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Previously... | 0:00:02 | 0:00:03 | |
If one more team beats us, we're out. | 0:00:03 | 0:00:05 | |
Good luck at the next qualifier. Only two left. | 0:00:05 | 0:00:07 | |
Let's do something about this. | 0:00:07 | 0:00:09 | |
-About what? -This chemistry. | 0:00:09 | 0:00:11 | |
I do like you. | 0:00:11 | 0:00:12 | |
Let's work this thing out. | 0:00:13 | 0:00:14 | |
I'm not really ready to be friends with Amy or LaTroy just yet. | 0:00:14 | 0:00:17 | |
Yeah. | 0:00:17 | 0:00:18 | |
Just had my heart broken. | 0:00:19 | 0:00:21 | |
Me and Thalia, we had something really special. | 0:00:21 | 0:00:25 | |
There's something wrong with my back. You can't tell anybody. | 0:00:25 | 0:00:28 | |
That's not fair, Noah. | 0:00:28 | 0:00:29 | |
I'll get it taken care of. | 0:00:29 | 0:00:30 | |
I love James. | 0:00:30 | 0:00:32 | |
-Yeah. -Which is why I think we should just stay friends. | 0:00:32 | 0:00:35 | |
My feelings for Alfie have just been getting stronger and stronger. | 0:00:35 | 0:00:38 | |
-Friends. -I know this is wrong, but I can't help it. | 0:00:38 | 0:00:41 | |
MUSIC: The Unparallels (Remix) | 0:00:47 | 0:00:50 | |
I'm so excited to dance at the qualifier tomorrow. | 0:00:55 | 0:00:58 | |
I haven't danced on stage in a long time. | 0:00:58 | 0:01:00 | |
And I just can't wait. | 0:01:00 | 0:01:02 | |
We are all working very hard. | 0:01:07 | 0:01:09 | |
And honestly, it's nice to have something | 0:01:09 | 0:01:11 | |
to think about besides Riley. | 0:01:11 | 0:01:13 | |
My back is still sore, but I can't mark any more. | 0:01:16 | 0:01:19 | |
I need to redeem myself after the last qualifier. | 0:01:19 | 0:01:22 | |
Nothing's going to stop me this time. | 0:01:22 | 0:01:23 | |
LAPTOP CHIMES | 0:01:28 | 0:01:29 | |
"Greetings, fellow studio heads. | 0:01:33 | 0:01:34 | |
"This year promises to be the most competitive | 0:01:34 | 0:01:36 | |
"Absolute Dance regionals yet". | 0:01:36 | 0:01:38 | |
'I'm reading this e-mail from the Regionals Board, and I'm shocked. | 0:01:38 | 0:01:41 | |
'I was prepared for a twist, but this?' | 0:01:41 | 0:01:43 | |
This doesn't just affect a dance, this could affect our whole team. | 0:01:43 | 0:01:46 | |
Guys, stop, stop for a second, sorry. | 0:01:48 | 0:01:51 | |
Can I just talk to you for a second? | 0:01:51 | 0:01:52 | |
I just got an e-mail from the Regionals Board | 0:01:54 | 0:01:56 | |
-about the big twist for the next qualifier. -And? | 0:01:56 | 0:01:59 | |
Well, whichever team wins tomorrow | 0:02:00 | 0:02:03 | |
gets to steal a dancer from another studio. | 0:02:03 | 0:02:06 | |
-What? -'This is insane.' | 0:02:06 | 0:02:08 | |
How is stealing other people's dancers even allowed? | 0:02:08 | 0:02:12 | |
'If we lose the qualifier, we could lose a dancer.' | 0:02:12 | 0:02:14 | |
If I mess up again, it could cost us someone on our team. | 0:02:14 | 0:02:18 | |
This twist changes everything. | 0:02:19 | 0:02:23 | |
# We | 0:02:24 | 0:02:26 | |
# We're gonna show the world | 0:02:26 | 0:02:29 | |
# Everything we're made of | 0:02:29 | 0:02:32 | |
# We're gonna tear the roof off this place | 0:02:34 | 0:02:40 | |
# Stand up! # | 0:02:47 | 0:02:48 | |
Dude. | 0:03:07 | 0:03:08 | |
You know your feet are by my pillow where my head goes, right? | 0:03:08 | 0:03:11 | |
Both of them. | 0:03:13 | 0:03:15 | |
'West needs to loosen up.' | 0:03:15 | 0:03:17 | |
We're in London, man, this is practically a vacation. | 0:03:17 | 0:03:19 | |
I'm not allowed to relax? | 0:03:19 | 0:03:20 | |
Manners, James. | 0:03:20 | 0:03:22 | |
I don't come to your house and put my dirty shoes on your pillow! | 0:03:22 | 0:03:25 | |
Except for that one time. | 0:03:26 | 0:03:27 | |
What's going on? Are we opening up like a magazine shop, or something? | 0:03:30 | 0:03:33 | |
Man, these are authentic British magazines. | 0:03:33 | 0:03:37 | |
You know, I want to put my finger on the pulse of | 0:03:37 | 0:03:40 | |
what is hip-hop-happening in London. | 0:03:40 | 0:03:43 | |
-Wow! -All right, come and take a photo of us. | 0:03:44 | 0:03:46 | |
I want everyone to see what cultured lads we've become | 0:03:46 | 0:03:49 | |
-in jolly old England. -Jolly old...? | 0:03:49 | 0:03:52 | |
Hey, man, come on, let's take a photo. | 0:03:52 | 0:03:55 | |
My phone! | 0:03:55 | 0:03:56 | |
It's gone! I always put my phone in my left-hand pocket! | 0:03:58 | 0:04:01 | |
Every picture I have of me and Thalia is on that phone. | 0:04:02 | 0:04:05 | |
I can't lose that! | 0:04:05 | 0:04:06 | |
Yo, it's got to be here somewhere, man. | 0:04:08 | 0:04:10 | |
But it's not, James! | 0:04:10 | 0:04:12 | |
It's not here! Call it. | 0:04:12 | 0:04:14 | |
All right. | 0:04:14 | 0:04:16 | |
-Call it! -All right, man. | 0:04:16 | 0:04:18 | |
Don't even worry, man, you'll find it. | 0:04:22 | 0:04:24 | |
Shh, shh! I need to hear the phone ring. | 0:04:24 | 0:04:27 | |
Oh, yeah, it's your voicemail, man. | 0:04:29 | 0:04:31 | |
Yo, Eldon. You lost your phone. | 0:04:31 | 0:04:33 | |
'I don't know why Eldon is so stressed out about this phone.' | 0:04:35 | 0:04:37 | |
He loses things all the time. | 0:04:37 | 0:04:39 | |
Lucky coin, girlfriends. | 0:04:39 | 0:04:41 | |
Seriously, he should be used to it by now. | 0:04:41 | 0:04:44 | |
OK. You just need to retrace your steps. | 0:04:44 | 0:04:46 | |
Where was the last place you were at? | 0:04:46 | 0:04:48 | |
When Eldon freaks out like this, it can be hard to calm him down. | 0:04:48 | 0:04:51 | |
The bus stop with the double-decker bus. | 0:04:51 | 0:04:53 | |
-You know those... -Yeah, that's almost every bus stop in London. | 0:04:53 | 0:04:56 | |
But OK, we can start there. | 0:04:56 | 0:04:58 | |
-Cool. -It's going to take forever, man. | 0:04:58 | 0:05:01 | |
James? | 0:05:02 | 0:05:03 | |
-Yeah? -I don't care if all of existence has ceased to be. | 0:05:03 | 0:05:09 | |
I don't care if every peach on the planet has dried up, | 0:05:09 | 0:05:12 | |
I don't care if every glacier on the planet has melted. | 0:05:12 | 0:05:15 | |
I need that phone! | 0:05:15 | 0:05:17 | |
If every glacier on the planet melted, | 0:05:17 | 0:05:18 | |
there'd be a lot of water for the peaches, | 0:05:18 | 0:05:20 | |
-so I don't think they would... -I don't care! | 0:05:20 | 0:05:22 | |
I need the phone. | 0:05:22 | 0:05:23 | |
I can't lose my phone. | 0:05:23 | 0:05:24 | |
This is a five alarm, all hands on deck disaster. | 0:05:24 | 0:05:28 | |
All right, I've had enough of this, let's find it. | 0:05:28 | 0:05:31 | |
'This obviously means a lot to Eldon, so we'll look.' | 0:05:31 | 0:05:35 | |
Even though the odds of finding his phone are zero. | 0:05:35 | 0:05:38 | |
-Ready? -Yeah. | 0:05:46 | 0:05:48 | |
Seven, eight... | 0:05:48 | 0:05:50 | |
One and two and three, watch your landing... | 0:05:50 | 0:05:52 | |
'I'm really worried about the qualifier twist. | 0:05:52 | 0:05:55 | |
'I think the best remedy to calm my nerves is more practice.' | 0:05:55 | 0:05:58 | |
Two, three, four, | 0:05:58 | 0:06:01 | |
five, six, seven, eight. | 0:06:01 | 0:06:05 | |
One, two, three, four, five. | 0:06:05 | 0:06:09 | |
Good, watch your timing there. | 0:06:09 | 0:06:10 | |
Nice routine. | 0:06:10 | 0:06:12 | |
'We're working on the qualifier routine,' | 0:06:12 | 0:06:14 | |
when the Geminis just walk in here like they own the place. | 0:06:14 | 0:06:17 | |
-What are you doing here? -We're just doing some window shopping. | 0:06:17 | 0:06:20 | |
I'm wondering who we're going to steal. | 0:06:20 | 0:06:22 | |
We're planning to win tomorrow. | 0:06:24 | 0:06:25 | |
And we want to try to figure out who we're going to poach. | 0:06:25 | 0:06:28 | |
Wait, what?! The Geminis already made it to regionals, | 0:06:28 | 0:06:31 | |
why are they competing again? | 0:06:31 | 0:06:33 | |
'They wouldn't give up their win just to mess with us. | 0:06:33 | 0:06:35 | |
'Would they?' | 0:06:35 | 0:06:37 | |
Alfie! You look like our dancer Georgie. | 0:06:37 | 0:06:39 | |
He helped us beat you at the first qualifier. | 0:06:39 | 0:06:42 | |
This twist gives the Geminis the perfect opportunity | 0:06:42 | 0:06:44 | |
to improve their team. | 0:06:44 | 0:06:46 | |
At our expense. | 0:06:46 | 0:06:47 | |
Don't look so concerned, Miss Riley. | 0:06:47 | 0:06:49 | |
You've got nothing to worry about. | 0:06:49 | 0:06:51 | |
If you win. | 0:06:51 | 0:06:52 | |
'The Geminis already beat us once. | 0:06:55 | 0:06:56 | |
'If they're competing again, they could win. | 0:06:56 | 0:06:59 | |
'That means we could actually lose Alfie.' | 0:06:59 | 0:07:02 | |
This can't be happening. | 0:07:02 | 0:07:03 | |
'I've been dancing really hard the past few days, | 0:07:14 | 0:07:16 | |
'and my back is really acting up.' | 0:07:16 | 0:07:18 | |
I don't want anyone else to know about my back, | 0:07:18 | 0:07:20 | |
so I've been hiding out here just to take care of it. | 0:07:20 | 0:07:22 | |
I heard about the competing team. | 0:07:24 | 0:07:26 | |
The twins, they're threatening us. | 0:07:26 | 0:07:28 | |
Everybody's freaking out, what are you doing in the lounge? | 0:07:28 | 0:07:30 | |
It's just, this is what I do. | 0:07:30 | 0:07:32 | |
I like to lounge after a dance, you know? | 0:07:32 | 0:07:35 | |
-You're icing your back? -Not just my back. | 0:07:35 | 0:07:39 | |
I like icing my face and my ears. | 0:07:39 | 0:07:43 | |
'Noah promised me he would see a doctor if his back got worse.' | 0:07:43 | 0:07:46 | |
He better not be lying to me. | 0:07:46 | 0:07:49 | |
Touch your toes, Noah. | 0:07:49 | 0:07:50 | |
-What? -Touch your toes. | 0:07:50 | 0:07:53 | |
OK. | 0:07:54 | 0:07:55 | |
-The real way. -All right. | 0:07:59 | 0:08:02 | |
HE MOANS GENTLY | 0:08:05 | 0:08:07 | |
You know, I've only got to go all-out at the qualifier, | 0:08:10 | 0:08:12 | |
and then I get to rest it before regionals | 0:08:12 | 0:08:14 | |
-when they work through the routine. -Keep going. | 0:08:14 | 0:08:16 | |
'If you can't even touch your toes, how are you supposed to dance?' | 0:08:16 | 0:08:19 | |
Noah isn't taking this seriously. | 0:08:19 | 0:08:21 | |
See, I did it! | 0:08:23 | 0:08:24 | |
-I totally did it. -Not at all! | 0:08:24 | 0:08:27 | |
That's just because you have higher standards than me. | 0:08:27 | 0:08:30 | |
Noah... | 0:08:30 | 0:08:31 | |
Promise me you'll tell me if your back gets worse. | 0:08:33 | 0:08:36 | |
-I promise. -Do you know what a promise means? | 0:08:36 | 0:08:38 | |
-Yes. -That means you have to tell me if it gets worse! | 0:08:38 | 0:08:41 | |
OK! I will. | 0:08:41 | 0:08:42 | |
I have to go talk to Riley and Michelle. | 0:08:42 | 0:08:44 | |
-Goodbye. -Bye. | 0:08:44 | 0:08:46 | |
'I promised Noah I would keep his back a secret.' | 0:08:46 | 0:08:49 | |
But I'm really worried. | 0:08:49 | 0:08:51 | |
I wish he wasn't dancing in the qualifier tomorrow. | 0:08:51 | 0:08:54 | |
Yeah, that's it, right there. | 0:08:55 | 0:08:57 | |
I asked LaTroy to watch me rehearse the qualifier's dance. | 0:08:57 | 0:09:00 | |
After what happened with the Geminis, | 0:09:00 | 0:09:02 | |
our dance needs to be perfect. | 0:09:02 | 0:09:04 | |
-Perfect. -Come on, you always say that. | 0:09:05 | 0:09:07 | |
-No, seriously, Amy, it was perfect. -Even when I do this? | 0:09:07 | 0:09:09 | |
What?! | 0:09:11 | 0:09:13 | |
The last time I saw Amy rehearse this dance, | 0:09:13 | 0:09:15 | |
we were working on it together. | 0:09:15 | 0:09:17 | |
It's hard seeing her dance it now. | 0:09:17 | 0:09:19 | |
-Hey, Sloane. -Hey. | 0:09:19 | 0:09:21 | |
Um... I didn't know you guys were in here. Sorry. | 0:09:21 | 0:09:24 | |
Do you need this space? I was just practising. | 0:09:24 | 0:09:26 | |
Yeah, we can go. Amy's perfect, she doesn't need any more practice. | 0:09:26 | 0:09:30 | |
Oh, well... | 0:09:30 | 0:09:32 | |
-Never mind. -Do you have any feedback? | 0:09:32 | 0:09:35 | |
Sloane always gives me great feedback. | 0:09:35 | 0:09:38 | |
I really miss being able to work with her. | 0:09:38 | 0:09:40 | |
Well, I was just going to say, you still need to releve your turns, | 0:09:40 | 0:09:43 | |
like we talked about before. | 0:09:43 | 0:09:45 | |
But it looks great. | 0:09:45 | 0:09:46 | |
I've got to go. | 0:09:46 | 0:09:48 | |
What was she on about? Your turns were amazing. | 0:09:51 | 0:09:53 | |
No, she's totally right. | 0:09:55 | 0:09:57 | |
'This is too weird.' | 0:10:00 | 0:10:03 | |
Sloane's our friend, and now she's practically a stranger. | 0:10:03 | 0:10:06 | |
I just wish things would go back to the way they used to be. | 0:10:06 | 0:10:09 | |
OK. Excuse me, have you seen a cellphone? | 0:10:19 | 0:10:22 | |
A cellphone? | 0:10:22 | 0:10:23 | |
I think, uh... Mobile, mobile, mobile. | 0:10:23 | 0:10:26 | |
Excuse me, have you seen a mobile cellphone? | 0:10:26 | 0:10:28 | |
No, you... | 0:10:28 | 0:10:30 | |
Mobile cellphone? Mobile... | 0:10:30 | 0:10:32 | |
No? | 0:10:32 | 0:10:33 | |
'I documented my entire life with Thalia on that phone.' | 0:10:33 | 0:10:36 | |
If I lose it, I'm going to be heartbroken all over again. | 0:10:36 | 0:10:40 | |
-Have you seen... -We're never going to find my phone! | 0:10:40 | 0:10:42 | |
OK, just chill. Chill. | 0:10:42 | 0:10:43 | |
-We're not going to find it, man! -Chill, chill, chill. | 0:10:43 | 0:10:46 | |
When this happens to me, I calmly retrace my steps | 0:10:46 | 0:10:48 | |
until I can visualise where I saw it. OK? | 0:10:48 | 0:10:50 | |
Close your eyes. Breathe. | 0:10:50 | 0:10:52 | |
Where did you last see your cellphone? | 0:10:53 | 0:10:55 | |
What image pops up in your head? | 0:10:55 | 0:10:57 | |
-Chip Buddy. -What's a Chip Buddy? | 0:10:58 | 0:11:00 | |
-What's...what's a Chip Buddy? -A restaurant. | 0:11:00 | 0:11:03 | |
A restaurant, yesterday... | 0:11:03 | 0:11:04 | |
-Let's go! -Across the street. | 0:11:04 | 0:11:06 | |
'I hope for London's sake that we find the phone at this restaurant.' | 0:11:06 | 0:11:10 | |
Because if not, he might tear this whole city apart, brick by brick. | 0:11:10 | 0:11:14 | |
I can't believe this is happening. | 0:11:19 | 0:11:20 | |
I don't want to be responsible for losing a dancer. | 0:11:20 | 0:11:23 | |
I asked Michelle and Amanda for coffee because I need some advice. | 0:11:23 | 0:11:26 | |
I can't stop thinking about the Geminis stealing one of our dancers. | 0:11:26 | 0:11:30 | |
Our quintet is ready to rock. | 0:11:30 | 0:11:32 | |
We are going to come in first place. | 0:11:32 | 0:11:34 | |
What you should be thinking about is who you'll poach when we win. | 0:11:34 | 0:11:37 | |
OK, but you're avoiding the question, Michelle. | 0:11:37 | 0:11:39 | |
We could lose Alfie, or anyone. | 0:11:39 | 0:11:41 | |
We could lose you. | 0:11:41 | 0:11:42 | |
Are you seriously OK with that? | 0:11:42 | 0:11:44 | |
Riley, maybe you should consider pulling the team from the qualifier. | 0:11:44 | 0:11:48 | |
I know if it was me, I would rather have the team intact | 0:11:48 | 0:11:50 | |
-than risk losing a dancer. -No way. | 0:11:50 | 0:11:52 | |
The Next Step does not back down from a fight. | 0:11:52 | 0:11:54 | |
There's another qualifier. | 0:11:54 | 0:11:55 | |
We still have a shot at making it to regionals. | 0:11:55 | 0:11:58 | |
Honestly, I think you're being very selfish. | 0:11:58 | 0:12:00 | |
You probably just don't want to risk losing Noah. | 0:12:00 | 0:12:02 | |
I'm not worried about losing Noah, I'm worried about his back. | 0:12:02 | 0:12:05 | |
If Riley pulls out of the qualifier, | 0:12:05 | 0:12:07 | |
then he'll have more time to recover. | 0:12:07 | 0:12:09 | |
Michelle, I think YOU'RE being selfish. | 0:12:09 | 0:12:11 | |
All you want to do is compete. | 0:12:11 | 0:12:13 | |
Sure, Amanda's right. | 0:12:13 | 0:12:14 | |
I am being selfish. | 0:12:14 | 0:12:15 | |
But I don't really care, | 0:12:15 | 0:12:17 | |
because I have worked so hard to be on this team, | 0:12:17 | 0:12:19 | |
and no-one is going to take this away from me. | 0:12:19 | 0:12:22 | |
There's another qualifier. | 0:12:22 | 0:12:23 | |
Yeah, and it's duets. | 0:12:23 | 0:12:25 | |
They only take one studio. | 0:12:25 | 0:12:28 | |
-We're putting all of our eggs in one basket. -OK, guys, thank you. | 0:12:28 | 0:12:30 | |
You've given me a lot to think about, | 0:12:30 | 0:12:32 | |
but I have to make this decision on my own. | 0:12:32 | 0:12:34 | |
The qualifier's coming up, I just need to figure it out. | 0:12:34 | 0:12:37 | |
You'll make the right one. | 0:12:37 | 0:12:39 | |
You know what to do. | 0:12:39 | 0:12:41 | |
'I thought that talking to Michelle and Amanda | 0:12:41 | 0:12:43 | |
'would help me see things more clearly, but now' | 0:12:43 | 0:12:45 | |
I'm even more confused. | 0:12:45 | 0:12:47 | |
'We found Chippy's pub' | 0:12:54 | 0:12:56 | |
but we didn't find Eldon's phone. | 0:12:56 | 0:12:59 | |
I'm going to ask him again. | 0:12:59 | 0:13:00 | |
Oh, my goodness, you've already asked him three times. | 0:13:00 | 0:13:02 | |
Look, I need my phone, but actually... | 0:13:04 | 0:13:08 | |
I need my phone. So I'm going to go ask him again. | 0:13:09 | 0:13:11 | |
Peace out. | 0:13:13 | 0:13:15 | |
'The phone is not here.' | 0:13:15 | 0:13:16 | |
But Eldon keeps asking the bartender for it. | 0:13:16 | 0:13:18 | |
He's going to get us thrown out. | 0:13:18 | 0:13:20 | |
Can I bother you again? | 0:13:20 | 0:13:21 | |
Again? What's up this time? | 0:13:21 | 0:13:23 | |
I was wondering, can you check for me one more time? | 0:13:23 | 0:13:26 | |
Look, the phone is not here. If the phone was here, we'd have found it. | 0:13:26 | 0:13:29 | |
Most likely, but have you checked every little nook and cranny | 0:13:29 | 0:13:32 | |
and crevice, because, like, see this stuff... | 0:13:32 | 0:13:34 | |
You know what, I've got a business to run, and this is really annoying. | 0:13:34 | 0:13:37 | |
I'm just fed up with you kids and your emojis | 0:13:37 | 0:13:39 | |
and your Wi-Fis and your texts... The phone's not here. | 0:13:39 | 0:13:42 | |
If the phone was here, as I said, I would have seen it! | 0:13:42 | 0:13:45 | |
£50 if you go and look for it right now. | 0:13:45 | 0:13:48 | |
Done. | 0:13:48 | 0:13:49 | |
Here you go. | 0:13:51 | 0:13:52 | |
-Thank you. -£50...! | 0:13:52 | 0:13:55 | |
That was our lunch money, Eldon! | 0:13:55 | 0:13:56 | |
He's going to go look again. | 0:13:56 | 0:13:58 | |
Ahhh! I'm so excited. | 0:13:58 | 0:14:01 | |
Wow. | 0:14:01 | 0:14:02 | |
I have to pee. | 0:14:02 | 0:14:03 | |
Yo, if we don't leave here with his phone, | 0:14:07 | 0:14:09 | |
we're going back to the hotel. | 0:14:09 | 0:14:12 | |
We've stuck with him this entire time, why are you going to bail now? | 0:14:12 | 0:14:15 | |
Man, I feel it, | 0:14:15 | 0:14:17 | |
but nah. | 0:14:17 | 0:14:19 | |
Enough is enough. When Eldon gets back, we're done. | 0:14:19 | 0:14:22 | |
We're out a phone, we're out £50, it's time to cut our losses. | 0:14:22 | 0:14:26 | |
'Riley called us all together because she said | 0:14:35 | 0:14:37 | |
'she has an important announcement to make about the qualifier.' | 0:14:37 | 0:14:40 | |
And to be honest, I definitely think the team could use | 0:14:40 | 0:14:43 | |
a morale boost right now. | 0:14:43 | 0:14:44 | |
You guys can sit down. | 0:14:44 | 0:14:46 | |
I've been doing a lot of thinking about the qualifier. | 0:14:52 | 0:14:55 | |
And... | 0:14:55 | 0:14:56 | |
If we lose one of our dancers, | 0:14:58 | 0:15:00 | |
it could disturb the amazing chemistry we've created. | 0:15:00 | 0:15:04 | |
'This is the hardest decision I've made so far. But...' | 0:15:04 | 0:15:07 | |
I know it's the right one. | 0:15:07 | 0:15:09 | |
My decision... | 0:15:09 | 0:15:11 | |
is The Next Step will not be dancing at the qualifier. | 0:15:11 | 0:15:17 | |
-What? -We need to dance at that qualifier. | 0:15:17 | 0:15:20 | |
What is Riley thinking? | 0:15:20 | 0:15:22 | |
'I know that everyone's upset' | 0:15:22 | 0:15:25 | |
but we just can't afford to lose one of our best dancers. | 0:15:25 | 0:15:27 | |
We just can't. | 0:15:27 | 0:15:29 | |
I'm in disbelief that Riley's pulling the team from the qualifier. | 0:15:38 | 0:15:41 | |
She knows how much I want to dance on stage. | 0:15:41 | 0:15:44 | |
How could she take this away from all of us? | 0:15:44 | 0:15:46 | |
Have you lost your mind? | 0:15:46 | 0:15:47 | |
The only reason that we all dance at The Next Step is to compete. | 0:15:47 | 0:15:50 | |
I thought we talked about this? | 0:15:50 | 0:15:52 | |
This would be my first big dance. | 0:15:52 | 0:15:53 | |
OK, look, I understand you guys are upset, | 0:15:53 | 0:15:55 | |
but you have to see it from my side. | 0:15:55 | 0:15:57 | |
Oh, we see it from your side all right. | 0:15:57 | 0:15:58 | |
You have no faith in us at all. You just think we're going to lose. | 0:15:58 | 0:16:01 | |
That is not true, Richelle. | 0:16:01 | 0:16:03 | |
I do not think we're going to lose. | 0:16:03 | 0:16:04 | |
I can't believe this! | 0:16:04 | 0:16:06 | |
This never would have happened if Miss Kate was in charge. | 0:16:08 | 0:16:10 | |
I thought A-Troupe was about winning. | 0:16:10 | 0:16:13 | |
Guys, look, there's still one more qualifier, OK? | 0:16:13 | 0:16:16 | |
-One more chance. -Yeah, exactly one. | 0:16:16 | 0:16:18 | |
You know they only take one team from the final qualifier. | 0:16:18 | 0:16:22 | |
They take three teams from this one. | 0:16:22 | 0:16:23 | |
Riley's job is to get us to regionals. | 0:16:23 | 0:16:26 | |
So why are we skipping the easier qualifier? | 0:16:26 | 0:16:29 | |
I understand your concern, | 0:16:29 | 0:16:31 | |
but this was the decision that I made for the better of the team. | 0:16:31 | 0:16:34 | |
ALL ARGUE AT ONCE | 0:16:34 | 0:16:36 | |
I guess I won't be able to redeem myself after all. | 0:16:36 | 0:16:39 | |
ALL ARGUE AT ONCE | 0:16:39 | 0:16:41 | |
PIERCING WHISTLE | 0:16:41 | 0:16:42 | |
Hey! Settle down! | 0:16:42 | 0:16:43 | |
She made a decision. It's not an easy one. | 0:16:45 | 0:16:47 | |
But someone has to, right? | 0:16:49 | 0:16:52 | |
She's studio head. | 0:16:52 | 0:16:53 | |
Captain of this ship, and whatever decision she makes, | 0:16:54 | 0:16:58 | |
we have to respect it. | 0:16:58 | 0:16:59 | |
I'm so grateful to Alfie for backing me up on this decision. | 0:17:06 | 0:17:10 | |
This just proves why we need him here at the studio. | 0:17:10 | 0:17:12 | |
You know, London is the premier location for theatre. | 0:17:13 | 0:17:16 | |
Theatre was invented here. It's like guerrilla theatre. | 0:17:16 | 0:17:18 | |
Yeah. I know exactly who the guerrilla would be... | 0:17:18 | 0:17:21 | |
Hey, guys, look what I found. | 0:17:21 | 0:17:23 | |
-OK, here's your phone. -No way. | 0:17:24 | 0:17:25 | |
All right? Are you happy now? | 0:17:25 | 0:17:27 | |
-Yes, thank you. -Cheers. | 0:17:27 | 0:17:28 | |
That's amazing, man! | 0:17:30 | 0:17:31 | |
-PHONE RINGTONE CHIMES Oh. -What? -It's... | 0:17:31 | 0:17:34 | |
-Does he have another photo...? -No, it's a text message from Thalia. | 0:17:34 | 0:17:39 | |
"Are you in London?" Delete that. | 0:17:39 | 0:17:41 | |
-Delete it? -Delete it. -I'm not going to delete this. | 0:17:41 | 0:17:43 | |
This is not, that's not... That's not honest, it's not true. | 0:17:43 | 0:17:47 | |
You've got to show him. | 0:17:47 | 0:17:48 | |
West, there is not enough chocolate in the world right now | 0:17:48 | 0:17:50 | |
for this text message. OK? Just delete it. | 0:17:50 | 0:17:53 | |
I guess that's true. OK. | 0:17:53 | 0:17:54 | |
-Delete it. -All right, fine, fine. | 0:17:54 | 0:17:57 | |
-OK, deleted. -'I tell West to delete the Thalia text on Eldon's phone' | 0:17:57 | 0:18:00 | |
because he can't have that right now. | 0:18:00 | 0:18:02 | |
We're here to win a hip-hop competition, | 0:18:02 | 0:18:04 | |
that's going to throw his focus off, | 0:18:04 | 0:18:05 | |
he'll be eating chocolate, we don't need that. | 0:18:05 | 0:18:08 | |
-Ohhh! -Buddy! -I feel so much better. | 0:18:09 | 0:18:13 | |
-Look what I found. -Check it out. | 0:18:13 | 0:18:15 | |
What? | 0:18:15 | 0:18:17 | |
-Oh, my gosh! -Yeah, man. | 0:18:17 | 0:18:19 | |
Oh, my gosh, we found it! | 0:18:19 | 0:18:20 | |
Definitely no text messages from Thalia. | 0:18:20 | 0:18:23 | |
-No. -No. | 0:18:25 | 0:18:27 | |
I mean, there was, but it's not there any more. | 0:18:27 | 0:18:30 | |
-West! Are you serious? -It's just gone. | 0:18:30 | 0:18:33 | |
What do you mean it's not there any more? | 0:18:33 | 0:18:35 | |
James told me to delete it. | 0:18:37 | 0:18:38 | |
I told him no, but he, you know, just insisted, and I... | 0:18:38 | 0:18:41 | |
-Really? -Yeah. -Yes. | 0:18:41 | 0:18:43 | |
Yes, yes, I told him to delete it, OK? | 0:18:44 | 0:18:47 | |
Because Thalia is in Poland with some tech bar guy. | 0:18:47 | 0:18:50 | |
-Bar tech. -Sorry, bar tech. | 0:18:50 | 0:18:52 | |
Regardless. They're in Poland, | 0:18:52 | 0:18:54 | |
probably feeding each other Polish food right now on a date. | 0:18:54 | 0:18:57 | |
I'm sorry, you wanted honesty? | 0:18:57 | 0:18:58 | |
Let's be real. OK? You need to move on. | 0:18:58 | 0:19:00 | |
OK, you know what, James is right. | 0:19:03 | 0:19:05 | |
Eldon, there's a saying, | 0:19:05 | 0:19:07 | |
"A donkey doesn't hit his hoof on the same rock twice." | 0:19:07 | 0:19:10 | |
Don't be more stupid than a donkey. | 0:19:10 | 0:19:12 | |
That's accurate. | 0:19:12 | 0:19:14 | |
-Yeah. -The boys are right, I've got to get over Thalia. | 0:19:14 | 0:19:17 | |
But why would she text me? | 0:19:18 | 0:19:20 | |
I've got this. | 0:19:21 | 0:19:22 | |
-OK, so where are you going? -I need chocolate. | 0:19:23 | 0:19:26 | |
Hey. | 0:19:42 | 0:19:43 | |
Hey. | 0:19:43 | 0:19:45 | |
I just wanted to say thank you for standing up for me | 0:19:45 | 0:19:48 | |
about the whole qualifier thing. | 0:19:48 | 0:19:50 | |
If it wasn't for Alfie, | 0:19:50 | 0:19:51 | |
I could have had a real disaster on my hands. | 0:19:51 | 0:19:54 | |
It's nice to know that there's someone I can count on. | 0:19:54 | 0:19:57 | |
I don't think you made the right decision. | 0:19:58 | 0:20:01 | |
I'm as heartbroken as the rest of the team, | 0:20:01 | 0:20:04 | |
but fighting amongst ourselves doesn't help. | 0:20:04 | 0:20:07 | |
We need to stick together. | 0:20:08 | 0:20:10 | |
If you didn't think I made the right decision, | 0:20:11 | 0:20:13 | |
then why did you stand up for me? | 0:20:13 | 0:20:15 | |
I didn't like the way they were ganging up on you. | 0:20:15 | 0:20:17 | |
Whatever you say, goes. | 0:20:17 | 0:20:19 | |
That's how A-Troupe works. | 0:20:20 | 0:20:23 | |
I can't believe you don't get it. | 0:20:23 | 0:20:25 | |
I did what I did because the other team said | 0:20:25 | 0:20:27 | |
they were going to take you. | 0:20:27 | 0:20:28 | |
You're our best dancer, I can't lose you. | 0:20:28 | 0:20:30 | |
'We need Alfie.' | 0:20:30 | 0:20:32 | |
I need Alfie. | 0:20:32 | 0:20:34 | |
I don't want you to lose me either. | 0:20:39 | 0:20:41 | |
I could never leave...you. | 0:20:43 | 0:20:46 | |
'If this is the right decision for the team...' | 0:20:53 | 0:20:55 | |
..why do I feel like I just made a huge mistake? | 0:20:57 | 0:20:59 |