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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Are you sure you wouldn't rather be with your band right now? | 0:00:03 | 0:00:06 | |
No, Riley. Of course. This is Internationals. | 0:00:06 | 0:00:09 | |
'I do want to be here. | 0:00:09 | 0:00:10 | |
'But I also really want to be with the band. | 0:00:10 | 0:00:13 | |
'But I'm just not ready to tell anyone that yet.' | 0:00:13 | 0:00:16 | |
If Noah comes in... | 0:00:16 | 0:00:18 | |
then we need to lose somebody else. | 0:00:18 | 0:00:20 | |
I'm the alternate for the team. | 0:00:20 | 0:00:22 | |
I'll back out. | 0:00:24 | 0:00:25 | |
She cheated and she still won. | 0:00:27 | 0:00:29 | |
This isn't about Internationals any more. | 0:00:29 | 0:00:32 | |
Ella betrayed me. But worse, she betrayed my team. | 0:00:32 | 0:00:35 | |
And we're going to make her regret it. | 0:00:36 | 0:00:38 | |
Ready? A five, six, seven, eight. Go one, a two, a three, a four... | 0:00:48 | 0:00:53 | |
We still can't believe that we made it all the way to semifinals. | 0:00:53 | 0:00:55 | |
We started with 160 teams at Internationals. 160. | 0:00:55 | 0:01:00 | |
Now we're down to four. | 0:01:00 | 0:01:01 | |
England, Sweden, Italy and us. | 0:01:01 | 0:01:04 | |
Today, each team gets only one hour to rehearse their group number. | 0:01:04 | 0:01:07 | |
One, a two, a three, a four... | 0:01:07 | 0:01:08 | |
'And it's really the only time we get to practise on stage so...' | 0:01:08 | 0:01:11 | |
we really, really need this rehearsal. | 0:01:11 | 0:01:13 | |
And one, a two. Hold on. Stop one sec. | 0:01:13 | 0:01:15 | |
Cierra, just push out a little. Yeah, yeah, yeah. | 0:01:15 | 0:01:18 | |
-That's a little bit better. OK. -Your time is up. | 0:01:18 | 0:01:20 | |
What? | 0:01:20 | 0:01:21 | |
-No. She's just messing with us. -No, no, no. Your time is up. | 0:01:21 | 0:01:24 | |
Please get off the stage. | 0:01:24 | 0:01:25 | |
Having to leave for Ella's team... | 0:01:27 | 0:01:30 | |
just makes me really angry. | 0:01:30 | 0:01:32 | |
You just don't look ready and you know why? | 0:01:32 | 0:01:35 | |
-Why? -Because you're not. | 0:01:35 | 0:01:38 | |
'She's wrong. We are ready. We're going to win' | 0:01:38 | 0:01:40 | |
and we're going to find a way to beat her. | 0:01:40 | 0:01:42 | |
We have to. | 0:01:42 | 0:01:44 | |
# We, we are gonna show the world | 0:01:45 | 0:01:51 | |
# Everything we're made of | 0:01:51 | 0:01:55 | |
# We're gonna tear the roof off this place | 0:01:55 | 0:02:00 | |
# Stand up. # | 0:02:07 | 0:02:08 | |
-Whoa. -This is huge. | 0:02:28 | 0:02:31 | |
I feel like Amanda and I just need a moment on stage to ourselves | 0:02:31 | 0:02:35 | |
'because we aren't in any of the routines | 0:02:35 | 0:02:37 | |
'and we won't get to dance here.' | 0:02:37 | 0:02:40 | |
Wow. | 0:02:40 | 0:02:41 | |
This is amazing. | 0:02:43 | 0:02:44 | |
Look at this stage. | 0:02:46 | 0:02:47 | |
Look at the audience. | 0:02:48 | 0:02:50 | |
'So I feel like we just need this moment to take in all the lights' | 0:02:50 | 0:02:53 | |
and just imagine what it would be like to compete at Internationals. | 0:02:53 | 0:02:58 | |
It would be amazing to dance on it though. | 0:02:58 | 0:03:00 | |
Why can't we? | 0:03:00 | 0:03:02 | |
Shall we dance? | 0:03:02 | 0:03:03 | |
'The spotlight is shining on us. | 0:03:13 | 0:03:16 | |
'And it's almost like we're having our own Internationals moment.' | 0:03:16 | 0:03:19 | |
It's pretty magical. | 0:03:19 | 0:03:20 | |
APPLAUSE | 0:03:20 | 0:03:24 | |
'I know we're only alternates, but...' | 0:03:24 | 0:03:27 | |
this moment is pretty great. | 0:03:27 | 0:03:29 | |
Welcome back to our ongoing coverage | 0:03:40 | 0:03:42 | |
of the Absolute Dance International Championship. | 0:03:42 | 0:03:44 | |
I'm your host, Chuck Anderson | 0:03:44 | 0:03:46 | |
alongside dancer and performer, Ashley Leggat. | 0:03:46 | 0:03:51 | |
And then there were four. | 0:03:51 | 0:03:52 | |
On one side of the ledger we have Academia Toscana di Danza | 0:03:52 | 0:03:57 | |
out of Italy... | 0:03:57 | 0:03:58 | |
and Stockholm Dance Theatre. Now Stockholm Dance Theatre, | 0:03:58 | 0:04:01 | |
they've been through this battle too many times. | 0:04:01 | 0:04:03 | |
They are ready to go. | 0:04:03 | 0:04:05 | |
On the other side of the ledger, | 0:04:05 | 0:04:06 | |
we have Summerford School of Dance and, well, | 0:04:06 | 0:04:09 | |
the antithesis of Stockholm Dance Theatre - The Next Step | 0:04:09 | 0:04:13 | |
are getting their first kick at the can here at Internationals. | 0:04:13 | 0:04:16 | |
The cold hard truth is that at the end of today... | 0:04:16 | 0:04:18 | |
only two teams will remain. | 0:04:18 | 0:04:21 | |
HE GROANS IN PAIN | 0:04:21 | 0:04:24 | |
This isn't good. | 0:04:26 | 0:04:28 | |
West looks really sick. | 0:04:28 | 0:04:30 | |
'As I was in Miami, I found the best kebab spot | 0:04:30 | 0:04:32 | |
'that you can possibly ever go to.' | 0:04:32 | 0:04:34 | |
And I think it gave me food poisoning. | 0:04:34 | 0:04:36 | |
All right. How many times have you thrown up? | 0:04:36 | 0:04:38 | |
-Three times. -You know what? Actually four | 0:04:38 | 0:04:40 | |
-because I just threw up in my mouth. -Ew. -And I swallowed it back in. | 0:04:40 | 0:04:45 | |
-What are we going to do? -You know what? This is food poisoning. | 0:04:45 | 0:04:48 | |
I know it. I eat shawarmas a lot. | 0:04:48 | 0:04:49 | |
It happens to me like once or twice a month. | 0:04:49 | 0:04:51 | |
It takes 24 hours to get out of your system. | 0:04:51 | 0:04:53 | |
I think it's just from the meats. | 0:04:53 | 0:04:55 | |
We do not have 24 hours. | 0:04:55 | 0:04:56 | |
It was... Someone help me up. Come here. Come here. | 0:04:56 | 0:04:59 | |
HIS STOMACH RUMBLES | 0:05:01 | 0:05:02 | |
-You know, I think I got to go... -Where? | 0:05:02 | 0:05:06 | |
-You know where! -Oh! | 0:05:06 | 0:05:08 | |
That makes five times. Five. Five times. | 0:05:08 | 0:05:11 | |
West is definitely not going to be ready in time | 0:05:11 | 0:05:14 | |
for the semifinals routine. | 0:05:14 | 0:05:15 | |
We can't afford to wait for him to get better so we're going to | 0:05:15 | 0:05:18 | |
-have to replace him. -Well, it's either Michelle or Amanda. | 0:05:18 | 0:05:21 | |
Michelle's better for this one. When Michelle and I became alternates, | 0:05:21 | 0:05:24 | |
we decided that we would each be responsible for five dancers. | 0:05:24 | 0:05:27 | |
And West was one of hers. | 0:05:27 | 0:05:29 | |
Michelle? Do you feel ready? | 0:05:29 | 0:05:31 | |
'I've been dreaming about dancing with the team. | 0:05:31 | 0:05:35 | |
'But now that I have the chance,' | 0:05:35 | 0:05:37 | |
I'm so nervous and I don't want to let the team down. | 0:05:37 | 0:05:40 | |
Do you think you can handle it? | 0:05:40 | 0:05:42 | |
Yeah. I'll do it. | 0:05:42 | 0:05:44 | |
We need to get you your costume. We need to rework the routine. | 0:05:44 | 0:05:47 | |
We have lifts so we need to change that, obviously. | 0:05:47 | 0:05:49 | |
'I feel really bad for West, but I just can't wait to perform' | 0:05:49 | 0:05:52 | |
on the International stage. | 0:05:52 | 0:05:54 | |
CHEERING | 0:06:04 | 0:06:06 | |
The first semifinal is getting set to go. | 0:06:06 | 0:06:08 | |
It's going to be Stockholm Dance Theatre | 0:06:08 | 0:06:10 | |
against Academia Toscana di Danza. | 0:06:10 | 0:06:13 | |
That Italian troupe is set to go. | 0:06:13 | 0:06:16 | |
ELECTRONIC MUSIC PLAYS | 0:06:16 | 0:06:20 | |
CHEERING | 0:06:24 | 0:06:28 | |
We can use the word strong to describe these four teams | 0:06:42 | 0:06:46 | |
that are left standing here at Internationals here in Miami. | 0:06:46 | 0:06:50 | |
But that really wouldn't do it justice. | 0:06:50 | 0:06:52 | |
They're so much more than just strong. | 0:06:52 | 0:06:53 | |
They have just exemplified everything that you want to see | 0:06:53 | 0:06:56 | |
-in a competition of this nature. -They absolutely have. | 0:06:56 | 0:06:59 | |
They have taken every curveball thrown at them | 0:06:59 | 0:07:01 | |
and thrived and this is why they are the final four. | 0:07:01 | 0:07:05 | |
There is no room for mistakes. | 0:07:05 | 0:07:07 | |
And Italy's drawn the short straw here today having to go head-to-head | 0:07:07 | 0:07:10 | |
against defending champions Team Sweden. | 0:07:10 | 0:07:13 | |
'Six, seven, eight.' | 0:07:15 | 0:07:17 | |
One and two and three and four and five. | 0:07:17 | 0:07:19 | |
'I know Michelle is a fantastic dancer, | 0:07:19 | 0:07:21 | |
'but to learn our semifinals routine' | 0:07:21 | 0:07:23 | |
right before we go on, that would be hard for any of us. | 0:07:23 | 0:07:27 | |
One, two, three and four. | 0:07:27 | 0:07:29 | |
'I feel like I'm picking up the choreography just fine,' | 0:07:29 | 0:07:32 | |
but I'm super nervous. It's just a lot to handle. | 0:07:32 | 0:07:35 | |
CHEERING | 0:07:35 | 0:07:37 | |
And up next, those wily veterans out of Sweden - Stockholm Dance Theatre. | 0:07:37 | 0:07:42 | |
-# Wake up in a new skin -# Oh, babe | 0:07:50 | 0:07:54 | |
-# Life is how it's always been -# Oh, babe | 0:07:54 | 0:07:57 | |
-# I can open up my eyes -# Oh, babe | 0:07:57 | 0:08:01 | |
-# And see it in a brand-new light -# Oh, babe | 0:08:01 | 0:08:04 | |
-# Shivers running down my spine -# Oh, babe | 0:08:04 | 0:08:08 | |
-# Music in the bright light -# Oh, babe | 0:08:08 | 0:08:11 | |
-# Suddenly covers me -# Oh, babe | 0:08:11 | 0:08:15 | |
-# Pouring rain apparently -# Oh, babe. # | 0:08:15 | 0:08:18 | |
Sweden is already looking very impressive out there. | 0:08:18 | 0:08:22 | |
It's no wonder they're the defending champions. | 0:08:22 | 0:08:25 | |
Five, six, seven, eight. One, two, three and four, five | 0:08:27 | 0:08:30 | |
and six seven, eight. One, two, three, four, five, | 0:08:30 | 0:08:32 | |
six, seven, eight. Pose. | 0:08:32 | 0:08:34 | |
So right now we're re-choreographing the routine to fit Michelle | 0:08:34 | 0:08:37 | |
and it's actually going really well. | 0:08:37 | 0:08:39 | |
I'm ready as I'll ever be. | 0:08:39 | 0:08:41 | |
-Got it? -Um, yeah. I'm ready to go. | 0:08:41 | 0:08:43 | |
Good because we need to get in costumes and go. | 0:08:43 | 0:08:45 | |
So, let's do this, guys. | 0:08:45 | 0:08:46 | |
-West, you coming, bro? -Just give me like... Just give me like two min... | 0:08:48 | 0:08:52 | |
-HIS STOMACH RUMBLES -Oh I'm out. I'm out. | 0:08:52 | 0:08:54 | |
That kebab was kabad. And it kablooied me. | 0:08:55 | 0:09:00 | |
CHEERING | 0:09:02 | 0:09:05 | |
Wow. Ashley, Stockholm Dance Theatre has been a model of consistency | 0:09:13 | 0:09:18 | |
-throughout this week. -And it continues. | 0:09:18 | 0:09:20 | |
That dance was incredible. They were moving as one. It was fantastic. | 0:09:20 | 0:09:24 | |
And I don't know how they will ever be beat. | 0:09:24 | 0:09:26 | |
All right. So now it's all left up to the judges. | 0:09:26 | 0:09:29 | |
The judges have tabulated their scores. | 0:09:30 | 0:09:33 | |
And the team moving on to the final round is... | 0:09:33 | 0:09:37 | |
Stockholm Dance Theatre. | 0:09:37 | 0:09:39 | |
CHEERING | 0:09:39 | 0:09:41 | |
Sweden is moving on and, Ashley, what have they not used up yet? | 0:09:41 | 0:09:45 | |
-They have not used their five-point advantage. -Wow. | 0:09:45 | 0:09:49 | |
Really, at this point, they are practically invincible. | 0:09:49 | 0:09:51 | |
# So give it up, up | 0:09:55 | 0:09:57 | |
# All of your love, love | 0:09:57 | 0:09:58 | |
# And don't run, run away. # | 0:09:58 | 0:10:00 | |
Five, six, seven, eight. | 0:10:04 | 0:10:06 | |
One and two and three and four and five. | 0:10:06 | 0:10:09 | |
'Right now, Giselle and I are just backstage and we're just kind of | 0:10:09 | 0:10:12 | |
'going over the dance just to really make sure it's in my brain. | 0:10:12 | 0:10:14 | |
'I can't believe I got this opportunity.' | 0:10:14 | 0:10:16 | |
I feel like this is my time to shine. | 0:10:16 | 0:10:19 | |
The stage looks huge. | 0:10:19 | 0:10:20 | |
Is it any different than Regionals or Nationals? | 0:10:20 | 0:10:23 | |
I mean, I've never been to Nationals. | 0:10:23 | 0:10:26 | |
Mind you, I've never even been to Regionals either. | 0:10:26 | 0:10:29 | |
That's right. You weren't at either. | 0:10:29 | 0:10:31 | |
It's going to be weird starting over at Regionals next year. | 0:10:31 | 0:10:35 | |
Yeah. I never really thought of that. | 0:10:35 | 0:10:37 | |
Me either. | 0:10:37 | 0:10:38 | |
For Noah to go back to Regionals, it makes sense. | 0:10:38 | 0:10:41 | |
Me on the other hand? I've been to Regionals. | 0:10:41 | 0:10:43 | |
I've been to Nationals and now I'm at Internationals. | 0:10:43 | 0:10:45 | |
Regionals? | 0:10:45 | 0:10:46 | |
That's just a big step back. | 0:10:47 | 0:10:49 | |
CHEERING | 0:10:54 | 0:10:58 | |
'It's weird competing against The Next Step | 0:11:00 | 0:11:02 | |
'because they're nice people. | 0:11:02 | 0:11:05 | |
'But when it comes to competition,' | 0:11:05 | 0:11:07 | |
no-one is going to hold me or my team back. | 0:11:07 | 0:11:09 | |
SLOW DRAMATIC MUSIC PLAYS | 0:11:09 | 0:11:14 | |
Our semifinal dance? There's a little girl wandering in the woods | 0:11:16 | 0:11:19 | |
and we're all like enchanted trees all trying to scare her. | 0:11:19 | 0:11:22 | |
And it's all about how you could control what you are afraid of. | 0:11:22 | 0:11:26 | |
CHEERING | 0:11:31 | 0:11:33 | |
'They're all so technically beautiful and very fluid.' | 0:11:38 | 0:11:43 | |
And it's actually kind of brilliant. | 0:11:43 | 0:11:45 | |
SHE EXHALES | 0:11:46 | 0:11:48 | |
CHEERING | 0:11:49 | 0:11:52 | |
'Ours is a lot more fun and upbeat and it kind of worries me | 0:11:53 | 0:11:56 | |
'just because their routine is beautiful.' | 0:11:56 | 0:11:59 | |
And I'm worried that that is going to beat us out. | 0:11:59 | 0:12:03 | |
Guys, come in. Huddle around. | 0:12:07 | 0:12:09 | |
Listen, I know that England is fantastic. | 0:12:11 | 0:12:14 | |
They are a very, very strong team. | 0:12:14 | 0:12:16 | |
And that's fine because we're here at the semifinals | 0:12:16 | 0:12:19 | |
and I want you guys to focus on yourselves. | 0:12:19 | 0:12:21 | |
Don't even think about them for one second. | 0:12:21 | 0:12:23 | |
Yes. I totally agree. If we dance for us, we'll win. | 0:12:23 | 0:12:27 | |
-Yup. -Honestly, this could be our last time dancing together, guys. | 0:12:27 | 0:12:31 | |
We have to go all in. | 0:12:31 | 0:12:32 | |
Yeah? You guys down? Yeah? You guys ready to go in? | 0:12:34 | 0:12:37 | |
-ALL: -Yeah! | 0:12:37 | 0:12:39 | |
This could be the last time that I step on the stage. | 0:12:39 | 0:12:42 | |
I have to dance for myself. | 0:12:42 | 0:12:44 | |
And I have to go all out. | 0:12:44 | 0:12:45 | |
CHEERING | 0:12:45 | 0:12:48 | |
The drama continues to heighten. | 0:12:48 | 0:12:50 | |
That was a solid performance put forth by Summerford School of Dance. | 0:12:50 | 0:12:54 | |
It sure was and our newbies are up next - The Next Step. | 0:12:54 | 0:12:57 | |
They've got their work cut out for them. | 0:12:57 | 0:13:00 | |
-Beat that. -Planning on it. | 0:13:02 | 0:13:04 | |
I want to beat Ella more than anything. | 0:13:05 | 0:13:08 | |
Well, Ashley, up next is The Next Step. | 0:13:09 | 0:13:12 | |
And once again they are mired in drama. | 0:13:12 | 0:13:15 | |
The scuttlebutt backstage is that they have to go to an | 0:13:15 | 0:13:19 | |
alternate dancer here in the semifinals. | 0:13:19 | 0:13:21 | |
Chuck, this is an absolute nightmare. We are at the semifinals. | 0:13:21 | 0:13:25 | |
There's no room for drama or anything to be happening so | 0:13:25 | 0:13:27 | |
I really hope they can figure it out and give it a fair shot on stage. | 0:13:27 | 0:13:31 | |
-All right. You guys got this? -Will The Next Step... -Here we go. | 0:13:31 | 0:13:34 | |
..please enter the stage? CHEERING | 0:13:34 | 0:13:37 | |
All right, all right. I'm here. | 0:13:37 | 0:13:39 | |
West, what are you doing? | 0:13:40 | 0:13:42 | |
What? | 0:13:42 | 0:13:44 | |
-Look, West, I got this. I can perform. -No, no. It doesn't matter. | 0:13:44 | 0:13:47 | |
-I haven't... -HIS STOMACH RUMBLES | 0:13:47 | 0:13:49 | |
..thrown up in three minutes. It's fine. I'm good. | 0:13:49 | 0:13:51 | |
Michelle, it's up to you. | 0:13:54 | 0:13:55 | |
Listen, you could probably do a better job than I could, so... | 0:13:58 | 0:14:01 | |
light up the stage guys. | 0:14:01 | 0:14:02 | |
-Good luck, guys. -Good luck. -Kill it. | 0:14:02 | 0:14:04 | |
Will The Next Step please enter the stage? | 0:14:04 | 0:14:07 | |
-CHEERING -Good luck! | 0:14:07 | 0:14:09 | |
'I thought I was going to have this moment with the team, but...' | 0:14:12 | 0:14:15 | |
I guess not. | 0:14:15 | 0:14:16 | |
Sometimes you just have to step back. | 0:14:19 | 0:14:21 | |
-# Just set me on fire -# Fire | 0:14:25 | 0:14:27 | |
# Your love is just like a flame | 0:14:27 | 0:14:30 | |
-# You're burning me up -# Fire, fire, fire. # | 0:14:30 | 0:14:33 | |
CHEERING | 0:14:33 | 0:14:35 | |
OK, now we have been told that they are not going with their alternate | 0:14:39 | 0:14:43 | |
and they're ready to perform. | 0:14:43 | 0:14:44 | |
Let's see what they got. | 0:14:44 | 0:14:46 | |
ELECTRO-SWING MUSIC PLAYS | 0:14:46 | 0:14:48 | |
'Our semifinals routine is called Let's Dance Tonight | 0:14:48 | 0:14:51 | |
'and it's kind of about James having this dream. | 0:14:51 | 0:14:53 | |
'He kind of gets pulled into this old-fashioned style of dancing.' | 0:14:55 | 0:14:59 | |
He's very hip-hop and completely different from how we're dancing | 0:15:03 | 0:15:06 | |
which is very swing. | 0:15:06 | 0:15:07 | |
Then I realise that they have never seen hip-hop. | 0:15:10 | 0:15:12 | |
'So I show them some hip-hop and then by the end of it | 0:15:12 | 0:15:14 | |
'it's kind of like a hip-hop swing fusion.' | 0:15:14 | 0:15:16 | |
# Shake your body from side to side. # | 0:15:16 | 0:15:19 | |
CHEERING | 0:15:19 | 0:15:21 | |
'Now that I'm on stage, I'm feeling better than ever.' | 0:15:33 | 0:15:36 | |
I wouldn't have missed this for the world. | 0:15:36 | 0:15:38 | |
'As I'm dancing I feel happy. Super happy.' | 0:15:39 | 0:15:42 | |
Because even though this may be my last time dancing, I still love it. | 0:15:44 | 0:15:48 | |
Woo! | 0:15:56 | 0:15:57 | |
'They're doing so amazing, but...' | 0:15:57 | 0:15:59 | |
you know, I just wish that I was up there with them and | 0:15:59 | 0:16:02 | |
being a part of their performance. | 0:16:02 | 0:16:04 | |
# You and me baby gonna dance tonight | 0:16:16 | 0:16:17 | |
# Come here, girls Help me do it right | 0:16:17 | 0:16:20 | |
# Shake your body from side to side. # | 0:16:20 | 0:16:21 | |
'I think The Next Step have a good routine.' | 0:16:24 | 0:16:26 | |
But we are going to win this. | 0:16:26 | 0:16:28 | |
Woo! | 0:16:32 | 0:16:33 | |
CHEERING | 0:16:35 | 0:16:38 | |
Ashley, is it safe to say that The Next Step | 0:16:41 | 0:16:44 | |
just delivered their best performance? | 0:16:44 | 0:16:47 | |
It sure is. I'm blown away. I did not expect to see that | 0:16:47 | 0:16:51 | |
after everything that's been going on backstage. | 0:16:51 | 0:16:53 | |
But was it enough to beat England? | 0:16:53 | 0:16:55 | |
Let's see how this thing pans out. | 0:16:55 | 0:16:57 | |
The judges... We're waiting on them. | 0:16:57 | 0:16:59 | |
'Waiting to hear who the winner is is always the most stressful part.' | 0:17:03 | 0:17:06 | |
There's not much else you can do. | 0:17:06 | 0:17:07 | |
You just have to stand and wait for the results. | 0:17:07 | 0:17:10 | |
'This is very tense.' I am so nervous right now. | 0:17:12 | 0:17:15 | |
And it's even worse because | 0:17:15 | 0:17:17 | |
we don't have the five-point advantage any more. | 0:17:17 | 0:17:19 | |
'The suspense is killing me.' | 0:17:19 | 0:17:21 | |
If we don't beat Ella's team, I don't know what I'll do. | 0:17:21 | 0:17:25 | |
Talk about the heightened drama throughout the course of this week. | 0:17:25 | 0:17:28 | |
Absolutely. I feel so bad for the dancers standing up there waiting. | 0:17:28 | 0:17:31 | |
There is no worse moment than waiting to hear | 0:17:31 | 0:17:33 | |
if you've won or lost. | 0:17:33 | 0:17:35 | |
-And it looks like we might have a decision. -Yeah, they're ready. | 0:17:35 | 0:17:38 | |
Yeah, here it comes. | 0:17:38 | 0:17:39 | |
The judges have tabulated their scores | 0:17:39 | 0:17:41 | |
and the team moving on to the final round is... | 0:17:41 | 0:17:44 | |
The Next Step! CHEERING | 0:17:45 | 0:17:48 | |
We're going to the finals at Internationals. | 0:17:54 | 0:17:56 | |
OK, this is huge. I don't even know how to feel I'm so excited. | 0:17:56 | 0:18:00 | |
In your face, Ella. | 0:18:00 | 0:18:02 | |
'I finally beat Ella.' | 0:18:02 | 0:18:03 | |
She deserves it. | 0:18:04 | 0:18:05 | |
It kind of reassures me that | 0:18:09 | 0:18:11 | |
cheating does not get you ahead. | 0:18:11 | 0:18:13 | |
Ella cheated and she lost. | 0:18:13 | 0:18:14 | |
SNR has been following The Next Step through Regionals, Nationals | 0:18:16 | 0:18:20 | |
and now here at the International Championship. | 0:18:20 | 0:18:23 | |
It's The Next Step's first appearance here | 0:18:23 | 0:18:25 | |
at the Internationals and they are in the title bout. | 0:18:25 | 0:18:28 | |
THEY CHEER | 0:18:28 | 0:18:30 | |
What are you doing? | 0:18:32 | 0:18:33 | |
It's over, you beat us. We can be friends now. | 0:18:33 | 0:18:36 | |
-Don't you get it? -Oh, no. I get it. I just don't play that way. | 0:18:36 | 0:18:39 | |
Oh, Ri. | 0:18:39 | 0:18:41 | |
Scowling doesn't suit you. | 0:18:41 | 0:18:43 | |
That's right. Scowling doesn't suit me. | 0:18:43 | 0:18:46 | |
'Celebrating with my real friends does.' | 0:18:46 | 0:18:49 | |
Woo! THEY CHEER | 0:18:49 | 0:18:52 | |
'We're just warming up for our finals routine.' | 0:19:06 | 0:19:08 | |
This day is the most important day of the entire competition. | 0:19:08 | 0:19:12 | |
Riley, come here for a second. | 0:19:14 | 0:19:16 | |
Listen. I've been having a great time at Internationals. | 0:19:17 | 0:19:20 | |
Don't get me wrong. | 0:19:20 | 0:19:22 | |
But I've been thinking a lot lately. | 0:19:22 | 0:19:24 | |
And... | 0:19:24 | 0:19:25 | |
I just want to be with the band. | 0:19:27 | 0:19:29 | |
I know. But once Internationals is done | 0:19:29 | 0:19:31 | |
you'll have plenty of time to do both. | 0:19:31 | 0:19:33 | |
No. No, no, no. You're not understanding what I'm saying. | 0:19:33 | 0:19:36 | |
When Internationals is over... | 0:19:36 | 0:19:38 | |
I just want to be with the band. | 0:19:40 | 0:19:42 | |
I don't know what to say. | 0:19:44 | 0:19:45 | |
You could say you're cool with that? | 0:19:46 | 0:19:48 | |
I don't think I can. | 0:19:51 | 0:19:53 | |
I can't give James my blessing for this... | 0:19:54 | 0:19:56 | |
because it terrifies me. | 0:19:58 | 0:19:59 | |
Dance has always been the one thing that we've had in common and | 0:20:03 | 0:20:06 | |
by him saying that he wants to leave dance... | 0:20:06 | 0:20:08 | |
it's kind of like him saying... | 0:20:09 | 0:20:12 | |
he wants to leave me. | 0:20:12 | 0:20:13 | |
-All right. You guys warm? -Yeah. -Yeah? OK. Let's get up. | 0:20:13 | 0:20:17 | |
Let's start working on this. Today is the big day. | 0:20:17 | 0:20:20 | |
-Come on, get in your spots. -It sure is a big day. | 0:20:22 | 0:20:24 | |
Excuse me. What are you doing here? This is a closed rehearsal. | 0:20:25 | 0:20:29 | |
Yeah. Not for an Absolute Dance Internationals judge it isn't. | 0:20:29 | 0:20:34 | |
Lucien is back. | 0:20:36 | 0:20:39 | |
That's right. I'm a judge. | 0:20:39 | 0:20:41 | |
Lucien's a judge? Are you kidding me? | 0:20:42 | 0:20:45 | |
He has managed to sneak his way in again. | 0:20:45 | 0:20:48 | |
Of course, his one goal is to take down The Next Step. | 0:20:48 | 0:20:52 | |
And it looks like he might finally succeed. | 0:20:52 | 0:20:55 | |
'I know Lucien really well.' | 0:20:55 | 0:20:58 | |
And with him as a judge... | 0:20:58 | 0:20:59 | |
there's no way we're going to win. | 0:21:00 | 0:21:02 | |
# We, we are gonna show the world | 0:21:06 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You, you can never fade us out | 0:21:20 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this sound. # | 0:21:29 | 0:21:34 |