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We're here celebrating our Internationals win, | 0:00:05 | 0:00:08 | |
and it's like a dream come true. | 0:00:08 | 0:00:10 | |
I still can't believe it! | 0:00:12 | 0:00:13 | |
The Next Step is the best dance studio in the whole world! | 0:00:13 | 0:00:17 | |
-# ..take it to the top -Yeah | 0:00:17 | 0:00:18 | |
# Take it to the top... # | 0:00:18 | 0:00:19 | |
I mean, where do we even go from here? | 0:00:19 | 0:00:21 | |
The galaxy? The universe? | 0:00:21 | 0:00:23 | |
# And you say you wanna settle the score | 0:00:25 | 0:00:28 | |
# And you need someone to take it to the top | 0:00:28 | 0:00:30 | |
-# Yeah -Take it to the top | 0:00:30 | 0:00:32 | |
-# Yeah -Take it to the top | 0:00:32 | 0:00:33 | |
-# Yeah -So we can get low, low, low... # | 0:00:33 | 0:00:36 | |
-RAPS: -# Yeah, I don't like what you're doing | 0:00:36 | 0:00:38 | |
# So I'ma help you flow... # | 0:00:38 | 0:00:40 | |
It's incredible, but it also puts a lot of pressure on us, | 0:00:40 | 0:00:43 | |
because now we have to uphold the title of Internationals champions. | 0:00:43 | 0:00:46 | |
# So when it comes to the pain, man, you already know | 0:00:46 | 0:00:48 | |
# Work, work, w-work, work, work | 0:00:48 | 0:00:51 | |
# Work, work, w-work, work, work | 0:00:51 | 0:00:54 | |
# Work, work, w-work, work, work | 0:00:54 | 0:00:57 | |
# Work, work, w-work | 0:00:57 | 0:01:00 | |
# Hey, hey, h-hey, hey, hey | 0:01:01 | 0:01:04 | |
# Hey, hey, h-hey... # | 0:01:04 | 0:01:06 | |
Winning Internationals, me and Riley. | 0:01:06 | 0:01:09 | |
Nothing can top that! | 0:01:09 | 0:01:10 | |
In the end, it all came down to me and James. | 0:01:10 | 0:01:13 | |
Our duet was the tie-breaker. | 0:01:13 | 0:01:15 | |
But it's time to move on. | 0:01:15 | 0:01:16 | |
I'm in a band now, and that's my future. | 0:01:16 | 0:01:19 | |
# I don't stay and I don't play like a memory... # | 0:01:19 | 0:01:23 | |
James and I will still see each other all the time, | 0:01:23 | 0:01:25 | |
but we won't be dancing together any more. | 0:01:25 | 0:01:28 | |
It definitely feels a bit weird. | 0:01:28 | 0:01:31 | |
# I don't stay and I don't play... # | 0:01:31 | 0:01:34 | |
Now that we've won Internationals, I feel like I've accomplished | 0:01:34 | 0:01:36 | |
everything I've ever wanted to do as a dancer. | 0:01:36 | 0:01:38 | |
I've decided to move to Los Angeles | 0:01:38 | 0:01:40 | |
to fulfil my dream of becoming an actor. | 0:01:40 | 0:01:42 | |
I'm done. Time to move onto the next chapter - university. | 0:01:48 | 0:01:51 | |
I'll miss | 0:01:51 | 0:01:52 | |
everyone from A Troupe, | 0:01:52 | 0:01:54 | |
but I know I'll always have a home here. | 0:01:54 | 0:01:55 | |
I think The Next Step has really helped me to break out of my shell. | 0:01:55 | 0:01:58 | |
We've won Internationals, and now we get to do it all over again. | 0:02:03 | 0:02:07 | |
I proved I'm not a rookie any more. | 0:02:07 | 0:02:09 | |
And now I'm ready to defend our Regionals title. | 0:02:09 | 0:02:12 | |
I never imagined that I would be an Internationals winner. | 0:02:13 | 0:02:16 | |
But The Next Step made my dreams come true. | 0:02:16 | 0:02:19 | |
I can't wait to see what comes next! | 0:02:19 | 0:02:21 | |
Whoo! | 0:02:22 | 0:02:23 | |
It was great that we won, but I was an alternate last year. | 0:02:24 | 0:02:27 | |
Miss Kate didn't think I was good enough to be on the team. | 0:02:27 | 0:02:29 | |
And to be honest, I don't know if A Troupe is where I belong any more. | 0:02:29 | 0:02:34 | |
# You'll never have to | 0:02:34 | 0:02:35 | |
# Never have to be alone... # | 0:02:35 | 0:02:37 | |
The last year at The Next Step | 0:02:37 | 0:02:38 | |
has showed me that I can accomplish anything. | 0:02:38 | 0:02:41 | |
As the dance captain, I took our team to victory | 0:02:41 | 0:02:44 | |
at the highest level. | 0:02:44 | 0:02:45 | |
And now I'm ready for new challenges. | 0:02:45 | 0:02:49 | |
After Internationals, | 0:02:51 | 0:02:52 | |
I got an offer to dance with Bartek's studio, | 0:02:52 | 0:02:55 | |
Wojdan Dance Academy. | 0:02:55 | 0:02:56 | |
I've always wanted to travel the world and explore my | 0:02:56 | 0:02:58 | |
Polish heritage, so I agreed to go. | 0:02:58 | 0:03:00 | |
-# Take it to the top -Yeah... # | 0:03:00 | 0:03:03 | |
I just hope Eldon understands that I need to follow my heart. | 0:03:03 | 0:03:06 | |
# Get low, low, low, low... # | 0:03:06 | 0:03:07 | |
-RAPS: -# Yeah, DC know a lot o' funny honeys... # | 0:03:07 | 0:03:09 | |
I don't know if I can dance without Thalia. | 0:03:09 | 0:03:12 | |
All the sweet spots we found together... | 0:03:12 | 0:03:14 | |
..have gone sour. | 0:03:15 | 0:03:16 | |
# I'ma young, got a lot of good | 0:03:16 | 0:03:18 | |
# But you know I wanna settle down with you, boo | 0:03:18 | 0:03:20 | |
# Let me know what to do... # | 0:03:20 | 0:03:21 | |
Going to Internationals was the best experience of my life. | 0:03:21 | 0:03:24 | |
Going travelling for the first time, | 0:03:24 | 0:03:26 | |
seeing a whole bunch of different cultures, it was amazing. | 0:03:26 | 0:03:29 | |
I am at the top of my game, but I definitely do have the travel bug. | 0:03:30 | 0:03:34 | |
And I don't know if I can wait until the next Internationals | 0:03:34 | 0:03:37 | |
to travel again. | 0:03:37 | 0:03:38 | |
# Take it to the top... # | 0:03:38 | 0:03:40 | |
I had a really hard time last year. | 0:03:41 | 0:03:43 | |
My parents got divorced, I lost my focus | 0:03:43 | 0:03:45 | |
and I lost my spot on the team. | 0:03:45 | 0:03:48 | |
I don't ever want to be an alternate ever again. | 0:03:48 | 0:03:50 | |
I was Miss National Soloist, twice. | 0:03:50 | 0:03:53 | |
I need to get back to that level. | 0:03:53 | 0:03:55 | |
This is a new A Troupe, a new beginning. | 0:03:58 | 0:04:01 | |
Because this is our year. | 0:04:01 | 0:04:03 | |
And nothing is going to stop us. | 0:04:03 | 0:04:06 | |
# Take it to the top. # | 0:04:06 | 0:04:07 | |
# We | 0:04:10 | 0:04:12 | |
# We're gonna show the world | 0:04:12 | 0:04:16 | |
# Everything we're made of | 0:04:16 | 0:04:20 | |
# We're gonna tear the roof off this place | 0:04:20 | 0:04:28 | |
# Stand up. # | 0:04:33 | 0:04:34 | |
Whoo! | 0:04:45 | 0:04:46 | |
Nice job, guys! | 0:04:46 | 0:04:48 | |
Look, we have an open house tomorrow and we're expecting a lot of people | 0:04:50 | 0:04:53 | |
to show up, so I need you all to represent the studio well. | 0:04:53 | 0:04:56 | |
'Internationals is over,' | 0:04:56 | 0:04:58 | |
and it's time to start thinking about our Regionals team. | 0:04:58 | 0:05:01 | |
-Where's Phoebe? -She's not here. | 0:05:01 | 0:05:04 | |
Phoebe's gone off to the Galapagos Islands to swim with | 0:05:04 | 0:05:06 | |
the turtles or walk with the tortoises. | 0:05:06 | 0:05:10 | |
-Why don't you go see what's up with Eldon? -OK. | 0:05:10 | 0:05:13 | |
Thanks, guys. Great job. Thanks. | 0:05:14 | 0:05:16 | |
So, does it feel weird or is it just me? | 0:05:18 | 0:05:20 | |
No, it's so weird. | 0:05:20 | 0:05:21 | |
Things are going to be so different this year in A Troupe. | 0:05:21 | 0:05:24 | |
I know. 'We've had to audition' | 0:05:24 | 0:05:26 | |
new dances before, but we're basically replacing half the team. | 0:05:26 | 0:05:29 | |
Plus, everyone who wants to | 0:05:29 | 0:05:30 | |
come back has to audition | 0:05:30 | 0:05:31 | |
for their spot again. | 0:05:31 | 0:05:33 | |
How do you feel about James not being on A Troupe? | 0:05:33 | 0:05:35 | |
I'm fine. | 0:05:35 | 0:05:36 | |
I mean, we've got to focus more on the fact that we're the alumni now | 0:05:36 | 0:05:39 | |
and we've kind of got to show the new dancers how to do it. | 0:05:39 | 0:05:42 | |
-Anyways, I got to go meet James so I'll see you guys later. -OK, bye. | 0:05:42 | 0:05:45 | |
Honestly, I'm trying not to think about me and James. | 0:05:45 | 0:05:48 | |
I'm dancing, he's not. | 0:05:48 | 0:05:49 | |
And I just need to focus on Regionals right now. | 0:05:49 | 0:05:51 | |
-Hi! -Hey! | 0:05:53 | 0:05:55 | |
-How are you guys? I miss you. -I know. | 0:05:55 | 0:05:57 | |
Does this mean you changed your mind about auditioning for A Troupe? | 0:05:57 | 0:06:00 | |
No, I just actually came to grab my dance bag. | 0:06:00 | 0:06:03 | |
I'm auditioning tomorrow for a worldwide dance tour. | 0:06:03 | 0:06:05 | |
-No way! -Wow! -Yeah. | 0:06:05 | 0:06:07 | |
Do you have time to get juice? | 0:06:07 | 0:06:09 | |
-Actually, no, I have to go sign up for the open call right now. -Oh. | 0:06:09 | 0:06:12 | |
-So I'll see you guys in a bit, OK? -Wait, Gisele. -Hm? | 0:06:12 | 0:06:14 | |
Do you think I could go with you? | 0:06:14 | 0:06:16 | |
I thought you were auditioning for A Troupe? | 0:06:16 | 0:06:18 | |
Well, I want to, but I didn't really have a good year last year and | 0:06:18 | 0:06:22 | |
I don't know where Miss Kate's head is at. | 0:06:22 | 0:06:24 | |
Would you tell Miss Kate about this? | 0:06:24 | 0:06:25 | |
I don't think so. | 0:06:26 | 0:06:28 | |
I was kind of hoping it would stay between us three. | 0:06:28 | 0:06:30 | |
'I understand where Amanda's coming from,' | 0:06:30 | 0:06:33 | |
but if she's really thinking about leaving A Troupe, | 0:06:33 | 0:06:35 | |
she has to tell Miss Kate. | 0:06:35 | 0:06:37 | |
-If you're coming with me, we've got to go. -OK. | 0:06:37 | 0:06:39 | |
-Bye, Michelle. -Bye. -Bye, guys, good luck. -Thank you. | 0:06:39 | 0:06:42 | |
'So many dancers are moving on' | 0:06:42 | 0:06:43 | |
and maybe it's my time too. | 0:06:43 | 0:06:46 | |
If I get this audition... | 0:06:46 | 0:06:48 | |
then I'll know for sure. | 0:06:48 | 0:06:49 | |
Right now I'm waiting for James in Java Junction. | 0:06:52 | 0:06:56 | |
It still feels kind of weird to call it that. | 0:06:56 | 0:06:58 | |
I mean, it used to be Squeezed, then Culture Shock, then Hidalgo's, | 0:06:58 | 0:07:01 | |
and now it's Java Junction. | 0:07:01 | 0:07:03 | |
It seems like once a year it switches its name. | 0:07:03 | 0:07:06 | |
-Your juice. -Thanks. | 0:07:08 | 0:07:10 | |
-What's up, what's wrong? -Nothing. | 0:07:12 | 0:07:15 | |
I know it's a big shock, there's | 0:07:15 | 0:07:16 | |
a lot of people that left A Troupe this year. | 0:07:16 | 0:07:18 | |
But it's going to be fine. | 0:07:18 | 0:07:20 | |
'I don't know why I bother trying to hide' | 0:07:20 | 0:07:22 | |
my feelings from James, he always knows what I'm thinking. | 0:07:22 | 0:07:24 | |
I don't know. I mean, how is A Troupe ever supposed to win again | 0:07:24 | 0:07:27 | |
if the group dynamic is going to be so different? | 0:07:27 | 0:07:29 | |
Riley, think about how many people we didn't have | 0:07:29 | 0:07:31 | |
until after Regionals. | 0:07:31 | 0:07:33 | |
Cierra, Amanda, Noah, Max. | 0:07:33 | 0:07:37 | |
'Maybe James is right. I mean,' | 0:07:37 | 0:07:38 | |
we've lost dancers before and we've always come back stronger than ever. | 0:07:38 | 0:07:42 | |
Maybe I am worrying for nothing. | 0:07:42 | 0:07:44 | |
I got band practice. | 0:07:44 | 0:07:46 | |
'I arrive at Java Junction and then I see this girl.' | 0:07:54 | 0:07:57 | |
I know exactly who she is. | 0:07:59 | 0:08:02 | |
And I also know I have to meet her. | 0:08:02 | 0:08:03 | |
-Can I help you? -Yes. Er, I'm Alfie. | 0:08:06 | 0:08:10 | |
Oh. Riley. | 0:08:10 | 0:08:12 | |
Nice to meet you. I know, I saw you at Internationals. | 0:08:12 | 0:08:17 | |
-Oh! -I was on a different team... | 0:08:17 | 0:08:18 | |
-Oh, cool -...but your duet was unbelievable. | 0:08:18 | 0:08:21 | |
Thank you! | 0:08:21 | 0:08:22 | |
So are you here visiting someone? | 0:08:23 | 0:08:25 | |
-No, I'm actually auditioning for A Troupe. -Cool. | 0:08:25 | 0:08:27 | |
Well, I actually have to get going, but it was nice meeting you. | 0:08:27 | 0:08:30 | |
-Yeah, it was a pleasure. -I'll see you tomorrow. | 0:08:30 | 0:08:32 | |
If dancers from Internationals are coming to audition, | 0:08:32 | 0:08:34 | |
then maybe we ARE going to be all right after all. | 0:08:34 | 0:08:37 | |
Eldon? | 0:08:40 | 0:08:41 | |
'I'd been searching for Eldon everywhere.' | 0:08:41 | 0:08:43 | |
Sad Eldon is harder to find than happy Eldon. | 0:08:43 | 0:08:46 | |
Or nervous Eldon, or mad Eldon or even hungry Eldon. | 0:08:46 | 0:08:51 | |
Hey, are you in here, man? | 0:08:51 | 0:08:52 | |
No. | 0:08:53 | 0:08:54 | |
There you are. | 0:08:56 | 0:08:57 | |
Man. Everyone's asking where | 0:08:59 | 0:09:01 | |
The Next Step's International male soloist is. | 0:09:01 | 0:09:03 | |
You can tell them that he's laying here drowning in unimaginable sorrow | 0:09:03 | 0:09:07 | |
eating 65% cacao chocolate from Costa Rica. | 0:09:07 | 0:09:10 | |
'I'm filling the' | 0:09:10 | 0:09:11 | |
Thalia-shaped hole in my heart with chocolate. | 0:09:11 | 0:09:14 | |
Costa Rica? Man, that looks really good. | 0:09:15 | 0:09:19 | |
-Can I have some? -Yeah. | 0:09:19 | 0:09:22 | |
-Thanks, man. -No problem. | 0:09:23 | 0:09:25 | |
Mmm! | 0:09:26 | 0:09:28 | |
That's really good! You know, I heard in Costa Rica you can pick | 0:09:28 | 0:09:30 | |
lychees right off the tree and eat them. | 0:09:30 | 0:09:33 | |
And there's waterfalls you can actually swim in! | 0:09:33 | 0:09:35 | |
West, do you remember I'm laying here in unimaginable pain? | 0:09:35 | 0:09:40 | |
Oh, that's right. Sorry. | 0:09:40 | 0:09:42 | |
Do you remember that my girlfriend moved to Poland to be closer | 0:09:42 | 0:09:45 | |
to a guy named Bartek? | 0:09:45 | 0:09:46 | |
'All this talk about' | 0:09:46 | 0:09:48 | |
Poland, Costa Rica and chocolate really has me thinking. | 0:09:48 | 0:09:52 | |
I have a hole in my heart too. | 0:09:52 | 0:09:55 | |
And it's too big for 65% cacao. | 0:09:55 | 0:09:58 | |
ELECTRONIC MUSIC PLAYS | 0:10:01 | 0:10:04 | |
-Hey, Miss Kate. -Ooh, I wanted to talk to you. | 0:10:10 | 0:10:13 | |
Um, how's Eldon doing? | 0:10:13 | 0:10:16 | |
He's not in a good place. | 0:10:16 | 0:10:18 | |
-What's wrong? -Just the circulation in the lounge, it's really funky. | 0:10:18 | 0:10:22 | |
-It's kind of bad. -I meant emotionally. | 0:10:22 | 0:10:24 | |
Oh, yeah, he's not in a good place. | 0:10:24 | 0:10:27 | |
Well, why? | 0:10:27 | 0:10:28 | |
Just the whole Thalia situation really has him messed-up. | 0:10:28 | 0:10:32 | |
Well, how are YOU doing? | 0:10:33 | 0:10:35 | |
-Not in a good place. -What's wrong? | 0:10:35 | 0:10:38 | |
Oh, emotionally I'm fine. | 0:10:38 | 0:10:40 | |
Just physically, I'm not in a good place. | 0:10:40 | 0:10:43 | |
I'm not following. | 0:10:44 | 0:10:45 | |
This is the hardest decision I've ever had to make. | 0:10:45 | 0:10:48 | |
But I know it's what I have to do. | 0:10:48 | 0:10:51 | |
I've been thinking a lot about Internationals, | 0:10:51 | 0:10:53 | |
-and how amazing it was. -Yeah, it was incredible. | 0:10:53 | 0:10:56 | |
And I know with our team, we can get back there again. | 0:10:56 | 0:10:58 | |
Yeah. See, that's the thing, I can't wait that long. | 0:10:58 | 0:11:02 | |
I can't wait another three | 0:11:02 | 0:11:03 | |
dance seasons to go back to Internationals. | 0:11:03 | 0:11:05 | |
I want to travel the world. | 0:11:05 | 0:11:07 | |
I just found out that other than this country... | 0:11:07 | 0:11:09 | |
..everything is international. | 0:11:10 | 0:11:12 | |
What are you saying? | 0:11:14 | 0:11:15 | |
I'm saying... | 0:11:17 | 0:11:18 | |
..I won't be coming back to A Troupe. | 0:11:19 | 0:11:22 | |
'I'm so shocked that West is leaving A Troupe.' | 0:11:22 | 0:11:25 | |
But at the same time, I understand. | 0:11:26 | 0:11:30 | |
He's got to follow his destiny. | 0:11:30 | 0:11:31 | |
SHE SIGHS | 0:11:38 | 0:11:40 | |
There is no-one else out there like you. | 0:11:44 | 0:11:46 | |
I'm going to miss you. | 0:11:49 | 0:11:50 | |
Miss Kate? | 0:11:54 | 0:11:56 | |
-You were going that way. -Thanks. | 0:11:56 | 0:11:59 | |
HE SIGHS Next step up. | 0:12:06 | 0:12:08 | |
# All the lights All the sounds... # | 0:12:21 | 0:12:25 | |
'I got here early for the open house and snuck into one of the | 0:12:25 | 0:12:27 | |
'rehearsal rooms, hoping to see the calibre of dance here.' | 0:12:27 | 0:12:30 | |
This girl's a little beast! | 0:12:35 | 0:12:37 | |
It's so cool being here and seeing such incredible dancers. | 0:12:37 | 0:12:41 | |
# Floating through the galaxy... # | 0:12:41 | 0:12:45 | |
-Hey. -Hey. -I'm Amy. | 0:12:45 | 0:12:46 | |
Nice to meet you. I'm Cassie. | 0:12:46 | 0:12:48 | |
-Do you go here? -No, I'm actually auditioning for A Troupe this year. | 0:12:48 | 0:12:52 | |
-Me too! -Oh, really? | 0:12:52 | 0:12:53 | |
If these new girls want to watch me dance, | 0:12:55 | 0:12:57 | |
then I'm going to show them what they're up against. | 0:12:57 | 0:12:59 | |
Every spot on the team is up for grabs, | 0:13:02 | 0:13:05 | |
and I'm not going to let anything get in my way. | 0:13:05 | 0:13:08 | |
# All the lights... # | 0:13:09 | 0:13:11 | |
-I wonder if she's in A Troupe. -She SHOULD be. | 0:13:11 | 0:13:13 | |
Cassie seems really nice. | 0:13:13 | 0:13:15 | |
It's cool to meet someone | 0:13:15 | 0:13:16 | |
who's just as nervous as I am. | 0:13:16 | 0:13:18 | |
-It makes me worry about my chances of making it. -Me too. | 0:13:18 | 0:13:21 | |
These girls are worried? Good. | 0:13:24 | 0:13:27 | |
This is my year, and I'm making A Troupe. | 0:13:27 | 0:13:29 | |
Right now we're just putting the finishing touches | 0:13:32 | 0:13:34 | |
on this afternoon's open house. | 0:13:34 | 0:13:36 | |
We just won Internationals. | 0:13:36 | 0:13:37 | |
So The Next Step is on an international stage. | 0:13:37 | 0:13:40 | |
I'm very interested to see who's going to show up. | 0:13:40 | 0:13:42 | |
-Haaah! -What are you doing? | 0:13:47 | 0:13:49 | |
-Haaah! -Are you clearing your throat? | 0:13:49 | 0:13:51 | |
No, clearing my throat sounds like...uh-ugh! | 0:13:51 | 0:13:54 | |
This is the crowd cheering cos we just won Internationals. Haaah! | 0:13:54 | 0:13:58 | |
Yeah, you might want to be careful | 0:13:58 | 0:14:00 | |
because remember when you broke the Nationals trophy? | 0:14:00 | 0:14:02 | |
-Uh, put it down. -OK. | 0:14:02 | 0:14:04 | |
I got that fixed, all right? | 0:14:04 | 0:14:06 | |
I had to teach 30 dance classes in order to pay it off, but I did it, | 0:14:06 | 0:14:11 | |
so It's fine. | 0:14:11 | 0:14:12 | |
So, how great is it that Giselle's auditioning for this dance tour? | 0:14:14 | 0:14:18 | |
-I mean, she's totally capable of it, though, don't you think? -Mm-hm. | 0:14:18 | 0:14:21 | |
I don't want Riley to know I'm auditioning for both A Troupe | 0:14:21 | 0:14:24 | |
and a professional dance tour. | 0:14:24 | 0:14:25 | |
I don't know how Miss Kate would feel about this, | 0:14:25 | 0:14:27 | |
but I don't want anything to affect | 0:14:27 | 0:14:29 | |
my chances of getting on to A Troupe. | 0:14:29 | 0:14:30 | |
-Hi. -Hey. -I'm Henry. | 0:14:36 | 0:14:39 | |
I'm Eldon. ELDON SIGHS | 0:14:40 | 0:14:42 | |
You were on the Internationals team, right? | 0:14:43 | 0:14:46 | |
Yeah, I was. | 0:14:46 | 0:14:48 | |
I was watching it online, you guys are totally unreal. | 0:14:48 | 0:14:51 | |
Thanks. | 0:14:51 | 0:14:52 | |
The performances at Internationals were insane. | 0:14:52 | 0:14:54 | |
The second I saw them, I knew I had to come to The Next Step. | 0:14:54 | 0:14:58 | |
I'm looking for the open house, but no-one seems to be around. | 0:14:58 | 0:15:01 | |
There's no food either. | 0:15:01 | 0:15:02 | |
-You good? -Yeah. | 0:15:04 | 0:15:07 | |
I just had my heart broken. | 0:15:07 | 0:15:08 | |
So no. | 0:15:08 | 0:15:10 | |
No. | 0:15:11 | 0:15:12 | |
A broken heart is one of the greatest pains anyone can bear. | 0:15:12 | 0:15:15 | |
I once liked this girl, her name was Jackie. | 0:15:17 | 0:15:19 | |
Thought about her all the time, she made my whole life better. | 0:15:19 | 0:15:22 | |
And then we broke up... | 0:15:23 | 0:15:24 | |
..and I thought it was the end of the world. | 0:15:25 | 0:15:29 | |
I know exactly how that feels. | 0:15:29 | 0:15:30 | |
Yeah. | 0:15:30 | 0:15:33 | |
How did you survive it? | 0:15:33 | 0:15:34 | |
I hid away and ate a lot of gummy bears. | 0:15:37 | 0:15:39 | |
-Huh! -Yeah. | 0:15:39 | 0:15:40 | |
-I've been doing the same thing with chocolate. -Exactly. | 0:15:40 | 0:15:43 | |
'Henry's making me realise that' | 0:15:43 | 0:15:44 | |
I can't solve all my problems with 65% cacao. | 0:15:44 | 0:15:49 | |
'I need 65% more hope.' | 0:15:49 | 0:15:51 | |
Well. I guess I should show you where the open house is. | 0:15:51 | 0:15:55 | |
-Please do. -Follow me. | 0:15:55 | 0:15:57 | |
I've got to pull myself together. I've got to try. | 0:15:57 | 0:16:00 | |
Yeah, that wasn't too long of a bus ride. | 0:16:02 | 0:16:04 | |
So if we ever do get onto The Next Step, | 0:16:04 | 0:16:05 | |
-it shouldn't take us too long to get here. -Yeah. | 0:16:05 | 0:16:08 | |
Me and my best friend Sloane are here to check out the open house. | 0:16:08 | 0:16:11 | |
We definitely want to audition for A Troupe. | 0:16:11 | 0:16:13 | |
LaTroy and I have been dancing together our whole lives. | 0:16:13 | 0:16:16 | |
If we could both make it here, it would be so sick. | 0:16:16 | 0:16:19 | |
LaTroy. That's the marionettist from the final dance at Internationals. | 0:16:19 | 0:16:23 | |
-We should go introduce ourselves. -Let's go. | 0:16:24 | 0:16:26 | |
Hi. You're West, right? | 0:16:27 | 0:16:29 | |
-Yeah. -I'm Sloane. | 0:16:29 | 0:16:31 | |
-Hey. -Nice to meet you. -Nice to meet you too. | 0:16:31 | 0:16:33 | |
-LaTroy. What's up, man? -How are you doing? -Good. -Good. | 0:16:33 | 0:16:36 | |
I saw you dance at Internationals, you were amazing. | 0:16:36 | 0:16:39 | |
Oh, were you guys there? | 0:16:39 | 0:16:40 | |
-No, we weren't there but we saw it online. -Online. OK. | 0:16:40 | 0:16:43 | |
-Are you guys auditioning for A Troupe? -We are. -Nice. | 0:16:43 | 0:16:46 | |
'I love meeting new dancers.' | 0:16:46 | 0:16:47 | |
-I mean, I remember the first time that -I -walked in this place. | 0:16:47 | 0:16:51 | |
It can be very intimidating. | 0:16:51 | 0:16:52 | |
Do you guys have any formal dance training? | 0:16:52 | 0:16:54 | |
Well, we actually only do hip-hop. Do you think that's a problem? | 0:16:54 | 0:16:58 | |
I mean, it wasn't a problem for me. | 0:16:58 | 0:17:00 | |
But a lot of people from The Next Step, they can do ballet, | 0:17:00 | 0:17:03 | |
acro, modern, jazz. You know, they're very versatile. | 0:17:03 | 0:17:06 | |
All you guys have got to do is stand out, I think that's key. | 0:17:06 | 0:17:08 | |
-OK. -All right. | 0:17:08 | 0:17:10 | |
But let me show you guys around. There's an open house happening. | 0:17:10 | 0:17:13 | |
-Oh, nice. -Yeah, let's go. | 0:17:13 | 0:17:14 | |
'I would hate to embarrass myself,' | 0:17:14 | 0:17:16 | |
but if West thinks we have a shot, then I guess we have a shot. | 0:17:16 | 0:17:20 | |
Well, the open house is right in here. | 0:17:21 | 0:17:24 | |
Ah, thanks for the talk, man. | 0:17:25 | 0:17:27 | |
You're welcome. Lay off the chocolate! | 0:17:27 | 0:17:29 | |
OK. | 0:17:30 | 0:17:31 | |
'Looking at Miss Kate...' | 0:17:38 | 0:17:39 | |
Not yet. | 0:17:40 | 0:17:41 | |
'..just makes me realise I'm still not ready for A Troupe.' | 0:17:41 | 0:17:44 | |
And I don't know if I ever will be again. | 0:17:44 | 0:17:47 | |
The open house is in full swing | 0:17:56 | 0:17:57 | |
and so far, we have a pretty great turnout. | 0:17:57 | 0:18:00 | |
So, you excited for the auditions? | 0:18:00 | 0:18:02 | |
I'm kind of nervous, but... | 0:18:02 | 0:18:03 | |
Don't be, you'll be fine. | 0:18:03 | 0:18:05 | |
-Oh, hey! Alfie, this is Noah. Noah, Alfie. -Nice to meet you, man. | 0:18:05 | 0:18:08 | |
Nice to meet you too. I saw you at Internationals. | 0:18:08 | 0:18:11 | |
-Oh, right, he was at... -Yeah, one of the soloists. | 0:18:11 | 0:18:13 | |
'I totally remembered Alfie.' | 0:18:13 | 0:18:14 | |
His solo was sick. | 0:18:14 | 0:18:16 | |
He would be awesome on A Troupe. | 0:18:16 | 0:18:18 | |
Noah danced blindfolded. | 0:18:18 | 0:18:20 | |
How crazy is that? | 0:18:20 | 0:18:22 | |
It was my second favourite dance at Internationals, | 0:18:22 | 0:18:24 | |
after Riley's duet. | 0:18:24 | 0:18:26 | |
Hey! | 0:18:26 | 0:18:27 | |
-What's going on, bud? -What's up, bro? | 0:18:28 | 0:18:30 | |
James, this is Alfie. Alfie, this is my boyfriend, James. | 0:18:30 | 0:18:33 | |
-Nice to meet you. You're auditioning for A Troupe? -Nah, man. | 0:18:33 | 0:18:36 | |
The spot's up for grabs, I guess. | 0:18:36 | 0:18:38 | |
'I didn't realise that Riley's duet partner was also her boyfriend.' | 0:18:38 | 0:18:41 | |
No wonder they had such great chemistry! | 0:18:41 | 0:18:43 | |
Hey, listen, let me show you around a little, eh? | 0:18:43 | 0:18:45 | |
-Yeah, absolutely. -Come on. | 0:18:45 | 0:18:47 | |
Yo! What's up, bro? | 0:18:47 | 0:18:48 | |
-Hey. -Hi, I'm Sloane. | 0:18:48 | 0:18:49 | |
-Nice to meet you. Riley. -LaTroy. -James. Nice to meet you, boss. | 0:18:49 | 0:18:52 | |
-Nice to meet you, Riley. -LaTroy. | 0:18:52 | 0:18:54 | |
'If LaTroy and I want to stand out,' | 0:18:54 | 0:18:56 | |
we need to make a good impression on as many people as we can. | 0:18:56 | 0:18:59 | |
-Hi, I'm Sloane. -I'm Michelle. | 0:18:59 | 0:19:01 | |
-Are you new here? -No, I've been here for a while. | 0:19:01 | 0:19:03 | |
I just went to Internationals with the team. | 0:19:03 | 0:19:05 | |
Oh, I didn't see you dance. | 0:19:05 | 0:19:07 | |
That's probably cos I was an alternate last year. | 0:19:07 | 0:19:09 | |
So you went all the way to Internationals and you | 0:19:09 | 0:19:11 | |
didn't even get to dance? | 0:19:11 | 0:19:13 | |
'Rude!' | 0:19:13 | 0:19:14 | |
That was just...rude. | 0:19:14 | 0:19:17 | |
OK, listen. | 0:19:17 | 0:19:18 | |
She's Miss National Soloist. | 0:19:18 | 0:19:21 | |
National Soloist. | 0:19:21 | 0:19:23 | |
Uh-oh. | 0:19:23 | 0:19:24 | |
'Sloane, what are you...' | 0:19:24 | 0:19:25 | |
Oh, my... Wow. | 0:19:25 | 0:19:27 | |
Why? | 0:19:28 | 0:19:29 | |
I just insulted someone from A Troupe. It's not good. | 0:19:29 | 0:19:33 | |
All right, Sloane, that's enough of that! Nice to meet you guys! | 0:19:33 | 0:19:36 | |
Hey, don't worry about it. They're obviously new. | 0:19:36 | 0:19:40 | |
This just means I'm going to have to work that much harder this year. | 0:19:40 | 0:19:43 | |
Sloane, remember we're trying to make a good impression here. | 0:19:43 | 0:19:46 | |
I'm sorry, I had no idea. | 0:19:46 | 0:19:48 | |
Look, now I think I'm going to have to undo what you just did. | 0:19:48 | 0:19:52 | |
-How are you going to do that? -You know how. | 0:19:52 | 0:19:54 | |
'Sloane made a bad impression,' | 0:19:54 | 0:19:56 | |
so I'm going to make a good impression. | 0:19:56 | 0:19:58 | |
For the both of us. | 0:19:58 | 0:20:00 | |
DANCE MUSIC PLAYS | 0:20:00 | 0:20:02 | |
-Hey! -Whoo! | 0:20:02 | 0:20:04 | |
Hey, yeah! | 0:20:04 | 0:20:05 | |
Hey! | 0:20:05 | 0:20:07 | |
-Whoo! -OK. | 0:20:09 | 0:20:11 | |
Hey. | 0:20:11 | 0:20:12 | |
# Remember that summertime when we were free... # | 0:20:16 | 0:20:20 | |
Yeah! | 0:20:22 | 0:20:24 | |
LaTroy's the best. | 0:20:24 | 0:20:26 | |
He just gets out on the floor and pretty soon, | 0:20:26 | 0:20:28 | |
everyone's dancing and having a great time. | 0:20:28 | 0:20:30 | |
Ooh! | 0:20:30 | 0:20:31 | |
New dancers and old dancers are all just vibing with each other, | 0:20:32 | 0:20:35 | |
and it's incredible! | 0:20:35 | 0:20:37 | |
We're dancing with the Internationals winning team! | 0:20:37 | 0:20:39 | |
This is so cool! | 0:20:39 | 0:20:41 | |
We're all dancing, and I look over and see | 0:20:45 | 0:20:47 | |
the last person I expect to be here. | 0:20:47 | 0:20:49 | |
Hey, James. What's your little sister doing here? | 0:20:49 | 0:20:51 | |
Hey! James, is this where they're holding the auditions? | 0:20:51 | 0:20:55 | |
'What is my sister doing here?' | 0:20:56 | 0:20:57 | |
Piper is not ready for The Next Step. | 0:20:59 | 0:21:01 | |
# We | 0:21:05 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You | 0:21:20 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this sound. # | 0:21:29 | 0:21:34 |