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-Previously, on the Next Step. -I got a date. -With who? | 0:00:02 | 0:00:04 | |
-Amy. -I do like you. | 0:00:04 | 0:00:06 | |
Like, like me? | 0:00:06 | 0:00:08 | |
She's my best friend. I don't even think about her in that way. | 0:00:08 | 0:00:12 | |
-I like you. -I feel like I just lost two friends. | 0:00:12 | 0:00:15 | |
I'm sure we'll think of something. | 0:00:15 | 0:00:17 | |
You're doing an incredible job. | 0:00:20 | 0:00:22 | |
I hope you know that. If you need me, you just call me. | 0:00:22 | 0:00:26 | |
My head is saying that this isn't a big deal, | 0:00:26 | 0:00:28 | |
but my heart is saying something else. | 0:00:28 | 0:00:30 | |
Hey. I got your text. You told me to meet you here. | 0:00:41 | 0:00:44 | |
Yeah. | 0:00:45 | 0:00:47 | |
Have a seat. | 0:00:47 | 0:00:48 | |
BEGINS TO PLAY GUITAR | 0:00:52 | 0:00:55 | |
# Would you call me crazy if I didn't make eyes at you | 0:01:00 | 0:01:04 | |
# Caught in the moment | 0:01:04 | 0:01:06 | |
# If you would've feel it too | 0:01:06 | 0:01:08 | |
# Then all is not lost and nothing is broken | 0:01:08 | 0:01:11 | |
# My heart is embossed | 0:01:11 | 0:01:13 | |
# With the first words you spoke to me and I | 0:01:13 | 0:01:17 | |
# Can't say I'm not falling in love with you | 0:01:17 | 0:01:23 | |
# I'm slower than average and I can't remember things | 0:01:27 | 0:01:31 | |
# Your beauty is savage | 0:01:31 | 0:01:33 | |
# My heart is a bell that rings | 0:01:33 | 0:01:35 | |
# Loud in the night A song that will linger | 0:01:35 | 0:01:38 | |
# In my broken mind Like a string on my finger | 0:01:38 | 0:01:42 | |
# And I can't say I'm not | 0:01:42 | 0:01:46 | |
# Falling in love with you | 0:01:46 | 0:01:51 | |
# Oh, you know, you know, you know That I | 0:01:54 | 0:01:57 | |
# Can't help falling | 0:01:57 | 0:01:59 | |
# In love. # | 0:01:59 | 0:02:02 | |
That was beautiful. | 0:02:05 | 0:02:07 | |
I'm in big, big trouble. | 0:02:14 | 0:02:16 | |
Five, six, seven, eight. | 0:02:53 | 0:02:55 | |
Go! One, two, three, four, five, six, seven... | 0:02:55 | 0:02:59 | |
Right now, I'm having the dancers run through the quintet routine | 0:02:59 | 0:03:02 | |
for the second qualifier. | 0:03:02 | 0:03:04 | |
I'm feeling really weird since the dream I had about Alfie, | 0:03:04 | 0:03:06 | |
but I'm the head of the studio, | 0:03:06 | 0:03:08 | |
and I have to put my personal feelings aside | 0:03:08 | 0:03:10 | |
for the good of the team. | 0:03:10 | 0:03:12 | |
Good. Amazing. | 0:03:12 | 0:03:13 | |
OK. That was really great. That last spacing needs a bit of work, | 0:03:13 | 0:03:16 | |
-but once Noah's here, we'll be able to figure that out. -Sorry I'm late. | 0:03:16 | 0:03:20 | |
Noah. | 0:03:20 | 0:03:21 | |
I'm really getting fed up with Noah's unprofessional behaviour. | 0:03:21 | 0:03:24 | |
He already cost us one qualifier. I'm not going to risk another. | 0:03:24 | 0:03:28 | |
I'm ready to rehearse. | 0:03:28 | 0:03:29 | |
Don't bother. We actually did the rehearsal without you. | 0:03:29 | 0:03:32 | |
Office. Now. | 0:03:32 | 0:03:34 | |
OK. I actually skipped the rehearsal on purpose. | 0:03:34 | 0:03:37 | |
My back's been acting up lately | 0:03:37 | 0:03:39 | |
and I don't want to push it too hard before the qualifier. | 0:03:39 | 0:03:42 | |
-Come in. -OK. | 0:03:46 | 0:03:48 | |
Ow! | 0:03:51 | 0:03:53 | |
I've got so much on my mind right now, | 0:03:53 | 0:03:55 | |
I don't need to deal with Noah's foolishness, too. | 0:03:55 | 0:03:57 | |
It's time to deal with this once and for all. | 0:03:57 | 0:04:00 | |
Why were you late, Noah? | 0:04:00 | 0:04:02 | |
I was just... I had some things I had to go do and... | 0:04:04 | 0:04:06 | |
No! I don't want your excuses. | 0:04:06 | 0:04:08 | |
You messed up at the qualifier and I give you a big chance by putting you | 0:04:08 | 0:04:12 | |
in the second one, and I need to know if you can handle it. | 0:04:12 | 0:04:15 | |
-Did I make a mistake? -No. | 0:04:16 | 0:04:18 | |
You didn't. I promise. | 0:04:18 | 0:04:19 | |
Your promises mean nothing to me. You're going to have to prove it. | 0:04:19 | 0:04:22 | |
In ten minutes, you've got to show me what you can do in the studio. | 0:04:22 | 0:04:25 | |
-Right now? Like... -Go get changed and I'll meet you here. | 0:04:25 | 0:04:28 | |
If I don't impress Riley, I'm off the quintet. | 0:04:28 | 0:04:31 | |
I'm not going to let her down. | 0:04:31 | 0:04:33 | |
I'm coming to see Sloane cos we need to talk. | 0:04:41 | 0:04:43 | |
If we don't deal with this, it could wreck our friendship. | 0:04:43 | 0:04:46 | |
It could wreck everything. | 0:04:46 | 0:04:48 | |
What? You're just going to run away from me for the rest of your life? | 0:04:52 | 0:04:56 | |
-I can try. -Sloane, we have to talk. | 0:04:56 | 0:04:58 | |
Sit down. | 0:04:58 | 0:04:59 | |
Please! | 0:05:00 | 0:05:01 | |
I've put this off as long as I could. But...LaTroy is right. | 0:05:04 | 0:05:08 | |
I can't avoid this for ever. | 0:05:08 | 0:05:10 | |
Look, if you want to date Amy, that's fine. | 0:05:10 | 0:05:12 | |
-We don't have to talk about it. -We have to talk about this sometime. | 0:05:12 | 0:05:15 | |
I already know how the conversation's going to go. | 0:05:15 | 0:05:17 | |
You'll tell me that you only like me as a friend and we've | 0:05:17 | 0:05:20 | |
been best friends our whole lives, | 0:05:20 | 0:05:21 | |
and that dating would only ruin things. We're going to stop | 0:05:21 | 0:05:24 | |
hanging out, drift apart, and we won't even be best friends any more. | 0:05:24 | 0:05:28 | |
We'll be like strangers. I'd rather not go there. | 0:05:28 | 0:05:32 | |
I really want things to be cool between me and LaTroy, | 0:05:38 | 0:05:41 | |
but my feelings keep getting in the way and I'm afraid they always will. | 0:05:41 | 0:05:45 | |
Now, I really want to see you push your limits here, OK? | 0:05:48 | 0:05:51 | |
Acro is your strong suit, so show me a lot of that. | 0:05:51 | 0:05:53 | |
-All right. -I hope Noah can pull this off. | 0:05:53 | 0:05:56 | |
I don't want to replace him, but I have to do what's best for the team. | 0:05:56 | 0:06:00 | |
My back is hurting, but it's manageable. | 0:06:18 | 0:06:21 | |
I just have to keep powering through the rest of this dance. | 0:06:21 | 0:06:24 | |
I can't show any signs of weakness. | 0:06:27 | 0:06:30 | |
But this is hard. | 0:06:30 | 0:06:32 | |
Some of these moves...are killing me. | 0:06:32 | 0:06:34 | |
I was a little worried when Noah missed our rehearsal, | 0:06:51 | 0:06:53 | |
but he's killing it. | 0:06:53 | 0:06:55 | |
If he dances like this at the qualifier, we're golden. | 0:06:55 | 0:06:58 | |
THEY APPLAUD | 0:07:09 | 0:07:11 | |
What a relief! | 0:07:12 | 0:07:14 | |
This is exactly what I wanted to see from Noah, | 0:07:14 | 0:07:17 | |
and this is one less thing I have to worry about. | 0:07:17 | 0:07:20 | |
Great! See, now THAT is A-troupe material. | 0:07:21 | 0:07:24 | |
I really want to see a lot of that in your work, OK? | 0:07:24 | 0:07:26 | |
Now that I've convinced Riley I'm OK, I need to rest my back. | 0:07:26 | 0:07:29 | |
I have to be ready. This qualifier is my chance to redeem myself. | 0:07:29 | 0:07:33 | |
-Great. OK, can I talk to you in my office for a second? -Yeah, sure. | 0:07:33 | 0:07:37 | |
Riley's all business today. I wonder what she wants to talk about. | 0:07:37 | 0:07:40 | |
I hope I'm not in trouble. | 0:07:41 | 0:07:43 | |
You wanted to talk to me? | 0:07:45 | 0:07:47 | |
Yeah, yeah, I just... | 0:07:47 | 0:07:49 | |
want some friend time with you. | 0:07:49 | 0:07:50 | |
Plus, I'm super worried, | 0:07:50 | 0:07:52 | |
because I might be starting to have feelings for Alfie | 0:07:52 | 0:07:55 | |
and I really need to talk to someone about it. | 0:07:55 | 0:07:57 | |
Let's do lunch, just you and I. | 0:07:57 | 0:07:59 | |
-Today? -Today, yeah. | 0:07:59 | 0:08:01 | |
-Is everything OK? -Totally. | 0:08:01 | 0:08:03 | |
Totally, yeah. We both deserve a break, right? | 0:08:03 | 0:08:05 | |
Riley's right. We could both use a break, | 0:08:07 | 0:08:10 | |
and it'll be nice to spend some time with her, one-on-one. | 0:08:10 | 0:08:13 | |
OK. You're right. I'll be there. | 0:08:13 | 0:08:15 | |
Sweet. So no talking about work, or the studio... | 0:08:15 | 0:08:18 | |
Or dancing, or boys, or anything like that. | 0:08:18 | 0:08:21 | |
Let's just focus on us. | 0:08:21 | 0:08:22 | |
So, I'll meet you in the Junction in about an hour. | 0:08:22 | 0:08:25 | |
-It's a date. -OK. I'll see you there. | 0:08:25 | 0:08:27 | |
No boys. Right. | 0:08:29 | 0:08:31 | |
I guess talking about Alfie is off the table. | 0:08:31 | 0:08:34 | |
Perfect(!) | 0:08:34 | 0:08:36 | |
-It's so good. Have you ever tried a brizza? -No! | 0:08:41 | 0:08:44 | |
I originally asked Michelle to hang out so we could talk about Alfie. | 0:08:44 | 0:08:48 | |
But, since boys are off-limits, | 0:08:48 | 0:08:49 | |
I have a different idea. | 0:08:49 | 0:08:51 | |
Since we can't talk about dance, or work or boys, | 0:08:51 | 0:08:54 | |
I'm going to ask you ten questions | 0:08:54 | 0:08:56 | |
-and you have to answer as fast and honestly as you can. -OK, shoot. | 0:08:56 | 0:09:00 | |
OK. | 0:09:00 | 0:09:01 | |
If you could change one thing about yourself what would it be? | 0:09:01 | 0:09:04 | |
-I definitely want to change my acro... -No dance! | 0:09:04 | 0:09:07 | |
Gee. This is harder than I thought. | 0:09:07 | 0:09:09 | |
I'm just so used talking dance with Riley, it's a reflex. | 0:09:09 | 0:09:13 | |
OK. Erm... | 0:09:13 | 0:09:14 | |
Then I would want to be fluent in Italian, | 0:09:14 | 0:09:17 | |
-that way I could converse with my nonna a little bit easier. -Cool. | 0:09:17 | 0:09:20 | |
This is great. I didn't realise | 0:09:20 | 0:09:22 | |
there was so much I didn't know about Michelle. | 0:09:22 | 0:09:24 | |
If you weren't a dancer, sorry for using that word, | 0:09:24 | 0:09:27 | |
what would you want to be? | 0:09:27 | 0:09:28 | |
If I wasn't a dancer, I'd definitely want to be a large animal vet. | 0:09:28 | 0:09:32 | |
Catching up with Michelle is exactly what I need right now. | 0:09:32 | 0:09:35 | |
I can forget about Alfie, and get my mind off of all that drama. | 0:09:35 | 0:09:39 | |
OK, Sloane. Let's work this thing out. | 0:09:45 | 0:09:48 | |
LaTroy told me what happened with him and Sloane. | 0:09:48 | 0:09:50 | |
We need to get this all out in the open. | 0:09:50 | 0:09:53 | |
Seriously? Amy is part of the reason why everything is so messed up. | 0:09:53 | 0:09:56 | |
I don't really want to hang out with her right now. | 0:09:56 | 0:09:58 | |
Just because you and I are both involved in this thing, | 0:09:58 | 0:10:01 | |
doesn't mean we stop being there for each other. | 0:10:01 | 0:10:03 | |
Well, I think we're all willing to stay here until we get somewhere. | 0:10:03 | 0:10:06 | |
-Yeah. -Yeah. Let's talk this out. | 0:10:06 | 0:10:08 | |
OK. | 0:10:08 | 0:10:09 | |
This is going to be hard, | 0:10:09 | 0:10:11 | |
but part of being in the 0% club | 0:10:11 | 0:10:13 | |
is helping each other get through the hard times, | 0:10:13 | 0:10:16 | |
and this definitely qualifies. | 0:10:16 | 0:10:18 | |
This could be even tougher than talking to LaTroy. | 0:10:18 | 0:10:21 | |
I think it's kind of exciting. | 0:10:21 | 0:10:23 | |
All this drama and I'm not even a part of it. | 0:10:23 | 0:10:25 | |
It's like I have ringside seats to you and Amy's catastrophe! | 0:10:25 | 0:10:28 | |
Cassie, you are not helping the situation! | 0:10:30 | 0:10:34 | |
Sorry. From now on, I'm going to be helpful. | 0:10:34 | 0:10:37 | |
Starting now. | 0:10:37 | 0:10:38 | |
Who do we blame? I blame love. | 0:10:38 | 0:10:40 | |
Sorry. | 0:10:42 | 0:10:44 | |
OK. Do over. | 0:10:44 | 0:10:45 | |
Starting NOW. | 0:10:45 | 0:10:47 | |
Why do you care so much now? | 0:10:47 | 0:10:48 | |
It's not like LaTroy's never dated anybody. | 0:10:48 | 0:10:50 | |
I don't know. Maybe it's because he never really cared | 0:10:50 | 0:10:53 | |
about all the other girls. | 0:10:53 | 0:10:55 | |
But, the way he looks at you, | 0:10:55 | 0:10:58 | |
it's different. You matter. | 0:10:58 | 0:11:00 | |
-Really? -Shut up. | 0:11:02 | 0:11:04 | |
I want to date LaTroy, | 0:11:04 | 0:11:05 | |
but I don't want him and Sloane to stop being friends. | 0:11:05 | 0:11:08 | |
I don't want to stop being friends with her either. | 0:11:08 | 0:11:11 | |
The first in my life, I feel like I could lose LaTroy to someone else. | 0:11:11 | 0:11:15 | |
Look, Amy. It's not that I'm mad at you. | 0:11:15 | 0:11:18 | |
It's just, I don't know what to do with my feelings now. | 0:11:18 | 0:11:22 | |
Well, maybe when LaTroy and Amy are with you, they can act more casual? | 0:11:22 | 0:11:27 | |
Yeah. No kissing, or anything. | 0:11:27 | 0:11:29 | |
Seriously, Cassie. | 0:11:31 | 0:11:33 | |
You need to say less things. | 0:11:33 | 0:11:35 | |
You know what, obviously, talking about this is not working, so, | 0:11:35 | 0:11:39 | |
instead of talking it out, let's dance it out. | 0:11:39 | 0:11:42 | |
-OK. -OK. | 0:11:42 | 0:11:44 | |
OK. I was thinking let's start with this. | 0:11:45 | 0:11:47 | |
OK, a fun thing to start off. | 0:11:47 | 0:11:49 | |
Come on, Sloane. Yeah? | 0:11:49 | 0:11:51 | |
Talking didn't work, and dancing is the last thing I feel like doing, | 0:11:51 | 0:11:54 | |
but doesn't look like I have a choice. | 0:11:54 | 0:11:57 | |
-This was so much fun. -It really was. | 0:12:00 | 0:12:02 | |
Why don't we do this more often? | 0:12:02 | 0:12:04 | |
Michelle and I used to hang out like this all the time, | 0:12:04 | 0:12:07 | |
but now everything is just so much more... | 0:12:07 | 0:12:10 | |
Complicated. | 0:12:10 | 0:12:12 | |
Honestly, just with work and everything, it's hard to find time | 0:12:12 | 0:12:15 | |
for me to get away from all my duties at the studio. | 0:12:15 | 0:12:17 | |
Understandable. I mean, | 0:12:17 | 0:12:18 | |
I've been working really hard in the qualifier, | 0:12:18 | 0:12:21 | |
so I've been busy too. | 0:12:21 | 0:12:22 | |
I wish life could slow down sometimes. | 0:12:22 | 0:12:25 | |
Right now, it feels like everything's happening so fast. | 0:12:25 | 0:12:29 | |
Sometimes, I wish that I could just go back, | 0:12:29 | 0:12:31 | |
when I was a dancer and things weren't so complicated. | 0:12:31 | 0:12:35 | |
Well, you know? Life goes on. | 0:12:35 | 0:12:36 | |
People change and they move on. | 0:12:36 | 0:12:39 | |
But maybe we could delay that for just a little bit longer. | 0:12:41 | 0:12:44 | |
-How? -Do you want to take a walk down memory lane with me? | 0:12:44 | 0:12:48 | |
Sure. | 0:12:48 | 0:12:49 | |
Come on. | 0:12:49 | 0:12:51 | |
Riley and I have been through a lot together | 0:12:51 | 0:12:53 | |
and I know the perfect way to reconnect. | 0:12:53 | 0:12:56 | |
# Everybody clap along | 0:13:05 | 0:13:06 | |
# Now, stop - you do you and I'll do me | 0:13:08 | 0:13:11 | |
# I don't follow the leader... # | 0:13:11 | 0:13:13 | |
This LaTroy-Amy-Sloane love triangle | 0:13:13 | 0:13:16 | |
is the toughest thing that Team Zero has ever faced. | 0:13:16 | 0:13:20 | |
But I know we can dance through it. | 0:13:20 | 0:13:23 | |
# I don't run from my imperfections... # | 0:13:23 | 0:13:25 | |
I'm just trying to forget about LaTroy. | 0:13:25 | 0:13:27 | |
But, honestly? I don't know if I can ever get over this. | 0:13:27 | 0:13:31 | |
# Let me tell you why I've got to do me... # | 0:13:31 | 0:13:34 | |
We're all at the Next Step because dancing is how we express ourselves. | 0:13:34 | 0:13:38 | |
And if this doesn't bring me and Sloane back together, nothing will. | 0:13:38 | 0:13:42 | |
# When you look in the mirror | 0:13:42 | 0:13:45 | |
# Tell me, who do you see? | 0:13:45 | 0:13:47 | |
# Don't look no further | 0:13:48 | 0:13:50 | |
# Cos all you've got to be... # | 0:13:50 | 0:13:52 | |
I think this is working. | 0:13:52 | 0:13:55 | |
Sloane seems really happy. Amy seems really happy. | 0:13:55 | 0:13:58 | |
We're all having a great time. | 0:13:58 | 0:14:00 | |
# Nobody does it better | 0:14:00 | 0:14:02 | |
# Nobody does it better, yeah | 0:14:02 | 0:14:05 | |
# Nobody does it better, baby | 0:14:05 | 0:14:08 | |
# Nobody | 0:14:08 | 0:14:10 | |
# You've got to do you | 0:14:10 | 0:14:12 | |
# You've got to do you. # | 0:14:12 | 0:14:16 | |
-That was...awesome! -So good. | 0:14:18 | 0:14:22 | |
It feels great while we're dancing, but the second the music stops, | 0:14:24 | 0:14:28 | |
I look over at Amy and everything comes rushing back. | 0:14:28 | 0:14:31 | |
I'm...not really ready for that. | 0:14:33 | 0:14:36 | |
OK. This is hard, and I want to be there for Sloane, | 0:14:36 | 0:14:40 | |
but being there, means giving her some space. | 0:14:40 | 0:14:44 | |
My feelings for LaTroy haven't changed. | 0:14:44 | 0:14:46 | |
I'm not ready to go back to normal. | 0:14:46 | 0:14:48 | |
I'm bringing Riley into studio eight | 0:14:59 | 0:15:01 | |
to remind her of how we became friends. | 0:15:01 | 0:15:03 | |
This is where it all started. | 0:15:03 | 0:15:05 | |
-Wow! -This studio! | 0:15:05 | 0:15:07 | |
I swear those chickens get scarier every year. | 0:15:08 | 0:15:11 | |
Yeah. Actually, they do. They're just really creepy. | 0:15:11 | 0:15:14 | |
RILEY SIGHS | 0:15:14 | 0:15:15 | |
Do you remember the auditions for A troupe? | 0:15:17 | 0:15:19 | |
So dramatic. | 0:15:19 | 0:15:21 | |
That was such a great team | 0:15:21 | 0:15:24 | |
and everything was so new. | 0:15:24 | 0:15:26 | |
It just felt magical. | 0:15:26 | 0:15:27 | |
Oh, my gosh! And you, in your auditions, this is what you did. | 0:15:27 | 0:15:31 | |
The auditions are in here, right? | 0:15:33 | 0:15:36 | |
Wow. Everyone makes fun of me for that. | 0:15:36 | 0:15:38 | |
-And then you did the hair whip. -The hair whip? | 0:15:38 | 0:15:40 | |
What's the hair whip? I never do that! | 0:15:40 | 0:15:42 | |
I'm sorry! What? It's like your signature move. | 0:15:42 | 0:15:45 | |
I know it is, but you know what? It's a powerful move. | 0:15:45 | 0:15:48 | |
And that move got me into A troupe. | 0:15:48 | 0:15:50 | |
-Yes, it did. -And it got me into regionals with you guys. | 0:15:50 | 0:15:54 | |
Regionals. | 0:15:54 | 0:15:55 | |
That regionals was my first big competition as a dancer. | 0:15:55 | 0:15:58 | |
And now I'm leading the studio to the next regionals. | 0:15:58 | 0:16:02 | |
That's insane! | 0:16:02 | 0:16:04 | |
Do you remember the Romeo and Juliet dance? | 0:16:04 | 0:16:07 | |
-Of course I do. -And you and Eldon were like the couple. | 0:16:07 | 0:16:10 | |
-And he like, lifted you up. -In the air! -That big lift. | 0:16:10 | 0:16:13 | |
Oh, my gosh. Let's do it. Five, six, seven, eight! Go up! | 0:16:13 | 0:16:16 | |
And then he would like bring you down. | 0:16:25 | 0:16:26 | |
I was in love with Eldon. | 0:16:26 | 0:16:28 | |
Back when you were stupid! | 0:16:28 | 0:16:30 | |
-Wow! -That's the thing about love. | 0:16:30 | 0:16:32 | |
It can cloud your better judgment. | 0:16:32 | 0:16:34 | |
-Do you remember Addicted To You? -Yes, I remember that dance. | 0:16:35 | 0:16:38 | |
Do you remember it? | 0:16:38 | 0:16:40 | |
I do. That was my favourite dance. | 0:16:40 | 0:16:42 | |
It was my favourite dance too. To this day. | 0:16:42 | 0:16:44 | |
Do you want to do that dance? | 0:16:47 | 0:16:49 | |
-Yeah. -Let's do it. | 0:16:49 | 0:16:51 | |
Addicted To You was the first time I really felt like I got to contribute | 0:16:52 | 0:16:56 | |
to the team. | 0:16:56 | 0:16:58 | |
It was the first time that this place really felt like home. | 0:16:58 | 0:17:01 | |
# You're the hook in my favourite song | 0:17:01 | 0:17:04 | |
# You're the rhythm that drives me along-long-long | 0:17:04 | 0:17:08 | |
# Got to turn you up to turn me on | 0:17:08 | 0:17:12 | |
# It's magnetic, I get it I don't want it to end... # | 0:17:12 | 0:17:15 | |
As I dance with Riley, it's like no time has passed at all. | 0:17:15 | 0:17:18 | |
Dancing Addicted To You with Michelle, right now, | 0:17:18 | 0:17:21 | |
is bringing back so many memories. | 0:17:21 | 0:17:23 | |
# Addicted to you | 0:17:23 | 0:17:26 | |
# There's nothing that I won't do Won't do to see you | 0:17:26 | 0:17:30 | |
# I'm so addicted to you To you | 0:17:30 | 0:17:33 | |
# I only really want to Want to | 0:17:33 | 0:17:36 | |
# Be near you. # | 0:17:36 | 0:17:38 | |
There's something I've been wanting to tell Riley | 0:17:38 | 0:17:40 | |
for a very, very long time. | 0:17:40 | 0:17:42 | |
And watching her dance made me realise | 0:17:42 | 0:17:44 | |
that I can't wait any longer. | 0:17:44 | 0:17:46 | |
# I'm the light on at your place | 0:17:46 | 0:17:49 | |
# I'm the bird on the wire | 0:17:49 | 0:17:52 | |
# And as hard as I try | 0:17:52 | 0:17:55 | |
# Yes, I try to forget you... # | 0:17:55 | 0:17:57 | |
This day with Michelle has been amazing. | 0:17:57 | 0:18:00 | |
It's exactly what I needed to get my mind off of Alfie. | 0:18:00 | 0:18:03 | |
# I need you now I'm so addicted to you | 0:18:06 | 0:18:09 | |
# I need you like candy. # | 0:18:10 | 0:18:12 | |
BOTH: Oh! Oh! | 0:18:12 | 0:18:14 | |
You're so good! | 0:18:16 | 0:18:17 | |
Riley and I have so much history together and, whatever happens, | 0:18:20 | 0:18:24 | |
I know we will always be friends. | 0:18:24 | 0:18:26 | |
We're more than friends. | 0:18:26 | 0:18:28 | |
Thanks to The Next Step, Michelle and I are sisters | 0:18:28 | 0:18:31 | |
and nothing can change that. | 0:18:31 | 0:18:33 | |
Thank you. | 0:18:33 | 0:18:35 | |
Hey. | 0:18:42 | 0:18:44 | |
Hey. | 0:18:46 | 0:18:47 | |
Even though nothing was solved today, it was good to know | 0:18:48 | 0:18:51 | |
that you guys recognise when I'm down and wanted to | 0:18:51 | 0:18:54 | |
help me feel better. | 0:18:54 | 0:18:55 | |
Amy's persistence today was pretty great. | 0:18:55 | 0:18:58 | |
She proved that she's a true friend. | 0:18:58 | 0:19:00 | |
Are we OK? | 0:19:00 | 0:19:02 | |
No. | 0:19:02 | 0:19:03 | |
But I love you. | 0:19:04 | 0:19:06 | |
I'm not really ready to be friends with Amy or LaTroy just yet. | 0:19:09 | 0:19:13 | |
And I still don't know when I will be. | 0:19:13 | 0:19:15 | |
That's good enough for now. When Sloane's ready, I'll be here. | 0:19:15 | 0:19:19 | |
Hey. Have you got a sec? | 0:19:24 | 0:19:26 | |
Of course. Just when I finally get Alfie out of my head, | 0:19:26 | 0:19:29 | |
he shows up in my office. | 0:19:29 | 0:19:31 | |
So... | 0:19:32 | 0:19:33 | |
-So. -I want to say something | 0:19:33 | 0:19:36 | |
and I don't expect you to answer right away. | 0:19:36 | 0:19:39 | |
What is it? | 0:19:39 | 0:19:40 | |
I think you're amazing... | 0:19:40 | 0:19:42 | |
..and I've never met anyone like you. | 0:19:43 | 0:19:45 | |
And I find that more and more, lately, I want to be around you. | 0:19:45 | 0:19:49 | |
I think my head is about to explode. | 0:19:52 | 0:19:54 | |
I have a boyfriend. | 0:19:56 | 0:19:58 | |
Right. | 0:19:58 | 0:20:00 | |
And I'm the head of the studio. | 0:20:00 | 0:20:02 | |
Right again. | 0:20:02 | 0:20:03 | |
I just want to know if... | 0:20:05 | 0:20:07 | |
there's any possible way you might feel the same way about me. | 0:20:07 | 0:20:11 | |
I like you. | 0:20:13 | 0:20:15 | |
As a friend? | 0:20:15 | 0:20:16 | |
As... | 0:20:18 | 0:20:20 | |
more than a friend. | 0:20:20 | 0:20:22 | |
Er... | 0:20:23 | 0:20:24 | |
So, er...what happens now? | 0:20:28 | 0:20:29 | |
Nothing. | 0:20:29 | 0:20:31 | |
I love James. | 0:20:31 | 0:20:33 | |
-Yeah. -Which is why I think we should just stay friends. | 0:20:33 | 0:20:36 | |
-Of course. -Yeah. | 0:20:36 | 0:20:38 | |
Friends! | 0:20:40 | 0:20:42 | |
OK. | 0:20:42 | 0:20:43 | |
-Friends it is. -Mm-hm. | 0:20:43 | 0:20:46 | |
I thought telling Alfie that we could only be friends | 0:20:49 | 0:20:52 | |
would be the end of this, but... | 0:20:52 | 0:20:54 | |
this does not feel like the end... | 0:20:54 | 0:20:56 | |
at all. | 0:20:56 | 0:20:58 | |
# We | 0:21:01 | 0:21:04 | |
# We're gonna show the world | 0:21:04 | 0:21:08 | |
# Everything we're made of | 0:21:08 | 0:21:11 | |
# We're going to tear the roof off this place | 0:21:11 | 0:21:15 | |
# You | 0:21:15 | 0:21:18 | |
# You can never fade us out | 0:21:18 | 0:21:21 | |
# Don't even ask the DJ | 0:21:21 | 0:21:25 | |
# Everybody knows we own this sound. # | 0:21:25 | 0:21:30 |