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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Congratulations, you are now the dance captain of The Next Step. | 0:00:03 | 0:00:06 | |
Thank you! | 0:00:06 | 0:00:07 | |
-I need you to dance at the qualifier. -With Alfie? -Yes. | 0:00:07 | 0:00:10 | |
We'll flip for it. If it's heads, I'll dance with Alfie. | 0:00:10 | 0:00:13 | |
If it's tails, I'm going to walk out that door and | 0:00:13 | 0:00:16 | |
I'm never going to come back. | 0:00:16 | 0:00:17 | |
So, we're going to start out back-to-back | 0:00:31 | 0:00:34 | |
in a duelling-type fashion. | 0:00:34 | 0:00:36 | |
I'm going to turn around for two counts of eight, | 0:00:37 | 0:00:39 | |
you're going to turn around for two counts of eight. | 0:00:39 | 0:00:41 | |
We walk around each other | 0:00:41 | 0:00:43 | |
like two kings about to engage in combat, you know? | 0:00:43 | 0:00:45 | |
Like it or not, I left it up to fate. | 0:00:45 | 0:00:48 | |
And right now, this is where my destiny lies. | 0:00:48 | 0:00:52 | |
You got this so far? | 0:00:52 | 0:00:53 | |
Are you going to say anything at all? | 0:00:56 | 0:00:58 | |
Yeah, there's a lot that I could say. | 0:00:58 | 0:00:59 | |
-True. -All right, let's do this. | 0:01:01 | 0:01:04 | |
-This is what's going to happen. -I'm going to come at you like this... | 0:01:04 | 0:01:07 | |
-How do you think this duet is going? -You were right. | 0:01:08 | 0:01:12 | |
Seeing my ex-boyfriend and my crush dancing together | 0:01:12 | 0:01:17 | |
is very strange but it's actually going surprisingly well. | 0:01:17 | 0:01:23 | |
They seem to be working it out. | 0:01:23 | 0:01:25 | |
Let's hope they can keep it together for the qualifier. | 0:01:26 | 0:01:28 | |
Fingers crossed. | 0:01:28 | 0:01:29 | |
I came back to The Next Step | 0:01:29 | 0:01:31 | |
to make sure they got to regionals and now it all comes down to this. | 0:01:31 | 0:01:36 | |
# We We're gonna show the world | 0:01:36 | 0:01:42 | |
# Everything we're made of | 0:01:42 | 0:01:46 | |
# We're gonna tear the roof | 0:01:46 | 0:01:48 | |
# Off this place | 0:01:48 | 0:01:56 | |
# Stand up! # | 0:01:59 | 0:02:00 | |
# On your mark, get ready, set | 0:02:19 | 0:02:23 | |
# Get ready, set, stop. # | 0:02:23 | 0:02:27 | |
Right now, we are watching the qualifier duets. | 0:02:27 | 0:02:30 | |
And the competition is pretty intense. | 0:02:30 | 0:02:32 | |
APPLAUSE | 0:02:37 | 0:02:40 | |
Stop fidgeting. | 0:02:45 | 0:02:47 | |
What? | 0:02:47 | 0:02:48 | |
I just feel like I'm studio head. | 0:02:51 | 0:02:52 | |
I should be doing something but I don't know what I should be doing. | 0:02:52 | 0:02:56 | |
-Maybe I'll go give the boys a pep talk. -I already did that. | 0:03:00 | 0:03:02 | |
OK. Good, good. | 0:03:03 | 0:03:04 | |
Then maybe I should tell them which side to start on? | 0:03:06 | 0:03:08 | |
I told them that, too. | 0:03:08 | 0:03:10 | |
Right. Right. OK. | 0:03:10 | 0:03:13 | |
-Then I need to go... -No. | 0:03:16 | 0:03:17 | |
She did it. It's done. | 0:03:17 | 0:03:19 | |
Look, Riley, I'm here to make sure The Next Step gets to regionals. | 0:03:21 | 0:03:26 | |
If you want that to happen, you're going to have to do one thing | 0:03:26 | 0:03:29 | |
-for me, OK? -What? | 0:03:29 | 0:03:30 | |
Leave the boys alone. | 0:03:30 | 0:03:32 | |
'Believe me, Riley has done enough.' | 0:03:32 | 0:03:35 | |
Right now she needs to step back and trust her dancers. | 0:03:35 | 0:03:39 | |
Dance Extreme scores 85 points. | 0:03:39 | 0:03:41 | |
Sadly, not enough to move forward. | 0:03:41 | 0:03:44 | |
-Good for us. -I'm just going to go get a drink, I'm parched. | 0:03:44 | 0:03:47 | |
-Riley! -What? | 0:03:47 | 0:03:48 | |
Don't do it. Please, don't do it. | 0:03:48 | 0:03:50 | |
Em, come on, OK? I'm just getting a drink. | 0:03:50 | 0:03:52 | |
Have a little faith. | 0:03:52 | 0:03:53 | |
-I have no faith. Zero faith. -Zero. | 0:03:55 | 0:03:57 | |
Emily has had some really good advice so far but, this time, I just | 0:03:57 | 0:04:02 | |
have to do things my way. | 0:04:02 | 0:04:04 | |
What now, Riley? | 0:04:08 | 0:04:09 | |
I just wanted to wish you guys good luck. | 0:04:11 | 0:04:13 | |
So, yeah, that's it. | 0:04:17 | 0:04:19 | |
Great talk, coach. | 0:04:21 | 0:04:23 | |
Are we done here? | 0:04:25 | 0:04:26 | |
Well, I really appreciate your pep talk. | 0:04:30 | 0:04:32 | |
I just wanted to inspire you to do your best. | 0:04:33 | 0:04:36 | |
Well, you know what would inspire me more than anything | 0:04:36 | 0:04:39 | |
is a good luck kiss. | 0:04:39 | 0:04:40 | |
Oh, no, don't mind me. No, I just forgot my water. | 0:04:46 | 0:04:48 | |
It's mountain spring water. | 0:04:51 | 0:04:52 | |
-I need to go talk to him. -No, no, look, | 0:04:58 | 0:05:00 | |
you have more important things to worry about. | 0:05:00 | 0:05:02 | |
I'll talk to him later, OK? | 0:05:02 | 0:05:03 | |
-Are you sure? -Yeah, definitely. | 0:05:03 | 0:05:05 | |
OK. | 0:05:07 | 0:05:09 | |
The worst possible thing that could have ever happened just happened. | 0:05:09 | 0:05:12 | |
And I just made things ten times worse. | 0:05:13 | 0:05:16 | |
What? Is he OK? | 0:05:27 | 0:05:28 | |
-Yo, Henry, are you all right, man? -Henry! | 0:05:28 | 0:05:30 | |
We walk into studio A and there's Henry laying on the floor. | 0:05:30 | 0:05:33 | |
I hope it's not his back. | 0:05:33 | 0:05:35 | |
Shhh, guys. | 0:05:35 | 0:05:37 | |
There's negative energy in the air. | 0:05:37 | 0:05:39 | |
-Where in the air?! -I don't know, it could be here, | 0:05:39 | 0:05:41 | |
it could be in the washroom, it could be in the cubbies, | 0:05:41 | 0:05:43 | |
it could be anywhere! | 0:05:43 | 0:05:44 | |
'What if the bad vibes around here affect our chances' | 0:05:44 | 0:05:47 | |
at the qualifier? I'm not usually | 0:05:47 | 0:05:48 | |
superstitious but there's a lot riding on this qualifier. | 0:05:48 | 0:05:51 | |
You know what, this has happened here before. | 0:05:51 | 0:05:55 | |
-So, what did you do? -What did you do? | 0:05:55 | 0:05:56 | |
There's only one person who can get our positive | 0:05:56 | 0:05:59 | |
mojo back on track but she's deep, deep in the Galapagos Islands. | 0:05:59 | 0:06:03 | |
PHONE RINGS No, that's the tortoise. | 0:06:04 | 0:06:06 | |
-Hello? -Miss Phoebe? | 0:06:10 | 0:06:12 | |
Noah! | 0:06:13 | 0:06:15 | |
It is amazing how we're getting ahold of you on the | 0:06:15 | 0:06:17 | |
Galapagos Islands. | 0:06:17 | 0:06:19 | |
I know. We had this really clever idea. | 0:06:19 | 0:06:21 | |
What we did was we strapped on Wi-Fi solar panels to the back of | 0:06:21 | 0:06:25 | |
tortoises. We got them all over the island. | 0:06:25 | 0:06:27 | |
-We got 4G, baby. -That is unbelievable. | 0:06:27 | 0:06:31 | |
'I'm so glad we got ahold of Miss Phoebe. | 0:06:31 | 0:06:32 | |
Nobody vibes, vibes, like she vibes, vibes. | 0:06:32 | 0:06:35 | |
Anyway, the problem is that there's a negative vibe going around the | 0:06:35 | 0:06:39 | |
studio and we have no idea what to do. | 0:06:39 | 0:06:42 | |
Mm-hm, I can feel it. | 0:06:42 | 0:06:43 | |
I just tapped into that. | 0:06:43 | 0:06:45 | |
-'Oh, really?' -It's potent. | 0:06:45 | 0:06:46 | |
-Oh. -Oh, OK. -All right. | 0:06:46 | 0:06:49 | |
Step one, you have to introduce positivity into the studio, Noah. | 0:06:49 | 0:06:53 | |
Oh, OK. And how do we do that? | 0:06:53 | 0:06:56 | |
Maybe you all start telling your most inspirational dance stories. | 0:06:56 | 0:07:01 | |
'But be careful, sometimes bad vibes and good stories don't mix.' | 0:07:01 | 0:07:04 | |
OK. Bye-bye. | 0:07:04 | 0:07:05 | |
-'Is that all? That's all?' -Yeah, bye-bye. -'Anything else?' | 0:07:05 | 0:07:09 | |
Oh, Noah, this is very important, I hope you're listening very closely. | 0:07:09 | 0:07:13 | |
-'I'm listening.' -Do not mention the qualifier. | 0:07:13 | 0:07:16 | |
-Got it. -OK. -Understood. -Cool. | 0:07:18 | 0:07:19 | |
You need to throw your phone away as well. | 0:07:19 | 0:07:21 | |
-OK. -Into the garbage? -The garbage? | 0:07:21 | 0:07:24 | |
-All electronic devices, they need to go. -Really? | 0:07:24 | 0:07:26 | |
It's going in the garbage. It's going in the garbage, OK? | 0:07:26 | 0:07:29 | |
-'OK, bye!' -Bye, Miss Phoebe. -Bye. | 0:07:29 | 0:07:31 | |
Er, this better work. | 0:07:31 | 0:07:33 | |
We have to trust Miss Phoebe. | 0:07:33 | 0:07:35 | |
Phoebe's advice is just about as weird as I thought it would be but | 0:07:35 | 0:07:38 | |
anything's worth try. | 0:07:38 | 0:07:39 | |
# Some might say I'm old-fashioned | 0:07:42 | 0:07:44 | |
# Baby, I'm just old-skool | 0:07:44 | 0:07:46 | |
# I gotta follow my passion... # | 0:07:46 | 0:07:48 | |
'Overhauser Dance Academy are the best dancers we've seen today. | 0:07:48 | 0:07:51 | |
'If we want to beat them, Alfie and James have to bring it.' | 0:07:51 | 0:07:54 | |
Or they could kill each other. | 0:07:54 | 0:07:56 | |
Either way, we've done all we can do. | 0:07:56 | 0:07:58 | |
Sorry I took so long, I was really thirsty. | 0:08:00 | 0:08:02 | |
So, how did the pep talk go, because I know you did it? | 0:08:08 | 0:08:11 | |
It was the worst thing that could have ever happened. | 0:08:12 | 0:08:15 | |
James came back for his water. | 0:08:15 | 0:08:17 | |
OK, why is that so terrible? | 0:08:17 | 0:08:19 | |
Well, because in that moment I was kissing Alfie. | 0:08:19 | 0:08:23 | |
Oh...rough! | 0:08:23 | 0:08:26 | |
Fun fact, Riley, you do not kiss your dancers good luck. | 0:08:29 | 0:08:32 | |
-You just say it. -Well, I know that now! | 0:08:32 | 0:08:35 | |
OK, you know what, James was bound to see you with Alfie at some point, | 0:08:41 | 0:08:46 | |
um, and... | 0:08:46 | 0:08:47 | |
..maybe this is a good thing, | 0:08:49 | 0:08:50 | |
um, because it will help him move on. | 0:08:50 | 0:08:52 | |
-Yeah. -It'll help him move on and that's what you do after a break up, | 0:08:52 | 0:08:55 | |
you move on. You kiss other people, so.. | 0:08:55 | 0:08:57 | |
..yeah. | 0:08:59 | 0:09:00 | |
'At this point the damage is done.' | 0:09:00 | 0:09:02 | |
We just have to stay positive and hope we are not completely doomed! | 0:09:02 | 0:09:06 | |
Overhauser scores 96 points, | 0:09:20 | 0:09:22 | |
moving them into first place. | 0:09:22 | 0:09:25 | |
The final competitors, please make your way to the stage. | 0:09:25 | 0:09:29 | |
That's us. | 0:09:29 | 0:09:30 | |
This is it. If James and Alfie don't have the dance of their lives, | 0:09:30 | 0:09:35 | |
The Next Step isn't going to regionals. | 0:09:35 | 0:09:37 | |
-Oh, OK. This is good, yeah. -No, it's not. | 0:09:48 | 0:09:51 | |
The vibes are still negative. | 0:09:51 | 0:09:52 | |
Oh, well, Phoebe said to get rid of our phones, so in the pillow case. | 0:09:52 | 0:09:55 | |
'Right now we're taking Miss Phoebe's advice | 0:09:55 | 0:09:57 | |
'and telling positive stories' | 0:09:57 | 0:09:58 | |
to bring out positive vibes in the studio. | 0:09:58 | 0:10:01 | |
All right, so there's this one time that I was at this | 0:10:01 | 0:10:03 | |
huge hip-hop competition and I go on stage with the wrong crew. | 0:10:03 | 0:10:05 | |
Whoa, I remember that. | 0:10:05 | 0:10:08 | |
You told us that. It didn't end well. | 0:10:08 | 0:10:09 | |
Trust me, it ends well. | 0:10:09 | 0:10:11 | |
Henry told the story right before we lost the first qualifier. | 0:10:11 | 0:10:13 | |
Oh, no, Miss Phoebe said to not mention the qualifier. | 0:10:14 | 0:10:17 | |
Oh, no, I said qualifier again. | 0:10:17 | 0:10:20 | |
So, I go on stage with the wrong crew. | 0:10:20 | 0:10:22 | |
How do you go on stage with the wrong crew, man? | 0:10:22 | 0:10:24 | |
Cos I had to use the washroom and I came back and I thought I saw | 0:10:24 | 0:10:27 | |
my team on stage. So I'm panicking and I rush on stage. | 0:10:27 | 0:10:29 | |
I try to dance with them but it's a total disaster | 0:10:29 | 0:10:31 | |
and when it's over, I see my crew go on. | 0:10:31 | 0:10:33 | |
So I run back on stage, I dance with my crew, | 0:10:33 | 0:10:36 | |
and then we both get disqualified because I double-danced. | 0:10:36 | 0:10:38 | |
How is this positive? | 0:10:38 | 0:10:39 | |
That sounds horrible. | 0:10:39 | 0:10:40 | |
'Wait, Amy's right. This is a horrible story.' | 0:10:40 | 0:10:43 | |
The negative vibes in the studio are just scrambling my brain. | 0:10:43 | 0:10:46 | |
-Here, Sloane, you try. -OK. | 0:10:46 | 0:10:48 | |
So once I was at this dance competition with my team but I | 0:10:48 | 0:10:51 | |
forgot my costume, so I kept the jeans that I was already wearing but | 0:10:51 | 0:10:54 | |
they were super, super-tight and really hard to move in. | 0:10:54 | 0:10:57 | |
So I go on stage like that, I do the number, but it was just really | 0:10:57 | 0:11:00 | |
uncomfortable, and it was just, it was just horrible. | 0:11:00 | 0:11:02 | |
How is this positive? | 0:11:02 | 0:11:05 | |
That story was both negative and uninteresting. | 0:11:05 | 0:11:08 | |
That was a terrible story, | 0:11:08 | 0:11:10 | |
it's almost like the bad vibes are forcing us to tell bad stories. | 0:11:10 | 0:11:13 | |
OK, gimme, gimme. Come on, let's go. | 0:11:13 | 0:11:16 | |
OK, so one time I got cut from this dance team because I couldn't | 0:11:16 | 0:11:19 | |
master my double back hands from back layout. | 0:11:19 | 0:11:21 | |
So I spend the whole summer practising that flip and by the end | 0:11:21 | 0:11:24 | |
of the summer I auditioned for the team again, | 0:11:24 | 0:11:27 | |
hoping that this time I would make it. | 0:11:27 | 0:11:30 | |
-But I didn't. -ALL: -Why?! | 0:11:30 | 0:11:31 | |
What is happening? | 0:11:31 | 0:11:33 | |
These negative vibes are ruining everything. | 0:11:33 | 0:11:35 | |
This is not working. | 0:11:35 | 0:11:37 | |
I hope things are going better at the qualifier. | 0:11:37 | 0:11:39 | |
Oh, no, I said it. | 0:11:40 | 0:11:41 | |
'James and I are about to perform and I need to smooth things over.' | 0:11:48 | 0:11:52 | |
We need to beat Overhauser, or The Next Step isn't going to regionals. | 0:11:52 | 0:11:56 | |
Hey, look, I just want to say I'm sorry, OK? | 0:11:56 | 0:11:59 | |
Listen, I'm going to tell you exactly what I told you when we were | 0:11:59 | 0:12:02 | |
rehearsing. I don't like you! And you don't like me. | 0:12:02 | 0:12:05 | |
But I'm here for The Next Step because I care about the team. | 0:12:05 | 0:12:08 | |
-No, you mean you care about Riley. -Listen, I don't want to see your | 0:12:08 | 0:12:10 | |
face again, until I'm on stage. | 0:12:10 | 0:12:12 | |
-And what happens when we're on stage? -Either we win or we lose. | 0:12:12 | 0:12:14 | |
Either way, I never have to see you again. | 0:12:14 | 0:12:16 | |
I'm good with that. | 0:12:18 | 0:12:20 | |
'This is our last shot at regionals. | 0:12:20 | 0:12:23 | |
'I know I messed up but James and Alfie have to make this work.' | 0:12:23 | 0:12:26 | |
They just have to. | 0:12:27 | 0:12:28 | |
# If you want a rivalry | 0:12:34 | 0:12:37 | |
# Check yourself before you start a war | 0:12:38 | 0:12:40 | |
# If you want a rivalry | 0:12:40 | 0:12:43 | |
# Careful what you wish for | 0:12:44 | 0:12:46 | |
# If you want a rivalry | 0:12:46 | 0:12:48 | |
# Lay your weapons down on the floor | 0:12:50 | 0:12:51 | |
# If you want a rivalry | 0:12:51 | 0:12:53 | |
# Bring it on, bring it on | 0:12:55 | 0:12:57 | |
# One, two, three to the four I love competition so I need more | 0:12:57 | 0:12:59 | |
# Look at that bright light Got that right hype | 0:12:59 | 0:13:01 | |
# So go and get it Right, right now | 0:13:01 | 0:13:03 | |
# When I see you never backing down because I gave my pal | 0:13:03 | 0:13:05 | |
# Something to wave round When you see me | 0:13:05 | 0:13:07 | |
# You're holding down | 0:13:07 | 0:13:08 | |
# Oh, too late cos there's no holding back | 0:13:08 | 0:13:10 | |
# Oh, I bet you won't forget me... # | 0:13:10 | 0:13:13 | |
'James and Alfie can't stand each other and it's fuelling this dance.' | 0:13:13 | 0:13:17 | |
I basically predicted this! | 0:13:17 | 0:13:19 | |
CHEERING AND APPLAUSE | 0:13:19 | 0:13:21 | |
CHEERING AND APPLAUSE | 0:13:55 | 0:13:58 | |
'All of this can't be for nothing.' | 0:14:00 | 0:14:02 | |
After everything I put them through, we have to win. | 0:14:02 | 0:14:06 | |
The Next Step scores 96 points. | 0:14:07 | 0:14:09 | |
They are tied with Overhauser Dance Studio. | 0:14:09 | 0:14:12 | |
A tie! Are you kidding me? | 0:14:12 | 0:14:15 | |
The teams have five minutes to prepare a solo presentation | 0:14:16 | 0:14:20 | |
for the tie-breaker. | 0:14:20 | 0:14:21 | |
'This is my worst fear come true.' | 0:14:23 | 0:14:25 | |
We need a solo to break the tie and that means I have to choose, | 0:14:25 | 0:14:29 | |
James or Alfie. | 0:14:29 | 0:14:31 | |
Guys... | 0:14:33 | 0:14:34 | |
-Yeah, OK. -What's wrong? | 0:14:34 | 0:14:36 | |
-I'm not feeling it. -Henry? | 0:14:36 | 0:14:38 | |
-Are you all right, man. -Are you OK? | 0:14:38 | 0:14:40 | |
Our bad stories didn't help at all, if anything, | 0:14:40 | 0:14:42 | |
they just made things worse. | 0:14:42 | 0:14:44 | |
I still feel it, guys, there's still negative energy in the air. | 0:14:44 | 0:14:48 | |
It's happening! | 0:14:48 | 0:14:49 | |
We've been going about this all wrong. | 0:14:49 | 0:14:51 | |
We're The Next Step, and I think I know exactly | 0:14:51 | 0:14:54 | |
how to solve this problem. | 0:14:54 | 0:14:55 | |
You know what, we need to dance right now. | 0:14:55 | 0:14:58 | |
-Yes! -Yes, let's do it. | 0:14:58 | 0:14:59 | |
-Right now, we do. -Everyone put your hands in, one, two, three! | 0:14:59 | 0:15:03 | |
Let's go! | 0:15:03 | 0:15:04 | |
'This is our last shot at sending positive vibes to the qualifier.' | 0:15:04 | 0:15:07 | |
I just hope they get there in time. | 0:15:07 | 0:15:09 | |
'We're dancing our hearts out.' | 0:15:13 | 0:15:15 | |
We're doing this to send all our positive energy | 0:15:15 | 0:15:17 | |
to the dancers at the qualifier. | 0:15:17 | 0:15:18 | |
Who knows if this will work? But we can't give up now. | 0:15:18 | 0:15:22 | |
'These good vibes are definitely making me feel better.' | 0:15:22 | 0:15:25 | |
At least that's something. | 0:15:25 | 0:15:26 | |
'We've done everything we can to help the team win the...' | 0:15:26 | 0:15:29 | |
the you-know-what, now all we can do is wait for the results. | 0:15:29 | 0:15:33 | |
'Overhauser is killing their solo. | 0:15:44 | 0:15:46 | |
'Riley needs to decide right now who is doing our solo.' | 0:15:46 | 0:15:49 | |
Is it Alfie, or is it James? | 0:15:49 | 0:15:53 | |
Riley, you need to make a decision right now. | 0:15:53 | 0:15:55 | |
-Right now, right now. -I can't. | 0:15:55 | 0:15:56 | |
'I cannot believe I'm in this position again.' | 0:15:56 | 0:15:58 | |
I can't choose between James and Alfie, OK? | 0:15:58 | 0:16:01 | |
I haven't been able to do it in the past, | 0:16:01 | 0:16:03 | |
so what makes you think I could do it right now? | 0:16:03 | 0:16:05 | |
Considering that you're the studio head, that's literally your job. | 0:16:05 | 0:16:08 | |
I know that but I can't make this decision, OK? | 0:16:08 | 0:16:11 | |
You guys need to figure this out on your own. | 0:16:11 | 0:16:13 | |
When I took over as studio head, I had no idea how much pressure | 0:16:13 | 0:16:16 | |
there would be. | 0:16:16 | 0:16:18 | |
I can't handle this right now. | 0:16:18 | 0:16:20 | |
OK. Well, I think the obvious choice here is me. | 0:16:20 | 0:16:22 | |
-What's so obvious, bro? -First, don't call me bro, and second, | 0:16:22 | 0:16:25 | |
-I'm on A-Troupe, you're not. -First, you're on A-Troupe | 0:16:25 | 0:16:27 | |
and Riley didn't even think you could win this duet without me. | 0:16:27 | 0:16:30 | |
So obviously, I think the choice for the solo is me. | 0:16:30 | 0:16:32 | |
Don't bring Riley into this. | 0:16:32 | 0:16:33 | |
'I can't believe this is happening right now.' | 0:16:33 | 0:16:36 | |
We're so close to regionals and it's all just slipping away. | 0:16:36 | 0:16:40 | |
-Please, don't be so immature. -Oh, you think | 0:16:51 | 0:16:53 | |
cos you're a little prince boy that you can talk to me like that? | 0:16:53 | 0:16:55 | |
-Oh, she told you about that, huh? -Of course she told me about that. | 0:16:55 | 0:16:58 | |
'I can't take this any more.' | 0:16:58 | 0:16:59 | |
I'm the dance captain, if Riley isn't going to make a decision, | 0:16:59 | 0:17:02 | |
then I will. | 0:17:02 | 0:17:03 | |
-Let's take this outside right now. -Oh, you want to? -Let's go. | 0:17:03 | 0:17:06 | |
OK, OK, OK, OK, OK. | 0:17:06 | 0:17:08 | |
Riley, please fix this situation, now. | 0:17:08 | 0:17:10 | |
Just listen, it's now or never, so... | 0:17:10 | 0:17:13 | |
-Who's it going to be, Riley? -Come on. | 0:17:13 | 0:17:15 | |
'Will The Next Step please take the stage.' | 0:17:15 | 0:17:17 | |
Like, now. | 0:17:17 | 0:17:19 | |
OK. OK. | 0:17:19 | 0:17:20 | |
Guys. | 0:17:21 | 0:17:22 | |
'I can't believe Skylar is doing this.' | 0:17:27 | 0:17:29 | |
I guess now it's all up to her. | 0:17:29 | 0:17:31 | |
# The heart a thousand times | 0:17:33 | 0:17:37 | |
# Smaller than my glanced face | 0:17:37 | 0:17:41 | |
# Have you ever missed yourself? # | 0:17:43 | 0:17:46 | |
Whoo! | 0:17:53 | 0:17:56 | |
# It would be your day in the garden | 0:17:56 | 0:17:59 | |
# Where there would only be roses | 0:17:59 | 0:18:02 | |
# Until that day | 0:18:02 | 0:18:04 | |
# There will only be thorns. # | 0:18:04 | 0:18:11 | |
'Skylar is dancing the solo of her life.' | 0:18:12 | 0:18:15 | |
I knew she'd be a great dance captain | 0:18:15 | 0:18:17 | |
but I could never imagine this. | 0:18:17 | 0:18:20 | |
# In this my sacred ground | 0:18:22 | 0:18:25 | |
# In this my secret heart | 0:18:25 | 0:18:29 | |
# In this place here my only time, only time | 0:18:29 | 0:18:33 | |
# For myself. # | 0:18:33 | 0:18:40 | |
'Skylar is dancing her hardest right now.' | 0:18:41 | 0:18:44 | |
I am so lucky that our dance captain is here to do | 0:18:44 | 0:18:46 | |
what's right for the team. | 0:18:46 | 0:18:47 | |
CHEERING AND APPLAUSE | 0:18:53 | 0:18:55 | |
'This is the best day of my life.' | 0:19:06 | 0:19:08 | |
No matter what happens, I couldn't be prouder of | 0:19:08 | 0:19:11 | |
what I did for my team. | 0:19:11 | 0:19:13 | |
The Next Step and Overhauser Dance Studio, | 0:19:13 | 0:19:15 | |
please make your way to the stage. | 0:19:15 | 0:19:17 | |
-You did good. -The winning team, moving forward to regionals is... | 0:19:20 | 0:19:25 | |
..The Next Step! | 0:19:27 | 0:19:29 | |
Whoo! | 0:19:29 | 0:19:30 | |
We won! We're going to regionals! | 0:19:33 | 0:19:35 | |
PHONE BUZZES | 0:19:36 | 0:19:38 | |
OK. | 0:19:38 | 0:19:40 | |
OK, relax, relax. | 0:19:40 | 0:19:41 | |
We won! | 0:19:41 | 0:19:42 | |
I knew it. The negative vibes had been danced away and in the end our | 0:19:45 | 0:19:50 | |
team pulled through. | 0:19:50 | 0:19:51 | |
-Thank you. -What? | 0:19:52 | 0:19:54 | |
-Thank you. -Sorry, Riley, I can't hear you? | 0:19:54 | 0:19:58 | |
Thank you! | 0:19:58 | 0:19:59 | |
All for what, I mean, all I did was come in at the exact right moment | 0:20:00 | 0:20:03 | |
and totally save the studio. | 0:20:03 | 0:20:05 | |
-No big deal. -Thanks. | 0:20:05 | 0:20:08 | |
Right, get over there and celebrate. | 0:20:08 | 0:20:10 | |
-We did it! -I know! | 0:20:14 | 0:20:15 | |
I'm feeling crazy right now. | 0:20:15 | 0:20:17 | |
It's amazing. | 0:20:17 | 0:20:18 | |
Thank you. | 0:20:21 | 0:20:23 | |
-I couldn't have done it without you. -That's what I do. | 0:20:23 | 0:20:25 | |
Well, I guess that's it. | 0:20:27 | 0:20:28 | |
looks like I got a plane to catch. | 0:20:31 | 0:20:33 | |
Look, it's not over yet, all right? | 0:20:33 | 0:20:36 | |
It will work itself out. | 0:20:36 | 0:20:38 | |
Just have some faith. | 0:20:38 | 0:20:40 | |
'I want to believe Emily but right now I don't have a lot of faith.' | 0:20:40 | 0:20:44 | |
It's time for me to go back to London. | 0:20:44 | 0:20:46 | |
Where's James? | 0:20:49 | 0:20:50 | |
I'm happy that we won but it feels weird celebrating without James. | 0:20:55 | 0:20:59 | |
# We We're gonna show the world | 0:21:03 | 0:21:10 | |
# Everything we're made of | 0:21:10 | 0:21:13 | |
# We're gonna tear the roof off this place | 0:21:13 | 0:21:18 | |
# You You can never fade us out | 0:21:18 | 0:21:24 | |
# Don't even ask the DJ | 0:21:24 | 0:21:27 | |
# Everybody knows we own this sound. # | 0:21:28 | 0:21:35 |