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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
My mum drove me over to the studio just so I could work with her. | 0:00:03 | 0:00:06 | |
She didn't even have the decency to show up. | 0:00:06 | 0:00:08 | |
-Do you still want to rehearse? -I already practised. | 0:00:08 | 0:00:11 | |
Kind of blew it. | 0:00:12 | 0:00:13 | |
Whoa. How long did it take you to learn that? | 0:00:14 | 0:00:16 | |
It only took me, like, a week. | 0:00:16 | 0:00:18 | |
I need to get to Eldon's level so people see me differently | 0:00:18 | 0:00:21 | |
and see me as an A-Trouper. | 0:00:21 | 0:00:23 | |
I've been around long enough to know that Ella is a bad influence. | 0:00:23 | 0:00:26 | |
I can choose my own friends. | 0:00:26 | 0:00:27 | |
He doesn't want me getting my own life and that's not OK with me. | 0:00:27 | 0:00:31 | |
Riley, come on. I think that something has to change. | 0:00:31 | 0:00:34 | |
-Um, I'm just looking for James. -He quit. | 0:00:34 | 0:00:37 | |
DUBSTEP MUSIC | 0:00:40 | 0:00:43 | |
DANCE MUSIC PLAYS | 0:00:49 | 0:00:53 | |
Right now, we're working through the semifinals routine | 0:00:53 | 0:00:55 | |
and I can't help but notice that Michelle isn't even here. | 0:00:55 | 0:00:58 | |
I know what she's going through is a lot, | 0:00:59 | 0:01:01 | |
but we also really need her in our team. | 0:01:01 | 0:01:04 | |
Michelle's not here right now but it's OK because she let me know | 0:01:06 | 0:01:10 | |
ahead of time that she would be a little bit late. | 0:01:10 | 0:01:12 | |
She's such a hard worker and I know she'll come through. | 0:01:12 | 0:01:16 | |
Good, guys! Good, good, good, relax. | 0:01:22 | 0:01:24 | |
'Now that we've got the rehearsal out of the way,' | 0:01:24 | 0:01:27 | |
I cannot wait to tell everyone the latest news from Internationals. | 0:01:27 | 0:01:30 | |
So, apparently, for round three of the competition, | 0:01:30 | 0:01:33 | |
we need to have a dance with five dancers in it. | 0:01:33 | 0:01:35 | |
We're finally learning what the dances are going to be. | 0:01:35 | 0:01:38 | |
Why don't we have Eldon, Cierra, Stephanie, Thalia and Michelle? | 0:01:38 | 0:01:44 | |
'These five dancers have incredible chemistry together,' | 0:01:44 | 0:01:46 | |
but if they don't pull together | 0:01:46 | 0:01:48 | |
an Internationals quality-level routine, | 0:01:48 | 0:01:50 | |
there are tonnes of other dancers who would love to take their place. | 0:01:50 | 0:01:54 | |
-NOAH: -'I can't believe I wasn't chosen. | 0:01:54 | 0:01:56 | |
'I've been trying really hard | 0:01:56 | 0:01:58 | |
'and I just feel like no-one's seeing me as an A-Trouper.' | 0:01:58 | 0:02:02 | |
-Hey. -Yo. | 0:02:02 | 0:02:03 | |
So, I guess we should talk about everything? | 0:02:03 | 0:02:08 | |
'I need to talk to James about our fight.' | 0:02:08 | 0:02:10 | |
I just really want to apologise for everything. | 0:02:10 | 0:02:13 | |
All right, let's go. | 0:02:13 | 0:02:15 | |
Riley wants to talk and I'm really happy that she does | 0:02:15 | 0:02:18 | |
because it's about time that we resolve this. | 0:02:18 | 0:02:21 | |
How are we supposed to do a five-person dance | 0:02:21 | 0:02:23 | |
if Michelle's not even here? | 0:02:23 | 0:02:24 | |
I just can't help but be a little bit concerned about Michelle. | 0:02:24 | 0:02:27 | |
I know Michelle has a lot going on, | 0:02:27 | 0:02:28 | |
but she called and let me know she'll be a few minutes late. | 0:02:28 | 0:02:31 | |
So what are we supposed to do? | 0:02:31 | 0:02:32 | |
-Just get started without her and she'll hop in. -(Whatever.) -OK. | 0:02:32 | 0:02:35 | |
Michelle isn't as committed as I think that she should be and | 0:02:35 | 0:02:39 | |
I really hope that she doesn't mess up anything for my team or myself. | 0:02:39 | 0:02:43 | |
# We | 0:02:43 | 0:02:45 | |
# We are gonna show the world | 0:02:45 | 0:02:49 | |
# Everything we're made of | 0:02:49 | 0:02:52 | |
# We're gonna tear the roof off this place | 0:02:52 | 0:03:00 | |
# Stand up! # | 0:03:05 | 0:03:06 | |
All right, are you guys stretched? Do you want to start? | 0:03:21 | 0:03:23 | |
Well, Michelle's not here yet. | 0:03:23 | 0:03:25 | |
Maybe we could give her another ten minutes? | 0:03:25 | 0:03:27 | |
We don't have that much rehearsal time left, we have to start. | 0:03:27 | 0:03:30 | |
'Kate wants to see our routine today' | 0:03:30 | 0:03:31 | |
and we can't just wait around for somebody to decide to show up. | 0:03:31 | 0:03:34 | |
Steph's right, we're going to need to start now. | 0:03:34 | 0:03:37 | |
If we can't prove to Miss Kate that we are the right | 0:03:37 | 0:03:39 | |
team for Internationals, then she's going to give it to another group. | 0:03:39 | 0:03:43 | |
Yeah, I guess she can pick up the choreo when she gets here. | 0:03:43 | 0:03:45 | |
Yeah, that's what I'm saying. OK, so let's start. | 0:03:45 | 0:03:48 | |
Michelle better get here soon because we have a lot of work to do. | 0:03:48 | 0:03:52 | |
I heard you quit the band? | 0:03:55 | 0:03:58 | |
Yeah. | 0:03:58 | 0:03:59 | |
I'm so sorry, I never meant for you to do that. | 0:04:01 | 0:04:05 | |
Nah, don't worry about it. | 0:04:05 | 0:04:07 | |
'Riley is not the reason why I quit the band.' | 0:04:07 | 0:04:09 | |
Riley just made me realise that that was something I needed to do. | 0:04:09 | 0:04:13 | |
Listen, I'm sorry I tried to stop you from spending time with Ella. | 0:04:13 | 0:04:18 | |
No, it's... It's OK. I get it. | 0:04:19 | 0:04:23 | |
I've just been so busy with my stuff | 0:04:23 | 0:04:24 | |
and Riley has been so busy with her stuff. | 0:04:24 | 0:04:27 | |
Maybe we should, I don't know, walk a mile in each other's shoes? | 0:04:27 | 0:04:30 | |
It might be nice to kind of see the other person's perspective | 0:04:30 | 0:04:34 | |
so that we can prevent another fight like this. | 0:04:34 | 0:04:36 | |
-So, like, you be me and I be you? -Yeah. | 0:04:36 | 0:04:40 | |
I mean if you're capable of doing that, | 0:04:40 | 0:04:42 | |
I don't know if you quite are(!) | 0:04:42 | 0:04:43 | |
-Yes. Are you? -Don't even worry about it. | 0:04:43 | 0:04:46 | |
No, you don't even worry about it. | 0:04:46 | 0:04:48 | |
Oh! Don't say "you don't even worry about it" like I sit like that. | 0:04:48 | 0:04:51 | |
You're sitting like that right now. | 0:04:51 | 0:04:53 | |
Oh, it's on. | 0:04:53 | 0:04:55 | |
IMPERSONATING RILEY: You don't even worry about it. | 0:04:55 | 0:04:57 | |
SHE SCOFFS HE SCOFFS | 0:04:57 | 0:04:58 | |
I'm going to be a better Riley than Riley. | 0:04:58 | 0:05:00 | |
HE SIGHS | 0:05:07 | 0:05:09 | |
I'm feeling really down right now | 0:05:09 | 0:05:11 | |
because I'm not in any dances | 0:05:11 | 0:05:13 | |
and I feel like I'm never going to become an actual A-Trouper. | 0:05:13 | 0:05:16 | |
HE SIGHS | 0:05:16 | 0:05:18 | |
Hey, come here. | 0:05:18 | 0:05:21 | |
Come on. I don't bite. | 0:05:21 | 0:05:22 | |
What are you doing here? Shouldn't you be with your team? | 0:05:24 | 0:05:28 | |
I guess I'm an alternate. Or at least Kate's treating me like I am. | 0:05:28 | 0:05:32 | |
I mean, I think I'm a pretty good dancer. | 0:05:32 | 0:05:34 | |
You think you're a pretty good dancer? | 0:05:34 | 0:05:37 | |
Wow, you should put that on a greeting card, | 0:05:37 | 0:05:39 | |
that is inspirational(!) | 0:05:39 | 0:05:40 | |
That's actually NOT helpful at all. | 0:05:40 | 0:05:43 | |
Actually, it is helpful. You'll see. | 0:05:43 | 0:05:45 | |
Let's go. | 0:05:45 | 0:05:46 | |
I've got nothing to do today | 0:05:46 | 0:05:48 | |
and I feel bad for the kid so I want to help. | 0:05:48 | 0:05:51 | |
Arms... Da-da, mm-mm. | 0:05:56 | 0:05:58 | |
Circle and... | 0:05:58 | 0:06:00 | |
Michelle still hasn't arrived | 0:06:00 | 0:06:02 | |
and it's a little hard to rehearse a five-person dance | 0:06:02 | 0:06:04 | |
with only four people. | 0:06:04 | 0:06:06 | |
In my arms... Da-da, circle, down... | 0:06:06 | 0:06:09 | |
Oh, you're finally here but...you're not in dance clothes. | 0:06:09 | 0:06:14 | |
Why aren't you in dance clothes? | 0:06:14 | 0:06:15 | |
Um, I don't have my dance bag. | 0:06:15 | 0:06:18 | |
From my mum moving and me staying with my dad, | 0:06:18 | 0:06:21 | |
it's just all over the place and I honestly couldn't find it. | 0:06:21 | 0:06:24 | |
But not to worry, my dad said he'll bring my bag, | 0:06:24 | 0:06:26 | |
he's just in a meeting right now. | 0:06:26 | 0:06:28 | |
Oh, so now you leave your parents responsible for your things? | 0:06:28 | 0:06:31 | |
Stephanie is being a little harsh with Michelle, | 0:06:31 | 0:06:33 | |
but I understand why cos we have to get this number done. | 0:06:33 | 0:06:37 | |
But you know I can sit and watch you guys | 0:06:37 | 0:06:39 | |
and I'll pick up the choreography, it's not that big of a deal. | 0:06:39 | 0:06:42 | |
It's not that big of a deal? | 0:06:42 | 0:06:43 | |
This could be my last chance to go to Internationals | 0:06:43 | 0:06:45 | |
'and I don't want anything or anyone messing that up for me.' | 0:06:45 | 0:06:49 | |
So here we're in a V... | 0:06:49 | 0:06:51 | |
I just hope my dad shows up soon | 0:06:51 | 0:06:53 | |
because I want to be able to dance with the team. | 0:06:53 | 0:06:55 | |
-IMPERSONATING JAMES: -Kylie, what's up, girl? | 0:07:04 | 0:07:06 | |
Oh, I love this e-book. | 0:07:06 | 0:07:08 | |
Spoiler alert - he dies at the end. | 0:07:08 | 0:07:10 | |
James always loves talking to strangers | 0:07:10 | 0:07:12 | |
so that's exactly what I'm going to do. | 0:07:12 | 0:07:15 | |
-I'm sorry about her. -Yes. Mm. Thanks, bro. | 0:07:15 | 0:07:18 | |
West, man, I'm so sorry about her. | 0:07:18 | 0:07:21 | |
'When I speak with strangers, Riley is always apologising to them.' | 0:07:21 | 0:07:24 | |
I never really understood why, but that's what I'm doing. | 0:07:24 | 0:07:27 | |
-Yo, Kylie, juice me. -I can't believe you did that. | 0:07:27 | 0:07:31 | |
I don't like what's going on here. | 0:07:37 | 0:07:40 | |
Riley wouldn't do that. | 0:07:41 | 0:07:43 | |
I had a minor setback. | 0:07:45 | 0:07:46 | |
So, I want you to do one of your movements that you've been | 0:08:00 | 0:08:03 | |
really struggling with and that you want to perfect. Go. | 0:08:03 | 0:08:06 | |
Are you serious? | 0:08:06 | 0:08:07 | |
I can tell Noah's not taking me seriously | 0:08:07 | 0:08:09 | |
but I'm going to make him take me seriously. | 0:08:09 | 0:08:11 | |
What is this attitude? OK? Stop acting like a J-Trouper. Come on. | 0:08:11 | 0:08:15 | |
This guy needs a lot of help. | 0:08:25 | 0:08:27 | |
First, make sure you keep your core, | 0:08:27 | 0:08:28 | |
make sure your shoulders aren't all the way up to your ears and make | 0:08:28 | 0:08:31 | |
sure that your spotting isn't off at the end like it was that time. | 0:08:31 | 0:08:34 | |
Ella just gave me a correction and she's actually spot-on. | 0:08:34 | 0:08:38 | |
Well, don't just stand there, we have work to do. Come on. | 0:08:38 | 0:08:41 | |
He should be glad I came along. | 0:08:41 | 0:08:43 | |
I'm walking into Studio A in a hurry because my dad just gave me | 0:08:56 | 0:08:59 | |
the bag with all my dance clothes so I can rehearse with the team. | 0:08:59 | 0:09:03 | |
OK, cool, your bag's here. Let's go. | 0:09:05 | 0:09:08 | |
I think my dad gave me his hockey bag. | 0:09:09 | 0:09:12 | |
How could you mess that up, Dad? | 0:09:14 | 0:09:17 | |
Well, I guess you're watching again. | 0:09:17 | 0:09:19 | |
It's a five-person dance and we've only ever rehearsed with four people. | 0:09:20 | 0:09:24 | |
She's messing it up for everyone. | 0:09:24 | 0:09:26 | |
-I'm hungry. -Are you kidding me? Do you know what time it is? | 0:09:36 | 0:09:39 | |
I made up a schedule and you have no time to get food before rehearsal. | 0:09:39 | 0:09:42 | |
Yes, in fact I did make up the schedule myself. | 0:09:42 | 0:09:45 | |
I've been making fun of those things for a long time now. | 0:09:45 | 0:09:47 | |
-Don't even worry about it. -You know what? | 0:09:47 | 0:09:49 | |
I did worry about it and I got you a banana. | 0:09:49 | 0:09:51 | |
-This banana's green. -Yeah, um, I didn't know when I would need one. | 0:09:52 | 0:09:58 | |
I am not that uptight. | 0:09:58 | 0:10:00 | |
Am I? | 0:10:00 | 0:10:01 | |
Shoulders! Shoulders! Core! Come on! You can do this. Again. | 0:10:10 | 0:10:13 | |
I've been working with Ella for forever now. | 0:10:13 | 0:10:16 | |
'It's getting really, really frustrating | 0:10:16 | 0:10:18 | |
'and nothing's getting better.' | 0:10:18 | 0:10:20 | |
-No! No! Stop, stop, stop. -Isn't any of this good? | 0:10:20 | 0:10:23 | |
Do you really want it to be just "good" | 0:10:23 | 0:10:25 | |
or do you want it to be great? | 0:10:25 | 0:10:26 | |
-I want it to be great. -Exactly, then do it again. | 0:10:26 | 0:10:29 | |
You think I'm tough now? You should see me at Internationals. | 0:10:29 | 0:10:32 | |
Stop, stop. You're thinking about your shoulders. | 0:10:34 | 0:10:39 | |
-Stop thinking about lowering them and just lower them. -I can't do it! | 0:10:39 | 0:10:43 | |
Honestly, nothing's changing. Why do I keep doing it? There's no point. | 0:10:43 | 0:10:49 | |
I'm done. | 0:10:49 | 0:10:50 | |
I think now I've figured out what the issue is. | 0:10:53 | 0:10:55 | |
Noah, there is greatness in you, I can see it, but you don't see it. | 0:10:59 | 0:11:03 | |
You need to believe in yourself. | 0:11:03 | 0:11:04 | |
Stop thinking that you're a J-Troupe dancer. I've seen you dance. | 0:11:04 | 0:11:09 | |
You're an A-Troupe dancer. | 0:11:09 | 0:11:11 | |
Now, take five, and we'll get up and we'll try this again, OK? | 0:11:11 | 0:11:15 | |
I'm going to get up and I'm going to do this. | 0:11:17 | 0:11:20 | |
I'm waiting for Riley because we're about to watch | 0:11:25 | 0:11:28 | |
the five-person group performance and she's still not here. | 0:11:28 | 0:11:31 | |
This is ridiculous! | 0:11:31 | 0:11:32 | |
JAMES SCOFFS | 0:11:34 | 0:11:35 | |
-Is that a shawarma? -Mm-hm, my favourite. Extra tzatziki. | 0:11:35 | 0:11:39 | |
Hard to say but delicious to eat. | 0:11:39 | 0:11:41 | |
Riley's doing a really good impression of me | 0:11:41 | 0:11:43 | |
because I want a shawarma right now. | 0:11:43 | 0:11:46 | |
That looks so good. | 0:11:46 | 0:11:48 | |
But it's not in schedule, plus, you're going to regret that. | 0:11:48 | 0:11:51 | |
Mm-mm, this puppy's made of steel. | 0:11:51 | 0:11:53 | |
I don't know why James is freaking out so much. | 0:11:53 | 0:11:55 | |
I mean, I was hungry so I got a shawarma | 0:11:55 | 0:11:57 | |
and I'm not even late yet, we have plenty of time. | 0:11:57 | 0:12:00 | |
I have not eaten all day. | 0:12:00 | 0:12:02 | |
-Munch on this, bro. -Yes! Thanks, bro. Hey, nice shirt. | 0:12:04 | 0:12:08 | |
Yo, that's my boy! | 0:12:08 | 0:12:09 | |
'Who does she think she is?' | 0:12:09 | 0:12:11 | |
Me?! | 0:12:11 | 0:12:13 | |
We're just waiting to perform our routine and I am so nervous | 0:12:25 | 0:12:28 | |
because Michelle still isn't prepared. | 0:12:28 | 0:12:30 | |
-KATE: -All right, let's see the five-person dance. | 0:12:30 | 0:12:33 | |
I haven't even had a chance to rehearse with my team, | 0:12:33 | 0:12:36 | |
-but I've been studying the moves and I think I can do it. -Hold on. | 0:12:36 | 0:12:39 | |
Michelle, what are you wearing? I can't let you dance like that. | 0:12:39 | 0:12:42 | |
How are you supposed to do acro? | 0:12:42 | 0:12:44 | |
I am so surprised when Michelle comes unprepared. | 0:12:44 | 0:12:48 | |
She has never done anything like this before. | 0:12:48 | 0:12:50 | |
Well, I'm sorry, but you're going to have to sit this one out. | 0:12:50 | 0:12:54 | |
Good for you, thanks. | 0:12:55 | 0:12:57 | |
It's really hard having to sit out and watch my team dance without me. | 0:12:58 | 0:13:02 | |
OK, let's see this. | 0:13:02 | 0:13:05 | |
DANCE MUSIC PLAYS | 0:13:05 | 0:13:08 | |
I'm obviously upset that we have to perform the dance | 0:13:09 | 0:13:12 | |
without Michelle, but at the same time, | 0:13:12 | 0:13:14 | |
we're just going to have to make it work and see what happens. | 0:13:14 | 0:13:17 | |
Yeah, Thalia! | 0:13:19 | 0:13:20 | |
It's embarrassing watching the team dance without me | 0:13:24 | 0:13:27 | |
because the spacing is clearly for five people. | 0:13:27 | 0:13:30 | |
We are all dancing the best that we can, but it doesn't make up | 0:13:37 | 0:13:40 | |
for the fact that there is a person missing from our dance. | 0:13:40 | 0:13:44 | |
It's literally two girls, me, a space, | 0:13:45 | 0:13:48 | |
and then a girl at the back and it's just throwing off the number. | 0:13:48 | 0:13:52 | |
They're trying really hard, but it is a disaster. | 0:13:57 | 0:14:02 | |
This is supposed to be for Internationals - | 0:14:02 | 0:14:04 | |
it's a huge deal and I'm completely disappointed in her. | 0:14:04 | 0:14:07 | |
We've kind of been cutting her some slack, | 0:14:10 | 0:14:12 | |
but this is the first time where I kind of realised | 0:14:12 | 0:14:15 | |
it's really starting to affect people on the team. | 0:14:15 | 0:14:17 | |
RIPPLE OF APPLAUSE | 0:14:23 | 0:14:25 | |
This is a huge disappointment. | 0:14:25 | 0:14:28 | |
I'm going to have to select a new group and see | 0:14:28 | 0:14:30 | |
if they can come up with an Internationals-worthy routine. | 0:14:30 | 0:14:33 | |
All I wanted to do was prove that I deserve to be in A Troupe | 0:14:33 | 0:14:36 | |
and maybe even possibly be featured at Internationals | 0:14:36 | 0:14:40 | |
but, clearly, both of those things aren't going to happen. | 0:14:40 | 0:14:43 | |
-OK, a little bit better, but, come on, one more time, OK? -All right. | 0:14:46 | 0:14:49 | |
-Yeah, let's go. -'I've been working on this move for ever.' | 0:14:49 | 0:14:53 | |
It's not happening, but I'm not going to give up. | 0:14:53 | 0:14:55 | |
-You did it. You nailed it. -Really? | 0:15:08 | 0:15:11 | |
I knew he had it in him and he just had to believe in himself. | 0:15:11 | 0:15:15 | |
'For the longest time, I just thought I was lucky | 0:15:15 | 0:15:17 | |
'and Kate just needed a 12th person.' | 0:15:17 | 0:15:19 | |
I kind of realise now that I'm good enough to be in A Troupe. | 0:15:19 | 0:15:23 | |
I deserve to be here. | 0:15:23 | 0:15:25 | |
-All right, are you guys ready? -ALL: Yeah. | 0:15:34 | 0:15:36 | |
Let's go, let's do this. | 0:15:36 | 0:15:38 | |
-RILEY: -'Since Kate wasn't happy with the last routine, | 0:15:38 | 0:15:40 | |
'she gave me, James, West, Max and Giselle | 0:15:40 | 0:15:42 | |
'three hours to come up | 0:15:42 | 0:15:43 | |
'with a new five-person routine for Internationals' | 0:15:43 | 0:15:46 | |
so hopefully she likes it. | 0:15:46 | 0:15:48 | |
DANCE MUSIC PLAYS | 0:15:49 | 0:15:53 | |
'I love working with Giselle, I love working with Riley, | 0:15:56 | 0:15:59 | |
'I love working with James and, you know, Max, he's awesome, as well' | 0:15:59 | 0:16:03 | |
so I think it's a really strong group of people | 0:16:03 | 0:16:05 | |
and I think this dance is going to be awesome. | 0:16:05 | 0:16:07 | |
Whoo! | 0:16:23 | 0:16:25 | |
Watching the other team dance is actually upsetting | 0:16:29 | 0:16:33 | |
just because they're so perfect. | 0:16:33 | 0:16:35 | |
The dancers are so strong, the choreography is incredible, | 0:16:53 | 0:16:56 | |
it is so unique. | 0:16:56 | 0:16:57 | |
They are amazing. | 0:16:59 | 0:17:00 | |
CHEERING | 0:17:05 | 0:17:08 | |
-CHEERING AND APPLAUSE -So good! | 0:17:24 | 0:17:27 | |
You guys, that was incredible! | 0:17:29 | 0:17:32 | |
Wow, talk about an Internationals routine. | 0:17:32 | 0:17:36 | |
It looks like we have our five-person group | 0:17:36 | 0:17:38 | |
for the competition. | 0:17:38 | 0:17:40 | |
I am so excited that my group gets to perform at Internationals. | 0:17:40 | 0:17:43 | |
I mean, I feel a little bit bad for Michelle's group, | 0:17:43 | 0:17:46 | |
but we need the best. | 0:17:46 | 0:17:49 | |
'I watched Stephanie leave | 0:17:49 | 0:17:51 | |
'and I just know she's really upset with me,' | 0:17:51 | 0:17:54 | |
which means I have to make this up to her. | 0:17:54 | 0:17:57 | |
'I'm just going to Hidalgo's because I need to apologise to her.' | 0:18:10 | 0:18:14 | |
I mean, what I did was wrong and I feel really bad. | 0:18:14 | 0:18:16 | |
Look, Steph, I'm so sorry about what happened today. | 0:18:21 | 0:18:24 | |
-I know it means a lot to you. -Do you? | 0:18:24 | 0:18:26 | |
Do you realise that I was in A Troupe and I got kicked off of A Troupe? | 0:18:26 | 0:18:30 | |
And that I had to work my way back up | 0:18:30 | 0:18:31 | |
and I've been trying to prove myself since? | 0:18:31 | 0:18:35 | |
And you messed this up for me. | 0:18:35 | 0:18:37 | |
This was my chance to prove myself, that I deserve to be in A Troupe. | 0:18:37 | 0:18:42 | |
'I feel terrible that I ruined this for Stephanie.' | 0:18:42 | 0:18:45 | |
I can't believe I let her down like that. | 0:18:45 | 0:18:48 | |
-I made a mistake. -Well, your mistake didn't hurt just me. | 0:18:48 | 0:18:51 | |
It hurt everyone. | 0:18:52 | 0:18:54 | |
I feel like Stephanie might be right. | 0:18:56 | 0:18:59 | |
I mean, the last thing I want to do for the team is let | 0:18:59 | 0:19:01 | |
everyone down, but I'm going to do something about it. | 0:19:01 | 0:19:05 | |
-Yo. -How did you like being me? -I really enjoyed it, actually. | 0:19:12 | 0:19:17 | |
When I scheduled myself properly, I actually had a lot of free time. | 0:19:17 | 0:19:21 | |
I did laundry today, which is a real occasion. | 0:19:21 | 0:19:25 | |
-How did you like being me? -It's exhausting. | 0:19:25 | 0:19:28 | |
I guess we could make some time for a nap in your schedule. | 0:19:28 | 0:19:32 | |
All I see is that it's time for a shawarma. | 0:19:32 | 0:19:35 | |
Oh, that's the best thing you've ever said! | 0:19:35 | 0:19:37 | |
We kind of both now have a new appreciation for each other | 0:19:37 | 0:19:41 | |
and now whenever we get into another conflict, we can | 0:19:41 | 0:19:44 | |
kind of see how the other person would think in that situation. | 0:19:44 | 0:19:48 | |
-Hi. -Can I speak to you? -Yes. | 0:20:00 | 0:20:03 | |
I just feel like because of everything that I missed, | 0:20:03 | 0:20:06 | |
it's bound to be that I'm going to be an alternate. | 0:20:06 | 0:20:09 | |
But at least I'll be there for the team. | 0:20:13 | 0:20:15 | |
# We | 0:20:23 | 0:20:25 | |
# We are gonna show the world | 0:20:25 | 0:20:29 | |
# Everything we're made of | 0:20:29 | 0:20:32 | |
# We're gonna tear the roof off this place | 0:20:32 | 0:20:37 | |
# You | 0:20:37 | 0:20:39 | |
# You can never fade us out | 0:20:39 | 0:20:43 | |
# Don't even ask the DJ | 0:20:43 | 0:20:47 | |
# Everybody knows we own this land... # | 0:20:47 | 0:20:53 |