited to be involved | 0:04:00 | 0:04:03 | |
in anything to do with A-Troupe, even if it isn't dance-related. | 0:04:03 | 0:04:06 | |
She wants to take you to Spain to ride the biggest rollercoaster | 0:04:06 | 0:04:09 | |
in the world, to hunt with falcons | 0:04:09 | 0:04:11 | |
and to have both your tongues turn purple from grape juice. | 0:04:11 | 0:04:14 | |
Wow. Thalia's so romantic. | 0:04:14 | 0:04:17 | |
This passing messages through people thing is working out really well. | 0:04:17 | 0:04:22 | |
Is there anything you want me to tell her for you? | 0:04:22 | 0:04:24 | |
Yeah, actually, can you tell her I can't wait to watch her favourite | 0:04:24 | 0:04:27 | |
movie ten times in a row, I can't wait to find a way to heal her | 0:04:27 | 0:04:29 | |
hiccups, and I can't wait to drive her round every school she's | 0:04:29 | 0:04:32 | |
been to and listen to stories about her teachers? Got it? Thanks. | 0:04:32 | 0:04:35 | |
How am I going to remember all that? | 0:04:40 | 0:04:42 | |
'I can wait to hear what Thalia has to say back.' | 0:04:42 | 0:04:46 | |
Through someone else. | 0:04:46 | 0:04:47 | |
Oh, excuse me, you're in with A-Troupe, right? | 0:04:50 | 0:04:53 | |
I'm in with everyone. | 0:04:53 | 0:04:55 | |
OK, anyways, my mom just texted me and she's here so I've really | 0:04:55 | 0:04:58 | |
got to go but I'm supposed to give a message to Thalia. | 0:04:58 | 0:05:01 | |
-Can you give it to her for me? -Yeah. | 0:05:01 | 0:05:03 | |
Eldon says, he can't wait to hear stories about driving school, | 0:05:03 | 0:05:06 | |
to give her hiccups ten times | 0:05:06 | 0:05:08 | |
and to take her to see her favourite movie called Teacher. | 0:05:08 | 0:05:10 | |
-OK! -Thanks, I've really got to go. | 0:05:10 | 0:05:12 | |
That was weird. | 0:05:15 | 0:05:17 | |
Hey, do you want to go and grab some milkshakes | 0:05:19 | 0:05:22 | |
after I deliver some message to Thalia? | 0:05:22 | 0:05:25 | |
Seriously? | 0:05:25 | 0:05:26 | |
Why would I want to have a milkshake with someone who's messing with me? | 0:05:26 | 0:05:30 | |
'After she told me that she would mess with me, | 0:05:30 | 0:05:33 | |
I don't want anything to do with her. | 0:05:33 | 0:05:34 | |
No. I didn't say I... | 0:05:34 | 0:05:38 | |
I didn't say I WAS messing with you, I said... | 0:05:41 | 0:05:44 | |
-I said I would mess with you. Make sense? -Not really. | 0:05:46 | 0:05:50 | |
'I understand why Riley's upset | 0:05:50 | 0:05:52 | |
'but she just needs to look at it in a different way. | 0:05:52 | 0:05:54 | |
So, if you had to choose between me and your own team, you'd choose...? | 0:05:54 | 0:05:58 | |
-My team. -Yeah. My point. I'm just being honest. | 0:05:59 | 0:06:02 | |
I don't understand why we can't have fun. | 0:06:02 | 0:06:05 | |
I like you as a person and why can't we just be friends? | 0:06:05 | 0:06:08 | |
'This whole thing is just a miscommunication.' | 0:06:08 | 0:06:11 | |
Ella always puts her team before anyone else | 0:06:11 | 0:06:14 | |
and I would do the same thing. | 0:06:14 | 0:06:15 | |
So, how do we proceed from here then? | 0:06:15 | 0:06:18 | |
We're just going to have some fun and don't give me any ammunition | 0:06:18 | 0:06:21 | |
to use against you. | 0:06:21 | 0:06:22 | |
'Riley should never forget that I'm going to do whatever it takes | 0:06:24 | 0:06:28 | |
'to make my team win Internationals,' | 0:06:28 | 0:06:30 | |
even if that means messing with The Next Step. | 0:06:30 | 0:06:33 | |
'Right now I'm just in the music room by myself...' | 0:06:37 | 0:06:41 | |
..because I just feel alone. | 0:06:42 | 0:06:44 | |
'I just feel like no-one understands.' | 0:06:45 | 0:06:47 | |
'I had no idea how much this divorce was upsetting Michelle | 0:06:54 | 0:06:57 | |
'so I decided to stay. | 0:06:57 | 0:06:59 | |
I know what she's going through and she really needs somebody right now. | 0:06:59 | 0:07:02 | |
I'm just so distracted by my parents. | 0:07:04 | 0:07:06 | |
Whenever I come to dance rehearsal, I just... | 0:07:07 | 0:07:10 | |
I can't even pick up choreography. I don't know what's wrong with me. | 0:07:10 | 0:07:13 | |
There's nothing wrong with you. | 0:07:15 | 0:07:17 | |
They just keep fighting and fighting and fighting, | 0:07:17 | 0:07:20 | |
and I don't know what I ever did. | 0:07:20 | 0:07:22 | |
I feel like they're fighting about me. | 0:07:22 | 0:07:25 | |
I don't know how to fix this. | 0:07:25 | 0:07:26 | |
I've never been through anything like this and I'm sick and tired | 0:07:28 | 0:07:31 | |
of dealing with it. | 0:07:31 | 0:07:32 | |
It's OK. I get it. | 0:07:36 | 0:07:38 | |
'My parents are divorced too and I think my sister, Skylar,' | 0:07:39 | 0:07:42 | |
was about the only thing that got me through it. | 0:07:42 | 0:07:44 | |
We'll go grab a drink. We can talk about this more, OK? | 0:07:44 | 0:07:48 | |
You're not alone. | 0:07:49 | 0:07:50 | |
I feel alone. | 0:07:50 | 0:07:52 | |
You're not. | 0:07:52 | 0:07:54 | |
'Having Cierra here is great.' | 0:07:57 | 0:07:59 | |
Thank you. | 0:07:59 | 0:08:00 | |
'I mean, it's really nice to have a friend right now.' | 0:08:00 | 0:08:03 | |
'James and I have to practise this duet because it's the tie-breaker | 0:08:41 | 0:08:44 | |
'for Internationals, but this is the last place I want to be right now. | 0:08:44 | 0:08:49 | |
-Oh! -Ugh! | 0:08:53 | 0:08:55 | |
-What is that lift? -You're not holding me properly. | 0:08:55 | 0:08:58 | |
You've got to hold your core so you don't go so far that way. | 0:08:58 | 0:09:01 | |
I would hold my core if you held me properly. | 0:09:01 | 0:09:03 | |
Can we just try it again? We only have ten minutes. | 0:09:04 | 0:09:06 | |
Have you got somewhere to be? | 0:09:06 | 0:09:07 | |
Yes. Ella and I are meeting for milkshakes. | 0:09:07 | 0:09:09 | |
'Usually when she's rehearsing, | 0:09:09 | 0:09:11 | |
she's 100% focused on what she's doing, | 0:09:11 | 0:09:13 | |
but now she just wants to go off and get milkshakes. | 0:09:13 | 0:09:15 | |
The last time you spoke to her she straight up told you | 0:09:15 | 0:09:17 | |
she would mess with you! | 0:09:17 | 0:09:18 | |
OK, you don't understand her like I do, | 0:09:18 | 0:09:20 | |
and since your time is so precious, | 0:09:20 | 0:09:21 | |
wouldn't you rather spend it rehearsing rather than arguing? | 0:09:21 | 0:09:24 | |
You're right, you're wasting my time. | 0:09:24 | 0:09:26 | |
Why don't you go have your milkshake? | 0:09:26 | 0:09:28 | |
Wow. Fine. | 0:09:28 | 0:09:30 | |
'We're not really on the same wavelength | 0:09:33 | 0:09:37 | |
and I just don't want to deal with it any more. | 0:09:37 | 0:09:39 | |
'I can't believe Riley just walked out on this. | 0:09:41 | 0:09:43 | |
'Things are just falling apart. | 0:09:43 | 0:09:46 | |
I feel like I don't even know Riley any more. | 0:09:46 | 0:09:49 | |
Hey, West, I've got a message for Thalia. | 0:10:02 | 0:10:04 | |
Would you be able to give it to her? | 0:10:04 | 0:10:06 | |
Yeah, sure, how much else am I doing...(!) | 0:10:06 | 0:10:08 | |
OK, right, so, it says, "I want to give your favourite teacher hiccups, | 0:10:08 | 0:10:11 | |
"and I want to watch your favourite film while driving in a car." | 0:10:11 | 0:10:14 | |
-Makes sense. -OK, yeah, bye. | 0:10:14 | 0:10:16 | |
'Yeah, I think I passed the message on well. West has got it.' | 0:10:16 | 0:10:19 | |
# In five, six, seven, eight, | 0:10:19 | 0:10:21 | |
# Come on now don't be late | 0:10:21 | 0:10:23 | |
# Whoa-oh oh-oh | 0:10:23 | 0:10:25 | |
# Oh-oh-ohhh. # | 0:10:25 | 0:10:27 | |
Max and I have an upcoming dance competition. | 0:10:32 | 0:10:34 | |
Even though I'm in B-Troupe and he's in A-Troupe, | 0:10:34 | 0:10:36 | |
I feel like it'd be great to work with him. | 0:10:36 | 0:10:38 | |
I could learn a few things. | 0:10:38 | 0:10:40 | |
'I'm a good dancer. Richelle's a good dancer. This is a good duet. | 0:10:48 | 0:10:52 | |
'We've put in a lot of tricks no-one has seen before. | 0:11:05 | 0:11:08 | |
'It's unlike any duet we've done here in the studio. | 0:11:08 | 0:11:11 | |
'I like lifting. This dance has a lot of lifts. | 0:11:34 | 0:11:37 | |
'I enter the music room to talk to Richelle | 0:11:49 | 0:11:51 | |
'and I see her doing this amazing duet with Max.' | 0:11:51 | 0:11:53 | |
'I'm actually really happy for him to see it because, | 0:12:03 | 0:12:05 | |
'as much as I hate to admit it, I kind of do still like him | 0:12:05 | 0:12:09 | |
'and I can just only hope that he feels the same way back. | 0:12:09 | 0:12:12 | |
-Yes! You guys were killing that. SHE WHISPERS: -Get out! | 0:12:25 | 0:12:28 | |
You're amazing. You killed it! | 0:12:28 | 0:12:30 | |
Thank you. Thank you for coming and watching. | 0:12:30 | 0:12:32 | |
-No worries, you were great. -Thank you. | 0:12:32 | 0:12:34 | |
Yeah, I've actually just got a question for you. | 0:12:34 | 0:12:36 | |
Yeah, sure, anything. | 0:12:36 | 0:12:37 | |
So, I know you probably know I kind of like Abbie | 0:12:37 | 0:12:41 | |
and I know you're in B-Troupe with her and everything, | 0:12:41 | 0:12:43 | |
so I was wondering if you could just find out if she likes me or not. | 0:12:43 | 0:12:46 | |
I'll think about it. | 0:12:48 | 0:12:50 | |
All right. Thanks, Richelle. | 0:12:50 | 0:12:53 | |
'I can't do it. I can't be the better person.' | 0:12:53 | 0:12:56 | |
I can't help him and Abbie be together. | 0:12:56 | 0:12:58 | |
# We're floating through the darkness endlessly. # | 0:13:00 | 0:13:05 | |
-Thalia! I've got a message from Eldon. -Oh, yeah? What is it? | 0:13:07 | 0:13:11 | |
OK. When teachers drive in circles in the sky above your heart, | 0:13:11 | 0:13:15 | |
every school will give you hiccups through your soul. | 0:13:15 | 0:13:18 | |
You can then walk ten miles to the movies. | 0:13:18 | 0:13:22 | |
'West is delivering this message that's supposedly from Eldon | 0:13:22 | 0:13:26 | |
'but it seems a little off.' | 0:13:26 | 0:13:28 | |
Are you sure that's what Eldon said cos that really makes no sense. | 0:13:28 | 0:13:31 | |
-Yeah, verbatim. -OK, sorry. What was the first part of it? -OK... | 0:13:31 | 0:13:34 | |
Ah-ha! I know exactly what you're doing. | 0:13:34 | 0:13:38 | |
'I told Thalia 100 times to stop speaking to Eldon | 0:13:38 | 0:13:42 | |
and then I catch her doing it behind my back again? | 0:13:42 | 0:13:45 | |
You are using everybody to send love messages again. | 0:13:45 | 0:13:50 | |
-That was a love message, right? -Yeah, it was. | 0:13:50 | 0:13:52 | |
-No! -No, no. -This is it! | 0:13:52 | 0:13:55 | |
No more sending love messages! You tell Eldon I said so! | 0:13:55 | 0:13:59 | |
-No, wait, YOU don't tell Eldon anything! You tell him. -I tell him. | 0:13:59 | 0:14:02 | |
'Nobody is listening to me.' | 0:14:02 | 0:14:04 | |
I tell Riley, "Ella is bad." She's not listening. | 0:14:04 | 0:14:06 | |
I tell Eldon, "You're not ready for a relationship." He's not listening! | 0:14:06 | 0:14:11 | |
What is happening? | 0:14:11 | 0:14:12 | |
-Communication is so stupid. -SO stupid. | 0:14:12 | 0:14:14 | |
You'll just have to find somebody else to hang out with | 0:14:14 | 0:14:16 | |
and she'll have a British accent, and Eldon will be too busy | 0:14:16 | 0:14:19 | |
with the band to see you, and keeping an eye on Eldon and... | 0:14:19 | 0:14:22 | |
-I've got to go! -See ya. | 0:14:22 | 0:14:24 | |
Wow. James is really upset. | 0:14:29 | 0:14:32 | |
OK, I definitely can't talk to Eldon now. | 0:14:33 | 0:14:35 | |
Sure you can. I've got an idea. | 0:14:35 | 0:14:37 | |
OK. | 0:14:38 | 0:14:40 | |
# Get up get up and run | 0:14:40 | 0:14:43 | |
# Run away with me. # | 0:14:43 | 0:14:45 | |
'I enter Hidalgo's and I see James | 0:14:48 | 0:14:50 | |
'and I think this is the perfect time to talk about Riley.' | 0:14:50 | 0:14:53 | |
I need to talk to you. | 0:14:53 | 0:14:55 | |
That's great. I don't want to talk to you. | 0:14:55 | 0:14:57 | |
Everyone wants to talk to me. Look, stop being so hard on Riley. | 0:14:57 | 0:15:01 | |
If anything, you need to go and talk to her, but stop being hard on her. | 0:15:01 | 0:15:04 | |
What, so you guys can go on some little adventure | 0:15:04 | 0:15:06 | |
and get yourself into trouble? | 0:15:06 | 0:15:08 | |
So that's what this is about? | 0:15:09 | 0:15:11 | |
'I don't like Ella because she keeps trying to change Riley,' | 0:15:11 | 0:15:14 | |
and it's working. | 0:15:14 | 0:15:16 | |
I'm completely harmless. | 0:15:16 | 0:15:17 | |
I'm not going to hurt Riley, I'm not going to damage her. | 0:15:17 | 0:15:20 | |
You need to trust me. I'm helping her. | 0:15:20 | 0:15:23 | |
If you don't get a fully improved Riley by the end, | 0:15:23 | 0:15:25 | |
I'll give you a full refund. | 0:15:25 | 0:15:27 | |
Listen, I don't like you, | 0:15:29 | 0:15:31 | |
nor do I trust you or agree with anything you just said. | 0:15:31 | 0:15:34 | |
But if there's one thing that makes sense in that whole spiel | 0:15:34 | 0:15:36 | |
that you just hit me up with, | 0:15:36 | 0:15:38 | |
-it's that I need to talk to Riley, so thank you. -You're welcome(!) | 0:15:38 | 0:15:42 | |
'She's changed so much so quickly. I just want the old Riley back.' | 0:15:42 | 0:15:46 | |
# You could have given up a warning | 0:15:50 | 0:15:53 | |
# But you just hit me with the blind side. # | 0:15:53 | 0:15:56 | |
-Hey. -Hey. | 0:15:57 | 0:16:00 | |
Riley, I think we should talk. | 0:16:00 | 0:16:02 | |
'I've thought about this and I'm ready to talk with Riley.' | 0:16:02 | 0:16:05 | |
I'm pretty sure I know what's going on with her and I think I can help. | 0:16:05 | 0:16:08 | |
I still don't understand Ella, like, at all, | 0:16:08 | 0:16:12 | |
-but she made something clear to me. -And what's that? | 0:16:12 | 0:16:16 | |
-You're new at this. -New at what? | 0:16:16 | 0:16:19 | |
About being carefree but I still think you're going about it | 0:16:19 | 0:16:23 | |
-the wrong way. -And what way is that? | 0:16:23 | 0:16:25 | |
'I can have fun and I know how to have fun. | 0:16:25 | 0:16:27 | |
I'm finally letting loose and he's telling me now | 0:16:27 | 0:16:29 | |
that I can't because I'm not doing it right? | 0:16:29 | 0:16:32 | |
This conversation is not going the way I expected. | 0:16:32 | 0:16:34 | |
No, Riley, I've been around long enough to know | 0:16:34 | 0:16:37 | |
-that Ella is a bad influence. -OK, I can choose my own friends. | 0:16:37 | 0:16:40 | |
Riley, no, I understand that but I don't want to be the one to | 0:16:40 | 0:16:43 | |
sit around and watch you get into more trouble. | 0:16:43 | 0:16:45 | |
Riley, I can be the one to show you how to have a good time. | 0:16:45 | 0:16:47 | |
I would love for you to be the one | 0:16:49 | 0:16:51 | |
to show me how to have a good time... | 0:16:51 | 0:16:54 | |
but you're never around any more to do anything! | 0:16:54 | 0:16:57 | |
You're always at band. | 0:17:00 | 0:17:01 | |
Riley! Riley, come on! | 0:17:06 | 0:17:08 | |
Look, Cierra, I just wanted to thank you for helping me out. | 0:17:28 | 0:17:30 | |
-It means a lot to me. -It's no problem. | 0:17:30 | 0:17:32 | |
'I've spent the day with Michelle telling her my own experiences | 0:17:32 | 0:17:35 | |
with the divorce and passing on any knowledge I can. | 0:17:35 | 0:17:37 | |
Hopefully it helps. | 0:17:37 | 0:17:39 | |
I just find it really nice to know that I'm not the only one | 0:17:39 | 0:17:41 | |
that's going through this. | 0:17:41 | 0:17:44 | |
If you ever need anything, I'm always here. | 0:17:44 | 0:17:46 | |
-Thank you. -You're welcome. | 0:17:46 | 0:17:47 | |
-I'll see you later, OK? -All right. | 0:17:49 | 0:17:50 | |
'Hanging out with Cierra today was fun. | 0:17:50 | 0:17:53 | |
'It kind of took my mind off things and I don't know | 0:17:53 | 0:17:55 | |
'if I'm exactly emotionally ready to get over this but she did help me. | 0:17:55 | 0:18:00 | |
-Hey, man. -Hey. | 0:18:03 | 0:18:06 | |
I've been thinking about your situation with Thalia | 0:18:06 | 0:18:08 | |
-and I think I can help. -How? | 0:18:08 | 0:18:10 | |
Through dance. | 0:18:10 | 0:18:11 | |
'Dance is a universal language. | 0:18:11 | 0:18:13 | |
'James doesn't want Thalia and Eldon talking to each other, | 0:18:13 | 0:18:16 | |
'but he said nothing about dance, so I found a loophole there.' | 0:18:16 | 0:18:20 | |
How would you say that I miss Thalia so much | 0:18:20 | 0:18:23 | |
and I can't wait to finish my 30 pirouettes | 0:18:23 | 0:18:25 | |
so I can take her out on a date? | 0:18:25 | 0:18:27 | |
-Ah, good choice of restaurant! -I know, Italian. | 0:18:32 | 0:18:34 | |
-It's actually pretty good. -I love that one. | 0:18:34 | 0:18:36 | |
'West's idea to do dance messages is actually really, really good | 0:18:36 | 0:18:40 | |
'cos no matter what James says, we're not talking to each other. | 0:18:40 | 0:18:44 | |
'Other people are dancing to us.' | 0:18:44 | 0:18:47 | |
'I'm helping Thalia and Eldon because I love love. | 0:18:59 | 0:19:02 | |
'I will help love out wherever love needs help.' | 0:19:02 | 0:19:05 | |
'West is really pulling through for us right now | 0:19:08 | 0:19:10 | |
'because me and Thalia have so much to say to each other.' | 0:19:10 | 0:19:13 | |
'Thalia just always knows what to say.' | 0:19:29 | 0:19:32 | |
'Eldon's so sweet. | 0:19:32 | 0:19:34 | |
'I love this new way of communicating.' | 0:19:34 | 0:19:36 | |
This passing messages back and forth thing, I'm tired, I'm sweating. | 0:19:36 | 0:19:40 | |
They want to say some whack stuff to each other. | 0:19:40 | 0:19:43 | |
'I understand most of the things that West is dancing.' | 0:19:50 | 0:19:54 | |
Sometimes it's a little hard to read. | 0:19:54 | 0:19:56 | |
I'm not even saying anything, I'm just messing with them | 0:19:59 | 0:20:01 | |
at this point. | 0:20:01 | 0:20:02 | |
'I don't quite understand this one. This message is kind of weird.' | 0:20:05 | 0:20:09 | |
Sorry, man. | 0:20:12 | 0:20:14 | |
It was fun at first, but this is too much for one person. | 0:20:14 | 0:20:17 | |
So, Thalia said she was tired? | 0:20:19 | 0:20:21 | |
No, I did. | 0:20:21 | 0:20:24 | |
I'm exhausted. | 0:20:24 | 0:20:26 | |
'Now I think I understand why the universal language of dance | 0:20:26 | 0:20:29 | |
didn't take off. | 0:20:29 | 0:20:31 | |
It's too exhausting. | 0:20:31 | 0:20:33 | |
-You think? -Yeah. | 0:20:35 | 0:20:37 | |
'I go to the music room | 0:20:37 | 0:20:38 | |
'because I feel bad about how I left things with James. | 0:20:38 | 0:20:43 | |
I just really want to fix this. | 0:20:43 | 0:20:45 | |
Um, I'm just looking for James. | 0:20:45 | 0:20:47 | |
You won't find him here. | 0:20:48 | 0:20:50 | |
He quit. | 0:20:51 | 0:20:52 | |
'I never meant for him to quit the band like that. | 0:20:55 | 0:20:58 | |
I feel like this is all my fault. | 0:20:58 | 0:21:00 | |
# We, we are going to show the world | 0:21:05 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're going to tear the roof off this place | 0:21:15 | 0:21:21 | |
# You, you can never fade us out | 0:21:21 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this... # | 0:21:29 | 0:21:32 |