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-Previously on The Next Step... -This is a text message from Thalia. | 0:00:02 | 0:00:04 | |
West, there is not enough chocolate | 0:00:04 | 0:00:06 | |
in the world right now for this text message. | 0:00:06 | 0:00:08 | |
I've got to get over Thalia. But why would she text me? | 0:00:08 | 0:00:10 | |
I have to have the surgery immediately. | 0:00:10 | 0:00:12 | |
Everything in my life was going so well and then this happens. | 0:00:12 | 0:00:16 | |
I saw what you did, I saw you kiss Alfie. | 0:00:16 | 0:00:21 | |
-Oh, no. -If you were here, none of this would be happening. | 0:00:21 | 0:00:25 | |
Piper, what are you talking about? Piper needs me. | 0:00:25 | 0:00:27 | |
You have got to take my spot, man, I'm out. | 0:00:27 | 0:00:29 | |
Family is more important than any competition. | 0:00:29 | 0:00:32 | |
James is gone. | 0:00:41 | 0:00:42 | |
-We're going to be fine. -It's fine. | 0:00:42 | 0:00:45 | |
'With James gone, | 0:00:45 | 0:00:46 | |
'Eldon has to take his spot in the two v two challenge.' | 0:00:46 | 0:00:49 | |
I know he's nervous but he can do this. | 0:00:49 | 0:00:51 | |
All he needs to do is take a deep breath and calm down. | 0:00:51 | 0:00:54 | |
Just relax, OK? We've danced together a million times. | 0:00:54 | 0:00:58 | |
As long as we keep it cool, OK? | 0:00:58 | 0:00:59 | |
-Yeah. -We're going to kill this competition. | 0:00:59 | 0:01:01 | |
-Yeah, yeah, we've got this. -Yes, we've got it, man. -We've got it. | 0:01:01 | 0:01:04 | |
-We've got it. OK. -Yes. | 0:01:04 | 0:01:06 | |
-We're going to kill this, man. -Yes. | 0:01:06 | 0:01:08 | |
OK. | 0:01:10 | 0:01:11 | |
'I bust a few moves to get Eldon dancing. | 0:01:11 | 0:01:14 | |
'A little distraction goes a long way. | 0:01:14 | 0:01:16 | |
'He's kind of like a puppy dog.' | 0:01:16 | 0:01:18 | |
Get it. Ah, ah, ah, ah, woo. | 0:01:19 | 0:01:22 | |
PHONE CHIMES | 0:01:22 | 0:01:24 | |
Is that James? | 0:01:24 | 0:01:26 | |
-It's Thalia. -Hold on, it's who? | 0:01:26 | 0:01:29 | |
It's... | 0:01:29 | 0:01:31 | |
HE STUTTERS | 0:01:31 | 0:01:33 | |
Thalia. | 0:01:33 | 0:01:34 | |
STUTTERING CONTINUES | 0:01:34 | 0:01:36 | |
Here. | 0:01:36 | 0:01:37 | |
HE CONTINUES TO STUTTER | 0:01:37 | 0:01:38 | |
In England. | 0:01:38 | 0:01:41 | |
Coming to see me. | 0:01:41 | 0:01:42 | |
HE STUTTERS | 0:01:42 | 0:01:44 | |
I think my brain just broke. | 0:01:44 | 0:01:45 | |
# We, we are gonna show the world | 0:01:45 | 0:01:51 | |
# Everything we're made of | 0:01:51 | 0:01:55 | |
# We're gonna tear the roof off this place | 0:01:55 | 0:02:03 | |
# Stand up. # | 0:02:08 | 0:02:10 | |
# Take it to the top. # | 0:02:24 | 0:02:27 | |
Right now I'm leaving a note for Riley because I'm going to miss | 0:02:27 | 0:02:30 | |
rehearsal today. Noah's getting out | 0:02:30 | 0:02:31 | |
of surgery and I have to be there. | 0:02:31 | 0:02:33 | |
-Hey, Amanda. -Hey, Amanda. | 0:02:35 | 0:02:37 | |
I found him wandering the halls. | 0:02:37 | 0:02:39 | |
-He says he knows you. -'My cousin, Cooper, is visiting from England.' | 0:02:39 | 0:02:42 | |
This whole visit, it's been Next Step this, | 0:02:42 | 0:02:44 | |
Next Step that and he's kind of driving me crazy. | 0:02:44 | 0:02:47 | |
I know you're following me. | 0:02:47 | 0:02:49 | |
Well, it's not that bad to follow in the footsteps of my amazing cousin. | 0:02:49 | 0:02:52 | |
And ever since he's watched The Next Step at Internationals, | 0:02:52 | 0:02:55 | |
he's become a huge fan. | 0:02:55 | 0:02:57 | |
Honestly, I think you should just go home. | 0:02:57 | 0:02:59 | |
But the thing is, no-one's at home. | 0:02:59 | 0:03:01 | |
They've all gone to Niagara Falls so I thought why not stay here at the | 0:03:01 | 0:03:04 | |
-studio and spend a day? -I don't really think it's a good idea. | 0:03:04 | 0:03:07 | |
I have to go to the hospital and see Noah. I'm not going to be here. | 0:03:07 | 0:03:10 | |
Richelle could look after me. | 0:03:10 | 0:03:12 | |
Yeah. I'll take care of him, | 0:03:12 | 0:03:13 | |
don't worry, he won't bug anyone. | 0:03:13 | 0:03:15 | |
Right, Cooper? | 0:03:15 | 0:03:17 | |
Yes, you got it indeed. | 0:03:17 | 0:03:19 | |
Fine, don't make me regret this. | 0:03:19 | 0:03:21 | |
Don't worry, you won't. | 0:03:21 | 0:03:22 | |
Thanks. | 0:03:22 | 0:03:24 | |
No-one loves The Next Step more than Cooper. | 0:03:24 | 0:03:26 | |
Today, he's going to have the time of his life. | 0:03:26 | 0:03:29 | |
Somehow Thalia found out I was in England for Bangers & Mashups | 0:03:34 | 0:03:38 | |
and now she wants to see me, like... | 0:03:38 | 0:03:39 | |
like, today. | 0:03:39 | 0:03:42 | |
What are we going to do, man? | 0:03:42 | 0:03:43 | |
I mean, what if she brings Bartek? | 0:03:43 | 0:03:48 | |
All right, you really need to relax, all right? | 0:03:48 | 0:03:52 | |
-PHONE BUZZES -Focus. | 0:03:52 | 0:03:54 | |
-Who's that? -It's James. | 0:03:54 | 0:03:57 | |
All right, James is already stressed out enough, OK? | 0:03:57 | 0:03:59 | |
So don't tell him anything about what's going on with you, all right? | 0:03:59 | 0:04:02 | |
-OK. -And don't mention anything about Thalia. -OK. -Nothing. | 0:04:02 | 0:04:06 | |
Hey, big guy. | 0:04:08 | 0:04:11 | |
Hey, James, what's going on, man? | 0:04:11 | 0:04:14 | |
What's up, big guy(?) | 0:04:14 | 0:04:16 | |
Look, sorry for bailing. I know you guys are going to be all right. | 0:04:18 | 0:04:22 | |
It's all good, man. | 0:04:22 | 0:04:23 | |
I mean, like, you think somebody is going to be OK without you and then | 0:04:23 | 0:04:26 | |
they're not OK without you and then they give you a call and they want | 0:04:26 | 0:04:29 | |
to see you. | 0:04:29 | 0:04:30 | |
Hey, man, Eldon is just really excited about this competition. | 0:04:30 | 0:04:34 | |
Yeah, have a safe flight, | 0:04:34 | 0:04:35 | |
good look with your sister and we'll talk to you later, all right? | 0:04:35 | 0:04:38 | |
All right, peace. | 0:04:38 | 0:04:40 | |
Hey, no more chocolate for you, all right? | 0:04:40 | 0:04:42 | |
You need to get your head in the game, all right? | 0:04:42 | 0:04:45 | |
-We got a competition to go to. -My mind is blank. | 0:04:45 | 0:04:48 | |
-What am I going to say to her? -To Thal..? You... | 0:04:48 | 0:04:52 | |
Why not try "Hello"? | 0:04:52 | 0:04:54 | |
Yeah, West, that's not helping. | 0:04:54 | 0:04:56 | |
Eldon and I have to compete and if he can't pull himself together then | 0:04:56 | 0:04:59 | |
we might as well forfeit the competition. | 0:04:59 | 0:05:02 | |
Noah got out of surgery a little while ago and I'm just keeping him | 0:05:05 | 0:05:07 | |
company until he wakes up. | 0:05:07 | 0:05:09 | |
-Noah. -Amanda? | 0:05:12 | 0:05:14 | |
-Hi. -Hi. | 0:05:14 | 0:05:16 | |
Has the doctor said anything to you about the surgery? | 0:05:16 | 0:05:19 | |
The doctor came by earlier when your mum was here and said the surgery | 0:05:20 | 0:05:23 | |
-was successful. -Oh, good for them. | 0:05:23 | 0:05:26 | |
Here, have some water. | 0:05:27 | 0:05:29 | |
I don't want Amanda to see me like this at my weakest. | 0:05:32 | 0:05:36 | |
I've never been a fan of the sippy cup. | 0:05:36 | 0:05:38 | |
I like glasses or I'll even drink out of a mug. | 0:05:38 | 0:05:42 | |
Noah seems so helpless right now. | 0:05:42 | 0:05:44 | |
Luckily he has me here to take care of him. | 0:05:44 | 0:05:47 | |
# Today is where we make it | 0:05:47 | 0:05:51 | |
# Tomorrow isn't here just yet. # | 0:05:51 | 0:05:55 | |
So why has this place changed its name? | 0:05:55 | 0:05:58 | |
Well, the owner of this place is absolutely crazy. | 0:05:58 | 0:06:03 | |
Every time she goes on vacation, she comes back with a new name. | 0:06:03 | 0:06:07 | |
-First she went to Orange County and she named it... -BOTH: Squeeze. | 0:06:07 | 0:06:10 | |
And then she lived in Tokyo for a month and named it... | 0:06:10 | 0:06:14 | |
BOTH: Culture Shock. | 0:06:14 | 0:06:15 | |
And then, after that, she went horseback riding in Spain and she | 0:06:15 | 0:06:18 | |
-named it... -Hidalgos. | 0:06:18 | 0:06:19 | |
And then last year she went to Colombia and named it Java Junction. | 0:06:19 | 0:06:22 | |
And apparently next year, she's supposed to go to space. | 0:06:22 | 0:06:25 | |
Space, that's insane. | 0:06:25 | 0:06:27 | |
That's Riley. Introduce me. | 0:06:27 | 0:06:30 | |
-Actually, don't, don't introduce me. -Hey, Riley. -Oh, play it cool! | 0:06:30 | 0:06:33 | |
When I see Riley in the flesh, | 0:06:33 | 0:06:35 | |
oh, my goodness, like, it's actually her. | 0:06:35 | 0:06:38 | |
This is Amanda's cousin, Cooper. | 0:06:38 | 0:06:40 | |
-Hey. -Cooper, this is Riley. | 0:06:40 | 0:06:42 | |
-Nice to meet you. -You're Riley, right? | 0:06:42 | 0:06:44 | |
That's so cool. | 0:06:44 | 0:06:45 | |
I have to go to the hospital to visit Noah and I was wondering if | 0:06:45 | 0:06:48 | |
you could show him around. | 0:06:48 | 0:06:49 | |
I'm not in the best headspace but showing Cooper around | 0:06:49 | 0:06:52 | |
would be a great distraction from everything that's going on with | 0:06:52 | 0:06:54 | |
-Alfie right now. -A tour from Riley. | 0:06:54 | 0:06:58 | |
So, what do you want to see? | 0:06:58 | 0:06:59 | |
Well, I'd really love to meet James. | 0:06:59 | 0:07:02 | |
He's actually overseas right now. | 0:07:03 | 0:07:05 | |
Oh, too bad. You must miss him a lot. | 0:07:05 | 0:07:08 | |
I miss him and I don't even know him. | 0:07:08 | 0:07:10 | |
Yeah, no, I definitely miss him. | 0:07:10 | 0:07:13 | |
Do you want to do that tour? | 0:07:13 | 0:07:15 | |
Yes. So is James right or left-handed? | 0:07:15 | 0:07:17 | |
I'm left-handed. What's his favourite move? | 0:07:17 | 0:07:20 | |
Does he like pistachios? | 0:07:20 | 0:07:21 | |
-Here. -You know I can feed myself, right? | 0:07:21 | 0:07:25 | |
Yeah, I know, but the doctor says you need to rest and that includes | 0:07:25 | 0:07:29 | |
-your arms. -Does that mean my jaw too? | 0:07:29 | 0:07:31 | |
Like eating? I should probably rest that too. | 0:07:31 | 0:07:34 | |
-Your jaw is fine. -Yeah? -Yeah. | 0:07:34 | 0:07:35 | |
I'm supposed to be her boyfriend, not her baby. | 0:07:35 | 0:07:38 | |
I have an idea, I have an idea. | 0:07:38 | 0:07:40 | |
Can you go and get me some fast food, maybe? | 0:07:40 | 0:07:42 | |
-Like a burger or pizza? -No, no, you don't want that. | 0:07:42 | 0:07:45 | |
-No, no, no. -It would really mean a lot | 0:07:45 | 0:07:47 | |
to me if you left the building, I mean, | 0:07:47 | 0:07:50 | |
left the whole building and got me some food. | 0:07:50 | 0:07:52 | |
OK, well there's a Thai place around the corner... | 0:07:52 | 0:07:54 | |
No, no, much further. I mean ribs, ribs would be amazing. | 0:07:54 | 0:07:59 | |
-OK. For you, I'll go. -Thanks. | 0:07:59 | 0:08:02 | |
The more Amanda sees me like this, | 0:08:02 | 0:08:05 | |
the less she is going to think of me. | 0:08:05 | 0:08:07 | |
The longer Amanda is gone, the better. | 0:08:07 | 0:08:10 | |
-KNOCKING -Here she is. | 0:08:18 | 0:08:20 | |
This is the first time I'm going to | 0:08:20 | 0:08:23 | |
see Thalia since she left me for Poland. | 0:08:23 | 0:08:25 | |
-Hi. -Hey. -Hi. | 0:08:25 | 0:08:29 | |
Hi. | 0:08:29 | 0:08:31 | |
-Oh, my goodness. Hey, Thalia. -Hi. How are you? | 0:08:31 | 0:08:34 | |
-Good, how are you? -Good, great to see you. | 0:08:34 | 0:08:36 | |
-So nice to see you. -I was actually about to leave. | 0:08:36 | 0:08:39 | |
-Oh, OK, well, I'll catch you later. -OK... | 0:08:39 | 0:08:41 | |
-Bye. -Bye. | 0:08:42 | 0:08:45 | |
Hey, Eldon. | 0:08:45 | 0:08:46 | |
OK. | 0:08:48 | 0:08:50 | |
'Thalia's like 100, like, | 0:08:50 | 0:08:52 | |
'1,000 times more beautiful than I remembered.' | 0:08:52 | 0:08:54 | |
Seeing her, it's like I've forgotten how to speak. | 0:08:54 | 0:08:58 | |
Amanda went to get me some take-out food, | 0:09:01 | 0:09:03 | |
so this is my one chance to go to the bathroom with some dignity. | 0:09:03 | 0:09:06 | |
Man, this crossword is tough. | 0:09:10 | 0:09:12 | |
-What's a seven-letter word for too much water? -Urinate. | 0:09:18 | 0:09:21 | |
-AMANDA: -No, I swear these are from the cafeteria! | 0:09:21 | 0:09:24 | |
-Hey, babe. -What are you doing lying the wrong way in your bed? | 0:09:33 | 0:09:35 | |
Doc said to elevate my feet so... | 0:09:35 | 0:09:38 | |
-OK, let me help you up. -I'm good, I'm good. | 0:09:38 | 0:09:41 | |
-Oh, you poor thing. -Now I'm a poor thing? | 0:09:43 | 0:09:45 | |
Really attractive. | 0:09:45 | 0:09:47 | |
You know, just stop, I'm good, I'm fine. | 0:09:47 | 0:09:50 | |
I got it. Thanks for the ribs. | 0:09:50 | 0:09:52 | |
Noah, I'm just trying to help. | 0:09:53 | 0:09:54 | |
I don't want any more help. You're just smothering me. | 0:09:54 | 0:09:57 | |
I'm sorry, | 0:09:57 | 0:09:58 | |
I guess I'll be in the waiting room if you change your mind. | 0:09:58 | 0:10:01 | |
I won't change my mind because smothering is smothering. | 0:10:01 | 0:10:04 | |
What's a five-letter word for foolish? | 0:10:09 | 0:10:12 | |
I'm an idiot. | 0:10:12 | 0:10:14 | |
That works. | 0:10:14 | 0:10:16 | |
'I was so worried about looking weak in front of Amanda' | 0:10:16 | 0:10:19 | |
that I ended up looking like a big jerk instead. | 0:10:19 | 0:10:22 | |
One, two, three, four, five... | 0:10:31 | 0:10:34 | |
-Ow! -Sorry. | 0:10:34 | 0:10:36 | |
-You need to support the right leg, OK? -I'm sorry. | 0:10:36 | 0:10:39 | |
You're probably distracted. | 0:10:39 | 0:10:41 | |
I couldn't possibly guess what that's about. | 0:10:41 | 0:10:43 | |
We should probably just focus on dancing, Piper. | 0:10:43 | 0:10:46 | |
I'm always focused on dance. What about you, Alfie? | 0:10:46 | 0:10:49 | |
My patience for Piper is wearing pretty thin right now. | 0:10:49 | 0:10:52 | |
Sure. | 0:10:52 | 0:10:54 | |
Hey, guys. | 0:10:56 | 0:10:58 | |
This is Cooper. He is visiting from England. | 0:10:58 | 0:11:01 | |
Amanda's cousin. | 0:11:01 | 0:11:02 | |
Great. Piper, Alfie and me all in the same room. | 0:11:02 | 0:11:06 | |
Cooper, this is Piper, James' sister. | 0:11:06 | 0:11:09 | |
Hey. Nice to meet you. | 0:11:09 | 0:11:10 | |
Wow, you look exactly like him but in a bit more girlie way. | 0:11:10 | 0:11:13 | |
Wait, your hands touched James. | 0:11:16 | 0:11:18 | |
That means my hand has touched James. | 0:11:18 | 0:11:21 | |
That is so sick. | 0:11:21 | 0:11:23 | |
My hands touched James too. | 0:11:23 | 0:11:24 | |
Really? Who else's? | 0:11:24 | 0:11:26 | |
'Turns out this little distraction is going to be a big headache.' | 0:11:28 | 0:11:32 | |
Hey, Cooper, you have to meet Alfie. | 0:11:32 | 0:11:35 | |
Everyone loves Alfie, isn't that right, Riley? | 0:11:35 | 0:11:38 | |
-Yeah, he's great. -Like a lot. | 0:11:40 | 0:11:42 | |
Well, I bet you miss James, right? | 0:11:42 | 0:11:44 | |
I certainly do, yeah. | 0:11:44 | 0:11:46 | |
I call him all the time to talk about important things. | 0:11:46 | 0:11:49 | |
Riley, don't you have an important thing to talk to him about? | 0:11:49 | 0:11:52 | |
Have you made that call yet? | 0:11:52 | 0:11:54 | |
'I don't know how long I can keep this up.' | 0:11:54 | 0:11:56 | |
I need to pass Cooper off to somebody so I can | 0:11:56 | 0:11:59 | |
just get the heck out of here. | 0:11:59 | 0:12:00 | |
Henry. I have been looking for you everywhere. | 0:12:02 | 0:12:06 | |
-Really? -Yeah, I need you to do something for me, OK? | 0:12:06 | 0:12:09 | |
Cooper, over there, is from England and he needs to be shown around the | 0:12:09 | 0:12:12 | |
-studio. Do you think you could do that? -Yeah. -Amazing. | 0:12:12 | 0:12:15 | |
-Thanks so much. Go for it. -Don't forget to call him! | 0:12:15 | 0:12:19 | |
Today. | 0:12:19 | 0:12:20 | |
Piper gave me an ultimatum to call James and tell him about Alfie | 0:12:20 | 0:12:24 | |
but I haven't been able to bring myself to do it yet. | 0:12:24 | 0:12:27 | |
So, how have you been? | 0:12:34 | 0:12:36 | |
I've been great, I've been touring, dancing, dating, you know. | 0:12:36 | 0:12:39 | |
-Dating? -Yeah, yeah, like lots of girls. | 0:12:39 | 0:12:41 | |
A lot, a lot of girls. | 0:12:41 | 0:12:43 | |
Like at least nine girls, you know. | 0:12:43 | 0:12:45 | |
Ever since you left me for Bartek, I've just been kind of on a roll. | 0:12:45 | 0:12:47 | |
Eldon, I didn't leave you for Bartek. | 0:12:47 | 0:12:51 | |
-What? -Eldon, I told you this already. | 0:12:51 | 0:12:54 | |
I went to Poland to dance and reconnect with my family. | 0:12:54 | 0:12:57 | |
So you and Bartek never dated? | 0:12:57 | 0:12:59 | |
No, we didn't even go on one date. | 0:12:59 | 0:13:00 | |
Yeah, I didn't date anyone either. | 0:13:03 | 0:13:05 | |
Yeah, I know. | 0:13:05 | 0:13:07 | |
When you left, it crushed me. | 0:13:07 | 0:13:10 | |
Totally broke my heart. | 0:13:10 | 0:13:11 | |
I'm really sorry. I really didn't mean to hurt you. | 0:13:13 | 0:13:16 | |
I was just starting to get over you and now you're here. | 0:13:16 | 0:13:18 | |
Well, I hope you're not over me because I'm not over you. | 0:13:18 | 0:13:22 | |
I love you. | 0:13:22 | 0:13:24 | |
Oh. | 0:13:27 | 0:13:29 | |
Hi, I'm Eldon, nice to meet you. | 0:13:33 | 0:13:35 | |
Eldon? | 0:13:38 | 0:13:40 | |
-Do you have chocolate? -What? | 0:13:41 | 0:13:43 | |
OK, OK. | 0:13:47 | 0:13:49 | |
You are really pretty. | 0:13:50 | 0:13:52 | |
Well, that went well. | 0:13:55 | 0:13:57 | |
Eldon fainted three times. | 0:13:57 | 0:13:59 | |
Telling Eldon I love him could have gone a lot of ways but I didn't see | 0:13:59 | 0:14:03 | |
this one coming. | 0:14:03 | 0:14:04 | |
-Hey, Amanda. -Hey. | 0:14:08 | 0:14:09 | |
Do you know what room Noah is in? | 0:14:09 | 0:14:11 | |
I was just going to go see how he was doing. | 0:14:11 | 0:14:12 | |
He doesn't really want to see anyone right now. | 0:14:12 | 0:14:15 | |
Oh. | 0:14:15 | 0:14:17 | |
Is something wrong? Did his surgery not go OK? | 0:14:17 | 0:14:20 | |
Oh, no, no, no, the surgery went well. | 0:14:20 | 0:14:22 | |
It's just his attitude. | 0:14:22 | 0:14:25 | |
He told me he doesn't want me to be there when he's recovering. | 0:14:25 | 0:14:28 | |
-Classic. -What do you mean? | 0:14:29 | 0:14:32 | |
Well, I kind of went through | 0:14:32 | 0:14:33 | |
the same thing when I got my tonsils out. | 0:14:33 | 0:14:35 | |
I literally looked like a chipmunk for a week and I didn't want to see | 0:14:35 | 0:14:38 | |
my friends because then they would just see me looking like a chipmunk | 0:14:38 | 0:14:42 | |
and he's probably just going through the same thing. | 0:14:42 | 0:14:44 | |
He's always been a proud person. | 0:14:44 | 0:14:46 | |
He just doesn't want you to see him like this. | 0:14:46 | 0:14:48 | |
I never thought of it like that but Richelle's right, | 0:14:48 | 0:14:51 | |
I can understand where Noah's coming from | 0:14:51 | 0:14:55 | |
and I think I have an idea. | 0:14:55 | 0:14:57 | |
Wake up. | 0:15:06 | 0:15:08 | |
Hello. | 0:15:08 | 0:15:09 | |
All right. | 0:15:11 | 0:15:12 | |
-So, how did it go? -How do you think it went? | 0:15:14 | 0:15:16 | |
How long has he been out? | 0:15:16 | 0:15:18 | |
40 minutes. I can't wake him up. | 0:15:18 | 0:15:20 | |
-One second. -Eldon... | 0:15:21 | 0:15:23 | |
I'm glad West is here. Maybe he knows how to wake Eldon up. | 0:15:25 | 0:15:28 | |
Hold on, so you said 40 minutes? | 0:15:28 | 0:15:31 | |
That's insane. | 0:15:31 | 0:15:33 | |
It's not doing anything. | 0:15:36 | 0:15:38 | |
Three, two... | 0:15:38 | 0:15:40 | |
I love you too. | 0:15:44 | 0:15:46 | |
When Eldon tells me he loves me, I'm so happy. | 0:15:49 | 0:15:51 | |
I'm never going to let anything come between us again. | 0:15:51 | 0:15:54 | |
So is there anything else that you wanted to do while you were here? | 0:16:01 | 0:16:04 | |
Well, the one thing was dance in Studio A. | 0:16:04 | 0:16:07 | |
-Be my guest. -Sick. | 0:16:07 | 0:16:10 | |
Show me what you got, Coopster. | 0:16:10 | 0:16:12 | |
This is so amazing. | 0:16:13 | 0:16:15 | |
When I take my coat off and step onto that floor, | 0:16:15 | 0:16:17 | |
I feel some sort of energy and it's so amazing, like, it's unreal. | 0:16:17 | 0:16:23 | |
What I find fascinating about A Studio is that | 0:16:33 | 0:16:35 | |
all the greats have danced there. | 0:16:35 | 0:16:37 | |
It's definitely better than anything I imagined. | 0:16:37 | 0:16:40 | |
'It's a special thing, watching someone's first dance here.' | 0:16:46 | 0:16:49 | |
I can really tell that Cooper is feeling all the magic. | 0:16:49 | 0:16:52 | |
Let's go, Cooper! | 0:16:56 | 0:16:58 | |
'I'm trying moves that I've never even done before.' | 0:16:58 | 0:17:01 | |
I've never done a double flat backflip tuck in my life. | 0:17:01 | 0:17:04 | |
What we call that move here is a back hand, back hand, back tuck. | 0:17:04 | 0:17:08 | |
RILEY LAUGHS | 0:17:23 | 0:17:26 | |
Oh, sorry, I know I'm not in A-Troupe. | 0:17:26 | 0:17:29 | |
No, no, that's totally fine. | 0:17:29 | 0:17:31 | |
That was actually amazing. | 0:17:31 | 0:17:32 | |
-Really? -You could be dancing here someday. | 0:17:32 | 0:17:35 | |
That is so cool. | 0:17:35 | 0:17:36 | |
When Riley comes out after my dance and says that I could be | 0:17:36 | 0:17:39 | |
in A-Troupe, I definitely have something to push to. | 0:17:39 | 0:17:43 | |
I want to be in A-Troupe one day and it's going to happen. | 0:17:43 | 0:17:46 | |
Keep up the good work. | 0:17:46 | 0:17:47 | |
-Thanks. -You've got a bright future ahead of you. | 0:17:47 | 0:17:50 | |
Anyway, I've got places to be. | 0:17:50 | 0:17:52 | |
So did you have fun today? | 0:17:52 | 0:17:54 | |
Yeah, I had the time of my life. | 0:17:54 | 0:17:56 | |
It's amazing. Good to hear. | 0:17:56 | 0:17:58 | |
But there was one thing that I noticed. | 0:17:58 | 0:18:00 | |
What's wrong with you and James' sister? | 0:18:00 | 0:18:03 | |
It is... There is something going on but it's personal stuff. | 0:18:03 | 0:18:06 | |
Nothing to do with the studio. | 0:18:06 | 0:18:09 | |
Personal? Like what? | 0:18:09 | 0:18:11 | |
Nothing to do with James, right? | 0:18:11 | 0:18:13 | |
It is to do with James. I knew it. | 0:18:15 | 0:18:17 | |
If it's to do with James, I've got to help out as best I can. | 0:18:17 | 0:18:21 | |
Come, let's sit down. | 0:18:21 | 0:18:23 | |
-OK. -Come on. | 0:18:23 | 0:18:26 | |
You're Jiley. | 0:18:26 | 0:18:27 | |
You love James and James loves you. | 0:18:27 | 0:18:29 | |
You guys are legendary. | 0:18:29 | 0:18:31 | |
There's nothing that you can't work out without talking to each other. | 0:18:31 | 0:18:35 | |
That's what you guys do best. | 0:18:35 | 0:18:36 | |
Just follow your heart, talk it out. | 0:18:36 | 0:18:38 | |
You guys will come to some sort of understanding. | 0:18:38 | 0:18:41 | |
PHONE BLEEPS | 0:18:42 | 0:18:44 | |
Oh, that's my phone. | 0:18:44 | 0:18:46 | |
Anyway, my ride's here. | 0:18:46 | 0:18:48 | |
I've got to jet off. | 0:18:48 | 0:18:50 | |
Thanks, Riley, again. | 0:18:50 | 0:18:51 | |
-Just follow your heart. It's all cool. See you later. -Bye. | 0:18:51 | 0:18:55 | |
Cooper makes it sound so easy but I'm so scared to talk to James. | 0:18:55 | 0:19:00 | |
I don't know what I'm going to do. | 0:19:00 | 0:19:02 | |
'I realised Noah can't possibly be feeling strong and manly | 0:19:07 | 0:19:10 | |
'in this situation.' | 0:19:10 | 0:19:12 | |
I want to show Noah that I can be vulnerable too. | 0:19:12 | 0:19:14 | |
'After all, we're in this together.' | 0:19:14 | 0:19:17 | |
Amanda, I'm so sorry. | 0:19:17 | 0:19:19 | |
It's OK, I understand. | 0:19:19 | 0:19:21 | |
I know you don't want me to see you like this and I wanted to do | 0:19:21 | 0:19:25 | |
something to show you that I get it. | 0:19:25 | 0:19:26 | |
By dressing in your pyjamas? | 0:19:27 | 0:19:29 | |
Well, this is what I look like when I get up in the morning. | 0:19:29 | 0:19:33 | |
I don't answer the door like this or let anyone see me and I went all the | 0:19:33 | 0:19:37 | |
way home, changed and walked all the way back with those stupid balloons | 0:19:37 | 0:19:41 | |
dressed like this. Noah, | 0:19:41 | 0:19:44 | |
you know you're always going to be a warrior to me, no matter what. | 0:19:44 | 0:19:47 | |
Well, I like this look of yours. | 0:19:49 | 0:19:52 | |
-Thanks. -Want to watch a movie with me? -Sure. -All right. | 0:19:52 | 0:19:55 | |
-What are you watching? -Robot Cop Three. | 0:19:57 | 0:20:00 | |
-That's the best one. That's the one where he gets the robot dog. -Yeah. | 0:20:00 | 0:20:03 | |
-What's in there? -Rib sauce. | 0:20:08 | 0:20:10 | |
-Don't tell the nurse. -Ew! | 0:20:10 | 0:20:12 | |
Just by the look on his face, I can tell that Noah's feeling | 0:20:12 | 0:20:15 | |
a lot better and that's all I ever wanted to do. | 0:20:15 | 0:20:18 | |
I'm calling James right now because I know he's probably sleeping. | 0:20:31 | 0:20:34 | |
I'm not ready to tell him what happened | 0:20:34 | 0:20:36 | |
so I hope he doesn't pick up. | 0:20:36 | 0:20:38 | |
PHONE RINGS | 0:20:38 | 0:20:40 | |
-Hey. -Hey. I thought you would be sleeping. | 0:20:43 | 0:20:46 | |
Nope, I'm awake. | 0:20:46 | 0:20:48 | |
Let's talk. | 0:20:48 | 0:20:49 | |
Face-to-face. | 0:20:52 | 0:20:53 | |
'This is going to be even harder than I thought.' | 0:20:59 | 0:21:01 | |
# We, we are gonna show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:22 | |
# You, you can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows we own this land... # | 0:21:29 | 0:21:37 |