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Previously on The Next Step. | 0:00:02 | 0:00:03 | |
I don't wanna see your face again until I'm on stage. | 0:00:03 | 0:00:05 | |
-And what happens when we've lost it, huh? -Either we win or we lose. | 0:00:05 | 0:00:08 | |
Either way, I never have to see you again. | 0:00:08 | 0:00:11 | |
Moving forward to regionals is The Next Step! | 0:00:11 | 0:00:13 | |
I'm happy that we won, but it feels weird celebrating without James. | 0:00:13 | 0:00:19 | |
It's time for the team to start focusing on regionals. | 0:00:19 | 0:00:22 | |
Michelle, you will be doing the solo. | 0:00:22 | 0:00:24 | |
All of my hard work has finally paid off. | 0:00:24 | 0:00:26 | |
The whole team is counting on me and it feels great. | 0:00:26 | 0:00:28 | |
This is not going to be an easy call, | 0:00:38 | 0:00:40 | |
but I never got the chance to thank James for dancing with Alfie | 0:00:40 | 0:00:44 | |
in the qualifier. | 0:00:44 | 0:00:45 | |
I need him to know how grateful I am. | 0:00:45 | 0:00:47 | |
PHONE CHIMES | 0:00:47 | 0:00:50 | |
Hey. | 0:00:54 | 0:00:55 | |
Hey. | 0:00:55 | 0:00:57 | |
I just wanted to catch you before you go back to England. | 0:00:57 | 0:01:01 | |
I never got the chance to thank you for what you did. | 0:01:01 | 0:01:04 | |
I know how hard it was for you and I really do appreciate it. | 0:01:04 | 0:01:08 | |
No problem. | 0:01:08 | 0:01:10 | |
Everyone is so grateful. | 0:01:11 | 0:01:12 | |
Is that it? | 0:01:14 | 0:01:15 | |
Yeah. Yeah, I guess. | 0:01:17 | 0:01:19 | |
OK. I've got to catch a flight. | 0:01:19 | 0:01:21 | |
So, bye, Riley. | 0:01:21 | 0:01:23 | |
That didn't go how I wanted but at least James knows how I feel. | 0:01:26 | 0:01:30 | |
I guess now it's time to move on. | 0:01:31 | 0:01:35 | |
# We | 0:01:35 | 0:01:36 | |
# We're gonna show the world | 0:01:36 | 0:01:41 | |
# Everything we're made of | 0:01:41 | 0:01:44 | |
# We're gonna tear the roof off this place | 0:01:44 | 0:01:49 | |
# Stand up. # | 0:01:57 | 0:01:59 | |
Hey. | 0:02:19 | 0:02:21 | |
Hey. | 0:02:21 | 0:02:22 | |
What's going on? | 0:02:22 | 0:02:25 | |
Nothing. I just talked to James. | 0:02:25 | 0:02:28 | |
Oh. | 0:02:29 | 0:02:31 | |
-Are you OK? -Yes. | 0:02:31 | 0:02:33 | |
He's gone back to London. | 0:02:33 | 0:02:35 | |
-I can come back later. -No. -If you want. -No. | 0:02:36 | 0:02:39 | |
What do you need? | 0:02:39 | 0:02:40 | |
Well, what I need is to cheer you up. | 0:02:41 | 0:02:45 | |
So what about a date to celebrate our going to regionals? | 0:02:45 | 0:02:50 | |
-A date? -Yeah. | 0:02:50 | 0:02:52 | |
-OK. What are we going to do? -That is more of a surprise. | 0:02:53 | 0:02:56 | |
But, meet me at Studio A later | 0:02:57 | 0:03:01 | |
and, yeah. | 0:03:01 | 0:03:03 | |
I'll be fancy. We'll be fancy. | 0:03:03 | 0:03:05 | |
OK. | 0:03:05 | 0:03:07 | |
Yeah. Looking forward to it. | 0:03:07 | 0:03:09 | |
Me too. This is perfect. | 0:03:10 | 0:03:13 | |
What better way to move on from James than a first date with Alfie. | 0:03:13 | 0:03:16 | |
-Ready? -Yeah. -Let's do it. | 0:03:20 | 0:03:21 | |
Five, six, seven, eight. | 0:03:21 | 0:03:23 | |
-Was that cool? -Yes. That was good. | 0:03:25 | 0:03:26 | |
Right now, we're in the rehearsal room working on our trio. | 0:03:26 | 0:03:29 | |
We're working really hard on this dance. | 0:03:29 | 0:03:31 | |
At least two of us are. | 0:03:31 | 0:03:33 | |
Five, six, seven, eight. | 0:03:33 | 0:03:35 | |
Two, four. | 0:03:35 | 0:03:36 | |
-Are you OK, Michelle? You're getting this? -Oh, yeah. | 0:03:41 | 0:03:44 | |
-I'm fine. -We can slow it down a little if you want. | 0:03:44 | 0:03:47 | |
That won't be necessary. | 0:03:47 | 0:03:49 | |
Let's just do it again. | 0:03:49 | 0:03:51 | |
I am feeling a little pressure. | 0:03:51 | 0:03:53 | |
I've been assigned both the solo and the trio for regionals. | 0:03:53 | 0:03:56 | |
My focus is on making that solo perfect. | 0:03:56 | 0:03:59 | |
That's not even our choreo. | 0:04:07 | 0:04:08 | |
Oh. I'm sorry. | 0:04:10 | 0:04:12 | |
I'm just so focused on the solo. | 0:04:12 | 0:04:14 | |
I just really want to win, and if I win, | 0:04:14 | 0:04:17 | |
we won't even have to do this trio at regionals. | 0:04:17 | 0:04:19 | |
I get where Michelle's coming from but the trio round is sudden death. | 0:04:19 | 0:04:24 | |
If we end up there, this routine needs to be perfect. | 0:04:24 | 0:04:27 | |
Why don't you guys go to Java, get a juice, and when you guys come back, | 0:04:27 | 0:04:30 | |
I'll be ready to rock and roll. | 0:04:30 | 0:04:32 | |
I just need some time. | 0:04:32 | 0:04:35 | |
OK. | 0:04:35 | 0:04:36 | |
I'm not happy that Michelle is using our rehearsal time to work on her | 0:04:36 | 0:04:39 | |
solo, but if that's what she needs to get focused then so be it. | 0:04:39 | 0:04:44 | |
If this keeps up, I'm worried about our chances at regionals. | 0:04:53 | 0:04:56 | |
Me too. | 0:04:56 | 0:04:57 | |
Our trio should be a lot further along by now, | 0:04:57 | 0:04:59 | |
but Michelle's just too distracted to work on it. | 0:04:59 | 0:05:02 | |
I don't know what we can do. | 0:05:02 | 0:05:04 | |
I don't know. | 0:05:04 | 0:05:05 | |
Hey, guys. So, how's your trio going? | 0:05:05 | 0:05:07 | |
Um, not great. | 0:05:07 | 0:05:09 | |
-No. -Well, shouldn't you be working on it. | 0:05:09 | 0:05:13 | |
Michelle's doing her solo right now. | 0:05:13 | 0:05:14 | |
But you want to be working on your trio, don't you? | 0:05:14 | 0:05:17 | |
-Yeah! -Yeah! | 0:05:17 | 0:05:18 | |
Noah's not ready to start the duet, so maybe I can help these girls out, | 0:05:18 | 0:05:21 | |
and myself too, while I'm at it. | 0:05:21 | 0:05:24 | |
Maybe I can fill in for Michelle until she's ready to get back at it? | 0:05:24 | 0:05:27 | |
I mean, Emily and Riley have been saying that we have to take | 0:05:27 | 0:05:30 | |
an all-hands-on-deck approach to regionals this year. | 0:05:30 | 0:05:33 | |
So I'm happy to fill her spot, for now. | 0:05:33 | 0:05:36 | |
I guess. | 0:05:36 | 0:05:37 | |
-Yeah, OK. -Sure. | 0:05:37 | 0:05:39 | |
Richelle is right. We can't just sit on our hands. | 0:05:39 | 0:05:41 | |
We have to do something, even if Michelle may not like it. | 0:05:41 | 0:05:44 | |
This is a win-win for everyone. | 0:05:44 | 0:05:46 | |
Except maybe Michelle. | 0:05:46 | 0:05:48 | |
Bonjour, mademoiselle. | 0:05:56 | 0:05:57 | |
I have no idea what Alfie has planned for our first date. | 0:05:57 | 0:06:00 | |
It could be anything. | 0:06:00 | 0:06:02 | |
Vive ne a Chez Alfie. | 0:06:02 | 0:06:04 | |
Chez Alfie? | 0:06:04 | 0:06:06 | |
Oui. Chez Alfie. | 0:06:06 | 0:06:07 | |
I remember a time, not very long ago, when this place was Chez James. | 0:06:07 | 0:06:11 | |
My very last date with James was right here. | 0:06:12 | 0:06:16 | |
Suis moi. | 0:06:16 | 0:06:17 | |
You look beautiful. | 0:06:34 | 0:06:36 | |
-Thanks. -I thought this would be the perfect place | 0:06:36 | 0:06:39 | |
for us to have our first date. What do you think? | 0:06:39 | 0:06:42 | |
Perfect. | 0:06:42 | 0:06:44 | |
I'm experiencing a serious and terrible case of deja vu. | 0:06:44 | 0:06:49 | |
Oh. Thank you. I've been waiting for this moment for a lifetime. | 0:06:55 | 0:06:58 | |
I'm super-nervous, because there's something | 0:07:00 | 0:07:02 | |
I really need to say to Amanda. | 0:07:02 | 0:07:03 | |
It needs to be perfect. | 0:07:03 | 0:07:05 | |
Hey. | 0:07:06 | 0:07:07 | |
I got your message. It sounded urgent. | 0:07:07 | 0:07:09 | |
What's up? | 0:07:09 | 0:07:11 | |
This is the moment of truth. | 0:07:11 | 0:07:12 | |
I'm going to tell Amanda I love her. | 0:07:12 | 0:07:14 | |
It's scary. But what's the worst that can happen? | 0:07:14 | 0:07:17 | |
Noah? | 0:07:20 | 0:07:22 | |
Is it your back? | 0:07:22 | 0:07:23 | |
Mm...Mm-mm. | 0:07:23 | 0:07:24 | |
Is someone ill? | 0:07:24 | 0:07:27 | |
Amanda. I only have one chance to do this right | 0:07:28 | 0:07:31 | |
and I don't want you to think there's any doubt | 0:07:31 | 0:07:34 | |
whatsoever in my mind about the thing I'm going to say. | 0:07:34 | 0:07:38 | |
Noah's being really strange. | 0:07:38 | 0:07:40 | |
Stranger than normal. | 0:07:40 | 0:07:41 | |
Here we go. | 0:07:41 | 0:07:44 | |
I... | 0:07:44 | 0:07:45 | |
I love you. | 0:07:47 | 0:07:48 | |
I did not see that coming. | 0:07:51 | 0:07:53 | |
Oh. That's so sweet, Noah. | 0:07:53 | 0:07:56 | |
And I'm so in love with you, it is crazy. | 0:07:56 | 0:07:59 | |
I just can't stop thinking about how much I love you, | 0:07:59 | 0:08:01 | |
and saying it feels so good | 0:08:01 | 0:08:03 | |
and I don't think I ever want to stop saying it | 0:08:03 | 0:08:05 | |
for the rest of my life. | 0:08:05 | 0:08:07 | |
So, I love you Amanda. I love you. | 0:08:07 | 0:08:09 | |
This is so completely overwhelming and a little terrifying. | 0:08:10 | 0:08:14 | |
I'm sorry for the outburst. | 0:08:14 | 0:08:16 | |
I just needed to make it clear how much I love you. | 0:08:16 | 0:08:18 | |
Is there something you wanted to say? | 0:08:20 | 0:08:22 | |
Um... | 0:08:24 | 0:08:26 | |
That means so much to me. | 0:08:26 | 0:08:29 | |
OK. Good. | 0:08:30 | 0:08:31 | |
I've got to go. | 0:08:34 | 0:08:35 | |
I said I love you six times. | 0:08:38 | 0:08:41 | |
Six. Amanda said it zip. | 0:08:41 | 0:08:44 | |
Zero. | 0:08:44 | 0:08:46 | |
Now that is the worst that could happen. | 0:08:46 | 0:08:49 | |
Alfie has arranged the sweetest date in Studio A. | 0:09:00 | 0:09:04 | |
The only problem is this is exactly where I had my last date with James. | 0:09:05 | 0:09:10 | |
Now, I would have taken you to Rome, Paris or New York, | 0:09:10 | 0:09:13 | |
or maybe even one of those little fancy restaurants across town, | 0:09:13 | 0:09:18 | |
but then I thought it should be in a place that's meaningful to us. | 0:09:18 | 0:09:23 | |
Um, good thinking. | 0:09:24 | 0:09:26 | |
Voulez-vous un amuse-bouche, maintenant? | 0:09:31 | 0:09:34 | |
Um, pardon me? | 0:09:34 | 0:09:35 | |
Oui. Merci beaucoup. | 0:09:35 | 0:09:37 | |
THEY TALK IN FRENCH | 0:09:38 | 0:09:41 | |
This is all so romantic and sophisticated, | 0:09:44 | 0:09:47 | |
and really, really weird. | 0:09:47 | 0:09:51 | |
Um, what is this? | 0:09:51 | 0:09:53 | |
It's actually Russian caviar. | 0:09:53 | 0:09:55 | |
I made a few phone calls and had it flown in from a little cafe in Paris. | 0:09:55 | 0:09:58 | |
You can try it. | 0:09:59 | 0:10:01 | |
Mm. | 0:10:06 | 0:10:07 | |
It's actually really good. | 0:10:07 | 0:10:09 | |
Way better than bologna sandwiches. | 0:10:09 | 0:10:11 | |
Bologna sandwiches? | 0:10:11 | 0:10:14 | |
I would never serve you bologna sandwiches. | 0:10:14 | 0:10:16 | |
I can't help thinking about my date with James, | 0:10:17 | 0:10:20 | |
when John was in charge of catering and all he brought was sandwiches. | 0:10:20 | 0:10:24 | |
The sandwiches were terrible but the thought was really sweet. | 0:10:24 | 0:10:27 | |
You know, you didn't have to go to all this trouble. | 0:10:29 | 0:10:31 | |
Riley. How many times are we going to get a first date? | 0:10:33 | 0:10:35 | |
My head is spinning. | 0:10:37 | 0:10:39 | |
It's really nice to be on a date with Alfie, | 0:10:39 | 0:10:41 | |
but it's also really overwhelming. | 0:10:41 | 0:10:44 | |
OK. So, basically our dance is about a lifeline | 0:10:53 | 0:10:55 | |
and we have these ropes and we're all attached. | 0:10:55 | 0:10:58 | |
Hey, guys. I think I just need five more minutes. | 0:10:58 | 0:11:01 | |
Don't worry. I got your back. | 0:11:02 | 0:11:05 | |
Richelle can't fool me for a second. | 0:11:05 | 0:11:07 | |
I know her very well. | 0:11:07 | 0:11:09 | |
Do you mind if I just speak to Richelle privately? | 0:11:09 | 0:11:11 | |
I see what you're trying to do here. | 0:11:16 | 0:11:18 | |
You're trying to take my spot on the trio. | 0:11:18 | 0:11:20 | |
-So what if I am. -You're being so selfish. | 0:11:20 | 0:11:24 | |
Selfish? Really? | 0:11:24 | 0:11:26 | |
Because I'm pretty sure that I'm looking out for the studio | 0:11:26 | 0:11:29 | |
way more than you are right now. | 0:11:29 | 0:11:30 | |
I bailed to work on my solo because my solo needs to be perfect. | 0:11:30 | 0:11:33 | |
I need to win. | 0:11:33 | 0:11:34 | |
If you're going to be in two dances, | 0:11:34 | 0:11:36 | |
then you have to give an equal amount of attention to both of them. | 0:11:36 | 0:11:39 | |
And if you're not prepared to do that, then someone else will. | 0:11:40 | 0:11:44 | |
-You mean you will. -No, not just me, actually. | 0:11:44 | 0:11:49 | |
Every dancer in the studio would kill to be in your position right now. | 0:11:49 | 0:11:52 | |
I hate when Richelle is right. | 0:11:55 | 0:11:57 | |
I've been making time for my solo at the expense my team-mates. | 0:11:57 | 0:12:00 | |
I should know better. | 0:12:00 | 0:12:02 | |
The team comes first. | 0:12:02 | 0:12:03 | |
Always. | 0:12:03 | 0:12:04 | |
This should be a perfect first date, | 0:12:10 | 0:12:12 | |
but it's only bringing back memories of my last date. | 0:12:12 | 0:12:16 | |
There is actually one more thing. | 0:12:16 | 0:12:17 | |
What. What is it? | 0:12:19 | 0:12:20 | |
Shall we dance? | 0:12:23 | 0:12:24 | |
Of course. | 0:12:24 | 0:12:25 | |
VIOLIN PLAYS | 0:12:25 | 0:12:29 | |
All I can think about is when I was here dancing with James. | 0:12:32 | 0:12:35 | |
Everything was so simple then. | 0:12:41 | 0:12:42 | |
And now it's all so confusing. | 0:12:45 | 0:12:48 | |
-What's going on? -Sorry. | 0:12:54 | 0:12:56 | |
I can't do this. | 0:12:56 | 0:12:57 | |
I put together an amazing first date for Riley | 0:13:14 | 0:13:17 | |
but she got upset and ran out. | 0:13:17 | 0:13:20 | |
I have no idea what went wrong. | 0:13:20 | 0:13:22 | |
I was mad at Alfie after everything that happened | 0:13:26 | 0:13:29 | |
between him and Riley and James. | 0:13:29 | 0:13:31 | |
But that's in the past. | 0:13:31 | 0:13:33 | |
We need to move forward. | 0:13:33 | 0:13:35 | |
Hey. | 0:13:38 | 0:13:40 | |
I wanted to congratulate you. | 0:13:40 | 0:13:41 | |
And apologise to you. | 0:13:44 | 0:13:45 | |
It was none of my business to interfere with whatever | 0:13:45 | 0:13:48 | |
was happening between my brother and Riley and you. | 0:13:48 | 0:13:51 | |
You guys danced an incredible duet at the qualifier. | 0:13:51 | 0:13:54 | |
I realise that I should forgive you and move on too. | 0:13:55 | 0:14:00 | |
I appreciate that. | 0:14:00 | 0:14:02 | |
You look really well-dressed and sad. | 0:14:08 | 0:14:12 | |
Is there anything I can do? | 0:14:14 | 0:14:16 | |
I don't think you want to hear about it. | 0:14:16 | 0:14:19 | |
Try me. | 0:14:19 | 0:14:21 | |
Well, I tried taking Riley out on a date. | 0:14:21 | 0:14:23 | |
And it ended in disaster. | 0:14:25 | 0:14:27 | |
I held it in Studio A and made it like a fancy restaurant. | 0:14:27 | 0:14:31 | |
You what? | 0:14:31 | 0:14:33 | |
Oh, Alfie. | 0:14:33 | 0:14:36 | |
That's exactly what James did before he went to London. | 0:14:36 | 0:14:39 | |
That explains a lot. | 0:14:41 | 0:14:43 | |
Don't lose hope. Just talk to her. | 0:14:47 | 0:14:50 | |
Piper's right. | 0:14:52 | 0:14:53 | |
I still have a chance to save my first date with Riley. | 0:14:53 | 0:14:56 | |
# I was always the kid who kept my distance from everyone | 0:15:01 | 0:15:09 | |
# That was the age I used to fill my days with cheap distraction... # | 0:15:09 | 0:15:15 | |
Richelle was right, the trio is just as important as the solo. | 0:15:15 | 0:15:18 | |
So I told the girls they don't need Richelle any more. | 0:15:18 | 0:15:21 | |
I'm here for them. | 0:15:21 | 0:15:22 | |
# You're my elevator | 0:15:22 | 0:15:25 | |
# You take me so high off the ground | 0:15:25 | 0:15:29 | |
# I'll be your strength when you get weak... # | 0:15:29 | 0:15:32 | |
I'm so happy that Michelle's taking the trio seriously now. | 0:15:32 | 0:15:36 | |
I mean, look at this routine! It's amazing! | 0:15:36 | 0:15:38 | |
# I'll be your strength when you get weak | 0:15:38 | 0:15:40 | |
# You'll be my anchor in the sea | 0:15:40 | 0:15:43 | |
# You're my elevator | 0:15:43 | 0:15:47 | |
# When I get down, when it gets dark | 0:15:47 | 0:15:51 | |
# When I get low, you lift me up. # | 0:15:51 | 0:15:57 | |
Think we can call it a day? | 0:16:02 | 0:16:04 | |
You guys can go but I'm going to stay around | 0:16:04 | 0:16:07 | |
-and do a little bit more dancing. -OK. | 0:16:07 | 0:16:09 | |
Thanks, guys. | 0:16:11 | 0:16:12 | |
I have to find a way to make the solo and the trio work, | 0:16:13 | 0:16:16 | |
so that means no breaks for me until after regionals. | 0:16:16 | 0:16:19 | |
I'm back. | 0:16:31 | 0:16:33 | |
We're done for the day. | 0:16:33 | 0:16:36 | |
I feel so weird about everything. | 0:16:36 | 0:16:37 | |
I can't even look Amanda in the eye right now. | 0:16:37 | 0:16:40 | |
-Is something wrong, Noah? -Well, I told you I loved you. | 0:16:40 | 0:16:43 | |
Yeah. | 0:16:43 | 0:16:45 | |
And it's kind of a big deal. | 0:16:45 | 0:16:47 | |
-Yep. -I was kind of hoping you'd, you know... | 0:16:47 | 0:16:50 | |
-Say it back. -Yeah. Just a little bit. | 0:16:50 | 0:16:53 | |
Noah, sit down. | 0:16:53 | 0:16:55 | |
Listen. | 0:16:59 | 0:17:00 | |
The reason I haven't said it yet is because I want to be sure, | 0:17:01 | 0:17:06 | |
and I think I will be soon, | 0:17:06 | 0:17:07 | |
but saying I love you is just too big for games. | 0:17:07 | 0:17:11 | |
I don't want to mess anything up. | 0:17:11 | 0:17:13 | |
You mean too much to me. | 0:17:13 | 0:17:15 | |
All right. I hear you. | 0:17:16 | 0:17:18 | |
How about we give each other like a secret sign? | 0:17:19 | 0:17:22 | |
When you're ready to say I love you, just give me the sign. | 0:17:22 | 0:17:25 | |
OK. What secret sign would you like? | 0:17:25 | 0:17:27 | |
I've always been partial to the secret wink. | 0:17:27 | 0:17:30 | |
-Like... -That's it. | 0:17:30 | 0:17:32 | |
That's exactly it, but you're not telling me that you're ready | 0:17:32 | 0:17:35 | |
-right now, are you? -No. It's just the test signal. | 0:17:35 | 0:17:37 | |
Right, OK. I'll be waiting for you. | 0:17:37 | 0:17:39 | |
I'll be waiting for that wink. | 0:17:39 | 0:17:41 | |
OK. | 0:17:41 | 0:17:42 | |
Would you give me another test signal? | 0:17:44 | 0:17:46 | |
Thank you. | 0:17:49 | 0:17:50 | |
Noah really gets me and that's why I love him. | 0:17:50 | 0:17:53 | |
Not that I'm going to tell him that yet. | 0:17:55 | 0:17:57 | |
# You had me at hello | 0:17:57 | 0:17:59 | |
# So here we go, go | 0:17:59 | 0:18:01 | |
# With a little heart and soul | 0:18:01 | 0:18:03 | |
# Yeah, yeah, yeah. # | 0:18:03 | 0:18:06 | |
I'm hiding out, trying to gather my thoughts after running out on Alfie. | 0:18:08 | 0:18:13 | |
He meant well but it was just too much for me. | 0:18:13 | 0:18:16 | |
Hey. | 0:18:20 | 0:18:22 | |
Alfie, I'm so sorry for bolting like that. | 0:18:22 | 0:18:26 | |
It's just, that date. | 0:18:26 | 0:18:29 | |
It brought back a lot of memories for me. | 0:18:29 | 0:18:31 | |
Memories of James. | 0:18:31 | 0:18:33 | |
It hurts to hear that, but if I want a future with Riley | 0:18:36 | 0:18:39 | |
then I have to prove that I'm very different than James. | 0:18:39 | 0:18:42 | |
Have you ever had a date in this room before? | 0:18:44 | 0:18:46 | |
No. | 0:18:46 | 0:18:48 | |
Perfect. And has anyone ever read you French poetry | 0:18:49 | 0:18:52 | |
in this room before? | 0:18:52 | 0:18:54 | |
No. | 0:18:54 | 0:18:56 | |
Quand l'amour s'en va, l'espoir fuit. | 0:19:04 | 0:19:08 | |
L'amour, c'est le cri de l'aurore, | 0:19:08 | 0:19:11 | |
L'amour c'est l'hymne de la nuit. | 0:19:11 | 0:19:15 | |
When Alfie reads me that poem, | 0:19:16 | 0:19:19 | |
I'm spinning. | 0:19:19 | 0:19:20 | |
That was amazing. | 0:19:22 | 0:19:24 | |
And has anyone ever | 0:19:24 | 0:19:28 | |
kissed you in this room before? | 0:19:28 | 0:19:30 | |
If anyone can help me move on from James, it's Alfie. | 0:19:36 | 0:19:40 | |
I just hope I can. | 0:19:40 | 0:19:42 | |
The whole flight to London I was thinking about Riley. | 0:20:01 | 0:20:04 | |
Wherever she is, whatever she's doing, I hope she's happy. | 0:20:04 | 0:20:08 | |
Wait. | 0:20:11 | 0:20:12 | |
Wes. You and James were in my dream. | 0:20:15 | 0:20:18 | |
You're not dreaming, man. | 0:20:18 | 0:20:19 | |
Then why are your ears so big? | 0:20:22 | 0:20:25 | |
How was your trip? | 0:20:25 | 0:20:27 | |
-Long. -Hey. | 0:20:29 | 0:20:31 | |
Let's go get some breakfast. | 0:20:31 | 0:20:33 | |
Is it breakfast time? | 0:20:35 | 0:20:37 | |
Does it even matter, Eldon? | 0:20:37 | 0:20:39 | |
When one man is down, other men go with him to get breakfast. | 0:20:39 | 0:20:43 | |
It's a tradition as old as time or at least as old as diners. | 0:20:43 | 0:20:47 | |
Let's go get ready. | 0:20:48 | 0:20:49 | |
I'm miles from home, but right now this is where I want to be. | 0:20:51 | 0:20:54 | |
I'm happy I'm with the guys. | 0:20:54 | 0:20:56 | |
# We | 0:21:04 | 0:21:07 | |
# We're gonna show the world | 0:21:07 | 0:21:10 | |
# Everything we're made of | 0:21:10 | 0:21:14 | |
We're gonna tear the roof off this place | 0:21:14 | 0:21:18 | |
# You | 0:21:18 | 0:21:21 | |
# You can never fade us out | 0:21:21 | 0:21:24 | |
# Don't even ask the DJ | 0:21:24 | 0:21:28 | |
# Everybody knows we own this sound... # | 0:21:28 | 0:21:33 |