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Previously on The Next Step.... | 0:00:02 | 0:00:03 | |
I have ringside seats to you and Amy's catastrophe. | 0:00:03 | 0:00:05 | |
Seriously, Cassie, you need to say less things. | 0:00:05 | 0:00:09 | |
Doctor said if I don't get the surgery, | 0:00:09 | 0:00:11 | |
I won't be able to dance again. | 0:00:11 | 0:00:13 | |
'This is our worst nightmare.' | 0:00:13 | 0:00:14 | |
It's actually happening. | 0:00:14 | 0:00:16 | |
'I can't believe what I see. | 0:00:16 | 0:00:18 | |
'I saw what you did.' | 0:00:18 | 0:00:20 | |
-What are you talking about? -I saw you kiss Alfie. | 0:00:20 | 0:00:24 | |
How can I possibly tell James? | 0:00:24 | 0:00:26 | |
It'll break his heart. | 0:00:26 | 0:00:27 | |
What did you just say? | 0:00:33 | 0:00:34 | |
I said I saw you kiss Alfie. | 0:00:34 | 0:00:36 | |
-Piper... -How could you do that?! | 0:00:39 | 0:00:42 | |
-Please, you don't understand. -Don't touch me! | 0:00:45 | 0:00:48 | |
Piper, please... | 0:00:50 | 0:00:52 | |
Please don't tell James. | 0:00:53 | 0:00:55 | |
You, you're going to tell James, or else I'll tell him. | 0:00:55 | 0:01:00 | |
# We We're gonna show the world | 0:01:15 | 0:01:21 | |
# Everything we're made of | 0:01:21 | 0:01:25 | |
# We're gonna tear the roof off this place | 0:01:25 | 0:01:31 | |
# Stand up! # | 0:01:37 | 0:01:39 | |
PHONE RINGS | 0:01:54 | 0:01:57 | |
I'm heading to the hip-hop competition and I just wanted | 0:01:57 | 0:01:59 | |
to touch base with Riley. | 0:01:59 | 0:02:00 | |
'Hi, you've reached Riley. Please leave a message.' | 0:02:00 | 0:02:03 | |
-BEEP -Yo. What's up, Riley? | 0:02:03 | 0:02:05 | |
Um... | 0:02:05 | 0:02:06 | |
I haven't heard from you in, like, a really long time. | 0:02:06 | 0:02:09 | |
So, um, call me back when you can. | 0:02:09 | 0:02:12 | |
Cos it's been a while and it's starting to kind of trip me out. | 0:02:12 | 0:02:15 | |
I just want to make sure everything's all right, | 0:02:15 | 0:02:17 | |
so, uh, call me back... | 0:02:17 | 0:02:19 | |
when you can. Love you. | 0:02:19 | 0:02:20 | |
I know I have to tell James what happened with Alfie. | 0:02:23 | 0:02:26 | |
But how do you break the heart of the person you love? | 0:02:27 | 0:02:30 | |
-Hey. -Hey. | 0:02:37 | 0:02:39 | |
I'm making a Thinking Of You card for Noah. | 0:02:39 | 0:02:40 | |
-Will you guys sign it? -Yeah, of course. That's so thoughtful. | 0:02:40 | 0:02:43 | |
I got Noah a Thinking Of You card because... | 0:02:43 | 0:02:46 | |
I was thinking of him. | 0:02:46 | 0:02:48 | |
-Hey, Henry, come here for a second. -Yeah, sure. | 0:02:49 | 0:02:52 | |
-Will you sign a card for Noah? -Sure. -Here. | 0:02:52 | 0:02:54 | |
-But you should do other things for him too. -Like what? | 0:02:54 | 0:02:57 | |
We should get him chocolates. | 0:02:57 | 0:02:58 | |
What if he's allergic? | 0:02:58 | 0:03:00 | |
Well, then flowers. | 0:03:00 | 0:03:01 | |
-Everybody loves to get flowers when in hospital. -That's a good idea. | 0:03:01 | 0:03:04 | |
Those always die and look horrible anyways. | 0:03:04 | 0:03:07 | |
Sorry. | 0:03:07 | 0:03:08 | |
Cassie always jumps to the worst-case scenario. | 0:03:08 | 0:03:11 | |
She could try being a little more diplomatic. | 0:03:11 | 0:03:14 | |
OK, what about balloons? They don't die. | 0:03:14 | 0:03:16 | |
I heard a nurse was putting in an IV one time and balloons in the next | 0:03:16 | 0:03:20 | |
room popped, and it all went downhill from there, so... | 0:03:20 | 0:03:22 | |
'Wow.' | 0:03:22 | 0:03:23 | |
Cassie can really suck the fun out of a room. | 0:03:23 | 0:03:26 | |
I hope she's not delivering that card to Noah personally. | 0:03:26 | 0:03:29 | |
-Noah's really going to like this. -Good. -Unless he gets a paper cut. | 0:03:30 | 0:03:33 | |
'I know Cassie means well,' | 0:03:33 | 0:03:36 | |
but sometimes... Ugh! | 0:03:36 | 0:03:38 | |
Hi, Noah. It's me again. | 0:03:43 | 0:03:46 | |
I'm just wondering how you are. | 0:03:46 | 0:03:48 | |
Noah is having his surgery today and I'm scared. | 0:03:48 | 0:03:51 | |
Every time I close my eyes, I just picture the worst-case scenario. | 0:03:51 | 0:03:55 | |
Anyways, I guess I'll see you soon. | 0:03:55 | 0:03:58 | |
I hope. | 0:03:58 | 0:03:59 | |
Um... CHEERY: I mean, yeah, I will. | 0:03:59 | 0:04:02 | |
OK, bye. | 0:04:02 | 0:04:03 | |
-Chrysanthemum? -Excuse me? | 0:04:06 | 0:04:08 | |
-Yeah, Constantinople sent me. -What? | 0:04:08 | 0:04:10 | |
Noah, code-named Constantinople, | 0:04:10 | 0:04:12 | |
didn't want Amanda to worry, | 0:04:12 | 0:04:14 | |
so he texted me and asked me if I could look out for her. | 0:04:14 | 0:04:16 | |
Yeah, you know, you're Chrysanthemum, | 0:04:16 | 0:04:18 | |
I'm the Big Dipper. Our codenames. | 0:04:18 | 0:04:20 | |
I always use codenames whenever something is important, | 0:04:20 | 0:04:23 | |
and this, this is important. | 0:04:23 | 0:04:25 | |
But your real name is Theo, right? | 0:04:25 | 0:04:27 | |
-Shh, shh! -'Theo was one of' | 0:04:27 | 0:04:28 | |
the musicians at Lost & Found. | 0:04:28 | 0:04:30 | |
I don't know what's going on, but he's acting even weirder than usual. | 0:04:30 | 0:04:34 | |
OK, sorry, what are you doing here? | 0:04:34 | 0:04:36 | |
Constantinople said you might be having a tough time today, | 0:04:36 | 0:04:39 | |
so he sent me to distract you. | 0:04:39 | 0:04:41 | |
And I am a really good distracter. | 0:04:41 | 0:04:42 | |
-Really? -Yeah. Like... Is this your lip balm? | 0:04:42 | 0:04:45 | |
Um, how did you get that? | 0:04:47 | 0:04:49 | |
Exactly. | 0:04:49 | 0:04:50 | |
Look, Theo, I really appreciate it, | 0:04:52 | 0:04:54 | |
-but I don't think anything is going to... -Ha! | 0:04:54 | 0:04:57 | |
I think you're wrong. | 0:04:57 | 0:04:58 | |
Come to Studio Ah later and I will show you, you can be cheered up. | 0:04:58 | 0:05:03 | |
You mean Studio A. | 0:05:03 | 0:05:04 | |
Oh. That does make more sense. | 0:05:06 | 0:05:08 | |
It was thoughtful of Noah to send me his friend the Big Dipper, | 0:05:08 | 0:05:12 | |
but I don't think anything is going to take my mind off this surgery. | 0:05:12 | 0:05:16 | |
OK, guys, listen up. | 0:05:20 | 0:05:23 | |
This is the part of the competition that gets really, | 0:05:23 | 0:05:25 | |
really tough because it's time for 2v2. | 0:05:25 | 0:05:28 | |
This is sudden death elimination. | 0:05:28 | 0:05:30 | |
This is the second challenge | 0:05:33 | 0:05:35 | |
of the Bangers & Mashups International Hip-Hop Extravaganza. | 0:05:35 | 0:05:38 | |
West got us through the 1v1 challenge, | 0:05:38 | 0:05:40 | |
and now there's only 20 teams left. | 0:05:40 | 0:05:42 | |
Please welcome Xanadu Warriors and Team Aussie 654. | 0:05:42 | 0:05:46 | |
Are you guys ready to dance? | 0:05:52 | 0:05:54 | |
Are you guys ready? Let's do it. | 0:05:54 | 0:05:56 | |
James and I have been practising nonstop to get ready | 0:05:58 | 0:06:00 | |
for this 2v2 challenge. | 0:06:00 | 0:06:01 | |
We don't dance today, | 0:06:01 | 0:06:03 | |
but we're here checking out the rest of the competition. | 0:06:03 | 0:06:06 | |
It is so cool to be around the world's best hip-hop dancers. | 0:06:18 | 0:06:22 | |
Everywhere I look, it's like perfection. | 0:06:22 | 0:06:24 | |
You know, I never liked orange juice. | 0:06:29 | 0:06:32 | |
You never know what it's made of. | 0:06:32 | 0:06:34 | |
Probably oranges. | 0:06:34 | 0:06:35 | |
Hey, guys. Hey, what are you doing? | 0:06:35 | 0:06:37 | |
-Just signing a card for Noah. Riley, sign it. -Of course. | 0:06:37 | 0:06:40 | |
Yeah, Riley, sign the card. | 0:06:40 | 0:06:42 | |
It's for someone who's not here. | 0:06:42 | 0:06:44 | |
You should write, "I can't wait until you come home." | 0:06:44 | 0:06:48 | |
I think you mean, "I can't wait until you come back to the studio." | 0:06:48 | 0:06:51 | |
Make sure to sign "XOXO, Riley". | 0:06:51 | 0:06:54 | |
That means hugs... | 0:06:54 | 0:06:56 | |
and kisses. | 0:06:56 | 0:06:58 | |
-Let's get a drink, Michelle. -Sure. | 0:06:58 | 0:07:00 | |
-Piper! -What was that? What are you doing? | 0:07:03 | 0:07:05 | |
You know Riley can easily take you off the duet. | 0:07:05 | 0:07:07 | |
'Piper is really out of line.' | 0:07:07 | 0:07:10 | |
I'm surprised Riley is letting her get away with that. | 0:07:10 | 0:07:12 | |
What's wrong? | 0:07:12 | 0:07:14 | |
Nothing's wrong. | 0:07:14 | 0:07:15 | |
Don't even worry about it. | 0:07:15 | 0:07:17 | |
Whatever is going on with Piper seems really serious. | 0:07:19 | 0:07:23 | |
Yeah. I'll talk to her. | 0:07:23 | 0:07:25 | |
These are the best hip-hop dancers | 0:07:39 | 0:07:41 | |
in the entire world. | 0:07:41 | 0:07:43 | |
You have to be ready to battle. | 0:07:43 | 0:07:44 | |
-I mean, they're dope. We could beat them, though. -Yeah. | 0:07:48 | 0:07:50 | |
-We can beat them. -For sure. | 0:07:50 | 0:07:52 | |
So in this 2v2 challenge, each team | 0:07:56 | 0:07:58 | |
chooses two dancers, | 0:07:58 | 0:08:00 | |
and those two dancers go up against another team, | 0:08:00 | 0:08:02 | |
head-to-head and one at a time. | 0:08:02 | 0:08:04 | |
Once both dancers have lost a head-to-head round, | 0:08:04 | 0:08:07 | |
the team is eliminated. | 0:08:07 | 0:08:08 | |
It's bothering me that I haven't heard from Riley yet. | 0:08:13 | 0:08:16 | |
I don't even know what that means, | 0:08:16 | 0:08:17 | |
but I'm going to try calling her again. | 0:08:17 | 0:08:19 | |
Boss man, this is going to be a tough decision. | 0:08:19 | 0:08:21 | |
-I'll catch you guys, all right? -All right. | 0:08:21 | 0:08:23 | |
Who is the winner of this round? | 0:08:23 | 0:08:25 | |
PHONE VIBRATES | 0:08:25 | 0:08:27 | |
This is the second call from James today. | 0:08:30 | 0:08:33 | |
And I'm still not ready to face this. | 0:08:33 | 0:08:35 | |
'Hi, you've reached Riley. Please leave a message.' | 0:08:37 | 0:08:39 | |
'I don't get it. | 0:08:39 | 0:08:40 | |
'Riley always takes my calls.' | 0:08:40 | 0:08:43 | |
I'm totally confused right now. | 0:08:43 | 0:08:44 | |
-Alfie. -Hey, can we talk for a second? -No. | 0:08:52 | 0:08:54 | |
-I can't talk to you right now. I can't. I can't even see you. -Why? | 0:08:54 | 0:08:59 | |
Is something wrong? | 0:08:59 | 0:09:00 | |
Piper saw us kiss. | 0:09:02 | 0:09:04 | |
She knows about us. | 0:09:04 | 0:09:06 | |
So please just leave me alone. | 0:09:08 | 0:09:10 | |
'I feel sick to my stomach.' | 0:09:12 | 0:09:14 | |
I don't know what's going to happen now. | 0:09:14 | 0:09:17 | |
This is such a mess. | 0:09:25 | 0:09:27 | |
I wish I could just take it all back, but... | 0:09:27 | 0:09:29 | |
..it's too late. | 0:09:31 | 0:09:32 | |
# And you're miles away | 0:09:36 | 0:09:38 | |
# But your voice is in my head. # | 0:09:38 | 0:09:42 | |
# I gave everything and more | 0:09:44 | 0:09:47 | |
# Just to save it... # | 0:09:47 | 0:09:50 | |
I'm dancing to try to clear my head of all these painful emotions. | 0:09:50 | 0:09:55 | |
# You moved on... # | 0:09:55 | 0:09:58 | |
I don't know how much longer | 0:09:59 | 0:10:01 | |
I can keep all these feelings | 0:10:01 | 0:10:02 | |
bottled up inside. | 0:10:02 | 0:10:03 | |
# You gave your heart | 0:10:03 | 0:10:06 | |
# Well, you saw your chance to run | 0:10:06 | 0:10:09 | |
# And you took it | 0:10:09 | 0:10:13 | |
# Never thought I'd see this day... # | 0:10:13 | 0:10:16 | |
I'm just so angry, and everyone can see there is something wrong. | 0:10:16 | 0:10:20 | |
# I'll move on without your love | 0:10:20 | 0:10:27 | |
# I'll be strong | 0:10:27 | 0:10:31 | |
# I'll take it on | 0:10:31 | 0:10:35 | |
# It seems like we only started | 0:10:35 | 0:10:39 | |
# Yesterday... # | 0:10:39 | 0:10:42 | |
How can it all change in the blink of an eye? | 0:10:42 | 0:10:46 | |
I'm feeling sad for James, | 0:10:46 | 0:10:48 | |
betrayed by Riley and scared about what it could mean for the studio. | 0:10:48 | 0:10:52 | |
# Falling apart | 0:10:52 | 0:10:57 | |
# Falling all apart. # | 0:10:57 | 0:11:00 | |
Hey. | 0:11:06 | 0:11:08 | |
Uh, you forgot to sign Noah's card before you left. | 0:11:08 | 0:11:11 | |
Everyone's noticed your attitude towards Riley and... | 0:11:15 | 0:11:18 | |
Well, I have a good reason to be mad at Riley. | 0:11:18 | 0:11:20 | |
Just can't talk about it. | 0:11:20 | 0:11:22 | |
That's not going to fly, Piper. You've got to talk to us. | 0:11:22 | 0:11:25 | |
-That's the reason we formed Zero Percent. -Believe me, | 0:11:25 | 0:11:28 | |
I wish I could tell you, but I can't. | 0:11:28 | 0:11:31 | |
-Why not? -Personal stuff. -Piper... -I can't tell you! | 0:11:31 | 0:11:35 | |
Thank you, but I need to get back to rehearsing. | 0:11:35 | 0:11:38 | |
I have to respect Piper's wishes. | 0:11:44 | 0:11:46 | |
But I'm really worried. | 0:11:46 | 0:11:48 | |
I wish there was something more I could do. | 0:11:48 | 0:11:50 | |
I promised Noah that I would distract Amanda | 0:11:59 | 0:12:01 | |
during his surgery today, | 0:12:01 | 0:12:02 | |
and distract Amanda is exactly what I'm going to do. | 0:12:02 | 0:12:05 | |
Oh, are you going to play a song? | 0:12:09 | 0:12:12 | |
-Yep, and you're going to dance. -That's it - you play, I dance? -Yep. | 0:12:12 | 0:12:16 | |
-You ready? -Yeah. -Let's do it. | 0:12:16 | 0:12:19 | |
Theo says all I have to do is dance. | 0:12:22 | 0:12:24 | |
Why do I get the feeling that there's more to it than that? | 0:12:24 | 0:12:27 | |
Stop! | 0:12:27 | 0:12:28 | |
-All right, what do you think about Noah's hair? -What? | 0:12:28 | 0:12:34 | |
-Just answer the question. -I don't know, it's kind of tall. | 0:12:34 | 0:12:38 | |
Is it too tall? | 0:12:38 | 0:12:39 | |
Maybe? | 0:12:40 | 0:12:42 | |
Interesting. | 0:12:42 | 0:12:44 | |
Right now, Amanda's mind is going, | 0:12:44 | 0:12:46 | |
"I'm so worried about Noah!" | 0:12:46 | 0:12:47 | |
And my job is to say, "Hey, mind, over there." | 0:12:47 | 0:12:51 | |
Stop! | 0:12:56 | 0:12:57 | |
If Noah was a flavour of ice cream, | 0:12:57 | 0:12:59 | |
what flavour of ice cream would he be? | 0:12:59 | 0:13:00 | |
Uh, mint chocolate chip? | 0:13:00 | 0:13:03 | |
Really? | 0:13:03 | 0:13:04 | |
-Not pistachio? -No. -I disagree, but OK. | 0:13:04 | 0:13:07 | |
Stop! | 0:13:12 | 0:13:13 | |
-I don't understand what Theo's trying to do. -Stop! | 0:13:15 | 0:13:18 | |
You heard me. | 0:13:19 | 0:13:20 | |
-Theo, what is the point of this? -I'm asking the questions here. | 0:13:22 | 0:13:26 | |
So what do you like most about Noah? | 0:13:26 | 0:13:29 | |
Everything. | 0:13:30 | 0:13:32 | |
All right. Keep dancing. | 0:13:34 | 0:13:35 | |
I appreciate what Theo is trying to do, | 0:13:39 | 0:13:41 | |
but this is just making me miss Noah even more. | 0:13:41 | 0:13:44 | |
You know, nobody has ever survived rabies. | 0:13:44 | 0:13:48 | |
OK, she's gone rogue. | 0:13:48 | 0:13:49 | |
-Piper, she's shutting us out. -Maybe something's wrong with her. | 0:13:49 | 0:13:52 | |
I think she's just avoiding talking about her feelings. | 0:13:52 | 0:13:55 | |
So, what do we do? | 0:13:55 | 0:13:57 | |
Sometimes it just takes time until you're ready to talk or... | 0:13:57 | 0:14:01 | |
to get over a situation. | 0:14:01 | 0:14:03 | |
I needed time to deal before I could be around Amy, | 0:14:04 | 0:14:07 | |
but look at me now. | 0:14:07 | 0:14:08 | |
OK. So we'll give her some space, | 0:14:08 | 0:14:11 | |
we won't force her to talk and we'll keep our eyes on her. | 0:14:11 | 0:14:15 | |
Yeah. | 0:14:15 | 0:14:16 | |
We are still going to be there for Piper, | 0:14:16 | 0:14:18 | |
just...from a distance. | 0:14:18 | 0:14:20 | |
I'm coming into the rehearsal room because I need to talk to Piper. | 0:14:26 | 0:14:30 | |
You were giving Riley a lot of attitude earlier, | 0:14:30 | 0:14:32 | |
what was that about? | 0:14:32 | 0:14:33 | |
It's between me and Riley. | 0:14:33 | 0:14:35 | |
Not me and Riley and you. | 0:14:35 | 0:14:37 | |
What is Piper's problem? | 0:14:37 | 0:14:38 | |
Whatever is going on, | 0:14:38 | 0:14:39 | |
I'm sure we can straighten this all out. | 0:14:39 | 0:14:41 | |
All right, listen, Piper. Riley is my best friend. | 0:14:41 | 0:14:44 | |
Whatever is happening between you two must be | 0:14:44 | 0:14:46 | |
a big misunderstanding. | 0:14:46 | 0:14:49 | |
-She always does what's in the studio's best interests. -Does she? | 0:14:49 | 0:14:52 | |
No, does kissing Alfie | 0:14:52 | 0:14:54 | |
sound like it's in the best interest of the studio? | 0:14:54 | 0:14:57 | |
'What?! There is no way.' | 0:14:57 | 0:14:59 | |
Riley kissed Alfie? | 0:14:59 | 0:15:01 | |
Yeah. | 0:15:01 | 0:15:02 | |
I can't believe I just told Michelle, | 0:15:07 | 0:15:10 | |
but I couldn't help it. | 0:15:10 | 0:15:12 | |
It just came out. | 0:15:12 | 0:15:13 | |
I'm coming into Riley's office | 0:15:28 | 0:15:30 | |
because I need to know the truth about her and Alfie. | 0:15:30 | 0:15:33 | |
So... Alfie. | 0:15:33 | 0:15:35 | |
And you. | 0:15:35 | 0:15:37 | |
So it IS true! | 0:15:39 | 0:15:41 | |
Yes, it's true. I kissed Alfie. But it just happened. | 0:15:42 | 0:15:45 | |
How does something like that just happen? | 0:15:45 | 0:15:48 | |
Your lips touching someone else's lips, that doesn't just happen. | 0:15:48 | 0:15:50 | |
Especially when you have a boyfriend! | 0:15:50 | 0:15:53 | |
I know, OK? I know. I just... | 0:15:53 | 0:15:55 | |
I've been so stressed lately, and Alfie's been there for me and... | 0:15:55 | 0:15:58 | |
Do you have any idea what this is going to do to James, | 0:15:58 | 0:16:01 | |
what this is going to do to the studio? | 0:16:01 | 0:16:03 | |
Piper is beside herself. And she has to dance with Alfie. | 0:16:03 | 0:16:07 | |
How do you think she feels? | 0:16:07 | 0:16:09 | |
Do you ever think about anyone else other than yourself? | 0:16:09 | 0:16:12 | |
It's like I don't even know who you are any more. | 0:16:14 | 0:16:17 | |
After everything I've done... | 0:16:19 | 0:16:21 | |
..I don't know who I am either. | 0:16:23 | 0:16:24 | |
My little sister | 0:16:31 | 0:16:32 | |
wanted to get a goldfish, so I said, | 0:16:32 | 0:16:35 | |
"You better get two because one of them will be dead in a week." | 0:16:35 | 0:16:37 | |
-Sorry. -'Enough, Cassie!' | 0:16:37 | 0:16:40 | |
Do you have to put a negative spin on everything? | 0:16:40 | 0:16:43 | |
Cassie, what is wrong with you? | 0:16:43 | 0:16:45 | |
Why are you being so negative? | 0:16:45 | 0:16:47 | |
I know exactly what Amy is talking about, | 0:16:47 | 0:16:50 | |
but I don't want to talk about it. | 0:16:50 | 0:16:51 | |
-You say something negative, then you apologise. -Yeah. | 0:16:51 | 0:16:54 | |
OK, fine, I've been doing it my whole life. | 0:16:54 | 0:16:58 | |
I do it because I'm superstitious. | 0:16:58 | 0:17:00 | |
I figured if I say the worst thing that could happen, maybe it won't. | 0:17:00 | 0:17:04 | |
BOTH: Oh, so she's actually being positive! | 0:17:06 | 0:17:09 | |
-Sorry. -No, don't say it. -Yeah, just stop apologising. | 0:17:09 | 0:17:13 | |
What are you guys laughing about? | 0:17:13 | 0:17:16 | |
Nothing. | 0:17:16 | 0:17:17 | |
It's not like we're trying to avoid talking with you cos you | 0:17:17 | 0:17:20 | |
can't deal with your issues. | 0:17:20 | 0:17:22 | |
Do you want to sit with us, Piper? | 0:17:22 | 0:17:25 | |
-No, I just want to be alone. -OK. | 0:17:25 | 0:17:29 | |
Oh. The Big Dipper has failed! | 0:17:32 | 0:17:36 | |
Don't worry about it, Theo, you tried your hardest. | 0:17:36 | 0:17:39 | |
I'm just super worried about Noah. | 0:17:39 | 0:17:40 | |
Noah is depending on me to distract Amanda while he's in surgery, | 0:17:40 | 0:17:43 | |
and I can't let a brother down. | 0:17:43 | 0:17:46 | |
I think I've got one more trick up my sleeve, | 0:17:46 | 0:17:47 | |
courtesy of Constantinople. | 0:17:47 | 0:17:50 | |
# I won't | 0:18:04 | 0:18:06 | |
# I won't cry | 0:18:09 | 0:18:11 | |
# If all of my dreams come crashing from the sky | 0:18:14 | 0:18:17 | |
# We will dance | 0:18:18 | 0:18:21 | |
# Yeah, we'll dance | 0:18:23 | 0:18:25 | |
# We will get the belt if we get our second chance | 0:18:27 | 0:18:31 | |
# All we need is some British rock and roll | 0:18:33 | 0:18:38 | |
# All we need is some royalty, you know | 0:18:38 | 0:18:41 | |
# All we need is some hip-hop and soul | 0:18:41 | 0:18:46 | |
# Sing along because you know | 0:18:47 | 0:18:51 | |
# Ooh, sha-la-la-la | 0:18:51 | 0:18:55 | |
# Ooh, sha-la-la-la | 0:18:55 | 0:18:58 | |
# Ooh, sha-la-la-la. # | 0:18:59 | 0:19:02 | |
Thank you. | 0:19:10 | 0:19:11 | |
I am grateful for Theo. | 0:19:16 | 0:19:18 | |
Noah may be in surgery, but... | 0:19:19 | 0:19:21 | |
for the first time | 0:19:21 | 0:19:22 | |
since this all started, | 0:19:22 | 0:19:23 | |
I know he's going to be OK. | 0:19:23 | 0:19:25 | |
James doesn't usually call in the middle of the day. | 0:19:36 | 0:19:39 | |
That probably means that Riley finally told him everything. | 0:19:39 | 0:19:43 | |
Hey. | 0:19:48 | 0:19:49 | |
-James. -What's up, Pipesqueak? | 0:19:49 | 0:19:52 | |
I'm at the competition. What's going on? | 0:19:52 | 0:19:55 | |
So you're OK? | 0:19:55 | 0:19:57 | |
Anything happen? | 0:19:57 | 0:19:58 | |
No, I'm fine. | 0:19:58 | 0:20:00 | |
I just thought I'd check in. | 0:20:00 | 0:20:02 | |
Pipes, what's going on? | 0:20:04 | 0:20:06 | |
Are you OK? | 0:20:07 | 0:20:08 | |
SHE SOBS | 0:20:08 | 0:20:10 | |
-Yeah. -OK, obviously not. | 0:20:10 | 0:20:13 | |
What's going on? | 0:20:13 | 0:20:14 | |
Is someone being mean to you? | 0:20:14 | 0:20:15 | |
I can't be here. | 0:20:18 | 0:20:19 | |
Can you talk to someone about this, like Riley? | 0:20:19 | 0:20:22 | |
I can't talk to Riley. | 0:20:22 | 0:20:23 | |
-I can't talk to her about this. -What? | 0:20:24 | 0:20:27 | |
I'm sorry, James, if you were here, none of this would be happening. | 0:20:27 | 0:20:31 | |
None of what? Piper, what are you talking about? | 0:20:31 | 0:20:33 | |
You're not making any sense. | 0:20:33 | 0:20:35 | |
I miss you. | 0:20:35 | 0:20:36 | |
-I have to go. -Pipes... | 0:20:36 | 0:20:39 | |
Hey, man, you OK? | 0:20:46 | 0:20:48 | |
No. You got to take my spot, man, I'm out. | 0:20:50 | 0:20:52 | |
-What? -'It's horrible timing but...' | 0:20:52 | 0:20:54 | |
-What? -'..I know West and Eldon will understand.' | 0:20:54 | 0:20:58 | |
Piper needs me. | 0:20:58 | 0:20:59 | |
And family is more important than any competition. | 0:20:59 | 0:21:02 | |
# We We're going to show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're going to tear the roof off this place | 0:21:15 | 0:21:19 | |
# You You can never fade us out | 0:21:19 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:29 | |
# Everybody knows we own this town. # | 0:21:29 | 0:21:34 |