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-Previously on The Next Step: -You messed up at the qualifier. | 0:00:02 | 0:00:04 | |
I can't let Riley know that I've been hiding my back pain | 0:00:04 | 0:00:06 | |
the whole time. | 0:00:06 | 0:00:08 | |
-Woo! -London town! | 0:00:08 | 0:00:09 | |
This is the most elite hip-hop competition in the entire world. | 0:00:09 | 0:00:13 | |
I like you. | 0:00:13 | 0:00:14 | |
As a friend? | 0:00:14 | 0:00:16 | |
More than a friend. | 0:00:16 | 0:00:17 | |
Alfie, isn't it? | 0:00:17 | 0:00:18 | |
You'd be the perfect fit for our team. | 0:00:18 | 0:00:20 | |
The Next Step will not be dancing at the qualifier. | 0:00:20 | 0:00:22 | |
Things have been a little tense since I pulled the team | 0:00:37 | 0:00:39 | |
from the last qualifier, | 0:00:39 | 0:00:41 | |
but today is a brand-new start. | 0:00:41 | 0:00:43 | |
Listen up, A Troupe. | 0:00:43 | 0:00:45 | |
Now, I know that not all of you agreed with my decision | 0:00:46 | 0:00:49 | |
to pull us from the last qualifier. | 0:00:49 | 0:00:51 | |
Did the Geminis even end up going to the second qualifier? | 0:00:51 | 0:00:54 | |
They did. | 0:00:54 | 0:00:55 | |
And they won. | 0:00:55 | 0:00:57 | |
So you were right, Riley. | 0:00:58 | 0:01:00 | |
Yes. | 0:01:00 | 0:01:02 | |
The Geminis said they would poach Alfie if they beat us. | 0:01:02 | 0:01:05 | |
Pulling out of the qualifier was a hard decision, | 0:01:05 | 0:01:07 | |
but at least we didn't lose anyone. | 0:01:07 | 0:01:09 | |
But that's in the past, and we need to focus on the future - | 0:01:09 | 0:01:12 | |
which is the third qualifier. | 0:01:12 | 0:01:14 | |
So what kind of competition are they having next qualifier? | 0:01:14 | 0:01:17 | |
Duets. | 0:01:17 | 0:01:18 | |
How are you going to decide who gets to compete? | 0:01:18 | 0:01:20 | |
Well, I know all of you are tired of auditioning for the qualifier spots, | 0:01:20 | 0:01:24 | |
so I've decided to simplify things. | 0:01:24 | 0:01:27 | |
You've all voted for the top five dancers | 0:01:27 | 0:01:29 | |
from the last set of auditions, | 0:01:29 | 0:01:30 | |
so we're going to go with the number one and two dancers, | 0:01:30 | 0:01:33 | |
which means Alfie and Noah will be performing the duet. | 0:01:33 | 0:01:36 | |
I'm flattered that Riley chose me for the qualifier team again, | 0:01:38 | 0:01:40 | |
but it's a lot of pressure, | 0:01:40 | 0:01:42 | |
and my back is not in good shape today. | 0:01:42 | 0:01:44 | |
Now remember, only one team from this qualifier | 0:01:44 | 0:01:46 | |
will make it to regionals, | 0:01:46 | 0:01:48 | |
so you absolutely have to win. | 0:01:48 | 0:01:50 | |
Good luck. | 0:01:50 | 0:01:51 | |
-All right! -Yes. | 0:01:53 | 0:01:55 | |
-You good to rehearse? -Yeah. | 0:01:55 | 0:01:57 | |
Erm, you know what? I just need to do one thing, | 0:01:57 | 0:01:58 | |
and then I'll be right back. | 0:01:58 | 0:02:00 | |
-Right. -Cool? | 0:02:00 | 0:02:01 | |
-Can't wait to work on this duet with you. -Yeah, man! -All right, see you. | 0:02:01 | 0:02:04 | |
Noah's back already cost us the first qualifier. | 0:02:06 | 0:02:08 | |
And I know it's still bugging him. | 0:02:09 | 0:02:11 | |
I hope he knows what he's doing. | 0:02:12 | 0:02:14 | |
Here we are at the Bangers & Mashups hip-hop competition in London. | 0:02:56 | 0:02:59 | |
There are 40 teams competing in this first challenge of | 0:02:59 | 0:03:01 | |
one v one battles, and if you lose you go home - | 0:03:01 | 0:03:04 | |
and we did not come this far to go straight back home. | 0:03:04 | 0:03:06 | |
We've never seen a competition like this. | 0:03:06 | 0:03:08 | |
And I am psyched. | 0:03:08 | 0:03:11 | |
Welcome, ladies and gentlemen, | 0:03:11 | 0:03:13 | |
to the Bangers & Mashups International Hip-Hop Extravaganza! | 0:03:13 | 0:03:16 | |
-Are you excited? -CHEERING | 0:03:16 | 0:03:18 | |
-All right, you are ready for this? -This is intense, man. -Yup. | 0:03:18 | 0:03:21 | |
This is intense! | 0:03:21 | 0:03:22 | |
Some of the best hip-hop dancers in the world. Are you ready for that? | 0:03:22 | 0:03:25 | |
I'm representing our team in this first challenge, and it's intense. | 0:03:25 | 0:03:28 | |
It is all head-to-head. | 0:03:28 | 0:03:30 | |
And all the way from Barcelona, Spain, | 0:03:30 | 0:03:33 | |
it's the scorching hot Fuego Fuego Hip-Hop Academy! | 0:03:33 | 0:03:38 | |
Before each one v one battle, | 0:03:38 | 0:03:40 | |
there's always some smack talk between the two dancers. | 0:03:40 | 0:03:43 | |
It's for fun, but it is important to get into the other guy's head. | 0:03:43 | 0:03:46 | |
Let the smack talk begin! | 0:03:46 | 0:03:48 | |
CHEERING | 0:03:48 | 0:03:49 | |
This dude came here knowing he was going to lose. | 0:03:52 | 0:03:55 | |
A dude like Santana? | 0:03:56 | 0:03:58 | |
He ain't got no moves! | 0:03:58 | 0:03:59 | |
Yo, do you even know how to smack talk? | 0:04:01 | 0:04:04 | |
I can smack talk all day. | 0:04:04 | 0:04:06 | |
I knew how to smack talk | 0:04:06 | 0:04:08 | |
before I could talk. | 0:04:08 | 0:04:09 | |
-OK, man... -Or smack. | 0:04:09 | 0:04:10 | |
It's not a game. It's psychological warfare. | 0:04:10 | 0:04:12 | |
-Practise on me now. -Practise now? -Yo, what is this? | 0:04:12 | 0:04:15 | |
-What is that? -Check it. Skeeby skeeby dooby wat, | 0:04:15 | 0:04:19 | |
West is about to stir up the pot. | 0:04:19 | 0:04:21 | |
Pot. | 0:04:21 | 0:04:22 | |
What was that? | 0:04:24 | 0:04:25 | |
Why did I think West could smack talk? | 0:04:25 | 0:04:28 | |
He can barely TALK talk. | 0:04:28 | 0:04:30 | |
Hey, it's Mr Santana, king of the buggy. | 0:04:30 | 0:04:34 | |
Dance moves like chess moves, | 0:04:34 | 0:04:35 | |
you move like a rookie. | 0:04:35 | 0:04:38 | |
Let's let the hip-hop begin! | 0:04:38 | 0:04:41 | |
You know what? It's fine, it's fine. I know exactly what I'm going to do. | 0:04:41 | 0:04:44 | |
I'm here for one reason, and that's to dance. | 0:04:44 | 0:04:47 | |
I know exactly what I'm going to do. | 0:04:47 | 0:04:49 | |
Alfie, could I talk to you? | 0:04:56 | 0:04:58 | |
I feel a little awkward around Alfie now, but I'm the head of the studio. | 0:04:58 | 0:05:02 | |
I have to get over it. | 0:05:03 | 0:05:05 | |
You, erm, | 0:05:05 | 0:05:07 | |
haven't really said much since I pulled the studio out of the | 0:05:07 | 0:05:09 | |
qualifier to make sure we didn't lose you. | 0:05:09 | 0:05:11 | |
Right, as I told you, as the studio head, | 0:05:11 | 0:05:13 | |
I don't think you made the right decision. | 0:05:13 | 0:05:15 | |
So you still feel that way? | 0:05:15 | 0:05:18 | |
But as a friend, | 0:05:20 | 0:05:21 | |
it's nice to know that you care about me. | 0:05:21 | 0:05:23 | |
Erm, so why do you think, as studio head, I make the wrong choice? | 0:05:26 | 0:05:30 | |
Well, because only one team from the final qualifier | 0:05:31 | 0:05:33 | |
makes it into regionals. | 0:05:33 | 0:05:35 | |
Yeah. But I believe that we can do it. | 0:05:35 | 0:05:38 | |
Especially with such a strong team as you and Noah. | 0:05:38 | 0:05:40 | |
I'm trying to focus right now on the studio and our future, | 0:05:41 | 0:05:45 | |
and not how Alfie's eyes are so... | 0:05:45 | 0:05:49 | |
'Stop it, Riley!' | 0:05:50 | 0:05:52 | |
Speaking of which, shouldn't Noah be here right now? | 0:05:52 | 0:05:56 | |
Maybe I should go look for Noah. | 0:05:58 | 0:06:01 | |
No. No, no, no. You stay. I'll go look. | 0:06:01 | 0:06:04 | |
-For Noah. -We could go together. | 0:06:04 | 0:06:06 | |
No. You stay, me go. | 0:06:06 | 0:06:07 | |
I'LL go! I mean. | 0:06:07 | 0:06:09 | |
You know, English, it's just... | 0:06:09 | 0:06:11 | |
Yeah. OK, bye! | 0:06:11 | 0:06:12 | |
Oh, it's this way! | 0:06:13 | 0:06:15 | |
Well, that was awkward. | 0:06:17 | 0:06:18 | |
This energy between Alfie and I is really throwing me off. | 0:06:18 | 0:06:22 | |
The vibe at Bangers & Mashups is insane. | 0:06:29 | 0:06:32 | |
Super street, super cool. | 0:06:32 | 0:06:34 | |
These guys look unreal. | 0:06:34 | 0:06:35 | |
The competition is off to a roaring start, but of course, Masked Man, | 0:06:50 | 0:06:53 | |
it's up to you. | 0:06:53 | 0:06:55 | |
Who...is the winner? | 0:06:55 | 0:06:57 | |
Fuego Fuego! | 0:06:57 | 0:06:59 | |
-ELDON: Smack, dude. -Rip them up. -I'm ready. | 0:07:01 | 0:07:02 | |
All that's left to do is to go on stage, and bring it. | 0:07:02 | 0:07:06 | |
And smack it. | 0:07:06 | 0:07:07 | |
Fresh from their victory | 0:07:07 | 0:07:08 | |
at the Absolute Dance International Championships, | 0:07:08 | 0:07:11 | |
it's The Next Step dance studio. | 0:07:11 | 0:07:13 | |
CHEERING AND APPLAUSE | 0:07:13 | 0:07:14 | |
And all the way from Colombia, | 0:07:17 | 0:07:19 | |
the Rough And Tumble Razor Backs! | 0:07:19 | 0:07:23 | |
CHEERING AND APPLAUSE | 0:07:23 | 0:07:24 | |
I'm not worried about West's dance skills. | 0:07:28 | 0:07:31 | |
I AM a little worried about his smack-talking skills. | 0:07:31 | 0:07:34 | |
Let the smack talk begin! | 0:07:34 | 0:07:37 | |
CHEERING AND APPLAUSE | 0:07:37 | 0:07:38 | |
Yo, I just got one thing to say to you, man. | 0:07:40 | 0:07:43 | |
I can't wait to sweep this floor with an internationals winner. | 0:07:43 | 0:07:45 | |
I saw you dance last year, | 0:07:47 | 0:07:49 | |
the whole puppet-master thing. | 0:07:49 | 0:07:51 | |
But I'm pulling these strings now, man. | 0:07:51 | 0:07:53 | |
You're just a ratty old sock puppet. | 0:07:53 | 0:07:56 | |
Two little buttons for eyes, and a heel that's all worn out. | 0:07:56 | 0:07:58 | |
Heels worn out? | 0:08:00 | 0:08:01 | |
Button eyes? | 0:08:01 | 0:08:03 | |
Not bad, sir, but you didn't get into my head. | 0:08:03 | 0:08:06 | |
Now let's get the smack talk out of the way. | 0:08:06 | 0:08:08 | |
All right. | 0:08:09 | 0:08:11 | |
I've got one thing to say to you, man. | 0:08:11 | 0:08:12 | |
I love you. | 0:08:14 | 0:08:15 | |
I have no idea what West is doing. | 0:08:16 | 0:08:20 | |
This is the worst smack talk I've ever heard! | 0:08:20 | 0:08:23 | |
But before we start off, | 0:08:24 | 0:08:25 | |
I got one thing to say. | 0:08:25 | 0:08:27 | |
Here it comes. | 0:08:27 | 0:08:28 | |
Now I'm going to play HIM like a puppet. | 0:08:28 | 0:08:30 | |
GASPING | 0:08:32 | 0:08:34 | |
'What?!' | 0:08:34 | 0:08:35 | |
What just happened? | 0:08:35 | 0:08:36 | |
Did West just kiss a guy on the cheek? What is he doing? | 0:08:36 | 0:08:40 | |
I did not see THAT coming. | 0:08:40 | 0:08:42 | |
No, that was different. | 0:08:42 | 0:08:43 | |
I'm not a negative person. | 0:08:43 | 0:08:44 | |
For me, it's all love. | 0:08:44 | 0:08:46 | |
And I'm pretty sure my love got into his head. | 0:08:46 | 0:08:48 | |
And that, my friends, | 0:08:48 | 0:08:50 | |
is how you smack talk. | 0:08:50 | 0:08:52 | |
How can you eat that? | 0:09:02 | 0:09:03 | |
-What? -Egg sandwich. I hate that. | 0:09:04 | 0:09:07 | |
Whatever. | 0:09:07 | 0:09:08 | |
Noah. | 0:09:08 | 0:09:10 | |
Aren't you supposed to be somewhere? | 0:09:10 | 0:09:12 | |
Oh, should I? | 0:09:12 | 0:09:14 | |
With Alfie? | 0:09:14 | 0:09:15 | |
For the duet. | 0:09:15 | 0:09:16 | |
Right, that. Right. | 0:09:16 | 0:09:19 | |
To be honest, my back wasn't up for rehearsal, | 0:09:19 | 0:09:21 | |
so I was just kind of hiding out instead. | 0:09:21 | 0:09:24 | |
Give me one good reason why you're missing rehearsals. | 0:09:24 | 0:09:26 | |
Erm... | 0:09:27 | 0:09:28 | |
I forgot to eat this morning. | 0:09:28 | 0:09:30 | |
That's why, you know. | 0:09:30 | 0:09:32 | |
See, I get this low blood sugar | 0:09:32 | 0:09:34 | |
and I don't want to take a chance with this body. | 0:09:34 | 0:09:37 | |
Get to studio A. | 0:09:38 | 0:09:39 | |
Mm-hm. Right away. | 0:09:40 | 0:09:43 | |
Egg salad sandwich. My favourite. | 0:09:43 | 0:09:45 | |
Why are you lying to Riley? | 0:09:51 | 0:09:53 | |
And why are you skipping rehearsal? | 0:09:53 | 0:09:54 | |
It's your back, isn't it, Noah? | 0:09:55 | 0:09:57 | |
-Listen, the pain in my... -No, no, I'm not done yet. | 0:09:57 | 0:09:59 | |
You could seriously be hurt. | 0:10:00 | 0:10:02 | |
And I don't want you dancing at the next qualifier. | 0:10:02 | 0:10:05 | |
You need to see a doctor. | 0:10:05 | 0:10:06 | |
It really is getting better, and you need to stop worrying. | 0:10:06 | 0:10:09 | |
You're lying to yourself. | 0:10:09 | 0:10:11 | |
Listen, I was right about the egg salad sandwich. | 0:10:11 | 0:10:14 | |
It's disgusting. | 0:10:14 | 0:10:15 | |
And you're wrong about me. | 0:10:15 | 0:10:17 | |
If Noah's back is as bad as I think it is, | 0:10:20 | 0:10:22 | |
he could be in a lot of trouble. | 0:10:22 | 0:10:24 | |
He's got to think about his future. | 0:10:24 | 0:10:27 | |
The first round is going to be house, | 0:10:29 | 0:10:30 | |
the second round is moves and grooves, | 0:10:30 | 0:10:32 | |
he third round is water flow. | 0:10:32 | 0:10:34 | |
Are you guys ready? | 0:10:34 | 0:10:35 | |
WHOOPING AND CHEERING | 0:10:35 | 0:10:36 | |
Take it away! | 0:10:36 | 0:10:38 | |
CHEERING AND APPLAUSE | 0:10:38 | 0:10:39 | |
The way it works is each of the three hip-hop rounds | 0:10:42 | 0:10:44 | |
has to incorporate a different style. | 0:10:44 | 0:10:47 | |
In this house battle, the movement is very bouncy. | 0:10:47 | 0:10:50 | |
The music is very repetitive and it's a lot of footwork. | 0:10:50 | 0:10:53 | |
You're just trying to figure out the musicality. | 0:10:53 | 0:10:56 | |
Just...be creative. | 0:10:56 | 0:10:57 | |
N'Sane's good, he is. Really good. | 0:11:18 | 0:11:20 | |
But, erm, I think the crowd's with me. | 0:11:21 | 0:11:24 | |
This guy's impressive, but, honestly? | 0:11:39 | 0:11:41 | |
I think West's "smack talk" rattled him a little bit. | 0:11:41 | 0:11:44 | |
The winner of the first round is... | 0:11:44 | 0:11:46 | |
The Next Step! | 0:11:46 | 0:11:48 | |
CHEERING AND APPLAUSE | 0:11:48 | 0:11:49 | |
We just need to win two out of three rounds in this one v one challenge. | 0:11:49 | 0:11:52 | |
One more win, and we move on. | 0:11:52 | 0:11:53 | |
Second round, here we come, baby! | 0:11:53 | 0:11:55 | |
You're late! | 0:12:08 | 0:12:10 | |
I'm sorry. I was just having some girl trouble. | 0:12:10 | 0:12:13 | |
Girl trouble? | 0:12:13 | 0:12:14 | |
Yeah. | 0:12:14 | 0:12:16 | |
-Look, you like this girl, she likes you back. -Yeah. | 0:12:16 | 0:12:20 | |
And you're in a relationship with this girl. | 0:12:20 | 0:12:22 | |
You don't have girl trouble. | 0:12:23 | 0:12:24 | |
-What did you have in mind for the duet? -Right. | 0:12:26 | 0:12:29 | |
-So, I was thinking like a step-step 540. -OK. | 0:12:29 | 0:12:32 | |
One, two... | 0:12:32 | 0:12:34 | |
-Like that. -OK, cool. OK. | 0:12:34 | 0:12:36 | |
Pah, pah! | 0:12:36 | 0:12:37 | |
-Yeah. -OK. | 0:12:37 | 0:12:40 | |
That wasn't good. | 0:12:40 | 0:12:41 | |
I'm just not ready to do this. | 0:12:41 | 0:12:43 | |
Good to go again? | 0:12:43 | 0:12:44 | |
Yeah, you know what? I left mid-conversation, | 0:12:44 | 0:12:46 | |
and I need to go work out my girl trouble. | 0:12:46 | 0:12:48 | |
Unfinished conversation deserves to be finished. | 0:12:48 | 0:12:50 | |
Exactly. | 0:12:50 | 0:12:52 | |
All right. | 0:12:52 | 0:12:54 | |
Riley and I keep starting an important conversation too. | 0:12:54 | 0:12:57 | |
And, it isn't finished either. | 0:12:57 | 0:12:59 | |
-At least, -I -feel like there's more to say. | 0:12:59 | 0:13:01 | |
OK, guys! | 0:13:04 | 0:13:05 | |
Next up, it's moves and grooves. | 0:13:05 | 0:13:07 | |
Good luck. | 0:13:07 | 0:13:09 | |
Right now, we're in three direct-battle rounds. | 0:13:09 | 0:13:11 | |
We only have to win one more to get through this challenge. | 0:13:11 | 0:13:13 | |
This one...is moves and grooves. | 0:13:13 | 0:13:15 | |
With moves and grooves, | 0:13:25 | 0:13:26 | |
you want to take down how full-out you're dancing and | 0:13:26 | 0:13:29 | |
sit in the pocket of the groove. | 0:13:29 | 0:13:31 | |
Really feeling the music and grooving. | 0:13:31 | 0:13:33 | |
West CRUSHED it out there. | 0:13:52 | 0:13:54 | |
But, unfortunately, the other guy's pretty good, too. | 0:13:54 | 0:13:58 | |
The winner of the second round is... | 0:13:58 | 0:14:00 | |
the Razorbacks! | 0:14:00 | 0:14:02 | |
-OK. -I'm trying to stay cool right now, but it's a tie. | 0:14:03 | 0:14:05 | |
Which means we have to win the next round, | 0:14:05 | 0:14:07 | |
or else we might be getting kicked out of the | 0:14:07 | 0:14:09 | |
biggest hip-hop competition in the world. | 0:14:09 | 0:14:11 | |
We might be going home. | 0:14:13 | 0:14:14 | |
I started rehearsing with Alfie, but whatever's going on with my back, | 0:14:18 | 0:14:22 | |
it's not going away. | 0:14:22 | 0:14:24 | |
I've got a big, big problem. | 0:14:24 | 0:14:26 | |
You were right about my back. | 0:14:30 | 0:14:32 | |
I tried rehearsing, and it's much worse than I thought. | 0:14:32 | 0:14:36 | |
Noah, I'm so sorry. | 0:14:37 | 0:14:38 | |
What do you think I should do next? | 0:14:40 | 0:14:42 | |
You need to tell Riley. | 0:14:44 | 0:14:45 | |
Well, if I tell Riley, she might take me off the qualifier duo. | 0:14:46 | 0:14:49 | |
So what? It's just a qualifier. | 0:14:49 | 0:14:51 | |
What if she takes me off A Troupe? | 0:14:51 | 0:14:53 | |
I get it - | 0:14:53 | 0:14:54 | |
I almost didn't get a chance to dance on A Troupe this year, | 0:14:54 | 0:14:57 | |
but Noah has to choose his health first. | 0:14:57 | 0:14:59 | |
Noah, you could injure yourself permanently. | 0:14:59 | 0:15:02 | |
Promise me you'll do the right thing. | 0:15:04 | 0:15:06 | |
Amanda's right. | 0:15:08 | 0:15:09 | |
I have to stop running away from this problem. | 0:15:09 | 0:15:12 | |
I have to get it dealt with before it risks my whole dance career. | 0:15:12 | 0:15:15 | |
CHEERING AND APPLAUSE | 0:15:24 | 0:15:26 | |
OK. So, for the third round, | 0:15:26 | 0:15:29 | |
it's going to be water flow. | 0:15:29 | 0:15:30 | |
Water flow is like waving, | 0:15:31 | 0:15:34 | |
where you're always isolating through your body, | 0:15:34 | 0:15:36 | |
making your body look like water. | 0:15:36 | 0:15:38 | |
N'Sane is SO good. | 0:15:46 | 0:15:48 | |
I mean, West is an amazing dancer, | 0:15:48 | 0:15:50 | |
but how is he going to come back at them? | 0:15:50 | 0:15:52 | |
Yeah, N'Sane is amazing, but we have to win this round. | 0:16:00 | 0:16:03 | |
I have to win this round. | 0:16:03 | 0:16:05 | |
Or we go home. | 0:16:05 | 0:16:06 | |
It all comes down to this. | 0:16:06 | 0:16:08 | |
CHEERING INTENSIFIES | 0:17:00 | 0:17:01 | |
Masked Man... | 0:17:09 | 0:17:11 | |
Come on over. I don't know how you're going to make a decision, | 0:17:12 | 0:17:15 | |
but we do need one. | 0:17:15 | 0:17:16 | |
Who is the winner? | 0:17:16 | 0:17:18 | |
This is it. Moment of truth. | 0:17:19 | 0:17:22 | |
The final round winner is... | 0:17:22 | 0:17:25 | |
The Next Step! | 0:17:26 | 0:17:27 | |
CHEERING AND APPLAUSE | 0:17:27 | 0:17:29 | |
I'm so stoked when West wins the first challenge of the competition. | 0:17:30 | 0:17:33 | |
I was doubting him a bit at the beginning, but, come on - it's West. | 0:17:33 | 0:17:37 | |
The winners of this challenge will advance to compete | 0:17:37 | 0:17:39 | |
in the two v two challenge. | 0:17:39 | 0:17:41 | |
I think I just proved my theory that hip-hop is love. | 0:17:41 | 0:17:44 | |
All you need is love, baby! | 0:17:44 | 0:17:46 | |
Hey, Riley. | 0:17:53 | 0:17:54 | |
Er, do you have a second to talk? | 0:17:55 | 0:17:57 | |
-Erm, yeah. Of course. -OK. | 0:17:57 | 0:17:59 | |
This is not going to be easy, but Riley deserves to know | 0:17:59 | 0:18:02 | |
what's really going on. | 0:18:02 | 0:18:04 | |
Here goes. | 0:18:06 | 0:18:07 | |
So, the real reason I fumbled at the first qualifier | 0:18:07 | 0:18:12 | |
was because my back was seizing up. | 0:18:12 | 0:18:15 | |
I thought it could get better with rest, but it hasn't. | 0:18:16 | 0:18:20 | |
I had no idea. | 0:18:22 | 0:18:24 | |
I can't believe I couldn't see | 0:18:24 | 0:18:26 | |
what was right under my nose. | 0:18:26 | 0:18:28 | |
Now it all makes sense. | 0:18:29 | 0:18:31 | |
I'm going to see a doctor to figure out what's wrong. | 0:18:31 | 0:18:34 | |
But please, don't take me out of the duet. | 0:18:34 | 0:18:36 | |
I know I can get better in time for the qualifier. | 0:18:36 | 0:18:39 | |
Well, Noah, that's not up to me. | 0:18:39 | 0:18:41 | |
It's up to the doctors. | 0:18:41 | 0:18:43 | |
If they say that you can dance, | 0:18:43 | 0:18:45 | |
then great, of course you can do the duet, but if the doctors say that... | 0:18:45 | 0:18:49 | |
I don't even want to think about that. | 0:18:49 | 0:18:52 | |
But, thanks. | 0:18:52 | 0:18:53 | |
'I'm worried about my back. But part of me feels relieved | 0:18:56 | 0:18:59 | |
'that I finally told Riley.' | 0:18:59 | 0:19:01 | |
At least, now I can focus on getting better for the qualifier. | 0:19:01 | 0:19:04 | |
MESSAGE ALERT | 0:19:05 | 0:19:06 | |
-Hey! -Hey. | 0:19:10 | 0:19:12 | |
Sorry I haven't been able to keep in touch, | 0:19:12 | 0:19:14 | |
but this competition is crazy! | 0:19:14 | 0:19:15 | |
West just got us through the one v one challenge. | 0:19:15 | 0:19:17 | |
That's amazing. | 0:19:17 | 0:19:18 | |
How are you doing, though? Are you all right? | 0:19:20 | 0:19:21 | |
Um... | 0:19:21 | 0:19:22 | |
I'm OK. | 0:19:22 | 0:19:23 | |
You just feel so far away. | 0:19:24 | 0:19:26 | |
Yeah. | 0:19:28 | 0:19:30 | |
It's funny, I never really feel like that, though. | 0:19:30 | 0:19:33 | |
I just feel like, you know, all those things like time, distance, | 0:19:33 | 0:19:36 | |
it doesn't really apply to us. | 0:19:36 | 0:19:38 | |
I wish I felt that way. | 0:19:39 | 0:19:41 | |
I've actually never felt more alone. | 0:19:41 | 0:19:43 | |
You OK, though? | 0:19:45 | 0:19:46 | |
Um, I'm not, | 0:19:47 | 0:19:49 | |
but it's nothing I can't handle. | 0:19:49 | 0:19:51 | |
You'll be back in a few weeks, right? | 0:19:52 | 0:19:53 | |
Yeah, yeah. Looking forward to it. | 0:19:53 | 0:19:55 | |
Listen - I've got to go, but...I love you. | 0:19:56 | 0:19:59 | |
Love you too. | 0:20:00 | 0:20:01 | |
-Bye. -Bye. | 0:20:01 | 0:20:02 | |
I'll be OK. | 0:20:04 | 0:20:05 | |
I know James is there for me - | 0:20:06 | 0:20:08 | |
I just have to hang in there a little while longer. | 0:20:08 | 0:20:10 | |
I can handle it. | 0:20:13 | 0:20:14 | |
Hey. | 0:20:16 | 0:20:17 | |
I've been looking for you. | 0:20:18 | 0:20:20 | |
I can't avoid this any longer. | 0:20:20 | 0:20:22 | |
This thing with Riley is | 0:20:22 | 0:20:23 | |
making my head spin. | 0:20:23 | 0:20:25 | |
Er... I gotta talk to you. | 0:20:25 | 0:20:27 | |
Look, er... | 0:20:29 | 0:20:31 | |
I know you're not available right now. | 0:20:31 | 0:20:33 | |
And I also want you to know that my feelings aren't just | 0:20:34 | 0:20:37 | |
going to go away. | 0:20:37 | 0:20:38 | |
So, if anything changes... | 0:20:39 | 0:20:43 | |
..just let me know. | 0:20:45 | 0:20:47 |