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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Our relationship has become so complicated | 0:00:03 | 0:00:05 | |
that it's now a distraction. | 0:00:05 | 0:00:06 | |
-So you're breaking up with me, Riley? -Yes. | 0:00:06 | 0:00:08 | |
Seeing his face and how much pain he's in right now, | 0:00:08 | 0:00:11 | |
it's almost too much too bear. | 0:00:11 | 0:00:13 | |
Congratulations, you are now the dance captain of The Next Step. | 0:00:13 | 0:00:16 | |
Thank you! Thank you, thank you! | 0:00:16 | 0:00:18 | |
Skylar is the best choice to lead The Next Step. | 0:00:18 | 0:00:20 | |
You need to give me the power to make some hard decisions. | 0:00:20 | 0:00:24 | |
Whatever I say goes. | 0:00:24 | 0:00:26 | |
If I'm going to put my trust in anyone, it's going to be Emily. | 0:00:26 | 0:00:29 | |
OK, we need to choose the best possible dancer | 0:00:37 | 0:00:39 | |
to do this duet with Alfie at the qualifier. | 0:00:39 | 0:00:41 | |
Honestly, I would be so happy to do the duet. | 0:00:41 | 0:00:43 | |
I know, Michelle. You tell me every day that you want to do more, | 0:00:43 | 0:00:46 | |
but we need to consider all of our options. | 0:00:46 | 0:00:48 | |
Right now, we're trying to come up with a plan for the qualifier duet. | 0:00:48 | 0:00:51 | |
Noah can't dance, and we're seriously running out of time. | 0:00:51 | 0:00:54 | |
We could go back to the duet with Piper and Alfie, | 0:00:54 | 0:00:56 | |
but I think that Noah and Alfie's duet was much stronger. | 0:00:56 | 0:00:59 | |
You're right, it is much stronger, | 0:00:59 | 0:01:01 | |
but the only one who can do that choreo is Noah. | 0:01:01 | 0:01:03 | |
And he's out. | 0:01:03 | 0:01:04 | |
Alfie showed us the new choreography, and it's perfect. | 0:01:04 | 0:01:07 | |
We have a winning routine for two male dancers. | 0:01:07 | 0:01:10 | |
We just need...two male dancers. | 0:01:10 | 0:01:12 | |
Well, what about Henry or LaTroy? | 0:01:13 | 0:01:15 | |
I don't know. They're amazing dancers, | 0:01:16 | 0:01:19 | |
but I don't think they have the competition experience | 0:01:19 | 0:01:21 | |
to do something as big as the qualifier. | 0:01:21 | 0:01:23 | |
I just don't know how they do under pressure. | 0:01:23 | 0:01:26 | |
-Well, then, it looks like you're out of options. -Or... | 0:01:26 | 0:01:29 | |
And this might be a really crazy idea, | 0:01:29 | 0:01:31 | |
but I actually know a male dancer who could do that choreo. | 0:01:31 | 0:01:34 | |
Who? | 0:01:34 | 0:01:35 | |
James. | 0:01:37 | 0:01:38 | |
# We | 0:01:42 | 0:01:44 | |
# We're gonna show the world | 0:01:44 | 0:01:48 | |
# Everything we're made of | 0:01:48 | 0:01:52 | |
# We're gonna tear the roof off this place | 0:01:52 | 0:02:00 | |
# Stand up! # | 0:02:05 | 0:02:06 | |
Look, just think about it. He is as explosive as Alfie. | 0:02:21 | 0:02:25 | |
He's as dynamic as Alfie. | 0:02:25 | 0:02:26 | |
He might actually be better than Alfie. | 0:02:26 | 0:02:28 | |
Have you lost your mind? He's not even on A Troupe. | 0:02:28 | 0:02:31 | |
Riley, have you submitted those names to the qualifying board yet? | 0:02:31 | 0:02:35 | |
No. | 0:02:35 | 0:02:37 | |
There's no way I am asking James to dance in that qualifier. | 0:02:40 | 0:02:44 | |
I just broke up with him. | 0:02:44 | 0:02:46 | |
If I ask him to dance with Alfie, that would be too cruel. | 0:02:46 | 0:02:49 | |
I totally agree. | 0:02:49 | 0:02:50 | |
Riley, you're putting yourself before the team. | 0:02:54 | 0:02:57 | |
Look, the way I see it, you have two options. | 0:02:57 | 0:02:59 | |
You can be selfish and not ask James. | 0:02:59 | 0:03:01 | |
The team won't go to regionals. | 0:03:01 | 0:03:03 | |
Or you could bite the bullet, | 0:03:03 | 0:03:05 | |
ask James... | 0:03:05 | 0:03:06 | |
..and do what's best for the team. | 0:03:08 | 0:03:09 | |
'Even if I ask James, | 0:03:09 | 0:03:11 | |
'why would he say yes?' | 0:03:11 | 0:03:13 | |
I don't want to hurt him. | 0:03:13 | 0:03:14 | |
Or Alfie. | 0:03:14 | 0:03:15 | |
Five, six, seven, eight. | 0:03:24 | 0:03:26 | |
Get your leg higher on up. | 0:03:28 | 0:03:30 | |
OK, those arms are on four. | 0:03:30 | 0:03:32 | |
Right now, we're working through the choreo for our regionals quartet. | 0:03:32 | 0:03:35 | |
And things aren't going so well. | 0:03:35 | 0:03:37 | |
Let's just take a break and we'll come back in a minute. | 0:03:37 | 0:03:40 | |
Between everything that's happening with James and the qualifier, | 0:03:40 | 0:03:44 | |
I'm having a hard time staying focused. | 0:03:44 | 0:03:46 | |
I'm sorry, guys. This dance isn't really working, | 0:03:46 | 0:03:49 | |
and I feel like it's all my fault. | 0:03:49 | 0:03:50 | |
I just can't stop thinking about what will happen if we lose this | 0:03:50 | 0:03:53 | |
-qualifier. -It's not just you. | 0:03:53 | 0:03:54 | |
-It's me, too. -Me, too. | 0:03:54 | 0:03:56 | |
I can't focus. | 0:03:56 | 0:03:57 | |
If we lose, we won't even make it to regionals. | 0:03:57 | 0:04:00 | |
-Sorry. -No, that's exactly what I'm thinking. | 0:04:00 | 0:04:03 | |
I'm worried, too. | 0:04:03 | 0:04:04 | |
But as dance captain, I have to be strong for the team. | 0:04:04 | 0:04:07 | |
-What do we do? -I don't know. If we lose... | 0:04:07 | 0:04:09 | |
-It's just so stressful. -OK, guys, guys. | 0:04:09 | 0:04:12 | |
I think you all have a case of the nerves. | 0:04:13 | 0:04:15 | |
You're way too focused on what could possibly go wrong. | 0:04:15 | 0:04:18 | |
It's affecting the dance, and your confidence. | 0:04:18 | 0:04:20 | |
Everything could go wrong. | 0:04:20 | 0:04:22 | |
We're on an internationals winning team. | 0:04:22 | 0:04:24 | |
If we don't make it to regionals, that'd be devastating. | 0:04:24 | 0:04:27 | |
OK. I want you to meet me in the Junction in 20 minutes. | 0:04:27 | 0:04:30 | |
Sound good? | 0:04:30 | 0:04:32 | |
-OK. -OK. -Sure. -Good. | 0:04:32 | 0:04:34 | |
'The team needs me right now.' | 0:04:37 | 0:04:39 | |
I have to do something to get them back on track before it's too late. | 0:04:39 | 0:04:42 | |
'I need to find Alfie.' | 0:04:48 | 0:04:49 | |
Before I even think of asking James, I have to talk to him first. | 0:04:49 | 0:04:53 | |
I know, busy, busy, busy. | 0:04:54 | 0:04:56 | |
Wait. There is something that I want to say to you. | 0:04:56 | 0:04:58 | |
I... Um... | 0:05:00 | 0:05:03 | |
Is everything OK? | 0:05:04 | 0:05:06 | |
Since I broke up with James, | 0:05:06 | 0:05:07 | |
things are finally less complicated. | 0:05:07 | 0:05:10 | |
Why mess it up now? | 0:05:10 | 0:05:11 | |
You know, if something's wrong, you can tell me. | 0:05:13 | 0:05:16 | |
I just wanted to tell you that... | 0:05:16 | 0:05:17 | |
..I can't stop thinking about you. | 0:05:20 | 0:05:22 | |
Me, too. | 0:05:24 | 0:05:25 | |
There's one more thing that I wanted to say. | 0:05:27 | 0:05:29 | |
I... | 0:05:40 | 0:05:42 | |
I like it when you're ready to talk. | 0:05:42 | 0:05:43 | |
And we should talk again soon. | 0:05:45 | 0:05:46 | |
SHE SIGHS | 0:05:53 | 0:05:55 | |
'Right now, I'm waiting for Piper, Sloane and Cassie.' | 0:06:03 | 0:06:05 | |
Page 12 of the dance captain diary states that when all else fails, | 0:06:05 | 0:06:09 | |
a game of truth or dare will solve any team problem. | 0:06:09 | 0:06:11 | |
-Hey, guys. -Hey. | 0:06:16 | 0:06:17 | |
-Hi. -What did you need us for? | 0:06:17 | 0:06:20 | |
Well, we're going to play truth or dare. | 0:06:20 | 0:06:22 | |
Truth or dare? I don't think I like this idea. | 0:06:23 | 0:06:27 | |
So you have to promise to do exactly as I say. | 0:06:27 | 0:06:30 | |
Depends. I mean, you could say... | 0:06:30 | 0:06:32 | |
No. | 0:06:32 | 0:06:34 | |
Your dance captain is ordering you to do this. | 0:06:34 | 0:06:37 | |
-OK, I guess. -OK. | 0:06:37 | 0:06:38 | |
So, Sloane, you're going to go first. | 0:06:38 | 0:06:40 | |
OK. Dare. What do you want me to do? | 0:06:40 | 0:06:43 | |
I want you to walk up to the counter and order a muffin. | 0:06:43 | 0:06:46 | |
-OK. -Eh! | 0:06:47 | 0:06:49 | |
But you're going to do it all backwards. | 0:06:49 | 0:06:51 | |
Sloane gets nervous outside of her comfort zone. | 0:06:51 | 0:06:53 | |
So we're going way, way outside her comfort zone. | 0:06:53 | 0:06:57 | |
Sloane's just crossed over into the backwards zone. | 0:06:57 | 0:07:02 | |
Me excuse... | 0:07:02 | 0:07:03 | |
Are you trying to order something? | 0:07:04 | 0:07:06 | |
Yes, you thank. | 0:07:07 | 0:07:09 | |
I can't believe Sloane's actually doing this! | 0:07:09 | 0:07:11 | |
Better her than me, I guess. | 0:07:11 | 0:07:12 | |
-Sorry. -Please muffin carrot have I can? | 0:07:12 | 0:07:18 | |
-She's good at this! -Would you like a carrot muffin? | 0:07:19 | 0:07:22 | |
Yes. You thank. | 0:07:22 | 0:07:24 | |
Sloane, I'm feeling a bit peckish. | 0:07:24 | 0:07:26 | |
-Yeah. -Could you order me something? | 0:07:26 | 0:07:28 | |
Yeah! Me, too, actually, now that you mention it. | 0:07:28 | 0:07:30 | |
I'll have some crisps. | 0:07:30 | 0:07:32 | |
And I think I'll get a cherry juice to go with that. | 0:07:32 | 0:07:34 | |
Me kidding you are. | 0:07:34 | 0:07:36 | |
Juice cherry a? | 0:07:36 | 0:07:38 | |
There you go. | 0:07:38 | 0:07:40 | |
-And... -Thank you. | 0:07:40 | 0:07:42 | |
A crisps. | 0:07:42 | 0:07:46 | |
I have to admit, even though I'm feeling a little silly, | 0:07:46 | 0:07:48 | |
I'm not scared any more. | 0:07:48 | 0:07:50 | |
Once we conquer our fears, we won't be worried about the qualifier. | 0:07:50 | 0:07:53 | |
We'll be able to put our feelings aside and focus on our dancing. | 0:07:53 | 0:07:57 | |
I've been waiting for Riley | 0:08:02 | 0:08:04 | |
because we need to move forward on this duet, | 0:08:04 | 0:08:06 | |
and that means she needs to talk to James. | 0:08:06 | 0:08:08 | |
Why are you sitting at my desk? | 0:08:10 | 0:08:12 | |
I was waiting for you. | 0:08:12 | 0:08:13 | |
Have you asked him yet? | 0:08:13 | 0:08:15 | |
-Asked who? -James, Riley. | 0:08:15 | 0:08:18 | |
I don't know any James Riley. | 0:08:19 | 0:08:20 | |
I am not asking James, my ex-boyfriend, | 0:08:27 | 0:08:29 | |
to dance with Alfie, my new crush. | 0:08:29 | 0:08:31 | |
OK, I already broke up with him, | 0:08:31 | 0:08:32 | |
-doing this would be way too... -Riley, | 0:08:32 | 0:08:34 | |
from what I remember, we made a deal. | 0:08:34 | 0:08:36 | |
We said whatever I say goes. | 0:08:36 | 0:08:40 | |
You know how amazing James would be in that duet. | 0:08:40 | 0:08:42 | |
Yes, I know how great James is. | 0:08:42 | 0:08:44 | |
Think about it! Alfie, James, that choreo. | 0:08:44 | 0:08:48 | |
They would win qualifiers for sure. | 0:08:48 | 0:08:50 | |
Look, even if this was a good idea, | 0:08:53 | 0:08:55 | |
there's no way I can convince James to dance with Alfie. | 0:08:55 | 0:08:59 | |
Riley, I think you're forgetting | 0:08:59 | 0:09:00 | |
that you're head of The Next Step now. | 0:09:00 | 0:09:02 | |
It is your job to do the impossible. | 0:09:02 | 0:09:05 | |
The studio and our last chance at regionals depends on this. | 0:09:11 | 0:09:16 | |
So please do it, Ri. | 0:09:16 | 0:09:18 | |
Emily's right. I have to do what's best for the studio. | 0:09:24 | 0:09:27 | |
Even though it's killing me. | 0:09:28 | 0:09:30 | |
OK, Skylar. Just tell me what I need to do. | 0:09:37 | 0:09:38 | |
Do I have to walk backwards or anything? | 0:09:38 | 0:09:41 | |
No, nothing like that. | 0:09:41 | 0:09:42 | |
Cassie picked truth, | 0:09:42 | 0:09:44 | |
which may seem like an easy way out. | 0:09:44 | 0:09:46 | |
But not in dance captain truth or dare. | 0:09:46 | 0:09:48 | |
All you have to do is tell us your most embarrassing story. | 0:09:48 | 0:09:51 | |
I think I'd rather walk backwards. | 0:09:51 | 0:09:52 | |
Well, that's not an option. | 0:09:52 | 0:09:53 | |
Now it's Cassie's turn to face her fears. | 0:09:53 | 0:09:55 | |
We'll never succeed at regionals | 0:09:55 | 0:09:57 | |
unless we learn to master our emotions. | 0:09:57 | 0:09:59 | |
So let's hear it. | 0:09:59 | 0:10:01 | |
Pinky promise it doesn't leave this table? | 0:10:01 | 0:10:03 | |
Pinky promise. | 0:10:03 | 0:10:04 | |
OK. So, | 0:10:05 | 0:10:07 | |
last year I was rock climbing at one of those really cool indoor places. | 0:10:07 | 0:10:10 | |
-Yeah. -Cool. -It started off pretty easy, and because I'm pretty tall, | 0:10:10 | 0:10:13 | |
I was able to reach all the far-away rocks. | 0:10:13 | 0:10:15 | |
I kept climbing, climbing, climbing till I was almost at the top. | 0:10:15 | 0:10:18 | |
I was higher than anybody else on the wall. | 0:10:18 | 0:10:20 | |
And then I looked down. And I just froze. | 0:10:20 | 0:10:23 | |
I had no idea what to do, I had no idea how to get down. | 0:10:23 | 0:10:25 | |
I can't believe a girl as tall as Cassie has a fear of heights. | 0:10:25 | 0:10:29 | |
Heights! | 0:10:29 | 0:10:30 | |
I know. | 0:10:30 | 0:10:32 | |
Not only am I afraid of heights, | 0:10:32 | 0:10:34 | |
but I'm a victim of cruel irony. | 0:10:34 | 0:10:36 | |
Luckily, my story has a happy ending. | 0:10:36 | 0:10:38 | |
A very cute boy came up and rescued me. | 0:10:38 | 0:10:40 | |
-Oh, OK. -OK. | 0:10:40 | 0:10:42 | |
And he asked for my number. | 0:10:42 | 0:10:43 | |
-Oh! -And then? | 0:10:44 | 0:10:45 | |
-What happens next? -And I gave it to him. | 0:10:45 | 0:10:48 | |
-I like this. -Yeah, OK! | 0:10:48 | 0:10:49 | |
-Then? -Yeah, that's about it. | 0:10:49 | 0:10:51 | |
What do you mean? And, yeah? | 0:10:51 | 0:10:53 | |
So what happens after? | 0:10:53 | 0:10:54 | |
You asked for my most embarrassing story. | 0:10:54 | 0:10:56 | |
Not most romantic. | 0:10:56 | 0:10:57 | |
Everybody is really loosening up. | 0:10:58 | 0:11:01 | |
Truth or dare is working its magic. | 0:11:01 | 0:11:02 | |
'I got a text from Riley.' | 0:11:09 | 0:11:11 | |
But before I talk to her, I have some unfinished business. | 0:11:11 | 0:11:14 | |
Well, all I can think about is that this has been a long time coming. | 0:11:14 | 0:11:20 | |
Here we go. | 0:11:22 | 0:11:23 | |
So... We should...we should talk. | 0:11:33 | 0:11:36 | |
-Yeah, we should talk. -Right, so what do you want to talk about? | 0:11:36 | 0:11:40 | |
-Look, I just want to lay this all out on the table. -I agree. | 0:11:40 | 0:11:43 | |
It's better to be honest. So, yes, it's true. We kissed. | 0:11:43 | 0:11:47 | |
I know. | 0:11:47 | 0:11:48 | |
-Look, I'm sorry for what happened. -Yeah, you should be. | 0:11:49 | 0:11:52 | |
You shouldn't have kissed her. | 0:11:52 | 0:11:54 | |
Look, I'm not sorry that I kissed her. | 0:11:54 | 0:11:56 | |
OK? I'm sorry that things are complicated. | 0:11:57 | 0:11:59 | |
How is it complicated? You knew she had a boyfriend! | 0:11:59 | 0:12:02 | |
-It's complicated because I love her! -Walk away right now. | 0:12:02 | 0:12:06 | |
Why? | 0:12:06 | 0:12:07 | |
Huh? | 0:12:07 | 0:12:09 | |
It's the truth. | 0:12:09 | 0:12:10 | |
What James needs to understand is... | 0:12:11 | 0:12:13 | |
..Riley made her choice. | 0:12:14 | 0:12:16 | |
Look, if I stay here... | 0:12:18 | 0:12:19 | |
..something bad is going to happen. | 0:12:21 | 0:12:23 | |
I feel you. | 0:12:23 | 0:12:25 | |
That's not how I roll. | 0:12:27 | 0:12:29 | |
'I've had enough.' | 0:12:33 | 0:12:34 | |
Right after I talk to Riley, | 0:12:34 | 0:12:36 | |
I'm on a plane back to London. | 0:12:36 | 0:12:37 | |
It's the last round of truth or dare, and Piper chose dare. | 0:12:43 | 0:12:47 | |
This one's going to be a doozy. | 0:12:47 | 0:12:48 | |
-Do I have to do this? -Yes. We're toughening up for regionals. | 0:12:50 | 0:12:53 | |
You've got this. | 0:12:53 | 0:12:54 | |
Hey, Rachelle? | 0:12:57 | 0:12:59 | |
How's it going? | 0:12:59 | 0:13:00 | |
Do you need something? | 0:13:01 | 0:13:03 | |
I made the mistake of telling Skylar that I thought | 0:13:03 | 0:13:05 | |
Rachelle was a little intimidating. | 0:13:05 | 0:13:08 | |
And now I have to get her to say the words "I love you"? | 0:13:08 | 0:13:11 | |
Rachelle, I really, really, really, really love you as a dancer. | 0:13:11 | 0:13:18 | |
I know. Trust me, I get it. | 0:13:20 | 0:13:23 | |
I really, really, really love... | 0:13:23 | 0:13:26 | |
-She's going to do it. -..myself, too. | 0:13:26 | 0:13:29 | |
-One more time. -You've got this. | 0:13:31 | 0:13:34 | |
Rachelle, OK, I guess what I'm trying to say about me and... | 0:13:34 | 0:13:39 | |
And for you to want me to know... | 0:13:39 | 0:13:41 | |
I knew this dare was going to be challenging. | 0:13:41 | 0:13:43 | |
It's going to require a team effort. | 0:13:43 | 0:13:46 | |
I...want you to feel about me... | 0:13:46 | 0:13:49 | |
-About us. -I love you, Rachelle. | 0:13:49 | 0:13:51 | |
I really, really love you. | 0:13:51 | 0:13:53 | |
I love, love, love you. | 0:13:53 | 0:13:55 | |
ALL: I love you so much! | 0:13:55 | 0:13:57 | |
I love your hair and the way you dance and... | 0:13:57 | 0:13:59 | |
Enough! | 0:13:59 | 0:14:01 | |
-I love you, too! -It worked! | 0:14:01 | 0:14:02 | |
Yes! | 0:14:02 | 0:14:03 | |
Oh, my gosh. OK, are we done now? | 0:14:05 | 0:14:07 | |
-Yes. We're done! -Yes! | 0:14:07 | 0:14:08 | |
Truth or dare was a total success. | 0:14:09 | 0:14:12 | |
We can finally get back to our rehearsal. | 0:14:12 | 0:14:13 | |
-You can have a seat. -No, I'm good standing. | 0:14:19 | 0:14:21 | |
I have a huge favour to ask you. | 0:14:24 | 0:14:27 | |
When are you leaving for England? | 0:14:27 | 0:14:29 | |
I'm leaving tomorrow. | 0:14:29 | 0:14:30 | |
Would you consider staying longer to help out The Next Step? | 0:14:31 | 0:14:34 | |
Riley, what do you want? You want me to teach a class or something? | 0:14:34 | 0:14:37 | |
No. I need you to help out with the qualifier. | 0:14:37 | 0:14:41 | |
The Next Step needs to win in order to make it to regionals, | 0:14:41 | 0:14:44 | |
and Alfie and Noah have a great duet that they think they can win with, | 0:14:44 | 0:14:48 | |
-but Noah... -Hold on, what exactly is the favour? | 0:14:48 | 0:14:50 | |
I need you to dance at the qualifier. | 0:14:55 | 0:14:57 | |
-With Alfie? -Yes. | 0:14:57 | 0:14:58 | |
OK, first of all, I don't even go to this studio any more. | 0:15:03 | 0:15:07 | |
And second of all, I'm supposed to be at a competition right now in | 0:15:07 | 0:15:10 | |
-London. -Right now, you're here. | 0:15:10 | 0:15:13 | |
And we need you to dance at this qualifier | 0:15:13 | 0:15:15 | |
to help us get to regionals. | 0:15:15 | 0:15:16 | |
And once we've made it, we'll be fine. | 0:15:16 | 0:15:18 | |
-Yeah, you're out of your mind. -I know I messed up. | 0:15:18 | 0:15:21 | |
You're right to hate me. | 0:15:24 | 0:15:25 | |
I don't expect your forgiveness, I'm not asking for you to forgive me. | 0:15:26 | 0:15:29 | |
It is not right of you to ask me to dance with Alfie. | 0:15:29 | 0:15:33 | |
I thought, deep down, there was a small part of you | 0:15:33 | 0:15:35 | |
that still cared about me. | 0:15:35 | 0:15:37 | |
There's not a small part of me that still cares about you. | 0:15:42 | 0:15:45 | |
All of me... | 0:15:48 | 0:15:49 | |
..cares about you. | 0:15:50 | 0:15:51 | |
So does that mean you'll do it? | 0:15:54 | 0:15:56 | |
You're unbelievable. | 0:15:58 | 0:15:59 | |
That went way worse than I could have ever imagined. | 0:16:07 | 0:16:11 | |
Now what will I do? | 0:16:13 | 0:16:14 | |
Right now, I'm just trying to forget about my conversation with Riley. | 0:16:30 | 0:16:33 | |
I know that I shouldn't think about her, but it's not that easy. | 0:16:33 | 0:16:37 | |
TABLET RINGS | 0:16:43 | 0:16:46 | |
-Yo. -Yo, what's up? -What's up, man? | 0:16:51 | 0:16:53 | |
How have you guys been? | 0:16:53 | 0:16:54 | |
Things have actually been really, really... | 0:16:54 | 0:16:57 | |
Really blah. | 0:16:57 | 0:16:59 | |
Well, I'm touched to see you guys are trying to cheer me up. | 0:16:59 | 0:17:01 | |
Any time, bro. But that's actually not why we called. | 0:17:01 | 0:17:05 | |
Well, what do you want? | 0:17:05 | 0:17:07 | |
The final round of the competition is coming up, | 0:17:07 | 0:17:10 | |
and I could really use my lucky coin for, you know, | 0:17:10 | 0:17:13 | |
some extra boost of positive vibes. | 0:17:13 | 0:17:15 | |
Of course Eldon would go halfway across the world | 0:17:15 | 0:17:18 | |
without his lucky coin. | 0:17:18 | 0:17:19 | |
Why even have a lucky coin if you're not going to carry it around? | 0:17:19 | 0:17:23 | |
All right, man, I'll get that for you. | 0:17:23 | 0:17:25 | |
Sick, awesome! | 0:17:25 | 0:17:27 | |
But where is the coin, man? | 0:17:27 | 0:17:28 | |
-WHISPERS: -It's in the closet in studio A, taped to the wall. | 0:17:31 | 0:17:34 | |
-End communications. -What? | 0:17:34 | 0:17:37 | |
Wes and Eldon are a couple of doofuses. | 0:17:38 | 0:17:41 | |
It's going to be good to see them tomorrow when I hit London. | 0:17:41 | 0:17:44 | |
OK. Are you guys ready? | 0:17:48 | 0:17:50 | |
Wait, you didn't take your turn. Truth or dare? | 0:17:50 | 0:17:53 | |
After the day Skylar put us through, | 0:17:53 | 0:17:55 | |
she's not going to get off that easy. | 0:17:55 | 0:17:57 | |
OK. | 0:17:57 | 0:17:59 | |
I'll tell a truth, and it's a big one. | 0:17:59 | 0:18:01 | |
But you guys have to promise not to laugh at me. | 0:18:01 | 0:18:03 | |
-Yeah, of course. -We won't. | 0:18:03 | 0:18:05 | |
We promise. | 0:18:05 | 0:18:06 | |
I'm afraid I'll make a terrible dance captain. | 0:18:08 | 0:18:11 | |
Skylar, you have nothing to worry about. | 0:18:11 | 0:18:13 | |
You're the best dance captain ever. | 0:18:13 | 0:18:14 | |
Yeah, you saw us freaking out about the qualifier and you took the time | 0:18:14 | 0:18:17 | |
to get us back on track. And make sure we're having fun. | 0:18:17 | 0:18:20 | |
-You're amazing! -Thank you. | 0:18:20 | 0:18:23 | |
Now, come on, dance captain. | 0:18:23 | 0:18:24 | |
-Let's dance. -All right. | 0:18:24 | 0:18:26 | |
Let's see how fearless you guys really are. | 0:18:26 | 0:18:28 | |
You'd better bring it. | 0:18:28 | 0:18:29 | |
Now that we're all fearless, | 0:18:29 | 0:18:30 | |
it's time to get back to business. | 0:18:30 | 0:18:32 | |
I'm really lucky to have such great team-mates. | 0:18:48 | 0:18:51 | |
It makes being dance captain a lot easier. | 0:18:51 | 0:18:53 | |
We can't be afraid of what's going to happen at the qualifier. | 0:19:10 | 0:19:14 | |
Whatever happens, we're going to face it as a team. | 0:19:14 | 0:19:16 | |
Now that I have Eldon's coin, there is nothing keeping me here. | 0:19:30 | 0:19:34 | |
Goodbye, studio A, it is time to bounce. | 0:19:34 | 0:19:36 | |
James. | 0:19:39 | 0:19:40 | |
What have you got there? | 0:19:41 | 0:19:43 | |
It's Eldon's lucky coin. | 0:19:43 | 0:19:45 | |
He asked me to bring it back to London for him. | 0:19:45 | 0:19:48 | |
So I guess you're on your way, then. | 0:19:48 | 0:19:50 | |
Yep. I'm out of here. | 0:19:50 | 0:19:52 | |
Can I ask you something? | 0:19:54 | 0:19:56 | |
Just one thing before you go. | 0:19:57 | 0:19:59 | |
Why are you giving up so easily? | 0:20:01 | 0:20:03 | |
Why aren't you going to stay? Why aren't you going to fight for Riley? | 0:20:03 | 0:20:06 | |
That's not up to me, that's up to Riley. | 0:20:06 | 0:20:08 | |
That's where you're wrong, and we both know it. | 0:20:08 | 0:20:11 | |
We both know my sister, James, and we both know what she wants. | 0:20:12 | 0:20:15 | |
She wants you to stay! | 0:20:15 | 0:20:16 | |
She wants you to fight for her, so why don't you do it? | 0:20:16 | 0:20:19 | |
Fight for her? You know what, | 0:20:19 | 0:20:21 | |
I'm sick of thinking about Riley all the time. | 0:20:21 | 0:20:24 | |
So let's leave it to fate. | 0:20:24 | 0:20:26 | |
Why don't we flip for it? If it's heads, I'll dance with Alfie. | 0:20:26 | 0:20:30 | |
If it's tails, I'm going to walk out that door, | 0:20:30 | 0:20:33 | |
and I'm never going to come back. | 0:20:33 | 0:20:36 | |
Why not? You should always take a chance on love, James. | 0:20:37 | 0:20:41 | |
I know I was the one that told Riley to break up with James, | 0:20:48 | 0:20:50 | |
but her guilt was destroying her. | 0:20:50 | 0:20:53 | |
But it's also clear that this heartbreak is destroying him. | 0:20:53 | 0:20:56 | |
And he can do something about it. | 0:20:56 | 0:20:58 | |
# We | 0:21:04 | 0:21:06 | |
# We're gonna show the world | 0:21:06 | 0:21:10 | |
# Everything we're made of | 0:21:10 | 0:21:14 | |
# We're gonna tear the roof off this place | 0:21:14 | 0:21:19 | |
# You | 0:21:19 | 0:21:21 | |
# You can never fade us out | 0:21:21 | 0:21:25 | |
# Don't even ask the DJ | 0:21:25 | 0:21:28 | |
# Everybody knows we own this house. # | 0:21:28 | 0:21:33 |